#things are getting more complex

[welcometogrouchland]

[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post

[a-dope-fiend]

It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.

His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.

He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.

[poorly-drawn-mdzs]

He was just being a silly little guy!

[First] Prev <–-> Next

[daily-sifloop]

Kisses!!! Please!!!!!! They deserve it

day 11: behind the scenes

[fumifooms]

Dad always said I was like him

Meijack and Chilchuck Tims Dungeon Meshi, Ryoko Kui

^ 1: Moony moonless sky, Fatima Aamer Bilal / 2: Bug like an angel, Mitski / 3: Woodtangle, Mary Ruefle / 4: The Third Hour of the Night, Frank Bidart / 5 & 6: FROM THE MAKERS OF "TWO-MOM ENERGY DRINK," IT'S "LET YOUR FATHER DIE ENERGY DRINK,", Daniel Lavery & Cecilia Corrigan / 7: Batman: Year Three (1989) / 8 & 9 : FROM THE MAKERS OF […], Daniel Lavery & Cecilia Corrigan / 10: Wilt, CJ the X / 11: How Do We Forgive Our Fathers, Dick Lourie / 12: Milk and honey, Rupi Kaur / 13: And My Father's Love Was Nothing Next To God's Will, Amatullah Bourdon / 14: Moony moonless sky, Fatima Aamer Bilal / 15: Someday I’ll Love Ocean Vuong, Ocean Vuong / 16: untitled, Joan Tierney v 17: Drunk, The Living Tombstone / 18: unknown

When your father tried his best to provide for you but he worked all the time and even when he was home he was either tired or stressed and he’s always liked to get drunk to relax and cheer up. When you know he values work ethics and respectability so you grew up to be capable and quiet. And when he says you’re like him you’re sort of puzzled, does he really know you so little, or does he know himself so little? But you like the feeling of your father ruffling your hair so you accept it, and still you stand next to your mother just as silent and just as stoic as her during family gatherings. He leaves again and again and when your mother leaves him nothing changes, really. You wonder if it’s more telling that you know him better than he seems to himself or that you don’t know him as much as you wish you did, or that you don’t think about him all that much these days. Out of sight, out of mind. And he’s never really been there, even when he was there, after all.

[diurnalvl]

seven years ago, they used to be friends. almost.

1 / 2 / ?

[anassemblageofpassions]

The thing abt john winchester is that he is too complex for the majority of the spn fandom and for a good portion of the writers on the show too.

Because at his core john is about love over everything else. When he looks up at his sons (yes, up, the fact that they’re both taller than him>>>>>), there is love seeping achingly from every single pore of his being even as he abuses them, as he destroys their souls beyond belief. He does it all entirely out of love. And he is so, so wrong for it. A part of him knows it. But he wants to keep dean alive, and he wants to keep Sam pure. And he loves them so much. And he damages them so horribly. John Winchester is the foundation upon which they are both built, they only become more of what he made them as the series goes on. Sam stops fighting it, Dean continues to mold into his image no matter how hard he tries to fight it.

Hell puts them both on steroids, but their individual trauma responses that influence this are the foundations that John built into them. No wonder azazel wanted sam to win so badly. John Winchester crafted his sons into alastair and Lucifer’s ideal victims, respectively, and dean was a better (worse) john than John ever was. John held out in hell. Dean acquiesced to his abuser despite all of his efforts to fight him, and he’s never been the same since.

Sam fought like hell, and he fought destiny, but at his core, he did what John always wanted him to by doing what dean wanted him to do, and then he stops fighting at all, loses the fire he showed john in adolescence that john immediately notices when he returns in s14.

And the sad thing is. They filled their roles so well that John is saddened by what they’ve become. He didn’t want dean to break. He didn’t want Sam to be dimmed. He’s sad to see what Sam is like in s14. In the process of recovering his wife, he ensured he would mold his sons into what he wanted them to be, and when he got what he wanted, he was devastated.

John Winchester is so driven by love and grief and he’s so filled to the brim with both that it’s painful to watch him on screen because he destroyed his family because of it. And he wanted this all along but he didn’t realize what he’d have to give up to get it.

[uselessnbee]

something i can't stop thinking about is the fact that Percy Jackson started as a comfort story for Rick's son to show him that his adhd and dyslexia doesn't have to be just a bad thing and the fandom then took Percy and Leo and made them into these stupid idiots that don't even know basic math or "big" words and wouldn't be able to even tie their shoelaces without someone else's (someone smarter's) help

don't yall see how fucked up that is? a big part of this fandom has adhd and/or dyslexia and/or other learning disabilities/neurodivergence and find comfort in those characters. they are called lazy and stupid all the time and then yall decided to take characters with those disabilities and ignore their inteligence and made them into something they are not just because their adhd is more "visible" (read more stereotypical looking) (even tho that's not true either because the fandom made them into chaotic gremlins but in reality Percy is more just sarcastic and snarky and even that is more just his internal monologue for his own amusment and to cope and Leo just uses humor as a coping mechanism to hide his depression and other issues but that's a discussion for another time)

Percy is canonically very smart and strategic. no he isn't very good at school. it's what happens when you're neurodivergent and have learning disabilities. that doesn't mean he's stupid. no he doesn't know everything about greek mythology and that doesn't make him stupid either. but when Annabeth tells him the myth he is very good at coming up with strategies and how to win a fight. he's not smart as Annabeth because Annabeth is literally a daughter of the goddess of wisdom so stop fucking comparing them. are you also going to call Annabeth weak and incapable because she can't control water? no you won't because that's fucking stupid. and Leo. fucking Leo. is literally canonically a mathematic genius and also genius when it comes building stuff. they're both smart. they're not fucking stupid. they know and understand words that are longer than 5 letters. no they do not struggle with basic knowledge. they're not fucking stupid.

and miss me with the "it's just a joke" bullshit

jokes are supposed to be funny

and it's not just a joke for many of you because the number of fanfics where they are written in exactly this way is too fucking high. it's actually surprising to find a fanfic where they are written right

in conclusion: the way this fandom portrays Percy and Leo is reinforcing the harmful misconception that people with adhd and/or other learning disabilities are stupid and i hate it with a burning passion

call me sensitive all you want i'll gladly accept it i will rather be called sensitive for hating that those characters are being treated this way than follow the fandoms harmful idea about them

thank you for coming to my ted talk <3

[dykedvonte]

Love that in New Vegas you can like personally and permanently fuck over your human companions:

You can destroy the Brotherhood of Steel which Veronica still considers her family despite their differences. On top of that you can kill Elijah and Christine, the latter not being necessary or beneficial to you at all.

You can set up Cass and take her to the Silver Rush to be killed by Jean-Baptiste. Which is extra cruel cause you can literally only do it by first getting her to sell out to the people who tried to kill her in the first place.

You can put more innocent blood on Boone’s hands and fuck with his head more by having him kill his former best friend who is the last person he is implied to have any sort of relationship with outside the Courier.

You can literally sell Arcade into slavery to the Legion in where his hatred for every single one of them is so strong he literally disembowels himself as a final fuck you and so he doesn’t have to spend one more second there.

Not to mention how you can just ignore ED-E, Lily, Rex and Raul’s issues leading them to live their relatively immortal lives full of hardships, unhappiness or inevitable slow deaths. Like it’s not cool but it’s really cool that the game lets you be really awful along with really good.

[stardust-falling]

SVSSS fandom really needs to learn what “white lotus” really means because I feel like that would clear up a lot of arguments tbh.

Hint: it probably doesn’t mean what you think it means.

[yuripira4e]

trying to explain to other otasune fans that snake is NOT the one with internalized homophobia in their coupling

[nandorsrelentless]

there seems to be far too many fans who can't seem to wrap their head around the fact that no relationship in the Vampire Chronicles is healthy. every relationship includes an element of abuse/power imbalance by normal standards. literally every single one.

they are all monsters who are no longer constrained by societal rules. so I don't think it's too crazy to expect them to do mosntorus things. the genre is Gothic HORROR. the show really prioritizes the HORROR element more so than other adaptaions, which i love.

i don't need louis to be a liar to enjoy lestat. if louis lied or misremebered things about the fight in episode 5, i literally do not care because it's never gonna make me hate louis. the baseline of what constitutes "evil" or "bad" is so different in iwtv because of the fact that they are NOT HUMAN. Claudia is literally a serial killer and she's still mother to me. ykwim?

the nature of vampirism is they have to kill to survive. so it would be really cool if people could accept louis, armand, and claudia as complex characters who are fundamentally not good people (because they aren't people!) without being racist about it. THEY ARE ALL KILLERS

im more interested in this exploration of the complexities of memory and seeing how the show integrates the other books into this story in a way that hasn't been done before than I am in discoursing about whether louis is a liar or not. who gives a shit???? grow up and realize that there are no good guys here and that's OKAY

[poorly-drawn-mdzs]

Thank you. I'm sorry.

[First] Prev <–-> Next

[georgiarts]

i just want laudna to snap even more for just one second and scream at everyone that delilah isn’t A CHOICE she did choose this “dark force” or whatever orym called it, like yes is she giving in to it more than anyone may like, including herself, yes of course, but it’s such a different level than picking up a sword that has no power over you compared to what laudna has going on. She did not choose it and she has been fighting so hard, can you even imagine how hard, and for orym to throw it in her face and chetney to say orym has lost more than any of them naaahhhhh i’m glad laudna fought at least one of those things.

damn i love all of these messed up little creatures and the difficult to watch amazing entertainment they give me 🙃

[tritoch]

Something that bugs me a lot in Dawntrail discourse is watching people who think they are defending the expansion argue away its best aspect. Because here's the thing: Wuk Lamat isn't like prior FFXIV characters. She takes up way more space than them. That's good!

A common thread you see in defenses is that people are complaining about things they were fine with earlier in the story. "Oh well actually Lyse was also the main character of Stormblood and people didn't hate her as much!" or "Heavensward is the story of Aymeric and Estinien and Ysayle, and the Warrior of Light doesn't do that much!" or "No one complained when Gaia jumped into the Eden raids, or when Emet showed up during Seat of Sacrifice" with the implied conclusion of "Wuk Lamat's not different from any other previous major character, your complaints have more to do with [sexism/transphobia/your crippling insecurity about not being the main character] than the way she's written." First of all people did hate Lyse. I get what you are saying but they very much did hate Lyse.

But Wuk Lamat is different. She's different because Dawntrail is unapologetically, full-throatedly her story. She is there at the start, she is there at the end, she is there basically all the way through except for a brief interlude. She is the character you talk to the most, she is also the character that talks the most. She has more of a complete arc than anyone else in the expansion. The antagonists develop much stronger direct and personal relationships to her than they ever do with you. Several major characters have relationships to you through her more than they do with you directly. At multiple points in the story you explicitly step back and are like "Go right ahead, queen, do the main character stuff." She 100% takes your role in certain ways. She's literally a new WL to your WoL!

and that's awesome! Like, holy shit! If you had traveled back in time and told me after Endwalker, "Hey, the next expansion will be almost solely and entirely focused on the character journey of a young woman, and she'll be nuanced and complex and allowed to fail but also allowed to succeed wildly, and her characterization will be interesting and her ideals will be very directly challenged, and she'll get to do some real classic 'sorry my noble opponent but I must stop you, even though I sympathize' shit, and the way she is framed won't feel excessively male-gazey, and she won't get stuck in the FFXII Ashe Miniskirt, and she won't just be someone you watch and clap for while the real protagonist and narrator is some random guy in her entourage," I would've been like "haha, okay, I like FFXIV as much as the next guy but I don't think it's shaken its baseline sexism off enough to do an expansion entirely about a woman and her personal growth and what makes her a good leader, especially after Stormblood's mixed reception. And CBU3 definitely doesn't have the guts to make her even more of a main character than any other prior NPC, and you didn't mention this part future time traveler, but I also don't believe they'll be willing to cast a trans woman in the role." And I would have been fucking wrong!

Yes, Wuk Lamat is the main character. Yes, she does get more attention than other NPCs, or even your Warrior of Light. And yes, that's totally fine, and even something to praise!!! You don't have to run from it to accommodate people who are looking for something to complain about!

[noirandchocolate]

Age of Calamity is such a funny game when you think about it because most of the characters go through Events and use their strengths and suffer hardships and stuff, but honestly they mostly end the game the same as they started it. It’s not “bad storytelling” or anything to have most of the main characters (Link, the Champions, Impa, etc) not change very much character-growth wise, I’m not insinuating that. They’re heroes and it’s fun to watch them BE heroes and in some cases have nice heartfelt moments together, etc.

But it’s just hilarious to me that the characters in the game who DO get some form of character development arc are:

3. King Rhoam (a distant third place but he does realize his kid’s interests were helpful not frivolous and he apologizes and lets her continue leading the army and fights by her side)

2. Zelda (expected, she is the main character after all, and she gets to grow from doubting herself based on her father’s words and how special and talented everyone around her seems to be in comparison, and being upset at not being able to help more, to realizing her worth as a capable leader whose love and passions were what saved everyone)

1. MASTER FUCKIN KOHGA (goes from trying to peace out and let his lackeys take care of every fight, to desperately NOT wanting to leave Sooga and the others behind (poorly and obviously hiding it behind “come on stick together so you can protect me!” while he as the PC for your first play of that mission is clearly doing all the work to protect them); ends up not only joining Zelda’s faction to protect/get revenge for his Clan despite his hereditary beef with the royal family, but PERSONALLY taking to the battlefield including in the final deadly dangerous missions; declares during that final battle that HE is gonna “send that giant menace packing,” ie the very same monstrous entity he previously served)

Like. It’s not even close. Master “Top Banana” “Kill You All To Death” Kohga. Has THE most character development in the game.

And it’s just. So unexpected and therefore great and entertaining to me.