#they're so that more people can see it

[madamemiz]

saw a post recently about the sun and moon fandom and how non-selfship content is rare, and how that's frustrating, and it struck me, like... how rare that is. genuinely in all my 20ish years in online spaces, i've never seen a fandom that not only welcomed selfship but actively encourages it, when usually the rule of thumb is that it's tolerated at best and despised at worst

so why is this fandom so selfship centric?

the answer is a combination of factors, of course, but I think it was mostly just a perfect storm of the right character with the right traits at the right time. many people between about 23 and 33 were and still are experiencing intense childhood nostalgia that's being perpetuated by online culture and various media, often through a distorted or slightly unsettled lense. the daycare attendant is fun! they're childish, but decidedly not children. they're not human, unattainable in reality, but plausible enough in the age of ai that they make you ponder. they make you long to nap and play and color and do all the whimsical things you wish you could take a week off from your dull job and do! but there's something... off about them. an element of danger that's intriguing. they're dangerous, but what if they aren't to you specifically? or, if they are, what if they overcame that, just for you? what if you were worth it?

people our age are lonely, and if not, often working through issues they didn't have time to contemplate in their teens and early 20s because they were still living throigh the issues. younger people too, of course, but it's especially rampant in the aforementioned age group. past college and college friends, too caught up in work to make new ones. if the dca really clicked with you as a character, it's kind of fun to imagine what it would be like to hang out with them. what if they were your friend? what if they were more?

which leads to my last point--cringe is dead and we stomped on its corpse

maybe it started with a few people drawing a y/n with the dca, and wow the art is cute! who's the cute jester character? ... is that a self-insert? huh. and then more people join in. is that allowed? yes! and the crowd cheers for it too! the right people drawing the right character dynamics at the right moment, drawing others like a moths to a strange robotic flame

ultimately, the fandom attracts so much selfship because that's the bedrock, the foundation the rest of the fandom built its home on. almost all of the common tropes and characterization have roots in selfship fic and art. the dca's popularity very much kicked off from that, and seeing other people using them as an outlet for their loneliness, friendship, romantic or sexual desires, or even just for creative character and plot setups that are only tangentially related to canon actively encouraged others to join in, in a way that could only happen while riding the funerary coattails of cringe culture

it's very much a lightning in a bottle fandom, the likes of which i doubt we'll see again for a while

[aq2003]

has anyone gotten the idea that odysseus' storyline in hades 2 is a depiction/exploration of trauma over his SA and how he's blaming himself for things that were out of his control? because that's the impression i'm getting from what i've seen. he talks about "goddesses" as his "greatest weakness" and that "he's not one to say no to them"...

when mel invites him to the bath, he brings up mortals having different standards for intimacy than gods and how it usually has a more romantic/sexual connotation. she then asks if he's uncomfortable and he has a startled reaction and brings up circe and calypso again (but never actually by name)

(this isn't ship/romance bait btw. odysseus knew mel as a kid and they're stated in-game to have a sibling/uncle-niece relationship)

also he grew apart from penelope after his return, but the game makes a point of showing that his love for penelope and telemachus is what drove him on at all so that element of his character isn't brought into question

[deoidesign]

One of my first digital pieces (2010) versus one of my recent ones (2024)

We all start somewhere!

[starcurtain]

I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?

I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:

I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."

I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.

Nah, we all know why Jade's trailer is Like That.™

Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.

Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:

Endearing vulnerability/helplessness

Gay ship tease

Give a character both, like Aventurine? They might as well be printing money.

That sound you hear is Hoyo's stock prices rising.

So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.

We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.

He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!

The ultimate feeling evoked is: He needs to be saved.

When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.

And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.

Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.

His motivations are always clear and consistent: get free, heal, and live happily ever after.

Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--

Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.

Hoyo is not remotely discouraging people from literally buying into this emotional appeal.

And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.

In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.

This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂

Bro can't even sleep in on his day off; life is so hard for this man.

Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?

Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?

It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)

Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.

The problem is that that's just not who the game is telling us Aventurine is.

Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)

So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.

Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.

To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.

The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.

He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.

He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.

This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.

He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.

He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.

His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??

People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?

Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.

The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:

Like... Work is the least of this man's problems.

At really the risk of rambling on too long now, he's also just a massive walking contradiction:

Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.

You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.

He's the "chosen one" who will lead his people to prosperity... except they're all dead.

He's explicitly suicidal... andddd also a pathstrider of Preservation.

He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.

He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.

He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)

He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.

He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...

To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.

Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.

In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.

Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.

Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.

[kawaiichibiart]

Hello, yes, I need more cards where the characters interact with their younger selves.

I want more of this please:

[puppetmaster13u]

Meme Prompt 2

Thinkin of feral halfa Jason again. No surprise there.

[bayetea]

there are many things about hazel's povs that have an intensely de-racialized vibe to them (read: divorced from the black girl experience) but I think any black person will tell you that the most obvious sign is the complete lack of attention paid to her hair

like firstly:

she's from the 1930s her hair was definitely getting permed and straightened (it was not acceptable to just wear your natural hair out back then. optics + cultural assimilation/you'll be hard pressed to find photos of black american girls with unstraightened hair in that time period unless they're from like..... harlem)

I do believe that marie was straightening it for her For A Time but then she became more neglectful and stopped so hazel had to do it herself. I'm almost positive that hazel wouldn't have even been permitted to set foot in her school building without straightening it because that's just how much of an expectation it was

ok she comes back from the dead. what's she doing to her hair now bc it's not just gonna be cutesy effortless curls falling over her shoulder no matter what the length is

how does she feel about living in a time period where natural black hair is more accepted (read: more, absolutely not fully)

there are no black people around her At All. in fact she's around a lot of white people on the argo (+nico) so that would probably be giving her some intense feelings of double consciousness (look this term up if you don't know what it means) and that would inform how she feels about her hair

theoretically she ought to be wearing her hair in braids for simplicity's sake but I think it's more likely that she would cling to what she knows (perming/straightening) because it's not easy for a 14 year old girl (PSA hazel is 14.5 in hoo not 13 btw 👍) to go from assimilating to deeply-ingrained white hair beauty standards to just proudly wearing a distinctly black hairstyle all by herself

mind you black women and girls can do whatever they want with their hair and straightening/perming it does not always/have to come from a place of self-hatred or whatever but in this particular case back then straightening one's hair was political And a survival tactic. it was as normal as brushing your teeth. it was enforced through dominant cultural messagings about the Absolute Necessity of conforming to white conventions of beauty. if you don't understand then think of it similarly to how you'd think of 1930s women needing to be perpetually dolled up and modestly dressed in order to be considered "good women" and anyways I'm just saying that this would be a lot to unpack for a 14 year old girl so hazel's probably just continuing to do this impractical thing (straightening her hair all the time) like 60% out of habit and 20% out of shame and 20% she doesn't know what else to do

something something about a missed potential character arc regarding all of this and in general there's so little mind paid to race in hazel's povs which is just ridiculous to me because a black girl from the jim crow era should have at least a few feelings about where she fits into modern society even if that society is camp jupiter. rick demonstrates his capacity to talk about how his characters feel about their race most notably in the kane chronicles so I don't think was too much to ask for. see this quote from an early son of neptune chapter:

^ like....... hazel's feelings of out-of-place-ness are There in the text and important to take note of when understanding her character (note that she's been there for like a year already and she still feels like she doesn't belong) but the emphasis is always put on her Being from a different time or Being undead and is never put on her out-of-place-ness regarding her race as a black girl from segregation times who is literally so out-of-place in this weird post-racial camp jupiter society. it feels like such an obvious thing to consider so its glaring absence really bugs me when I reread her povs and it bugs me when her hair is never talked about by extension because It Matters

you might be thinking "well she had a lot going on and she's not a superficial person maybe she just didn't care what was going on with her hair" and my response is simply that Black girls don't get to "not care" about their hair it is not the same thing as a white person going to school with bedhead it's not the same thing At All (if you aren't black then chances are you've never actually seen what untouched black hair looks like in the morning), especially when it's been beaten into your head for your entire life that your hair is ugly and you have to "do something to it" for it to be acceptable (and again...... she's from the 1930s so that feeling is magnified like 50x over). remember that perpetually dolled up modest 1930s woman I mentioned previously. picture her time traveling to camp jupiter of all places in 2010 and struggling to drop all of her makeup/hairstyling routines and internalized misogyny and conceptualizations of what women are "supposed" to be. this is the kind of fascinating character exploration that we really missed out on with hazel (and tbh regardless of her race she was never believably written as someone from the 1930s. I don't think rick even really tried to be honest)

you might also be wondering "how was rick supposed to know/attempt to portray any of that" and then my second answer is that If you're going to write a character who is not the same race as you then you should do some research and we have the internet now so research has never been easier 👍 this would be especially important to do if that person is a poc from the jim crow era I think! (he could have at least googled black hair 1930s)

anyways what I choose to believe (this is pure fanfiction) is that during hazel's first year at camp jupiter (remember that she was there for about a year before son started) nico would have helped her figure something out after observing her distress over her hair c: like they both secretly watched youtube videos on black hairstyles circa 2010 and then they got attacked by monsters for using a laptop (neither of them know how to use a laptop but he's trying his best for her) but then after killing them he helped her do her hair as something she likes that is easy to maintain <3 (I could also see reyna doing this because she surely knows a thing or two from her spa days)

[lady-raziel]

hilarious that with each new day that passes a new bit of dirt from JD Vance's past gets discovered and plastered over the internet...it's almost as if this is why presidential campaigns have always announced their running mates well before the convention...so that if glaring issues with a candidate came to light quickly there would be time to replace them on the ticket before they were officially locked in...it's almost as if certain things in political campaigns were done for a reason, donald...because the very same critical failures had happened before...but no i'm sure you and your guys attempt to recreate a fantasy version of history while ignoring all the reasons that history was a disaster will work this time...because you are built different and the 10000th time trying fascism will work like a charm...

[casualavocados]

Chen Yi & Ai Di + the respect they command leading Yiyun Meng: North Hall

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[snekdood]

so uh

for 1. most people are gonna take advantage of black friday and wont see your specific niche tumblr post, I hate to say it

2. the us isnt running out of money for war any time soon, so...

3. this is just antisemitism???????? all we need is some (((echoes))) around the us and israel and then I'd have no reason to suspect otherwise from op...............

[unworldlycreature]

Hmm, anyways I'd love actually if White Man Obsession would pause for a bit for other things of equal if not more quality and worth.

...in other words, Dropout if you're out there please bring Aabria back to the dome?

[t-u-i-t-c]

"You'll triumph someday, as long as you never yield. I'll take you on any time." "You never fail to piss me off, Geats."

[hopeswriting]

daily life arc miura haru. does anyone know who i'm talking about. do you guys remember her. i still can't believe what happened to her 😔

[betweensaintsandmonsters]

okay okay vampire obi-wan and anemic human anakin who goes to be his meal at like a fancy vampire bistro that pays willing humans to "donate" blood (get bitten) and tastes like shit whomst obi-wan then tries to take care of (in all the ways he can from sunset to sunrise) first so his food tastes good (bc anakin keeps coming back) and then because he cares

sends cookbooks to his apartment, tries to get him to go to the doctor, sends him other little gifts when he sees thinks that make him think of anakin, obi-wan just like wants to take care of his boy because he's clearly not taking care of himself (he signed up to be vampire food so that much should have been obvious) and obi-wan just wants him well is that too much to ask?

they fight about this often. (first: "how did you get my address?" "It's on the form you filled out to be here" "invasion of privacy much?" then: "you could always just... choose someone else?" "and let another vampire suffer from your lack of self care? absolutely not."") ("i don't know why you're putting so much into this? "i must have nothing else to do.") ("if this bothers you so much... just let someone else feed off me." "no.")

anakin stops showing up to be dinner for a few weeks and obi-wan gets worried. but he's not sure how far he's allowed to go in his worry, they're technically just... predator and prey (though obi-wan wouldn't describe them like that) it's just that no one tastes like anakin (that's definitely it) and nobody sasses him like anakin, and nobody is anakin and anakin is missing and clearly if he's been gone this long he can't possibly be okay

(and obi-wan is right, anakin isn't okay. he's in the hospital with an arm that might need to be amputated (but it was obi-wan's favorite place to drink from since he won't touch anakin's neck for reasons he WON'T explain)

(if you asked obi-wan why he didn't bite anakin's neck to begin with, he'd heavily imply there's no reason, but when pressed, it would be that anakin let's out this breathy moan when he's bitten, and it's music to obi-wan's ears, a symphony to his soul, he doesn't think he'd survive it if that was right in his ear, he'd have to kiss the boy then and there, have to keep him, and he can't do that, so his neck is off limits. it is IMPERATIVE anakin does not know this)

and he's lost a lot of blood and he's suffering and not alone because ahsoka and padme keep visiting, but he doesn't know how much he misses obi-wan until he isn't seeing him)

so one night obi-wan goes to anakin's apartment to see he isn't there and hasn't been there in weeks based on sent, and panics because what if he drove his beautiful boy away, or what if someone went after him, and obi-wan can't go in bc vampire rules say he needs permission and also it's good manners.

eventually anakin comes back to him, sans one arm, apologetic because "i know that's where you liked to bite" as if that could possibly be the reason that obi-wan is as upset as he is when he comes in. "i'd understand if you need a different meal," he says, as if that's all he is when obi-wan refuses to bite him because for the first time, he looks fragile and that's heartbreaking

so anakin leaves and obi-wan is gobsmacked, flabberghasted, realized anakin waited to have this conversation as close to sunrise as possible so obi-wan couldn't follow him out of the bar, but he doesn't realize that his vampire would absolutely run into the sun for him (except quin and satine 1000% don't let him "that's not how you get your man, he doesn't want a pile of dust, where's that going to get you, man, think for just a fraction of a second")

so obi-wan send anakin more little gifts, things he can puzzle out one handed as he gets used to being an amputee, trinkets he might enjoy, notes that are meant to make him smile, or that say he'll find somewhere else to feed on the boy if that's going to get him to come back when nothing else has worked. all he wants is to let anakin know that he's he's appreciated, make him feel wanted and loved.

eventually anakin sends him a note back with his phone number and then texts him to come over. he makes obi-wan stand on his stoop for an excruciating amount of time and he gets a lecture about personal space, and respecting people's wishes and "it doesn't matter that you're 300 years old, some people just don't want anything to do with you!" and anakin tries to say all of this with a straight face, before he cracks because he misses obi-wan and it is an act, and he's been in love with this vampire since he decided it was his job to take care of one human that wasn't taking care of himself.

then anakin kisses him and gives him a goofy grin and asks "what are you doing just standing there?"

"are you inviting me in?"

"i guess i am. you're stuck with me though, i'm your problem now."

"darling, you've been my problem for a long time, and i wouldn't have it any other way."

and eventually they fuck, and obi-wan bites anakin's neck, and here's his symphony played out in the most desirable circumstances. and they live happily ever after

(until anakin pesters him about making him a vampire "so i can be your problem, permanently" and they argue about it, but agree that anakin gets a life first "you've gotta be at least 40 before i turn you, i'm not going around looking like i forever robbed the cradle!" "you're not even 40! 25." "nope." "fine, 30 then, final offer." "and if I say no?" obi-wan's grin is feral, like he knows he's lost but he's still willing to play the game. "i know you won't" so does obi-wan)

[art-is-kayos]

Garion and her newest protégé

[mik3stuff]

ngl I love this in fandoms when a small fraction of the queer community simply decides that "we have too few transfem characters, what to do? hm I know! let's take that male character with extreme loser vibes and wet cat core and headcanon her as transfem! just for fun!" and then someone takes it to analyze and- wait, why does this headcanon even make sense…?