#they’re super cool | Explore Tumblr posts and blogs

fruitisthenewvegitable · 1 year ago

Text

*Dies immediately*

I read this about a week after it came out I think, but I haven’t reblogged it, and I think more people should know about the trust au.

It’s really good, and some parts *cough* chapter 7 *cough* can be a bit hard to read at times, at least for me, but it’s so unimaginably good!

I hope your hiatus is going well, and I’m exited to see what you make when you get back into the whirlwind that is writing stories :]

time enough for counting

heyyyyyyy sorry

cw: jimmy is still dead, mourning/funeral stuff, loneliness, brief mentions of blood/being killed

I haeve left the artefaktes in the hands of the living gods. Taeke holde of them bothe and defeate Exor.

Scott rubs his eyes, sits back in his chair. He's read through the Alinar's cramped cursive instructions in the back of the book over and over again.

Because they are instructions, strangely enough. As far as Scott can tell, Alinar wrote his entire plan to defeat Conal in the back of this book, as frustratingly vague as it is.

Written several times throughout is 'mine apologies fore any person who is nowe fighting an daemone, as I have been vayge in my writing. I feare that this booke myte fall into the hands of the enemie, and fore this purpose mine detailes are sparse'.

The details are kind of sparse, but not as badly as he'd expected. For one thing, Alinar details exactly what kind of mountain he'd locked Conal in, specifying that it isn't the exact location that matters, it needs to be a strong holding place connected to Aeor's power. And there's an entire spell written for making a crystal that should be able to trap Exor's Champion. Not that Scott is capable of that kind of magic, but he could give it to Gem and she could probably create it.

The actually frustrating part is the artifacts. Alinar won't describe them, or where they are, or how to use them. He just cites the same 'taeke holde of them bothe and defeate Exor' whenever he mentions them, and twice he writes that he left them with 'living gods', whatever that means.

Scott's pretty sure he has one of the two artifacts already. He'd found the golden antler crown in that cave, and he knows it dates at least back to Alinar, if not before. The scholars that have examined it have declared it to be of magical properties, and he knows that it has a strong connection to one of the only living gods that he knows of.

So he has the antlers. But there is zero description of what the other artifact might be, or where it might be, or who it was given to.

And Scott has no clue where to start.

It's his most important work to focus on, but his councils never give him time to work on it. He is, after all, running a war right now.

The forces of Mythland have joined up with those of the Lost Empire to launch a targeted attack on the Ocean Kingdom. fWhip's still biding his time, sending out spies (which frequently get caught by Lizzie) and little armies to test the waters at various borders. Scott's work so far has mostly been in setting patrols for his own borders, and sending soldiers out to aid the Ocean Kingdom—not desperately needed, but a good show of their alliance. But having all those forces concentrated on the Ocean Kingdom? Giving the other empires plenty of time to prepare their defenses?

Why Xornoth wants to take down Lizzie is entirely beyond Scott.

It's actually been a minute since he spoke with Lizzie face-to-face—two weeks, to be precise.

Fourteen days since that meeting.

Fourteen days since Jimmy's death was confirmed.

Nine days since Scott released an official mourning statement, mostly written by somebody else who had no real idea of what he and Jimmy shared.

And three days since Ilphas gently suggested working with Lizzie to plan a memorial service for Jimmy.

The court, far too late, has ruled that he and Jimmy remained betrothed despite their eschewing of the betrothal law, due to the state of emergency. So added to his mourning robes is a veil, simpler than those he and Jimmy wore during the betrothal period, plain black cloth with a matching hood.

Mourning vestments are generally worn for a year when the death was of someone close, such as a parent or spouse. Or, in this case, fiance.

Scott's stuck in a mockery of the betrothal he hadn't been able to finish for an entire year.

And now he needs to plan a funeral for his love.

Before he can chicken out, Scott grabs his communicator from his new satchel that hangs off his chair.

The satchel was a gift from the Codlands and had arrived the same day the Cod Empire fell. It's hand-stitched, from what he can tell, with a design in blue of a leaping stag and a cod forming a circle on the side, the main bag a demure brown. He finds himself, sometimes, running his thumb along the stitches of the cod in a self-soothing motion. Since he received it, the bag has barely left his side.

It's a humble gift, one certainly not fit for a king. But Scott sees in it the hard work of someone, or several someones, who only wished to show their appreciation and acceptance to the fiance of their beloved Codfather.

Scott carries it as if it holds the same amount of worth as his crown, and his advisors know better than to say anything about it.

Have you any time for a visit to make memorial plans?

He sets his communicator down, flips to a new page in the ancient book. He has an Old Elvish to Elvish dictionary, but it takes forever to even parse through a paragraph of the original story. And this is less the classic tale of the Two Stags and more a history of Aeor, and while that's very helpful and educational, it's stupidly difficult to understand.

His communicator buzzes before Scott can even begin reading.

Tomorrow.

Right then.

Scott should probably inform his council.

Scott stops in the church on his way out of town—strange, for him, but he's trying to show his dedication to Aeor—and just wanders through the hall of paintings there: depictions of Aeor, and Alinar, and other heroes and times.

He halts, meandering, before a large portrait of Alinar that's never seemed to draw him in in the past. He remembers being a child, here in the hall on his way to his religious studies, walking far slower than necessary just to gaze at all the art but passing over this one with little consideration.

In the painting, Alinar sits on his throne, the whole hall laid out before him. His chin is held high, his robes lavish and deep blue, his crown of antlers shining gold. The hilt of a sword sticks out behind the back of the throne, a brown streak of paint against the beams of light filtering in through the grand windows behind Alinar.

Alinar himself is missing his left arm—a common depiction of the king, one that Scott read a scholarly debate about several years ago. The generally accepted theory is that it represents the distance and early death of his closest friend, a desert nomad tribe leader known to the elves as Lisdes—one of very few non-elves that has been granted a presence in the most glorious of heavens for his heroic works. Other theories include that it is a representation of the civil war fought under his reign—when Conal, his own twin brother, rebelled, it was like losing his arm; or that it is a representation of Alinar's control in many parts of the world, with one hand overseeing the elven colonies of the east (long gone) while the other rules from home.

There are many theories, but none have been found true, especially since the depiction isn't universal. Somewhere around fifty percent of the artists that have created a likeness of him do so without the arm, but the others include it. For all anyone knows, one artist forgot the arm and everyone else decided it was so meaningful that they needed to copy it.

The last one is unlikely. There's a folk tale of Alinar and Lisdes journeying together to a mountain of fire to retrieve his lost arm, so it probably had its beginnings in something other than a painting. Whatever it was, the truth has been lost to time.

In this painting, there is no one near Alinar. There are groups of people milling around in the hall below his gaze, but none of them interact with him, or even look to him.

Scott's always thought, looking at this, that Alinar was rather haughty.

Now, he sees him as lonely.

This portrait was painted only a couple of hundred years after his death, titled simply 'A King'. No embellishments of the ancient hero, none but those painted: the crescent moon halo hanging above his head, the jewels hanging from his robes, the carefully-detailed chain earring looping down around his long ear.

He's a king.

Nothing more, nothing less.

An elf with the role of leadership.

Adorned in gold and rich cloth, secluded above the other elves, looking down almost mournfully upon his people.

It's funny, Scott thinks, that he's never related to this painting. He'd always preferred the one two paintings down, of Alinar plunging a golden sword into a one-eyed monster, a pillar of light shining down on him from a moon above him.

That one seems to hold less wonder than it always did.

In that one, he can't help but see the pain in Alinar's determined eyes.

How much did he lose in his journey to become a hero?

His brother. Citizens of his kingdom. His best friend.

More, maybe, that was never written.

Never remembered.

Will Scott's losses be remembered?

Will Jimmy be more than a quick mark in the history books?

In the 109th year of his life, King Smajor was briefly engaged to the ruler of the Codlands. The ruler was killed in battle.

To an outsider's point of view, that is the maximum relevance that Jimmy has had on Scott's life.

Jimmy isn't some hero, as Lisdes was. He's just . . . just Jimmy. And his time here was short.

Far too short.

Maybe even insignificant. He established—what, ten years of peace in a country destroyed by war for hundreds of years prior? Only for it to be conquered again?

Who is going to remember the only person Scott truly loved?

Now, for the first time in a very long time, Scott sees just how far ahead the road stretches.

If they defeat Xornoth, he will have to survive hundreds of years without Jimmy. He will have to watch his beloved fade from the memory of mortals, as the world changes and he is alone.

Alinar is always alone in the paintings.

And then, after he dies, there will be nobody to anchor any part of Jimmy to this world.

No one lives forever, but even Jimmy's death will not last.

Scott turns away from the hall of paintings, adjusting the veil covering his face. He needs to plan a memorial worth a place in history.

He leaves Rivendell and sets out for the Ocean Kingdom, swallowing back the lump in his throat.

He can't help but think, in future paintings, he will always be portrayed alone.

Scott's shown to a meeting room when he arrives (after he's led to a set of rooms to change from his travel wear and throw some water on his face), and as he waits, examining the carvings on the table, he's reminded of another Ocean Kingdom meeting room, from months and worlds ago, when he had waited half-asleep to request an alliance.

He thinks, maybe, that he was in love with Jimmy, even back then. Back when he knew practically nothing about the man, some part of his soul deep within knew that they belonged together.

Which is a stupid and cheesy thought, as true as it may be. After all, he'd been so worried about Jimmy that he hadn't gotten much sleep in days. What kind of person does that without having feelings attached?

There were so many things to love about Jimmy, too. His sense of humor, the dimple in his cheek, his strong hugs, the kindness in his every action, his perpetually tangled hair, his loud laugh, the soft smiles he reserved for Scott, the feel of his lips. . . .

And he's gone.

And Scott knows that.

And now he has to live with it.

"Hey."

Scott looks up; Lizzie stands in the doorway, dressed in a simple grey dress that hangs off the shoulders. She gives him a small smile but makes no move to join him at the table.

Scott, of course, stands. He inclines his head in a bit of a bow, straightens his crown where it's set carefully over his hood.

"It's good to see you," he says, after what's probably been too long of a time. He waits for Lizzie to step within, but she still lingers.

"I wish they had been under happier circumstances," Lizzie says. "Apologies if I have to be pulled away, my armies are active at the moment."

"All going well?"

"Very," she replies. "As it turns out, it's a little difficult to attack an underwater empire when you can't breathe underwater."

Scott chuckles politely. That makes sense.

They stand in silence for a few more moments before Lizzie sighs.

"Look, Scott," she says. "I don't really want to sit here and talk about my little brother's death. Can we walk?"

Scott hurries to obey, shoving his chair in and tripping over his own robe. Lizzie waits patiently by the door, begins walking as soon as he gets out of the room.

"Not to—not to bring the conversation down—" Scott says, lengthening his stride to keep up (for someone who's only five foot something, Lizzie moves fast), "but . . . isn't that what this meeting is about?"

"Hm?"

"You just said that you don't wish to talk about—about Jimmy," he says, willing his voice not to crack. "But—"

"Joel actually offered to take care of it," Lizzie says. She halts, turns to look out the large windows of the passageway they've been walking down.

Scott stops beside her. They're in an underwater portion of the palace, and out the window is the sea.

A school of fish swim by, right beside the window, beyond them the clear blues of a sun-filtered ocean. Scott watches the waves on the surface (they're only just below) lap back and forth, adding a gentle sway to the floating bits of seaweed and the little bubbles.

"Mezeleans do a three day mourning period," Lizzie says after a moment. "Joel felt bad. He wanted to do more. So he asked if he could plan the service, since he doesn't have a forty day mourning period like us."

Scott blinks. "Sorry, forty days?"

"Yes," says Lizzie. She turns to Scott. "Is yours different?"

Forty days doesn't feel near long enough. That means Lizzie has only—what, three more weeks of mourning? And then she has to go on with her life, as if Jimmy never existed?

"For a betrothed, the elven tradition is one year," Scott tells her, watching her face for a reaction.

Her eyebrows raise, her eyes flick over to his veil before turning back to the sea.

"The court made its decision, then."

Scott nods.

They stand there, silent, staring out the window.

"I can't even imagine a year," Lizzie says at the same time as Scott says, "Only forty days?"

Scott mutters an apology. Lizzie shrugs.

"It gives us enough time to remember the dead, then go on to celebrate their life," she says. "Not long enough that we dwell, but long enough that we honor them. The grief is too heavy to carry it for so long. How can you even survive a year of it?"

"We lead a long life," says Scott. "Most elves live to be a thousand years old. A year isn't so long a time in the grand turning of our lives—can we not give it up for our loved ones?"

That's what he's been taught, at least. Standing here at the beginning of it, a year feels like an awfully long period of time.

He can see the appeal of forty days, even if he can't even imagine it. And worse, Joel—three days. As much time as he spent sequestered in Gem's secret library. That was the entire length of Joel's mourning period.

And suddenly, Scott remembers something that he's been carrying around for the past two weeks.

"I have something for you," he says, reaching for his shoulder bag. Right, he'd left it in the set of rooms that he'd freshened up in— "I found it at Crystal Cliffs—"

"I have something for you, too," Lizzie interrupts. "I thought it looked kind of elvish, but I wasn't sure—"

"Can we stop by my rooms, and I can get it?"

Lizzie nods. "Yours is in the Grotto, we can go on the way—"

And with that, she's off at almost a run, back down the way they came.

Scott follows, robes billowing around him, each step a hard slap against the prismarine floor, as compared to Lizzie's almost silent feet. She stops at the set of guest rooms that Scott had been led to earlier, and he grabs his satchel off the hook just inside the door before she takes off again, to the end of the hall, and down down down a long spiral staircase.

Scott follows, legs beginning to burn. In Rivendell, he usually just glides down cliffs or long staircases. He isn't used to the tight spirals here, no room to spread his wings to their full length.

They go down at least five levels. Scott doesn't really like being underground—even Gem's hidden library had been a little too close for comfort—but he swallows back his discomfort and follows, as Lizzie leads him through a dimly lit hallway and then into a dark, smooth tunnel, walls a beautiful deep blue.

The tunnel's made of glass, he realizes about halfway down, after trying to figure out what material could have been used to create such a mesmerizing blue-ish darkness. It's glass, and through the other side is the depths of the ocean.

As impressive as it is, Scott's not sure he likes that. Water all around him, ready to flood in if the glass breaks under all the pressure? Doesn't really sound like his idea of fun. He can't exactly swim all that well—his feathers get waterlogged instantly and he tends to sink fairly quickly. He found that out when he was around sixty-five or seventy, and Xornoth tried to drown him. Good times.

But he follows Lizzie through the tunnel, trusting that she wouldn't take him down any path likely to break. And trusting a bit more, perhaps, in her ability to save him if he does end up drowning.

Then Scott steps into the room at the end of the tunnel, and feels his eyebrows practically hit his hairline.

This is beautiful.

A cave, small but open, lit by lanterns hanging from the craggly ceiling, lined with shelves and stools chiseled out of stone. The cave sparkles, as if the rock that forms it is actually crystal, or rather, that little specks of gold are woven in so well with the stone that the sparkle has become indiscernible from the rock.

The shelves carved into the rock hold all manners of preciosities, from ancient crowns to sparkling jewels to seemingly ordinary items that glow with a magical sheen. Fishnets hang from the cave wall, and from those fishnets hang exceedingly fine pieces of armor and clothing, some so bright they seem to be a patch of starlight, others made of materials that look like they oughtn't be clothes (is that a dress made of driftwood?). Scott sees a tiara made entirely out of sapphires wired together, a pair of gloves sewn of what appears to be a spider's string, a bundle of bejeweled fish hooks, and a clearly enchanted scepter made of glass all on the first shelf, but Lizzie bypasses all of these things without even a second glance and leads the way to the left side of the cave, where she draws back one of the nets.

She turns after a moment, raises an eyebrow to see Scott still standing in the entryway.

"Right, you've never been down here," she says after a moment of staring at each other. "Welcome to the Grotto, home of the Ocean Kingdom's treasures! Ignore them, though. This is for you, over here."

Scott's kind of afraid that he'll knock something over, considering the fragile items on the shelves and stone stools and the size of his wings. But he inches his way through anyhow, keeping an eye on his every side. His thumb runs along the stitches of the cod on his satchel as he steps sideways around a glowing red rock on a pedestal, each movement careful until he reaches Lizzie.

She's holding back the net on this part of the wall to reveal behind it a little alcove, which begs the question of other alcoves all through this room, hiding who knows what. Scott steps forward, peers within.

Inside this little stone alcove is a pair of soft, blue leather boots, tall and folded over on themselves, the laces a faded white. A script that he instantly recognizes as Old Elvish (a bit of a shock to find here, surrounded by so many unfamiliarities) is pressed into the leather, trailing around the foot and up the back of the boots.

They almost seem to glow.

Scott feels something heavy in his chest, as if his breath has weighed all the way down to his stomach.

They feel . . . powerful. Magical.

Gingerly, Scott picks them up (something ancient pulses out through his fingers as they wrap around the soft leather), turns them over to look at the soles. He's not sure what he expects to find—a label? A size?—but the sole is blank, just barely scuffed from wear.

They haven't been used much, then. Barely-worn.

These boots are the other artifact. Scott's sure of it.

He doesn't know how, or why, but he knows.

He's holding boots that Alinar himself wore. Alinar wore these to face off Exor's Champion.

Was Alinar afraid? Did he stand there, palms sweating, feet flexing in these very boots, just gathering the courage to attack?

Did he think he would survive? Did he doubt himself?

Thoughts that Scott's never had before just push into his mind. In the stories, Alinar is always calm in battle, assured in his power, wise in his rulings.

But now that Scott is almost literally in his shoes, he can't help but wonder if Alinar ever felt the doubts he's feeling. If Alinar felt the pain of his losses so profoundly that he wasn't sure he could go on. If Alinar was scared his plans wouldn't work and he would lose the war, lose everything. If Alinar ever was tired of the weight of the entire world on his shoulders.

"They felt powerful," Lizzie says. Scott starts—he had forgotten she was there.

She's right. They are powerful, even if he doesn't understand how yet.

"I think," he says, putting his thoughts behind him, "that these are very important."

He doesn't say anything else about them. He doesn't say that he thinks they might end the war. He doesn't say that he thinks this is it, he thinks he has both the artifacts now and that means it's time to take down Xornoth.

Instead, he asks, still somewhat in awe, "Where did you find them?"

Lizzie shrugs. "Well, you know the Mezelean mourning period?" she says. "Three days of total isolation. We thought it was best, since I am the queen consort of Mezelea, that I participate in it as well. So those three days I spent down here, cataloguing the treasures. I don't know what many of them are, after all. I found those right there in the wall. When I tried to touch them, they . . . they burned me."

Scott looks at the boots in his hands, then back at Lizzie. "And you didn't warn me?" he says incredulously.

Lizzie seems unrepentant. "I figured you knew what you were doing."

"What I'm hearing is that you were going to let me get burned."

"That doesn't matter. So—what do they mean?"

They could mean everything.

Scott just shrugs, though, and shifts them to one arm so he can reach into his satchel with the other.

From his satchel, he pulls the ancient book he'd found, with the unfamiliar writings and the little bag hanging from the spine.

(Unnoticed, the smaller book that was tucked inside slips from between the pages of the book, falling deeper into Scott's shoulder bag.)

"Gem found a secret library," he explains, handing Lizzie the book. "We thought this looked kind of Oceanic. Can you read it?"

Lizzie takes it from his hands carefully, studies the cover.

She goes entirely still.

"What is it?" Scott prods.

She doesn't respond. She doesn't even seem to hear him, eyes scanning the cover of the book. Trance-like, she reaches for the little drawstring bag, squeezes it gently in her palm.

Before Scott can repeat his question, Lizzie turns to the stool beside her, sweeps off the glowing wooden staff resting there without a second thought. Scott hops back as the staff clatters against the stone ground, shooting sparks from both ends.

She lays the book on the stool, but doesn't flip it open. Instead, she picks up the pouch, hanging by the cord, and pulls it open. She peers inside, then tips the pouch over onto the stool.

"What is that?"

"I . . . have no idea," Lizzie says.

The 'that' in question is some kind of ball, a little wobbly like jelly, blue and flecked with gold and green. It's not quite round, parts of it sprouting with something like seaweed, little leaves poking out in a couple of different places.

It looks gross, if Scott's being honest with himself. He can just imagine the way it feels, squishy and weirdly sticky but not and—urgh, he never wants to touch it ever. It definitely is the kind of thing that would make all of his hairs stand on end and shivers run up his spine. He wants to gag just thinking about it.

"I wonder how long that's been in there," Lizzie whispers, sounding almost awestruck.

"Well, Gem's library hasn't been touched in hundreds of years, probably," Scott says. "So a while."

"Do you think it's crunchy?"

"Why would it be crunchy?"

"Parts of it look like seaglass." Lizzie, daringly, pokes the ball. It jiggles.

"Why would you touch it?" hisses Scott, just barely suppressing his gag reflex. "Great, now you probably have diseases."

"Say I were to take a bite out of it."

"Do not take a bite out of it."

"I'm not going to! But say I were. Would it be slimy, or chewy? Or crunchy."

"It doesn't matter, because you aren't going to eat it."

"Don't tell me what to do, Smajor."

"Oh, for Aeor's—" Scott cuts off the curse with a little sound—not a scream, or a screech, nothing undignified like that would ever leave his mouth—of fright as the staff on the floor shoots out sparks again, almost seeming to aim for him.

"Your god is mad at you for invoking his name to stop me from eating the thing," Lizzie says somberly. "He wants me to eat the thing."

Scott puts his hands in the air, still holding the boots. He shouldn't try to argue, it'll only make her more set in her ways. "Look, when you die after eating it—because that thing absolutely will kill you, look at it—tell Jimmy that I tried to stop you, and you made the choice yourself."

Lizzie lets out a snort of laughter, something that both relieves Scott (it was an okay joke to make, they're both starting to heal) and scares him (he just mentioned Jimmy and he isn't crying, he made a joke about his dead fiance, it should hurt more than it does).

"Of course. Any other messages to pass along before I experience this delightful new fruit?"

So, so many things. He oughtn't take this seriously, really—they're just kidding around, Lizzie isn't actually going to eat that thing.

"Just tell him I love him," he says, going for a light tone. It falls flat, sad, and Lizzie just looks awkwardly at her feet.

"If I could've changed anything, I would have," she says after a moment. "That warning message you sent? Hours after I got it, we received word from the Cod Empire that the attack had begun. I can't help but feel . . . maybe I should've gone to check on him. Called him to the Ocean for some reason. But . . . . maybe that wouldn't have really made anything better, would it?"

Scott opens his mouth to protest—Jimmy being alive would make things quite a bit better, in his opinion—but Lizzie continues.

"You haven't been there, Scott," she says mournfully. "The Codlands. It's . . . it's bad. And whether Jimmy was there or not, they would've been conquered. At least, with Jimmy's death, they feel like they have a purpose to keep fighting. Keep going. They think if they annoy Sausage badly enough, he'll just give up on them. If Jimmy was here right now, I don't think they'd have the motivation. So if anything good comes of Jimmy's death . . . I hope it's that."

Possibly the most bleak and depressing thing Scott's ever heard Lizzie say, and it absolutely makes him want to cry.

He's not going to cry, though. Despite the fact that Lizzie said the words Jimmy's death twice just then, and said that maybe good would come of it, Scott isn't going to cry.

Instead, he hefts the boots in his arms, and Lizzie, still looking away, picks up the book again and loops the cord hanging from the spine around her fingers.

"You have the boots," she says, voice a bit thick. "I have the book. Sounds like a deal. Want to shake on it?"

Scott does his best to smile. "Of course," he says, shifting the boots more to his left arm and extending his right.

Lizzie's hand meets his, cool and soft, his thumb brushing against a scale on her knuckle.

Maybe it's his imagination, but as his hand grips hers, something sparks up his arm.

Something electric courses up through his veins, up his arm and through his shoulder into his throat and down to his toes, and Scott doesn't move, frozen by the feeling, but Lizzie's hand jerks a little and he looks up to see her wide-eyed, a frown creasing her brow.

They stand there, hand in hand, unmoving.

All is silent.

"That felt important," Lizzie says in a hushed tone.

"That was some sort of deal with destiny," Scott agrees, looking down at the boots in his grasp, the book in Lizzie's.

These are both something very, very crucial.

And now to get to work.

He isn't able to get straight to work, though, only managing to find two books on artifacts and their qualities before he receives a summons to Jimmy's memorial service.

It's held at the Overgrown, and Scott arrives in his best mourning vestments, the Cod-made bag on his shoulder. Ilphas accompanies him, along with three guards.

Lizzie is seated beside him, at the front, hair braided behind her and dress long and layered, gently melding from light grey at the top to black at the hem. Joel sits behind the pulpit, anxiously shuffling papers for the eulogy, dressed normally but for the black sash across his purple coat. Katherine is across the aisle, her normal lavender dress replaced by a blue floral-patterned one, flowers weaved into her hair.

Shelby takes her seat behind Scott, a handkerchief clutched in her hand, dressed in a brown three-piece suit. Gem sits beside her, squeezing Scott's shoulder briefly, wearing her normal but in black.

Pearl finds a place behind Katherine, wearing a sunny yellow shirt under a grey dress, her sunflower crown sparkling on her head. The place beside her, reserved for Pix, remains empty.

The next three rows seat their various guards and advisors, one row left open for the three leaders that had to be invited, but know better than to show up. Scott won't hesitate to kill a man at his fiance's funeral, and he imagines that there would be a bit of a line behind him to pummel the dead bodies.

And behind them, the chapel is full of various minor royals that had been able to make the trip. Scott recognizes several elves, a Mezelean duke, and a representative from the Grimlands who seems very uncomfortable beside the fae that he's seated between.

There are also, to his surprise, near the back of the seats, a handful of Cod people, their finest clothes shabby and their heads bowed.

Scott turns back around in his seat when he catches Ilphas glaring at him. It isn't proper to be peering over his shoulder at all those who file in. He's a king, his job is to look kingly.

So he stares, blankly (hoping he looks at least somewhat enigmatic), at the pulpit.

And the service . . . the service is nice. Joel gives a nice eulogy, and Katherine says a couple of words, and about halfway through the service, the group of Cod refugees perform a traditional Cod song of farewell, which absolutely brings tears to Scott's eyes.

But it doesn't really feel like Jimmy. Jimmy was awkward, and hotheaded, and loud, and funny, and full of so much love. And even though Joel calls him an idiot three separate times during the eulogy, Scott just feels like the whole ceremony is too stiff and polite for it to be right.

And then Lizzie stands up, and makes her way to the pulpit for her closing remarks.

She gazes out among the people, chin held high and eyes solemn. When she speaks, her voice carries all the way to the back of the airy chapel.

"I knew the Codfather better than anyone," she starts, regal and measured. "I knew his character, his dreams, all his likes and his dislikes—or, most of them. Some of them I had no interest in knowing, but I'm sure Lord Smajor can tell you all about them."

A light chuckle ripples through the crowd. Scott feels his cheeks go just a tad bit paler. Lizzie catches his eye to give him a bit of a smile before turning back out to the congregation.

"I knew Jimmy," she continues. "And I know that my brother would never run from a fight. He was brave, and stubborn, and maybe a little stupid—which I can say, because he was my little brother. It was that bravery, that stubbornness—that loyalty that he had, that kept him from backing down. Even at his last moment."

She pauses, eyes on the back of the crowd. "Jimmy fought until the very end," she says, the words strong. "Even as the sword of a Mythland soldier drove past his armor, he fought. Even as his lifeblood spilled from him, he fought. Even as he fell to his knees, he fought."

Her voice is shaking suddenly, not with grief, not with anxiety, but with anger—hot, radiating anger. And Scott's face is wet, the veil sticking to his cheeks, a lump in his throat that he keeps trying to swallow away; he'd made it this far without crying but he hadn't heard those details and he can't control the tears.

Where did Lizzie get details about Jimmy's death?

"My brother fought for your freedom, and died for your freedom," declares Lizzie fiercely, tears sparkling in her eyes. "I would therefore urge you to defend your people, your country, and fight back against the evil of this demon! Don't let Jimmy's death be in vain. His people are currently in the captivity of Mythland, subjected to poverty and brutality, and if there is anything that we can do to keep the memory of the Codfather alive it is fight. Fight for their freedom, for your freedom, and for the eternal freedom of all who have already lost their lives in this war. Fight for Jimmy."

And on that dramatic note, she steps away and sits down. Scott can feel (not quite hear, more the sight of her shoulders shaking in his peripheral) her breathing heavily beside him, somehow managing to sound angry without even making a noise.

Silence.

Not a member of the crowd so much as coughs.

After a long moment, Joel stands again, steps up to the podium.

Scott expects him to be anxious, awkward. He can't well look around behind him, but he can imagine that quite a few of both Katherine's and Pearl's people would be unhappy with that speech, as both empires have currently declared neutrality in the conflict. He expects Joel to make some sort of vague statement about how everyone is doing their part, and maybe remark on how bold Lizzie's words had been with a nervous little laugh.

Joel doesn't do that, though. Joel levels his steely gaze at the crowd and says, words precise and cut-off, "Thank you for your words, your majesty. I'm sure that we will all find them enlightening and instructive."

Joel's mad, then. Scott's seen Joel's performance anger, his blustering and shouting and shaking of his head. He's never seen this frigidity, so perfectly the opposite of Lizzie just moments ago.

He's a little bit glad he turned down Joel's invitation to speak. He doesn't know how he would have competed with the two of them.

"Thank you to all who attended, especially those refugees from the Codlands. Our hearts and swords are with you in this time of loss."

Joel takes another moment just to look out over everyone, face stony, eyes cold. He nods sharply.

"Have a good evening."

Nobody moves. Scott resists the very strong urge to glance around.

Then Joel steps away, and Katherine stands up, and there's the great bustle of everyone else standing and whispering and gathering their things.

Scott doesn't get up. Instead, knowing that he's being watched, he turns toward Lizzie and shakes her hand with a small nod.

"How do you know what you said?" he mutters to her.

Lizzie smiles in return, brushing a pink strand of hair that's pulled loose from her braid behind her ear. "Everarda, a Cod refugee in the Ocean Kingdom," she says in a similar tone. "She witnessed it. She only managed to escape last week."

Of course people witnessed Jimmy's death. He doesn't know why he subconsciously assumed that no one had.

Scott can't even imagine watching his fiance die like that. He can't even imagine Jimmy on his knees, pain in every line of his face, soaked in blood, yet still swinging his sword at anyone who comes near, desperate to defend his people even until he eventually collapses.

He can't imagine the hoarse cries tearing from his throat as he's stabbed, the shuddering of his shoulders as he strains to lift his sword, the clanking of his armor as he falls to his knees, the tears in his eyes as he watches his people fall around him.

And Scott definitely can't imagine that maybe, in those last moments, he'd turned his eyes upward and begged for Scott, searching the skies for his first and final hope.

"Scott," Lizzie murmurs, a note of warning in her voice.

Scott blinks, and a tear falls from his lashes. Not good. He's meant to be stoic and unfeeling and respectable, and this is the second time he's cried in public in the past hour. In the past ten minutes, even.

People are watching. Ilphas is probably going to kill him. Kings aren't supposed to cry, they aren't supposed to actually have feelings.

Hopefully it isn't too noticeable. He has his veil, after all, but his eyes do get uncommonly red when he cries. Anyone could easily see the way his eyes scrunch as he wills himself not to cry, the tears, the splotchy redness, the way his shoulders tremble just the slightest bit.

"Have you heard from Pix lately?" Lizzie says suddenly, staring past Scott to Pix's empty seat. "He was one of Jimmy's closest friends. He should have been here."

Scott doesn't know. He hasn't seen Pix since the End.

He doesn't think about it for long.

He sits there, and thinks about nothing, particularly not Jimmy, until it's time for him to leave.

And when he gets home, he dives right back into his books.

Two days later finds him alone, in his study, head achy from crying, angry at the fruitless searches and his own inaction.

And Scott's done waiting. He's done researching, done preparing. Lizzie's speech hit a chord near his heart.

If the fight won't come to him, he'll bring the fight to Xornoth.

Scott reaches into his satchel, hanging from his chair, and grabs the boots.