#they’re not even in my top 5 characters but also they mean so much to me

[justschneesbutnotreally]

Going crazy going stupid rn

Fucking FINALLY

[thenightshadowqueen]

Top ten SFTH character couples

(in my biased opinion)

Okay, first of all I’m so sorry to anyone who followed me for anything other than Shoot from the Hip content; I swear I’ll put in more variety. Someday. (Also go check out Shoot from the Hip.) Second of all, I did not join Tumblr with the intention of making a bunch of lists, but they’re fun to write and people seem to enjoy them, so here goes.

10. Justin x the Beetroots MC (headcanon)

Listen, I do NOT condone the whole “if they’re bullying you, that means they like you” bullshit. That being said, years and years later, after both of them have grown as people, I think they could have a really sweet relationship, at least after they work through everything.

9. André Beetroot x Xavier (canon, somehow)

I kind of ship this in a joking way, but also kind of not? They make sense together in a really weird, fucked-up way, and I’m so here for it. (I cannot believe that they’ve canonically hooked up. Multiple times. I love AJ so much for giving us this.)

8. Andrew x Nigel (headcanon)

It’s so toxic. It’s so toxic, and I know that, and it would never be okay in real life, but some dark part of me is really fascinated by the possibilities. (I cannot emphasise enough how much I am intrigued by this in FICTION ONLY.)

7. Jack and Jackie (canon)

Complete turnaround from the last two, but these two are genuinely so sweet. I honestly don’t even have much to say about them, but I love them. So much.

6. François x Mimi (canon)

They are so toxic. They’re horrible people, and they only make each other worse. And I love it. (You know, making this list did make me worry about my mental health slightly. Just slightly.)

5. Toby x the meth wife (canon)

First of all, this is the gayest straight-presenting relationship I’ve ever seen, and I love it. (I totally headcanon them both as bi/pan/queer/etc., but that’s not the point of this post.) And honestly, they’re so supportive of each other. They’re, like, genuinely a healthy couple (in a SFTH play? Can you imagine?). They have so much love for each other, and I could talk about them all day, but I’m fairly sure no one needs that, so I’ll stop.

4. Andrews x Betruva (headcanon)

Listen, I might be a little biased because they’re new, but they kind of have everything I look for in a ship. They have millennia of history, which is always a good start. They’re ancient nemeses. They founded a church named after them both???? Honestly how much more gay can you get?

3. Esmerelda x the vampire slayer (canon)

I like to imagine that Esmeralda survived, and they fall in love, and they have to work through the trauma of the slayer (I think I saw the fanon name Samantha? But I’m not sure) trying to kill Esmeralda. There’s just so much angst potential, and oh, now I want to write a fanfic.

2. Bubba x Jeramiah (canon)

They’re a fucking classic, okay, and they’re a classic for a reason. They are the best gay cowboys, and I love them so much. I know I should have more to say, but I feel like it would just be incoherent screaming.

1. Derek x Titch (canon)

Listen, who else could it be? They are so fundamentally amazing. It’s a classic case of “he fell first, he fell harder” (even if we don’t get to see a lot of the “he fell harder” part, I believe it with all my heart). I love Titch working though his issues and learning to open up, and I love Derek being so helplessly in love with him. I love them so much, and they deserve the top spot.

[accirax]

Danganronpa: Despair Time Mastermind Ranking (Least to Most)

Yeah, I should’ve known that I needed to get around to this someday.

You see, the reason why I hadn’t made a theory about the identity of the Despair Time mastermind is that… I'm not totally convinced on any one person being the mastermind. Like, look at these clowns! They’re all so weird! I love them all for it, obviously, but none of their personality quirks or roles in the story stand out to me as particularly mastermind-y. There are a lot of characters that I believe could be the mastermind, but it’s also pretty easy to convince me out of it for one reason or another.

However, it’s not like I had any idea about who the P:EG mastermind would be, either! At least with two chapters under its belt, I can feel more comfortable that I’m not just fully mischaracterizing the Despair Time cast. And I definitely have things to say about various DRDT masterminds, just… in a way that’s kinda hard to rank.

But, that’s no reason for me to be cowardly! I’m sure that seriously scrutinizing all of the characters’ mastermind potentials and ultimately coming up with who I think the most likely candidate is will be super fun. It’s just… going to be really long, so, buckle in. And maybe prepare to take breaks in the middle.

(Spoilers for all three main canon games and DRDT.)

Why is it going to be so long? Well, it’s because, when it comes to DRDT, I think that my predictions will be at least partially based on how long I think each character will make it into the story. If I have a particularly strong inclination that a character is going to die in Chapter 3.456, no matter how unfounded, it might make me feel worse about their prospects of being the mastermind. That’s not to say that a mastermind can’t appear to die (or actually die) before Chapter 6 rolls around, of course. However, it is an uncommon additional hurdle to the story that would require some justification and a little suspension of disbelief if I’m trying to call it years before it transpires.

So, if we’re going to talk about the mastermind, I need to share my current feelings about where each character might place in the death order. Should I update the title…?

Danganronpa: Despair Time Mastermind Ranking (Least to Most) AND ALSO Death Order Predictions

These are my mastermind rankings, so my opinions on where the characters might be headed will obviously be used as the baseline. Naturally, you don’t need to believe in anything I'm about to throw out here. I’m just trying to explain my thought process so that nothing I say later on will come as a total surprise.

Also, since it’s kind of long, here’s the top of the death order section. I think it’ll provide some important context, but if you want to skip it, look for the other green, bold text.

Some of my thoughts were inspired by anderscim’s death predictions theory, as I read that pretty soon after I joined the fandom. I encourage you to go read their work as well!

The tiers are mostly pretty self explanatory– 3-4 means I think they’re at risk of dying sooner and 4-5 means I think they’re at risk of dying later. But, I’ll give everyone what I hope to be a quick rundown on each character just to explain my thinking. 

Xander: Xander canonically died as the Chapter 1 victim.

Min: Min canonically died as the Chapter 1 blackened.

Arei: While I respect the concept, I personally don’t believe in the “J and Arei swapped places and Arei is actually still alive” theory, and I will be writing the rest of this post accordingly. So, to me, Arei canonically died as the Chapter 2 victim.

Eden: Pretty much anyone who’s seen my DRDT theories at this point shouldn't be surprised that I’m listing Eden as the Chapter 2 killer. The logic behind this belief has been explained by my lovely mutuals here and here.

Levi: Alright, on to the ones I don’t have any concrete evidence to support! (There is concrete evidence behind the ch2 murder, even if you believe it points elsewhere.) Levi has had a decent amount of focus already in his trainwreck of a relationship with Ace and discussions of morality with Eden and Teruko. If he does serve as an accomplice to the Chapter 2 killer (see the first link in Eden’s section), then I feel like his clock will really be ticking. He’d be trapped with the branding of a bad person, his greatest fear, and left without any relationships to lean on. I wouldn’t be surprised if someone targeted him as a victim they “believed deserved to die after what happened,” or even if Levi decided that he was doomed to be a villain from the start and decided to kill. Alternatively, he could try to redeem himself as a classic Chapter 4 buff curse sacrifice in some way. In either case (or even in the case of him just being the Chapter 2 killer), I have my doubts that he’ll be making it too much later into the game.

Arturo: To me, Arturo doesn’t feel like a character set up for incredible longevity. That doesn’t mean I’m pigeonholing him as a one-dimensional villain or pure comedic relief, just that Arturo seems like a character who might be set up to have his ideology lead to his downfall. I don’t think he’s dying in Chapter 2, as I believe the narrative would want to see how he reacts to J burning the bridges between them, but I could definitely see the story only needing one more round of daily life (or possibly a trial as well) to resolve wherever his character is going.

Charles: Look, it’s not only because he’s already been pronounced dead at 3. As I elaborated upon in Charles’ section of this post (The Jerk), Charles feels like he’s speeding towards the end of his character arc far ahead of schedule. It could just be that he needed to learn to make friends quickly before Whit makes an early exit, sending him on a secondary arc where he learns to process his current grief and fears as a parallel to regaining memories about Elliot. However, I find it much more likely that the Inevitable CharWhit Doom Scenario plays out in the opposite direction. He makes a lot of sense as a Chapter 3 victim to me.

Nico: Similar to Arei and J, I am writing all of my theories with the assumption that it really was Nico who attempted to murder Ace in Chapter 2, because I think it makes the most narrative sense. (I could keep typing out a “well, unless” every time, but I don’t really want to eat up my time writing or your time reading all of that.) Through that lens, the fact that Nico has already murdered someone and “gotten away with it,” more or less, puts them in a really weird situation. I don’t really see them killing again, as it feels like we’ve already explored the emotional and narrative implications of that happening through Chapter 2. Although, I can’t deny that it would be interesting to see the fallout of Ace being proven totally right and Hu 100% wrong. Still, if they were to be a survivor after doing something so severe so early into the game, it seems like they would have to undergo some sort of redemption for the audience to accept them as a face of hope in the end. I don’t currently see any great paths to that happening, although there’s obviously still plenty of story time for something to open up. For now, though, I feel more confident in placing them as a early/mid-game victim, likely as a consequence of choosing to harm someone else.

Hu: Given her overall lack of focus in the story thus far, I find it likely that Hu will be one of the focal characters of the Chapter 3 daily life. That could be bad news, considering how Xander and Arei fared after being focused upon in their respective daily lives, but… I dunno, I just feel like Hu would survive it, somehow? Wouldn’t be too surprised if she didn’t, but my gut instinct is that she would. I kind of see her character exiting the story in Chapter 4, no preference on killer vs victim.

Veronika: Veronika is a very weird character (an “oddball,” I’ll call it), and thus, my predictions for her are strongly based on the patterns that oddball characters normally follow. I’ll be using canon characters only, because I believe that those are the only killing games that I have the right to assume every DRDT fan has seen. But, you can apply these same kinds of patterns to many fangan characters. Don’t get me wrong, I’m all for fangans breaking from typical Danganronpa norms and following their own paths. But, in the case of how oddballs are treated, I think these characters generally tend to follow these patterns because they’re sensible writing practices. I’ll try to explain why each of these conventions makes sense in the following bullet points.

Oddballs tend not to die in Chapters 1 or 2. This is because oddball characters are generally created to supply a very niche kind of comedic relief– examples from DRDT could include Arturo’s commentary on ugly people or Ace’s bizarre remarks of cowardice. Any character deemed worthy of being included in a fangan occupies one of 16 highly contested slots. So, if you include a character for the purpose of making jokes with them, you'll want to get your bang for your buck! It’s hard to fit every joke you have in mind into only a chapter or two. The best example I could come up with for a (canon) oddball who dies early is Teruteru. In his case, the writers likely anticipated that his hyper-flirtatious nature would get tiring if it continued on for too long, and thus, exhausted all of the jokes they wanted to make in Chapter 1 before his exit. An oddball who dies this early has a limited shelf life, and is likely accompanied by other oddballs who can pick up the comedic slack.

Many have pointed out that silly oddballs often die in Chapter 3 (Hifumi, Ibuki, Tenko) as a way to signify the death of fun and innocence. You also have a chance to get rid of some of the more sinister oddballs (Celeste, Kiyo) at a point where it seems unfeasible for them to have stuck around this long without… well, killing someone. In either case, it’s because Chapter 3 is a great balance of letting a character stay in a story for long enough that they achieve whatever strange effects you wanted from them, while also clearing them off the stage before you get into the really serious business. Silly oddballs especially may not be equipped to handle the often turbulent natures of Chapter 4 without breaking the serious tone too much, so it’s best to axe them at the midpoint.

Endearing oddballs (Gundham, Gonta) have a hard time making it past Chapter 4. If Chapter 4 is serious, Chapters 5 and 6 are even more so, and the Chapter 4 killer slot in particular is a viable dumping ground for characters who don’t really have a place in the finale. Their deaths are meant to pull at your heartstrings and prove how a killing game can make literally anyone– yes, even that guy– a killer. (Miu is an outlier; more like an extended Chapter 3. Unlike THH, which has its tonal shift at the end-of-Ch3-Sakura Traitor Reveal, and SDR2, which has its tonal shift at Mikan’s insanity and death, v3’s tonal shift comes at Kokichi's accusation and Kaito and Shuichi's argument, or possibly even Miu's death itself. The Chapter 4 Daily Life isn’t all that serious in and of itself. Thus, Miu dying as a Ch4 victim functions more like killing off a silly oddball before she has to deal with all the betrayal and scheming that occurs later on.)

Oddballs really only die in Chapter 5 to the extent that you can count major antagonists like Nagito and Kokichi as Weird Dudes. As the precursor to the big, showstopping, mind-bending Chapter 5 Trial, the mood is typically pretty… straightforward. Depending on the overall plot’s arc, Chapter 5 is either the point where most of the surviving students are concluding their character arcs and learning how potent a weapon teamwork is (THH, SDR2), or a “dark night of the soul” type moment where all of the slowly growing inter-character conflicts are finally coming to a head (v3). It can also be Version A for some characters and Version B for others, but, either way, hijinks are not ensuing, basically. Plot relevant things happen here, and as such, plot relevant characters are the ones who are dying. It can be hard for an oddball to find a place in the narrative relevant enough to serve as one of its final, poignant deaths without also being a major antagonist.

Despite everything I’ve said about oddballs dying, it is definitely possible for oddballs to survive. Danganronpa is, at its core, a dark comedy, and as such killing off all of your funny joke characters before the ending is probably a bad move. Hiro, Toko, Kazuichi, and Himiko are all characters I’d call oddballs that survive until the very end. The difference in their case is that part of their oddball nature is being… kind of pathetic? I think it helps them fade into the background more. It's also probably easier to give them a character arc than some others... like Veronika.

I’m sure that you can find exceptions to these “rules” I’ve laid out, especially amongst casts that have a high percentage of oddballs (which you could certainly argue fits DRDT). However, pattern recognition brain go brrrr. I don’t think that Veronika fits the description of a Chapter 1-2, Chapter 4, or survivor oddball particularly well. That leaves Chapter 3 (sinister) and Chapter 5 (bewildering antagonist). I don’t know if it’s that Veronika doesn't seem to have much of a reason to kill at this point in time or all of Veronika’s weird mastermind coding that makes me think DRDTdev might have greater plans for her. Either way, I’m leaning Chapter 5, probably victim. Jeez, that was a long section for one character. Favoritism, I guess?

J: J gets her own category because, honestly, I have no idea what to do with her. Could J make it to the end? Sure! Could J die in a Chapter 3 scheme? Sure! Could J be the Chapter 2 killer? Well, I personally believe the evidence points elsewhere, but in terms of narrative? Sure! The only real inclination I have is that I think it’s more likely that she would be a killer than a victim, mostly because Ultimate Effects Artist is a talent that could lend itself to some really creative and fun murder setups. Given that I have more characters pegged as early game deaths right now, I lean towards J late game, but… man, I don’t know!

Teruko: Teruko is the protagonist, and also is a Lucky Student who allegedly “can’t die.” Especially after she made that claim, it would be silly if she died before the ending– it’d just kinda make her look like a fool. I’m not averse to theories where Teruko is no longer the protagonist by the end, whether by her death or someone else taking up the role for whatever reason, but in the sense that “Survivor” = “Chapter 6,” I think Teruko will survive. I’m not here to predict crazy last-minute Kiibo-blowing-himself-up twists.

Rose: I think that Rose has a really nice arc of overcoming her fears and becoming less passive set up in front of her. We spent enough time establishing her relationship with Teruko that I could see her being a good potential friend/support character to Teruko in the endgame if relationships with people like Eden or Charles fall through. (And, at this point, you know what I think about Eden and Charles…) She’s also good at delivering low-key jokes that can provide some levity without totally ruining the tone. We already saw some of that in this scene. The main things that I think could be standing in her way are her photographic memory and history of debt. The photographic memory could be too annoying of an obstacle to write around for the entire game, and instead be an ongoing effect set to expire in in Chapter 3. Additionally, a money motive paralleling THH’s in Chapter 3 could be too tempting for Rose to pass up. Really, what I’m saying is, if Rose can make it through Chapter 3, I think she’s golden. We’ll just have to see how that Chapter pans out in the future.

David: Oh, David. Currently serving as Teruko’s largest antagonist, I can see why people would think that he would die in Chapter 5. However, I’m not going to beat around the bush and pretend that I’m the only person who thinks David might survive, either. As an inspirational speaker, David is established early on as a character who should be a beacon of hope, before revealing that he’s more of a hope-sucking black hole. It would make sense if, alongside Teruko, he learns to find more of a balance between blithe optimism and cynical depression and heal as a person. He has a lot of very obvious depth that I think a lot of people want to see explored, and whose exploration would be very on-brand for the themes of a typical killing game story. Plus, if Teruko ever does stop being the protagonist, David probably needs to be alive at that point to pick up the slack.

Ace: Similar to Nico, it seems like we’ve already gotten a taste of what Ace being a victim would be like, in a way where I don’t think we’re going to see it again. He could still be a killer, but would the cowardly Ace even want to attempt killing someone and throwing himself into the scrutiny of a Class Trial? Well, it is true that Ace believes that “[neither] dying young or living a long, shitty life of suffering… are as bad as this” (the killing game?). So, he could simply grow fed up with the killing game and decide that risking a Class Trial is worth it, even if he does wind up dying young. However, if that were to occur, Chapter 2 seems like the narratively best time to do it, as it’s when his emotions are most potent and probably when others would least expect him to do it due to his weakened state. Like Rose, I feel the period Ace has most to worry about is this upcoming Chapter 2 killer slot, but if he makes it through, his arc of learning to escape his fear by bravely rising above it instead of lashing out to try to knock everyone down feels very viable.

Whit: The pro of the Inevitable CharWhit Doom Scenario is that, hopefully, one of the two would manage to make it as a survivor after the other one dies. And, I’m Team Whit Surviving! Not just based on which of the two I like better (they’re my first and second favorite characters, so I’m taking a massive L either way), but because I think it makes more sense for it to be Whit that lives further on. Unlike Charles, who feels like he’s already in the final lap of the character arc race, Whit has barely left the starting line. The laundry scene in Chapter 1 and Whit’s secret in Chapter 2 have both been used to establish that Whit focuses on his and others’ bliss in hopes of remaining ignorant of everything that stresses him. The main offender, of course, being that Whit lies about his mom being alive to presumably stave off his grief. The easiest way to give him a character arc that resolves that issue is to give him something to grieve– namely, Charles– and soon. If Whit’s main character struggle is pretending that people dying doesn’t bother him, he might need an entire Chapter or more to stubbornly show off his central flaw. Now, it is possible that, if Whit can’t overcome this flaw, he could die soon after Charles and meet a tragic fate. But, those just… aren’t the vibes, to me? A post-character arc Whit who knows how to grieve fiercely but healthily might come in handy if Teruko finds herself handling her own emotions about Xander, Min, and/or anyone else at the end of the game.

And here’s the bottom of the death order section!

Finally finished writing something that nobody asked of me at all. Well, I still think it was important, and I hope you feel the same.

Now that we’ve laid all that out, I think it’s finally time to actually see who I think the Danganronpa: Despair Time mastermind might be! Although, please keep in mind that, despite the large preamble full of story predictions, I’m still pretty uncertain on who I think the mastermind is. So, my points might not be the best supported, and I might change my mind again pretty soon after I post this theory. I expect to be far better at disproving why everyone is the mastermind rather than proving why anyone would be, because that’s generally how I feel… but, onwards we go!

#17: Arei Nageishi

(Forgive me for reusing art here, I’ve drawn these bastards ENOUGH /j)

If I were writing this after Despair Time’s prologue, like I did with P:EG, there’s a pretty good chance that Arei, at the very least, wouldn’t have placed dead last. But, well, now Arei is dead. And also last.

Obviously, there are other dead characters too. But still, Arei is the one who I most struggle to see as the mastermind. Given that Arei died as a victim whose body was thoroughly investigated by several parties, it’s pretty hard for me to believe that anyone could have missed any signs of life. I don’t get the sense that DRDT is in some kind of simulation where everyone can magically be alive again at the end either, so I think Arei is, sadly, well and truly dead.

On top of all that, we know a lot about her backstory from her Chapter 2 breakdown, and none of it seems to point her towards masterminding a killing game specifically. She doesn’t have any particular ties to any big organizations that would have helped her accomplish it, either. While she is NOT just a temporary weather spell whose absence will be celebrated and then forgotten, David… I have a hard time believing that the audience would find her character relevant enough(?) to be a good twist mastermind come Chapter 6 several years down the line.

I don’t think I really need to keep elaborating on this. Arei isn’t the mastermind.

#16: Charles Cuevas

I know it’s a bit of a bold move to put a character who’s currently alive below characters who have already died, but… man, I really just don’t see how Charles could pull this off.

And it’s not (just) because I think he’s going to die in Chapter 3 as part of Whit’s character arc, or that I want to believe that he’s a good person. Really, it’s mostly because of his phobias. How is a guy who started gagging at the sight of blood splattered on the floor supposed to be the one who orchestrated an entire death game? Could he get through the process of creating a brutal execution like Min’s without freezing up and freaking out? Even if he could do it, why would he? Sure, he didn’t seem to remember the fact that he had necrophobia until Xander died, but that might be even more of a problem. Wouldn’t the mastermind, who’s certainly had to consider the others’ deaths before, remember that they were afraid of death? He would almost certainly have to be lying about at least the scale of his reaction, although that’s probably a given if he is the mastermind.

Of course, there are mastermind subcategories that could better benefit Charles. If DRDT is actually a simulation, especially one in which the participants don’t actually die, that would definitely make it easier for him to be the one behind it. We’re also meant to believe that Charles has childhood amnesia, so he could have amnesia in other areas as well and be a mastermind who forgot they were one.

However, as I said before, I don’t particularly believe that DRDT is going to be a computer simulation or that Charles is an amnesiac mastermind. I just… don’t see this one in general.

#15: Xander Matthews

Let me preface this by saying that I’m not trying to argue that Xander is actually still alive. The concept that he would be able to fool not only Min, making her believe that she dealt him a fatal blow, but also everyone else as they identified his body, seems outlandish to me. However, just because Xander is dead doesn’t mean that he couldn’t have entered this game as the mastermind.

We know for a fact that Xander wanted to kill Teruko due to his dialogue regarding the note he received, which lines up well with the popular theory that Xander is the individual speaking in the first scene with the papers and the blood. If we assume he is that guy, then it may seem a little counterintuitive to think that the person who says “I have to end the killing game” would be the one behind the killing game. However, he also says, “Even if I can’t do that… I have to kill Teruko Tawaki,” implying that killing Teruko is of a higher priority than ending “the killing game.” Thus, if, for some reason, Xander thought that orchestrating the killing game was the only way to kill Teruko, it’s possible that he would be willing to let the death game roll for as long as it takes to eliminate his bigger target.

However, I can’t deny that the Xander mastermind theory has some massive flaws to it. For one, Xander is dead. I don’t think we’ve technically seen any evidence that the mastermind has to still be alive as of Chapter 2, but a mastermind-less Chapter 6 would be… an interesting challenge to write, to say the least. Also, while Xander betraying Teruko and the others was a great surprising hook the first time, if it happened again, it would be kind of… underwhelming, in my opinion. It’s the same kind of concept I brought up in my Eden’s Garden ranking:

Then, in Chapter 6, we’d be faced with the revelation that, wow, the mildly antagonistic character was actually a really antagonistic character all along! It just doesn’t seem like enough of a dramatic hook to me, I guess?

“Wow, the guy who betrayed Teruko and became a killer actually betrayed Teruko and was the mastermind all along! And now, he’s not even around to reap the social or karmic consequences of it!” You see.

And then, there is the literal interpretation of the text that Xander (if he is bloody hands man) obviously stands against the killing games. He’s also the Ultimate Rebel, someone who stands against corrupt institutions in general.

If Xander is revealed to be evil later down the line, it would make much more sense if it was as a traitor type. As for being the one and only mastermind, I think the odds are pretty low.

#14: Ace Markey

Hey, it’s another character that’s alive! And, this one doesn’t even have a crippling fear of death. However, he is a massive coward, and that’s the main thing that’s dragging him down for me.

Similar to Charles, what would Ace stand to gain from hosting a killing game such as this? Ace doesn’t seem to have any interest in notoriety, money, the destruction of society, despair, or any other things that I can think of that would motivate a typical mastermind. We’ve seen time and time again that Ace cares most about having control over both his life and how other people see him, even though he often fails on both fronts. I guess both of those things could be solved by hosting a killing game, but… Come on, there have gotta be easier ways to do that which don’t threaten your precious life.

Furthermore, what exactly would Ace being the mastermind have to say about the story as a whole? Jockey has to be in the running for “talents that are least relevant to a potential killing game host.” How about the idea that the mastermind nearly died in Chapter 2, only to go off the rails threatening and blaming his assailant? I… always knew that Nico was… fully in the right for doing that, because it would have killed the big bad early??? Ace Mastermind is the preferred ending for those who believe that Nico can do absolutely no wrong, lol.

I can’t remember where I saw it, but I once saw a theory of writing that said that there are two major kinds of character arcs. One is the typical character arc, where the narrative pushes a character's traits to change over the course of the story for better of for worse. The other, this theory posited, was an arc on the part of the viewer, where they learn that a character that they thought was flawed was actually not as flawed as they thought all along. You could potentially apply this kind of thing to Eden: in the first chapter, some people may have seen her as a dim-witted positive girl, but in Chapter 2, we firmly establish that her kindness is not stupidity and learn how her optimism is a strength.

So, you could say that the character arc DRDTdev is going for with Ace is something more like that, where we spend the entire game learning to treat him more seriously just in time for him to be a real threat as the mastermind? It still feels like a bit of a stretch, though– I don’t know exactly what Ace would do to make us take him more seriously that wouldn’t either send him on a growth arc not super befitting of a mastermind or wind up with him being a blackened. Ace as the mastermind certainly isn’t impossible, but I obviously found it unlikely enough that I placed him below one character who is currently (presumed) dead.

#13: Arturo Giles

Arturo’s role in the story so far is not very mastermind-ish, in my mind. In the prologue, we establish him as a cold and judgmental person who puts his own opinions of how the world works over everything else, especially how other people feel. This already feels like how a mastermind would act, so if he turned out to be the mastermind, it would be more of the same.

Then, in Chapter 2, we establish that he’s a massive simp for celebrities, to the point of transforming into something adjacent to comedic relief. We’re meant to think that his over-the-top sprites and refusal to actually listen to anything J is saying is hilariously pathetic. Other characters are constantly dunking on him, such as Teruko calling him a “bigoted” “crazy person,” and even the narrative gets in on the action when highlighting how he cares less about the fact that J’s life was at risk than that she didn’t come out of it with drip. Narratively, we’ve already seen these characters get the better of Arturo. If we the audience interpret that as confirmation that the surviving cast could easily beat Arturo should he ever come to stand in their way, it could diminish the stakes upon his mastermind reveal.

However, for all of his negatives, there are some definite positives to Arturo being the mastermind, too. Despite his comedic effects, we have seen through his threats to Eden that Arturo is very capable of being very scary in a way that I don’t think we have with Ace. The horror factor of a plastic surgeon as the mastermind could be a really fun and creepy design theme to explore. And, Arturo is obviously super obsessed with celebrities. If hosting a deadly TV show is what he thought it would take to get him in with the Hollywood celebrity scene, he might be willing to go for it.

I don’t really know why he would have made his secret what it is if he was going to get that upset about it, though. I guess if there just weren’t any better options that wouldn’t tip his hand…? Also, Arturo would blend in terribly as a survivor. If you’re heading into Chapter 6 and you have to pick the evil character out of (let me spin a wheel real quick...) Teruko, Eden, Rose, Charles, and Arturo, Arturo is definitely the evil one. (Okay, that was actually a terrible randomized draw for Arturo on the innocence front, but I hope you can imagine how he would oddly stick out of most groups.) Like I said in his death predictions, I find it hard to imagine a character arc for Arturo, which is why I find it hard to believe that he would make it as far as Chapter 6.

#12: Min Jeung

Honestly, if Min weren’t (most likely) dead, she might be pretty high on my list of mastermind choices. While not as suspicious as the Spurlings, XF-Ture Tech is pretty suspicious, even more so with the introduction of that one altDRDT character. Min is related to XF-Ture Tech, so if that company has anything to do with the operation of the killing game, she could have been the one behind it. Min is also very smart, and her talent has obvious applications for how it could have been used to set up/influence the killing game. The fact that her talent is so similar to Teruko’s, Ultimate Student versus Ultimate Lucky Student, could have also set them up for some great parallels and duality down the line.

However… Min’s role as the Chapter 1 killer throws a pretty big wrench in her chances. Beyond the dying part, Min’s role as the blackened was incredibly evitable. It’s not like she was thrown into a situation where she had to kill or be killed, or even one where a motive was particularly difficult for her. If she wanted to be the mastermind and survive until the end, all she had to do was walk away from Xander stabbing Teruko and pretend she never saw it. However, if Min’s goal was the inverse of ol’ Bloody Hands (keep the killing game running, but most importantly, keep Teruko alive), her actions could line up. And then, perhaps Min could have falsified her own execution early to draw suspicion off of her, much like Junko did by killing Mukuro.

Beyond her death, though, it’s really Min’s reaction to being the blackened that makes me think she can’t be the mastermind. The stellar voice acting in Min’s breakdown scenes makes me really believe both that this was the first time she had ever hurt anyone as gravely as she did to Xander, and that she fully believed that she was about to die. Those are two things that a mastermind, especially one headed into a fake execution, would not be feeling. Maybe Min memorized how to be a great actress too amongst all those textbooks, but I doubt it. I can still see several reasons why Min would have been a good mastermind, but her actual death and her reaction to being told she was dying knock her down several pegs in my mind.

#11: Hu Jing

Hu is a bit more suspicious to me than some others just because I think she has something to hide. Between her refusal to share whose secret she received or had herself, mysterious “I want to pay for what I’ve done” hidden quote, and intense desire to be relied upon, there’s definitely something about Hu as a person that the narrative has yet to uncover. Could that something be “Hu is the mastermind”? I dunno, maybe.

Hu also has a tendency to react to things with her temper. That could be a sort of foreshadowing to how she would act as the mastermind, much like how David’s brief spell of apathy during the prologue hinted at the way he would act further down the line. Hu’s defense of Nico could act much the same way. Our overall impression of Hu at this point is that, while she is a flawed person, she’s one of the nicest and morally best people in the game, who’s always looking out for others. Defending Nico to the point of babying them might cross the line a little, but she’s only trying to help everyone…! Hu could make it to the end as a believably heroic survivor and then reveal that all of her presumed poor decisions were actually active malice, and I think she could pull that off.

All that being said… I don’t, like, actually think that’s going to happen. In fact, I’m probably overexaggerating the extent to which people think that Hu is nice and morally good. I’ve seen several people discuss the unjust amounts of hate Hu gets in this fandom, which implies that a lot of people hate her, even if I haven’t particularly seen much of it myself. At the very least, I definitely over exaggerated the extent to which people believe Hu could survive! As implied in the death order predictions, I do personally think Hu is going to die, possibly as a consequence of getting too invested in everyone else’s business when they don’t want her to be and/or wearing herself too thin. There are paths which I believe could lead to Hu being the mastermind, but they seem to be the roads less likely traveled.

#10: David Chiem

While I have no doubts that David has the fame, charisma, and worldview to pull off a killing game… I’d have to wonder about how he would see himself playing into all of it. As we saw in Chapter 2, David knows that his career has a lot of value, possibly to himself but definitely to other people, and therefore, he doesn’t want to jeopardize it. In fact, the reveal of his manipulative secret was the inciting incident behind his massive change in characterization. So, if he were the mastermind of a televised killing game… How would he think that would play out to his viewers?

Now, to be fair, there’s a lot we don’t know about the worldbuilding of DRDT. MonoTV claims that the TV show will be broadcast to a widespread audience. Perhaps that indicates that, in the world of DRDT, publicly broadcasting talented young peoples’ violent deaths is normal, or even sought after. Maybe the cast of DRDT forgot about it.

However, David seems to think that people learning that he sees everyone as manipulable would do damage to his reputation, so it’s a bit of a contradiction either way. If the world has been wracked with despair and craves intense violence on TV, then David’s reaction to his secret is either an elaborate lie or the result of the mastermind erasing his own memories regarding the situation. (Or, I guess the public could see death as fine and dandy but manipulation as a cancellable offense, which is… one of the interpretations ever.) Otherwise, in the scenario that the DRDT world is a normal one, David wouldn’t care about being revealed as a manipulator if he’d already committed to the mastermind bit. If his career was already preemptively ruined by agreeing to commit literal murder, why get so worked up about the thought that people might abandon ship over you not being 100% honest?

And then, there’s also the whole “surprise factor” thing that I keep bringing up. Admittedly, it’s been a longer hiatus between the start of Chapter 2 and the end of Chapter 2 than DRDTdev might have been hoping for, but that doesn’t change the fact that this part of David’s characterization happened in Chapter 2. DRDT fans far and wide have written thousands of words gushing over “the David reveal” or “evil David.” If David were unveiled as the mastermind, we’d have to start writing stuff about “the first David reveal” or “when David showed his true colors again.” You see how it kind of takes the hype away from such major plot points? That’s the sort of concept I’ve been trying to get across with some of my other choices too, but a bit more clear cut.

I don’t know why I sound so much like a hater in this section (in my opinion) when I’m literally putting David at #10, above seven other characters. I guess it’s because I can see why his theatricality and traits foiling Teruko could make him a good mastermind, but also have some major issues with the logistics of him getting there. A lot of good points versus a lot of bad points settle out to him winding up someone in the middle.

#9: Levi Fontana

With our first single digit number, we’ve also reached our midway point of mastermind candidates: Levi!

Levi would be a really interesting mastermind choice because of how his character centers around grappling with his morality. I think it would be really intriguing to have a mastermind outwardly struggling with their attempts and failures to be a good person throughout the entire game, only for the player and the characters to receive the full context of the debacle at the very end. I guess in this situation, it would be pretty likely that Levi would be redeemed at the end? That’s not necessarily a problem. (Honestly, I don’t know if I think the DRDT mastermind could be redeemed or not based on the fangan’s themes… that’s a post for another day, perhaps.)

Anyways, I think that what we know of Levi’s backstory could work well with him being the mastermind. If he does have the “murderer without remorse” secret, that would be in line with orchestrating a killing game. We also know that he’s “been disowned” and that he and his family were “all bad influences on each other.” We’re meant to assume that Levi was fortunate enough to escape a bad/abusive situation (and in all likelihood this IS what actually happened!!!!), but we are hearing about the situation from his point of view alone. There is a small possibility that, if Levi is actually a despair enjoyer, his family cut him out because they thought he was a danger to their lives.

I will reiterate again, though, that I don’t think this is the case. Levi seems like he’s a chill guy, or at least that he’s trying very hard to be one despite how he’s been told to react all his life. The whole “mastermind wanting to become a good person” lens also makes less sense given how channeled Levi’s development is through Ace. Like, I would imagine that, if this were the angle DRDTdev was going for, Levi would be making an effort to get along with everyone as part of his atonement. The mastermind randomly choosing to focus on just one person out of the crowd seems kind of strange, especially when that person is someone as disagreeable as Ace. That kind of plot would have big “the mafia CEO vampire prince fell head over heels in love with me, the random average girl” vibes. Repenting mastermind Levi is the preferred ending for pining lovers to enemies to lovers AceVi shippers, lol.

And then there’s the part where I think he’s going to die. I don’t think Levi is the worst mastermind choice, but I think there are better out there.

#8: Nico Hakobyan

Yay, we finally got to one of the characters that Anon thought was suspicious! It only took… 7k+ words. Oh boy.

I definitely think that the cat coding is the strongest thing that Nico has going for them. It would be pretty funny if the extent to which “Ultimate Pet Therapist” is relevant to the plot is the climactic reveal that “yeah Nico has been talking to a (robotic) animal the whole time.” That’s a joke, as Ultimate Pet Therapist is already quite relevant to Nico’s characterization as someone who prefers communicating with animals over people, but it would be funny as hell from a character designing perspective.

There are less silly reasons to believe that Nico is the mastermind too, though. While it seems like, similar to David, pulling the trigger on Nico’s change in behavior in Chapter 2 would be a bit early, I don’t think it’s as destructive to mastermind Nico as it is to mastermind David. There’s a lot more doubt in people’s minds that Nico even did anything to Ace, to the extent that a decent number of people (in the story and out of it) think that it was someone else trying to kill Ace entirely. Nico also has a stalwart defender in Hu, which adds an extra level of intrigue to the situation. Instead of confirming that everyone was right to be suspicious of David, at least some amount of focus could be placed onto Hu being wrong for trusting Nico and failing to see someone’s true colors again, which could be interesting for her characterization if she was alive at that point.

On the other hand, the biggest reason that I think Nico isn’t the mastermind is also because of the attempted Ace murder. Why would Nico, as the mastermind, try to kill Ace at this time? If Nico wins the Class Trial, then the killing game is over, which is probably counter to the mastermind’s goals. If Nico loses the Class Trial, well, we’ll say that the possibility of Nico dying isn’t an issue, as they could just fake their own death or deny entering the execution. But still, why?

It could be that Nico was trying to remove themselves from the killing game on purpose, but I don’t see why it would be necessary. No one was particularly suspicious of Nico being the mastermind, and if they were worried about their gender identity getting out, they could have simply made their secret something else. A mastermind could kill to avoid the killing game falling into a standstill, but tensions were really high at the time that Ace almost died! With a full day left to go before the motive secrets were revealed, such drastic action wasn’t yet forced. I guess the best option would be that Nico was just really angered by what Ace said, and wanted to retaliate as part of their vicious mastermind nature. Is that worth taking yourself out of the killing game and risking the show’s termination, though…?

There is also the possibility that Nico is the mastermind, but didn’t try to kill Ace. In that case, suspicion of Nico would be such a huge in-universe coincidence that I’m doubtful DRDTdev would have included it as a major plot point.

Speaking of “show’s termination,” I also don’t know why Nico would have any involvement in creating a TV show, both from a backstory/talent perspective and a personality one. Nico doesn’t like interacting with people. Therefore, I don’t know what would possess them to want to create and join a TV show for which the major draw is a big stressful discussion between a bunch of people.

I guess I had fewer reasons why I thought Nico would be the mastermind than I thought. I would love to hear more details about why you suspect Nico though, Anon! I’m definitely willing to believe that they could be the mastermind.

#7: Eden Tobisa

Make no mistake, I still think that Eden is the Chapter 2 killer. However, in the case that she isn’t… mastermind isn’t a terrible choice for her.

The biggest draw of Eden being the mastermind would definitely be the shock value. The seemingly nicest character suddenly being revealed as the mastermind would create a huge hurdle for the surviving characters to overcome. Teruko especially, given that she probably would have grown at least a tad closer to Eden if they survived five chapters together. It would be a little mean to give Teruko a trustworthy friend just to rip it away from her again, but I could see the opportunity being used to highlight Teruko’s growth. When Xander and Min betrayed Teruko, she panicked and shut everyone out, but when Eden betrays Teruko at the very end, she’s able to remain strong and rely on the other friends who she continues to trust. Or DRDT could have an unconventional feel-bad ending, I suppose.

If some kind of time loop is at play within DRDT, then Eden’s talent would obviously be thematically and perhaps practically relevant as well. I could see a lot of comparisons being made regarding a killing game being run “like clockwork.” Her secret quote “you can’t go back, no matter how hard you try” is... actually kind of anti-time loop, but at least the concept of going back in time is somewhat related…? Speaking of secret quotes, her Mai quote, “she kept calling the number, even though no one picked it up” is also really weird. That suspicious hidden evidence could point to her being the mastermind.

However, Eden’s personality is a pretty major issue when it comes to her being the mastermind. Shock value is great in the moment, but it can ring hollow in retrospect if people find that the twist doesn’t make any sense. Masterminds aren’t typically known for their kindness or optimism. So, if Eden is the mastermind, it seems like her whole “even if this world is cruel, I’ll still make the choice to be kind” speech is a complete lie. And, that would be a shame! I don’t think that having an unexpected mastermind at the end of the game is worth the cost of completely demolishing a character that we’ve come to know and love over the course of six chapters and several years. (I’m not saying that complete demolition has to be the case if Eden is the mastermind, but I think it’s a reasonable worry that many people have.)

And, I know that all this talk about how wonderful Eden is might sound rich coming from someone who strongly believes that she just killed someone who wanted to be her best friend. But, that’s kind of the point, isn’t it? As someone who thinks that Eden is the killer, I know very well how a lot of people have a really hard time believing that Eden could do something as terrible as killing Arei. I can only imagine how hard it would be to accept that Eden was the one who put Arei, Min, Teruko, and everyone else in danger, and the one pulling the strings behind every execution.

Eden as the mastermind, to me, is more tempting in concept than it would be viable in execution. And also, I don’t even think she’s going to live to see the light of Chapter 3 day. However, there’s also some definite emotional power behind the accusation that makes me see how shooting for this ambitious choice could be worth it in the long run.

#6: Whit Young

Alright, it’s finally time to talk about Whit. I know that he’s a really popular mastermind choice, but… I just don’t see it, personally. Even though I put him at 6th place. (I do not enjoy putting him in 6th place.) Is that just because he’s my favorite and I’m attached to my interpretation of the character? Perhaps. But, I’d still like to explore some points that I find faulty.

Perhaps the biggest reason behind suspicion of Whit that I’ve seen is the way that he breaks the fourth wall. People connect his asking people to pause for the evidence list to MonoTV invoking similar mechanics, and lines such as “do you really think she’d be hanging out in the playground” to him knowing more than he’s letting on. However, there are a couple of ways that this accusation can be depowered, in my opinion.

Firstly, Whit isn’t the only person who says stuff like this. Veronika alludes to the killing game before it begins, Teruko also breaks the fourth wall to tell the viewer to pause (albeit only in her thoughts, not out loud), and Arei makes the same kind of “hanging” wordplay in Eden’s flashback that Whit did. I won’t say that characters addressing the fourth wall can’t be important at all, because I believe there are some moments where the other characters commentate on how weird it is that MonoTV is talking to no one. However, I also think that breaking the fourth wall may simply be part of DRDTdev’s humor, as exemplified by that “make sure to like and subscribe so that Teruko has enough mental strength to carry on” joke. Whit is a funny guy, so it just makes sense that if DRDTdev’s brain generates funny meta jokes, Whit would get some of them. Everything that Whit says reminds me more of Mia AceAttorney saying “hit tab to open the Court Record” than some sort of groundbreaking DDLC-Undertale direct communication with the viewer. However, I can see why others would think otherwise.

The second is that I think some of Whit’s comments (more so the “dead at 3” and “hanging in the playground” than the pause) are just meant to showcase his intuition. And, yeah, it could be that DRDTdev has been leaving crumbs of Whit’s intuition behind so that in Chapter 6, he can use it to exploit everyone’s insecurities and greatest despair. To me, though, Whit’s intuition has always reminded me of the myth of Cassandra.

For those who don’t know, Cassandra is a figure in Greek mythology who was blessed/cursed to receive prophecies, but for no one to ever believe them. By my interpretation, Whit is a really smart and perceptive guy who has strikingly accurate gut feelings about how things will play out down the road, even when he doesn’t realize it himself. However, the curse of his own coping mechanism– choosing to act like an eternally cheerful goofball– leads the majority of the other students, and perhaps some of the viewers, to never take his point of view seriously. He can only realize the accuracy behind what he said after the bad things have already happened, leading him to blame himself more and more for not being able to speak up and help when times were tough.

This kind of behavior would line up with two different themes we’ve seen from Whit before. The first, that when he jokes around without thinking, he can accidentally say hurtful things that he later reprimands himself for. We saw that when Charles blew up at him at the end of their shared FTE. The second is Whit’s major theme of good things hiding a darker undercurrent. Being the Ultimate Matchmaker is great until you’ve never had a successful relationship yourself. Having an awesome mom is great until the truth comes out that she’s actually dead, and you’ve been covering it up. Growing super close to someone is great until he dies. Having an amazing intuition and understanding of everyone is great until you can never actually use it to help those you care about. Joking around is great until it's all you can do. Pretending everything is fine is great until it’s not.

Like I said, very specific interpretation. I promise I was not citing classical literature to make my argument sound smarter than it actually is. I am aware that my interpretation of Whit is no less or more valid than everyone else’s. However, it’s one that I hold very close to my heart, and thus, I personally have a hard time seeing around it.

However, I’ve also seen a lot of people argue some valid points for Whit, so I can at least acknowledge that he deserves to be in the upper echelon of choices. There’s a lot of weird stuff regarding him in Literature Girl Insane, and he’s certainly an option of someone who felt so much grief that they became totally empty inside as shown in that one hidden quote. I would be appropriately surprised and heartbroken if Whit revealed himself as the mastermind in Chapter 6, so he checks the box in that regard. There isn’t anything from his backstory that opposes the notion that he set up the killing game, and, to quote what I said about our other Ultimate Matchmaker, Toshiko���

While Ultimate Matchmaker might seem like a silly talent to give the mastermind, it could also be a ruse to distract us from the fact that [Whit] has a talent that allows [him] to read people well and make choices that will impact their lives dramatically.

I don’t like it, but I can see the argument… kind of. To me, most mastermind Whit interpretations feel like mischaracterization, but as a theorist, I always try to keep in mind that I’m the one who could be twisting the text to my whims as well. In this my-opinions-based list, though, he’s not getting any higher than 6th.

#5: Veronika Grebenshchikova

Ooh, what spooky art for a spooky mastermind. Let’s be real, though, Veronika is way too obvious of a mastermind candidate to actually be the mastermind. Unless… she’s so obvious that she loops back around to not being obvious, and thus, is the perfect mastermind candidate?!

Veronika is in a really weird place. I obviously have no doubts that she would have any moral qualms about hosting a killing game, because she’s told us herself that she doesn’t. She knows what Monokuma is in immense detail, but claims to have no idea what a killing game is. She’s dressed really similarly to Junko, though. Is that just a coincidence? Are giant pigtails also a symbol of fear in the DRDTverse? I need ANSWERS, LADY!!!

The biggest problem I see with Veronika is the potential for obviousness. Similar to Arturo, if she actually made it to Chapter 6, I feel like it would be pretty obvious what’s going on. An oddball like Veronika is not the typical survivor type (although she could break the mold). Because Teruko’s character arc is all about trusting people, it would make sense if the reveal of the mastermind was someone who challenged her trust to some degree. With Veronika being obviously unhinged the whole time, I don’t think that Teruko would have any particular difficulties with kicking her to the curb.

However, Veronika clearly has the motive to start a killing game, and potentially to spread despair. DRDT has taken inspiration from Trigger Happy Havoc in the past, so it could make sense if DRDT’s mastermind was also inspired by THH’s. Having a so-obvious-it’s-not-obvious mastermind could also be another way to mess with theorists like me, as DRDTdev did with the comments section portion of Literature Girl Insane. “bro Veronika being the mastermind would be WAY too obvious” sounds EXACTLY like “I just hope XXXXXX doesn’t go crazy and kill in chapter 3. That would be way too predictable” or “XXXXX will obviously die in ch5”. If part of the point of DRDT is to make know-it-all analysts rethink the rules they believe to be set in stone, I could see Veronika as a subversive choice.

Veronika definitely seems to be building up to something, but I don’t know if being the mastermind is exactly it. I think that Veronika could make it pretty late into the game, but I still struggle to see her making it all the way to Chapter 6. I would absolutely love to see what DRDTdev does with her writing if that is the case, though. 

#4: Mai Akasaki

(Well, now I feel bad that I’ve never made a colored portrait of Mai.)

As you may have noticed back at our first entry, Arei, I started the countdown off at seventeen, not sixteen. (If you didn’t remember that, I don’t blame you– it was a WHILE ago.) That’s because I thought it was only fair to include DRDT’s best kept(?) secret, the lovely Unnamed Student herself, Mai Akasaki, as an option! Because, man, is she mysterious in some suspicious ways.

“But, didn’t MonoTV tell the students that the mastermind was one of them? Mai isn’t one of the students in the killing game (unless prosopagnosia is REALLY going crazy), so she can’t be the mastermind, right?” Well, yes and no. The scene where MonoTV confirms the existence of the mastermind is SUPER weird. Let’s take a look at it.

On one hand, MonoTV is still in the Movie Screening Room, where it was JUST talking to the student body, so it would only stand to reason that it’s a continuation of the scene we just saw. However, the setting also seems to be doing everything in its power to tell us that this is NOT the same scene we just saw. The lights have been turned off, even though they were on in the scene just before this. They return to being on in the first scene of Chapter 1, which the students treat as being directly after the scene during which the lights were on before. The widget denoting the time, chapter, and episode has completely disappeared, placing this at an even more unknown time than “Time Unknown.” The text indicating that the speaker is MonoTV has even disappeared! I mean, I assume that MonoTV is still the one saying it, considering that it’s on screen and the speech bubble is pointing right at it, but we don’t even know that for sure!

Additionally, MonoTV refers to the viewers directly (“dear viewers”) two speech bubbles after this one, which makes it seem more like MonoTV is talking to us the audience rather than the students in the room. But then, if the mastermind is “one of you,” and MonoTV is talking to us, wouldn’t that mean the mastermind is someone in the audience? That could lead in to some really meta interpretations of the text (i.e. “DRDTdev is the mastermind of DRDT because he’s the one who created the killing game”) or it could indicate that I’ve gone fully off the rails. 

A midpoint between those two ideas is that the mastermind is part of the in-universe audience watching the killing game, as in, a fictional character who is watching the real-to-them TV show that is Danganronpa: Despair Time. That could include Mai, a very notable character who is not one of the sixteen participants in the killing game.

Side note, I’ve seen some people fight back against the concept that Mai could be the mastermind with the idea that making the mysterious character the mastermind would be too obvious. While I sort of agree, I feel like we’re somewhat overestimating the extent to which Mai is obvious. It’s not like no casual viewers would know who she is, because her image was shown pretty obviously in Chapter 1. However, the name “Mai Akasaki” is only accessible by finding the hidden quotes on the optional associated website’s character profiles. To learn anything about her beyond that, you have to have the thought to type the name into the website URL, and then solve another puzzle just to see the bare bones of what’s there.

I’m not trying to assert any sort of dominance or superiority over DRDT fans on YouTube, Twitter, TikTok, or anything else, but from what I’ve gathered, Tumblr is the place you want to go for deep analysis and theories on DRDT (possibly because of Tumblr’s longer word count). Therefore, anything about DRDT that may seem like common knowledge on Tumblr may only be common knowledge to the fans who specifically bothered to come to the deep lore and crack theories website to find deep lore and crack theories. Essentially, this:

Sort of similar to what Gravity Falls did with the reveal of Bill Cipher back in 2012 (at least I think, I wasn’t actually in the Gravity Falls fandom at that time), I think it would be reasonable to plant clues about an overarching villain that people who want to analyze can analyze ahead of time, such that the villain’s arrival can come as a victory to the puzzle solvers and an exciting new development to the more casual viewers.

However, while I believe that Mai has an awesome setup that she could use to become the mastermind, whether she would actually fit the role is another question entirely. As I alluded to back in the first Mai paragraph, I’m rolling with the widely held (among theorizers) belief that the Unnamed Student in Xander and Min’s bonus episodes is supposed to be Mai. In those episodes, Mai seems to be incredibly caring, peppy, and sweet. She knows a ton of little heartwarming details about Min and Xander, and I wouldn’t be surprised if the same is shown to be true with Arei and whoever else’s bonus episodes in the future. Those hidden quotes on Mai’s profile also give off the impression that everyone in the cast really loves Mai– one could call them a “portrait of a person dearly loved,” perhaps.

While it’s possible that these scenes are supposed to highlight Mai’s social prowess and how much she can get people to fall in love with her, they… don’t really seem to be giving off those vibes. We see her thoughts in those bonus videos, and she really does seem to be dedicated to helping Min and Xander out. Mai’s change from someone who wanted nothing more than to help out her friends to someone who was willing to throw all of them into the killing game is something that would have to be explained, and it could be difficult to communicate that shift within the confines of bonus material, if Mai’s content is mostly kept there. There is the concept that Mai could have put her friends into a killing game to protect them somehow, which could be a way to avoid Mai’s character seemingly doing a total 180, but that rationale would need a lot of explanation too.

Otherwise, there’s also the problem that Mai is almost certainly dead. I won’t get super into it myself, because the amazing @1moreff-creator has already done a great job explaining why here (starts in the XI. God is Dead section). I don’t think I need to elaborate on why Mai being dead potentially before the killing game even began would be detrimental to the idea of her being the mastermind.

To be honest, I don’t know how much this idea actually makes sense. I think I’m personally more inclined to believe that Mai could be the mastermind just because I really don’t get mastermind vibes from pretty much anybody in the cast. If the mastermind simply wasn’t one of the members of the main cast, that could solve that issue, right…? Mai is very likely involved in the inception of the killing game somehow, so extending that role to one of being the mastermind isn’t the biggest stretch. However, her personality and living status do throw in some pretty big question marks, so I don’t think she should go any higher.

#3: Teruko Tawaki

Teruko was definitely the first character who I believed could be the mastermind after I watched the series for the first time. However, over time, I’ve sort of fallen off of the idea that she would be. Is that because I’m forgetting key details of the plot, or because I’m drifting closer to the truth…? Honestly, I have no idea.

Let’s start with the strongest “evidence” we have against Teruko, her motive secret: “How could I even select which secret to make your motive? Just about everything you’ve done in your life is worth killing for. The killing game is all your fault.” Although “the killing game [being] all [Teruko’s] fault” sounds pretty damning, there’s the obvious counterargument to be made that this isn’t even Teruko’s motive. In fact, the board currently shows it assigned to Xander. However, the majority of people (including myself) seem to believe that David was lying, and this secret is Teruko’s. So, let’s analyze under that assumption.

Teruko did admit to Veronika that she doesn’t know what secret could be used as her motive because there were so many. Even if that motive secret isn’t hers, that still means that Teruko has done a lot of shady stuff. Teruko’s decision to live on set forever could line up with the mastermind's goal of wanting to keep the cameras rolling as well. The very first scene of DRDT shows that someone who wants the killing game to end also wants Teruko dead, which implies that Teruko and the killing games are on the same side.

Teruko also has a prior history of concealing things about herself from us, the viewing audience. We knew basically nothing about her past or trust issues before Xander stabbed her, causing her sudden change in attitude to come as a blindside. Teruko apparently has a “risky” killing game-ending plan in mind for the end of the second Class Trial that she’s told us absolutely nothing about. And, most notably, Teruko clearly knows things about Mai that she’s decided not to share with viewers at home. (I do believe that Teruko genuinely can’t remember Mai’s name, but she does remember that Mai is similar to Xander and wanted to help, which is more than anything we would have known from the main text on our own).

Point is, DRDT is written in a way where we don’t hear a ton of Teruko’s thoughts. That would make it much easier for her to scheme something behind the scenes, as opposed to someone who we get a lot of emotional reactions or logical theorizing from. It’s actually kind of similar to the difference between Kaede and Shuichi’s styles of narration, as pointed out by ShortOneGaming in their impeccable v3 playthrough! I recommend watching their entire letsplay if you're in the mood for v3, but I found one time where they talked about this concept here. I’ll transcribe it for anyone who doesn’t want to open YouTube right now:

Gina: I do want to call– as my final sort of note– what’s interesting is that you called out immediately that Kaede’s narration was weird. That, it was always, like– dictation? Allison: Yes! Gina: It’s always, like, speaking directly to a person– Allison: Yes! Yes, I did say– It never really felt like actual internal monologue. Like, she never was expressing her thoughts or anything to us. I mean, yes, she was, but then there were those weird moments where she was, like… y’know, hiding it from the player, and… probably from herself, too, to some extent. Like, she was just like, “and then I had to go do this thing.” Um, and like, “we won’t really address how I’m feeling about this.” Gina: Yep. Allison: And at the same time, it hides it from the– the player. And that was very clever. Really good. I mean, her– yeah, her narration was always kind of weird. But, she did have moments where she had internal reflection.

Hopefully, you can see the comparison. By putting a greater emphasis on actions as opposed to what Teruko is feeling (“I kneeled down and touched his neck” after finding Ace’s presumed-dead body; “Everyone else started filtering in” when people walk into the Playground and find Arei’s corpse), it becomes much easier to have Teruko hide exactly what she knows or exactly how she feels about certain events. It’s actually the opposite of the kind of narration that Damon had (“I’m trapped in a killing game… with people who despise me. How… how did this happen? I just wanted to help… I wanted to make sure we didn’t trust each other too easily… and now I’m being treated like the bad guy” after the 0th Class Trial) that made me believe he wasn’t the mastermind!

So, do I think that Teruko would be a mastermind who remembers, or a mastermind who forgot? Well, I could kind of see it either way. Personally, I think that Teruko being a mastermind whose memories are intact is the more interesting version, and I do believe it’s possible. I also don’t understand why someone with as many trust issues as Teruko has would want to remove her own memories if it weren’t necessary. Then again, Teruko being an amnesiac mastermind could make up for some of the… issues that arise with her as a mastermind candidate.

What? She’s in third place, not first. Despite how long I’ve already talked about Teruko, there’s still more to say!

First, the problems if Teruko did retain her memories: why would she ask MonoTV about the mastermind’s identity when the two were alone? Why would she be creating a plan to end the killing game? Why would she pretend to not know who Mariabella Rosales was even though everyone else clearly knew?

And then, the problems that persist even if Teruko did lose her memories: where would Teruko have gotten the resources to plan a killing game of this caliber? Even if she had them, why would she use it on this? Assuming that secret is hers, why would she write that about herself in a plausibly public place (beyond the swapping, Arei looked over Whit’s shoulder)?

Oh yeah, back to that secret. Just because “the killing game is all [Teruko’s] fault” doesn’t mean that she’s the one who planned it. In fact, the wording sounds very accusatory and hostile for something that Teruko would have theoretically written to herself. From the first scene, we already know that there is a person or group of people somewhere who are out to get Teruko. It could make more sense if that entity is the mastermind, and wrote the secret to blame Teruko for whatever she did that got her on their bad side.

There’s probably more to be said, but hopefully you can see why I have so many mixed feelings about Teruko. I definitely think she’s one of the more likely mastermind candidates out there, but I still don’t know exactly how likely that is, y’know?

#2: Rose Lacroix

Once upon a time, a wise and powerful theory alchemist known only by the epithet @1moreff-creator postulated that Rose could be the mastermind of Despair Time, and then never elaborated on the idea at all. For centuries (a couple of weeks) the townsfolk (me) were baffled by these dark and mysterious ramblings. However, as seasons passed by, as travelers came and went, as the tide advanced to kiss the land before slinking back to its home once more– the idea… started making more and more sense?

Rose is a really smart character who has already shown her proficiency in Class Trials. In the first, she utilized her ability to perfectly capture the scene and her knowledge of chromatography. Although her talents haven’t been as useful so far in the second, she’s still managed to keep up with the conversation despite never looking at the scene of the crime. Thus, I can see why, from a writing perspective, DRDTdev would choose to make his mastermind the Ultimate Art Forger.

There’s also the angle that Rose is a criminal, and therefore could be willing to do illegal or immoral things. However, she does seem to be pretty remorseful about it, and she’s already been caught for her criminal behavior before. Unfortunately for her, her relationship with her saviors the Spurlings only makes her all the more suspicious. Even if Rose didn’t want to be the mastermind of a killing game, if the Spurlings forced her to do it, she might have not had a choice. (Xander is very against the Spurlings… Xander is bloody hands guy → stop the killing game → stop the Spurlings?)

I also like the angle of “the Spurlings forced her to do it” because of what I talked about back in Mai’s section– the concept of the mastermind not being among the students. In Rose’s case, you can get the best of both worlds. The entity behind the killing game, the Spurling Foundation, would be a group outside of the killing game for MonoTV to contact, but there would still be a student among the cast’s ranks to suspect and accuse come Chapter 6.

What’s the argument against Rose? Well, I would ask why Rose would want to put herself in this kind of situation, but if it was the Spurlings’ choice, then that explains that. You could say Rose has been too helpful to be a bad guy, but everything she’s done so far has been to help the students win a Class Trial. That keeps the killing game running, which keeps the show on. The biggest problem I’m thinking of at the moment is the notion that the Spurling Foundation would have chosen to make Rose’s secret about how her backstory led her into their clutches. However, the secret doesn’t actually acknowledge the Spurlings by name, and it also frames Rose’s crimes in a way that makes her look like a good person– the opposite of what someone would think of as a mastermind. The secret was also only intended for Rose’s eyes, so it could have functioned as more of a low-key threat to remind her why she needs to stay in line.

Shouldn’t all of this talk of Rose lacking agency make her a bad mastermind candidate, though? If a villain doesn’t even believe in their villainous motivations, the story could end on a really flat note, with the good guys steamrolling an evildoer who doesn’t really care. How are we supposed to reach a satisfying conclusion if the mastermind hardly has anything to be held accountable for?

Those are normally things I would argue, but as many have pointed out, Teruko isn’t a normal protagonist. Actually, I think that this kind of mastermind setup for Rose could be a great way to end Teruko’s arc about learning to trust other people. Rose is the mastermind, somebody who shouldn’t be trusted…! It would be so easy for Teruko to just crush this person who betrayed her into dust– Rose isn’t even putting up much of a fight. But in the end, Teruko will choose to be patient, and see that Rose never wanted to betray Teruko. Even if her actions wound up hurting Teruko and many others, she still deserves a second chance, or at least a second evaluation.

As you saw in the death predictions, I obviously believe that Rose has the potential to make a late game run, whether as a survivor or something else. Writing all of this out, I can see even more clearly why Rose just might be the DRDT mastermind. However, despite all that I wrote, the idea still feels kinda more like a fun AU than the actual truth to me…? So, I still think there’s one person whose chances I like slightly better.

#1: J Rosales

Whaddya know, J’s personal ??? tier catapulted her into the lead. It is probably true that my uncertainty about where she might land is contributing to me deeming her the mastermind– it’s a really weird space in the kill order, as someone who survives long enough to theoretically have a positive character arc while sometimes not being counted among the survivors at the end.

Part of why I put J this high is that I really like the theory of J being the mastermind along with her brother, Ryan. Sadly, I cannot find any of the original theories that postulated this idea to link to, so I’ll try my best to explain what I remember myself. Basically, some people found the scene in c1e4 where Rose doesn’t remember who J is suspicious. They combined this scene with J’s younger brother, Ryan, and J’s talent, the Ultimate Effects Artist, to suggest that J could be using her FX talents to disguise Ryan as herself and have them occasionally trade places. From this Q&A, one of the few things we know about Ryan is that he enjoys crossdressing, which furthers the idea that he could enjoy pretending to be J. Ryan is also (to my memory) the only DRDT character’s sibling whose name we have seen in the main text, which could indicate that he’s more important than Arei’s sisters, Levi’s brothers, or other potential siblings.

I think it’s a really fun idea that I would at the very least want to see come to fruition, regardless of how likely it is. If J was working with Ryan, you can once again repeat the argument that there’s both a mastermind for MonoTV to talk to outside the game and one to be accused within the game. The biggest issue with it is that I don’t know how Arturo wouldn’t see the differences between the two, even if Rose may have. Maybe if J and Ryan haven’t swapped since the Rosales secret got out, and won’t swap again until Arturo dies…? I don’t know, I’m getting ahead of myself.

The thing is, other than just being a unique and interesting concept, I’m not really sure what the point of having J and Ryan swap would be, in universe or out of it. (This is why I wish I could’ve found a link to the original theorist... :,( ) My best argument for in universe would be that there are some things that only J has the skill to do, her being the Ultimate Effects Artist while Ryan is not. However, they couldn’t just have Ryan be the one in the killing game full-time, because he’s too young and therefore wouldn’t have been part of the original Hope’s Peak class. Thus, there are some points in time where J needs to be working behind the scenes (like on the executions or something), and during those intervals, Ryan subs in. Metatextually, I guess it could show how every person in the entertainment industry can be cutthroat, or that every child of a celebrity is bound to get messed up about it somehow…?

Regardless, even if Ryan isn’t involved at all, there are plenty of reasons to suspect J on her own. Ultimate Effects Artist is a highly suspicious talent when it comes to the deception of a killing game (just check out how many people think J already used it to kill Arei), and in connecting her to Hollywood. J may claim to specialize in theater as opposed to television, but 1) she could have been lying, or 2) that could be true, but she’s making an exception this time. Even if she normally works in live theater, if you were a TV executive approached by the daughter of Mariabella Rosales who is also a Hope’s Peak Ultimate student in her own right, would you really turn her away…?

J’s custom weapon is also pretty suspicious. Even if it doesn’t seem to be able to trigger traps like the one used on Levi (though that could be another lie), I could still see it being pretty helpful for subtly operating MonoTV, turning on a monitor, starting an execution, or stuff like that. Charles essentially confirms that the custom weapons were in the students’ rooms since they all woke up, which means that J could have had this remote on her the entire time.

J’s relationships also seem potentially mastermind-y. Thus far, the two characters with which she’s been associated most are Arei and Arturo. Those two (at least, prior to Arei’s change of heart) have been so clearly villainous and hateful that J would obviously look like a nice person in comparison. Why is this helpful? It means that J can get away with doing more objectionable things without raising any huge red flags. If J is the mastermind, we can look back on her demolition of Arturo in the Chapter 2 Trial as a brief early glimpse into how cruel she can really be. But, for the moment, although it’s definitely memorable, many people (including myself) can react to it with a, “yeah, but based on what Arturo was doing to her, it’s kinda justified…” (Not saying it isn’t somewhat justified either way, just that it could also be something more.)

J could also have a range of motivations related to her hatred for her mom. Maybe she’s trying to turn people against the Rosales name to ruin Mariabella’s reputation. Maybe this killing game is a plan to finally have a big artistic success all on her own (or with Ryan) to prove her mom wrong. Maybe she thinks that a world so enamored with fame and glamor deserves to rot in a pit of despair. I don’t know which of these options would be the most likely, but I could see how any of them could be possible explanations for how J got to this point.

I think my biggest argument against J once again comes back to the “why”. I think that J has a lot of potential to be a good mastermind, but I don’t know if that carries over to being a good mastermind for Teruko. Unlike with Rose, I don’t have a good sense of how J being the mastermind would tie into a satisfying ending to Teruko’s trust arc.

@venus-is-thinking and I sometimes like to run randomized killing games as a fun writing exercise (randomize the cast, motives, and mastermind; see where it takes you), and we’ve generally found that the most compelling protagonist-mastermind duos either have the protagonist sharing the same worldview with the mastermind, or being the only person who believes the opposite.

If the protagonist starts with the same beliefs as the mastermind, then defeating the mastermind is a showcase of the protagonist’s development. Hajime and Izuru work as protagonist and mastermind because Izuru is the manifestation of Hajime’s belief that only talented people are important and can make an impact on the world. By renouncing Izuru, Hajime proves that he’s learned that anyone has the chance to change their future if they put in the effort. 

If the protagonist has the opposite opinions from the mastermind, then it proves how crucial the protagonist is to the narrative because they are the only one who could deliver the critical message. A great example of this is Shuichi and Tsumugi. When Tsumugi tries to set up the conflict of “hope good, despair bad” that will keep the killing games going, all of the other surviving students fall for it. Shuichi being the only character who has spent the entire game learning the importance of balancing two extremes makes his callout of Tsumugi incredibly satisfying, and justifies the protagonist swap by proving that Shuichi is the only hero who could have saved this day.

That’s why I think that J would be a great mastermind for a protagonist who has issues with family or stardom, but might not be the best choice for a story with Teruko at the helm. Those are only my observations, though, so I’d understand if DRDTdev planned things differently.

And that is finally the end! Here’s the final tierlist I wound up working off of, which I fiddled with a TON while writing:

(It’s based off of Ocean Unknown’s tierlist!)

Since this has already gone on so long, I’ll try to keep the conclusion brief. Please take all of this with a grain of salt, as I wound up making a lot of claims about writing that don’t necessarily have the strongest foundation. I didn’t write anything that I think is blatantly false, obviously, but whether it’s good advice or not doesn’t necessarily mean that DRDTdev considered it. We may have different priorities in telling a compelling story. And, we’re less than two chapters in! Even the end of the Chapter 2 trial could throw a positive or negative wrench in any of these profiles.

Thank you so much for reading through this whole thing, and if you got through it and still have anything you want me to elaborate on further (a specific character, a specific theory, a specific aspect of fangan writing, etc), I would be happy to do so. I, uh, really hope that this answered the question that Anon asked, haha. Until next time… stay wary. There could be masterminds lurking about...!

[absolutebl]

This Week in BL - Bit Slow Round These Parts

Organized, in each category, by ones I'm enjoying most at the top.

Dec 2023 Wk 4

Ongoing Series - Thai

Last Twilight (Fri YT) ep 8 of 12 - Mhok is about the most indulgent boyfriend on the planet. Why they dressed as 1930s gangsters for the wedding? I have no idea idea, but it’s adorable. IFYLITA mark 2? And they’re even dancing together using bits of the same steps that were used that show too. Cute nod.

The Sign (Sat YT) ep 6 of 10 - Everything but the kitchen sink includes lesbians apparently. Excellent. Carry on. Also a lot of filler about the sides. (Boring, stop that.) I wish the doctor were a little bit more of a multifaceted character (and less evil snakey), and that we had some of his backstory + Tharn. If we saw them as kids, having a longer true friendship, it would make Tharn’s attitude a little bit more sympathetic and forgiving.

For Him (Thurs iQIYI) ep 5 of 10 - I like this show, but it’s awfully one-sided in the romance arena. I mean shouldn’t they be trying to support and make each other happy? Why does it always have to come from Him? Also, I’m constantly worried about the fact that Nail doesn’t eat any vegetables. His digestive track must be in serious distress. And if the boy is a bottom?! Look I have concerns is all I'm saying, I hope he's getting his fiber along with the dk. Meanwhile... Mom confrontation! Always fun.  

Twins the series (Fri GaGa) ep 9 of 10 - Now I’m having a hard time keeping the twins straight. Who’s getting beat up for whom, what’s going on? No matter who, First caught himself a live one. I like those bits.

Pit Babe (Fri iQIYI) ep 7 of 14 - I got little crumbs of my sides but not enough, and then they dropped the mpreg bomb. Kinda like blowing the BL diaper. Trash watch happening here.

Cooking Crush (Sun YT) ep 5 of 12 - They are so cute. And mostly such good communicators. Except evil dad is evil! I didn’t have OffGun tango on my bingo card, but I'm happy to check it off. After making everyone sing, GMMTV is now making everyone dance. I much prefer it. Kiss came a bit out of nowhere. But it was sweet. 

A few minutes later...

Bake Me Please (Mon Gaga) ep 6fin - I don’t know, I feel like this just wasn’t good enough for the class of talent involved. Which means it’s mostly the story and script's fault. In the end I kinda just wanted Guy to get the guy.

In cluclusion:

A lack-luster story about a group of bakers coping with (mostly) a shoddy script that could not be saved by either the beauty nor the talent of the actors involved. It suffered for lack of narrative backbone and so did I. 6/10

Middleman’s Love (Fri YT & iQIYI ep 8fin - Mai is an adorable clingy boyfriend, and that bit was kind of cute.

Summation:

Office clown, Jade, a manic pixie dream dork, is courted by the new intern, Mai. This show is right in my wheelhouse but it fell flat for me. I wish it had lived up to the concept behind the title (if nothing else). If we had done more of Jade‘s family and the reasons behind his self-worth struggles and self-acceptance issues, they might have been easier to bare. Without backstory, the show had no through line. In the end, Jade was a largely intolerable character, and Mai felt flat and lacking in personality. I was disappointed with this show, and I hope they don't blame the pair for the poor ratings. 6/10

My Universe (Sun iQIYI) 1626 ep 19 of 24 - Meh. So dull. 

Ongoing Series - Not Thai

VIP Only (Taiwan Fri Gaga) ep 7 of 10 - I’m not really interested in the late addition love triangle concept.

Sahara-sensei to Toki-kun (Japan Fri Gaga) ep 4 of 8 - a bit too frenetic and manic for me, this one. Glasses boy is best boy. But I’m kind of confused as to was actually going on with this show. Including whether I like it or not.

I Became the Main Role of a BL (Japan Sun Gaga) ep 1-3 - AKA BL Drama no Shuen ni Narimashita: Crank Up Hen - it should finish airing at the very beginning of the year, so I decided to wait and watch all 3 back-to-back. 

It's Airing But...

Playboyy (Thurs Gaga) 14 eps - Dear Playboyy, it's not you, it’s me… I hate you. You’re about as deep (and as palatable) as a shot glass of cum. While I'm sure you’re someone’s kink, you're my weakest link. Goodbye. I DNFed this at ep 5. Frankly I'm impressed with myself for getting that far.

Night Dream (Sat YT) 6 eps - It’s a pain to track down and I really didn’t like the first episode so… DNF  

The Whisperer (Sun ????) 10 eps - Thai horror BL that ALSO involves cheating (what joy is mine). I don't think even the perfect single dimple can motivate me to watch. Word is... it's terrible.

7 Days Before Valentine (Weds WeTV) 10 eps - Giving me Luminous Solution vibes. I'm waiting to binge if safe.

Dead Friend Forever (Thai Sat iQIYI) - horror, meh, tell me if it's worth my time?

It's done and I didn't, or we can't

Beyond The Star (Weds iQIYI) 8 eps - House of Stars meets Boyband. I was NOT impressed with ep 1. Been told I shouldn't bother. So I won't.

Behind the Shadows (Korea movie) - This is a historical I was interested in, but I've been told they kill the gay so I'm OUT.

[INTERNATIONAL] Cherry Magic (Sat YouTube) ep 3 of 12 - yeah Japan put the smack down on our boys. Sadness. You can use a VPN if you like. Read all about it here.

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have a spare day.

Crazy work load right now so no idea when that will be. (End of year is a bear for me.)

Honestly I'm gonna have an epic number of dnf's this year for me.

Next Week Looks Like This

Original 2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED). With the end of the year upon us I'll do an "announced for 2023 but never happened list" soon.

Also my best ofs are coming.

Don't think I'll do a stats round up this year, everything progressing as before.

THIS WEEK’S BEST MOMENTS

(Last week) - sorry, forgot to link it.

It's 2024 people! Round ups are coming!!!! Leave a comment or an ask, if you have something specific you want addressed.

[ornii]

helloo

Could i request Cate Dunlap from the Gen V show x Male reader pls??

Finally finished Gen V so I can finally do this request and idk why but I think Cate could play a young Jean Grey really well if they decided to reboot the X-Men which in turn gave me an idea for this. (Also Jordan is my favorite character, please protect them.)

Stargazing

Cate Dunlap X Male Reader

It was the criminal investigation Class that set you on the path of Heroism, real heroism.

You were forced to wear a pair of high Destiny deep red glasses that thankfully halted your superpower; concussive beams can emit strongly though your eyes, thankfully you can somewhat control the intensity. From the strength of a slap in the face to a Freight train hitting your opponent at Lightspeed, you had more control than most, making you a potential shoe for the Seven, and into the Top 10.

Vought had their eyes on you and Luke, both of you were constant neck and neck in the eyes of The Uni and Vought. But it wasn’t much of a competition for you two, moreso of a friendly rivalry.. but you two did butt heads when it came to one person, Cate.

Cate had this personality that was abrasive at times but, so genuine and caring too. Made a tough combo for any guy luck or unlucky depending on how she was feeling. And man, she was gorgeous to boot, getting with the top kids you had to be around Luke, Andre, Cate and Jordan, the Big 5 as some would say.. but it’s just Big You.

It was dark, around 1 Am and on the rooftop of Godolkin. Cate, Andre and Luke were enjoying the company and cheap drugs. You, not so much. Keeping a clear head makes it easy for you to keep from taking your glasses off on accident. You sat in the edge of the building, Cate and Lucas on a large rectangular Box and Andre on an AC unit, Cate tilts her head at you.

“(Y/n), are you eyes red under those rose glasses?” She asked smugly, you looked over to her. “Fuck if I know.. dad has the same thing. Never got to see his.” You said, probably making it a bit awkward, and Andre turned to you, a hint of pain in his eyes.

“To Dads, right?” He said, offering a bag of mushrooms, you awkwardly laughed. “Nah I’m.. cool.” You replied. “Don’t think you can handle it?” Luke asked with a slight hint of teasing.

“Cmon, I mean I can make you… but we’re all about consent.” Cate walked over and sat next to you, the hint of vanilla on her perfume, Luke’s smirk slowly faded as cate leaned into your face. Her eyes getting scarily close to your glasses. “Man they’re like, Mars.” She whispered, “So you can only shoot lasers at people? I bet you can do so much more..” Cate leaned back to a normal sitting posture.

“Never considered doing more, just enough..” you replied, Andre nodded. “I get that, I can move metal around but.. can’t really think of much else.” Andre said, Luke nods.

“I can see myself on fire and fly, that’s about it.. I mean there’s a lot of fire and flying supes.” Luke explained, “But yours is.. super unique, we got heat and laser vision but. Concussive like super pressure.” He smiled, “You can go a long way.”

You smiled at that, you and Luke did have a lot of love and respect, even if you two were pitted against each other. You turned to Cate to thank her but saw she looked, drowsy.

“Cate? You okay?” She opened her mouth to speak but even you could see her Sclera was, red.. and her body flipped back, limp. You, Luke and Andre watched her body fly over the ledge, before any of you could mutter a word you leaped back as well.

“What—“

“Fuck!—“ you head Andre and Luke behind you as you plummet after her. They rushed over the ledge as you were able to grab Cate in your arm, you looked at the ground and thought, “Pressure.” You tore of your glasses and screamed, your red eyes flared a deep purple beam of energy, the concussive wave hits the ground with the force of a Racecar crashing into a wall at 100 miles, the sudden shift in force made your neck tense up, but you kept going, the beam slowed your decent with Cate until you could safely land, you hit the ground with both feet firm on the ground. You quickly closed your eyes as you held her.

“Cate? Cate?” You asked her, afraid of what’s going on, you heard the groggy grumbling and sighed with relief, she’s alive, Cate opened her eyes to yours closed. In a crater in the ground ironically. She looked around and back up to the roof, she pieced together what happened, an awkward smiled went along her face as she caressed your cheek.

“Knew you could do more..” she whispered, and you let her back on her feet. She looked up to Luke and Andre and gave a thumbs up, she’s fine. The sat back with relief and anxiety. You and Cate stood in the crater and looked up. “You had me worried there..” you admitted, Cate nodded. “Not my.. best moment… sorry about that. Stars are out tonight at least.” Cate looks around and finds your glasses thankfully you stopped your eye beams before you dropped them. You looked up to face the sky.

“It would be nice to see them, but they’d be rose tinted.” You said, and Cate stared at you and handed you back your glasses.

“Yeah.. but I’m looking at a real bright one right now..”

[fangsforiris]

Hi! Could you do some general crush headcanons for Shu? He's my absolute favourite character and I love how you write him! ❤️❤️❤️

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Shū Sakamaki Crush HC's

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Thank you, Anon. He's also one of my favourites, so this was fun to write!!

Word Count: 1192 Included Topics: General, Physical, & Emotional/Personality.

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General Crush HC's:

💛  Right off the bat, Shū wouldn’t want to believe it.

💛  Let alone accept that he’d ever have a crush. 

💛  He’s not a little boy anymore. He’s grown up, he’s an adult. There’s no reason for him to be feeling this sort of attachment again. 

💛  It’s something he’d chalk up to his mind playing tricks on him again. 

💛  Not to mention, that this was juvenile. Shū isn’t like Ayato or Subaru. He doesn’t have time to be messing around with these types of feelings. 

💛  However, considering he’s the oldest, and has had the most experience with this feeling, he’d know the signs straight away. 

💛  Especially when it's concerning his quick changes. Or anything involving him at all. 

💛  From the way he became more proactive, to caring a bit more in the way he came across to others (or more specifically… you.), and the way he had the urge of being something.

💛  It doesn’t look like it, but when Shū was younger he definitely was more of a ‘fangirl’ crush-haver. But in secret of course. 

💛  He’d be our current day ‘delulu is the solulu’ girls/boys. The ones who’d find it refreshing and fun to be in love. 

💛  Looks are very deceiving with this one when he’s in love. 

💛  He’d over analyze every single interaction, and would hope for the best. 

💛  (His over analyzing mode: on.)

💛  Despite his overly nonchalant demeanor, when he was younger he was much more alive. (It was to the point where you’d assume, even from other vampires, that he was a human.)

💛  But in the current day, it’d be the small things. He was still modest with his crushes, shockingly. 

💛  That’d be the one thing his younger self and current self shared. 

💛  They valued the small things. Attention to detail. 

💛  Like if you remembered the band he liked, but let slip out in conversation, or noticed his change in hair product, along with the way he’d use slight makeup to accentuate his eyes, he’d adore you. 

💛  When people pay attention to the smaller things that seem mundane, the things that make sense to complete a person, just like he tends to do in others, 

💛  (which is the reason why he tends to get the full picture of how people are right in 5-10 minutes tops,) 

💛  it secretly drives him mad. Mad with love if you get what I mean. 

💛  But he’d resent this feeling. He hates it. 

💛  After what happened with Edgar (Yūma)... he hasn’t yet recovered completely. 

💛  If it’s serious, he’ll loathe himself and do anything and everything to get rid of that funny feeling in his chest. 

💛  The one that makes him lose his breath, almost like the way he did when Edgar’s village was set aflame. Not a soul to be found. 

💛  Everything seemingly goes back to Edgar with this one. 

💛  It’s the subconscious fear that anything he ever shows slight interest in, would immediately be ripped away. 

💛  Especially those he cares for. 

₊˚ ‿︵‿୨୧·♡·୨୧‿︵‿ ˚₊

Physical Crush HC's:

💛  Realistically this would last around 2 weeks. Maybe even less. 

💛  Shū’s more of the type of person to admire someone’s looks from afar. Almost like a beautiful painting of sorts. 

💛  He’d get over it quickly. He is constantly surrounded by women and men alike who want his attention and practically throw themselves at him.

💛 So he’d at least by that time, find others who are attractive, even more so than the last. 

💛  The one thing to differentiate from a simple acknowledgement of ‘they’re attractive’ and a settlement of ‘stuck in your head for a bit’ for Shū is the way they carry themselves. Consistently. 

💛  If he were to cross their paths in the halls or in a class frequently, it’d be that one determining factor that would allow him to determine if they’re worthy prey or something to admire. 

💛  It varies, but Shū can appreciate all types of beauty.

💛 The same way he can in music, he knows that everyone follows their own tune.

💛 Each individual is molded to fit their tune, their melody. 

💛  So even if someone isn’t as conventionally attractive, it’s the small gestures or aura they give off.

💛 He can shockingly find even a small thing to like about people, even if he isn’t as favourable to them. 

💛  Part of it is from his training to become heir.

💛 When dealing with so many people, you learn that even if they aren’t the greatest, some do have a hidden asset which makes them valuable in a sense. 

₊˚ ‿︵‿୨୧·♡·୨୧‿︵‿ ˚₊

Emotional/Personality Crush HC’s:

💛  Now this… this would last quite a bit. 

💛  When Shū falls, he falls hard. 

💛  Much to his dismay, it’s one of his biggest weaknesses when falling in love. 

💛  He has double sided feelings, however. 

💛  A) To adore and cherish them, whilst ensuring he devotes himself and treats them right, despite his flaws. It’d go to the point where he’d have motivation to change for the better. 

💛  B) Shut himself in and avoid them at all costs. All in the name of letting these stupid feelings go away, due to his fear of ruining everything just like he did with Edgar. 

💛  He can’t have it on his conscience to be the reason for another innocent life being lost. All due to his stupidity and naivety. 

💛  You bet that he’d overanalyze everything. 

💛  His younger self would make a guest star appearance. 

💛  If it’s really bad, you’d even see him talking to Reiji about it. 

💛  That would be when Shū’d be caught off guard, lowering his walls to let Reiji in and talk about what it was that made him fall deeply in love. 

💛  Queue Reiji’s annoyance. 

💛  At first, he’d wonder if he should ruin another thing. But once he sees Shū’s proactivity and want to change and step up. 

💛  Get this man a stool and clipboard. Because they’ll be here all night, and then some. 

💛  He’d get sick and tired of listening to Shū ramble on, though. 

💛  Like imagine the text messages, snaps, insta dm’s, and talking in person. (Assuming they’d use those social medias.)

💛  Reiji would wonder if this was a good idea. But part of him would be happy to have the old Shū back. Even if it’s because of someone other than him.

💛  (Semi-canon that he also wants Shū’s approval and validation. And once valued what Shū thought/wanted of him. Especially as his elder.)

💛  Reiji would have bittersweet feelings. 

💛  But would be fine with it nonetheless. 

💛  And if Shū had doubts or inclinations of wanting to put up all his walls again, Reiji would (shockingly) play good brother and reassure him that it’d be okay. 

💛  This is assuming that Reiji likes you. Or thinks you’re a good influence on Shū and the family name (mainly Shū but he wouldn’t want to admit that he cared about Shū, or was, to a degree, over-protective of him.)

₊˚ ‿︵‿୨୧·♡·୨୧‿︵‿ ˚₊

[chainedupgirlsblog]

✎ Favorite moments of Ep 5 ~ The Loyal Pin (Thai GL-2024) - Part 1

We start off strong again… the feelings, the heartbreak, the drawing, the yearning, the cluelessness of lesbianism so accurate it hurts 😭

That must’ve hurt… look at Pin’s eyes. Food is the way she expresses her feelings and love… :( but tbf Anil was hurting too.

The way Pin still care and try to make sure Anil eats something tho like, “I don’t know what to do with these feelings we have for each other but I still care. Please eat something”

My heart ❤️‍🩹😣

Anil giving mini heart attacks to everyone that morning and proving that you can in fact fall ill because of a broken heart (it was because of the rain and lack of food but yeah, no, it was because of her shattered heart) 💔

THIS SCENE PLEASE IS TOP TIER!!!

Pin is told Anil is very protective of her body and she goes “So what? What’s hers is mine and what’s mine is hers, therefore, that’s MY body too, and I’m gonna take care of it. Thank you, Prik. You can go to sleep now”

Like??? Okay. Go on then. Take care of your woman.

And she does! She steps in that room and starts feeling Anil up like she owns her!!!! (Ugahhh these women make me go insane 😭) She starts touching Anil in disguise of checking for fever. HELP they’re so useless.

And Anil being so unbothered but also so stubborn about her feelings making sure Pin knows she’s HURT and that she doesn’t want to have this type of intimacy if it means nothing to Pin. But it doeeess. And Pin makes sure to let her know that, sort of (she’s still clueless)

Look at her STRUGGLING to not look at her woman and Anil is so blunt about it, the moment she felt Pin hand on her she was already unbuttoning her dress.

I- Princess, please. I’m not your strongest soldier and neither is Pin.

Look at her averting and closing her eyes. She’s so cute 🤏🏼

Oh, Pin is at university thinking about it.

How can she not when Anil confess her feelings so blunt and open and she’s being possessive… too

PAIN. Heartbreaking pain in Anil’s face and I can not. Pin please… tell her already 😭😭😭

Girl, don’t even mention it. That was foreshadowing of next episode.

Look at Pin’s sad expression. She’s terrified. I think she just realize there that she need it to act quick, and that’s probably why she goes straight to check on Anil and find out she’s gone (luckily not to England yet) but to her cousin, and oh that’s equally terrible for our poor Khun Pin.

THIS SCENE!! 😅

Prik is such a character I love her so much (Nam and FreenBecky are such a great combo)

Babygirl finally realize!!!

Such a great scene, one of the best feeling realization scene I’ve watched. It was so sweet how everything was falling into place for Pin. She took her time (rightfully so) but she got there.

Congratulations on your coming out sweetie. You’re one of us now 👏🏼👏🏼👏🏼

Also, Freen looks extremely pretty in this scene HELP

.

.

.

Was this episode long or was I just yapping too much? Anyway, here’s Part 2

[galaxostars]

If you had to choose your top five favourite marauders era characters and ships, what would they be?

This question was actually so hardddd haha and I feel like you could ask me again in a month and my answer would be different bc I’m such a multishipper that… yeah xD but for now here it issss :

Fave characters :

1. James Potter : mhm I love myself an arrogant goofball who’s actually smarter than people give him credit for, who’s got so much love he’s impulsive with it and hurts the ones he loves, who doesn’t know what to do with the loneliness that grips him sometimes, who defines himself by his ability to help people, who rarely allows himself to express himself negatively (ex : sadness/anger/frustration) because if there’s one thing that he fears the most, it’s hurting people. Plus, he hasn’t got any trauma or anything so why should he complain, yk?

Basically I love a good flawed James, and the sort of character where you wouldn’t expect him to have issues yk

2. Sirius Black : I mean… cmon do I even need to explain? ‘Cause if I start idk when I’ll stop, like literally. Ive had a crush on this character since I was eleven and never grew out of it, its almost embarrassing if it wasn’t completely justified (and the only reason he’s not number one is just because I write him less than James so I feel like I know him less intimately but like if you’d have asked me before I started writing I’d have put him number one for sure)

3. Regulus Black : !!!!! sorry but indoctrinated younger ‘abandoned’ (in between quotes bc he was not Sirius’ responsibility and Sirius was right to save himself but it’s also very normal for regulus to feel that way etc etc… we know the drill) sibling who’s faced with sudden delusion about this superior figure he’s followed/served, everything he’s lost in the process, and who redeems himself by going on this suicide mission that ends up being useless? (And unknown by Sirius AHHHH.) The guy is literally so smart and technically such a loser bc he doesn’t serve much for the plot and that’s what compelled me so much the first time I read hp 😭 he’s so tragic I love it

4. Narcissa Black : younger sibling; once again similar pattern to regulus but she survived, she’s so smart I’m, like, shaky in the knees, (esp i love female characters who do what they have to do to survive), she’s powerful too, and jkr is shit at writing female characters and I will never not be pissed abt it but I do think cissa was very compelling (+ Helen McCrory’s acting game was sooo perfect), very protective of her family and will stop at nothing to protect them, and that’s a value I respect so much. I will say, in general, any member of the black family is very compelling to me. Bellatrix would come right after narcissa in terms of fave from that family.

5. Barty Crouch Jr : listen if you know me, you know I’m… idk how to define myself actually, but I like unhinged stuff so. This is like. Peak unhingedness. Paired with intelligence bc we know canonically that man was smart af, and daddy issues? Dark hair, too? You just described my type. He’s even more compelling in tragic storylines (like past bartylus and barty joining Voldemort for regulus and then faced w the delusion and the grief? Gut wrenching) so yup.

Favorite pairings :

1. Moonshine (remus/james) : I know this sounds weird but a certain fanfic re wrote my brain chemistry and ever since then I’ve been obsessed. I just think they’re so tragically beautiful together. They’re both very selfless beings that just give and give and never prioritize themselves and together it’s a mess. They keep hurting each other because they’re so selfless, they’re not very good at reading each other and they let their insecurities get the best, they’re both frightened of how much they love, of the other not wanting them, of needing to « tame » their emotions. I love them.

2. Prongsfoot : FUCKING FOAMING AT THE MOUTH ARE YOU KIDDING ME??? Together they’re. They. Just. I hate them bc of how much I love them if that makes sense. They’re everything. A law of the universe and whatnot. I love everyyyy fucking version of them. They make me cry they make me scream they make me smile they make me laugh, they’re literally my comfort ship.

3. Jegulus : they’re kind of the pairing that made me join the fandom, and though I don’t read them as much as I used to, they’ll always make me so soft. Enemies to lovers? Yeah, well I’m not immune yk. Best friend’s brother? Even better. Tragic and doomed? Yeah sign me the fuck up. I will say I like them just as much when it’s jegulily, but that’s also because I think poly relationships are so complex and compelling.

4. Moonwater : and not platonic haha, i have to say that basically i ship anyone who’s very smart imo with regulus, and Remus passes the test. Plus he’s also introverted, a book nerd, done with James and Sirius so i feel like they could bond very easily. I prefer them in a non canon sitting tho for some reason, but yeah I’m. So fond of them. They get into heated debates. Even their ship name is so dear to me because, that’s like both their biggest fears and pairing them in one name feels like they can overcome them if they’re together ? 😭 it’s so sweet (plus, it allows me to ship prongsfoot on the side lmfao)

5. Regulily : same reasoning as up there but like they’re probs the only het pairings that I really really love. i never expected them to be so important (but *cough cough* disintegration happened…) but honestly they make a lot of sense? I feel like Regulus would be more confident with Lily, and Lily would feel more calm with Regulus? They’re that scary hot powerful quiet couple yk. Anddd they can bond over siblings angst lmao.

[deanmarywinchester]

previous years: 2022, 2021 / list of worst sf/f/horror

the bangers were BANGING this year, I kept mentally readjusting my top 5 list every time I read something good so the honorable mentions are extremely honorable this year. I hope you read anything that sounds good from this list and tell me about it!

top 5:

chain gang all stars by nana kwame adjei-brenyah: when I say that this book is like the hunger games for adults, I’m not making a glib comparison between two books about fighting to the death, I’m saying that I haven’t felt so intensely about a book since I stayed up late to tear through the hunger games and sob about it when I was thirteen. this book is satire as real and devastating as I’ve ever read, with action scenes that feel like they’re being dripped directly into my hindbrain and a unique and believable love story. put it on hold at your library literally RIGHT now.

the actual star by monica byrne: about a post-climate catastrophe utopian society built around a religion started by a teenage girl in 2012 based on mayan traditions, and also about the teenage girl, and also about the maya. this book made me crazy because the future society felt real enough to touch, with its radical openness and collectivity solving problems that exist today but causing new ones that are totally novel and meaty and interesting to dig into. read it if you’re interested in different ways of being.

the spear cuts through water by simon jiménez: really, REALLY good, fresh, original epic fantasy. jimenez picks a few perspectives to stick to but hops fluidly into bystanders’ brains to give you their perspectives, so even background characters feel fleshed-out and no one’s pain is dismissed as a side effect of heroic battles or whatever. highly recommended if you like framing narratives and stories about stories, and like epic fantasy but wish it wasn’t mostly about finding acceptable enemies to slaughter with cool swords

the dispossessed by ursula k. le guin: I love how much this book is about hope as clear-eyed commitment to the boring and difficult work of a brighter and necessary future. sometimes the work of the glorious anarcho-communist revolution is leaving your university post and romantic partner for months at a time to dig irrigation ditches so nobody starves when there’s a drought. read this book for diplomatic conniving, a clash of values between a capitalist planet and its dissident moon, and hope.

imperial radch trilogy and its spinoffs by ann leckie: what if you were built to be a weapon of the empire, a serene sentient battleship with thousands of human bodies all containing your consciousness, and you lost all bodies but one and had to figure out how to be a person, singular and alone? what if you were a 19th century british military officer and you slept for a thousand years into the decline of the empire? what if you were grown in a vat to be a facsimile of human and then told off for eating all your siblings even though eating them was SO interesting? what then. leckie’s prose is incisive and funny, her unreliable narrators are wonderful, and her stories are intimate even though the backdrops are insanely huge. 👍.

honorable mentions:

house of leaves by mark z. danielewski: guys? anyone hearda this one? anyway. Something Is Wrong With This House horror with themes of storytelling and grief. recommending that you slam this book as fast as possible like I did so you can hold all its layers in your head at once.

the lathe of heaven by ursula k le guin: i thought I didn’t like ursula k le guin, and then I read this book, went OH and immediately devoured the hainish cycle. im so sorry miss ursula. this book about a hapless pacific northwesterner whose therapist is making him dream different realities into being is so sharp and sly and funny. themes of choices, ends and means.

he who drowned the world by shelley parker-chan: I liked the prequel to this addition to the radiant emperor duology. I LOVED this book. parker-chan has invented new and exciting modes of fucked-up codependency and im obsessed. historical light-fantasy with themes of ideals vs what it takes to reach them, gender, and regret.

babel by r. f. kuang: found the didacticism of this book annoying, but i really loved the concept of this novel and the way it slowly ratchets up the stakes. this novel is for people who want to smash the fun of the magic school genre against the reality of universities’ complicity in the imperial machine.

piranesi by susannah clarke: im late to this book but it’s such a weird little gem. peaceful yet unsettling. a man takes care of an endless house with an ocean inside it until he realizes the house is stealing his memories. themes of memory and devotion.

hell follows with us by andrew joseph white: I can only read YA these days if it’s a reread or if it’s genuinely good and really really strange. this is that. weird gory fantasy about a trans teen who escapes his militarized post-apocalyptic christian cult and finds himself turning into something Different. my only gripe is that he uses 2023-perfect language to describe transness and I think he should be inventing genders weve never even thought of. such is YA.

some desperate glory by emily tesch: a rolickin’ good space opera time with terrible women <3. a thriller about how the golden child of her isolated human-supremacist space station cult deprograms and the consequences of it. this feels like a grown-up SPOP until the theoretical physics gets involved. big fan

the library of mount char by scott hawkins: this book is harrow the ninth in suburbia until it becomes a more macabre version of the absurdity of the gomens apocalypse. God raises his children, sometimes brutally, to hone their powers in a neighborhood that mysteriously keeps out outsiders. came for the dysfunctional mess of the god-children and now I can never look at a grill the same way

runners up:

bunny by mona awad: books that make you WISH you were in mona awad’s MFA program where she must have been having a terrible time. the weird one out in an MFA program accepts overtures into the unbearable rich-girls’ clique to find out what they’re Up To. themes of aimlessness and the intersection of class with the art world

camp damascus by chuck tingle: have you ever wished that you were simply too autistic to be successfully demonically brainwashed into not having gay thoughts? horror-flavored thriller that was just fun

light from uncommon stars by ryka aoki: this author put a bunch of genres in a blender and came up with something fun and surprisingly cozy. an immortal woman must sell violinists’ souls to the devil in exchange for their fame, or he’ll drag her to damnation instead. there might be aliens and coffeeshop romance involved. definitely a blender.

the fragile threads of power by v. e. schwab: if you haven’t read a darker shade of magic and you like tightly paced high fantasy and historical fantasy elements, political intrigue, and pirates, read that first. if you have, there’s more now! lila bard are you free on thursday when I am free

the library of the dead & our lady of mysterious ailments by t. l. huchu: a teenage girl provides for her family in soft-apocalypse magic edinburgh with a job carrying messages from ghosts to their living relatives. an ongoing mystery series about the intrigues she uncovers among the dead.

severance by ling ma: this books is on the list of media that is the terror to me: it's about an apocalyptic disease that makes people reenact their routines mindlessly until they collapse. intimate apocalypse novel with themes of late capitalist malaise.

ocean’s echo by everina maxwell: i didn't really like winter's orbit because i'm just not a romance guy, but this second novel stands alone and the romance is more insane and less of the entire point of the novel. (also it's between essentially Discworld's Carrot and Moist Von Lipwig, which is. really something.) in the Space Military, a buttoned-up mind controller must pretend to bend a socialite with illegal mind-reading powers to his will. what if fake relationship but the relationship they have to fake is "brain linked master/servant pair."

the murderbot diaries by martha wells: novellas about a misanthropic security android who jailbroke itself in order to watch tv. the name "murderbot" is a joke but it very much did kill people <3 themes of paranoia and outsiderhood, corporate wrongdoing, repentance, and trust

black water sister by zen cho: zen cho is good at any kind of fantasy she writes, including this, her first modern fantasy novel. a closeted lesbian has to move in with her family in malaysia after college in the US, only to discover that her dead grandmother has some unfinished business involving a local goddess and a conniving real estate developer. themes of family, gender, and place.

the way inn by will wiles: a man who’s paid to pretend he’s other people to attend conferences in their place gets trapped in an endless Marriott. has the sharp humor of a colson whitehead corporate satire until it becomes more straightforwardly horror-flavored.

[rs-hawk]

Do you have any writing tips? Even if it’s not necessarily for smut?

I won’t be touching on tips for smut at all on this post but I can make a separate post for it if y’all want.

My Top 10 Writing Tips

Love all your characters. Yes, even your antagonists. Hell, especially your antagonists. Even if they’re evil for the sake of being evil, if you want a 3 dimensional character, you have to acknowledge that they’re more than just evil to someone. Their mother. Their friends. Their dog. You have to think of their motivations, and honestly?-acknowledge that every character you write has a part of you in them. Maybe just your anger, your fear, your trauma, but love them for that, and it’ll shape them and your works in ways you never thought of.

Don’t reread your work too often! It’s hard (so very very hard) but when you have to crank out 2k words a day every day of the month but 2 it gets easier. Lol. Fr though just keep chugging along. You can reread later. You can edit later. Just get it done.

Don’t edit too much while you’re still actively writing. I know that’s hard, I really do, but if you keep rewriting, you’ll never be able to finish. You’ll keep writing a handful of scenes over and over again until you hate it, your book and yourself for “giving up”. You can edit later.

Write for yourself. It doesn’t matter how good of a writer you are, how beautiful or eloquent your style, if you hate it with every fiber of your being, it’ll turn to dust in your hands. I consider writing work, and when people enjoy themselves at work, not only do they do better, but the consumer enjoys it more. Think about it. If you’re at a restaurant and the workers are laughing and smiling with each other and seem genuinely happy, you’re more likely to go back than if they’re miserable, on the verge of tears and seem to hate being there, right? The same is true for your writing. Readers will enjoy it more if they can feel how much you enjoyed creating it.

Don’t just write. Listen to music. Get up and go for a walk. Text/call a friend. Watch a TV show. Pet your cat. Experience something. It helps you write but it also reminds you that hey, you’ve been here like eight hours. Get something to drink. Take a screen break. Go outside.

Be comfortable while you write. I’m not going to lecture you on posture because I’m currently laying down with my legs drawn up under me, my upper body turned and my phone in the air because I’m trying to put enough pressure on my lower back to pop it. Anyway, even if you can’t stay in one position long, switch. Listen to your body. A “proper” posture can end up hurting you if you don’t ever relax or if you’re putting too much pressure on your lower spine. It’s okay to lean. It’s okay to lay down. It’s okay to sit cross-legged. Just not at the expense of your body. Be aware, and don’t forget to get up and stretch!

Take breaks. Eat. Drink. Stretch. Go to the bathroom. Some people need them scheduled, and that’s fine, but also listen to your body. If you need to use the toilet but you don’t have another break scheduled for an hour, just go. Pause your timer or delay your alarm if you want, but take care of yourself.

Don’t be too rigid with your “starting” plot. We know most of us have that one scene or one character in mind we want to write, so we create a plot around them. That’s fine and I love it, but your writing is like a living creature. You might change while writing it. Your characters and ideas might change while writing it. Let them change. Let you change! You can edit later.

Remember it’s not a race. Just because you see some people dropping 3 novels a year, or 5 Tumblr posts every day doesn’t mean you’re not good enough. No one can write what you write. No one can create what you can create. Your work deserves to exist and be judged on its own merit. Not compared to anyone else’s, even if it’s you five years ago who could crank out multiple posts daily. It’s okay.

Don’t expect anything. Start writing because you love it. It makes you happy. It itches that part of your brain that no other hobby does. That no other love does. I’ve been writing for about 15 years now. I don’t know who I am without it. I have tried giving it up, moving past it, doing other things, but I always come back. Nothing else makes me feel the way writing does. I have gone years without writing, but when I start writing again, it’s like a high. I can go for hours, and I have! I have been lucky to be able to monetize my work, but it took 10+ years and was only because I got goofy about werewolves on a PTR app. You can’t go into the arts and expect to make money right away, or ever. You can hope, and do your best, but don’t only do it because you think you’ll make a living. It’s a sad but real fact. Capitalism makes us think we should only do stuff we can make money off of, but that’s a lie. You can AND SHOULD create just to create. Humans are meant to make art, and if writing is your canvas like it is mine, write to create. Fuck capitalism. Your art existing is enough reason to create it.

[joys-of-everyday]

On the fifty shades of morally grey

So quick thoughts on how MXTX writes morally grey.

Sorry, I mean, excessively long meta post on how MXTX writes morally grey. Light spoilers for all three books.

A gazillion caveats to begin with. Firstly, I don’t want to argue about whether character x is morally good, bad, grey, pink or whatever. In my books, arguing about whether someone is or is not morally grey is like arguing whether a colour is green, blue, teal, or turquoise – we’re arguing definitions. To add to that, I’m not saying that concepts like ‘this person is overall good’ doesn’t exist, but I would posit that a morally unquestionable person does not exist. Secondly, I also don’t want to pass moral judgements on any of the characters. That’s for a different post. I strictly want to focus on the storytelling techniques that make the reader think ‘hang on a second, are they good or bad?’. Thirdly, this whole post is mainly based on How Arcane Writes MORAL AMBIGUITY (9 Methods, 4 Rules) - YouTube. Great video, great channel (no knowledge of Arcane required). Would recommend if you are interested in story writing techniques!

1) The information gap and the poor narrator

Best example is Shen Jiu from SVSSS. We barely know anything about Shen Jiu. Almost everything we know is from SQQ’s notoriously unreliable perspective, so we’re left to fill in the gaps ourselves. Depending on exactly how those gaps are filled, you can get two completely different people. E.g. Did he have designs of NYY, or was he just ridiculously misunderstood? Who knows! We’re never told. Even if we were told, we should doubt it because it’s SQQ telling us.

2) 4D characterisation

Schnee’s video goes into this in more details, but this is where you build two narratives on top of one another. Best example is Jin Guangyao from MDZS. Is he an underdog who did what he could out of his situation and tried his best to be a better person working for the good of the common people? Or is he a selfish, manipulative, ambitious snake who at every stage pretends to be good in order to win the favour of those around him? The point is that both narratives make sense in the story. There are moments that lean more one way or another, but you can never quite pin him down completely.

3) Moments of weakness

Best example is Xie Lian from TGCF. On the whole, XL is a wonderful human being who you 100% want to root for. Except… there was that one time he made a mistake. He let his hurt and pain overcome him; he became hurtful himself. The point here is to add in just a few ‘moments’ which fundamentally impacts how the rest of the world perceives them from that point forwards. They are forever trying to redeem themselves, forever weighed down by what is a tiny proportion of their life. The underlying question is ‘is a moment of weakness a moral failure?’

Another good example is Qi Rong from TGCF. On the whole, he’s a piece of s***. But then there are moments when he’s a genuinely good father to Guzi, and that’s confusing.

4) Well-intentioned idiot

Trying to do the right thing and absolutely failing. Best example is Wei Wuxian from MDZS. His intentions are always good. There are extremely few moments where he is selfish or overly cruel. He is always fighting for justice, always self-sacrificing, always kind. And yet the outcome of his actions is pretty bad. The underlying question is ‘should you judge a person based on their intent, or on the consequences of their actions?’

(btw the name of the method is from schnee’s video. No shade on WWX. He is very smart… well, unless it comes to LWJ’s feelings.)

5) Excuses

Yes, they’re bad. But we feel sorry for them! Almost everyone fits into this boat, because doesn’t MXTX love trauma dumping? As one example, let’s look at Jiang Cheng from MDZS. JC’s behaviour towards WWX is pretty bad on its own. But given the context of his childhood being compared to him, of having his self-esteem brutally crushed by both parents? Knowing how much he’s done and sacrificed for him, how much he truly cared for him as family? It hits different.

A small point: ‘excuses aren’t enough’ we say a lot (and I agree, to an extent). But compare, for example, Jin Guangshan vs Xue Yang. JGS seems to be a power-hungry asshole for absolutely no reason. On the other hand, put XY in different circumstances and we feel like he might have been a better person. Just as food for thought, there was a Japanese monk Honen (1133-1212) who said: ‘The good person can reach the Pure Land, so of course the evil person can as well’. The point being that the people who struggle with anger and hate because of their circumstances are most in need of salvation.

6) World building and presenting hard questions

What is acceptable sacrifice in war?

Is it okay to make a super dangerous weapon for the sake of deterrence?

How much personal responsibility does someone hold for a lifetime of circumstances pushing them towards a morally questionable path?

What are the responsibilities of a leader – to do what is right, or to do what is best for their people?

The world of MDZS is imperfect. It’s full of horrors and disasters, as well as a mob of outsiders all trying to impart their opinions despite knowing little about the situation. An imperfect world presents unanswerable questions. We see the characters struggle with these questions, come to decisions, and make mistakes, all naturally arising within the complex world that’s been presented. 

TGCF does this most explicitly. We literally have Kemo and Pei Xiu arguing about the ethics of war and XL concluding that it’s a Hard Question. In fact, every backstory of every Heavenly Official presents a new Hard Question. I don’t know if I like this method over the more subtle style of MDZS, but I have Thoughts about the storytelling styles of both (long story short, I love them both for different reasons).

7) Worlds are colliding

A slightly complicated method that takes a huge amount of set up. To summarise, set up two arcs that we the reader both feel invested in. Then set up a point where the ‘good’ outcome of one is the ‘bad’ outcome of another. For MDZS, we have 1) JC and WWX’s brotherhood arc. 2) WWX standing up for justice arc. They’re both merrily developing all the way through the conflict with the Wens… right until the moment WWX has to make a choice: stand up for justice and leave JC behind, or to fulfil his promises to JC and turn a blind eye to the injustices against the Wens. The decision is a lose-lose scenario because of the way these arcs have been set up.

8) Spectrums, Spectrums, we love Spectrums

Gongyi Xiao is a cinnamon roll. As is Wen Ning and Quan Yizhen. Meanwhile, the Old Palace Master? Literally no redeeming qualities. Wen Chao? Absolute scum. Then there’s everyone lying somewhere in between. We like Lan Wangji more than JC (I think that seems to be the case for most people?) but we certainly like JC more than JGS. Having a spectrum of morality is important because it gives us reference points to contrast and compare. It also emphasises the moral greyness of everything, because sure, Mu Qing isn’t a noodle like Shi Qingxuan, but is he worse than White No Face?

9) Spectrums aren’t enough – adding depth

Almost all of WWX’s moral ambiguity comes from the fact he has hard decisions to make. And for each of these decisions, the outcome is murky. He developed a new technique to fight against the Wens, but at what cost later down the line? He defended the Wens and gave them a few years of life, but was it worth it?

Compare with JGY. JGY does a lot of good. He also does a lot of bad. The magnitude of both lists is ridiculous. Sure, you wouldn’t usually find someone who’s killed most of their family members in any way likable, but how often do you come across someone who literally ended a war?

So one way of creating moral ambiguity is to make each decision difficult, but another way to go about it is to just… make them do loads of things. Like loads of things. Good things, bad things, all the in between things. Judging each thing is not that hard, but then trying to judge the overall person based on it is extremely difficult.

10) Pulling from the real world

Often, moral questions in fiction is hard because (surprise, surprise) moral questions are just hard full stop. Idk enough Chinese history and culture to accurately pin down all of MXTX’s references, but things like stupid misunderstands leading to conflict, poverty and inequality, less than ideal family situations, the horrors of war… these are all things that happen irl. No matter how fantastical the setting, grounding moral conflicts in reality makes us feel more emotional and invested.

Anyway, I hope that was an enjoyable rundown! This is an imperfect list, so comments, criticisms, suggestions greatly appreciated!

[thisis-an-original-name]

Here is where I stand with the Global Conflict this week (no one asked lmao)

1. The top priority for me is stopping the genocide in Gaza, and, immediately after that, establishing a Palestinian state/two state solution.

2. Hamas isn’t going to peddle any kind of solution/compromise. Hamas essentially took their “We want to kill Jews” treatise and replaced “Jews” with “Zionists” but nothing has changed. If you can’t see that, you’re dangerous and probably stupid.

3. The hostages need to be freed (if they’re still alive, which let’s be realistic, they probably aren’t.) If Netanyahu actually cared about freeing the hostages, he would have done it by now, and a large number of Israelis recognize that.

4. Recognition of the hostages/ October 7th and recognition of the genocide/ deeply awful conduct of Israel can and SHOULD coexist.

5. Joe Biden is a useless little bitch. Having him as President again would still be better than four more years of Trump.

6. The Met Gala was not orchestrated by Big Zionism to distract from the invasion of Rafah and saying that it was is just blatant antisemitism. That being said, the Israeli military does frequently carry out large strikes on nights like the Met Gala and the Super Bowl when they know that the American news cycle will be focused on something else. Both things can be true. Also, the Met Gala is inherently a stupid thing to get excited about I’m sorry.

7. Student protestors do often fall into traps of antisemitism and say shit that could potentially harm Jews. What else is going to happen, when you gather a bunch of 19 year olds and tell them to yell as loud as humanly possible? That being said, I do have to believe that a vast majority of college protestors have good intentions AND, most of all, even if they don’t, censoring them and spraying pepper spray in their eyes is draconian behavior that the history books will not look kindly upon.

8. I’m so on the fence about boycotts, especially Eurovision. Because on one hand, banning Palestinian flags and keffiyeh’s from the performance is wrong. And I don’t think that Israel should be allowed to compete considering everything that the government is doing, like Russia was banned in 2021. That being said, it does make me sad that this 19 year old girl wrote a song about losing friends and family on October 7th and in response, she’s been booed and told to stay in her hotel room lest the angry mob tears her apart.

9. I do think that celebrities have some level of responsibility to use their platforms for good. That being said, this is such a complex issue that I almost don’t fault some people for not making a 250 character Twitter statement. I don’t think the dying children of Gaza care much if you block Zendaya or Olivia Rodrigo on Instagram. It also gets ridiculous when you go in the comments section of creators with like 100k followers and you see people posting Palestinian flags like yeah I’m sorry that blorbo from my shows isn’t personally flying to Gaza to punch Netanyahu in the face.

10. If you punctuate every single acknowledgement of the genocide with “but what about the hostages!!” or GOD FORBID “it’s sad that Hamas made Netanyahu do this” you have been propagandized by your local Hillel. No one made Netanyahu do this except Netanyahu. There’s no way you don’t know that by now. Wiping out Hamas: another thing that Netanyahu probably would have done by now if he genuinely wanted to.

11. Whenever I see lists of “here are the celebrities/professors/writers/guy on the street to block and throw rocks at because he’s a Mean Scary Zionist” I am reminded of the lists of synagogue goers that Nazis used to track down Jews and their families during the Holocaust. Seriously if you’re peddling lists of “Zionists” ripe for demonization you might want to ask yourself what you’re REALLY doing, and why.

12. Fun fact about me: I actually consider myself a Zionist. I do think, historically speaking, that Jews do need a safe place and a homeland to prevent us from being killed again like we seem to be every few centuries or so. I just don’t think that place has to be Israel, and I DEFINITELY don’t think Palestine should be subjugated for it to happen. But whenever I hear “Zionism = BAD” I just cringe a bit because… you keep using that word. I don’t think it means what you think it means

[bat-gwuck]

lmao so these two games have like nothing in common other than they’re both in my top 5 re-occurring hyperfixations but idc I’m having fun 😼👍

ong rdr2 and dragon age (esp origins) are my two all time FAVOURITE games so I thought ykw fuck it im gonna make a crossover AU - never done an AU before so NGL there’s a lot of kinks to iron out but I’m kinda digging it

started off with a lil’ character sheet for Arthur - I flip flopped between what I would make him (Templar, warden, keep him as a street thief/outlaw etc.) before finally settling on a mix of both warden and street thief/outlaw!! idk Arthur just gives me really strong Grey Warden vibes - a tragic hero (sometimes on a path of redemption depending on the origin/how they played it) who also has smth in them that will eventually kill them, despite having some weird benefits (in Arthur’s case, mentally)?? they’re twinning fr

I also just fucking LOVE the grey wardens so…

so it starts off relatively similar to normal: Arthur joins up with the gang at a young age, becomes a thief yada yada, and after a disastrous robbery, they end up camping in Ferelden, just before the Blight starts (unlucky)

for the purposes of this fic, the gang is only comprised of the camp girls (minus Sadie, for now), Dutch, Hosea, Arthur, John, Jack, Swanson, Pearson, Micah, Bill, Sean, Lenny and Javier - Sadie and Charles appear a bit later!!

shit goes down as normal but for story purposes, a heck of a lot faster, and the gang starts to fracture

seeing this, and wanting better for everyone, especially in the midst of the now upcoming Blight, which Dutch, for whatever reasons, does not acknowledge the danger of, Hosea (WHO LIVES IN THIS SCREW YOU ROCKSTAR) gathers as many people as will listen to him (everyone minus Dutch, Micah, Bill, Javier) with him and splits from the gang and heads towards Denerim in hopes of finding safety/starting anew

during their travels however, the group ends up getting caught up in a battle between a group of grey wardens and dark spawn - in which, because he has the worst luck, Arthur is nicked by a darkspawn which only means one thing: death.

(Literally just realising this is basically carver in the deep roads)

Luckily, or unluckily, depending on how you view it, the grey wardens offer to take Arthur back to Ostagar with them, they were impressed by his fighting skills, and arguing that the only way for him to live was to become a grey warden

after a lot of hesitation, and a bit of arguing, as he doesn’t want to leave his family behind, Arthur agrees to go with them and parts ways with the remains of the gang, promising that, once this was all over, they’d find each other again

SO I feel like this is enough for now! I definitely have more to write on this and NGL I might even write a full blown fanfic of this BC ITS SO MUCH FUN??

if anyone is wondering, Arthur will meet Sadie n Charles at Ostagar

I’m not entirely sure if I want Arthur to be the HoF in this AU?? I am very much planning on him being a prominent figure in the fight against the Blight and the Archdemon but idk?? ALSO there will be characters from both games in this AU bc I love some of them too much to leave out (I’m looking at you Morrigan and Shale…)

I did kind of want him to be a Blackwall type figure but like if Blackwall acc became a Grey Warden 💀

I hope you liked this and if anyone has any ideas for this AU PLEASE let me know I’m so lost 😭

I’ll be doing some more of these character sheets so keep an eye out for them!!

also Arthur absolutely nicked the fur collar off a rich noble

[its-rat-time-babey]

Because I’m insane I decided to watch Fanboy and Chum Chum for the lore. Just watch the entire series and see what I can find.

Especially since Fanboy and Chum Chum are connected to Glitch Techs, with both shows being a part of the same multiverse. Just in Glitch Techs, smaller elements like the Freezy Mart exist in the show AND Fanboy and Chum Chum themselves are confirmed to exist as their names appear on the scoreboard in the Hinobi Smash competition, which means that Fanboy and Chum Chum do exist, but they probably go by their real names in the Glitch Techs universe and “Fanboy and Chum Chum” are just gamertags.

Things I have learned so far (just finished season 1):

This is a completely very different timeline and universe compared to Glitch Techs or our universe as comparison. Many things are different.

For example, the USA in this universe only has 8 states. For reference, the US was originally settled with 9 states, so at some point in time they lost one.

Fanboy and Chum Chum takes place in 2004. Glitch techs takes place in 1998.

Fanboy and Chum Chum’s real names are Tobias and Edmund.

Fanboy is anywhere from 17-18 years old. Chum Chum is (seemingly) two years younger at 15-16 years old. This is because they’re in 5th Grade (5th Graders are usually 10-11 years old) and Fanboy mentions that they’re been held back for 5 years, including the current year. Fanboy specifically also mentions being held back twice in kindergarten, but that’s exclusive to him.

All of the weird stuff Fanboy and Chum Chum can do comes from Chum Chum. Chum Chum has the power and Fanboy can also use it because he’s Chum Chum’s best friend. Oz is also friends with Chum Chum and can do similar things, but to a lesser degree because he’s not as close to Chum Chum as Fanboy. Yo gains Chum Chum-like abilities basically as soon as Fanboy temporarily gives Chum Chum to her, and on top of that Fanboy seemingly loses his abilities until he’s reunited with Chum Chum. Chum Chum is the source of like 90% of the show’s weirdness.

Fanboy is a Lance Corporal, aka the highest non-enlisted rank of the us military.

The Norse gods are real in this universe. I’m not kidding.

With the previous information, Chum Chum is very likely a Norse giant. I’m also not kidding.

Fanboy and Chum Chum both have glass eyes. Fanboy’s left and Chum Chum’s right eyes are fake. My personal conspiracy theory is that Chum Chum pulled an Odin some time in the past (as Odin is a real person who actually exists in this universe) and sacrificed one of his eyes for forbidden knowledge and that’s why he’s so powerful. Fanboy may have done the same as a sort of blood oath to his and Chum Chum’s friendship, hence why he has access to so much of Chum Chum’s power.

The creators of Fanboy and Chum Chum must have already had the idea for Glitch Techs even when this show was first being made. You can find all sorts of stuff in here that connects to the 2015 Pitch Bible for Glitch Techs. Yo’s Tamagotchi has a character identical to Chomp Kitty on it, characters that look extremely similar to Five and Miko’s Pitch Bible designs show up in an in-universe commercial, hell a character that looks extremely similar to Agent 68, a character who is only found in the Glitch Techs Pitch Bible (Either getting remade into Inspector 7 or even the Tech Inspector in “I’m Mitch Williams” later during development or being someone who would have appeared in season 3) shows up physically. They had the ideas all there to begin with.

Hinobi as we know it in Glitch Techs doesn’t exist in the way that we know it, but it does exist under a different name and purpose. Instead of Hinobi the video game company, it’s a (so far unnamed) Toy Company (that also owns the Frosty Mart in some way). My logic here is that:

Chomp Kitty on a tamagotchi. Obviously.

That character that looks like Agent 68 is an “Agent” of the unnamed toy company, in this case an inspector sent to reclaim some recalled toys. He’s also the head of security for the Frosty Mart’s company, so the Frosty Mart is probably owned by this alternate reality Hinobi in some way.

The few arcade machines and video games seen so far work perfectly fine, but many toys, especially any toy with mechanical parts have a tendency to break and act somewhat similarly to glitches.

There’s an episode where that Chomp Kitty Tamagotchi breaks and Fanboy and Chum Chum attempt to repair it by throwing it into a grave that’s been said to fix stuff that’s been left there. This results in the toy basically Glitch Techs style glitching and repeatedly trying to kill Fanboy and Chum Chum. Hell once they destroy the Tamagotchi completely a ghostly version of it almost identical to a Glitch from Glitch Techs forces itself through their TV. It’s even easily distracted by stuff from its original tamagotchi game like a glitch would be.

So my theory is that Hinobi in this universe is a toy company. Their toys can be extremely dangerous under the right conditions, especially if something goes wrong and they glitch in some way, Fanboy breaks the arm off of a robot toy by accident and every other robot in the area tries to kill him for example, and that Tamagotchi specifically is so much closer to a glitch techs glitch because it’s the closest this alternative universe Hinobi has to a video game.

Again, I am completely insane.

[twistedtummies2]

Top 15 Portrayals of Peter Pan

A while back, in 2021 - in celebration of the 110th anniversary of “Peter Pan” - I posted a list of my favorite portrayals of the villain of the story, Captain Hook. Earlier this year, I updated that same list. I said then that, even as a kid, I always liked Hook more than his nemesis, the titular Peter. While this is true, I do think it’s important to state that, as much as I may love the dastardly pirate Pan battles constantly…this does not mean Peter is a bad character. I think that Peter Pan gets a bad rap a lot nowadays, mostly because, if you read the original book…Peter is kind of a little psychopath. He’s sort of a little tyrant, threatening to kill or banish anybody who doesn’t do what he wants, and refusing to listen to reason when people try to help him or keep him under control. And that’s the entire point: Barrie’s story originally didn’t HAVE Hook. The original idea behind what would become “Peter and Wendy” was that Pan was a representation of both everything good AND everything bad about childhood: he is not necessarily EVIL, but he is stuck perpetually in a state of infantile, underdeveloped youth. He’s brash, cocky, and has a LOT of power that I don’t think even he is fully aware of. There’s a lot of mystery surrounding Peter, which actually makes him more fascinating to adults than I think many might realize. Peter’s arc in the story is one of coming to grips with emotions he’s never experienced before, and taking up a kind of responsibility he’s always tried to deny in the past. He’s much more dynamic and more interesting than many people give him credit. I’ve been in a Peter Pan mood lately, so I decided…what the heck? I might as well give a bit of a spotlight to some of my favorite portrayals of the Boy Who Never Grows Up that have come around over the years. (On that note, there has long been a tradition, particularly in stage shows, of women playing Peter, so there will be some ladies included here. Don’t you dare whine about it, they’re absolutely awesome.) Some of these versions stick to the ambiguity of Barrie’s original, while others make Pan either more heroic or more villainous depending on interpretation. There’s a lot of ways you can go with the idea of an eternal child, both idealistic and cynical. So, think Happy Thoughts, everyone, and don’t forget the pixie dust! Here are My Top 15 Favorite Portrayals of Peter Pan!

15. Sandy Duncan, from the Styne-Charlap Musical. (The most famous stage musical version of the story; Duncan first played Peter in a 1979 Revival of the show on Broadway.)

14. Greg Tannahill, from Peter Pan Goes Wrong.

13. Petermon, from Digimon: Ghost Game. (Yeah. Peter Pan as a Digimon. That weirdness speaks for itself.)

12. Mia Farrow, from the 1976 TV Musical.

11. The Version from “Peter and the Starcatchers.” (I’m referring specifically to the books; there is a stage version based on the first book, but I haven’t seen it for various reasons. I love the original books, though. This is probably one of the “nicest” versions of Peter on the list, for lack of a better description.)

10. Robin Williams, from Hook. (Come now, you all knew he had to be here somewhere.)

9. The Version from “Alias, Hook.” (Without going into detail, this really shows how scary a Barrie-accurate Peter can be without much real change.)

8. Charlie Rowe, from SyFy’s Neverland.

7. Betty Bronson, from the 1924 Film.

6. Robbie Kay, from Once Upon a Time. (By far the most evil version of Peter Pan ever made, at least that I've discovered.)

5. Mary Martin, from the Styne-Charlap Musical. (She originated the part on Broadway, starting in 1954.)

4. Cathy Rigby, ALSO from the Styne-Charlap Musical. (She’s been playing the role off and on since the 1970s - no joke, look it up - with her most recent stint being in 2015. She was in her sixties then! Talk about Never Growing Up!)

3. Jason Marsden, from Peter Pan and the Pirates.

2. Jeremy Sumpter, from the 2003 Film.

1. The Disney Version. (Originally played by Bobby Driscoll; this one wins out mostly just because this is the first version I think of when I think of Peter as a character, and because I think the various spin-offs and such have really helped to make him a more likable protagonist over time, while still keeping him true to his established persona.)

[azure-firecracker]

5, 28, 30, 38

This is from this ask game. Feel free to send more!

5) Share one of your strengths.

I have a hard time doing this since I’m not always the most confident writer in the world, but I think I’m really good at mixing philosophy with writing. One of my favorite things to do is explore characters’ belief systems and their morals, what they view as right and good and natural, and I think I’ve gotten good at portraying that through writing. Specifically I think I’ve gotten really good at writing about Mulder’s self-sacrificial complex, and I’m also proud of how I wrote Scully’s relationship with miracles in Caught on Tape and her views on the symbiotic nature of her and Mulder’s partnership in Piece Me Together.

28) Share three of your favorite fic writers and why you like them so much.

Only three?!?! This fandom has so so many talented writers! But I’ll try.

@california-112 just finished their October ficlet series, and I highly recommend checking it out. They’re fantastic at all genres, but I especially love all of their hurt/comfort oneshots and there are PLENTY to be found! They’re so multitalented, you’ll find something in the series for everyone. I’ll link it here.

@baronessblixen is a staple in this fandom, so I’m sure I don’t need to explain, but I call her the queen of fluff for a reason. I cannot write fluff at all, so every time I read her work I am in awe of how she’s able to make me feel so good and floaty without being over the top or saccharine. She’s also hilarious! And though she dabbles less in angst, the few fics I’ve read where she has have been fantastic!

Here’s two of my favorites by her.

Finally we have @thursdayinspace who needs no introduction. From angst to fluff, there’s nothing they can’t write, and reading one of their fics is a guaranteed good experience. These are the fics I will remember for weeks to come and reread over and over again. I can’t speak to any of their explicit stuff bc that’s not my thing personally, but I know it’s pretty beloved in the fandom, so do check it out if it’s your thing!

Here’s a few of my favorites but I recommend all of their stuff!

And even though she’s on a TXF hiatus right now, shout-out to @theswisscheeserag ! My favorite mutual beta reader who never fails to make me laugh. She is actually the funniest writer ever but her stuff is also deeply poignant. All of her stuff is fantastic, but Redial will always be one of my favorites.

30) Do you accept prompts?

ALWAYS! What I do NOT accept are time-sensitive prompts because I am a busy college student and will not make promises I don’t know I can keep. HOWEVER I absolutely adore getting prompts and if you send me a prompt it will absolutely make my day always and forever.

38) Talk about a review that made your day.

Every review makes my day! The fact that people are actually reading my work shocks me daily (in the best way).

But @emmiebea left a comment on Raise Your Voices that really made my day, because they said that they actually follow the folk music links I include with each chapter and have been enjoying them. That just made me SO happy because it means that at least one person knows more folk music than they did before because of what I wrote, and that just makes me over the moon🌙

Seriously though. I love all of you❤️