#they’re both very cool in design too

[dkniade]

Sometimes I wonder if I just don’t feel emotions very intensely when it comes to reacting to stories, but then I realize if the coming-of-age (??) fine-art-focused manga Blue Period can give me so much secondhand stress as an artist that I actually paused reading about the university arcs (because of the in-universe art assignments), then surely it’s not because I don’t feel intensely, but rather the other stories I’ve been reading/viewing/playing are just either not well-written or just not my type

Not just secondhand stress though. I actually cried after watching (anime) Yuka drawing on the canvas, rejecting the prompt in the first Geidai entrance exam, in a similar way that Yun Jin’s appended line in “The Divine Damsel of Devastation” made me cry

[beesorcery]

i really liked the design of this shirt but 1) too many dollars 2) i wasn’t about to stand in that merch line for an hour and 3) it’s not on the website anymore??? idk

anyway i have decided to embark on a fun project in which i recreate this design but instead of the city names it’s the 8 ball from that show, which means it won’t be done until april! so i’m gonna post progress updates as i do them. graphic design is my passion or whatever

here is the current draft updated through 3/4:

i’m doing it in illustrator because i have access through my school and also it’s easier to move things around as stuff gets added. i don’t know yet if i’ll try to make it into a shirt or maybe a poster or something once it’s done

my main obstacle to making it really similar to the original is these fucking song titles jesus christ. it took me like 5 hours noodling to get the current composition. slump isn’t even one of their longest like if they play get busy in raleigh i’m cooked. i am having fun though so that’s what matters

finding the fonts is also very time consuming but still fun, there are some i straight up can’t find anywhere (and the image isn’t hq enough to be able to tell exactly what they look like anyway) so for some of them i’m just gonna use the best match and then convert to shapes and fuck around until it looks right; i did it with the 3.3 and 3.4 idk if it’s noticeable

i’ll rb this post with more updates!! hopefully posting will also structure the time i work on it so i don’t end up completely missing schoolwork due to hyperfocusing on this

[latinokaeya-moving]

the entitled ownership parents often feel over their child’s body is interesting to me but specifically in the way it can often contradict itself or betray their own morals/biases. like i think abt the fact that my mother To This Day hates me talking abt doing anything at all to my hair and consistently says i ruined it in comparison to the way it used to look like when i was a child and didn’t ‘let me’ get it cut short until i basically just went n did it myself without her permission (a week before my quinceañera, and she Fumes about it to this day bc ‘why couldn’t have i waited until after at least’, lmao) and like how this all very obviously ties into Something to do with gender (and probably sexuality since i came out to her as a preteen) here. and yet she was fine with me getting a tattoo at like 15, Paid for it and took me to an artist to get it done lol. i talk abt it a lot but the skewed priorities here have always been sooo weird to me 😭

[inkoutsidethelines]

Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults.  Still young, but adults, in the mid to late 20s range.  Mystery Inc. is a private detective type business that they run together.  In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost.  The stakes can be higher; sometimes a bad guy is legitimately trying to kill them.  Sometimes the mystery they’re trying to solve is a murder.  Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind.  Like, give a stranger the shirt off his back kind.  The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind.  He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too.  While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money.  Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing.  She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her.  Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe.  Dating, engaged, married, I don’t care.  They are stupidly in love, ride or die for each other.  There’s no will they, won’t they, no worries about cheating.  They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma!  His wife is standing right there!” “Oh.  Sorry.”).  She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes.  She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws.  Is breaking and entering really so bad?  Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense.  He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option.  He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him.  Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices.  The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it.  Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

[swordsandholly]

Cherry Bomb - tattoo parlor au anthology

MDNI | Poly 141 x Fem Fat Reader | masterlist

Part 1: New Girl

You stare up at the sign reading ONE - FOUR - ONE in old English font. It’s an old building, all brick and stuffed in between several others. The windows have a thin, semi-opaque cover them to let in the light without allowing you to see inside.

You make your way to the front door, trying the handle and feeling stupid the moment you do. Your eyes connect with a small intercom beside you and you press it. There’s a small buzz, then silence.

A few beats go by, you debate pressing it again. You don’t want to be too insistent.

“Hello?” A voice comes through just before you reach up to press again.

“I, uh…” You stutter. Despite having many, many tattoos you somehow still feel like a poser every time you enter a new studio. “I have an appointment at one? With John?”

The man on the other side confirms your name before buzzing you in, the door letting out a loud click before you step inside. It both makes you more nervous and more relaxed - you can appreciate a closed storefront like that. Especially for something often as private as tattoos and piercings, but it still feels like you’re doing something wrong. Just a little bit.

The front room is lovely, though. The texture over the glass bathes the front room in a calm, iridescent light. There are a few waiting chairs, a low, black table piled high with books of flash. The front of the high counter is covered with posters and stickers from events going all the way back to the 90s.

The pretty man behind the counter repeats your name absently, obviously thinking about other things. Probably the half-finished design that sits abandoned on the iPad next to the appointment book he’s staring down at. You just nod in agreement.

“I’ll let John know you’re here.” He nods back, turning and pushing through a pair of saloon style doors to disappear down the hall. You take the time he’s gone to look around, flipping through yet another small book of designs on top of the counter. They’re good. Unique. Very gothic and interestingly detailed. Somehow both fine and bold simultaneously.

“Afternoon.” You jump, snapping the book shut and looking up to meet a pair of soft blue eyes and an easy smile. He looks you over briefly before extending his hand. “John Price.”

You murmur your name quietly, trying very hard to not stare at the incredible traditional work patched into a sleeve up his strong arm. Damn.

He leads you back to his work station - past a piercing studio and across from another room with the door shut and an IN SESSION sign on the door. The dull, buzzing sound of a tattoo machine drifts through.

“Now,” John says as he cuts down the extra paper around the stencil. “Just remember if you don’t like the placement we can move it. No problem.”

“Okay.” You nod, appreciative that he mentioned it. Sometimes these older men in the industry are gruff and have an attitude if you do anything less than treat them as if they are anything other than Absolutely Right and Perfect. Not that John came off that way. There’s a softness in his affect that relaxes your muscles and leaves you breathing easy.

“I know y’have several but I’m still going t’do a line and then see how you feel.” He murmurs, voice low.

It’s sweet, the way he’s walking you through it all despite the piece being small and you obviously having done with process several times. The sting of the needle is as expected and you murmur that it was fine before he really gets to work.

“Just let me know if y’need a break…” He mumbles, voice dipping even lower as he concentrates on his work. In any other situation that rumble would probably have you squirming in your seat. There’s a silence for a while before he speaks again, almost as if he forgot you were there. “This design have any significance?”

“I just wanted to get a new tattoo in my new hometown.” You snort - now at the point where most of your tattoos fall under the ‘because it’s cool’ category. “Probably stupid, seeing as I don’t have a job yet but… I don’t know. Feels like good luck.”

John grins. “Well then, thanks f’lettin’ me be your good luck charm.”

Your face heats at the rumble in his voice - glancing away nervously.

There’s another lapse of silence while he works, the only words exchanged are when he asks if you need a break and you decline. Eventually, toward the end you think, he asks another question. “What brought y’here then? If not a job?”

You would shrug, but you try to keep as still as possible while he works. “Just needed a change. Found an apartment easy enough - now I just need a way to make money.”

He hums in agreement. “What do you have experience in? Been around here a while - might be able to recommend somethin’.”

“Oh! Thank you!” You brighten up. “Receptionist work, mostly. Some admin assistant stuff.”

He pauses, cocking an eyebrow. “Y’know, we’re hirin’ right now.”

“Yeah?” You tilt your head. “I don’t have, like, a resume with me.”

“You’ve got enough tattoos I’m assumin’ you know how the industry works. My apprentice is going to start actually tattooin’ soon, an’ I hate t’ have him still pickin up extra duties at the front.” He sits back, carefully smoothing saniderm onto your arm before turning and reaching for the ink-stained sketchbook behind him. “Tell y’what, you write down a few references for me and your number. If they’ve got good things t’ say we can do a trial period.”

You blink at him. He’s awful forward, and insistent, but you suppose it wouldn’t hurt to give it a try. A temp job is better than no job. “Alright…”

Just like that, you gained employment by way of making a stupid financial decision.

John’s an incredible boss. He pays fairly (generously, but you know better than to accidentally negotiate your pay down). He gives you plenty of hours and trains you well - with the help of his apprentice. He doesn’t get annoyed when you ask questions, seeming content with your determination to do your job to the best of your abilities. The shop goes by appointment only - no walk ins and potential customers have to call to book. John keeps things old fashioned like that. All pen and paper and cash transactions. An ATM sits in the waiting area. The most complicated part of your job is changing out the cash box in it, and that only take a few days to learn. Not that you mind, it’s sort of refreshing to not deal with some fuckass new and “improved” register and appointment system.

Turns out part of the reason they operate in such a way (other than preference) is because John is a big name in the tattoo world. You hadn’t realized until he pointed out a couple of your flash tattoos were from his best-selling book of designs.

“Wait, you’re famous!?” You gasp, staring wide eyed at the old binder of newspaper clippings and book sales. ‘My Mum Wasn’t Impressed At First - Now Even She Has One’ reads the title of one of the older clippings - yellowed with age. John lacks his signature beard in the photo. It almost looks wrong.

John chuckles, crossing his arms and leaning back in his rolling chair. “You could say that. You really didn’t know about our shop before you booked?”

You shake your head. “Nah, I just saw y’all get recommended on Reddit.”

He barks out a laugh at that. It’s a low, pleased sound that sends a shiver down your spine. His beard only emphasizes the apples of his cheeks as he smiles. Yeah, that’s the other thing, having a hot boss is kind of fire.

Plus, he’s not the only one. The whole studio is full of hunks.

Kyle is easily the prettiest man you’ve ever seen. Like, run for Miss Universe pretty. Big doe eyes with a little scar on his cheekbone - small golden hoops glitter from both his earlobes. They frame his face so well, creating a perfect diamond from them to his sparkling eyes to his pretty smile; curled and genuine with perfect teeth. He walks you through the booking process step by step, that first day, a warm hand on your back and the other tracing down the columns of the physical appointment book.

His work is as beautiful as he is. At least, the ones done on fake skin. John hasn’t let him tattoo anyone for real yet - but his practice sketches are immaculate. At least to a layman. Kyle himself never seems quite satisfied with them. He gets such vivid color, though.

“Tattooing darker skin is an art form in and of itself.” He murmurs as he works on a piece of very dark fake skin. “I want people like me t’ be able t’ get exactly what they want, with just as much color as they want.”

You nod along, sipping at your coffee from across the street that you’ve taken up stopping at every day before work. Kyle has so much passion for the industry. The look he gets in his eyes while talking about it or designing a new piece makes your heart flutter.

Simon, the other resident artist, you’re the least familiar with. You can’t quite decide how to feel about him, or decipher how he feels about you. John introduced you a couple days after you started, but all you got was a perfunctory nod and a ‘good luck’. You couldn’t help but feel starstruck, despite his blunt nature. Both thick arms covered in full, detailed sleeves. High quality, ornate black work. A man of stature - six feet and some change with a breadth that a barn would envy. Pretty, blonde hair cropped just short of turning to curls and dark eyes that bore through you to the very core.

Sometimes, when he comes to ask about his next appointment, you let yourself indulge in the fantasy that he stands close because he likes you. That his knee briefly knocks against yours because he wants to touch you - not that you’re crazy enough to believe it. Just crazy enough to be a tiny bit delusional for the fun of it.

You meet their resident piercer on the weekend. Apparently, he’d been away visiting family your first week.

He leans up over the counter, grinning at you from ear to ear. A well-built man only a few inches shorter than the others with a perfectly groomed mohawk. “Well, hello there. Aren’t you a bonnie little thing?”

You frown, hackles raising instinctually. “Uh, can I help you?”

“Och, they dinnae tell ye about me yet? I’m hurt.” He pouts, thick brows emphasizing the puppy like nature of his blue eyes.

“Let her be, Soap.” Kyle sighs heavily, walking to his area of the front with a fresh sketchbook.

“Soap?” You repeat.

“Aye. Cause apparently I need my mouth washed out.” He pokes his tongue out, only to reveal a silver piercing. He holds a hand over the counter. “Johnny MacTavish.”

Johnny is the most egregious man you have ever met - always touching you in one way or another when he checks in about appointments and so on. His Scottish brogue rings in your ears, every word loud and confident. A hand finds it’s way around your waist, a finger poking under the band of whatever bottoms you wear that day. At any other job, you would have considered it harassment and tore him a new one.

Johnny’s different, though. If you shrug him off he steps away, if you flinch he pulls back. Plus, he does it to everyone else just as much as you. More, if you’re honest. If Simon is within arms reach they’re touching. You noticed Johnny pushing a hand under his shirt at one point, grabbing at the soft layer over Simon’s abs. (A great view for you, frankly.) Hell, you saw him casually hold Kyle’s hand while they were talking over lunch. Even John isn’t immune to the clinging. You don’t think much of it. Body modding attracts all sorts of people. If Johnny’s just a touchy guy then he’s just touchy. Besides, you don’t mind that much when he slips an arm around your waist or hooks his chin on your shoulder to talk to you. Warm breath tracing the shell of your ear with a quiet ‘bonnie lass’ punctuating ever other sentence. A slight pinch to your hip before he trots away to set up his station.

You feel nauseous when your trial month ends. John sits you down across from him in the back office. A practical space with not much more in it than a desk, computer and the large safe. None of you spend much time back here outside of counting down the cash and dragging the trash bags through the back door to the dumpster.

“Think you’ve done really well, dove.” He grins. You try to ignore the way the pet name looks warmth in your lower belly. “You’ve picked up quickly, you’re good on the phone. Kyle’s been very happy about the extra time to practice.”

You let out the biggest, most relieved sigh of your life, shoulders slumping slightly.

“You don’t seem to mind Johnny, but if he gets to be too much let me or Simon know, yeah? He means well but he can be… well, you know.” John says absently as he reaches for something across the desk. “How are you feelin’?”

You nod. “I, uh, feel good. I like this position a lot. Everyone’s been very welcoming.”

John nods along. “Good, good. I see no reason to not hire you on full time. Here.”

You hold put your hands as John drops a small, silver key into them. Holy shit! You get your own key! Up until now they’d been buzzing you in, but they’re trusting you with your very own key!

John must see the excitement on your face because he chuckles and extends a hand. “Welcome aboard, kid.”

A/N: I was very wine drunk writing most of this and it has next to no editing but I hope you enjoyed it! I just want something I can write that’s episodic and not as serious/brain heavy as Fancy or Across the Way

[swiggity-swexual-i-am-asexual]

Basically, it’s discovered that to help stabilize Danielle, aka Ellie, it’d be best to have her be smaller. She refused to be turned into a kid by Frostbite/her own power ability, when Danny remembered the shrink ray his parents made. The side effect is that they’re kind of stuck as humans when they’re that small—they can use some ghost powers, but basically, it’s a weird side effect of the shrink ray. That’s canon, by the fucking way, lmao

Anyways, so Ellie agrees, and Danny will shrink himself with the ray to her size to help her out when needed/when she wants company her size, with Jazz, Sam, and Tucker occasionally helping out. Sam buys one of those really ornate Victorian dollhouses, with wooden everything, and Danny does some… renovations… so that it no longer opens and is a proper house. There’s still some oddities because it’s a dollhouse originally, but it was easier and faster to give her a home. One of the first additions was a water/wastewater system, followed like two hours later by an electrical system. Since it was so small, Danny was able to do it fairly quickly in his big size, occasionally going small and using the small window for using his powers to double check on things.

The water system had to be refilled every week, unless hooked up to a plumbing system in a house, which Danny made some outlets for in Jazz’s room—it was easier and had significantly less questions/didn’t stand out as much if placed in Jazz’s room. They usually did it every three days, though, as the plug-in process was still a bit… hinky. The tanks for holding the water were in the ‘basement’, which was mostly inaccessible from the inside of the dollhouse but basically looked like a big stand the dollhouse stayed on. Like someone ripped a full house out of the ground WITH the basement attached. There was a small access hallway down some stairs in the house for the clean water system, though.

The electric system was fairly simple, as it didn’t cost much energy to light a dollhouse and heat/cool water. There was an AC unit, Ellie’s request, but it hardly was used and was fairly efficient just due to pure size. It was fueled by ecto batteries, which Danny made sure had a few rechargability options—just because it was efficient energy didn’t mean it didn’t ever need recharging. There was a very small ecto filter, but due to its relative small size, was easy to clean and was fairly stable, so they had a whole closet of them just chilling out, both filled and empty. The battery itself could be charged by ecto sources, Danny’s own blood, or ambient ectoplasm gained by using something that looked like a solar panel and a satellite dish had a child that the batter could be placed in. The hookup also allowed for like… normal D cell batteries.

They would buy dollhouse furniture, and occasionally just buy the big version then shrink it down. Ellie had a huge old house to herself, basically, might as well go ham. And she had a fun time with the designer doll clothes Sam liked to get, although the cheap doll clothes from the store were also fun. Best option was just buying normal clothes and shrinking them, but using things that were already small or just making stuff using normal sized objects was fun.

At some point, though, the Fenton siblings decide to go on a trip. Ellie begs to be taken along, and Jazz agrees—there’s a doll showcase in Gotham, and Jazz wanted to see if anything caught Ellie’s interest. Danny, having a room in the dollhouse himself, also went along. Might as well make it a sibling’s trip, right?

Ellie can be full size for small chunks of time, which they did while exploring the expo. They found some cool things to add, and some doll clothes Ellie was far too interested in trying on, as well as some to force on Danny later. He sighed, but like—that’s his little cousin-sister, he’d put up with it. After all, he learned how to plumb an entire (miniature) house in two days when she refused to move in until it had a fully functional bathroom, so.

Anyways!

They have a fun time, and sure, lugging the relatively giant dollhouse was a PAIN, but it was Ellie’s home, and some stabilizing tech made it relatively safe to move without risking everything freaking breaking. They load everything in again, and the dollhouse is now restocked with clothes, tiny furniture, and a lot of shrunken supplies—some foods are just hard to work with full size, and are easier to shrink, okay? Also soap, paper goods, pencils and pens, books, etc. Jazz loads the thing into her car, and Danny offers to stay with Ellie in the dollhouse—so Jazz gets them in, and shrinks them down, holding onto the shrink ray in the meantime.

All is going relatively well in Gotham traffic until there’s a rogue attack.

Go figure.

Jazz ends up unconscious, and Danny and Ellie can’t do anything before the rogue is taken care of and a paramedic team comes up. They hide back in the dollhouse, listening as the medics say she seems to be okay, just unconscious. A relief, but now they’re taking Jazz away. Fenton luck states she’s one of the few actually injured. The Bat Brigade comes by, and Batman notices that there’s a wallet for one Danny Fenton. Red Robin confirms that Jazz was likely here with at least two other people, based on the ticket stubs for the expo. However, there is a strange lack of social media presence, Danny doesn’t have a photo ID, and there’s no way of knowing for SURE that it was just Danny with her, if it was just two other people, or if Danny was in the car with her. Still, as they can’t find him but DO have his sister and his wallet, they assume he might be missing, possibly kidnapped.

The Gotham PD of course take in the car, although it’s pretty trashed. Knowing well and good that the dollhouse and such things are actually quite expensive, Commissioner Gordon mentions that it wouldn’t be a bad idea for Batman to maybe hold onto the Fenton’s things that *aren’t* related to the investigation.

Batman just takes everything. Including a rather peculiar looking gun that seems to have sustained some damage during the attack and car crash.

Gordon sighs. Figures.

So, Danny and Ellie end up in Wayne Manor. Most of the things end up in the Batcave, but Alfred insists that they place the doll things upstairs in the manor proper—the cave isn’t *that* damp, but doll things are small and delicate. So, upstairs they go.

At first, it’s fine. Danny and Ellie are fine in the dollhouse, and it’ll be at least a week before any of the systems NEED to be worked with.

Then Ellie ends up with a massive migraine. She gets them, on occasion, a sort of growing pain. Usually, they just shrink some medicine for her as she needs it, because she’s like—twelve. While they did have some medicine that had been pre-shrunk, when they were stocking up in Gotham, it turns out pain medicine was more expensive there. Not by much, but they figured—they’ll just stock up in Amity Park, they’ll be there in two days.

Haha. Nope.

So, Danny finally has to venture out. He lucks into finding the first aid kit—why there was one in the main living room, he’s not sure—and is currently working on trying to get open the blister packet of an ibuprofen when Alfred finds him.

Alfred stares at this tiny boy with a tiny make-shift knife trying to get into… over the counter pain medication.

Danny stares at this butler guy who had very gently cleaned the outside and noted the strange fact that the dollhouse did not open.

Danny waves at Alfred.

Alfred waves a tiny finger back.

“Hello,” Alfred says softly, which is fantastic because loud noises could get painful—part of the reason for Ellie’s headache was an argument between Tim and Damian. “How do you do?”

Danny hesitates, before he makes an exaggerated so-so gesture.

“You understand me?”

Danny nods—it’s rare for people to understand what he’s saying when he’s 5 inches tall.

“How wonderful,” Alfred smiles. “And how can I help our young guest tonight?”

Danny gestures to the blister packet.

“Pain medication? Isn’t that a little bit large for you.”

The teen thinks for a second on how to communicate. He points to the pill, then makes a slight show of pretending to grind something, like a mortar and pestle.

Thankfully, Alfred got the idea. “Would it be easier if I ground it up for you?”

Danny takes a moment to think before accepting with an enthusiastic nod.

“Very well,” Alfred says, taking the blister packet in one hand. He then hold his other out, palm up, like a platform. “Would you like to come with me?”

Danny ‘his survival instincts died when he did’ Fenton gets into Alfred’s hand.

Alfred grinds up the pill into a fine powder. Danny hands him a tiny bottle—still large in Danny’s hands, as it was not a shrunk bottle—that he had tied around his waist. Alfred fills it, and hands it back.

“I assume you came from the tiny house we have in our living room?”

Danny again nods. Alfred takes him there, setting him down outside the front door. Danny bows, and sure it’s Japanese as hell, and he’s white as all get out, but it’s a generally understood gesture of thanks. He hopes.

Alfred understands it just fine. “I bid you goodnight, then. Perhaps we will talk more, when you are feeling better?”

Danny hesitates, again, but he nods. Alfred had been nice enough, so far.

Danny heads in, quickly measuring out the medicine—shrunk pressure plates and scales and weights made what it was measuring relative—to him the weights on the hand balance scale felt the same weight. Ellie got her medicine, and they both went back to sleep.

He told her in the morning what happened. Ellie was strangely gung-ho about meeting this butler guy, and so—when no one else was around—, she and Danny went onto the tiny balcony as Alfred came in to dust.

“Oh my,” he said. “There’s two of you, now. Should I expect more?”

Both of them did an exaggerated ‘no’ dance.

“Very well, I don’t believe I’ve introduced myself. I’m Alfred Pennyworth, the family butler. Welcome to Wayne Manor.”

[mywritersmind]

GETAWAY - FC43

summary : An italian weekend getaway with your favorite loving boyfriend. Filled with strawberries and hammocks.

listen up : inspired by @purinfelix ! super sweet and blue vibes

word count : 884

⋆｡‧˚⋆

I yawn, walking down the kitchen and through the doorway that’s wide open, revealing my favorite part of this house. The balcony is long and filled with a couch, hammock, and table, all overlooking the crystal blue ocean. My feet are cold against the wooden floors but the moment I step outside, the sun warms my face.

I smile softly when I see him. He’s in a chair, quietly looking at the water. I wrap my arms around my lovely boyfriend, my coffee and strawberries in my hands still.

“Morning Mi amor.” His strong arms move so his hand is resting over mine, tilting his hair back so his waves brush the side of my face.

He gets a hold of my arm and gently pulls me around him, motioning to sit on his lap. He puts down his mate and welcomes me to sit on him. I put my breakfast down and wrap my arm around him, looking up into the fact I so love.

Franco’s hand goes to my leg, smiling. “Nice shirt.” I look down at what I'm wearing. It’s his shirt actually. A blue and white striped button down paired with underwear to match.

“Thank you!” I run my hands through his hair, messing it up at bit, “I stole it from a very handsome man!”

He tilts his head a bit, kissing my cheek, “He’s a lucky man.” I rest my head on Franco's shoulder. He smells like peppermint and coffee. He snatches one of my strawberries from my bowl and pops it into his mouth.

I breathe in the fresh air, closing my eyes and smiling. “You’re a vision, mi amor.” He kisses me on my lips this time, brushing my hair back softly.

I fell in love with him because of how soft he is. He never rushed me, never yelled. Him and those big brown eyes do everything to love me.

“What are you thinking about today?” I ask, looking out at the water and birds passing ahead as his lips go to my neck, “Farmers market?”

He hums against my skin, not giving any answer. I can’t even be mad at his lack of words because his lips against me and this morning view is anything I could ever ask for.

���༺

Our day is slow and peaceful, his hand never leaves mine and as soon as we get back to the house we change. Franco will go along with anything I do and I may be abusing my power a bit when I see our matching pajamas.

I can’t help but giggle at Franco in the blue and white porcelain design, they’re locally made and absolutely gorgeous. I have the pants and top while he seemed far too happy that they had no other pajama top in his size.

It takes approximately twenty minutes for the two of us to get into the hammock without falling out. He wraps his arm around me as I nuzzle into his chest, looking up at the star filled sky.

“I never want to leave.” He says as jazz plays from his phone across the balcony, “Let’s stay.”

I smile and look up at him, “We have to leave. But we can come back anytime.” I kiss his jaw as his hand brushes up and down my arm.

“I love you.” It makes me smile.

“I love you too.” I wrap my arm around his middle, his shirt soft against my skin. I look back up at the stars, feeling complete peace in the cool air, my warm skin, and my boyfriend next to me.

“Those stars look like a dick.” And he ruins it all in one sentence. I groan and he starts laughing, hard, shaking the hammock.

“Franco!” I scream and hold onto him tighter as we swing, “Fran- I swear!”

He's still laughing, his chest moving up and down rapidly under my head. He holds me tighter as we both try to stay still, “I’m sorry!” He laughs, “I’m sorry! You love me! You can’t be mad!”

“You’re the wor-” I go to jokingly hit his arm but when he moves to block me, we flip.

We’re on the floor and laughing seconds later. Franco grabs my face, trying to be serious but still laughing, “Are you okay!?”

Literal tears are coming out of my eyes which he wipes away with his thumbs, still looking at me worriedly. I just laugh again and pull him closer to me, pressing my lips against mine.

He pushes his hand into my hair, “Did you hit your head?” I shake my head and kiss him again, climbing on top of him.

He laughs against my lips, moving his hands to the side of my legs. “Attempted murder!” He says as I gasp dramatically.

“You were the one who made us fall!”

“Oh no!” His hand goes to my head, “You did hit your head!” I hit his arm as he breaks into laughter again and I move back next to him, looking up at the stars from the floor.

He kisses my head and tugs me against him again, “Those stars look like a heart.”

I raise a brow, “No they don’t.”

He shushes me and points, “Just squint.”

[odoraful]

𝐀𝐍 𝐀𝐄𝐒𝐓𝐇𝐄𝐓𝐈𝐂 𝐄𝐘𝐄

it was one of the few days zayne had returned home earlier than sunset. he opened the door to the apartment to find you painting your nails. after a shower and some short pleading on your part, he was seated in front of you, hands laid out on the table for you to do his nails.

content: zayne x fem!reader; established relationship; small banter! ; greyson apperance; ~1k words a/n: i've been dipping in and out of writing, so i thought i'd make something short to get me back into practice :)

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“Hand tremors aren’t good for dexterity, you know,” Zayne quipped, gazing at your expression as you applied the polish.

You looked up at him through your lashes and he smirked at the flat stare you gave him. With a slight tilt of his head, he enjoyed how animated your reactions were to his remarks. Towel-dried hair brushed past his brows, framing his discerning hazel eyes. Did he always need to be this handsome while poking fun at you? Your hands weren’t shaky before, but they certainly felt so now.

“Oh hush.”

Putting the brush back in the bottle to collect more polish, you reset your focus.

“Just ‘cause you’re a surgeon, doesn’t mean you’d make a good nail artist,” you retorted, bringing your eyes back to your work.

You were currently on the last nail, painting it a navy blue to match the others you already finished. Zayne’s nails were well kept and trimmed short, making for a perfect canvas for you. Whilst it was rare for surgeons to wear polish, he assured that it wouldn’t be an issue so long as it did not chip. He wanted you to do it for him, anyway. Having your undivided attention on him was a perfect way to unwind after a long day at the hospital.

“And what other qualifiers need to be met besides a still hand?” he asked, teasing giving way to curiousity.

You finished up the last nail with a few glides of the brush. “An eye for aesthetics,” you declared, moving the blue nail polish aside and selecting two more colours among your collection.

“Now, pick the colour for the design.”

You presented two colours to him. A cool silver embedded with fine glitter, and a rustic gold. His eyes flicked between the two. Mind having been made up almost the second you asked.

“Silver.”

You hummed. “An excellent choice.” Shaking the polish, the glitter dispersed throughout. “Perhaps you might consider nail tech as a side job, Dr Zayne.”

Waiting for his nails to dry before you could begin the next layer, you lightly fanned them with both your hands. He chuckled—both at your comment and your cute attempt to try and speed the drying process.

“My primary job keeps me busy enough,” he replied. “Besides, I don’t have much of an eye for aesthetics.”

You were reminded of the palette of his closet. Blacks, greys, browns, and the only splash of colour being a deep green shirt. Though somewhat monotone, it did suit him well.

He continued, “I think I’ll leave that expertise up to my girlfriend.”

Your breath caught in your throat. Mouth opened ever so slightly, not wanting to reveal the way every use of that nickname slipped under your skin and made your heart skip.

You began to draw tiny snowflakes on each of them with the silver polish. Zayne admired the furrowed concentration on your face as you were locked into this task. When the design had dried, you finished by squeezing some cream onto his hands. He let out a soft sigh as you massaged it in, feeling the tension of the day release under your gentle touch.

Once you were done, you stretched your arms out and twisting around to crack your back. You held his fingers in your hands, inspecting them.

“Look how pretty they are!” You bubbled.

Zayne was honestly floored. The level of coordination it took to paint something so small was incredible.

“They’re very pretty indeed.”

You were too enthralled by your own work to see the warm smile on his face at how satisfied you were.

“Now, that’ll be sixty dollars,” you said, looking up at him smugly, placing your hands on your hips in waiting.

Zayne lifted a brow. “Do you accept payment in desserts?”

“Hm… an interesting offer,” you placed a hand on your chin in mock thought. “What kind?”

“Will each flavour of macaron at the shop that just opened suffice?” he replied. The sparkle in your eyes signalled that it was more than enough to cover the cost of your service. Promptly, the two of you went outside to resolve his payment. You walked hand in hand, matching one another with freshly painted nails.

━━━━━━━━━━━━━━━━━━━━━

EPILOGUE

At Akso Hospital the next day, peoples’ gazes lingered a little too long on Zayne. As he handed out folders to nurses and gestured to screens when presenting, eyes trailed on his hands. Now, it wasn’t unusual for doctors to wear polish, but it was unusual for Zayne to have it. Another layer of mystery to unravel about the cardiac surgeon.

Greyson entered Zayne’s office to drop off some documents, sliding them towards him on his desk. “Going to some fancy event later?”

Zayne adjusted his glasses, not looking away from his computer screen. “Unless you consider a seminar at the university as fancy, I’m not sure what you’re implying.”

He gestured towards the keyboard Zayne was typing on. “I’m talking about your nails! Don’t tell me you really just got them done for fun?” Greyson asked, incredulous.

“I did.” Zayne splayed his hand out. “Is that so strange?”

“No! Not at all!” Greyon reassured, shaking his head fervently. “They do look nice though,” he admitted. “Maybe I should get their number so I can get mine done too.”

“She doesn’t take up new clientele, unfortunately,” Zayne said, resuming his typing.

At such a quick defence, Greyson immediately clocked who this person was. He was one of the few that were privy to the relationship between you and Zayne, and he knew only you could make Dr Zayne change up his style.

Exaggerating a sigh, he turned to leave. “A true shame! She sure seems talented.”

“I’ll make sure to pass that on to her,” he heard Zayne reply. Though his back was to Zayne, the smile in his voice as he answered was undeniable.

━━━━━━━━━━━━━━━━━━━━━

[zyk1ng]

I was gonna make this post way way earlier but I forgot lol but Uhm

I have played through the splatoon 2 story fully and am replaying it (for a future post bc a lot of the dialogue is rlly funny) and honestly while I absolutely loved it it makes me even sadder that splat 2’s story mode was kinda tossed aside (for valid reasons ofc) because it’s so Cool.

Excluding the gameplay, I think they did marie so well, because she sells the desperation of someone who’s got nobody she knows by her side. While she of course keeps the sassy attitude of sneak dissing her best friends (agent 3) and also telekinetically telling you to fuck off if you talk to her too much it’s very clear she genuinely cares so much about agent 4 and is so grateful they’re doing what they do.

these are only two screenshots of 8(?) of Marie randomly being really sentimental to 4 because this stranger chose to help her in her time of need rather than just ignore this GROWN WOMAN hanging out on a sewer drain

It’s like heavily emphasized multiple times that Marie could not be more grateful for 4’s help in retrieving not just the zapfish but also her cousin.

But then revealing that 4 knew about Callie the WHOLE TIME (I have a lot to say about this part but it’s mostly hc so) which is so KIND OF THEM???? this random woman recruits them into a secret military agency and hides the fact she rlly misses her cousin but they help anyway bc they WANT TO. (They didn’t even know either of them were famous btw) Marie shows a lot of gratitude toward 4 ESPECIALLY after the big reveal.

(You could make arguments for 3 being similar bc an old kook made them do it but this isn’t about them..)

And it’s not just being grateful for the one time, she genuinely enjoys 4’s company and wants to be better friends with them and chat after the zapfish and Callie are saved 😭😭😭

It’s so cute too, because 100%ing the game and even just being a little nosy is something that Marie picks up on, and remembers way later in the game. (More abt this later)

god I love this socially inept squid woman and her adopted child soldier that likes finding pieces of paper

Speaking of said soldier! I think the way they characterized 4 via the actual gameplay rather than art/statements/whatever is so cool

4 doesn’t have many illustrations besides the chaos splatfest and that one group photo where they’re being funky in the corner (and the apartment) but I feel like the reason for that is the fact that a lot of Marie’s dialogue as well as how splatoon 2’s hero mode is structured/designed speaks a lot about how they wanted to represent 4.

From a realistic standpoint, of course splatoon 2’s story mode has to be more creative both prompt wise and secret wise. But it feels like the reason its that way is because both 4 and Marie are separate types of people from Craig and 3.

The bosses help a lot with this too, being more gimmicky and weird (subtracting stamp.) Octo shower and samurai being bosses where you have to either react well or change your positioning to effectively beat them. (Octo shower is my fave btw I loved fighting it the first time)

The level design also shines in this aspect because if I’m honest I remember none of the splat 1 levels significantly besides the few octoling ones. Splatoon 2’s levels are very detailed (and also insanely pretty) and have some rlly fun puzzles in a handful of them and even the more fast ones are a blast to play through

And then all the little extras (sardiniums and scrolls alike) are hidden so well and you usually have to go out of your way to find them and even the secrets that aren’t either of those things have substance

Small note, a lot of extras are also made so that it flows well with the levels design (like the first dualie request mission) which is also extremely fucking cool.

the way marie touches on those little discoveries is so smart too because it (as I said before) characterizes 4 as someone who loves to look for things even if it’s on a whim especially since the sunken scrolls in the game are so much harder to find than in splat1.

And the fact that unlike splat 1, you can (technically) 800% the game by playing EVERY SINGLE LEVEL WITH EVER SINGLE WEAPON TYPE. to me it feels like it deepens the fact that 4 likes to be really thorough. marie goes “you have a problem.” When you break like two hidden egg crates in this one level and it’s so great.

I love what they’ve done with 4, whether it was intentional or I’m over-analytical.

Nothing gets past them, looking in every nook and cranny whether or not there’s secrets to be found. They’re too nosy and thorough and they like to be around marie after completing missions, they don’t know who the squid sisters are, hate balloons, may or may not be ok, have impulsive secret finding, partake in many extracurriculars, can be needy at times, go with the flow and they apparently smell better than agent 3.

Agent four, of the New Squidbeak Splatoon.

[sofiasfanartcollection]

<3<3<3 I love it so much

A new chapter? In this economy? And it's a Ron and Leo chapter? Yeah, it sure is. This one's for you, Sofia!

[erose-this-name]

Kabru is such a brilliantly written character, one of the best in Dungeon Meshi (which is a high bar as it is, most of the main cast are similarly genius). 

His thing is that he is very friendly and nice confident and maxed out his charisma stat, but is also kinda ambitious and manipulative. But not in an overtly malicious way. Which kinda scares me.

The most impressive thing about him, writing wise, is that it’s all show-don’t-tell. He very frequently uses his charm and empathy and understanding of how people think in really clever ways.

We’re often walked through his thought process of how he does these social deductions. We’re never told he’s scarily charismatic, besides other characters reacting to him being scarily charismatic.

Kabru is a natural-born leader and social engineer with superlative skills in both, which makes him the perfect foil for Laios, who’s too autistic and unambitious that he’s not even the de facto leader of his own party that he’s the official leader of. He’s so bad at leadership that his party just, sort of, doesn’t have a leader. They just kinda argue and do stuff.

What’s also neat, and perfectly inline with Meshi’s general theme of clever and logical subversions of fantasy tropes, is that Kabru’s character design in no way clues us in on this fundamental character trait of his.

He’s sort of a human fighter / knight archetype, which in the language of fantasy RPGs is a class most would associate with being a white bread jock, chivalrousness optional.

(Laios subverts the same trope in the same way. It’s really funny that the walking exposition dump of the group looks like the character creator default preset spec’d as the most generic class available.)

If Kabru was a bard or noble and Laios a wizard, their character traits would be far less interesting

Even better is that we would expect someone who looks like Laios to have Kabru’s personality, and vice versa. Their character designs are flipped; the confident super charismatic leader is a short wide-eyed twink, while the slightly naive and very autistic monster enthusiast is a tall conventionally attractive Aryan lookin’ mf.

(see what I mean by Kabru being such a good foil for Laios?? No wonder everyone ships them, they’re perfect for each other!)

Yet, their designs also work for them. Kabru just has a face that’s easy to talk to, his piercing blue eyes and curly hair gives him a false sense of naïveté, while his iconic 👁️👁️ expression hints that there’s actually quite a bit going on inside his head. Meanwhile, Laios believably looks like someone who doesn’t know what hair conditioner is. His armor’s collar gorget thing is also pretty dorky.

You can’t trust people like that (I mean overly charismatic people with a manipulative streak, not blue-eyed twinks) because you can’t know what their real motives are. You can’t know they aren’t pretending, you can’t know they aren’t trying to or haven’t already manipulated you. How could you? When he has so much more social intelligence than you do, average socially awkward Tumblr user? He’s touched all the grass!

In episode 16 (spoilers, btw) Kabru finally meets Laios’s party, who he’s been trying to find and fight for the better part of the season, and he just decides that no confrontation is necessary. Like, immediately upon meeting the guy. Just from how Laios looked at him. He figures that since Laios didn’t seem to recognize him, they either have never met meaning he has the wrong guy, or Laios forgot meaning he didn’t think it’d be a big deal, meaning the treasure was a trap or something. Which is pretty in line with Kabru’s established ability to always roll nat 20s for every charisma and deductive reasoning check, so cool.

But he doesn’t even seem curious about which of those cases is true. (He might be interested to find out some of the treasure wasn’t dangerous, but accidentally got thrown off a bridge). Much to Rin’s dismay, he’d rather just not bring it up because that could upset the leader of the party he might be working with for the foreseeable future.

Actions speak louder than words. So, all we really learn in this scene is that Kabru’s goals and M.O. can change on a dime, and that he values reputation and political capital more than money and vengeance. More than his own party’s desire for those things. Not only is he someone with a silver tongue, but he knows its value and is determined to use it at every opportunity.

Kabru and his party might not be very good at fighting or surviving in the dungeon, in fact their frequent TPKs are a running gag. But, he also doesn’t need to be when he can just manipulate Laios’ and Shuro’s much more proficient parties into helping him.

So far, Kabru seems like the most likely one to become king of the dungeon or whatever the mcguffin is. He is the only protagonist so far who has said that’s an actual goal of his. He’s said that he doesn’t think someone like Laios who isn’t a born leader should get it.

In fact, Kabru seems to have very strong opinions on what kinds of people should be allowed to adventure in the dungeon, evidenced by the fact that he murdered an entire party over it, justified or not. Kabru seems to think that Kabru is such a leader, and he’s probably right about that, but what kind of leader? 

What would Kabru do with that kind of power if he gets it? Because I’m not sure. All I know is that he is the kind of person with the ability to use real political power to its full potential. For good, or for very, very bad.

I’m not saying that Kabru is evil or that he’s secretly gonna be the surprise villain. I dunno, I haven’t read the manga. He could just be a nice guy that’s just, like, is like that. Everything he’s done could be justified by the explanations he’s given. He actually reminds me a lot of one of my IRL friends, and I’d trust him with my life.

But, I can’t help but feel a distinct sense of unease whenever he’s on-screen. I try not to trust confident natural-born leaders like him right out of the gate. I don’t like that our instinct as humans is to blindly follow them without thinking about it.

Tyrants and psychopaths also use confidence and charm and a friendly demeanor to make people think they’re a good guy, while manipulating everyone into thinking their self-serving actions are altruistic. Benevolent, confident, skilled leaders do exist. But there exists many more snakes wearing their skin. Wolves rarely bother with sheep’s clothing, they dress as shepherds and sheepdogs.

Anyway, my point is that I think it’s kinda neat that it’s possible to overthink this much about a character whose probably just a nice guy that is the mirror opposite of an autistic person. Writing that kind of ambiguity is hard, and employing it in this way is inspired.

[ectospacecadet]

My new Dan redesign post AGIT. - I wanted to give him eyes more similar to Vlad’s colour just to make it more apparent he was part Danny part Vlad, but since Vlad’s ghost’s drive is obtaining more power so that nobody leaves, there was nobody that Dan cared about enough to have that purpose anymore. So that’s why Vlad’s ghost half’s consciousness basically doesn’t exist anymore, Danny just absorbed his power and his purpose. Making Dan. - His hair is longer and more scruffy, Danny had a mullet in his human half, so I like to think Dan grew it out because he took on the traits of both Danny and Vlad. I also gave him a hair stripe like Vlad’s too. In the beginning he has bags under his eyes due to his weakened state, but over time those will go away. - The green arm and boot rings are designed after chain cuffs, I like to think Dan feels trapped in this new displaced state and is struggling to adjust into this timeline without feeling out of place. Eventually he comes to like the rings and thinks they’re cool, they remind him of an old video game movie.

-

There is a corrupt form I plan on designing where he takes on more traits of his previous timeline’s appearance and further, that only happens when he gets enraged or if he starts to slowly lose himself. Ghosts become less human or, as a halfa, start to lose their powers if they start to lose their purpose. Dan has no purpose after the end of AGIT, he’s gonna need one or he could end up very weak like Danny in the novel, or potentially become more ‘feral’ like the other Ghost creatures as he’s technically… Both? So I feel that at first he’ll be weak, but when he’s in a moment of absolute desperation he’ll just full on blitz out and tear everything apart. Be more malevolent etc until calmed or the threat is removed.

[r3starttt]

STREAMER e! x TATTOO ARTIST r!

Check this as well and share as much information as possible about Palestine :)

streamer! Ellie who wanted to get a second tattoo and talked about it on stream (bad idea) just to know people’s experiences and to get recommendations for where to go get it.

streamer! Ellie who almost exposed her ex girlfriend by sharing the story of her first tattoo (some people ended up searching and finding her on social media but none of them said anything about it so everyone moved on)

streamer! Ellie who designed her tattoo and then asked her followers to help her choose what else she should do and where (for the first time most people acted seriously and helped her choose the nicest option)

She was wearing glasses, reflecting the stream chat as she got closer to the screen. She’s been half stream reading all comments and blocking basically everyone that didn’t take this whole situation seriously “y’all I suck at making decisions and I can’t go and get my whole body tattooed y’ know?”

streamer! Ellie who searched on all her followers suggestions and chose you just because you were already following her and you were hot duhh

streamer! Ellie who revealed the studio she’d chosen and took the chance to do some promotion to your studio and social media.

“Guys stop it, it’s not because she’s hot- I mean she probably is I didn’t check but” she gave up, moving her legs to rest on top of the chair and placing her arms around them, resting her chin on her knees and holding her vape as if it could fall at any moment “I’m not gonna fight with you guys… y’all are so annoying”

streamer! Ellie who wanted to get tattooed on live but took her time to ask after making the appointment. She had a plan b ofc

streamer! Ellie who apologized for the comments you were getting on live and couldn’t help but end obsessed with you because you were all cool with it and even started to interact with her followers too.

“They’re saying you chose this place because of me” a small chuckle escaped your lips, shifting your eyes from the screen on Ellie’s phone to her very notorious ashamed face “Nah they’re just annoying, not that you’re not hot or anything just…” “don’t explain then, it’s fine”

streamer! Ellie who was silently crying as she hold her phone as far as possible, trying to hide her pain from both you and the people watching the stream

“If you need to stop just tell me, it’s alright” you could see some laughing emotes in the screen from the corner on your eye, assuming people were making fun of her. You apologized in a whisper, trying not to laugh at her too “How was the other tattoo? that area is more painful” it was definitely a lie, but she was hot and on live and you needed to cover the small mistake you’ve just made by exposing her crybaby ass.

streamer! Ellie who shared the meaning behind the tattoo and got you and everyone watching the stream fangirling because she’s so smart and hot and sweet and the way she explained it and her process and just everything she said was just so so perfect of her.

streamer! Ellie who failed on making eye contact with you but took the small chance she got while she explained the tattoo thing to look as you for some seconds (she had that sheepishly smile ughhh)

streamer! Ellie who kept on asking you the whole session about your story with the tattoos and the studio and just everything about you.

streamer! Ellie who after the session and stream ended really tried to invite you out someday but couldn’t so only tried complimented you and promised you she’ll come back soon because she loved the whole experience with you (she really did)

[a-dauntless-daffodil]

pre hotel battle and vaggie wants to round out her gf's stat blocks just a LITTLE bit more

Vaggie: “Okay sweetie, big battle for our lives and hotel coming up.”

Charlie: “Which we are going to WIN and NOT DIE in!”

Vaggie: “Right. First battle you’ve ever been in?”

Charlie: “Technically, yes.”

Vaggie: “Still not vibing with an actual weapon?”

Charlie: “They’re all so…. Pointy and mean looking…?”

Vaggie: “So we’re sticking with the shield plan for you.”

Charlie: “I drew up some designs for one! LOOK! WINGS!!!”

Vaggie: “Really, very cute babe, it’ll look great on you. Very cool thing for any murder angels to smack face first into.”

Charlie: “Thank you!”

Vaggie: “But I’ve been thinking… well no, I’ve been having nightmares-”

Charlie: “OH NO!!!”

Vaggie: “-and if you wanna help with that, maybe you could have, like, just one kinda attack thing?”

Charlie: “Oh.”

Vaggie: “One trick up your sleeve, Charlie. That’s all I’m asking.”

Charlie: “I… I guess… if you’re worried, then…”

Charlie: “…I could… try doing the demon thing… a little…?”

Vaggie: “No you hate that.”

Charlie: (HUGE SIGH) “Okay good! WHEW. So what’s the OTHER attack thing idea??”

Vaggie: “You do have a little of the carnival magic stuff, yeah? Like your dad?”

Charlie: “Oh I love that stuff! YES!”

Vaggie: “I was thinking maybe you could do fireworks.”

Charlie: “FUN!”

Vaggie: “And explode people with them.”

Charlie: “HORRIFYING!!!”

Vaggie: “I know. I know but- just a little, sweetie? For me?”

Charlie: “Explode them, Vaggie? Into, pieces!?”

Vaggie: “I’m picturing globs and chunks actually.”

Charlie: “Vaggie!”

Vaggie: “Sorry, look-” (takes gf’s hands)

Vaggie: “This is gonna be a real battle with a lot of stuff happening. Lots of people. Lots of yelling and people running around. We’re probably gonna get separated at some point-”

Charlie: “No. You’re staying right next to me.”

Vaggie: “Charlie I swear I’m gonna try to, but that's not how big mob fights work out.”

Charlie: “We can MAKE it work like that THIS time!”

Vaggie: “Listen. I really, really want to go into this knowing you’ve got something for crowd control, alright? If a dozen angels swoop down on you and I’m not right there, I wanna know you can give yourself enough breathing space to keep that shield between you and them.”

Charlie: “But- you WILL be there-”

Vaggie: “One hit. That’s all it takes. For me and for them both, and you- please.” (squeezes hands) “They want to kill you. And they can. And they’re gonna try to.”

Charlie: “….”

Charlie: “… I don’t want, to hurt people.”

Vaggie: “A shield to the face hurts.”

Charlie: “Okay fine- I don’t want to KILL people! Or even get close!”

Vaggie: “That’s fine, that’s the world we’re aiming for.”

Charlie: “But it’s not good enough right now though, is it.”

Vaggie: “… maybe it is.”

Charlie: “You just said…”

Vaggie: “Fuck what I said, you don’t need to detonate anyone for crowd control. You can do lights, right?”

Charlie: “Yes?”

Vaggie: “Bright and flashy ones?”

Charlie: “Obviously, those are the best kinds-”

Vaggie: “So try flashing people.”

Charlie: “Flashing?? Wh- IN THE MIDDLE OF A BATTLE???”

Vaggie: “-blinding, blinding I meant blind them with flashing lights, get them to back off.”

Charlie: “Oh!”

Vaggie: “That a doable thing?”

Charlie: “Yes VERY doable! Like a really amazing sparkler!”

Vaggie: “And they wouldn’t be dead, they just wouldn’t be able to see enough to attack you.”

Charlie: “It wouldn’t even really HURT THEM even!”

Vaggie: “Sure. Unless they trip or fly into something.”

Charlie: “And you’d feel better???”

Vaggie: “Much, much better.”

Charlie: “Enough to sleep?”

Vaggie: “When you’re not keeping me up half the night with kisses, yeah. I think so.”

Charlie: “I’LL DO IT! I’ll practice weaponizing pretty sparkles!”

Vaggie: “Thanks, babe.”

Charlie: “What battle weapon-y things should I be practicing with them, in practice?”

Vaggie: “Uhhh make it a reflex, fine tune your aim…”

Charlie: “Fun!”

Vaggie: “Figuring out how to not blind everyone else too would be good.”

Charlie: “That’s a good point, hmm-”

Charlie: “-Ohhhhh I could make the lights SMALL. Very small, so they don’t do much on their own- then only someone who’s super close and I’m aiming for and who gets a face FULL of them would really be blinded!”

Vaggie: “You’re so smart.”  

Charlie: “OH MY GOSH I COULD THROW GLITTER BOMBS!”

Vaggie: “That honestly sounds terrifying. I love it.”

Charlie: “HEHEHHEHEH.”

Charlie: (smooches her)

Charlie: “We’ll stay together in the fight so you can have front row seats to the light show, okay?”

Vaggie: "... we can try to..."

Charlie: "Will. We will stay together."

Vaggie: “… and, you’ll practice hard until then.”

Charlie: “I will!”

Vaggie: (lets out breath) “Then we’ll be okay. And also sparkly.”

Charlie: “Same thing~”

[maddyjones2]

On not idolising creative people

In the wake of the various recent allegations involving Neil Gaiman, people have been both very sad that someone who they looked up to as an inspiration has, allegedly, turned out to be something less than entirely admirable, and are now looking to see who is now left that they can rotate into the spot of “the good dude,” i.e., that one successful creative guy who they think or at least hope isn’t hiding a cellar full of awful actions. One name I see brought up is mine, in ways ranging from “Well, at least we still have Scalzi,” to “Oh, God, please don’t let Scalzi be a fucking creep too.” Which, uhhhh, yeah? Thanks?

I have many thoughts about this and I’m going to try to make sense of them here, as much for myself as anyone else, so this may be messy and discursive and long (seriously, 3600 words, y’all), but, well, welcome to me. So, ordered by how these things come out of my head:

1. Stop Idolizing Creative People. Creative people are easy to idolize because they create the art you love, and that gives you permission to feel things, and to see yourself and your desires reflected in that art. That is a powerful thing, and from the outside, it can feel like magic, and that the people who do it are tapped into something otherworldly and admirable. Plus, they often get to have cool lives and get to know other cool creative people. They do things that are removed from the day-to-day aspect of a “normal” life, and they’ll even post about them on social media where you can see them. Sometimes, independent of their art directly, they’ll speak about their life, or life in general, and they’ll seem wise and considered and kind. I mean, what’s not to like?

But please consider that this is all an extremely mediated experience of this person. The art is the edited and massaged result of hours and days and weeks and months of work, into which the work of many others is also added. My novels originate from me, but it’s not just me in there, nor is the final form of the novel an accurate statement of who I am as a person, not least of all for the simple reason that I am not trying to tell my story in my novels. I’m creating fictional characters, and the world in which they make sense, for the purpose of the story.

Despite how it might look from the outside, this is not sorcery. It’s years of experience at a craft. It’s not magic, just work. A completed novel (or any other piece of art) won’t tell you much about the specific, day-to-day life and inclinations of the individual who made it, other than a general nod toward their competence, and the competence of their collaborators. Likewise what you see of their lives, even from the illusorily close vantage of social media, is deeply mediated. Lives always look admirable at a distance, when you can only see the lofty peaks and not the rubble at the base — especially when your attention by design is pointed at those lofty peaks. There’s much you don’t see and that you’re not meant to see. The vast majority of what you’re not meant to see isn’t nefarious. It’s just not your business.

Now, before I was a professional creative person, I was an entertainment journalist who spent years interviewing writers, directors, movie stars, musicians, authors and other creative folks. Since I’ve been on the other side of the rope, I’ve likewise met a huge range of creative people from all walks of life. Please believe me when I assure you that creative people are just people. Richer and/or more famous? Sometimes (less often than you might think, though). Prettier and/or more charismatic? Especially if they’re actors or pop stars, often yes! But at the end of the day they are just folks, and they run the whole range of how people are. By and large, the day-to-day experience of getting through their life is the same as yours. Outside of their own specific field of work, they don’t know any more about life, have no more facility for dealing with the world, and have just as few clues about what’s going on in their own head, as anyone else.

They’re just people. Whose work is making the stuff you like! And that’s great, but that’s not a substantive basis for idolizing them. It makes no more sense to idolize them than to idolize a baker who makes cookies you like, or the guy who comes and trims your hedges the way you want them to be trimmed, or the plumber who fixes your clogged drain. You can appreciate what they do, and even admire they skill they have. But holding them up as a life model might be a bit much. Which is the point! If you’re not willing to idolize a plumber, then you shouldn’t idolize a creative person.

(“But a plumber doesn’t make me feel like a creative person does,” you say, to which I say, are you sure about that? Because I will tell you what, when my sump pump stopped working and the plumber got in there, replaced the pump and started draining out my basement which had an inch of standing water in it, that man was the focus of all my emotions and was my goddamned hero that day. My plumber that day did more for me than easily 90% of the great art I’ve ever experienced.)

Enjoy the art creative people do. Enjoy the experience of them in the mediated version of them you get online and elsewhere, if such is your joy. But remember that the art is from the artist, not the artist themselves, and the version of their life you see is usually just the version they choose to show. There is so much you don’t see, and so much you’re not meant to see. At the end of the day, you don’t have all the information about who they are that you would need to make them your idol, or someone you might choose to, in some significant way, pattern some fraction of your life on. And anyway creative people aren’t any better at life than anyone else.

Which brings up the next point:

2. Fuck idols anyway! People are complicated and contradictory and you don’t know everything about them! You don’t know everything even about your parents or siblings or best friends or your partner! People are hypocrites and liars and fail to live up to their own standards for themselves, much less yours! Your version of them in your head will always be different than the version that actually exists in the world! Because you’re not them! Stop pretending people won’t be fuck ups! They will! Always!

This sounds more pessimistic about humans than perhaps it should be. When I say, for example, that people are hypocrites and liars, I don’t mean that people take every single opportunity to be hypocrites and liars. Most people are decent in the moment. But none of us — not one! — has always lived up to our own standard of behavior, and all of us have had the moment where, when confronted with a situation that would become an immense pain in the ass if we stuck to our guns, or demanded the inconvenient truth, decided to just bail instead, because the situation wasn’t worth the drama, or we had somewhere else to be, or whatever. We all choose battles and we all make the call in the moment, and sometimes the call is, fuck this, I’m out.

Every person you’ve ever admired has fucked up, sometimes really badly. Everyone you’ve ever looked up to has secrets, and it’s possible some of those secrets would materially change how you think about them, not always for the better. Everyone you’ve ever known has things about them you don’t know, many of which aren’t even secrets, they’re just things you don’t engage with in your day-to-day experience of them. Nevertheless it’s possible if you were aware of them, it would change how you feel about them, for better or for worse. And now let’s flip that around! You have things about you that even your best friends don’t know, and might be surprised to learn! You have secrets you don’t wish to share with the class! You have fucked up, and lied, and have been a hypocrite too!

You are, in short, a human, as is everyone you know and every one you will know (pets and gregarious wild animals excepted). And all humans are, charitably, a mess. This doesn’t mean there aren’t good people or even exemplary people out there, since there are, along with the ones that are, charitably, a real shit show. What I am saying is that even the good or exemplary people out there are a mess, have been morally compromised at some point in their lives, and have not lived up to their own standards for themselves, independent of anyone else’s standard for them.

One of the aspects of being an “idol,” I think, is that higher standard that other people expect of you — that in every situation where the aspect they idolize you for is in play, you will act in a manner that is right and correct by their standard, which of course you will likely not know about because you don’t actually know them (or often know that they exist). This is, by definition, an impossible standard to be held to — you didn’t agree to it, or to engage with it — and an impossible standard to hold other people to without their direct consultation. Every human made to be an idol is destined to fail at the job. You don’t even have to have feet of clay! You just didn’t know you were on a pedestal to begin with.

(This does not excuse shitty action. The fact people should not be idols in the first place is not exculpatory for the choices one makes on one’s own. If you’re sexually assaulting people, or being a racist or sexist or homophobe or other flavor of bigot, or using your situational power coercively (as just a few examples), then hell yes you are going to be called out on it. And to be clear, it is not unreasonable, to put it mildly, to expect people not to sexually assault other people, or not to denigrate other humans for being who they are, etc. But this only adds to the point about idols, now, doesn’t it. You don’t know what you don’t see, and you don’t know what you’re not seeing, until it is hauled out into the light one way or the other. If it is hauled out into the light at all.)

I don’t think anyone should idolize anyone, ever. It’s not great for them, and it’s not great for you, they probably didn’t ask to be idolized (and if they did, holy shit, fucking run), and in the end unless you’re so completely wrapped up in their lives that they have no secrets from you — which is never — you don’t know enough to make that call. People do it anyway, and then disappointment happens, but they shouldn’t have done it in the first place. Stop idolizing people. It’s not fair for anyone.

What to do instead? Enjoy their work, if they’re a creative person. Appreciate the kind and good aspects of their life that you can see, and the decent actions they undertake in public, with the knowledge that what you see of them is a mediated and elided version. Understand that we all have a different version of ourself for every person we meet, and that every person we meet has a different vision of ourselves in their head, and very often, those two versions are not the same. Like them, based on what you know of them! Love them, if it comes to that. And when and if you learn something new about them that you didn’t know before, let empathy guide you to a new understanding of them and what they mean to you.

And now, taking all of the above into consideration:

3. Absolutely 100% do not idolize me. I don’t deserve to be idolized because no one deserves to be idolized, but also, holy fuck, I do know me and I’m a mess. There have been lots of things in my life that I’ve done that have not been admirable or kind. I can be petty and shitty and competitive and cruel. I am lazy and inattentive and when I let things slide (which is often), I end up jammed up on my responsibilities, which makes me irritable and no fun to be around. I have a temper which goes from zero to sixty almost instantaneously; if I’m not actively paying attention to it, I can become a sudden, unreasonable rage monster, which is a burden to people I love, and I hate that fact about myself (pro tip: don’t travel with me, the rage monster comes out a lot then).

I can be controlling and demanding but I want other people to handle the details, i.e., executive asshole. I am strategic in a way that can be bloodless. When I’m insecure I brag a lot, which is unflattering. If you cross me, I won’t go out of my way to make your life miserable (that would require effort on my part), but I will absolutely enjoy when you take a literal or metaphorical tumble down the stairs. God knows I’ve enjoyed the failures of the people who have spoken ill of me, almost as much as I’ve enjoyed the fuming, spittling rage they’ve felt when I’ve succeeded. I spent years cultivating a snarky persona online and while that was fun (for me), I’m increasingly aware that when the tally is added up for Who Ruined the Internet, I’m not necessarily going to be where I want to be on that particular ledger.

And these are only the bad qualities of mine I wish to admit to you at the moment. There are others, I assure you.

So, yes: Who wants to idolize me now?

“But you seemed so nice when I chatted with you online/met you at the convention/saw you at that one place that one time.” Well, thank you, I’ve been in the public eye in one manner or another for three and a half decades now and I understand my assignment; my public persona is friendly and engaging and sociable and mostly fun to be with. It’s not a fake version of me — I am all those things! Honest! — but, again, it’s a mediated version of me designed not only to be a positive experience for the people who meet me but also to get my actually introverted ass through a whole day of events at a convention/festival/book tour/whatever. When I’m done I collapse into an introverted hole. When I came back from Worldcon this week, I slept for 15 hours the first day I was home. It wasn’t just because of jet lag or con crud.

I rather famously call my public face “performance monkey mode,” and likewise what I say about my (current) online mode is that I’m cosplaying as a better version of myself, one that is kinder than I used to be online, and more patient than I am in the real world. If you meet me when I am “off” then you will find that, again, these versions of me are me, just with some things dialed up and other things dialed down. But even that is still a different version of me than, say, the version of me which is at home (which is in fact extremely boring; that version of me doesn’t talk much and mostly stays in my office).

Many of you who have followed me over the years are familiar with me saying things like this, of course, and are likewise familiar with me pointing out that there are a number of things about my life that I don’t mention in public, for whatever reasons I choose. But it’s also true that I’ve been actively online for 30+ years now, and people feel reasonably confident that they have a good bead on me and that there’s not much about me that will surprise them or change their understanding of me. So to bring home the point there are indeed things you don’t know, allow me to surface just one previously unaired fun fact:

I have a concealed carry license.

(Or did; it expired this year and I didn’t renew it, because Ohio changed its laws so that you no longer need a permit to conceal carry in the state. These days in Ohio you can just wander about with a handgun stuffed down your trousers without training or licensing because that’s a real good idea, now, isn’t it. Nevertheless, the license is not necessary anymore so there was not much point in renewing it, although if the law had not changed, I probably would have renewed.)

Why did I have a concealed carry license? Well, ultimately that’s not important. The point is I had one. I didn’t talk about it before because, among other things, the point of a concealed carry license (to me, anyway) is that its existence is not meant to be known by anyone other than that great state of Ohio itself. I am aware, and this is a dramatic understatement, that I am not a person most people would expect to have had such a thing. That the fact I had one will cause a number of people to reconsider what they know about me, for better or for worse. Which is also my point. All y’all have just learned this thing about me! Think about all the other things you don’t know!

Oh, God, this is where Scalzi starts admitting to terrible, terrible things. No. I feel pretty confident I live a tolerably ethical life. Part of the reason for this is that I have what I think is a decent operating principle, which is: If I’m thinking of doing something, and Krissy called me right then and asked “what are you doing?” and I would be tempted to lie to her about it, then I don’t do that thing. Because Krissy is the most important person in my life, and I don’t want to lie to her about what I’m doing (I have lied to her exactly once. She knew instantly. I haven’t bothered lying to her since). This is not replacing Krissy’s ethics with my own; it’s me knowing whether by my own ethics, I would be ashamed to tell to her what I am up to. It works very well. As such, the Krissy Test is an operating principle I highly suggest to others, although I’d suggest replacing Krissy with whomever your life is most important to you.

Be that as it may, my ethics are not universal and some others might not find them sufficient, for whatever reason. I am well aware I still disappoint many people, and that there are people who find my life choices, known positions or public statements (or lack of them, as the case may be) problematic, or who simply wish I would be other than what I am. I can’t help them with this, but again, this is the point. Given the fact that I am a fallible human who has an entire stratum of his life not visible to the world — and the strata of his life that are visible cause significant numbers of people to be irritated and exasperated — is it not better just to not hold me up as an ideal person, or the “good dude,” much less an idol of any sort?

I mean, shit. What Would John Scalzi Do? Solidly half the time, I have no fucking idea. I have to think about it, whatever it is. I have to think about whether I know enough to do or say something about it. I have to decide whether it’s something I want to engage with at all, and whether my engagement with it is something that would be of value to anyone, me included. I have to decide whether engaging with it is worth the shit I will get for it. And then I have to figure out what it means that I am engaging with it, since like it or not I’m a Dude of Reasonable Significance in My Field. I try to be a decent human, when people are looking at me and especially when they are not. But I also know me, and all my flaws and weaknesses and compromises.

What Would John Scalzi Do? The best he can, in the moment. Is that sufficient? For me, yes, most of the time. Is that sufficient for you? That’s up to you.

The point to this all is that people are just a big fucking mess, including the ones you might for whatever reason find admirable. I am no different than anyone else, and you should not be under the illusion that I am anything other than a shambling collection of flaws embedded inside a human form, which also, in its defense, has some pretty excellent qualities as well. We’re all this way! You too!

And while I want you to like my work, and to enjoy the version of me that you see here and elsewhere, don’t put me, or any other person, on a pedestal. Pedestals are wobbly and and don’t give actual humans a lot of room to move. We will inevitably fall off. Keep us with our feet on the ground. That way, when we stumble, there’s a chance we can get back up, and keep going.

— JS

[anim-ttrpgs]

I recently ran an oneshot for my friends in Eureka.

It was a lot of fun and went mostly smoothly! The charakter creation was very easy. It still took more time than I expected, but that was simply because the players needed it to decide on which traits etc. to pick.

The central resolution mechanic with 2d6 is of course tried and true (I assume. Never played one of the many other 2d6 games.) but especially the Eureka system felt really good.

I think I read in a recent post of your's, that you are overhauling the chapter on combat. That seems very important to me. Even though I read the whole book once before running the game, I had immense problems finding out how small details of the combat worked during play. The musings on game design (eg, "yes, the combat is deadly, thats on purpose heres why" and such) where really enlightening to read, but got in the way when searching for concrete stats.

I will run the same oneshot again for different friends. The game seems really promising to me.

My mystery took place on a single in game evening, and none of the players were monsters. Having therefore only scratched at the surface of Eureka, I am looking forward to running it more.

Woo! We LOVE hearing about this kinda stuff!

And yeah everything about how the combat-related rules are structured is getting overhauled. All of that was written like 2 years ago when I was a slightly worse game designer and MUCH worse at writing coherent paragraphs and hasn’t been touched since until now. Instead of being split across like four paragraphs (what was I thinking), there will be just two chapters on it: “Instruments of Violence”, which is mostly just a giant list of references for the stats and special rules of weapons and armor, and “Dangerous Situations”, which covers every rule related to how your investigators can get killed. Some of these clean-ups are already available in the latest patreon release, and the rest are coming soon to both patreon and the itchio beta.

Combat is a very rare thing in Eureka, but when it does come up, we want it to be tight and granular, but without wasting the players’ time, which I think we’ve done pretty well at.

Like the book says, combat is deadly and there’s a reason why: so it doesn’t waste the players’ time.

This is a twofold problem to solve. The first layer of it, we solved by making sure the numbers are low. Most weapons can take a character down in 2 to 3 hits, so a single instance of two guys smacking each other will never take too many rounds.

Secondly, well, combat is dangerous and deadly, and if the PCs approach it without a plan, they’re gonna die, or at least get their asses kicked fast. Otherwise, well, I consider that a waste of the players’ time. If it was predetermined that the PCs would win otherwise the story can’t continue, well, what did we roll all those die, look up all those stats, and track all that HP for? Why didn’t we just describe the PCs winning and move on? Combat matters because it can change the outcome of the adventure, and if it can’t change the outcome, why are you rolling dice? Of course with death being so possible, to keep it fun, we gotta include lots of “tools” like cover, positioning, different weapons, special melee attacks, etc. that the PCs can use cleverly to give themselves an edge, and *earn* their survival.

Oh and also yeah can’t wait to hear what you think about the monsters. Funny thing about that, everyone who has read the rulebook knows that monsters and other supernatural creatures are supposed to be really rare, like one supernatural person for every 3,000,000 normal people kinda rare, but, monsters are super cool and fun to play, and are one of the big draws of the system, so we were kinda worried that that rarity wouldn’t come through in play, everyone would just be monsters. We considered setting a limit on how many monsters can be in a party? But quickly decided against it, because then players would have to compete for the limited monster slots, and people might even feel like if they’re not filling in that slot every single adventure, they’re missing an opportunity, and so every party would max out their monster limit every time and there’d, again, be way too many monsters.

In practice, though, most parties in Eureka seem to be comprised of all normal people, or all normal people and 1 monster at most, even without the limit. And I suspect this is both because monsters are kinda difficult to play despite their immense power, and, just to brag, because we made the normal PCs fun has hell to play too. :)