#there is so much meaning to the line “You can be who you want to be instead of an unrealistic expectation of what your father wants.“

[gay-dorito-dust]

Hello Dorito!

Can you please write Bruce, Dick, Jason and Clark receiving a good luck kiss on the cheek from their crush before they go on a mission? I’m curious how they would individually react and what their thoughts would be. I thought it would be cute if it was pre relationship for some reason (*'ω'*)

Dick

The moment you kiss his cheek, dick just smiles softly.

‘What was that for?’ He’d ask, his thoughts going a mile a minute as to what this all meant in the long run of your relationships as he knew damn well friends didn’t kiss each other on the cheek…well unless they were close like that, but Dick typically knew it wasn’t and wanted answers before he left for the mission.

‘Good luck?’ You shrug.

‘Just good luck?’ Dick would tease, but on the inside he was hop in that this was going where he was thinking it was going, hoping he wasn’t reading anything you were putting down wrong as he didn’t want anything to be misconstrued or misinterpreted. He wanted this moment for so long and wouldn’t want to miss an opportunity to having something worth coming home to; or someone worth coming home to after a long and intense mission.

Dick would look like he was confident and whatnot but on the inside he was more happier then he’s ever been in his entire life. He wanted to shout to the rooftops that he had been kissed on the cheek by the person he liked, but instead decided to play it cool and try to work his charisma into his favour with you in hopes of a date. He’s done being coy and dropping hints, the kiss on the cheek had to mean something to you as it did with him.

Jason

Blinks several times as his brain tries to accept that you did just kiss him on the cheek.

He reaches up to touch the cheek you kissed lightly as his insides were waging war with one another, he was glad that you made a move first as now Jason knew you had some liking towards him, especially if you were willing to go out of your way to kiss his cheek before he leaves for a mission.

This felt like something he had read out of many, many, many books that he never thought he himself would ever experience in his lifetime, and yet here he was being kissed on the cheek by the person who he had a raging crush on that felt like it came straight out of a movie. He’s aware of his crush on you, insanely so, but when you kissed his cheek he didn’t know whether it was with platonic or romantic intentions.

Jason wanted so badly for it to be romantic, his heart yearned for it like he yearned for you as long as he had, trying not to show just how he melted like putty in your touches and general affection towards him. Other people try to touch him and he hisses at them, but you? You could hold his cheeks and he’d be fighting to need to close his eyes and melt into your hands, feeling safe enough within your presence to do so then he ever had anyone else in a long, long time.

He knew he was fucked the moment he realised that he didn’t want to push you away but pull you in close. Jason knew he was fucked but in that moment he didn’t care because a life of love with you was a risk he was willing to to take, after all he was deserving of a sweeter aspect of life then the one he was already given.

Clark

Feels his cheeks burn as he rubs the back of his head, the feel of your lips still very much lingering on his skin.

The kiss was soft, it was sweet and innocent but it was enough to have Clark becoming a little flustered and a bit sheepish in looking you in the eye, but he managed to do so and it was obvious by the look in his eyes that it was something that would affect his mind for a long while; even when you were long from view you’ll still be in the forefront in his mind.

His voice was caught in his throat but his mind was filled to the brim with all the things he wanted to say but couldn’t, for as soon as you kissed his cheek and wishing him luck, you were already out of his line of sight with a knowing smile graced upon your lips upon your exit.

Clark knew that he’d have to have some words with you when he gets back, but until then he could only assume that you were both on the same page without having to speak words to one another, the attraction was clear but would need to be communicated clearly sooner or later.

Clark could only hope he wasn’t the only one feeling something between the two of you, he was hopeful that he wasn’t when you placed your hand on the s symbol on his chest and looked at him the way you did.

Bruce

Doesn’t show much change visibly but his eyes do shine in amusement and his posture seemed to straighten a little more, only the keenest of eyes would’ve seen that he had also leant into your lips when you kissed his cheek.

Bruce prided himself in being a well put together man, but the moment you kissed his cheek that collapsed in on itself, and he was left wanting nothing more then to ask for another kiss and so he did with a hint of mischief upon his tongue.

‘Do I get another one?’ He asks you.

You only shrug. ‘Only if you come back in one piece then you can have as many cheek kisses as you’d like.’

He may have made an entire playboy persona for public outings and such, but in that moment he felt like a teenager with their first crush again, wanting nothing more then to ask Alfred if engaging in a relationship with you was worth the risks. He is a smart man and knew what he wants and yet while he knew what he wanted, he couldn’t claim to know what you want and didn’t want to assume on your behalf when you didn’t say anything of substance.

Bruce knew that something was different between the two of you -outside of him having a crush on you of course- and knew that once he gets back to Gotham he’ll have to strike while he still could in hopes that you’d allow him to treat you right, and allow him to spoil you rotten once in a while, and keep you safe should you all him to have your heart by taking you on a date to your favourite place.

[runesinthenight]

There are so many ways that this is a different piece. Not only did they change how it is arranged and remove the context inportant to understanding the piece, but they changed "please take one" to an allergy warning.

The fact that they removed the "please take one" portion of it from a museum standpoint changes so much too. In a museum, you are not supposed to touch any of the pieces unless there is a sign which expressly says you can. The original sign expressly said that. That is the sort of sign that will get visitors to interact with the piece. I would take a piece of candy from that pile.

However, the new sign only has a warning on it. The first sentence is an allergy warning. That in it of itself isn't bad. Having an allergy warning is good if you're inviting people to take a piece of candy. The second line is a choking hazard. While this may be true, it feels more like a way for the museum to cover their ass.

Actually, that whole warning comes across as a legal message. It gives the feeling that the museum is putting all of the blame on you if you decide to eat the candy and something bad happens. It is not inviting. It puts off the visitor. I would not take a piece of candy from that piece.

Now, if in an ideal world where politics and political messaging were not involved and the change was purely for liability reasons, I still would have done it differently. I would have placed it under the "please take one" or on a smaller sign under the original sign.

Doing a little research, the signage for this piece has changed a few times over the years, some having the warning, some not, some mentioning AIDS, some not. But the main outcry has been when this sign does not mention AIDS because it is such an integral part of understanding the piece. This piece is meant to be interacted with and that interaction is meant to spark an emotional connection in the visitor. Taking and eating a piece of candy from it should make you think about Ross and his struggle. It should not just be "oh! Free candy!" That removes so much meaning with the piece. Especially to people who have never interacted with this piece or this artist before.

I am in the museum industry. This is my career. And signage is a critically important part of how a museum presents itself and interacts with the public. I really wish there was a way I could see all of the itterations of this sign and see how they've changed over the years and across institutions. Because this piece is on loan to the Smithsonian from the Art Institute of Chicago and I am curious about what aspects were or were not included as part of the loan agreement. But I also want to see when exactly the first sign was from. As doing a quick search shows that the Art Institute of Chicago aslo got into some hot water in 2022 for not including AIDS in the interpretive portion of their text (which is excluded altogether in the Smithsonian sign).

Signage can be difficult. It's a balance between too much text and not enough. You have to make signage that appeals to a wide range of visitors, especially visitors not knowledgeable about the subject. Art museums tend to lean on the shorter side of signage text with the curator often largely in charge of what does or does not go on. The second sign is an example of what I, in my professional opinion, would consider too little text as important context to understand and connecting with the piece is left out.

the david zwirner gallery and the felix gonzalez torres foundation in the smithsonian removed the descriptive plaque for portrait of ross in la by felix gonzalez-torres. the old plaque explained portrait for ross' origins as the artist's partner's aids related death, and replaced it with a plaque with absolutely no information about the piece itself, who ross was, or who gonzalez-torres was either. portrait of ross was also reeranged to lay on the floor long ways instead of in a pile as it typically is situated, and the plaque outside the exhibition FOR GONZALEZ-TORRES omits his sexuality, as well as his aids related death. i'm in utter disbelief

[witherby]

If Punch line can trigger Jason easily what would happen is she ever met Harley?

Let's explore that!

Punchline: First Session

Masterlist is Here!

"I need your help."

Harley perks up, gasping, and rushes over to hug Batman tightly.

"I never thought this day would come," she says, jumping up and down and clutching a gauntleted hand. "Yes!! Yes I would love to be your therapist! We have so much to work on, starting with your parents. I really think you never internalized the event and haven't given yourself any space to grieve after —"

Her hands get squeezed gently, recapturing her attention. Blue eyes meet white lenses, and she furrows her brow.

"Okay, that's fine!" She sighs. "Can't say I'm not disappointed, but if one of your kiddos is looking for help instead, I'm still more than hap—"

"Not one of mine," Batman gently interrupts. "This is a...very delicate case, Harley."

"What's delicate mean in this context, Batsy?" She asks. "Delicate like schizophrenic? Delicate like CPTSD? Delicate like one wrong word away from explodin' and killin' everybody in a mile radius?"

"Delicate," he says, "like...this might hit too close to home for you."

"Me?"

Batman nods. Harley hums, equal parts curious and cautious.

"Any good psychologist worth her salt won't let a personal connection get in the way of providin' aid," she tells him. "If the patient isn't somebody I can help myself, I'll help ya find someone who can. When can I meet 'em?"

--

Your file lies scattered across the floor of the cave. Harley stares wide-eyed at your picture while she trembles on her hands and knees. Bruce, having changed out of his suit, kneels beside her with a steadying hand on her back.

"Oh," she whispers, "Brucie, she's so small for her age. And her age!! Sh-she's..."

Harley shakes her head. Bruce continues rubbing small circles in her back. When she leans against him for support, he holds her upright.

"How'd he keep a kid hidden for eight years?" She whispers, voice thick. "I know I fucked off to go play Happy Family with Ivy, but..."

"Nobody knew," he says. "Harleen, don't play the blame game, not for this. He kept her a secret for a reason; no one was supposed to know."

Harley lifts her hands to her face, rubbing her eyes before any tears can well up and fall. She takes deep, calming breaths, gathering her focus, then carefully collects the papers and stands with his help. She draws a pad and pen out of her pocket.

"I ain't promising anything," she says, looking up at Bruce. "This is...this is a whole different ball game, 'specially with that chucklefuck as the daddy. But I'm gonna try, okay?"

He nods. "Take your time. You were the first person I thought of, but don't force this if it's too much."

Harley gently squeezes his hand in acknowledgement. She walks past him and down the hall towards the containment cells, heels clicking quietly against the floor. She dug out her old coat with the name tag pinned to it and even threw her hair back in a low braid to appear as non-threatening as possible. The closer she gets to your door, the more the wonders if you would've been more comfortable if she showed up in her combat getup and mallet.

"Miss Punchline?" She calls, stopping in front of your cell. A cursory glance of your environment tells her immediately that you're under-stimulated. She writes that down. "I'm Doctor Quinzel. Do ya mind if I come in and chat with you a while?"

You cease all movement. You'd been sitting with your back to the door, gently stroking the head of the teddy bear Alfred gave you while muttering Mistress Mary's nursery rhyme, but when you hear her, you practically turn into a statue. Unless she actively stares at your back, Harley can't even see you draw breath.

"Miss Punchline?" She repeats calmly. "I won't come in if you don't want, but I'd really like to talk to you."

"...Popsy talks about you, sometimes," you say. Harley can't decipher your tone, but the words make her feel cold all over. "Says he used to miss his favorite gal."

"I'm sure he's mentioned me once or twice," she says, clearing her throat. "But I'm old news. Why don't you tell me about yourself? I'm gonna punch in the door code now, okay?"

You don't move. Harley unlocks your cell and walks inside, getting a better look at how sparsely decorated it is. The bed is clearly unused and half of the activities left here would cause an ordinary child to lose interest in about an hour without company. Overall, Bruce and his family are keeping you in a dreary room. If she accomplishes nothing else today, it's a guarantee that she's gonna get you better accommodations.

Harley walks around the room until she can see you face-to-face. Once she's in your periphery, your eyes snap to her and follow her every movement like a predator. She lowers herself to the ground, taking a seat a few feet away from you.

"There you are," she says kindly. Your smile is just as placid as the one in your photo. "I like ya make-up. The swirly pattern on your cheeks is very cute."

You don't respond, though your smile widens briefly. Highly receptive to praise. Your eyes don't leave hers, scanning, assessing, calculating. Harley doesn't feel like you're about to attack her, but you're clearly juggling something around in your mind.

"Bet you're thinking about mine," she continues. "Normally I like puttin' on the face paint, but sometimes my pores gotta breathe, you know? Well — the pores I got left." She glances down at her hands, paper white like the rest of her body from her dip in a vat of acid. With relief, Harley notes that your unpainted skin is a healthy color. Even though the bar's lower than Hell, it's nice to know that at least the Joker didn't immediately treat you to a dunk of your own.

"Punchline, I'm gonna be frank with you," she says.

"Nice to meetcha, Frank," you chirp, grinning mischievously. Harley lifts a brow.

"That was funny," she praises. "I know your, eh, Popsy, he places a lot of value on bein' funny. Used to say nothin' was worth the effort if it didn't amuse him at the end of the day. I'm sure you know that already."

"A giggle a day keeps the boredom away!" You say, pitch and cadence matching that of your father's. Harley knows that the grip on her pen is too tight. She breathes deep and forces herself to relax. "Ohh, hit a nerve, Frank?"

"I'm doin' just fine," she says. "What's boredom look like for you and Popsy?"

You separate your hands, fingers splayed wide, and make explosion noises.

"Do you get caught up in that explosion?"

Your smile doesn't change but your eyes get sharp. Harley makes a note.

"It's hard keepin' him entertained all day, every day," she says. "I would know. But I'm gonna tell ya somethin' your popsy probably never has."

Harley scoots a tad closer to you, reaching her hand out and gently taking one of yours. She can feel every bone in your hand and has to utilize all of her training to school her expression.

"It's not your job to make yer popsy happy. In fact, it's not your job to make any adult happy. Grown-ups shouldn't rely on their children for emotional regulation."

"Couldn't rely on you, either, could be?" You snicker. "Since you ran away."

"I left him because he was treatin' me like dirt," Harley says, a little more firm than necessary. "He's real good at drawin' you in, Punchline. Shows you an ounce of praise that makes you feel invincible, makes you wanna do anything he asks to get more of it."

Harley lets go of your hand to tuck a lock of emerald green hair behind your right ear, brushing gently against the shell. The edges are distorted, flatter than your left.

"He's also real good at draggin' you through the mud, makin' you feel like everything's your fault. Like you got no choice but to make it up t'him. Ya never wanna get on his bad side cause he really makes you feel it."

You tilt your head away from her hand, eyes dropping back down to the teddy bear Alfred gave you. You resume petting it, slightly faster and rougher than before. Harley makes a note.

"His anger's always more powerful than his joy, Punchline," she says, "but both of them are destructive. I wanna help ya break away from his cycle."

"No thanks," you say, "if I wanted to be a washed-up, third-rate party clown, I would!"

Harley feels a wave of pity for you. It's obvious you're just regurgitating your father's words back at her, and she's not surprised. Change doesn't happen overnight, especially not for you.

There's so much work to do, but Harley's not afraid. You may look and behave similarly to the Joker, but you're young and still impressionable and already starting to pull away from him without even realizing it.

"I can tell yer getting upset, and that's the last thing I want," she says, climbing to her feet, "so I think this is a good stopping point for today. But I'd really like to see you again. Would you be alright with that?"

You blow a raspberry at her, then cackle. Harley exhales sharply through her nose, giving you a fond smile, and pats your head as she steps past you and opens the cell door.

She can do this. She will do this. For you.

But, first thing's first.

"Brucie, you're kidding me with the furnishings! How's the richest man on the planet gonna put a kid in such a shitty room!? Don't look at me like that, mister. You brought me in t'do a job and I'm gonna do it right!!"

[kyber-crystal]

10 things i hate about you || f.w.

summary: rumor has it that you and fred weasley are going out. being the instigators you two are, you decide to play into said rumors. but just how far could you go before you lose sight of the line between fiction and reality? 

words: ~7.9k LMFAO I REALLY WENT OVERBOARD HERE

warnings: cheesiness, cliche 10 things i hate about you vibes, both y/n and fred being oblivious idiots. what’s more to love

a/n: you thought i’d avoid writing another fake dating fic? with fred? NEVER. ik there r some fake dating fred fics out there but i swear we need MORE bc this is the best trope ever idc. also made up a name for the school paper cs i forgot if it was a thing in the books/movies lol. reader is an implied gryffindor/ravenclaw but can technically be in whatever house you’d like : )

The problem with Hogwarts was that rumors spread through its halls like fiendfyre.

It all started during the Quidditch match between Gryffindor and Ravenclaw. Harry had narrowly caught the Snitch after a Dementor false alarm and carried the team to victory, causing the stadium to explode into ground-shaking cheers.  Waves of deep crimson and gold were pouring onto the field and you almost got trampled in the midst of it until someone pulled you into the center. 

“There you are—I was looking all over for you,” Fred beamed. “You were watching, right?”

“I was sitting front row…you literally saw me, Fred,” you stated plainly. 

“I know, but I wanted to make sure,” he winked at you, sidelining you into a hug. “You look very pretty, by the way. I think my hat looks better on you than me.”

“Anddd there’s the woman of the hour! He couldn’t stop staring at you—almost crashed into the teachers’ section ‘cause of that,” Lee came over and clasped your shoulder. 

“That’s what that was all about? Freddie, you need to get it together!”

“Can’t help when you’re as alluring as a Veela,” the compliment rolled effortlessly off his tongue. He then tilted his chin down to kiss your forehead, and you didn’t bother pushing him away despite the fact that he was all sweaty after being up in the air. 

A bright flash of light pulled you out of Fred’s embrace, and you blinked to see Colin standing there with a wide grin on his face, camera in hand. 

“Just capturing the moment,” the younger Gryffindor said excitedly. “This is gonna be a good one!”

You thought nothing of it until you went down to the Great Hall for breakfast the following morning. You went over to find your Ravenclaw friends, who seemed to be huddled around something, staring at it intensely.

“Oh, hey Y/N!” Cho beamed brightly at you, moving over to make room for you to sit next to her. “Have you seen the latest school newsletter?”

You filled your plate and took a copy of the Hogwarts Daily Digest that Padma gave you. “No…what’s it all about?”

“Check page 3,” she told you. You took a bite of your toast first, pausing as you scanned over the page. At the front and center was a moving picture of you and Fred embracing, him pressing a kiss to your temple, smiles of pure bliss on both your faces. You had to admit that Colin had a way with pictures; so much so that you almost would’ve believed you and Fred were a true couple just by looking at the article. 

“So we’re going out, apparently,” you said, taking another bite of your food, “...Interesting.”

“Several students were interviewed about it, and they’re wondering if you guys are,” Cho explained. “With the way he kept looking over at you during the game, and how he was searching for you after it ended.” 

“I—I’ve ought to talk to Fred himself, see what he thinks about this—” you spluttered, feeling hot all of a sudden. “I just—we’re not even—”

“But you would be very cute together,” your best friend added. “I mean, you have known each other for how long now? It wouldn’t come as a surprise to anyone if you were.”

At the end of the day, you went to the library to squeeze in some quiet alone time for reading, curling up on one of the plushy sofas near the bookshelves. You were deep into a mythical book that Hermione recommended, fully zoned in for what felt like forever until the cushion sank a bit, indicating that someone had sat down next to you.

“What do you want, Fred,” you sighed without even looking up from your book. “Come to bother me again?”

He took the book from your hands in response and closed it. 

“Hey, I was reading that—” you began. 

“I wanted to ask you about the article,” he stated, “don’t you think Creevey’s quite the photographer?”

You scoffed. “If this is about us being a couple, you know we’re not.”

“I was going to suggest something else.”

“And what is that?”

“Given that half the school is talking about us already,” he referred to the whispers in the halls that followed you from class to class, “why not play into the rumors a bit?”

“So you’re suggesting that, what?”

“That we say we’re a couple.”

“...you want to pretend that we’re going out?”

“Why not?” 

“That’s insane,” you shot him a glare. “What do either of us get out of it?”

“Practice, of course,” Fred had a proud look on, “but also, why not have some fun with it?”

You stopped and thought about it for a second. He was right—who were you to not want to have a bit of fun? After all, it was just Fred; it couldn’t be that hard to fake-date someone, especially when you had no real feelings for them.

“Fine, but only on one condition.”

“What’s that, love?”

“Promise not to fall in love with me?” You stuck your hand out towards him. 

Fred took it and gave it a firm shake, his signature mischievous grin making its appearance. “As long as you don’t fall for me either.”

“Dream on.”

He leans forward, voice dropping to a low whisper. “10 galleons says you’ll fall in love with me first.”

“Oh, please. 20 says you won’t even last half as long.”

“You’re on.”

So it began—settling into the whole routine was surprisingly easy. But of course, it was probably easier since you had money on the line; asides from George, you and Fred were the most competitive people in the entire school. You’d do anything for extra money, glory, and infinite bragging rights. 

Making it a point to one-up each other, you began to brainstorm ways to really play up the whole “fake girlfriend” thing.

i. the pda competition, part 1

Monday afternoon’s Potions lesson proceeded as always, with Snape’s annoying, drawling voice instructing you on what to do. 

Today’s class was boring but ended early, the only downside being that you were assigned a hefty load of homework. 

“By the beginning of Wednesday’s class, you shall turn in to me two feet of parchment on the history of Strengthening Solution and its’ properties…” Snape ordered, “...for now, follow the instructions on the board. Ingredients are in the back. I expect the utmost perfection and accuracy…those who fail shall not be tolerated.”

Groaning internally, you headed to the back of the classroom towards the supply cabinets, Fred following close behind. Either Snape was out to get you both or it was sheer luck that had you paired together for this assignment. 

“Wait, you forgot something,” Fred called out as you were about to walk away. 

You turned around, a snarky reply ready. “What is—”

You didn’t even have the chance to finish your sentence when he grabbed you by the wrist and tugged you into his chest, kissing you square on the lips. You were completely taken by surprise and had no time to react whatsoever. 

Low wolf-whistles and “ooohs” reverbrated throughout the entire classroom as you broke apart. 

“What was that for?” you hissed. 

There was a devilish grin on his face, and you so desperately wanted to wipe it right off him. “Just trying to be a good fake boyfriend, of course,” he whispered into your ear.

“Touch me again without warning and I’ll break your nose,” you said in a low tone, ignoring the heat rising up your cheeks.

“Miss Y/L/N…Mr. Weasley…” Snape said lowly, “...back to your seats, both of you. This is a classroom, not a bedroom. Get to work.”

Several students giggled at this and you huffed, heading back to your seat. You didn’t speak more than a few sentences to Fred for the remainder of the lesson, face still flushed from the sudden incident. He kept stealing glances at you as you worked in silence, adding the ingredients into your bubbling cauldron with careful, precise movements.

“That’s 1-0 to me,” he reminded you. “Better hurry and catch up, or I’m winning those Galleons.”

“Don’t get ahead of yourself,” you muttered, uncapping the bottle in front of you and pouring some of the liquid in.

ii. the pda competition, part 2

After Fred had kissed you in the middle of a packed classroom, you were determined to get back at him, racking your brain for ideas. 

You sat under a sprawling tree by the Great Lake with Cedric, Cho, Padma, Ernie, and several other Hufflepuff and Ravenclaw students. Somehow, you got lucky and all had matching free periods today, taking the opportunity to have a picnic by the water together. 

“A little birdie told me that you and a special someone were going out,” Cedric pointed a finger at you, the other arm slung around Cho’s shoulders. “Now what’s going on?”

“They’ve always been mad about each other, only took them a million years to see it,” Ernie butted in. “Isn’t it obvious? One would think they’re already married at this point, though.” 

“Who’s married to who?” you heard someone ask from behind you. 

“Speak of the devil,” Ernie said, “there he is!”

“Was going to check on you—see you at supper?” Fred lightly touched your cheek. You nodded blindly, the skin of his hand hot on your face. 

“Okay, I’ll meet you there.”

You turned back around to see everyone smirking at you knowingly. 

“What?” you questioned, adjusting the collar of your shirt as if nothing had happened. 

“Aren’t you two the cutest,” Cho laughed breathily, “Ernie was right. It’s like you’re married.”

“Oh shut up, we’re still much too young for that.”

“Not for long!” 

Of course the only empty seat at the Gryffindor table that evening was next to Fred, and he made sure that you were sitting as close to him as humanly possible. All it would take was an extra few inches and you’d fully be sitting on his lap. You shook off the embarrassment and snapped back into it, determined to win the bet.

“I missed you all day, you know,” he admitted, placing a dinner roll onto your plate for you. “Where have you been?”

“By the lakes,” you said matter-of-factly. “Where else would I be?”

“With me, obviously.” 

“I’d rather be anywhere else.”

“Well that hurt,” he pretended to look hurt. “I thought I was your favorite.”

“Second to last,” you joked. “Hey, wait—there’s something on your mouth.”

“Where?” he tried motioning around with his fingers but to no avail. 

“Right…here…” you murmured, gently grasping his chin and pressing a lingering kiss to the corner of his lip, tasting a hint of the sweet cranberry sauce he’d been eating on the tip of your tongue. Loud gasps erupted through the Great Hall at the sudden private but public display. 

Fred inhaled sharply—he knew you were bold, but like this? For once, the jokester had nothing sarcastic to counter you with and was at a loss for words. 

When you pulled away, both yours and his faces were a shade of deep scarlet.

“Cat got your tongue?” you smirked, discreetly slipping a sheet of paper into his back pocket. “That’s 1-1 now, Fred.”

Again, Fred was left speechless. 

“I feel like I’m interrupting something very…” Ron coughed, damn near choking on his chicken leg. “Intimate. Scandalous. Very—”

“Shut it, Ronald,” you cut him off. “Can’t a girl snog her boyfriend when she wants?”

More jaws dropped at your reply, and you simply continued eating, a victorious grin on your face. Fred looked down and fished the note out of his pocket, unfolding the smooth parchment to reveal your tidy penmanship. 

Now who’s the flustered one? you know where to find me if you need me xx

You were so going to win. 

iii. the serenade

You found yourself sitting on the bench watching the Gryffindor Quidditch team practice—it was Fred’s idea to show up to as many of them as possible to really sell the whole “fake dating” thing. You didn’t mind all that much, as you got bored easily and liked to have a change of scenery every so often while you were studying. 

A loud, abrupt screech caused you to look up from your textbook and you winced, covering your ears. 

“You’re just too good to be true…can’t take my eyes off of you…” a melodic voice began flowing across the stadium. Confused, you set your book down and stood up, looking around for the source of the noise. 

“You’d be like Heaven to touch, I wanna hold you so much…at long last love has arrived…” 

Fred suddenly appeared from the commentator’s box, holding a microphone. He casually leaned against the pole before sliding down and hitting the bleachers, gracefully making his way down the steps. 

“...And I thank God I’m alive…” his eyes remained focused on you, blazing gold and green. “You’re just too good to be true…” 

“What the—”

He spun around and pointed at you, the corners of his lips quirking up in a childish grin, “...Can’t take my eyes off of you.”

“HIT IT, WOOD!” you heard someone (was that Lee?) yell, and music began blasting from the speakers.

Your friends were eyeing you with delight, fully entertained by the fact that you had absolutely no clue what was happening. Fred continued singing while he sauntered down the bleachers with a grace that you had never seen. 

“I love you, baby, and if it's quite alright

I need you, baby, to warm the lonely night

I love you, baby, trust in me when I say

Oh, pretty baby, don't bring me down, I pray

Oh, pretty baby, now that I found you, stay

And let me love you, baby, let me love you”

A blush coated your cheeks as he finally approached you, taking one of your hands in his and twirling you around. He held your gaze the entire time, eyes alight with what looked like genuine joy and passion. The rest of your classmates joined in as they crowded around you, joining together in one voice. 

It was impossible to hold back the smile creeping up your face as Fred continued to sing—he was undeniably charming, and you had to admit, this was well worth suffering a brief loss for. 

“Oh pretty baby, trust in me when I say…” the final lyrics left his mouth and everyone burst into applause. He made a show of bowing dramatically and kissing your hand in an exaggerated motion. 

You rolled your eyes at the overly extravagant gesture. But deep down, you had enjoyed every second of the impromptu serenade. 

Within minutes after it ended, Fred’s musical spectacle was the talk of the school. Students nudged each other in the corridors as you passed by, whispering words of encouragement, saying how they wished for a relationship like yours, and wondering where they could possibly find someone like Fred. 

You felt him slip something into your robe’s pocket. Fred had sidled up next to you as you headed up the stairs to the common room, still grinning widely. 

“2-1,” he reminded you, kissing your cheek before turning to the Fat Lady and uttering the password. He stepped through the portrait hole and turned back to wait for you, then walked all the way inside. “Better continue that game of catch up, I might just steal the title of ‘best fake partner ever’ from you.”

There’s that beautiful smile, the note read. Keep it on for me, will you?

iv. the nightmare

Your body seemed to have a mind of its own, because it was 3:27 a.m. and you were wide awake after barely squeezing in a few hours of sleep. 

Nothing you did worked; even the Potion for Dreamless Sleep had failed to keep the nightmares at bay. You didn’t last long before jolting awake, beads of sweat forming at your forehead and chest heaving with raggedy, jagged breaths. 

After several minutes of tossing and turning you gave up, quietly tiptoeing down the stairs to the common room. The fireplace was on, indicating that someone was already there—

“Y/N?” Fred turned around from his spot on the couch to look at you. “What’re you doing up at this hour?”

You yawned, “I could ask you the same thing.”

“Finishing an assignment,” he sighed, rubbing his forehead. Sheets of parchment, a vial of ink, and several books were spread out on the coffee table. “You?”

“Nothing,” you lied, sitting down next to him. “Couldn’t sleep.”

He didn’t miss the hoarse tone in your voice nor your tear-stained face, stopping what he was doing to fully focus on you. “Now I know that’s not true. What’s bothering you, really?”

“I said I’m fine, just can’t sleep.” You let out a shuddering sigh and attempted to will the tears away, but your vision began to blur. “Go finish your work—”

“Hey.” Fred’s voice was soft. “Come here.”

His arms gingerly wrapped around your trembling frame to envelop you into a tight hug. He reached one hand up to smooth out your hair as you shook with silent sobs, your hands curling  into the fabric of his robes as if holding onto him would keep you from slipping away and losing yourself again. 

Fred was never one to be patient, but he knew that you just needed this moment free of chaos. So he waited, laying there with you as he continued murmuring soothing words into your ear, gently rubbing your back; he’d wait for as long as he’d need to. 

You didn’t know how much time passed until the tears ran themselves dry and your throat felt like it had been scraped raw. 

“Want to tell me what happened?” he suggested. “But only if you’re comfortable, that is.”

You hesitated, wondering if it was a good idea to tell him. Maybe he’d think you were strange…but seeing how he looked so genuine in that moment changed your mind. 

“I lost you…I lost everyone. I watched you die, Fred.” Your voice was cracked and raw, which sent a pang through his chest. The image of Fred’s lifeless body trapped between the rubble flashed across your vision, feeling as if it was wrapping its cold fingers around your throat. “I watched you all die and I couldn’t save you.”

“But I’m alive and well right now, aren’t I?” he assured you calmly, “I’ll be here for as long as you want me around. You’ll have to fight to the death to get rid of me.”

Managing a broken laugh, you looked up at him. “Really?”

“Really. What are fake boyfriends for, anyway?” His hand found its place against your cheek, fingers gently skimming across your skin. You leaned into his touch and let out a sigh, lips just barely brushing over his palm.  

“No one’s here, Fred…you don’t need to pretend.”

“I know I don’t.” Any and all traces of half-witted sarcasm were gone; wiped clean off his face. Instead, his eyes were glossed over with concern as they raked over yours. “Figured I could keep you company? Since I didn’t want you to be alone in your head like this.”

“I’d like that.”

He then passed a familiar folded square to you, and you opened it with a smile.

I’m here, whenever you need - F.W

v. the hospital wing run-in

“For Godric’s sake, how many more times will I have to see you in here?” Madam Pomfrey demanded as she hurried around, setting a metal tray by your bedside. “This is the third time this month.”

“Sorry,” you winced as you shifted your injured leg onto the pillow she’d set out. 

“What is it this time?”

“I broke my ankle.”

“Doing what, exactly?”

Pursing your lips, you elected to tell her the modified version of the story, which was the one where you had tripped while going down the stairs, not the one that included running down the Astronomy Tower after sneaking up there for a dare (the twins’ doing). 

She shook her head in disbelief, glancing over the cuts on your face and fixing the bandages around your foot. “You’ll be in here for a few days. We’ll have to regrow the bones in your foot and ankle…my, how someone can break this many bones just from missing a step, I can’t seem to understand…what are all of you doing here?”

You followed her gaze to where Hermione, Ginny, Cho, and Fred were standing by the hospital wing’s entrance, alight with excitement upon seeing that you were awake.

“Guys—”

“Miss Granger, Miss Weasley, and Mr. Weasley, need I remind you that no visitors are allowed at this time! I advise that you all head back,” Madam Pomfrey ordered sharply. 

“But we haven’t seen her all last night and this morning! Can we just stay for a minute,” Hermione begged. “Please?”

The older woman sighed as she scanned your friends (and fake? boyfriend’s) desperate, pleading faces. “...Alright, then. Don’t stay too long and for Godric’s sake, let her breathe.”

They immediately crowded around your bed and Fred walked over to your side, crouching down so that you were eye level with him. 

“There’s my princess,” his charming persona was back in full force, and he smoothly brushed a few stray hairs out of your face. For what felt like the eleventh time, he was swooping in to kiss your cheek. Not that you were counting. “How’re you feeling?”

“Better now that you’re here,” you winked as you attempted to prop yourself into an upright position, but failed, giving up and flopping back down. “Ow. My foot.”

Ginny pretended to throw up on Hermione, who then elbowed her in the stomach.  “Ow!” she yelped. “What was that for?” 

“Let’s leave the happy couple alone,” she hissed, and they slowly backed away to give you some space. 

Fred pulled up a chair next to your bedside, propping his chin in his hand to stare at you. “I’m sorry, really. I didn’t mean for you to end up with five broken bones.”

“And a concussion, a killer headache, and not to mention dozens of sore muscles,” you grimaced, but felt a slight ache in your chest when you realized he looked genuinely guilty. “I don’t blame you, really. I mean, I was just as stupid and reckless. I definitely could’ve been more careful but I wasn’t.”

“I’m supposed to mess up your lipstick,” he groaned, “not your bones.”

“Someone took ‘public displays of affection’ the wrong way,” you said sarcastically, and then there was a brief moment of silence before you both burst into laughter.

“Damn right he di—OW, Hermione!”

“Gin, let’s go!” With that, the two girls left the hospital wing, leaving the two of you alone.

“Why are you here, anyway? Hermione and Ginny are because they’re my friends, and you’re my—”

“—lovely, charming, undeniably handsome boyfriend, of course. Why wouldn’t I be here?” Fred finished your sentence for you.

“Right,” your voice was dripping with sarcasm, “I just can’t seem to get rid of you, can I? It seems like you’re always around.”

“And yet, you don’t push me away,” a smile tugged at his lips. “Which clearly means that I’m just that irresistible. I don’t need a charm or some silly love potion to reel you in.”

“Don’t think that because I’m incapacitated, this game is over,” you warned him. “I will beat your arse to a pulp, and you’ll be twenty Galleons lighter. I bet you’re madly in love with me already.”

“Believe what you want, my darling,” he sing-songed, twirling his wand between his fingers. “But we all know I’ve already won this game.”

“Yeah, right. We’re tied now, by the way. That’s for getting me injured.”

“Oi! You can’t just—”

“Shh…don’t come crying to me ‘till you lose.”

He ended up staying overnight. 

You didn’t protest at all. 

Neither did Madam Pomfrey later that evening after seeing him slumped over on your bed, fast asleep, one hand clutching yours like you were the only thing he had left to lose. 

vi. the howler 

For once you managed to get to the Great Hall before Fred did. The bloke was always criminally late or ridiculously early to everything; it was almost laughable how there was no in between for him. 

He finally showed up just ten minutes before breakfast was supposed to end, breathing hard with his hair all messed up.

“What’d I miss?” he asked you.

“Nothing,” you responded. “Just another ordinary day…”

A gust of wind suddenly swept through the hallway causing the napkins to flutter in the air. A giant grey owl came swooping down onto the table and landed straight in front of Fred, clutching an envelope in its curved talons. 

“What’s Errol doing here? We’re not supposed to get our daily mail til’ tomorrow,” Ron gawked, “surprised that he’s here given the number of times he’s collapsed mid-delivery—oh blimey Fred, you must be in trouble! You’ve got a Howler!”

Several Gryffindors around you giggled at this. 

With a slight look of confusion and fear, Fred carefully removed the seal on the bright red envelope. Molly Weasley’s booming voice immediately came bursting from the pages. 

“FRED WEASLEY, HOW COULD YOU NOT TELL ME THAT YOU WERE DATING MY FUTURE DAUGHTER-IN-LAW! I AM DISAPPOINTED IN YOU—Y/N dear, if you’re hearing this, I’m very happy for you and hope to see you at the Burrow soon, I’ll make sure to whip up some homemade custard for you—YOU OUGHT TO TREAT HER RIGHT, BOY, OR ELSE! I BROUGHT YOU INTO THIS WORLD AND I SURE AS MERLIN CAN TAKE YOU RIGHT OUT!”

A silence fell over the entire Great Hall and Fred sat there, in shock. The red envelope folded itself up and then burst into flames, its ashes crumbling to the floor. 

“I’ve never seen him turn that red,” George sniggered. “You’re bloody brilliant, Y/N.”

“Y-you did this?” Fred spluttered. 

“Can’t say I didn’t,” you hummed, patting his head affectionately. “Your mum was bound to find out, one way or another.”

“And you thought this was the best idea?”

“Aww, is little Freddie all embarrassed?” you teased. “Never thought I’d live to see that day.”

“Quit gloating,” the redhead grumbled. “You haven’t won yet. Better sleep with one eye open tonight.”

vii. the pda competition, part ∞

As it turned out, continuing to slip into your fake relationship only became more fun as the days and weeks dragged on. And being competitive only added to the fun, as you were scrambling to one-up each other. 

You often opted to hold his hand when walking from place to place, which wasn’t difficult given that you were almost always with him now and had to sell the idea that you really were together. His hands were rough and calloused from all those hours working on joke shop prototypes, but they were still surprisingly comforting. A way to keep you grounded when your head got stuck in the clouds. 

Fred’s signature move was, of course, dropping random kisses on your cheek when you didn’t expect it. Sometimes, when he was feeling bolder than usual, that would change to the tender spot between your ear and jaw, your shoulder, or your nose. And each of those times he made sure they were extra drawn-out and that you were in a crowded area so others would see it. The courtyard. The Quidditch pitch. The classroom (two of those incidents were in Potions, much to Snape’s dismay. He didn’t even bother taking points off due to being too disgusted).

“I have a massive exam today,” he declared loudly to you as you stood in front of his upcoming class together. “I think I’m going to need a kiss.”

“Why?” you scoffed. “What do you need that for?”

“For good luck,” Fred said, “it’s kind of a tradition, isn’t it?”

“You…want a kiss for good luck?” you started.  

“I’m waiting…” he sang, face turned slightly in an invitation. You sighed and went up on your tiptoes, doing as he asked. “Thank you. But you have terrible aim…you missed.”

“I fear you’re having way too much fun with this,” you muttered. “Don’t make excuses. My lips are not going near yours unless they absolutely need to now.”

“Oh come on, you know you’re having loads of fun too,” he called out as he walked into the classroom. “Catch you later, sweetheart!”

viii. the butterbeer (alt: the pda competition, part ∞)

It was the day of another Hogsmeade outing and you were hand-in-hand with Fred as you walked down the cobblestone streets together. You had planned to spend the day alone for the most part and join Cho for a meal, but Fred had cornered you at breakfast and insisted you go on a date with him.

“To keep up the façade,” he insisted. “Wouldn’t people find it odd if the castle’s favorite couple wasn’t together?” 

You nodded and didn’t protest further; you had no energy to do so anyway. It was far too cold for your taste; you had been dragged out without having time to grab your gloves, blowing hot hair into your hands that were steadily growing numb. 

“Love,” he called for you as he took your hands in his, “oh, your fingers feel like ice.”

“No…shit…” your teeth chattered as you attempted to respond steadily. “Might lose ‘em if we don’t hurry up and get inside—”

“Wait one second,” Fred said as you two stopped right outside the Three Broomsticks, wasting no more time in taking his gloves off and handing them to you to put on, while he wrapped his house scarf around your neck. “There. Let’s head in.”

“But—”

“Boyfriend duties, remember?” he winked at you as he pushed the door open, holding it for you to step inside first. “Come on. I think a butterbeer or two’ll warm you up.”

Fred’s hand remained on the small of your back, pressing in gently to lead you to a cozy booth in the back. The added warmth felt quite nice, you thought, but you also wondered how he managed to stay like a human furnace when it the weather outside was so dreadfully cold. 

It was hard not to stare at him; catching his gaze every so often while sipping your drink. His hair was all tousled from the frigid winds; you took notice of the way it slightly curled out at the ends, glowing under the hazy yellow bar lights. It was annoyingly endearing how he could look so flawless without any effort and even more so that you didn’t have anything snarky to say. 

“Fred, I think we’re being followed…” you whispered as you scanned the near vicinity, fingers brushing against the rim of your mug. There in the far opposite corner sat Padma, Ernie, Cedric, and Cho, attempting to look nonchalant as if they weren’t half-stalking you but they were doing a rather terrible job at it. You quickly looked away.

“So? Isn’t that what we want—for people to see us?” he countered with a tone of confidence. His voice dropped low as he continued to speak to you. “Why don’t we give them a show? No need to be so private.”

Your face burned. “What do you—”

“Not like that,” he chuckled lowly, “what did you think I meant?”

“I…”

Fred paused, then raised his hand and brushed something off your cheek with his thumb. “You’ve got something on your face.”

“Oh, so we’re playing that game now, are we?”

“Indeed, my lady.”

You scoffed quietly and imitated his motion, reaching up to smooth out the crease that had formed between his brows. “Put a smile on your face, why don’t you? You look better that way.”

“I always look good, though.”

“I look better than your greasy arse.”

“Oh, shut up.”

“Oh yeah?” you challenged. “I’d like to see you tr—”

Before you could say anything else and before he could stop himself from what he was doing, Fred placed a hand on the nape of you neck and pulled you in, kissing you without another word. All protests left behind flew right out the window (along with your morals, too, you thought) and for a split second, it almost didn’t feel like you were pretending at all. 

When you broke apart eventually, breaths a little heavy, neither of you needed to look over to see that your friends were gaping in shock, mouths dropped wide open. Sure, Fred was confident and cocky and you were equally so, but both of you would be lying if you said this didn’t take you by surprise. 

“You still keeping track?” His voice still had that low, almost husky tone to it. He was cupping your cheek now, and you let him keep doing so. “There can only be one victor, right?”

“Wouldn’t forget it,” you exhaled. “You think we look convincing enough right now?”

“Without a shadow of a doubt.”

ix.  the thunderstorm 

The day’s exciting Care of Magical Creatures lesson was cut thirty minutes short due to the heavy downpour that had suddenly came crashing down, bringing with it a booming thunderstorm and soaking all your clothes within minutes. 

“Well, that’s it fer today, everyone,” Hagrid announced, “now let’s head back inside, don’ want yeh to catch a cold, we’ll continue when the weather lets up…”

You wrapped your cloak tighter around yourself and flipped the hood on over your head, eyes narrowing as you stared up at the suddenly stormy grey sky. It just had to be on the one day you got to go outside and do something exciting, damn it….

It was freezing, nearly as horrible as that one day in Hogsmeade, and you wanted nothing more in that moment than to simply curl up by the fireplace with Hermione, the Patil twins, and Cho, and talk all evening long. If you could even make it back to the castle in one, unfrozen piece, maybe you’d at least get your hands on some hot chocolate from the kitchens…

A warm hand found yours amidst the strong winds, and all of a sudden you didn’t feel so cold anymore. 

As if he had read your mind, Fred said, “how about we sneak into the kitchens and grab something to drink? Hot chocolate, perhaps?”

“Sounds perfect,” you smiled and he draped an arm over your shoulders, bringing you into his side. It felt so natural now, like this wasn’t part of some long-standing bet to fool the whole school; as if you were just two best friends trying to keep warm in subpar temperatures. And it was almost too easy to get used to it. 

“Oblivious idiots. I told them for years that they’d be perfect together and it’s only this year that they start going out,” George exclaimed from several yards behind, walking side-by-side with Lee Jordan. “Dunno why it took them so long.”

“Love takes time, obviously,” said Lee as he watched Fred lean into your ear and say something, and you giggled lightly in response, “and now, what matters is that I finally have an excuse to make fun of them during Quidditch matches.”

“Oh—good point.”

“And you’ve noticed that he stopped pranking her? Unlike him, isn’t it?” 

“Wait…” George paused as he took in Lee’s questions. His mouth formed an ‘o’ in realization. “He’s utterly whipped, that git.”

“What happens when boyfriend duties overcome prankster duties…this is perfect. Professor Flitwick owes me 2 galleons. I called it that he’d fall first!” 

“You bet on them?” George squawked. “With Flitwick?”

“Don’t tell me you didn’t either,” Lee laughed, “I know you did too.”

The expression on George’s face shifted into one of defeat. “I lost,” he muttered, “I owe McGonagall 3 galleons.”

x. verum exeat (let the truth come out) 

The Gryffindor common room was alight with chatter once again. After a long, grueling week of exam revisions, Quidditch practice, and a brutal match to be remembered, Lee and the twins decided that a small celebration was in order. They had originally planned on inviting half the damn school but after arguing with Hermione, had to shrink the party down to just their smaller, usual friend group (they swore up and down that they’d clean up and not get detention like last time, but she wouldn’t buy it). 

But you knew that if things had the Weasley twins’ names pasted next to them, they’d be far from peaceful; as far as you could possibly get—no matter how big or small. 

“Oh, there you are,” you heard someone say from behind, and turned around to see that it was Hermione.

“Not drinking?”

“Someone’s got to take care of the boys after they go wild, right?” she explained. “Besides…I can’t stand the taste of firewhisky. It burns.”

You offered a tired half-smile and agreed. “Yeah. You’re right.”

Hermione seemed to be deep in thought for a moment until she told you, “You’re very lucky, you know.”

“What are you talking about?” 

“To have Fred, that is. To find someone who’s that in love with you, it’s quite rare.” 

“Oh, please,” you tried to suppress a laugh, “I told you why we’re doing what we’re doing.” 

“And?” Hermione raised an eyebrow at you, “feelings change. Bet or no bet, he cares about you and anyone would be crazy not to see that. Ronald is half-blind and he can tell, too. You can’t possibly tell me that everything you’ve done up to this point has been a lie.” 

“It’s meant nothing to me,” you said bitterly. “I hate him.”

“You don’t mean that.”

“I do. And it doesn’t help that he’s everywhere,” you stopped to take a swig of firewhisky, “and I can’t stand it!”

“Do you not, really?”

“I do, but I—”

“You what?”

“I just hate him!” 

“What do you mean?”

“What do you think? I hate everything about him!” you exclaimed, exasperated. “I hate the way he always tries to compete with me, I hate the way he doesn’t take things seriously, I hate that stupid, annoying little smirk he has on his face half the time I see him—”

You inhaled quickly; it felt like you’d just drank an entire vital of Veritaserum with the way that words were tumbling out of your mouth. Hermione gave you a look that seemed to say ‘Go on,’ so you did, “—I hate the way he walks down to the Great Hall every morning with his annoyingly perfect messy hair, I hate the way he risks freezing his arse off to give me his favorite gloves so that I don’t get hypothermia, I hate the way it’s so easy for him to kiss—borderline snog me like it’s nothing, I hate how this is all just supposed to be a game of pretend, and—and most of all, I hate the way he made me fall in love with him without even trying. I hate the way I don't actually hate him. Not even close, not even a little bit…not even at all…”

“You…really mean that?”

You whirled around to see that Fred was standing right behind you with his hands behind his back, eyes hopeful, and you felt your heart drop down to your stomach. “Fred—”

“Y/N, I—”

Suddenly it seemed like the walls were closing in on you from all sides, the room spinning; and then, everything around you jumbled into one chaotic mess of noise and color. Without looking to see either his or Hermione’s reactions, without caring that half the room had stopped to see what was going on, you pushed past your friends and quickly clambered out of the portrait hole. 

“What was that about?” Ron’s nose crinkled in confusion. “So much for being a cute couple. Now this is just sad.”

“Will you shut it, Ronald,” Hermione whacked him on the shoulder. 

“OW—”

“Stop being so dramatic! Don’t let me catch you drinking even one more shot or I will drag your arse back to bed,” she snapped. 

“Pleeeease do, I would lov—ow, ow, OW! OKAY!” Ron exclaimed as she pinched his ear and began dragging him away. “Okay! I’ll leave them alone, I’ll stop…”

Chest heaving and vision blurring with tears, you rushed outside, desperate for a breath of fresh air. It was quiet in the courtyard asides from the faint trickling of water but that did little to calm you down; it was still too loud, too chaotic, too much. Sitting down at the marbled edge of one of the fountains, you tried to catch your breath and balance, but the world still kept spinning…it felt like it wouldn’t stop spinning; for Merlin’s sake. All you wanted to do was crawl into a hole and disappear forever, or jump off the Astronomy tower and fly off to a distant land. You didn’t want to have to worry about how you poured your entire damn heart out in the middle of the common room about your fake boyfriend.

Your fake boyfriend that you realized, with horror, you had begun to develop not-fake feelings for. 

A chill ran through you at that moment and you shivered.

Then the feeling of something warm—a thick coat—being draped over your shoulders shook you out of your trance. You instinctively slid it tighter around yourself.

“Thought I might find you out here,” said Fred. You opened your mouth, ready to ask how in Godric’s name he knew where you were at all times when he didn’t even have the Maurader’s Map anymore, but stopped. This was Fred Weasley, and you had spent an unhealthy amount of time around each other over the past several months that he had to have picked up on your little habits. He was more observant than he let on. 

“What are you doing out here?” You couldn’t bring yourself to look up at him. 

“I couldn’t leave you alone outside to freeze, could I?” he asked, sitting down next to you. “What kind of boyfriend would that make me?”

“Please, just…” you inhaled sharply, “I can’t do this. You won. I lost. The game’s over, Weasley.” 

“On a last-name basis now, are we? Ouch,” he said jokingly, but dropped the teasing lilt in his voice when he noticed your eyes starting to water. “Talk to me, Y/N.”

“It just isn’t fair,” you whispered, looking down at your feet. 

“What do you mean?”

“It’s not fair,’” your voice faltered, “you’re not supposed to do that. To do this.”

“Do what?”

“To sabotage the bet. To make me lose track of the scores.”

“Well, I stopped counting, you know,” Fred admitted, tucking a hair behind your hair. “There’s no need to keep track anymore, I think we’ve done enough convincing, don’t you think?”

“But that’s the problem!” your voice cracked as you finally turned to look at him. “It isn’t that I’m probably going to be dozens of Galleons poorer after this. It’s that I’m feeling something I shouldn’t, that…that you made me fall in love with you—”

“Y/N—”

“—I hate the way I care about you far more than I should,” you continued on, “and I hate myself even more for even wishing what we had was real. Because it was all fake, Fred, and you know it. We were faking it, and—”

“Y/N,” he repeated more sternly this time, causing you to stop mid sentence. “Look, I already told you I stopped keeping track. After that night in the common room….that’s when I realized I couldn’t. Lee damn near had to hit me over the head and force-feed me Veritaserum to admit that I was in deep. Galleons and glory be damned, I didn’t care about any of that anymore; it was easy for me to pretend when I was already in love with you.”

“But we weren’t supposed to fall in love, that was the rule,” you sniffed, wiping a tear from your cheek, “I thought we were supposed to follow the rules.”

Fred’s lips twitched into a smirk. “Well, I think some rules are made to be broken.”

And then, he was closing the gap and connecting your lips in a deep kiss. The gentle motion cut through the chilly evening air, washing over you in a blazing heat that had you melting into a haze of firewhisky, adrenaline, and something that smelled distinctly like a crackling log fire and cinnamon. 

You had kissed him multiple times before this, but this one felt different than all the rest. It didn’t feel like you were doing it for show in the slightest; it felt genuine and warm and so real. 

And the biggest difference was that you never wanted it to come to an end. 

“So?” The grin on his face was palpable; contagious, as you broke apart, “What do you say, we stop faking it?”

“Are you fake breaking up with me?” you gasped and pretended to look surprised. “Way to ruin the moment.”

“I’m asking to real-date you, darling,” he said.

“There’s no money on the line this time?”

“No,” he hummed as he leaned forward to kiss you a second time and pretended to think for a second, “but there might be something else on the line instead.”

“And what is that ‘something else?’”

“You’ll have to wait a few years and see.”

xi. the promise 

—FOUR YEARS LATER—

Fred was a great planner, of course. “Brilliant,” Harry would say, “absolutely brilliant.” He might’ve been a jokester, but he was a very organized jokester. He always knew what he was going to do and when. 

So when it came to you, he thought he had a plan. He thought he had it planned for years; he was thinking fireworks, extravagant displays in the sky, taking you on a sunset ride across Romania on one of Charlie’s dragons. Something to match your free and daring spirit. 

But, the moment ended up presenting itself on its own. 

It was an ordinary night with yours and Hermione’s families joining the Weasleys for a quiet weekend at the Burrow. Mr. Weasley was listening intently as Mr. Granger and Harry explained the function of rubber ducks and the Internet in great detail, and the rest of you chatted with your parents,  Mrs. Weasley, and Mrs. Granger by the kitchen counter about post-graduation plans. 

Mrs. Granger had made an off-hand, passing comment about how lovely your silver bracelet—the one with charms of yours’ and Fred’s initials and Patronuses dangling from it—looked on your wrist. And then Fred was saying, “I know something else that would look great on her,” and taking a small box out of his pocket and flipping it open, revealing a blinding bright, silvery diamond ring. 

Even as shouts of realization and cheers of joy rose up from around the kitchen, the world seemed to fade away into complete silence when he put the ring on your finger and encircled his arms around your torso, kissing your cheek and whispering into your ear, 

“I told you there was something else, didn’t I?” 

tags: @xhanthexzoria @arkofblake @fictionalsimp449 @polar-myst @katelikeslaughs @lmllsl @schlattandcompany

[thermodynamic-comedian]

god. janus sanders really is a character of all time, just in terms of concept. when you were a little kid, you did something wrong, and you got so scared of getting in trouble that another little guy was born inside you. and he loves you. and he wants you to stay safe. so he tells you to lie now, take care of yourself now, keep yourself safe. but all the other little guys inside you hate him. he's too mean, too selfish. the little guy that was born from your desire to do good and be good hates him the most, because you're a little catholic boy, and lying is bad. and you're a good boy. so everything inside you that isn't good has to be shut away.

he knows he's not wanted. he creates his own place to stay, a hidden corner where he can't hurt you. because all the others say that he'll end up hurting you, and he can see how scared you are of being a liar, so he lets himself be forgotten. hidden away. this is how he shows his love: by hiding himself, and every subsequent unwanted part that grows inside you, from you. if knowing about their existence is too difficult for you, then he'll hide them all. he loves you. you don't even know his name.

he watches you grow, still unaware of his existence. the others make their presence known, felt. you let them take the reigns, most of the time. he sneaks in his own little influence here and there; small, harmless lies, only when necessary, so you won't even notice. and in the meantime, he acts as a herder of sorts for all the other parts of yourself that you've subconsciously cast away. he keeps them in line. he sympathizes with them, yes, he knows what it's like to be unwanted. but letting you see them would hurt you, and he loves you. so he keeps them there, in the shadow, unknown and unseen, just like him.

one of them, one of his little dark, unwanted things, doesn't want to be hated anymore. he wants to make himself known. he wants a seat at the table. and, in an ultimate slap to the face for janus, he gets it. virgil gets everything that janus was denied from the start. acceptance. power. control. his effort is acknowledged, his necessity is embraced. he gets a seat at the table. he doesn't have to hide anymore. and janus can't help but resent him for that. maybe it's a good thing, then, that the hatred is mutual. not even his own cattle, the ones he kept safe, the ones he kept out of thomas' way, can stand his presence. fine. none of it matters. as long as you're safe, it was all worth it. he loves you. you still don't even know his name.

janus was always thomas' protector. even when none of it was ever seen or acknowledged.

i find his mixed motif really interesting too, because before we knew his name, we only knew him as deceit. the snake. the ancient serpent deceiver, the biblical snake of eden. but then we hear his name. janus. ianus bifrons, two-faced janus, god of beginnings, passage, transitions. i think that his name being revealed was very much the start of thomas beginning to see janus for who he actually is, instead of the heavily modified version of him that he's been seeing, courtesy of his catholic upbringing.

[callipraxia]

I’ll admit it - thinking of ‘but what will people think of me?’ has stopped me short of writing things before, in everything from writing actual content to writing part of a review on a friend’s story. “What will [Friend] think, seeing that I know that? Even if I explain the actually relatively innocuous reason why I know it, would they even believe me? This is an issue of how something is portrayed in media that I feel pretty strongly about, but in context, it might be better to just…drop it.”

I…tried actually including a detailed example of my next point here, drawing from Anon’s Robert Jordan remark, but it ended up breaking the thousand-word limit before I even got past the introductory explanations, so I guess I’ll write a separate essay about why I don’t really agree with the “dudebro is secretly obsessed with lesbians and BDSM” line of thinking, maybe link it back here later if I remember. In the meantime, the point was - if I start thinking “dang, I think Author X has an Issue with Y,” it’s usually a lot less because of what the author leaves in than what the author leaves out. As an author, one deliberately chooses to explore certain topics, including dark ones that reflect the issues that preoccupy us (isn’t Anne Rice’s work supposed to be kinda messed up? I mean, I’ve never read a word she wrote that I can recall, but aren’t they all, y’know, horror novels?). As distasteful as we might find it, incest and pedophilia and sexual assault and suicide and all those other words you can’t use on YouTube are real things that happen every day. There’s a plethora of reasons why any given author might want to explore such issues in writing, and at least half of ‘em have nothing to do with sex. I’ve never heard anyone imply that Dostoyevsky must have been really, really turned on by the thought of attacking pawnbrokers with axes, much less that he ever committed a murder in real life just for the heck of it. From what I’ve read - though to be fair, my reading on the subject is not extensive - Nabokov probably wasn’t really a pedophile, and Mario Puzo probably had nothing to do with real-life organized crime. I have heard a few people suggest Stephen King must be a perverted serial killer in real life to write what he writes, but those people were idiots. And so forth. Point is, an author examining evil through a certain point of view really should not lead to the assumption that the author has done or wants to do any of those bad things. That’s why we say that authors use their imaginations when they’re working.

Plus, well…nine times out of ten, nobody’s going to make you read a book. If you really can’t read a book without getting uncomfortable because you can’t stop thinking that X or Y means that the author might have wanted his wife to put him on a leash and spank him, you can almost always just…put down the book and go read something else. You can also do this if you’re uncomfortable with Anne Rice apparently having conflicting feelings about God - that isn’t a potential theme that bothers me, but I know people who would be upset for days about reading something that even hinted at someone Having Questions about the divine. Heck, I have a few books I 99% enjoy and I just skim over or entirely skip parts that involve actions I find uncomfortable - my one hard rule is that I won’t willingly even skim anything where bad things happen to pets, but even then, I don’t assume that everybody who ever earned a Newbury Medal is a bad person who likes thinking about such things. I just don’t read their books. Unless you are compelled to do otherwise for a class* or the like, just do thou likewise.

*I was, very reluctantly, compelled to read two books in my undergraduate Adolescent Literature class where bad things happened to dogs; it was the first and last time in my life that I’ve ever tried to get out of reading something, but the professor didn’t believe what I could bring myself to explain about just how negative of a reaction I knew I would have if I read any books with dying dogs in them. Now I still have one of those scenes lodged in my carousel of intrusive thoughts that drive my anxiety level up and make it really difficult not to engage in compulsive behaviors whenever they rudely shove their way up to the front of my brain, but I don’t think badly of Sherman Alexie because of it.

Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?

Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.

Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!

But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"

Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.

I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.

Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.

But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.

Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.

Also, we don't censor words here.

[blbyena]

boyfriend!mark x reader

Fluff - 1,128 words

(Slight cursing )

-

You pretend to flirt with the pizza guy on the phone...

Inspired by this tiktok

It’s one of those perfect nights where all you want to do is stay in with Mark, relax, and enjoy a quiet evening. The week’s been long, and the idea of ordering pizza and watching a movie together sounds like the perfect plan.

You're lying next to mark mindlessly playing with his fingers when suddenly he breaks the silence.

“Baby, can you order the pizza tonight? I’m feeling lazy,” Mark says, his voice a little raspy from rehearsals.

You smile, grabbing your phone with a mischievous glint in your eyes. As you pretend to dial the pizza place, you can already feel the fun bubbling inside you. Mark is sprawled out on his bed, and goes back to scrolling through his phone, completely unaware of what you’re about to do.

After a few seconds, simulating to wait for the ringtones , you put on your most playful tone. “Hi! I’d like to place an order for delivery, please,” you say, sounding sweet and casual.

You start listing the pizzas, but can’t help yourself. “Oh, and can you add a little extra cheese? I love it when people go the extra mile,” you ask sweetly, glancing over at Mark, who’s starting to look a little suspicious.

His eyes narrow slightly as he watches you. “Why are you talking like that?” His voice is low, almost whispering.

You keep it casual, trying to act like nothing’s wrong. “What? I'm just ordering,” you say annoyed and go back to pretending a conversation between you and the pizza guy.

“Oh my god, yes this is her. How did you remember me?”

Mark raises an eyebrow, and his body shifts as he straightens on the bed. His tone goes from calm to something a little more annoyed. “Are you talking to a friend?”

You smirk, enjoying his jealous reaction way too much. “Yeah the employee there, he’s nice to me. Told me I have a cute laugh last time I ordered,” you tease. “He even offered me free pizzas last time!”

Mark gets closer now, his gaze becoming sharper as his jealousy grows. “He said that?” His voice is laced with an edge, and you can see the possessiveness taking over.

You can’t resist pushing it further, your voice getting even more giggly. “Yeah, it's been a while, still with my boyfriend” you add with a cheeky smile, glancing at Mark to see how he’s reacting.

Mark’s face goes from confused to full-on jealousy. He walks over to you, his expression a mixture of frustration and something else. “What do you mean "still with my boyfriend"? He asks about that???”

You giggle, loving every second of this, but then you drop the bomb. “Oh, sorry, it’s just my brother bothering me again,” you say casually, as if nothing’s wrong, then continue with a laugh, “He’s always annoying me.”

Mark freezes, his eyes going wide as he stares at you. “Wait—your brother?” he repeats, disbelief in his voice.

That’s when he snaps. In one quick move, he snatches the phone out of your hand, his jealousy and frustration boiling over. “Who the fuck are you telling that I'm your brother ” he asks, voice tight with both confusion and disbelief.

He brings the phone closer to his ear, ready to argue with whoever was flirting with you....but the line is silent.

Mark looks at you confused before everything clocks in.

You can’t hold back your laughter any longer and start giggling uncontrollably. “You should have seen your face!” you say, still laughing at the expression on his face.

Mark glares at you, jaw clenched. “I was seriously gonna go crazy” he mutters, looking a little hurt, but mostly relieved. His voice softens. “You’re so mean…” he says pouting.

You pull him into a hug, feeling a little guilty now, but you’re still laughing. “I’m sorry, Mark. I didn’t mean to make you upset,” you say, but he’s not having it.

But Mark doesn’t respond right away. He’s still sulking, avoiding eye contact, his arms crossed tightly over his chest. You can tell he’s upset, and it’s kind of cute in an annoying way.

You decide to keep playing around, your playful nature taking over. You lie down next to him, resting your head on his lap and wrapping your arms around his waist. “Come on, baby, don’t be mad,” you say, planting small, teasing kisses on his neck and cheek.

Mark tries to ignore you, but you can feel him smiling as you kiss him. “Stop it,” he mutters, pushing you away. “I’m not in the mood for this.”

You giggle and shift, moving closer, planting another kiss on his lips. “I’m sorry, I just can’t help myself,” you tease, giving him one more kiss before nuzzling your face against his chest.

Mark groans in frustration, trying to push you away, but you keep crawling closer, your lips pressing against his neck as you whisper, “Come on, don’t be mad at me anymore. You know I’m just teasing.”

He sighs dramatically, clearly not able to resist your affection. “You’re lucky I love you,” he mutters, a little grin tugging at his lips as you continue to kiss him, determined to make him smile.

Mark shakes his head, but you can tell the sulking is finally over. “You better not prank me again,” he warns, his voice still a little gruff, but there’s a playful sparkle in his eyes now.

“Promise,” you say, wrapping your arms around him tightly, knowing full well you’ll probably think of another prank to tease him with soon.

[wonderhomeland]

You know

Simon doesn't talk about how he feels. Like nothing. Even things like being hungry. Not even in a friendly conversation with his teammats.

he just deals with whatever it is.

And that's inspiring for other. In his line of work, there's no such thing as relying on someone.

rookies like it, want to be like him.

Independent, strong, capable, reliable, with a cool aura.

But little does they know, that when their big, scary Lieutenant is with his girl, he acts like a little baby. turns to her for the smallest things and stares at her as if she can read his mind.

It was hard for you at first, whatever happends he doesn't say anything.

He just... Stares.

And not with a frown or anger in his eyes or anyting to let you know that he is mad, happy or sad.

It took a long time for both of you to figure out how to get along. Well actually, you were the one who was trying cus appareantly simon doesn't think that he might be the problem. He expected you to underestand every singel meaning of... whatever he does.

You learned them tho, after years. Read him like a book. Like a mother who is aware of all her child's reactions.

He doesn't want to talk about them, ... but he enjoys that you understand everything. He loves the feeling of you being so close to him and understanding him. and you do. you enjoy the fact that he trusts you so much. That you are the only one who understands the reason and meaning of his actions.

So people don't think for a moment that they were doing something wrong when Simon's head turned quickly towards you and stared into your eyes.

Aww... look how much he loves her.

And his calm experession tells you that he whants to kill them.

------------

Always imagine Simon to be the perfect man, but lately he is just... too perfect, the man he is, its just nah his charactar is problematic. He is a man after all (I want this man to crawl under my skin), so I tried to think of what toxic behaviors he might have. Must be closer to reallity for me but you do you, its the only place we can be delusional😔

Forgive me if there's any problem , it's 1am here ,english is not my first language and I haven't studied anything for my tomorrow's test HAHAHA.

Tnx for reading my shitty thoughts<333.

[leighsartworks216]

Claw Machines

Sylus x gn!Reader & MC

Raven deserves the world and more and I need to heal their inner child so so bad and who better to help than MC?

Warnings: fluff, silly, growing friendship, arcades, healing their inner child, kissing, swearing, banter

Word Count: 1,678

Main Masterlist

The Raven Masterlist

First Love and Deepspace Masterlist

Second Love and Deepspace Masterlist

Third Love and Deepspace Masterlist

AO3

Tag List Form

Sylus was 'busy', but you're dead certain that was just an excuse to nudge you into bonding with Miss Hunter. When she'd called to invite him out, you saw the smirk that curled his lips. You'd glared at him when he said you'd take his spot. You'd even been tempted to ditch her, but you couldn't in the end, knowing how much she means to him.

The claw moves around the box, following the movements of the little joystick. She looks as if she's facing down a Wanderer, not a stuffed koala with a teddy bear. Her tongue pokes out of her mouth, head swivels to the sides of the box to make sure she's lined up properly, fingers tapping impatiently on the machine before she hits the button. The claw descends. Closes. And as it rises, the koala is stuck in its grasp.

"Yes!" Miss Hunter laughs giddily as she bends down and grabs her prize from the chute. She squishes its face, eyes shining brilliantly with glee. Suddenly, she turns to you. "Have you ever played before?"

You shake your head, appearing quite bored with the whole thing.

"Do you want to try it? I can give you some pointers!"

A relentlessly stubborn part of you wants to refuse. Stand around like her own personal bodyguard while she travels from machine to machine with tokens purchased with Sylus's card and a bag full of toys.

But... you're also curious. You'd peered through shop windows and seen kids with toys your whole childhood, without any hope of having one to call your own. You'd made peace with that a long time ago, aided in the fact you now have plenty of money to live comfortably, though you keep that money close to your chest. Now Miss Hunter's barging through that peace, eyes shining and full of childish energy. And you give in.

You step up hesitantly to the controls. She squeals in glee and stands right beside you, nearly leaning on your arm. "Okay, this is the joystick! You use it to move the claw around. And then when you're lined up with something, you push this button and it'll try grabbing it."

You quirk an eyebrow at her. She smiles deviously. "It's a lot harder than it looks, trust me."

You should have listened to her. She makes it look so easy; you have to wonder if she's somehow using her Evol to cheat. No matter what target you went for, it always slipped through. Sometimes in the most ridiculous ways - bouncing off the edge of the plastic surrounding the chute or flipping off into an unreachable corner. You're not usually one to give up on a challenge, but this is getting ridiculous.

Miss Hunter smiles apologetically at you after your target falls over, just out of reach of the claw. "Maybe this machine isn't calibrated well," she suggests, but it's a half-baked excuse. "Let's try another one."

So you do.

And another.

... And another.

It's agony. She'll take over, pleading with big round eyes and a pout that works like a charm on Sylus to play a round, and get a plushie on her first try. Her bag is almost overflowing. She considers asking for a second one, but she looks sorry when she says so out loud.

Another machine catches her eye and she dashes over like a child. You watch her go.

It's... confusing, contradictory, to see someone like her be so carefree and childish. Her life has not been a cakewalk, and she's been through things normal people would never recover from. Yet here she is, squealing and giggling with delight, while you stand amid the flashing lights and chiming bells, arms crossed and frowning.

You hate to think you could ever possibly be jealous of her. Jealousy was unnecessary when you had all the means to get what you wanted so easily. Still, it's difficult not to envy in some ways the ease with which she enjoys such simple things.

You sigh. You damn Sylus for having you take his place on this little playdate with Miss Hunter. Damn the machines and their stupid claws. Damn all the plushies that seem to hate you.

The arcade is relatively small. When you begin walking around the various machines, it's easy to keep an eye on her. After all, if something happened to her here, it would be your fault. And you don't exactly want a repeat of last time.

It's by pure chance you happen to glance over. Pure random chance that your eyes slipped onto a series of miniature claw machines, stacked 3-on-3 in an alley between the bigger machines. You would not have stopped if you hadn't then done a double-take to make sure you saw what you thought you saw. And sure enough, as you step up to the small machines, you see in one a tiny keychain in the shape of a crow.

It's adorable. Big eyes that take up half its body stare longingly out at the arcade, half-closed with an air of disinterest. A little white ruff wraps all around its body. Two little feet with three toes each stick out the bottom.

You glance around to find Miss Hunter. She's moved on to the Balance machines, where her skilled fingers shift the two-pronged claw to nudge the box off the poles. An employee already stands there, waiting to re-setup the machine, as they chat with familiarity. She seems safe enough...

After a moment of watching to make sure the employee doesn't try anything, you reach into your pocket and pull out the tokens she gave you earlier. You insert one, and a small LED display counts down a timer.

The joystick is tiny in your hand - you can only imagine how it would fit in Sylus's. You shift it over top the crow. After spending however long failing on the other machines, you don't have much hope, especially when these are designed to give the impression of being easier so people will want to try them even more. You push the tiny button, and the claw lowers. The crow is picked up, shifting slightly in its loose hold. It's carried to the chute...

A tiny jingle plays, similar to the one that follows Miss Hunter around every machine.

You... you did it?

You hesitate before opening the little hatch, as though you just imagined all of that and you're going to be woefully out of luck when you reach in to find it empty. But no. You reach in and your fingers touch soft fur. You pull it out. There he is - your very own tiny crow plush.

The crow's big eyes seem to stare up at you, unimpressed. But your mind says he's happy, free from his cramped little prison.

Footsteps approach and you're immediately back on alert. You'd been smiling without even realizing it, but that is wiped away for neutrality. Miss Hunter doesn't seem to notice, gushing over the prize in your hand.

"Awe, you won that! It's so cute!" She pokes its cheek with her finger, giggling. "I've never been able to win anything from these machines. How many tries did it take you?"

Something flutters in your chest. A feeling you'd only felt when Sylus praised you - pride. You really managed to do something she couldn't? It sounded impossible after seeing her win over and over again without fail.

You hold up a finger. She gapes at you.

"What? It only took you one try?!" She looks at the machines, and all the cute mini plushies within. She frowns, considering something, before pulling out a handful of tokens. "Maybe they made these easier, somehow? Let me try."

-

"Have fun?"

You dangle the toy in front of Mephisto. He stands in your lap, playfully pecking and nipping at it. He's careful not to damage or tear it - he's always such a good bird.

Sylus wraps his arms around you from behind the couch. His chin rests on your shoulder, large hands massaging your sides. He kisses your cheek. "You're smiling."

Your first instinct is to turn away, but he stops you. Fingers grab your chin and turn you to face him instead. Crimson eyes, smug and teasing, meet yours.

You sigh. You have to admit that it was fun, even if you'd love to be stubborn and say it wasn't. Maybe if you hadn't won anything, you wouldn't have to pretend you hated it. Unfortunately, the toy that dangles from your finger is evidence to the contrary.

"She's a menace on those machines," you say, voice low, like it's a secret.

He chuckles. "How many did she get?"

"I lost count."

You glance back at Mephisto and shift the toy to rest in your palm. He grabs it in his beak, cawing around the object in his mouth, and flits off to go put it with his little hoard. Or, well, you thought he would. Instead, he flaps off to his perch and, using his foot and beak together, manages to hang it by its chain on the end of it. They look like a matching set as he fluffs up and settles down to rest

Sylus kisses the corner of your smiling mouth. You feel exposed. How is it possible for something so small to catch your emotions off guard?

"I'm glad you had fun," he whispers sincerely. "If you'd like, we can go together sometime."

"We wouldn't win anything," you tease. You rub your nose against his, drawing out a soft look of love from his eyes.

He shrugs. "Then we'll steal one."

"How criminal. This may be your most dastardly scheme yet."

"Mhm. And I'll need my best man on the job to help me pull it off." He closes the small gap to kiss you. His thumb rubs over the ball of your chin. Another kiss and his hand shifts to your jaw. Another, then to your neck. He draws you in, over and over, languidly savoring you, like you have all the time in the world.

---

Tag List:

@the-golden-jhope @armycaratlover @sylusfluffymeow @cheesemachine44 @nyx2021 @angel-jupiter @thelittlebutton @pikachuzhc @pomegranatepip @cordidy @an-ever-angry-bi @thejysemongko @deusfoundry @that-lost-one

[hitlikehammers]

tremolo

…what if instead of learning clarinet or percussion, you could learn to read the music of hearts? 💕

rating: t ♥️ cw: love at first sight, car crash (off-screen), SUCH FLUFF ♥️ tags: ✨magical realism au, musician eddie munson, paramedic steve harrington, kinda soulmates (it makes more sense with the magical realism part), character study, softness

for @steddielovemonth day one: "Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song. At the touch of love everyone becomes a poet." —Plato

It was just like learning any instrument, really.

At least what they tried to convince Eddie to believe at the tender age of nine.

But it was all about finding an aptitude, apparently. Developing a talent. Fourth grade rolls around and he fucks up blowing with a reed, manages to give himself a tongue splinter. Nearly passes out on the brass. Ends up with the choir lady looking over horn-rimmed glasses and narrowing her eyes at him less like a teacher and more like a fortune teller or something, scrying what’s to come of him, like she can see through all that he is and will be, before she goes scribbling something on his little slip of paper already marking all the failed kinds of music he’ll never get to make and telling him: go to Room 011.

But no one ever goes to Room 011.

He meets a petite woman with mousy hair and clothes that look like they belong to someone else, somehow. She introduces herself as Miss L. She looks like a Miss L., so he doesn’t think any further on the point.

You will not play much, really, she tells him, and the way she talks is kinda funny, like she learned words but not from people actually saying them out loud. Eddie kinda likes it, though. The playing is only for emergencies, and if you find your True Note.

Eddie doesn’t know what most of that means, except for the fact that the whole point of trying—and failing—at all the instruments was to join the school band with something to play. So if that’s not what he’s going to learn, then what the heck is Eddie meant to be doing down here—is what he wants to ask.

He manages a little politer version of the same, his nan’d be proud. His dad wouldn’t care even if he was around and not behind bars. His uncle might be happy that Eddie’s kept his nose clean just this one time. So he figures he does okay.

But really, he just wants an answer. He was supposed to get to learn music. It was the one thing that was keeping this whole year feeling like he could maybe, maybe survive it.

It also means he doesn’t have to take the art class that’s mostly kindergarten crafts instead of real art, so.

“You will be learning music,” Miss L. answers, more patient than most grownups; “you are here to learn how to read the songs that hearts sing.”

And that is, by far, in all of his whole nine years of living, the most fucking absurd sentence that Eddie has ever heard.

——

He’d kinda thought it was a joke, when he left that first afternoon to get back before Language Arts.

Turned out: nope. It was not.

He’d maybe thrown something slightly less childish than a tantrum, when what he got was a big set of earphones and a box the size of an Easy-Bake Oven, where apparently he’d be playing some kind of recordings to start his lessons.

“Do you not wish to learn?” Miss L. asked so simply, and Eddie…

Eddie reminded himself that no matter how foolish and stupid this was, it couldn’t possibly be worse than making construction paper collages with Elmer’s glue, so.

He put the headphones on and pressed play.

——

His workbooks didn’t look like anyone else’s in band—in fact, Eddie didn’t think he was actually a part of the class band, like, he wasn’t expecting to play at the spring concert with the flutes and the trombones, anymore. When he had sheets of staves to fill out they didn’t have straight lines. He didn’t draw different circles with little flags and bridges connecting them. He…

“When there are no keys, and there is no time signature,” Miss L. had explained, and it took time to make any sense; “you are the rules, and you feel what is a melody,” she’d tapped something that feltbeautiful, like daffodils blooming, though Eddie couldn’t say why; “and what is a warning.”

And then she’d tapped again, and it clenched in Eddie’s chest like a tornado siren, and…yeah.

That was kind of the best explanation he could have asked for.

——

It’s in middle school, when everyone else gets new band directors while Eddie sticks with Miss L., that it starts to…well.

That’s when the fact that Eddie’s alone in his lessons, and no one seems to know quite what he does—and the other kids who get that kind of treatment are usually the ones who can’t add or spell right, who have some kind of problem to work on extra hard—but it’s around then that Eddie starts being called names for it.

It’s not too bad, at first. Eddie’s worked for his two full years of elementary school lessons to get through recognizing the songs, suffers the point where recognizing becomes unbearable, overwhelming—Miss L. never left his side when he held his head in pain for all the noise, all the songs because they were everywhere, in everyone, and how was he supposed to learn what was right and what was good and what was just okay but then what was also everything the opposite when he couldn’t even think—

But she taught him the tools, the ways to sift through the chatter, as she called it. Because not all of it was a warning; not all of it was bad just because it wasn’t beautiful.

Some of the noise just was.

She showed him how to trust his own ear; his own song in his own chest as a guide, because that’s why he was here: he had a gift, an aptitude, built in and in need of development. Liked they’d said in the beginning.

He’s nearly thirteen when she teaches him how to write his own songs, in the not-notes and the no-tempos. In the nameless flow of sound.

It’s when his classmates overhear one of those works-in-progress, the taunting gets worse, starts to hedge toward unbearable.

Until Eddie asks if he can just stop: quit this. It’s not worth it. He doesn’t want to be a freak.

“It is a rite of passage, to ask this,” Miss L. says slowly, no judgement, and weirdly no pity; “but I should tell you first,” and her eyes narrow more than Eddie thinks he’s ever seen them.

“Your skill is already greater than any I have seen, and is only getting sharper, more keen.”

And hell if a teacher’s ever said something niceabout Eddie Munson, let alone something that sounds like flat-out praise.

“They cannot hear the music, this is why they say those things,” she flicks her wrist less like conducting a chorus and more like shooing a gnat, like that’s the appropriate amount of consideration the comments deserve. “Your task has always been to teach them what they do not know, to show them the wonder they are ignoring as they live and breathe.”

And while it really would have been nice to know that before signing up for this…this what, calling? Vocation?

While that would’ve been nice, Eddie…Eddie can at least mostly understand he wouldn’t have understood any of it in the fourth grade.

He barely understands now.

But he can feel it. He understands how to feel the music that fills all those gaps.

“This is common,” Miss L. turns back to him, steeples her fingers while humming something from the radio: not bad, but not beautiful. That’s what she means, he realizes. The radio plays common.

“This,” and she puts a hand over her own chest and keeps time with her fingers on the tabletop as she hums a wholly novel thing out of thin air, and Eddie has never seen someone else recognize the music, has never watched someone compose in the veins where the songs that hearts sing are played, let alone in real time; maybe she never had because he had to lean for himself, first.

But it is kind of exquisite to witness.

“This,” she stops, and raises a brow pointedly in Eddie’s direction; “is human, built in your cells.”

Eddie couldn’t name why, precisely, but he feels…shamed, but also empowered. So different, but they make an almost compelling melody together as they clash.

“They will call you freak before they call you prodigy,” Miss L. says it like a fact, which…kinda sucks to hear, in all honesty.

“They will label you insane, before they recognize you as genius,” and the way she adds that part makes him feel like that was her personal burden to bear, and he aches for her in it.

“They will cry out garbage and nonsense,” and here, these words: these are the ones Eddie knows immediately he’s meant to be hearing, be weaving into notes the strongest, the ones she wants him to keep closest and never lose:

“They will cry out worthless,” she spits out with a venom he’s never heard her use; “before they will sob in the face of your masterworks, and how they will breathe magic in the soul.”

And…Eddie doesn’t know exactly what to do in the face of the conviction she says that last part with. To doubt it, as he instinctively wants to, feels vile; the most egregious disrespect. He can’t bring himself to even try. So, he asks instead, voice rough:

“When will it change?”

Because despite everything: he doesn’t want to be a freak.

“That I cannot say,” she sighs, and she does sound sorry; “and it may never change at all.”

Eddie doesn’t know if he’s built to handle that, the possibility of never.

“But even if you leave, here and now,” Miss L. cuts into his despairing; “even if you stop your learning, the songs will never leave you.”

Oh.

Oh, so did they…did they teach him to hear a endless goddamn curse, and as a fucking kid—

“You would always have come to hear them,” Miss L. must read his mind, or maybe just his face; “just never with any place to funnel the noise,” and he…guesses he should be grateful. He nearly went mad in those early years, before she taught him how to make new melodies, concertos the likes of which even the great masters hadn’t penned, because they played in a different medium. Their notes and structured time were useful, but limited.

And if they never heard otherwise, how would even the most brilliant talents know what they were passing over, leaving behind?

“Do you still wish to leave?”

Eddie turns, almost having forgotten Miss L. was still sitting there, watching him. Almost having forgotten what he’d come to ask, to give up.

There’s no question left, now.

He gets out his notebook, his pen, and starts as he always does.

With the listening.

——

It’s a genuine distraction—the songs get louder with time, but Miss L. tells him that’s a sign of his skill growing, his notice of the equivalents of key signatures and ligature notes in the heartbeats he passes every day—but it costs him passing senior year once, and then again, and almost a third time until by the skin of his teeth, he manages. While every other teacher shames him for it, derides him as incurably stupid, or at the very least unambitious to the point of embarrassment, the extra years mean more time with Miss L., and Eddie…most days, Eddie is nothing but thankful.

More time means Eddie also learns that the songs he hears are as much a public service as they are an art form, as much a defense mechanism as a craft. He knows when bullies are on the prowl, and to make himself scarce for their screeching cacophonies. He knows when he has to be less of a coward and step in when a wild rhythm makes him sick with its fear.

The more he pays attention to the not-quite-beautiful songs—especially when he thinks on them later and stumbles upon nuggets of the exquisite inside every way they weren’t—the more he remembers years ago, out of almost nowhere, but maybe…maybe everywhere, like it’d been written in his heart’s song the day she spoke it:

“My first day,” he enters the same room—not the same-same room but the one in the high school that’s as abandoned as all of them have been, always Room 011—but he enters the room close to the end of the year, the last year, with the question thick on his tongue, and woven the same in his song as he closes the door and feels his heartbeat quicken for no reason and every reason, like he’s long learned these songs always do.

Miss L., for her part, just nods; waits.

“You said,” Eddie rolls his lips together; “emergencies.”

It’s a delay tactic. They both know it.

She’s kind to play along.

“Mmm,” she hums; “the slightest bits, yes, you can shift the rules to change the song, because you made the rules to begin with,” she eyes him carefully, then. “But only by bits, and in only the most dire moments.”

Yeah, yeah, sure. He never thought he could like…write lines to coax a heart to sing itself back from the dead or some shit. He gets the point.

Again, they both know: that’s not the point he’s here for, heart pounding high in his throat.

“But then you also said something else.”

This time, she doesn’t nod at all; just stares. Eddie has to clear his throat twice to make a sound so as to ask:

“What’s a True Note?”

Because Eddie’s had a couple flings here and there. And the idea of anything real with someone else, alongside the weight of this…talent of his, this training that’s defined half his life by now: it’s really nothing more than a stray idea. But Eddie can’t really hide from the fact that, somewhere along the way, he’s suffused that idea with so much promise and potential, but with no legs for it to fucking stand on.

And he’s about to graduate. About to go out into the world and…who the fuck knows what.

He needs to either hold onto this insane, silly notion of some cosmic meant-to-be match waiting for him somewhere, that it’s at least possible, and then hold on to it like burning—or let it go, and get on with the rest of his fucking life.

“Do you know how I said you could sway the rhythm just the littlest bit, in the greatest of need?”

Of course he did. She literally just said it.

“Your True Note will sing like you have never heard before,” she tells him like it’s not something…immense; “and that song will sway your rhythm so much more than the littlest of anything.”

She just fucking says it, like it isn’t already swaying the rhythm his heart sings in. Here and now.

“That heartsong will change your world.”

And all Eddie can even think to ask, to make more plain in it, is just one thing:

“Will I change theirs, too?”

Miss L’s eyes lock to his and hold for enough seconds where it should be uncomfortable, where his chest starts to grow unbearably tight.

“Hmm,” she considers finally; “if it is meant to be that way.”

Eddie wants to scream. It’s not enough.

And still somehow, it will have to be.

——

In the months that follow his freedom, he misses Miss L. Kinda desperately.

But the lack of structure, the openness of knowing he has to find a way to piece together all the snippets of song he’s bombarded with: it is the reason he ever picks up a guitar. It’s the whole learning heartsongs thing that he has to thank for it, a roundabout journey toward the destination he’d wanted from the beginning.

Or else, that he thought he did.

It’s not just guitar, though. He eventually learns the woodwinds without ending up with a splinter in his mouth. Figures out the different harmonies at hand in making sure he tempers the way he breathes for the brass. He loves the piano, and the cello especially, alongside guitar and double bass: he makes a trip back home specifically to see her and ask—Miss L. tells him it’s probably because of their strings, like hearts have, too.

It feels right in a way things haven’t felt in a very long time.

Which is really how he comes to not only understand, but to accept in his bones: no matter if they ever call him prodigy or genius, if he ever plays a concert hall or anywhere but on a street corner with an open case for change, he was made for this; built for this. The woman with the horn-rimmed glasses who sent him to the basement music room saw it in him. Miss L. proved it to him by teaching him to prove it to himself. He doesn’t know if he’d have picked it, but he knows it was never something he could have picked or turned down in the first place at all: it’s who he is.

He is the music. He is the songs that hearts use for singing. And maybe someday he’ll meet someone who sees it in him, and hears his song, and sings ecstatic. Maybe.

He hopes.

But either way: this is his life.

This is his melody.

——

It takes years before they do sob for his masterpieces, for them to be ready for a style and cadence they don’t understand because they will never comprehend the language, that speaks deeper than the logic required for any of those rules. It takes a long fucking time before they start listening with the lens of the first song any of them ever learned. But the time does come, and Eddie is grateful, because he’d genuinely feared the maybe-never he’d been warned about. He’s glad that’s not where he is, now.

But now? Things start to happen almost unbearably fast. Shows here and flights there, guest appearances and interviews, record labels and live recordings, a book deal he can’t even begin to think about. The world tips on its axis and Eddie only really considered that happening to him for one reason: because of a song so beautiful, in a Note so True—this isn’t that.

But everything still feels upside down anyway; totally off-kilter.

He’s crossed ten time-zones this time. He’s exhausted, but he has a performance tonight, just like he did in the tonight of the place he just left. The car he’s in on his way to the next venue is sleek, like they all are now; his team is already there preparing, so it’s just him and some local hires he hasn’t even had a chance to learn the names of yet, which he hates. He hates being privy to their songs and not even knowing their names, let alone their stories.

He jots the notes he gleans from how they sing without their words on the drive across town anyway. Waste not, and all that.

Eddie has the pen in hand, cap between his teeth, when the truck plows straight into them.

What follows would be unsurprising, if Eddie could process it from a bystander’s point of view—as it is, the only thing he knows in the melee is the music.

He is devastated, as he reaches out for the slowing songs around him, knowing in the back of his mind what their slacking tempos mean, and marveling with something like horror at how beautiful each one is as it starts to fade: still unique, still something Eddie could braid into a piece, certainly one to draw tears.

His own song is ebbing, he knows, but it’s less important than the sweet melodies around him, especially—

Oh.

Eddie thinks, with what may be the last thought left to him as pressure and heat and pain tingle at the edges of the music, almost too strong now to be drowned out by the notes that are what Eddie is at his core: but he thinks he may be too far gone already, because what he begins to hear is…

Exultant. It’s…

If Eddie believed in a heaven, this would be what the hosts there sang. When the idea of divinity is bandied about, they can only ever be talking about some cheap imitation of what Eddie hears now. Luminous. Effervescent.

Beautiful in a way that exceeds the word itself so deeply that it barely fits, obliterates the notion on sight.

And what a gift, Eddie muses as everything dims to black, to hear such Notes, such perfect music as the last thing he has to hold onto in the end.

To end on something that’s True.

——

The next tones Eddie hears are mechanical. He winces—not bad but certainly not beautiful—and then winces harder because wincing itself fucking hurts.

He holds himself still, seeks the song he knows in his own veins: yes, and he’d been so sure it was gone, because there’d be an accident, a crash, he’d been thrown, crushed, songs all around him were dying and he’d heard the magnificent symphony of otherworldly perfection so—

“I’m technically not supposed to be here,” a voice interjects, or no: drips in leisurely, like comfort, like honey; “because you’re a patient, and I’m,” and Eddie forces his eyes open to see the voice come out of a man, who is pointing at his chest: a uniform. Medical.

“I’m not dead?”

All signs do point that direction but…Eddie had been kinda fairly sure he was done for.

“God,” the man chokes like he’s pained, like the idea hurts him, and why; “no,” and he says that a little fiercely, protective almost; “though not for lack of an effort.”

He looks tired, as Eddie’s vision starts to clear some more. He looks radiant. Exquisite.

Beautiful.

“You saved me?”

Because Eddie clocks the uniform now: paramedic. The ones who come onto the scenes and try like hell to save who they can. Heroes.

“I helped,” the beautiful man says, like a hero would, of course. But…it still doesn’t make sense. If the man does this for his job, then Eddie isn’t special, so then why is he so vehement, and then what of all the fading songs Eddie remembers, because Eddie had heard—

“What about,” he starts, but there’s a hand over his quickly, soothing.

“Everyone’s here, different wards,” the hero-beauty tells him in lows tones; “we don’t know if they’ll all make it through the night, but,” he nods, like…this is enough.

And it is. Except…

“How?”

And where Eddie is baffled, his hero just quirks a brow.

“Don’t tell me you never covered emergencies?” he asks skeptically. “Most dire moments, greatest of need?”

And it’s with those words that Eddie’s world slows very quickly to a halt. The music swells in a way he’s never known: because it’s always present to hear.

Buts it’s never been so tangible to feel, not like this, and with such…magnificence, no lesser word could touch it. Maybe he truly is closer to death than not, maybe that’s the reason for the fervor in this man he doesn’t know—the choirs of the angels Eddie wasn’t banking on swells and is visceral, and this hero sits before him, speaks the words that have haunted Eddie more days of his life than not, and—

“This was where the music took my life,” the man pulls at his collar, indicative again: the heroism. He…he saves people, because he, he also hears…

“But I couldn’t have done it without you.”

His hand on Eddie’s tightens, like gratitude, and Eddie…gapes like a fucking fish, and then—

“There’s something else.”

“Not just here to check up on the fruits of your medical miracle?” Eddie’s tongue feels heavy, thick in his mouth; he feels sluggish all over, weighted down and like he can barely move because…this man hears the music that hearts make.

Can he hear the ineffable beauty, like Eddie can? He must, that’s how it works, so why is he not in the same amount of awe—

“Not just,” the man smiles small, but real, a little hesitant. A little…shy, maybe, before he straightens, leans a little closer.

“Watch that screen,” and he tracks Eddie’s gaze until Eddie’s fixed upon the ECG, the most disappointing distillation of the songs he’s learned to find so much wonder in.

But then the man is pressing Eddie’s hand to his own chest, which…is forward, given they don’t even know each other.

Eddie is maybe still on, or at least just-recently-off, death’s door, and either way he’s fucking thrilledwith this development, warm beneath his palm.

“Now count.”

It only takes a moment, to put the gestures together into a statement.

The beat under his touch matches the line across the screen. Exactly.

But this man’s not the one attached to the monitor.

“Got it?”

Eddie nods, and the man doesn’t hesitate, lifts Eddie’s hand and presses it back to Eddie’s own chest.

“Again.”

And that’s…that’s not the same rhythm as the one on the screen; the songs don’t match at all.

But Eddie can still hear the one that does—the beauty. The exaltation.

“Can you,” Eddie asks, lifts his finger that’s got a clip on it, and the man’s a professional, he’ll understand—looks less than conflicted about disconnecting Eddie from wires and leads before clipping his own finger and letting the screen shift to a new cadence.

The same one under Eddie’s hand, in Eddie’s own chest.

“Holy fuck.”

“Yeah,” the man barely breathes, and Eddie notices now how intense his eyes are, focused solely on Eddie, and…Eddie remembers the words that came after the ones about emergencies. About how little he could help, but that he could still do something.

But with only one person, it could be—

“You didn’t just sway my rhythm,” Eddie half-gasps; “you made it your own.”

And oh: Eddie never tied the song of hearts to the song of laughter, but from this man, the huff of incredulous joy that slips from him now—they’re made wholly of the same stuff.

Symphonic. Staggering. Weeping to feel this much, in the soul, to be privy to such a…

Masterpiece.

“Worked both ways, it seems.”

“I heard you,” Eddie blurts out, because it makes sense now; “before I, when I thought I was,” dying, when he thought it was all over; “like I’ve never heard anything before.”

And now: of course this man hears the heavenly movement Eddie thought was a mercy before the end but was instead the arrival of everything he’d ever hoped to one day find, literally coming to rescue him in more ways than one; but that song is somehow commonplace to this unfathomable angel on the earth.

And what this man hears stronger, louder, dearer seems somehow to be Eddie, the song he sings from the chest, in how it’s causing those caramel eyes to glimmer, and to barely blink lest they miss something in just…Eddie.

“You never stopped,” the man says with urgency, with feeling; “your song never stopped,” and then he’s closing his eyes and laying both his hands over his own chest, where Eddie’s heartsong is ringing full and maybe changing his world, because the song in Eddie’s chest sure as hell has already changed his, and—

“It’s extraordinary.”

And Eddie, in years of ridicule, in months of celebration, in all the ups and downs and doubts and hopes this life of songs and hearts and rhythms and beats has left him with, in all of it—

Those two words rewrite his whole fucking being.

“True Note,” Eddie mouths more than speaks before he scoffs; “shit, but that seems like a really fucking inadequate thing to call it,” and his eyes lift to take in the man who he knows, he knows is going to be his magnum opus, or more: is going to write the magnum opus they will be and breathe and share from here to all ends:

“To call you.”

And there’s the clearest sense of a trip in a beat, but who it belongs to isn’t clear, and maybe that’s the reality for them both now: every subtlety of the song is now shared, now theirs.

“You could start with Steve.”

Eddie looks up, breath a little heavy, but the smile on the man’s face is broad and kind of overjoyed, kind of looks like Eddie’s chest feels:

“My name’s Steve.”

And that?

Best damn title for a symphony Eddie’s ever fucking heard.

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[exocynraku]

I like to say that I absolutely adore how you design your feline characters and make them very unique. You’re my favorite warrior cat artist because of it! How do you go about designing your characters?

halloo... thank you! this ones a bit harder for me to explain, but i'll try! i'm going to specifically talk about cats, but these could be used for other types of characters, mostly furries. note: um, guess who talks too much! i had to split this post into four. so check the reblogs! 1. placing markings with PURPOSE (this is the big one!!!) it was only recently i finally managed to find a way to word this. to create a good design, you need to understand how to place markings with purpose. to me, there are two components to this: spacing/size and body wrapping. body wrapping first. this is how the markings on a cat's pelt wrap and contort around their body. bodies are not flat surfaces, they have plenty of curves, ridges, etc, which will alter the shape of markings placed on top of them. the markings on your character both needs to contort to the shape of the body part AND how it would look from the viewer's perspective. here's some examples;

in the first picture, you can see how i wrap the markings around the cylindrical shape of the leg. in the second picture, you can see both that i've wrapped the markings around the shape of the arm and belly, but likely also that the marking i've specifically highlighted on the arm is being smushed because of the bending of the arm. this leads to a better design, as when you look at it, i feels more natural than if you were to plaster markings over the cat in a straight line. here's a real-life example.

you can see how the markings curve around the body, though i find it's sometimes less pronounced as i would portray it in art. but it's there. sizing and spacing are second. these are less realistic aspects, as cat markings tend to be very random, however it art it leads to a cleaner, more readable & desirable design. sizing and spacing also have a lot to do with consistency. it's also... a little hard to show. i don't find myself messing it up in old pieces, and the designs i do know of which do this are... from strangers. who i would feel bad throwing under the bus for having designs i don't like LMFAO. but i can do my best to describe them. the size of your markings should stay relatively consistent throughout your design. what i mean by this is if you have large, thick stripes along your whole character's body, i wouldn't recommended adding one random thin, pinstripe-y stripe on your characters body. if you want to give them thin and thick stripes, then you need to have BOTH consistently throughout the body. or, give it a balance. thick stripes on the body, neck and tail, and thinner stripes on the face and legs, for example. very, very small markings are GOING to go unseen by you or others drawing the design, i absolutely guarantee it. similarly, the spacing of your markings should stay relatively consistent. for me this mostly occurs in tabby cats. if i draw, for example, the character's body stripes a certain distance apart, i'm not going to suddenly change that distance on another part of their body, such as their legs. the main issues i find with sizing and spacing is when people have issues with BOTH of them at the same time. random markings everywhere with all sorts of sizes and shapes and spacing will make your design cluttered, unreadable and unappealing. even on characters you'd think would be exceptions to this, such as randomly spotted characters/tortoiseshells, i still think about. how can i place these spots or patches in a way that will properly define the markings, making it easy to understand? how can i place spots to not make them too cluttered in certain area? etc. it's definitely a bit hard to explain, especially without visuals, but i tried lol (SOBS) (see reblogs for CONT.)

[alarajrogers]

Commiserate with them. He's a liar, but the news media did their best to hide it, because if it bleeds it leads and they knew Trump would cause so much chaos and suffering, it'd be great for the news. It's not like the old days when reputable journalists ran the news; nowadays it's all giant billionnaire corporations, and all they care about is money, and screwing over little guys like us to make a buck. Honestly, you wanna know what's really going on, read foreign news media like the Guardian and stuff like that; they have laws that kept the billionnaires from buying all the news media over there, so they're still telling the truth at least some of the time. You're from Venezuela? Great! I'll bet you Mexican news sources are willing to tell you the truth about our leaders, though they'll lie to protect their own. As a native Spanish speaker, you have access to a world of news media I can't read. It's ok if you don't trust Venezuelan media, there's the entire continent of South America, plus Spain itself, and you can read any of it you want. It's all on line, just google it in Spanish. I'm so sorry this is happening to you. In today's world you can't blindly trust anyone; you have to do your own research, but there's so many crackpots and conspiracy theorists out there who are just making shit up to make a buck. I mean, did you know his ex-wife -- the dead one, the one he buried on his golf course -- wrote a memoir where he beat and raped her because she gave him a referral to a doctor for a hair implant and the doctor messed it up? I mean, she said afterward, no, she didn't mean to imply that he treated her badly... but she put it in there in black and white. I think she was scared of him. I mean, she ended up dead and he wouldn't allow an autopsy, and she got buried on his golf course. I'm from New York; we've been seeing this guy's shenanigans since the 80's, so I know, I wouldn't put anything past him. You know he was a really good friend of Jeffrey Epstein, right? Who died in prison the last time he was president? Yeah, obviously there's no proof of anything, but you gotta wonder. Anyway, you take care of yourself. It's a damn shame politicians get away with lying like that. I know we always joke that politicians lie, but this guy. Wow.

This kind of thing. You don't blame them for being taken in. You blame Trump for being a liar and the news media for collaborating. You don't mention Democrats and Republicans, you talk about "politicians", because on both sides of the aisle most people agree, politicians suck. You talk about billionnaires propping him up because they want to steal our money to make themselves richer. You express sympathy for them. Maybe, depending on your audience, drop some of the salacious conspiracy-like hints about Trump's behavior.

Meet them where they are, and offer them friendship and sympathy. You're a lot more likely to get them on our side that way.

[wholemeallbread]

... TOXIC BOYFRIENDS AND EXES / ꩜

with ... nagi seishiro, itoshi rin, isagi yoichi x gn!reader

warnings ... cheating (rin), fem love interest (rin), lying (rin, isagi), parental issues-ish (isagi), nagi is just a bum (nagi), tiny emotional manipulation (isagi)

part one reo, sae, oliver

"SHE'S JUST A FRIEND" ꩜ ITOSHI RIN

you've known for quite a while that rin has had a... worrying childhood, to say the least. you're also aware that someone else has been his guiding light through his early teens, but is now long gone in the past. or that's what you thought. rin has been silent after hearing the news that his childhood "friend" recently moved back into town, but it's obvious that something else is going on.

especially when he's been visiting a certain house multiple times per week without telling you.

you've been aware of it for longer than he thinks. the moment you texted him "where are you?" instead of asking him to come home, he switched off sharing his location for good. he'll tell you he's just on a jog, but he's said it himself that he doesn't like bringing his phone because its too heavy. it becomes obvious when she starts coming to his games, waving and catching all of his attention while wearing one of his jerseys. you would know, because you accidentally stained one of them when you wore it.

even worse when his own brother that was miles away texted you, asking if you and rin were together. how did he even get your number? and why did rin not tell him you were already years deep into a relationship? oh, rin said he's stuck between the person he loves and the person he trusts? well, that shouldn't really be a question, should it? he should love and trust you, why is there somebody else that he could "pick"?

the break up was mutual. you could tell he was upset about it, but not as much as you, and you wonder why... maybe it's because he ended up in a relationship with said childhood friend only days later. you don't mean to pry in their business, but it's hard not to when you realise everywhere they go together, you've been with him before. this time, he's holding her hand, he's not hiding from the camera, he's smiling. rin has never smiled for you before. it hurts, it really hurts, but you're glad he didn't let things drag on. at least there's something left for you in his heart.

if he didn't love you in the first place, he should've just let you know from the beginning. it seems like you were some sort of test subject for his future.

BABY SYNDROME ꩜ NAGI SEISHIRO

nagi always puts in the bare minimum. you figured "maybe he puts in more effort for things he's passionate about?". well, one certainly is football; all of a sudden he has enough stamina to run a marathon and actually use his strength. since you're dating, he's passionate about you too, right?

keep lying to yourself. it's always you reaching out first, it's always you having to go to his house, it's always you waiting outside of his classrooms. on more than one occasion have you called him, been ignored under the thesis of "i'm too tired to talk, maybe tomorrow." and then being left on delivered for the next twenty four hours. and the cycle repeats over, and over, and over again. the last thing you wanted to end up being was a second reo (sorry to him, he's a lost cause) but when you're having to put his socks on for him like a toddler, unwillingly after he begs for help, that's where you draw the line. he's not a grandpa, and he's not sore. why would he need help?

it was unsurprisingly easy to break up with him. he let you go with ease, and it's not like he was going to argue to make him stay. one less person makes one less hassle, right? afterwards, it's inconvenience after inconvenience for him. now nobody wakes him up in the morning, or helps him with his missing homework, or does all of the work on group assignments so he can go "train". who's going to cook for him now? because it's not you or reo, and ordering takeaway is too much work.

nagi texted you to ask to get back together. you asked why. he said "it makes both of our lives easier". hell no.

MAMA'S BOY ꩜ ISAGI YOICHI

isagi is such a good boyfriend. honestly, you wouldn't be surprised if he was the one you ended up marrying. he's sweet, his parents are sweet, everything was perfect. was perfect.

you don't know where or when you messed up, but isagi's mom doesn't seem to like you that much anymore. was it how you got awkward and didn't know how to respond? no, usually his dad helps you through conversations. were you a bad influence? no, surely not. isagi knows his own standards, and sometimes his attitude is worse than yours.

nowadays, isagi looks a bit nervous when you ask to come over. your usual routine together was completely disrupted. you can tell he's subtly avoiding you or keeping conversations brief. he doesn't even hold your hand when you're walking around school anymore. this man willingly used to sprint from your period to the other side of the school just to make sure you got to your class safely, and now, nothing. and why is he wiping his hands with disgust when he's the one sweating buckets? he would've apologised if it was his fault, so it's something to do with you.

"hey, so... my mom doesn't want us together..." well, excuse you? he's stuttering, trying to come up with excuses, but you don't even want to hear them. having your healthy relationship broken up by his mom? and what if you married him hypothetically? would he willingly divorce if his mom said to do it? you know he still loves you, judging from his longing glances and half smiles in your direction. you know it wasn't completely his decision. but if he really loved you, then creating a barrier between the two of you when she wasn't even around didn't make sense at all. he would risk his life for you, but not disobey her loose commands.

on some random important day, valentines or whatever, he tries to ask you out. he wants to "start over". can you even be angry when he looks so remorseful? coupled with flowers, your favourite sweet treats and everything... oh, you swear you can see tears in his eyes. maybe you'll think about it.

[markleessodalite]

They Can Hear Us...: n.jm

content: bf!jaemin drags you to an event you don't really want to attend, so you try to devise an escape plan... but he's not one to be fooled.

warnings: fem!reader, lots and lots of kisses, maybe a tiny bit suggestive(?) but mostly just fluff, nothing else to warn about afaik

word count: 0.5k

a/n: i had a mini hoard of drabbles that i was saving to post later, but i've read over them so much to the point where now i hate every single one :/ but n e waiz i got some extra days off work this upcoming week and i'm hoping to do NOTHING but write the whole time :3 (also if you're one of the anons who sent in requests i promise i'm gonna get to those asap!!!)

“Jaemin! Stop. I mean it!” you half-heartedly scold your boyfriend, although your soft tone and light giggles clearly indicate a message that’s opposite to the words leaving your lips.

Jaemin plants another teasing kiss to the corner of your mouth. “Hmm, are you sure?” He kisses the tip of your nose, then your cheek, making his way down your jaw and to your exposed shoulder as he laces his fingers with yours. “Seems like you kinda like it, huh? Love this dress, by the way.” His free hand rubs gentle lines along your back, with only just enough restraint to not mess up the delicate fabric of your one-shoulder gown.

You knew he loved this dress, particularly how you look in this dress, which is exactly why you wore it to this gala. You weren’t especially excited to be here, but Jaemin was over the moon eager to take you, show you off to everyone else there, his girlfriend who looks like an absolute princess under ballroom lights with her arm linked in his. Of course, you knew that after about 5 minutes of you in this dress, he wouldn’t be able to focus on whatever charity event is going on around you two– which is how you’ve found yourself hidden in an offshoot hallway, Jaemin cornering you against the wall, planting light and playful (but very obviously needy) kisses anywhere his lips can reach.

Hey, it got you out of sitting at that boring table with those boring people listening to that boring speaker, right? All part of your coy little plan.

The only sound filling your ears now is your own soft giggles against Jaemin’s low chuckles and whispers, with him now developing a game to entertain himself with: trying to find that one particular spot that will drive you crazy.

“Here?” He plants a kiss behind your ear.

“Nope.” You bite down on your lip to stifle any noise that could possibly slip through. You may be vaguely hidden, but you’re definitely still within earshot of the rest of the gala.

“Mmm. Then… here?” He hovers around the middle of your neck before leaving another kiss.

“No…” You can’t help the giggle that slips through your teeth.

“Okay… what about… here?” He leaves a kiss in the nook between the bottom of your neck and your collarbone, before biting down teasingly, drawing a squeal from you before you can catch it.

“Jaemin!” You can’t help but laugh, amused at Jaemin’s quick victory in his own game.

“Shh! Y/n, you know they can hear us…” Jaemin buries his face further in your neck, and you look over him to see the silhouettes of the other guests, turning their attention from the monotone speaker to figure out what direction the hushed giggles are coming from.

Here it is. Exactly the opportunity you need to convince him to go home.

“Then why don’t we go somewhere they can’t hear us, Jaem?”

He lifts his head from your shoulder to look in your eyes, and you know right away he sees through your little escape plan. And he’s not falling for it.

“No. I kinda like this little game. Round two? Let’s see if you can keep quiet, babe.” He smirks proudly at your shocked face before his lips crash into your neck again, and you realize he’ll play this game he’s made up for as long as this gala lasts. Can you handle Jaemin teasing you for several more hours without making a sound?

[hackfixation]

rewatching episode 1

1) something about the detail of Mark swapping out his watches drives me mad. They're not even allowed a single *hint* of their external personalities. It's just a decal watch, but thats enough for it to be contraband

2) "You look hungover" Mark S. knows nothing about his outie, so this comment from Ms. Cobal is definitely a form of emotional manipulation.

3) This show really hits right in the feels of being an office employee

4) So much blue in this series. Blue is associated with calm & tranquility, a type of peace. On the other hand blue can also be associated with order, superstition and depression. Also associated with Medicine & Tech

5) "I've wanted to pummel mark myself bit I'm his employer" "one part of your orientation that mark can't possibly derail" Manipulative af. Scapegoating & Underminding Mark.

6) "Every time you find yourself here it's because you chose to come back" Mark S. sounds so dissociated while saying that line. As if he's tried to convince himself of it.

7) Imagine if he had hit Helena, the fucking shit show of a news circus. "Maybe his innie influenced him subconsciously?!"

8) Devon and Mark have such a great sibling dynamic, I love it

9) The Severance "Dinner" Talk is such an awkward and succinct display of College Educated Liberal-Progressive political conversations. They can easily discuss a topic in vague terms "Life & Food" but the minute you confront them with actual corrections "No one would've called it ww1 as ww2 hadn't happened yet", Mark wasn't questioning his intelligence but the look the man gave suggested that he took it that way. Plus the minute it's revealed he's severed through someone "outting" him, everyone stares at him as if he's something fascinating or horrifying. They care about the optics, ethics and politics of his lived experience than about him. "I stand by you with no reservation" yet lists all the reasons why its controversial? "So well said" "I definitely stand by mark" meaningless commentary, nobody there actually *cares* about Mark ( besides Devon ) because they're all just performing compassion

10) THEIR SIBLING DYNAMIC IS SO AMAZING

11) Ricken is so hard to describe. The actor captures that balance between well-meaning & self-aggrandozing liberal so well? Hes caring & compassionate but completely not reading social cues.

12) Racecar means something but couldn't tell ya

13) PETEY!

14) "Sorry, I had to drown out the memory of mom & dad switching out our beds when we were kids" I love these two so much

15) "Hi, Kids Whats for Dinner" Good try at the sleeper agent bit, Petey

16) "I'm your best friend, you're my very good friend" Love this line because if a stranger told me that, I would be mildly offended lowkey.

17 ) The Ms. Selvig reveal. Even if shes not severed, still a commentary about who we are in our personal lives vs our work lives.

[ariahmichelle]

Seeing Red

JJ Maybank Imagine

Summary- When a wealthy Kook starts flirting with you at a party, JJ cant hide his jealousy. After an argument, he finally admits how much he cares about you.

A/N- my requests are currently open

The party is in full swing, music blasting through the speakers as people dance around the bonfire. The air is thick with the scent of salt, smoke, and cheap beer. It’s a typical Outer Banks night—loud, wild, and chaotic.

But JJ Maybank isn’t having fun.

He’s standing off to the side, beer in hand, jaw clenched so tight he swears his teeth might crack. He’s barely heard a word of whatever Pope’s been rambling about for the past five minutes. Because across the bonfire, in the middle of a group of Kooks, is you.

And some guy is all over you.

A rich, preppy-looking asshole with a perfect haircut and a smug grin, standing way too close, whispering something in your ear that makes you laugh.

JJ doesn’t like it. Not one bit.

“You good, man?” Pope finally asks, following his line of sight. His expression shifts when he sees what—or who—JJ is staring at.

“Shit,” Pope mutters. “You look like you’re about to murder someone.”

JJ scoffs, taking a swig of his beer. “I’m chill.”

Pope raises an eyebrow. “Dude, your eye is literally twitching.”

JJ ignores him, his grip tightening around the bottle. He’s not jealous. He just doesn’t like Kooks. And he sure as hell doesn’t like watching one try to sweet-talk you like he’s got a chance.

And then it happens.

The guy tucks a loose strand of your hair behind your ear.

JJ sees red.

Before he even realizes what he’s doing, he’s moving, shoving past people with a determined stride. Pope calls his name, but it’s drowned out by the roar of the party.

By the time you notice him storming over, it’s too late.

JJ doesn’t hesitate—he steps right between you and the Kook, forcing him to take a step back. “Alright, Casper,” JJ sneers, tilting his head. “You can go now.”

The guy scoffs. “Uh, I was in the middle of a conversation.”

JJ grins, but there’s nothing friendly about it. “Yeah? Well, it’s over.”

“JJ,” you warn, eyes narrowing. “What the hell are you doing?”

“Saving you,” he replies easily, still glaring at the guy. “You’re welcome.”

The Kook rolls his eyes. “Dude, chill. We were just talking.”

JJ lets out a humourless laugh. “Oh, is that what you call it?” He crosses his arms, stepping even closer. “See, I know your type. You think just ‘cause you’ve got daddy’s money and a trust fund, you can get whatever you want. But she’s not for sale, man.”

Your eyes widen. “JJ—”

“Whatever, man,” the Kook mutters, backing off with a scoff. “Not worth the trouble.”

JJ watches him walk away before turning to you, expecting a thank you—maybe even a look of admiration. Instead, you’re glaring at him like you’re ready to throw him into the fire.

“What the hell was that?” you snap, crossing your arms.

JJ blinks. “What do you mean? I just saved you from—”

“I didn’t need saving! I was handling it!”

JJ scoffs. “Oh, come on. That guy was a dick.”

“You don’t even know him!”

“Don’t have to,” JJ retorts. “I know how guys like that work. He was trying to get in your head.”

You shake your head in disbelief. “And what? You think it’s your job to protect me? I can take care of myself, JJ!”

His frustration boils over. “Maybe I don’t want you to have to!”

The words hang between you, heavy and unspoken for too long. JJ’s chest rises and falls, his hands clenched into fists at his sides. Your expression softens, but your voice is still firm.

“JJ…” you sigh. “Why do you care so much?”

He runs a hand through his hair, looking away. He doesn’t want to say it—not like this, not in the middle of a party. But he’s already too deep in it now.

“Because it drives me insane watching other guys look at you like that,” he admits, his voice lower now. “Like you’re something they can just… win.” His jaw tenses. “You’re not a fucking prize, Y/N. You’re… you’re you. And they don’t get to have you.”

Your heart pounds. “And you do?”

JJ freezes, eyes snapping to yours. The firelight flickers against his face, shadows dancing across his sharp features. For once, he looks uncertain.

“I don’t get to have you,” he murmurs. “But God, I want to.”

The air between you crackles, thick with something unspoken. You swallow, your anger melting into something else entirely.

“Then maybe,” you whisper, stepping closer, “you should stop acting like an idiot and do something about it.”

JJ searches your face, like he’s trying to figure out if this is real. If he’s allowed to want this—want you.

And then he does it.

His hand finds your cheek, and before you can think, his lips are on yours. It’s messy, heated, desperate—like he’s been holding this in for way too long. And maybe he has.

Your fingers tangle in his hair, pulling him closer, and he groans against your lips, like he’s finally found something he’s been searching for. When you finally pull back, breathless, JJ leans his forehead against yours, his hands still gripping your waist.

You laugh softly, brushing your thumb against his cheek. “Took you long enough, Maybank.”

JJ grins, pulling you back in. “Better late than never, sweetheart.”