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thefanficmonster · 4 years ago

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Corpse’s Girl

Corpse Husband x Reader (Female)

Warnings: Bullying, Swearing, Derogatory Terms

Genre: Angst, Fluff

Summary: Y/N’s life as a regular college student is forever stripped away from her when her relationship with the famous YouTuber Corpse Husband is accidentally revealed during an online class of hers. How will she cope with the sudden spotlight and the unwanted attention, some of which crosses into bullying?

Requested by my amazing Tumblr friend @itsminniekat 🥰 She’s been reading and liking my works since day one and I honestly couldn’t be more grateful. If you’re reading this, all I can say is thank you, darling. Thank you so much for sticking by my blog even when I posted some crappy fics. I’ll make sure this ain’t one of them. Love you with all my heart. ❤❤❤

P.S. - I named the mean character with my name so I hope no one who reads this has the same name. Wouldn’t want any of you feeling like the villain 😘

Who knew online class would be even more boring than being physically present for a lecture? Seriously, I find myself doing the weirdest of crap to entertain myself - like trying to balance a pen on the tip of my nose for example. I jot down some notes every now and then but that’s basically it. My mind can not fathom the concept on concentrating on whatever my professors are going on and on about. Well, full disclosure, I couldn’t concentrate even if I wanted to, especially with my boyfriend streaming in the other room.

He’s currently playing Among Us with his usual gaming squad. Listening to his input during the discussions, I can always tell when he’s lying. I honestly find it hilarious that his friends can’t pick up when he’s bullshitting them. I sometimes wonder if he has brainwashed them. And that’s one of the main reasons we don’t play Among Us together - he can’t lie to me. Not only do I pick up on his con with ease, but he always says he feels bad when he lies to me which is just the sweetest thing. Also, I refuse to play cause I’m shy. His friends are all well-known content creators and I’m a literal nobody. Every now and then I find myself wondering why Corpse is even with me. He’s always quick to push those thoughts out of my head and make sure they don’t return on a long notice, but they do interrupt my peace from time to time.

“Y/N, do you know?“ The sound of my professor saying my name takes me out of my eavesdropping of Corpse’s stream.

I panic, but quickly improvise, “Sorry, my internet is slow, you cut out for a second. What was the question?” I feel my face heating up, making me glad we are allowed to keep our cameras off.

“Question number 15 on page 82 in your textbook. Do you know the answer to it?“ My professor repeats himself, his tone annoyed.

I look down at the page that’s already opened in front of me. I let out a sigh of relief, seeing that the question is rather easy.

“Yeah, um, it’s...“ Suddenly, Corpse’s laugh reaches my room loud and clear. There’s no doubt my mic picked up the noise, especially since the door to my room is open.

The color drains from my face as I hurry to say the answer and remute myself. My eyes are wide as I stare at my screen, hoping no one will acknowledge that very recognizable laugh.

“OMG Y/N, are you watching a Corpse Husband stream in class?” One of the bitches in my class, Vy, speaks up, “Not a very goody-two-shoe move on your part, dear.”

I purposely unmute my mic to mumble a quick ‘Shut up, bitch’ that somehow manages to fly under my professor’s radar and the class continues. It’s the first time something like this has happened and I’m not sure if I handled it properly or not.

The class ends shortly after, allowing me a sigh of relief as I disconnect from the meeting.

“Fucking finally.“ I mumble to myself, leaning back in my desk chair. Tilting my head backwards, I see Corpse standing in the doorframe. I grin, not only because his presence itself makes me ten times happier, but also because he’s upside down from my viewpoint. “Well, hello there! How long have you been spying on me?“

He struts over to me, leaning his face over mine, “Long enough.” His lips linger above mine without any actual contact before he pulls away, allowing me to sit up straight and proper in the chair. “You still have classes?”

I nod my head while disappointedly rolling my eyes, “Yeah. One more. Shouldn’t be too bad since it’s English Lit. You’re done streaming?”

“Yeah, I just have some other things to do. I haven’t done a narration video in a while, I miss making that type of content.“ He plops down on my bed, running a hand through his messy black curls.

“Weren’t you recording some lines a few days ago?“ I frown as I try to recall if what I’m referring to actually happened or my brain is too fried to decipher reality from my bootleg perception of it. Online class, man - messes with your head like sleeping pills - makes you disoriented and exhausted with barely doing anything other than trying to wrap your brain around a lecture or two.

He hums affirmatively, “It’s not a finished project and I don’t even know if I’ll use those or rerecord them. I’ll have to listen to them again before I make a final decision.“

I tilt his chin upwards with my pointer finger, a gesture he has told me he finds very endearing, “I’m sure they’re great and you just refuse to be satisfied. Everything you do is great.“

He smiles a small, shy smile, his fingers gently wrapping around my wrist, holding my hand in place, “You’re biased. You like me too much to tell me when I do some bullshit.”

I scoff, “You know that isn’t true. If someone’s gonna kick your butt in formation, it’s gonna be me.“ I give him a quick kiss on the forehead before pulling away from him, “Go on, now. I have a class to attend. You distract me enough while you’re in the other room, I can only imagine how hard it’d be for me to focus if you were right by my side.“

He smirks, bowing a little as he makes his way out of the room, “You flatter me.”

I playfully roll my eyes, getting my headset back on as I tap the last class for the day. We have an assignment due to the start of the class which we’ll have to present if the professor approved of it. We basically had to write a psychoanalysis of a character from any book of our choice. I chose Heathcliff from ‘Wuthering Heights’ which is one of my favorite books of all time. I’m proud of what I wrote and the way I wrote it, but I’ve always barely scraped by with a B in this class, a B+ if I’m lucky, so I’ve never gotten any major credit, even when I put my 110% in the assignments and projects.

Well, color me surprised when the professor calls on me first to read my work, complimenting it on its detailed and specific nature. I get my printed assignment out in front of me and unmute myself.

“I wrote a psychoanalysis on for Heathcliff, a character from Emily Bronte’s novel ‘Wuthering Heights’.“ Just after I say this line, Corpse’s voice booms throughout the whole apartment, no doubt being picked up by my mic. It doesn’t sound like he’s actually talking, he can’t be that loud. I put two and two together when I recognize the lines he’s saying - the ones he recorded a few days ago. They’re coming from his computer speakers. He probably didn’t check the volume before playing back the recording.

I mute myself as quickly as possible, but it’s too late. The voice dies down as Corpse probably turned down the speakers.

My professor, who is already done with this lecture, just annoyedly remarks, her words overdosed with sarcasm: “Read your assignment and you can go back to whatever it is you are watching.”

“Wow, Y/N! Again?! Are you one of those crazy obsessed fans or something? Is Corpse Husband all you watch?“ This bitch is really poking a stick at me, huh? The only crazy obsessed fan here is her, and my friends but they are allowed. Little do all of them know, I am obsessed but not simply over a YouTuber. I’m obsessed with my boyfriend who just happens to be a YouTuber.

“No commentary, please.“ The professor scolds her, “Go on, Y/N.“

I finish reading without any other disturbances. The professor compliments my essay again when I’m done, the small incident at the beginning forgotten already. Well, not by everyone. One of my friends shot me a quick text to joke about it which only earned an eye roll from me.

My friends don’t know that I’m dating Corpse either. As I said, they are simping HARD over him while I act the most indifferent on the subject. Whenever they ask my opinion on him I either say ‘he’s OK’ or just avoid answering completely. I know saying anything more enthusiastic than that would turn into a snowball rolling down a snowy hill - I’d just keep babbling about how nice, amazing, wonderful and a gift to this world Corpse is, inevitably revealing our relationship in the process.

I’m afraid of revealing my relationship with Corpse in front of these people. They are all run on jealousy and selfishness and I can only imagine how mean they’d be about it. I’m already not too fond of them, it would only be worse if any of my personal life was exposed.

When the class finally ends I remove my headset, putting my forehead down on the desk, barely missing the keyboard. I groan in frustration and anger at myself for not fighting back. I could’ve and should’ve said something - ANYTHING. But what? That’s a question I can’t find the answer to.

“Hey...“ Corpse’s hesitant voice comes from behind me, “You ok?“

I straighten my posture, turning to him with a smile. “Yeah, but these people suck.”

I get up from my chair as he approaches me, basically falling in his arms. The comfort I feel radiating off of him makes me relax, forget the past hour or so. He has always had this effect on me. Like my own personal kryptonite to my anger and anxiety.

“Did I get you in any trouble because of that?“ His voice shows clear concern and guilt.

I wrap my arms around him tighter, burying my head in his chest. “No, don’t worry about it.“

And I really wasn’t in trouble. Not until now that the video is officially posted....

I can call these people dumb all I want but they sure put two and two together awfully fast. They recognized the lines they heard during class as the same ones from his new video that came out almost a week after the incident, aka two days ago. It’s safe to say I haven’t touched my phone or computer since.

“This is all my fault.“

Of all the horrible things I suspected would happen this has to be the worst - Corpse is blaming himself for it. I am prepared to take all the shit these people have to throw at me but seeing Corpse beating himself up over this is killing me. No amount of convincing can change his mind. Nothing I say helps.

“Please, stop doing this to yourself. Non of this is your fault, Corpse.“ I’ve repeated this sentence more than a thousand time these past forty eight hours, each time saying it more and more desperately.

“All of it is my fault, Y/N. I’m so sorry. I hate myself so much.“ Has been his reply single time.

I can’t watch him be so mean to himself. It’s the most conflicting thing when the person you love most is torturing themselves. It’s easy if it’s someone else doing it, you just kick their ass. But what are you supposed to do when the person you want to protect is the same one you need to protect them from.

Corpse has shut himself away in his recording room these past few hours and though he clearly needs to be alone, he still left the door open just a crack cause he knows I’ll be worried sick otherwise.

While I’m alone in the living room, I’ve finally managed to brace myself and build enough courage to power up my laptop. Last time it was on it was going mad with notifications.

“It’s digital. Only digital. It can’t hurt you too badly if it can’t touch you, right?“ I mumble to myself, already frustrated despite not having yet seen all the horrors that await me.

And horrors there were. Everywhere. Twitter. Instagram. Facebook.

My grades. Some pictures of me no one has ever seen. My school files. People from my class tweeting Corpse to ‘expose’ me for the ‘slut’ or ‘bitch’ I really am. Corpse hasn’t touched social media either and I plan on making sure it stays that way. God only knows how much worse he’ll get if he sees these claims.

And then, like a notification sent straight from hell, an email from my professor.

Practical lectures on Friday. Be here at 9 AM. Don’t forget your mask and gloves.

Good thing I opened my laptop when I did. Friday is tomorrow and I need to prepare for this day. Not only do I need to hit the books but I need to toughen up a bit. I can’t go there looking like I feel - like a mess.

Alright, time to put the brave face on. No more wallowing in it, at least not until tomorrow afternoon.

I make a study plan and hop in the shower. I feel the need to apologize to my hair for washing it so roughly, basically yanking at my strands from frustration that has been suppressed for too long.

I get our of the boiling hot shower, red as a lobster, and change into some clean comfortable clothes and put my ass in study mode. I remove all the scary expectations of the morning to come from my mind and let the information the textbooks has to offer seep into my brain.

* * *

I’m about to head out and, despite my put-together composure, I am a wreck inside. I actually put effort into my appearance, I mean - I even styled my hair. A pretty façade to hide a ruin.

I saw my friends’ texts last night, all three of them ending their friendship with me because they felt betrayed. I haven’t yet decided how to feel about that. Doesn’t matter at the moment, there are more important matters at hand, aka surviving the next three hours.

My college is within ten minutes walking distance from our apartment. That ten minute walk has never been so stressful, not even during exam season. The air feels a little harder to breathe, the path a little shorter to walk. And my moment of reckoning a little too close.

I feel eyes on me the second I start walking through the park of our campus. Sure, I could just be paranoid, but the feeling is too real to be just my imagination in overdrive. I’m glad I have my hair down and a mask on so the redness of my cheeks and neck isn’t on display. That’s a sign of weakness right now.

We have two an hour and a half long classes between which we have a snack break that’s half an hour. I usually enjoy that period but I’m dreading it now. These assholes can only be so mean in the presence of a professor, but during lunch break they can increase that tenfold.

“Well if it isn’t Corpse’s girl.“ I hear that a lot. The whispers are not so much whispers as intentionally loud enough for me to hear remarks. I’m not bothered by them, it’s the least they can do. If I let such a simple thing get to me, I’d be crumbling by the end of first period.

I hear some shuffling behind me and out of the corner of my eye I see, yeah you guessed it, THAT bitch. She’s standing as close to me as she can without violating Covid regulations. A mask is covering her face but the menacing look in her eyes tells me all I need to know about the interaction that’s about to go down.

“I’d ask how much he pays you for the hour.....“ her long nails tap the wooden desk, “but that’d be rude. I bet it’s tough being a maid. Do you just clean or are you a multipurpose lap dog? No offense, I’m genuinely curious.“

“Vy, would you be so kind as to give Y/N some room to breathe?“ The professor asks as he nonchalantly walks in.

Vy rolls her eyes, batting her eyelashes at me, “Talk to you later, sweetheart.” With a fake friendly wave she’s out of my hair, at least for now.

Remember what I said about these people not being as dumb as I pegged them to be? Yeah, scratch that. These fuckers actually tried getting away with taking pictures of me with flash in broad daylight. Like, HELLO! I have two functioning eyes and a brain, I’m onto you. Sadly, me having figured out their childish but hurtful methods of humiliating me doesn’t change much. They still posted the pics they took, using the most derogatory terms they could find in the English language, always making sure to tag Corpse and me both.

Needless to say, these were the longest three hours of my life.

* * *

Shutting the door to our apartment behind me causes relief of the highest levels. I feel like I’ve locked out all the bad shit I have had to deal with these past twenty four hours.

I’m tired. I’m fucking exhausted. I feel like a discarded piece of paper.

And it all starts crumbling. A wall is bound to start slowly falling apart after being hit over and over again, each time feeling the blows with a stronger intensity.

I slide down the door sitting down on the floor and slowly taking my shoes off. I put my bag beside me and wrap my arms around my knees, hiding my head in the space between them and my chest.

One tear slides down my cheek.

Another follows.

And another, this time accompanied by a choked sob.

A pair of arms wraps around the ball that my body has been shaped into. One of his hands comes up to stroke my hair gently, feeding me the comfort I have been longing for since I left the apartment this morning.

“I saw it. All of it. All the shit they talk about you. All the names they call you. And I’ve never wanted to beat so many people up simultaneously.“ His words make me raise my head from its low position, giving him a knowing look. “I wish I could. I would, but that would land me in jail. Which doesn’t even sound so bad cause I don’t like going out. Only problem is you wouldn’t be with me. I wouldn’t want you to be there with me, don’t get me wrong, I’d never want you to end up in jail. I-...” I cut him off by pressing my lips to his. A quick kiss that says so much but mainly shows the immeasurable gratitude for his support.

Seeing those awful tweets and comments had the complete opposite effect on him. He no longer blames himself but the people who actually deserve the blame - all those jerks from my college.

I pull away, giving him a small smile. “I would never let you go to jail.”

He smiles back at me, overjoyed that my mood is slowly being lifted, “Come on, I have a nice crowd that would like to meet you.”

I know exactly what he means. Felix, Sean, Rae, Dave, Sykkuno and the rest of his friends. The people I’ve been so shy and afraid to meet since day one. Being shy doesn’t really make sense now, seeing as how they know I exist and that I’m a part of Corpse’s life.

What do I have to lose?

“Guys, this is my girlfriend, Y/N.“ Corpse’s black avatar runs around my cyan one in the Among Us lobby.

I can’t help but giggle when I unmute my mic, “Hi everyone! It’s so nice to finally meet you.“ They each introduce themselves, expressing how happy they are to be meeting me too.

It’s the first time in what feels like a while that I’m truly having fun. These people are wonderful, each so unique and lovely. They never brought up the scandal nor acted as though they knew about it. I know they did and I am beyond grateful that they never mentioned it or treated me any differently because of it. Also, Corpse was streaming the whole time. I had my phone on his stream, my eyes nervously scanning the chat every now and then. I couldn’t believe it. Corpse’s real fans were just as wonderful as his friends - they were nothing but supportive and happy to have met me.

Now, I can either choose to believe these people were being so nice to me out of sympathy or I can believe they really like me and appreciate me for who I am and not for what happened to me.

I choose to believe the latter.

And while I’m still getting accustomed to this whole new spotlight, I know I’ll be able to handle it as long as I’m holding Corpse’s hand in the process. All I need is to have him beside me and I’m prepared to tackle anything.

“They love you.“ Corpse tells me once the stream is done and we’ve hopped out of the Discord call, “But I love you more.“

His arms wrap around my waist while mine instinctively find their way around his neck, “I love them, too. But they’re at the number 2 spot.”

He smirks at me, “I wonder who’s at number 1.”

I push up on my toes, putting my lips an inch away from his, “Hmm, I wonder...”

He doesn’t let me finish, silencing my teasing with a sweet, loving kiss.

@susceptible-but-siriusexual @simonsbluee @save-the-sky @hacker-ghost @bi-andready-tocry @imtiredaffff @jazzkaurtheglorious @hereforbeebo @fandomgirl17 @chrysanthykios @maehemscorpyus @loraleiix @letsloveimagines @annshit @i-cant-choose-a-username-help @enigmaticmaze @divine-artemis @waterlilypat

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spikesbimbo · 4 years ago

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Drunk in Love

Summary: Getting drunk and confessing your love for your “boy” friend and fucking him was most definitely not what you expected to go down on the usual night.

Pairing: Issei Matusukawa x Reader

Tags: Timeskip!Tattoed Mattsun, softdom!issei Hurt/comfort, friends to lovers, smut, fluff, virgin!reader, Unptrotected sex, non-penetrative sex, fingering, oral, pussy/thigh job, clit slapping, sweet dirty talk, praise, drunk sex

Word count: 7.2k

A/N: I heard pussy job and I wrote a whole ass novel

18+ Minors DNI

You run your finger over the condensation of your empty drink, drawing shapes (or what you thought to be shapes, you couldn’t tell at this point) waiting for your dear friend, Makki to bring you a refill of your cocktail.

“Here ya go.” Makki said as he returned with your beloved Malibu Sunset. The smooth coconut rum bringing you back to your first and favorite drink that you ever got drunk on in high school. You smiling at the memory

“Thanks.” you say. Your reply being mumbled by the liquid already in your mouth.

This all started with Iwaizumi calling Mattsun up, you and Makki hearing “You wanna get wasted?” on the other side of the phone. And with pleasure, you two were already packing your stuff up, shoving yalls “pregame” bottles back in the bag. The three of you made your happy way there climbing through the fence of the abandoned skate park you were in. Needles to say it was abandoned for a reason, but what’s life without a little danger.

You three and the rest of the third years have been friends since high school, meeting in freshman year, and now including Oikawa’s girlfriend. You actually didn’t like Oikawa at first, his “pretty boy” demeanor making you internally cringe. But his personality grew quickly on you, being the perfect target to tease you and Iwa clowning him over everything.

Now back to you on your nth drink, complaining about your previous job that fired you because u got injured, even though you know you wouldn’t have lasted long there anyways because you weren’t that academically inclined. Bright? Whatever you wanted to call it.

And as-usual it wasn’t long before your crybaby ass immediately called Makki and Issei and “tried” your best to tell them what happed with your dramatic self-induced tears running down you race, while Makki urged to you to try to calm down and Issei straight up laughing at the state your were in, snot running out of your nose. You recoiling at the thought, hoping they forgot. (Spoiler, they didn’t)

But now you nanny for a rich couple and you get payed good to play with cute babies all day, sounds good to you! Luckily, you had the week off due to them going on a vacation, you think it was France, no, the south of France. Must be nice.

Cue to now, Mattsun chuckling and leaning on you and Iwaizumi; both of you, especially Iwa, being visibly done with his shit. Him reminding you about the times you bought him some random shit, which you went out of your way for since he always payed for you, like that chopper keychain because you said it reminder you of him.

He didn’t know what compelled you to say his 6’2, tattooed built self looked like a tiny reindeer but okay. It still meant a lot to him, hooking it onto his motorcycle keys. But you knew he appreciated it, despite his appearance he’s a softie.

“You wanna try this’” He says gaining his composure offering you one of the shots he got.

You took one of the mini glasses, not being the type to back down and promptly swung the drink to the back of your mouth, quickly coughing before it even reached your throat.

“This shit is fucking gross.” You coughed out bringing the glass down from your lips.

“Imagine being sober. Can’t relate.” He said taking another shot.

“I guess I should do that but ive passed the point of giving a fuck” You said sending yall into a giggling fit while somehow Makki was thrown in to support yall from falling over. You two carry on laughing ignoring everyone’s stares at you thinking about how much yall fit perfectly together.

Makki rearranges himself to sit back in his chair, far away, from the both of you, whispering “Damn. I’m really third wheeling.” under his breath. Getting a snicker out of Oikawa sitting next to him.

“When your best friends are ignoring you. Sad times.” He continues bringing his bottle to his mouth getting no response.

Issei chuckles and gets up shoving his hands in his pocket reaching for the cigarettes. Pulling them out while failing to find his lighter

“Fuck.” He muttered

“Any’all got a light?”

No one responds so you sacrifice yourself “Yeah” you say reaching into your pocket grabbing out your prized possession of a hot pink, bedazzled lighter that you did yourself, reaching out to hand it to him.

“Don’t lose it” you stated seriously trying not to break a smile.

“K’ sweet cheeks.” He said smirking into the butt between his lips as he walked away. Your face now burning up, hoping that everyone would think it was because of the alcohol.

You mind wanders, thinking about the “dates” you two go on, from watching shows you “forcing” him to watch some romantic anime, to going to the skatepark, to playing video games with the rest of the 3rd years (which you don’t really like but you’ll play for him) and him surprising you with takeout, you bringing out candles trying your best to make it cute with him telling u everything you everything about his day.

And you always tried to remain calm, even though sometimes he deserved to get his ass beat, like that one time he broke one of your favorite pair of heels. It honestly hurt him even more, he wanted you to get mad at him but no, you just acted like nothing happened. Making the guilt rise in him. Let’s just say didn’t have to lift a finger for the next few weeks.

You basically babied him, taking care of all his “chores”, mainly making him food when you were at his place knowing he hated doing it. Makki teasing you for acting like his housewife, leading to you slapping the shit outta him while trying to cover your now red cheeks.

You’ve never been so grateful for your attire at the moment, blessing yourself for not wearing your usual outfits of short skirts and cute tops, defending yourself saying what housewife dresses in beat up vans and baggy clothes. You definitely not imaging yourself in that position for the rest of the day.

You expressed that you just liked to take care of people, which was true. You always looked out for them, bringing an extra umbrella, to bringing cookies you made at 2 in the morning to school, always carrying band-aids (yes, the paw patrol ones you took from the kids you babysit).

You checked the time on your phone seeing it was late since the sun at last went down, your lock screen being your dogs to their complaint since they have a group photos of you all from high school as theirs. To which you replied “They’re my babies” getting a groan and huff out of them.

Seeing the notifications of your group chat you grinned at the contact name you and Issei gave each other; yall jokingly call each other pet names, his contact being honeybun and yours being pumpkin, even including Makki in your contacts as pudding bc then it wasn’t weird, right? no.

“What’re you smiling at y/n?” Oikawa cheekily asks teasing you. You turn to him giving him a dirty look, not having enough energy to deal him right now.

“Don’t listen to his bullshit.” Oikawa’s girlfriend says. You’re thankful for her. She was always on your side, being the only other girl in your friend group. To be honest you just wanted her and you to hang out most of the time, but of course to your disapproval her boyfriend and his friends had to join in.

“Fuck this. Fuck you. I’m sleeping.” You say getting up to her objection, the only thing on your mind wanting to retire for the night.

“You sure you’ll be fine? Let us at least walk you home.” She said already grabbing her boyfriend’s arm.

“Nah, im good. I live right down the road.” You try to say not slurring. The last thing you want is him teasing you even more, especially in this state, knowing you, you’d probably start crying at the slightest irritation when youre this drunk.

You started to “walk” towards your house resting your hand against the brick walls to not lose your balance, leading you to run into Issei. You stopped to watch him lean against the alley holding a cigarette between his index and middle finger.

“I’m hiding like a bitch” He says noticing you, resting his weight against the wall.

“Wanna be a bitch with me? He grinned blowing out the smoke out with his words.

You didn’t reply, just walking over to him, just being around him made you feel warm.

"Fuck its windy.” He says trying to light a new cig.

“C’you make me a house?” He asks.

You go up and put your hands around his cigarette, this not being your first time. Your hands wrap a little tighter to prevent the wind from burning out his flame. He joins you with his free hand helping, finally getting his cig to light.

“Thanks doll” He smirks.

“No problem princess.” You reply earning a laugh out of him.

He takes his first hit with his and your hands still wrapped around it. He gets an up-close look at your hands, noticing how tiny they were, seeing all the scars that he never noticed, making a mental note to ask you how you got them later.

His head gets close to yours for the first time in a while due to his height. You glance at his face, noticing his features seeing some stubble growing on his face.

“You ain’t shave?” You ask, never seeing it in the past, while he was moving back up, blowing the smoke away from you.

“What, you don’t like my majestic beard? “He jokes. Making you giggle almost losing your balance before catching yourself on the wall.

“s’too much work.” He starts. “You wanna shave it for me?” he says slightly leaning towards you. Handing you back your lighter knowing you didn’t need him to carry it because your pants actually had pockets in them for once.

You let out a soft laugh not responding again. He catches on, you got quiet when you were tired and he made out that you were walking towards your house.

“You going home?” he asks already knowing the answer.

“Yeah.” You respond more than happy to have him walk you back, him already moving to walk next to you.

He walks you home, you two talking about random shit, both of you forgetting about your skateboards leaving Makki to deal with them. And even though you’re drunk as fuck you’re still in the right state of mind, carrying a normal conversation with him. But just because you’ve built a tolerance doesn’t mean you can do basic tasks, like walk correctly.

When he reaches your house, he types in the keycode, your first dogs birthday, being glad that you, him and Makki have each other’s memorized.

He leads you into you house setting you on the couch, petting your dogs that ran up to him.

“Mommy’s not feeling too good” He said giving them the affection they deserved.

“Yes I am.” You slurred getting them attention on you now.

He walked over to your counter putting on the playlist that you two made together on shuffle, High fashion being the first to play. You didn’t like when it was quiet because too many thoughts would run though your head. You were in no way sad, singing the lyrics while you were laughing barely being able to hold yourself up as proof.

Remembering you were tired, he takes you off the couch and borderline carries you to your room, , setting you on your plush blankets that you had so many of because it was warm and comfy.

“Easy, there. Try to sit up.”He said, trying to ask you what draws your pj’s were in because he didn’t want to snoop around; neither of you being bothered that you were half naked, what’s the difference between panties and a bikini, he thought remembering the times you’ve been to the beach together.

Well it was maybe the fact that you were clinging onto him because u stumbled into him and he was closest stable thing around and you wouldn’t let go because it was cold and you couldn’t stop shaking.

He ignores his thoughts and grabs the shirt he got out figuring you don’t need to change your bra because you told him and Makki that it was normal to keep it on for a few days after they were in awe as you were explaining how expensive they were. You calling Oikawa’s girlfriend to prove your point as she immediately agreed with you…Sometimes you might have got a little too comfortable with them.

You hear the song in the background change to Love Songs, you humming along, “Hope you smile when you listen.”

You were still holding on to him, your boobs squeezing against him, him only being able to put a t-shirt on you, while you looked up at him with your red glossy eyes making him burn up.

You fidget timidly with your face now in his chest while gripping his sweater. Trying to build up the little courage you had. He tilts your head up making you look at him, wondering what you were thinking about.

You try to express yourself, but you can’t get the words out him having no idea what is going on in your head at the moment.

“It’s okay to be nervous sometimes. Tell me” He gently says reading your body language. He was intuitive, so there was no way you could hide your feelings from him.

But you knew you could trust him, him having full self-control, always staying collected and following through on what he said he’d do. He went out of his way to avoid any friction coming between you two, him never raising his voice or starting an argument.

“We need to talk.” You started. “About something important.”

“Ok…What is it?” He questioned rubbing his hands on your back. You were so nervous, were you really about to say this? Confess your feelings that you’ve pushed to the back of your heart for so long?

“I… I l… I love your face. And the stuff in it. and around it.” You spoke, being surprised you did it stutter.

He stood there, hands stopped moving trying to process what you just said.

“Just you, in general…” You finally confess trying to state three things at once barely getting your words out.

But he understood exactly what you meant, or maybe he was warping what you said to fit what he wanted.

"I don’t even know when I started liking you, but this shit won't go away." You restated

Nope. He clearly just heard you say that.

He doesn’t understand what’s so different about today. Yall have been in this scenario multiple times taking care of each other, sometimes including another into the mix.

You didn’t understand either. You just felt like the time was right, even though you know it wasn’t the best idea to confess while you were drunk off your ass.

But you couldn’t help it, your feelings overflowing, which you never until this day let get the best of you, being vulnerable and trusting is not your usual . Youve never even had a crush on anyone, him being to only in your whole life to make you blush.

Who you been vibin' wit and why I can't make you mine?

You should have seen the signs that you feel for him when he helped that lady that lives down the street from him set up her Christmas lights or when he first met your dog that wasn’t fond of men, but it instantly liked him. And you loved his selflessness it was something you admired and applauded.

��y/n” He tries talking you down, making sure you weren’t just saying this because of alcohol, deep down knowing he felt the same, you always being in the back of his mind.

You were generous with your time too, always being there for him. You knew he was softer than he appeared, he was tender, sensitive and vulnerable. He tried his hardest to not get into situations where anyone would get hurt, like breakups, arguments, and so on.

Which is why he won’t make the first move. He pushes his feelings to the back of his head. He values your friendship more than anything, but he can see what develops. If love is meant to be, it will happen.

I told you I am down for the worse or the better. But I keep sticking to you cause them four stupid letters

“You make me so happy. And I’ll always care about you. Okay? He says breaking the silence, trying to reassure you.

“You mean so much to me—something I can’t even put into words because nothing can compare- I’ve wanted you since that day you tripped and bust your ass in the school hallway I still want you even though you drive me insane.”

“Iss-“ You tried to get out only to have him continue talking over you.

"I love that you can’t leave the house without a jacket. I love the wrinkles that appear on your forehead after you call me crazy. I love that it takes you hours to get ready. I love that you always know how to make me feel better. I love that even when you don’t agree with my decisions you always trust me to make them. I love that when I spend a day with you, I can still smell you on my clothes; and I love that you are the last person I think of before I go to sleep at night."

You stood there awestruck for what feels like eternity until you mustered the bravery to speak “I didn’t expect you to feel the same way-” You said, being dumbfounded because from what you’ve seen treats everyone “nice”, were you really getting special treatment?

He tilts your chin up, locking his dark eyes with yours. “Baby I don’t know if your notice but you and Makki are my only people that aren’t my family that call me my first name.”

He has a point. You think pushing yourself more into him, trying to fuse your bodies together to hide, not relaxing what you were doing to him. He tries to nudge your legs to the side but you won’t let go still clinging onto him.

“fuck” He groans. You pulling back wondering why until you looked down and noticed. A smirk appeared on your face as you reattached your self to him like velcro. You were feeling bold, the liquid courage still in your system driving you to slide your fingers down his chest, looking him in the eyes before stopping at his waistband.

He knows what you’re doing, him being in this position multiple times. Does he really want to ruin your friendship like this? He hasn’t even asked you to be his girlfriend. He tries to push you off him already knowing you were gonna complain. But what he didn’t expect was for you to whimper out his name in that pretty voice of yours.

He tried to keep his calm, blood already rushing down. “You know what you’re doing”

“yeah” You start.

“y’don’t want me?” Giving him your pouty face that you know he’s weak for, hoping that’ll work, insecurity piling up. Was it because your boobs weren’t that big or that fact that you were dressed like man? Was he not attracted to you right now, only liking you when you were dolled up?

“Fuck” You think. You should have worn something cute instead of dressing like a whole ass man even with your makeup fully done. Its not like you were supposed to know you were gonna get fucked today.

His were burning holes into you now, thinking of how to say “No, I would be more that happy to fuck you!” to his best friend, soon regaining his consciousness finally speaking.

“Fuck no doll, ive wanted you for a minute. You know me better than I know myself. How did you not notice my feelings?”

You got me singing love songs, love songs, love songs

“You’re really hard to read” You replied trying to maintain your seductive act, resting your hands back on his chest.

“So are you.” He said lowering his head, you still looking up at him, taking in your gleaming eyes.

Sex ain't the only thing that's on my mind But you get me so excited, whoa

Your heart was beating so wildly that you could only take little sips of breath. His hands running down your waist stopping at your hips.

“Can I kiss you?" He asks "...yeah” you attempted to say as confidently as you could, nodding your head along with it.

His face bent down, hot mouth breathing over you. His lips slowly moved, brushing over yours, the liquor on his lips that you hated; only choosing fruity drinks even though you got relentlessly teased you for it. You pushed further into the kiss desperately wanting more. Your teeth clicking his from being impatient, wanting to suck him in. Your hands sliding under his shirt subconscious desires reaching out.

Irreplaceable Tattoos from your neck that drop down to your ankles

“You’re drunk…” he says snapping you out of your trance.

“So are you.”

He dove in for another kiss much more passionate than the previous one, arguably needy, pusing you on the bed to which you more than happily comply. He tugs back not letting his mind get the best of him, disconnecting your spit trial leaving you panting. “You sure this alright?” He says deep down hoping you still say yes.

You pull him back for your answer, your grabby little hands working their way back up his shirt. He gets the hint and pauses your lips rendezvous, taking off the turtleneck that he looked oh so good in, before seeing his unclothed body. You’re admiring his body in a new way, before just complimenting him whenever he got a new tattoo, now up under him tracing them like a lovestruck teenager.

“When did you get this one?” You quietly ask, his ears closer to you than they’ve ever been.

“I got it that day you faked sick”

“What! You said were gonna take me!” You sulked, turning your head away from his as much as you could, crossing your arms.

He let out a slight laugh before gently taking your face in his hands, guiding you back into the kiss.

This is not really what he imagined for your first time. He’s an old-fashioned romantic who likes to take one step at a time. But then again nothing was ever normal with you. That said, when he falls in love, he falls deep.

“You’ve done this before?” You uttered.

“Hmm?” He mumbles, unmoving his lips from you kissing you, moving towards your neck.

“You still with that other girl?”

“No. I broke it off her, everything that came out of her mouth was bullshit, and no she wasn’t my girlfriend.”

“You didn’t trust her? You added. Trying to distract him until you could think of a way you could say “hey in my 21 years of life I’ve never got passed kissing a guy.”

“Our relationship was purely built on lies, I’d second guess everything she said. He replied, wondering if you were interrogating him.

“Why’d you wanna know?” He asked bringing his face up from your skin.

“…No one’s ever touched me like this, fuck.” You bashfully admitted, thoughts racing through your head that he didn’t want you anymore because you weren’t experienced.

But he knew what was running through that pretty head of yours, his fingers reaching out to with your hair trying to comfort you.

“You’re a virgin?” He curiously asked dragging his hand to your cheek, you leaning into it.

“y-yeah” you muttered trying to move your eyes away from his looking down at his body.

“I thought you had a boyfriend before” he said, softly turning your jaw to make you look at him. Your eyes diverted from his arms back to his eyes.

“We weren’t actually dating” You quickly say trying to clear up the misunderstanding. “He was my friend and seatmate that pretended to be my fake boyfriend to get me out of some trouble” you spewed out “and I guess I forgot to tell everyone that it was fake.”

“Even if we were that doesn’t mean we fucked.” You sheepishly replied.

“So… what trouble did your fake boyfriend get you out of.” He questioned knowing how much trouble it must have been for you, miss independent, to go to such lengths.

“Umm, well…this guy wouldn’t stop flirting with me even after I told him I don’t like him, even following me to my other classes.”

He wasn’t surprised, you were definitely a sight for sore eyes, in fact the prettiest thing he’s laid his eyes on, your beaming eyes, your dimple when you smiled, your pretty face, your “ugly” laugh, he could go on for days.

“Why are we talking about this” You whined, reaching your hand back out to him.

He took a hint and continued kissing you, bringing you closer to him while you attempted to take you shirt off. His hands helping you seeing as that you were struggling, being lost in his touch, finishing by moving you up more on you bed, pushing your plushies out of the way, to your protested because “they had feelings too.”

He ignored you, bending down to pull your panties off stopping once he saw the slick coming through them.

“Fuck baby you’re wet” He breathed dragging his fingers across your clothed slit earing a whimper from you, leaving his fingers drenched.

Shawty, you wanna feel good, I wanna feel good too Don't I make you feel good?

“M’always wet.” you responded.

From what? He questions taking off your soaked cotton panties, tossing them to the side.

“From me?” He smirks bringing his hand back towards your heat. You not even comprehending what he just said, just knowing that you’re ashamed of how worked up you were getting.

You were in awe. You’ve always known his hands were big, but in this situation your mind wondered. His fingers were so much bigger than yours knowing you can barely fit two inside your with out it hurting, and not in a good way.

“Do you know how pretty you are? It’s honestly distracting.”. He says kissing down your whole body, stopping at your breasts, licking lazily around and coming back to the nub. The attention on your nipples making you squirm and he finally lets go, you grateful that he stopped or you would have almost cum, how embarrassing.

“I thought you said were gonna get them pierced” He remembered, you going on a whole rant about how cute they were.

“You said u were gnna get em with me” You looked back on, reminding yourself making him promise to get them with you because you were too scared of the pain.

“That was the same day you played sick and I got that tattoo.” He stated lightening the mood, hoping you can calm yourself down before you actually embarrass yourself.

He picks back up and continues kissing all the way down your body, you playing with his hair while biting your lip to muffle your moans and whine until he reaches your entrance.

He parted your legs, your pussy laid out before him, believing you no have reason to be shy about it either. He paused, admiring your swollen cunt and puffy clit, you were beautiful.

The feeling that he didn't want anyone else ever in his position overtook him. He let out a little breath on your clit and you thrashed around. He wasn't going to play. “I’ll take care of you.”

His lips travel over your skin, light and heated before settling himself between your legs, grabbing you by your thighs and dragging you closer. “That tickles.” you giggle, nerves making you kick your legs, almost hitting him in the face before he grabs them. He puts them down locking your legs with his arms, lowering himself until he’s on the ground facing you.

“Does it make you nervous when I stare?” he teases while your covering your face trying to hide the blush he caused. He puts his mouth on you, quickly gripping your thighs, his hands leaving imprints in your skin dragging you even more into him, deprived kisses taking over your body.

“yer so pretty” You purred seeing the sight of his big build between your legs, your fingers grabbing onto his curly dark locks, tugging them.

Issei moans, his voice radiating through your body, forcing out a cry, blessing him with your pretty voice. “I-Issei!” You cry, never feeling like this before, your vibrator and hands doing it no justice.

“Shh, just look at me, doll.”

You can barely make out what he says, so drunk on pleasure. You try your best, doing anything to see the pretty man beneath you. But you get interrupted by your pleasure, your back arching not being able to control your body, grinding down to meet his lips, heat rising in you.

He kisses through your wetness playing with your bud. You choking on your spit, back arching again your body tensing up. “Issei,” You beg, grabbing him knowing what you want but not being able to express it. Luckily he can read you like an open book, knowing what you want, driving you over the edge as he makes you see stars. “Good girl,” he sighs when he feels you let go of his wrist letting him bring you your first orgasm.

“Look at your thighs shaking so much.” He teasingly cooed, wrapping his hands around them, bringing you out of your daze.

Shawty, your body is so exciting

Arching your back into the blankets, letting out a whine “Want your fingers.”.

He lets out a condescending laugh. “You need to learn to be patient. You just came and you’re already so eager for more?”

But by the time he finished your body went limp, you were totally weak, body loose-limbed and pliant. Your mind clouded by lust and deep in your own world. You gasped out a little sob, unable to comprehend anything beyond the discomfort and the need to have it gone. You can’t think straight all you can do is take action, grabbing his arm him easing his fingers into to you.

It’s not too tight, is it?” you ask clenching around his fingers.

“Just relax… let yourself feel it” He says barely being able to move in you. Fuck so were so tight.

“I love the way you look with my fingers inside you.” He added starting to thrust them inside you, making you let out a string of moans.

“Look how good you take it.”

“Fuck, you’re so messy.” He groaned feeling the slick running down his hands, before taking them out.

“Issei-i,” You cried when he pulled away, pleasure leaving you, tears coming back.

He shushes you easily, his fingers wiping your tears. You were so precious to him, your moans music to his ears. He slows down repositioning his fingers, making you let out a whimper squeezing around them. Your brains so crowded you can’t focus, can’t gather the strength to speak when he thrust them faster inside you.

Your eyes rolled to the back of your head as you fell back, fingers curling inside you, chanting his name over and over, incoherent words coming out of your mouth begging for more.

You pussy tightens as you cum, unable to breath, letting out gasps and whines. Him still fucking you, fingers not stopping, pushing them in and out relentlessly feeling both pain and pleasure. You lay there, wet in your own cum not giving yourself a break before you went and got what you really wanted, his cock.

His eyes followed the movement of your hands as they pushed down his boxers, revealing the length of his cock, that jutted proudly from his hips. He was so pretty, so virile and handsome. Wondering how lucky you were to be in such a position with him.

You pushed away those thoughts and focused on him, pulling him forward gently, but he followed his encouragement. One of his hands tilted his cock down toward your lips. “Open your mouth for me, baby.”

You parted them instantly, tongue sliding slightly outward, and then you whimpered as the warm weight of his cock slid into your mouth. You let your eyes flutter closed and swirled your tongue around the tip of his cock not knowing exactly what you were doing, but it was working, tasting the salty tang of the precum that wept from his leaking slit. You moved your tongue as the he put his hand into your hair, gripping the strands and pushing deeper into his mouth.

“You look so good on your knees like that. “He says meeting your eyes once again, almost cumming from the picture below him.

“Slowly, baby, I’m not going anywhere.” He says slowing you down by grabbing your hair, making a pace that you follow.

“Yeah, that’s it, baby, just like that.” Seeing that sinful look in your eyes with your redden swollen lips.

You moan feeling yourself drip down your thighs, getting even wetter giving him head. Trying to ease the discomfort by closing your legs, griding them together, trying to find some friction. Your ears hearing “That’s so fucking hot.” watching the scene unfold beneath him.

Your jaw hurts, trying got make him cum faster using your hands and lips together hollowing your cheeks. “Oh fuck, oh, Jesus, fuck yes, there, just like that, fucking Christ" he groans out, his voice sounded beautiful to your ears, knowing he was about to cum.

He finally lets go cumming in your mouth, you swallowing it all, trying not to wince at the taste. “Did I do good” You ask waiting for his reply. Your doll eyes, so red and worn out looking up at him for approval. Fuck he was whipped.

“Yeah…fuck baby”

I love when you get on top and you ride it

You get back under him, his cock resting on you, drenched and clenching around nothing, resting in your cum. You working yourself up against him.

“What makes you think I’m going to fuck you?” He says to your complaint.

“You’re not ready yet.” he mumbles against your whining. Spreading your legs, slapping your clit a few times before letting his cock rest on your folds. Finally getting “seated” he picks up your legs and puts them both on one of his shoulders your thighs warming his cock, your knees touching his cheek not moving, getting a kick out of how desperate your were for him.

“s-stop being mean” You cried reaching out for him to come closer, needing affection after all you’ve been though.

“Aww, poor baby, you want me to take care of it for you? He says leaning into you, reaching your kiss, tasting the remnants of the cum in your mouth.

He plundered your mouth and slowly teased his cock over your entrance, catching it against your clit and making you whimper into the kiss, clearly wanting to be fucked. Your kiss turned you sucking on Issei’s tongue and lips, biting the swollen pout until his lips were red and puffy. He pulled back and looked down at you, a beautiful mess under him.

His fat cock head pushed between your folds. The moan escaping both of your lips was primal. You were turned on beyond imagination and the way he was thrusting forward, spreading his leaking precum on your wet clit was almost too much. He quickly picked up his pace fucking your folds, his warm head brushing against your clit with every movement, but your greedy self wanted more.

The fact that he made you cum so easily made you proud. Just because you’ve never gone this far with someone else doesn’t mean you’ve never cum, you’ve had a lot of practice over the years, being insatiable, the sheets soaked underneath you from your previous orgasms being proof.

“Keep your eyes open, look at me, baby.” He moans getting your attention him.

You tried, you really tried, but the way he was stroking you, imagining what it’d be like to actually sit on his cock, the lewd sounds echoing in the background leaving you unable to focus.

He taps on your cheek eventually getting you look at him, keeping your mind on him by placing his fingers in your mouth you letting him, hazily sucking on them, not being able to close your mouth.

“Oh, baby, you’re drooling everywhere.” He grumbles. Your spit dripping onto his fingers, the friction of your thighs making him feral, moving at an even faster pace. Your body bouncing with every thrust.

“You gonna cum after I cum on your little clit? Come one more time for me, I know you’ve got it in you.” You sob feeling the puddle beneath you, time slowing, fire pooling in your tummy. Listening to his words you let yourself go. You come with a silent scream as the pleasure ripped through your body, your nails scratching his soft skin. Your vison fading to black feeling him lose his rhythm and moaning a mixture of curse words along with your name, feeling him cum on your tummy before resting his head in your neck while letting your legs go.

“So good for me, look at how much you came.” He says breaking the static. You whining into his shoulder, emotions high, never doing this before.

“I know, baby, I know. I’m right here, just breathe.” He says. You two laying in silence for an unclear amount of time, him rubbing your back while you rest in his chest almost dozing off.

“Are we still…friends?” You croak out trying to hold back your sobs already knowing the answer that you two were defiantly not friends now and never would be just friends again.

“Friends don’t do this type of shit” He maintained grabbing your shoulders to sit you and him up. You were worried, did he only do this with you because he was drunk? You were anxious that you scared him away because you just poured your heart out to him and pushed yourself on him. You left your head down, tears already coming out to your dismay. You moved your hand up to wipe them but he beat you to it.

“Look at me… I love you.” He says holding your cheeks in his palm. You in awe, hoping that you weren’t imagining it, that this was real life.

“R-really” You question making him worry too, preferring to forgive and forget rather than letting this a divide between the two of you in case you went back on your feelings. You were so overwhelmed, never feeling love until this moment, so happy that the person you longed for liked you back. Yours tears running once again.

“Shh, shh, it’s alright...Don’t cry.”

You don’t even know why you were crying, the hangover already getting to you making you get a headache. You groaning in his arms complaining that your head and throat hurt.

“Ill be back” he says detaching himself from you, letting you know he was coming right back.

He walks to your fridge opening it to see every drink but water, having too dig through all of them, especially the absurd amount of apple juice guessing it was your “once a year craving for it”. He finally got you some cold water, putting It in a cup and waked back to your room.

“Issei” you whined not picking your head up from the pillow.

“Shh baby im right here.”

He sat down beside you on your bed lifting your head up. “Here drink this” he reassured, to which you ignored not wanting anything to go in your mouth, just wanting the day, or night as it was now, to end.

“It’s just water, honey, look.” You sat yourself up with his help seeing him in just his boxers, you remembering your still naked, not caring enough to cover yourself. He held to glass to your mouth, babying you, tilting it far back enough to where you could drink it. The water hit the back of your mouth feeling like a shot making you cough.

“I know, it hurts. I’m sorry but we have to” He stated. You continued to drink it, feeling the stinging in the back of your throat, him comforting you, calling you “good girl” which was unsurprisingly working.

He put the cup on your dresser when you finished, climbing back into bed with you leaning your body into his. “Have you ever thought about...us? Y’know, as an...item?” he said causing you to look at him with wide eyes.

“Call me selfish, but I don’t ever want anyone else to touch you.” He insisted making you cheeks flush. You try to think of a way to respond, not wanting to keep him waiting.

“You’re the best thing that has, and ever will, happen to me. Not only am I deeply in love with you, you’re my best friend.” You stammer out, your shaky hands somehow made there way to his neck, letting them fall slowly before he grabs them dragging you in for a kiss before you got to even see his face.

“Everybody has always thought we’re a couple.” He continued taking his time kissing you all over your face. “Then I guess we should be.” You retort, kissing him back before you could see his reaction, not wanted to be embarrassed anymore today. But he caught you, holding you still “Really “y/n? Like deadass?” He asked.

“Yes dummy, I want to be your girlfriend” You say causing him to grin swearing you’ve never seen him smile that big, before he gives you one last kiss.

“I always kiss you on the cheek, why are you blushing now? He teases laying back down, you following along. You just snuggle into him mumbling something along the lines of “m’tired”, he understanding and speaking to you in a soft, gentle voice while helping you to bed, so he doesn’t make it harder for you to sleep by being loud. “I’m here love, I’m not going anywhere.” He whispers into your ear mkanig your heart swoon one last time before you pass out.

“I l-love you issei.” You sleepily mumble.

“Tell me this when you’re sober.” He says stroking your head.

“Just relax, close your eyes...”He murmurs, your heart beating slower every second. Both of you together, lazy, slow presses. Limbs pressed together, chests heaving, fingers trailing down backs, tracing lazy patterns.

“Oh!…” He remembers. “If you really wanna get them pierced, we could get matching ones.”

#haikyuu x reader #issei x reader #matsukawa x reader #mattsun x reader #matsuwaka issei #haikyuu smut #haikyuu hcs #haikyuu fluff #haikyuu headcanons #matsukawa issei x reader #tw drunk sex #tw under the influence

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earlgreydream · 4 years ago

Text

haunted.

| bucky x reader | fluff |

Bucky is new to town and feeling lonely when the townies are unfriendly. Until you show up at his door. soft, sweet bucky fluff to make you feel good! 🥺 🥰

cw: vague mentions of murder. because there’s a haunted house. but it’s not scary!

a/n: I love “we have always lived in the castle” and this is loosely inspired by that film

Bucky felt like everyone stared at him. He didn’t anticipate moving to the small town and being the object of attention for it. He definitely didn’t expect some people to be overtly rude to him, or stare at him like he was a creature when he walked by.

He could’ve sworn he heard the word “haunted” whispered by a group of people when he was buying paint at the small hardware store in town. Bucky turned to stare back, but they quickly hurried away under his confused silver gaze.

His opportunities to make friends seemed grim, and he found himself spending most of his time renovating the old fixer-upper he bought. He was beginning to wonder if moving here, away from his home was a good decision. It was lonely, and he felt like he’d made a mistake.

About a week after he moved in, the weather was particularly nice, and he decided to start tackling the garden while the weather permitted. He was working outside when he saw you.

“Hello!” You called, walking up to the gate of the fence he was painting.

“Hi,” Bucky grinned, setting down his paintbrush and greeting you.

“I’m Y/N. I live next door, I’m sorry I haven’t been over to introduce myself yet.”

“I’m James Buchanan Barnes, but everyone just calls me Bucky. You’re actually the first person to properly speak to me. People in town... don’t seem fond of my arrival.” He struggled with the right way to phrase it, but you just smiled, shaking your head.

“It’s because of the house.” You explained.

“The house?” Bucky turned to the beautiful old victorian house he had moved into.

“Yeah. People in town are convinced it’s haunted. There was a murder here, a decade or so ago. The murderer is in jail now, and the house is completely fine, and safe. But the old people here are paranoid and superstitious. I’m sorry they’ve been unfriendly. They all claim it’s haunted,” you frowned, feeling sympathetic toward your new neighbor.

He was sweet and friendly, and also incredibly handsome. You had come over to invite him for dinner, but had gotten distracted by his confusion about the unwelcoming town. Then, you found yourself staring at him. He wore a bright yellow shirt, standing out against the lush green of the garden.

“It’s alright. I suppose I’ll have to prove I’m not a ghost,” he laughed.

“I believe you. You are too kind to be a ghost. I came over actually to invite you for dinner. I thought you might be lonely.”

His bright smile made warmth spread in your chest, and butterflies flutter in your tummy.

“I’d love to, Y/N.”

He watched you blush, giggling with excitement. You rattled off a time before running off, the breeze ruffling your hair and skirt as you crossed the yard back to your house. You waved at him and he smiled, waving back.

Bucky looked forward to spending time with you later. The sound of your laugh and the sweetness of your smile echoed in his mind as he continued with the fence.

He cleaned up as the sun started to set, and he gathered daisies from the garden, wanting to make a good impression on you, and thank you for your hospitality.

Bucky knocked on your door, and you swung it open with a smile. The scent of coffee and the food you were cooking filled his sense.

“I brought these for you!” Bucky held up the flowers. You bit your lip with a blush, taking them from his hands.

“Thank you, come in.”

You stepped aside, letting him into your bright kitchen, putting the flowers into a jar on the table.

“Have a seat. Can I get you some coffee or tea while I finish?”

“Coffee, please. I can help you,” Bucky offered, and you shook your head.

“I’ve got it. I’m almost done,” you said as you poured him a cup of coffee.

“What brings you here, Bucky?”

“I was just looking to get out of New York City, to something more quiet. I wanted to renovate a house, too. This seemed perfect.”

“I’m glad. It’ll be good to see the house alive again. You’re not so bad either,” you teased lightly, making him grin.

You set down dishes of food before taking a seat beside him, chattering long into the evening. You learned that he was from Brooklyn, and that he loved New York style pizza. He was also fond of classic novels and big band music, and loved the color yellow.

You took coffee to your back porch swing, sitting with him and gently rocking in the dusk, continuing your conversation until the stars were glittering in the sky.

The doorbells chimed in the shop you worked at. You stepped out from the back, smiling at Bucky.

“Hi!” You grinned, happy to see him.

“Y/N. I didn’t know you worked here.”

“What can I get for you?”

“Knobs for a dresser. There was one in the house, I’m refurbishing it.”

“Certainly. What color have you painted it?”

“Just white, I didn’t know what else to do. It needs something.”

“If... If you wanted, I could give it some detailing. I paint.” You offered shyly.

“I’d love that.”

“They’re on the house.” You smiled, handing him the knobs he asked for.

You were kneeling in the sunroom of Bucky’s home. A record was softly spinning in the corner, and a gentle breeze blew through the open windows. Bucky brought a cup of tea to you, setting it down beside you.

“Thanks,” you smiled, reaching up and gently squeezing his hand before going back to painting delicate flowers on the dresser. He hummed along to the old song scratching on the record, and you smiled as he sipped on his tea, taking a break from painting the walls of the sunroom a pale sage green.

Your hand stilled as you watched him. You stared at Bucky, he was too perfect for you not to.

Despite the rumors of the house being haunted, and a curse placed over those who resided there, you found yourself at peace with Bucky in his home. It was bright and inviting, just like him.

Every hour spent with him had you falling more hopelessly in love with him.

You kept Bucky awake at night. He would stare up at the ceiling, thoughts of you filling his mind and his heart. You were so tender and warm, your presence alone was a comfort to him. You made him laugh, and you made joy flood his life.

Bucky was catastrophically in love with you.

“I’ve brought you a book. It’s my favorite, and I didn’t see it in your library,” you said, walking into his home that you’d been spending weeks helping him paint and redecorate.

He walked around the corner of the hall, taking the well-loved copy from your hand. A soft smile crossed his face when he saw your little notes in the margins of passages you loved.

He wrapped his arms around your waist, and yours found their way around his neck. You breathed him in, feeling safe and warm in his hug. You were sad when the long hug finally broke, Bucky looking up at the clock on the wall.

“Can you stay for tea?” Bucky asked, fiddling with the hem of his yellow shirt you loved.

“Of course.”

The two of you curled up on the porch swing with your tea, enjoying the warm weather.

“I was thinking about planting pumpkins in the garden for autumn.”

“You should. I have a pumpkin soup recipe, I can teach you,” you suggested, and he smiled softly.

“I’d love that.”

You leaned your head against his shoulder, settling as his arm wrapped around your body. You watched the housecat run across the grass before hopping on the porch below you. His hand gently rubbed small circles where it rested on your leg, and the two of you rocked gently.

Music played faintly from inside as always. Bucky always had a record spinning or a playlist drifting out through hidden speakers. You found the habit endearing, like most little things about him.

He had what seemed to be hundreds of tea bags, always having tea and offering it to you. You noticed that teas you mentioned you enjoyed started showing up in his collection for you when you were over. Books were stacked on nearly every surface, and filled shelves throughout the house.

You giggled, getting some flour on Bucky’s nose while the two of you were baking cookies in his kitchen. You gasped and squealed when he knocked flour all over your shirt, covering you in the white powder.

“Bucky!” You giggled at the mess.

“It wasn’t me, it was the ghost,” he teased with an adorable grin. You shook your head at him and he got one of his clean t-shirts for you to change into, tossing your ruined one in with his laundry.

The fabric of his was soft and smelled like him. You hugged it to your body, smiling as your heart raced. You went back downstairs to finish baking, Bucky promising you he was going to behave.

“Taste this, tell me if it’s good,” he laughed, holding out a spoon of the melted chocolate to you. You opened your mouth so he could feed it to you, and chocolate smeared over your lips as he pulled the spoon out.

You nodded in delight, and an amused smile crossed his face.

“You’ve got a little on your face, doll,” he laughed and you blushed.

Your breath caught as he leaned forward and kissed you, tasting the chocolate on your lips. You smiled into the kiss, wrapping your arms around his neck, your heart bursting.

“Was that the ghost too?” you giggled shyly.

“No, that was all me,” Bucky promised before kissing you again.

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harryspet · 5 years ago

Text

sweet sister | peter parker

[Warnings] dark peter parker x innocent reader, reader is extremely innocent, manipulation, male/female masturbation, somnophilia, stepcest, hj, vaginal sex but not really?

A/N: This is based off a request I got for a innocent reader where Peter teachers her about sex. Reader is 18 and Peter is around 21. DARK THEMES SO READ AT YOUR OWN RISK

In which you’re May and Happy’s foster kid and Peter takes advantage of your innocence.

Like, reblog and let me know what you think!

word count: 2.9k

You came home from school like it was a normal day. Walking up the steps to your family’s brownstone, clad in your school uniform, and loud music blaring in your headphones, “May!” You shouted too loudly, walking down the hallway towards the kitchen, “Did my package come?”

You stopped in your tracks as you saw three figures standing in the living room. Happy, May, and … some kid you didn’t know. Your eyebrows raised in confusion at the young man standing with your foster parents.

“Y/N, this is my son Peter!” May smiled, trying not to be awkward. She approached you, urging you forward. Now you recognized him and your eyes widened because of how easily you missed it. He was in all the photos on the mantle but, now, he looked a bit older.

You were not what Peter expected, at all. By May’s description of you, he thought you might be a middle schooler. His eyes trailed over you, the way you filled out your uniform … Peter snapped out of it, moving forward to hold out his hand to you.

“Hi, I’m-” Interrupting him and surprising him at the same time, you went in for a hug. Peter hesitated for a moment before hugging you back. You noticed he had a strong grip.

“She’s a hugger,” You heard May whisper.

You pulled away and offered your hand for him to shake. He took it, smiling, but still a little confused by the long greeting, “I’m Y/N. You look just like May! I mean, you’re very pretty like her.” Happy always went on about how pretty May was and you always agreed.

You watched as his cheeks reddened. Was it something you said? ''Thank you very much, I haven’t heard that one before.”

You looked back at May who seemed to improve the interaction. You smiled, worrying that you had made him nervous, “Peter finally has a break from his busy schedule to come see us. He’ll be here with us for at least a week. May and I thought this would be a good time for you two to get to know each other.”

May had taken you in two years ago but this was the first time you were officially meeting Peter. He was always halfway around the world fighting crime and could only stop at May’s work every once and awhile. You never thought you’d ever have a full family like all the people on the television did.

“That sounds like a lot of fun,” You heard Peter say and your heart did a little backflip. Your very own big brother. “What’s this about a package?”

“Oh,” Your face fell, “Uhm, they’re just books.”

Peter gave you a look of inquiry, stuffing his hands into his pockets, “You like to read? What kind of books?”

You opened your mouth to make up some excuse but Happy interrupted you, “I put your package on your bed, sweetheart. Why don’t you show Peter his new room?” Right, you had taken Peter’s old room.

“Okay!” You perked back up, glad the subject of books was over, “Follow me, big brother!”

That was easy, Peter thought. She didn’t seem to give a second thought about accepting him which was endearing but scared Peter to a certain extent. How trusting was she exactly? May had warned him that she was a little eccentric … and a little emotional.

Peter tried to keep his focus up as he followed you up the stairs. A part of him was a little let down that you were wearing shorts beneath your plaid skirt.

“May says you have like a sixth sense. And that you can sense when danger is near. She talks about you a lot, you know? You call it a Peter tingle, right? I thought that was a really cute name but I’m not supposed to bring it up around you apparently-” You were rambling, as usual, and had passed your bedroom but you noticed that Peter wasn’t following you anymore.

“You made it pink,” You heard Peter say as he peeked into your room. He adjusted the black backpack on his shoulder and you couldn’t help but notice his muscles. He was like the boys you read about in your books but … he was technically your stepbrother.

You walked toward him, “May said I could decorate it how I wanted. Do you hate it? You hate it, don’t you? I’m really sorry. It’s just that it’s my favorite color and-”

“No way, I like it!” He quickly assured you, not wanting to see what happened when you finally ran out of air. Peter walked inside and you followed him. There was no twin bed anymore but a regular-sized bed with a white canopy.

There was a pile of stuffed animals in the corner that Peter noted, “You have a lot of stuffed animals …”

“Those are the ones they give you in family court,” You explained to him before pointing over to your bed, “I keep the ones Happy and May give me on the bed, those are my favorite.”

“I see,” You spoke so casually about being in family court that it made Peter wonder what your story was. There were at least ten stuffed animals there, “Which one’s your favorite?”

You liked that question, smiling wide, as you walked over to your bed. Peter watched you carefully as you bent over to grab a gray penguin, “I like penguins a lot. My first Christmas here, May got me this and a penguin puzzle. I’ve done it a million times now but we could put it together if you wanted.”

“I can’t imagine anything better, Y/N.”

You were going to be very fun to get to know, Peter thought.

The family had gone out to dinner that night and had been the rest of the evening putting together a hundred piece, penguin puzzle. It was one of the best days of your life and, as you expected, having a family was wonderful. Having Peter was just an extra bonus. You wished he didn’t have to leave.

The next day, as you walked down the steps that lead from your school, you didn’t expect to find Peter waiting for you. You ran up to him and hugged him, of course, and you savored the moment when his strong arms were around you. Some girls you didn’t know gasped and practically swooned as they watched you two.

“I have strict orders to take you straight home so you can start right away on your homework,” You frowned until Peter continued, “But I think we should stop for ice cream.”

You were practically bouncing with excitement as Peter grabbed your hand and lead you down the street.

At the small parlor, you licked at a cone of chocolate ice cream while Peter stuck his spoon into his ice cream sundae. Peter’s eyes wandered over to your mouth, imagining your wrap your lips around his-

“You never said what you liked to read, Y/N.”

You blushed, your nose wrinkling, as the embarrassment filled you, “It’s silly … you don’t want to hear about it.”

“I do,” Peter insisted, “I won’t tell anyone, don’t worry.”

You took a breath, “They’re … they’re romance novels. It’s a series one of my friends at school told me about. She thinks I’m too … too babyish. Apparently, there are scenes in it ... “

“Scenes like what?” You blushed even more.

“Bad scenes,” you whispered and Peter pretended to think the subject was taboo, “She wants me to learn about … dirty stuff. These guys are taking us to prom and she wants … she wants us to have our ‘first times’ together. I don’t even know what that means! But I can’t tell her that or she’ll think I’m even weirder than I already am to her.”

Buried treasure. Peter had stumbled upon pure gold.

“Y/N, you’re talking about sex?” Peter narrowed his eyes at you.

“Sex?” You spoke the word like it was completely foreign on your tongue, “I think that’s it. Sounds gross, right?”

Peter couldn’t help but chuckle, “It’s kinda gross if you think about it too deeply but it’s not meant to be gross. It’s not as scary as you think. It’s quite beautiful, actually.”

Her eyes went wide, “You’ve done it a bunch, haven’t you?”

Peter shrugged, “A few times but only with special people. If the guy who’s taking you to prom isn’t special then you definitely shouldn’t give him your first time.” Peter would have to do some research on this guy and make sure he didn’t even think about coming near her.

You looked solemnly at your melting ice cream, “I must be a total weirdo then …”

“You’re not, Y/N, trust me. Eighteen is still young.”

You leaned forward, whispering, “I haven’t even kissed anyone, Peter. People do that in middle school.”

Peter leaned forward next, entrancing you with his eyes, “Do you really want to get some experience? Because … I could help you. I’m probably better than those trashy books.”

You raised an eyebrow, “Do brothers and sisters normally talk about stuff like this?”

“Don’t you want to be friends too?” You instantly nodded, “Then I can help you out, as a brother and a friend. But if you want to read your books-”

“No, no, you can teach me!”

And you easily stepped into his trap.

That night, Peter slipped out of his room clad in his pajamas. Your door slowly creaked open and you sat up in your bed. You rubbed the tired from your eyes as Peter peaked in, “My room is freezing … and I can hear Happy snoring through the walls.”

You pulled back your comforter, patting the spot next to you, “You can sleep in here with me,” Peter entered all the way before slowly shutting the door.

“Really? I can sleep on the floor …”

You shook your head, “It’ll be like a sleepover.”

Peter moved in the darkness, climbing in beside you. You pulled the covers over him and you both lay down. Peter watched as you turned over before tiredly murmuring, “Goodnight, Peter.”

“Goodnight, Y/N.”

Peter waited a good hour before moving closer to you. In a slow movement, he had pressed himself against you, taking in the scent of your hair, as he admired the lines of your body. It was a risk but he touched your waist, his hands trailing over to your stomach. He felt the soft skin of your back as well before reaching into his pants.

He touched himself to the thought of you and he almost panicked as you moved. You turned to your other side, not facing him. Watching your sleeping face sent Peter over the edge and he muffled his grunts with a pillow.

He wasn’t in your bed when you awoke the next morning.

Happy had surprised May with a romantic dinner that night so Peter and you were left alone that evening. You were brushing your teeth in your jack and jill bathroom when Peter walked in suddenly. You looked over to see him only wearing a pair of basketball shorts.

You blushed, looking back at the mirror before spitting out the foam in your mouth. He stalked closer to you and you noticed something different in the look in his eyes, “I was thinking something, Y/N, about what you told me at the ice cream shop.”

You put away your toothbrush, turning off the sink before wiping your mouth with a hand towel, “I thought you had forgotten …”

Peter smirked, “Far from it, actually. I was thinking about how you said you want more experience. With kissing boys and things like that, right?”

You nodded slowly, growing nervous.

“I think the first thing you should learn is how to pleasure yourself before you learn about pleasuring someone else,” He held your hand, rubbing soothing circles into your palm.

“Pleasure?”

Peter nodded, “Sex is all about pleasure,” Peter held your hand it slowly brought it against his crotch. You felt something hard and flinched away, “It’s okay, don’t worry.”

It was such a weird feeling. Only recently had you learned that boys and girls even had different parts.

“Right here is where guys can feel pleasure,” Then Peter reached out to touch you. Through the fabric of pajama pants, you could feel his fingers brush against your folds, “This is where girl’s feel pleasure. Let me show you.”

He assured you that everything was going to be okay as he slid down your shorts. Before you could step out of them, Peter swiftly lifted you onto the counter and you yelped at the sudden movement.

He took your hand and pressed your fingers against your crotch. He tried to guide you as best as he could, standing between your spread legs, “Oh my stars …” You breathed out, savoring the foreign new feeling. You wanted to run away from it and run to it at the same time. You looked at Peter with frightened eyes as he slowly moved his hands away.

“That’s it, good girl, keep rubbing,” He praised you, loving the sight of you discovering your own body. You kept going, rubbing circles over that sensitive area through your light pink panties. You leaned back, lifting a leg on the counter, so you could get a better angle.

“Is this good Peter?”

“You’re doing great, Y/N. Doesn’t that feel good?”

You nodded, practically whimpering. You looked at Peter differently than before, you didn’t see the boy you saw before. You thought about how handsome he was and how sweet he’s been to you all week. You felt the wetness growing beneath your legs and you blushed as you look down, “Peter, I-I think I’m peeing …”

Peter gave you an amused smile, “That just means that you like it, Y/N. That you’re aroused,” Peter grabbed your hand and moved it away from your crotch. You found yourself missing the feeling and you watched as he slid off his pants and underwear. The sight of his manhood felt foreign but aroused you at the same time.

Peter slowly palmed his manhood as he leaned into you. You practically froze as his lips touched yours. He didn’t even have to speak because as he slowly left soft pecks on your lips, you started to lean back into him. Your hands touched his neck as you started to move your lips against his. You liked it … No, you loved it, “Your lips feel squishy,” You gushed and Peter laughed, turning his head as the kiss became more passionate.

You let your leg fall back over the counter and, as it did, Peter slowly slid off your underwear. Then suddenly, he lifted you. You wrapped your legs around him as he carried you into your room. He sat on your bed, leading you to straddle him.

“I want to try something,” Peter said before pecking your lips again.

You were all in.

He laid back on your bed, and you sat on his legs, “Touch my cock,” You thought the word was silly but you could tell what he meant. It felt harder than you expected and as you gripped it on your hand, a guttural moan exploded from Peter, “Spit on it.”

“Peter-”

“It’s okay, it’ll feel better that way,” He tried to assure you and you hesitated before pulling your hair back. The trail of spit fell onto his member and you felt gross for a moment until you saw his reaction.

That sound he was making you even wetter.

Peter grabbed your legs, pulling you up more until your private parts were positioned right over his, “I want you to rub yourself against me, can you do that?” Peter asked. With all his fantasies coming true, he wasn’t sure how long he’d last.

You nodded. You held onto Peter’s chest as you slowly dragged your private parts against his. His cock was pressed against his stomach and your lips moved up and down his length. You felt it then. That pleasure and his pleasure mixing. You kept going, starting to feel something building up in your core.

You bit down on your lips, liking the feeling of when his tip rubbed against your sensitive bulb. Your wetness acting as even more lubrication, you thought you were making quite the mess but Peter didn’t seem to mind.

You moved faster, Peter’s groans encouraging you and your curiosity of that thing building up inside you kept you going. Your toes curled as you got the feeling of a waterfall rushing off a cliff. Your mind went blank for a moment and your body shook as that damn finally broke.

You moaned, riding out the feeling and that's' when you felt Peter convulsing. You felt his cock twitch as white spilled from the tip of his member and onto his stomach. Peter’s head rested all the way back and you couldn’t help but smile as you realized that you had both reached your tipping points.

“Well, was that it? Did I do sex?”

“Sort of,” Peter said, completely out of breath. The eagerness in your eyes wasn’t something he expected, “You have a lot more to learn, Y/N.”

“Then can we do it again, Peter?”

Hope you enjoyed this! Feel free to check out my masterlist for more Peter fics! There is a short sequel to this!

PART TWO

#dark peter #peter parker x reader #dark peter parker #dark!peter #stepbrother #stepsister #mcu smut #marvel smut #mcu x reader #mcu #dark marvel #oneshot #peter one shot #tom holland #tom holland x reader #au #peter parker au #ariana grande

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mandoalorian · 4 years ago

Text

Borrowed Time [Din Djarin x F!Reader]

ੈ♡˳‧₊*: • Chapter 3: The Escape ✩࿐ ˚.✧

Summary: You are the princess of Mandalore, held hostage on your own planet by Moff Gideon and his army of Imperial troopers. Left with no choice, you send out a distress signal; a plea for protection— and who comes? None other than Din Djarin, a foundling of The Death Watch. He, by creed, is your sworn enemy. And where you have asked for his protection, he has been told by his mentor that he must marry you and gain the ability to restore Mandalore to its former glory.

Word Count: 2600>

Warnings: female masturbation

Series Masterlist

Din Djarin was the first Mandalorian warrior to set foot on Mandalore wearing full armour in decades. It wasn't an act of bravery or rebellion, although it would have certainly been interpreted that way. Din didn't know any different. In fact, apart from the odd glare, he hadn't even assumed he'd caused any trouble upon his approach to the palace.

He was so, very wrong.

"Moff Gideon, sir— a Mandalorian was spotted walking through the princess' palace back on Mandalore. He was seen with a child. We are led to believe that his entry to the palace was not authorized by an Imperial, but by the princess herself." one trooper informed, standing as straight and still as could be. Moff Gideon blinked momentarily and turned to face the bay window of the Imperial light cruiser. He looked amongst the stars as he contemplated the trooper's revelation.

You'd granted palace entry to a Mandalalorian in secret? That was the first sign of trouble. You, despite the front you upheld, were no longer the Manda'lor, but a captive of the Empire. You knew fine well that all entry to Mandalore must be granted by Moff Gideon himself… and this was the first time he'd heard of this. Nevertheless, Gideon was not one to panic. He remained calm and collected, although his blood boiled at your audacity to go against his commands.

"A child, you say?" Moff Gideon hummed casually, adjusting his black leather glove. Of course there was a specific child on his mind, but Moff Gideon knew better than to let himself worry over that. If a Mandalorian warrior had returned to Mandalore, it could be the first sign of mutiny. The first sign of your wishes to regain power and solitude to Mandalore the Great. "Do we know anything about the Mandalorian?" Moff Gideon questioned, deciding that the Mandalorian was his main concern.

"He was dressed in full beskar armour. Helmet included. According to ISB records, the child is an Imperial bounty. It seems he has been in possession by the Mandalorian for quite some time." The trooper informed, his entire body stiff.

That was when Moff Gideon knew for sure— it was the child he'd sought after for the past six months. The child who possessed the bloodstream of a force-sensitive, a Jedi even.

And now it just so happened that the Child was on Mandalore, the planet Moff Gideon held power over. It was perfect. Everything was falling into place for the Imperial reign. If the Moff could just get his hands on the child…

"Prepare my ship," Moff Gideon instructed, raising a finger. "Set course to Mandalore."

—-—-—

There wasn't a single room in the palace that Din wasn't in awe of. Now that he and Grogu had found comfort in your quarters, he checked out onto the balcony trying to find a good view of the Razor Crest. Upon inspection, it seemed like Imperial troopers were checking out Din's ship, which could never be a good thing. He turned back to you and watched as you fiddled with Grogu's ears.

You were beautiful; with the softest and most delicate features he'd ever had the opportunity to look at. Your voice was as sweet as honey and your eyes sparkled like the brightest star in the whole galaxy. Din was trying to work out when exactly would be the best time for him to explain the little marriage situation the Armorer had proposed to him before he left. It was clear as day that you already didn't like his creed; which meant he couldn't exactly be honest with you about his intentions.

He couldn't say 'Oh, my cut of the deal is that I marry you. And once we are united, I help you regain power over Mandalore, but we do it my way. We do it the traditional way. The way of the Watch'. You'd simply never allow it. No… Din had to be more cunning. He had to form a plan.

He wasn't happy to lie to you. You seemed nice enough, and your heart was in the right place. Already Grogu had taken a liking to you which was certainly a rarity.

Din slowly searched around your bedroom. It was like a library, shelves upon shelves filled with romance novels. You were clearly a hopeless romantic, and perhaps that could serve in Din's favour. And you'd already formed an attachment with his son. That's when a cord struck Din.

He could always just… make you fall in love with him. Make you want to marry him.

Din Djarin never had the strongest moral compass. He did what he had to do to support his Creed and this was simply just one of those occasions. The Armorer had said so herself, the way of his creed was the right way. It was the only way he has ever known. His gaze flicked back over to you, and his heart melted. Maybe it wouldn't be so bad making you his wife after all.

There was a slight problem. Din had never had a long term romantic relationship in his life. He didn't know how to flirt and he was afraid over how long it might take him to successfully seduce you. He had to get in your good books someway or another.

After a prolonged silence, you were the first to speak.

"I think we're in trouble already," you swallowed, looking up at Din. "I never expected a Child of the Watch to come rescue me… but you showing up on Mandalore dressed like a Mandalorian was a bad idea." Din blinked momentarily, but didn't say a word. His silence only urged you to continue your explanation. "No Mandalorian has been brave enough to return to Mandalore wearing full beskar and a helmet. I predict the Imps have already sent word to the Moff."

"You're the Manda'lor though," Din pointed out. "Surely you have some say in the matter?"

You practically cringed. You weren't really the Manda'lor— but that wasn't important right now. Sure, you'd tell him eventually that Moff Gideon had overthrown your position of power. You'd tell him once you regained control of Mandalore. You took Din's hands and sighed. "Swear that I can put my faith in you to protect me."

"I swear," Din promised, running his thumb over your knuckles. You swore that your heart skipped a beat at the menial yet intimate touch. "So princess. What's the plan?"

"We have to leave the palace. Go into hiding. I have no doubt Moff Gideon and his men are already on their way to investigate."

"Wait—," Din paused, his suspicion already rising. "I know Mandalore is under Imperial rule but who is this Moff and why is he so important?"

You scrunched up your nose, not prepared to provide him with the truth. As it turned out, you and Din were both ready to lie to each other. You expected him to trust you, and he expected you to trust him, but neither of you realised that you both had questionable intentions.

"He governs the planet. He's kind of the boss man," you said quietly. That wasn't exactly false. You were just… sugar coating the truth. "Where do you hail from, Din?"

"Uh- complicated question… I uh…" Din pondered. He didn't even remember the name of the planet where he was born. He was taken away by the Watch when he was just a four year old orphan. He went through his training all around the galaxy, never staying still for one moment, until eventually his tribe went into hiding on Nevarro. He sighed. "Nevarro." Assuming that was the easy answer.

You'd never heard of such a place. "Do you have friends on Nevarro?"

He wasn't sure if friends was the right word. He knew people, sure. Many of the citizens over there were in debt to Din. "I guess."

"People who can help us? We could… form an alliance," you smiled as you gathered your information. "To rebel against the Empire."

"You're sounding more like a politician for the New Republic than a Mandalorian warrior." Din scoffed, and you supposed he had a point. You didn't want Mandalore to overrule the galaxy. You were fine with the New Republican reign. From your own awareness, General Leia Organa of the New Republic was actually the daughter of your mother's old friend— Senator Padmé Amidala. But what were the chances that some random child of the Watch had any connection to the New Republic? Still, there was no harm in asking.

"Do you know any New Republic fighters?" you pondered, holding Grogu tight into your chest. You were cradling him in your arms as he had fallen asleep during your conversation, his gentle snores filling your bedroom.

It just so happened that Din did know a New Republic fighter and she just so happened to reside on Nevarro. Carasynthia Dune of Alderaan. Din nodded his head in affirmation and your grin only grew wider. "This might actually work." you confessed with a shaky exhale.

"No offence princess, but the New Republic already has too much on their plate to help you regain control of Mandalore, they're already still fighting the remnants of the Empire." Din huffed.

Din had a point— but what he didn't know was that the great Manda'lor was an Imperial ISB officer. If you could just get to Leia Organa and explain your situation, as the daughter of an old family friend… maybe then you'd gain the support of the New Republic. You were a slave of the Empire but you were desperate to break free of their hold.

"Take me to your friend… the New Republic fighter." you told the Mandalorian, beaming so brightly that your eyes twinkled with delight. Din wasn't one to catch feelings, but he swore his heart stopped every time he caught a glimpse of your lips curling into a smile.

"Now?" Din asked, shuffling around awkwardly.

"Yes," you confirmed. "I'm afraid we're already running on borrowed time."

—-—-—

Din was a good pilot and he knew how to sneak around when necessary, which meant, yourself, the Mandalorian, and his son, were able to leave Mandalore in one piece without the authority noticing. Din promised you he'd make the jump to hyperspace as soon as it was safe to do so, your anxiety already bubbling away as you considered the probability of Moff Gideon and his troopers already raiding your palace in search of you. No doubt that the moment they realised you were missing, they'd send out a whole search party for you.

Your nerves weren't lost on Din. In fact, he made his bed — something he never did — and encouraged you to lay in it. "May as well get some rest princess, we'll be in the air for a while." he grumbled, trying to resist the thought of you sleeping in the same place he slept every night. He wasn't prepared to give up his bed for anyone but you were the princess of Mandalore and potentially his future wife. And he'd known you for the best part of an hour. He still hadn't entirely wrapped his head around it all.

You were uncertain at first, but you decided he had a point. His bed was so much smaller than the one back home. Everytime you moved the slightest, it croaked and screeched. You could feel every indent and wire underneath the thin excuse of a mattress and you couldn't help but wonder how he could possibly sleep at night. Unless he slept in his full Beskar… it must've been so uncomfortable for him.

Din nursed Grogu while you caught a couple hours of sleep, but he couldn't stop thinking about you. Not once did he expect to be returning back to Nevarro so fast, but he decided it would be a good thing. He could report back to the Armorer whilst you and Cara spoke.

He was tired too. This whole day so far had been exhausting, but rather than scooching next to you in his bed, he opted to get cozy in the cockpit. Throwing a blanket over himself and Grogu, Din managed to close his eyes.

As you had imagined, your sleep on the Razor Crest wasn't very satisfying and you woke up every few minutes. Staring up at the ceiling, you couldn't help but think about the Mandalorian. He was serving his duty to protect you, believing that you are the rightful ruler of Mandalore. And for the first time, you felt guilty for being so dishonest to him. He'd shown you nothing but care and compassion from the moment he met you, even going as far to comfort you on the grand staircase. He wasn't offended when you expressed your disdain towards his creed— at least, he didn't show it. Din Djarin seemed like a good, genuine person. And you deserve someone good and genuine… Cursing yourself, you snapped yourself out of those thoughts. There was no time to initiate relationships, and you could not let yourself fall into the trap of caring about him. That would only screw up your plan even more. You just had to focus on regaining control of Mandalore.

But he was a masked warrior who had the caring nature of a prince and the body of a God. He was a father. You knew there was so much more to him than what meets the eye and so… maybe it wouldn't be too bad to find out more about the mysterious Mandalorian, in some way or another. Yes, gaining power of Mandalore was your first priority but would it really be so bad to let yourself get close to Din in the process?

You'd been isolated your whole life and to say that you craved love and romance was an understatement. You looked into the hull of the ship where it was dark and quiet, and just about made out the sleeping silhouette of Din who was laying in his pilot chair. Just the gleam of his shiny beskar and his broad shoulders.

Kriff— he was hot.

And the sexual tension between you both was undeniable.

You bit your lower lip and let your hand wander down your tunic, your fingers nervously gracing the waistband of your underwear. Touching yourself in his bed would be so wrong… and yet you couldn't resist it. Your eyes felt heavy as you watched him, his chest rising up and down as he slept peacefully. Your finger dipped into your panties and you bit down onto the thin blanket in order to suppress a moan as you began to rub yourself to the thought of him.

He'd touched you plenty of times...his big, strong, gloved fingers grabbing you and holding you… it was so easy to get lost in the thoughts. Your eyes fluttered shut as you continued to play with yourself, secretly hoping that the Mandalorian would find you making a mess in his bed and punish you in some way or another.

You wondered if he'd be rough and heavy handed… or if he'd be sweet and compassionate. Either way, you were completely riled up and on the verge of hitting your climax when a loud flurry of beeping came from the cockpit. You gasped, your eyes snapping open and you shuffled to sit upright in the bed.

"Grogu," Din grumbled tiredly, and for the first time, you heard his voice raw and unmodulated. He'd taken off his helmet. "Go back to sleep. Told you not to press buttons when I'm not watching. You'll get us in trouble."

And your heart done a loop-de-loop.

You had just met the Mandalorian and already he had you wrapped around his finger.

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‘The Hunchback of Notre Dame’ at 25: An Oral History of Disney’s Darkest Animated Classic

Posted on Slashfilm on Monday, June 21st, 2021 by Josh Spiegel

“This Is Going to Change Your Life”

The future directors of The Hunchback of Notre Dame were riding high from the success of Beauty and the Beast. Or, at least, they were happy to be finished.

Gary Trousdale, director: After Beauty and the Beast, I was exhausted. Plus, Kirk and I were not entirely trusted at first, because we were novices. I was looking forward to going back to drawing.

Kirk Wise, director: It was this crazy, wonderful roller-coaster ride. I had all this vacation time and I took a couple months off.

Gary Trousdale: A little later, it was suggested: “If you want to get back into directing, start looking for a project. You can’t sit around doing nothing.”

Kirk Wise: [Songwriters] Lynn Ahrens and Stephen Flaherty had a pitch called Song of the Sea, a loose retelling of the Orpheus myth with humpback whales. I thought it was very strong.

Gary Trousdale: We were a few months in, and there was artwork and a rough draft. There were a couple tentative songs, and we were getting a head of steam.

Kirk Wise: The phone rang. It was Jeffrey [Katzenberg, then-chairman of Walt Disney Studios], saying, “Drop everything. I got your next picture: The Hunchback of Notre Dame.”

Gary Trousdale: “I’ve already got Alan Menken and Stephen Schwartz. You’re going to do this.” It wasn’t like we were given a choice. It was, “Here’s the project. You’re on.”

Kirk Wise: I was pleased that [Jeffrey] was so excited about it. I think the success of Beauty and the Beast had a lot to do with him pushing it our way. It would’ve been crazy to say no.

Gary Trousdale: What [Kirk and I] didn’t know is that Alan and Stephen were being used as bait for us. And Jeffrey was playing us as bait for Alan and Stephen.

Alan Menken, composer: Jeffrey made reference to it being Michael Eisner’s passion project, which implied he was less enthused about it as a story source for an animated picture.

Stephen Schwartz, lyricist: They had two ideas. One was an adaptation of Hunchback and the other was about whales. We chose Hunchback. I’d seen the [Charles Laughton] movie. Then I read the novel and really liked it.

Peter Schneider, president of Disney Feature Animation (1985-99): I think what attracted Stephen was the darkness. One’s lust for something and one’s power and vengeance, and this poor, helpless fellow, Quasimodo.

Roy Conli, co-producer: I was working at the Mark Taper Forum in Los Angeles, doing new play development. I was asked if I’d thought about producing animation. I said, “Yeah, sure.”

Don Hahn, producer: The goose had laid lots of golden eggs. The studio was trying to create two units so they could have multiple films come out. Roy was tasked with something hard, to build a crew out of whole cloth.

Kirk Wise: The idea appealed to me because [of] the setting and main character. I worked with an elder story man, Joe Grant, [who] goes back to Snow White. He said, “Some of the best animation ideas are about a little guy with a big problem.” Hunchback fit that bill.

Gary Trousdale: It’s a story I always liked. When Jeffrey said, “This is going to change your life,” Kirk and I said, “Cool.” When I was a kid, I [had an] Aurora Monster Model of Quasimodo lashed to the wheel. I thought, “He’s not a monster.”

Don Hahn: It’s a great piece of literature and it had a lot of elements I liked. The underdog hero. [He] was not a handsome prince. I loved the potential.

Gary Trousdale: We thought, “What are we going to do to make this dark piece of literature into a Disney cartoon without screwing it up?”

Peter Schneider: The subject matter is very difficult. The conflict was how far to go with it or not go with it. This is basically [about] a pederast who says “Fuck me or you’ll die.” Right?

“We Were Able to Take More Chances”

Wise and Trousdale recruited a group of disparate artists from the States and beyond to bring the story of Quasimodo the bell-ringer to animated life.

Paul Brizzi, sequence director: We were freshly arrived from Paris.

Gaëtan Brizzi, sequence director: [The filmmakers] were looking for a great dramatic prologue, and they couldn’t figure [it] out. Paul and I spent the better part of the night conceiving this prologue. They said, “You have to storyboard it. We love it.”

Roy Conli: We had two amazing artists in Paul and Gaëtan Brizzi who became spiritual leaders in the production. They were so incredible.

Gaëtan Brizzi: [“The Bells of Notre Dame”] was not supposed to be a song first.

Paul Brizzi: The prologue was traditional in the Disney way. Gaëtan and I were thinking of German expressionism to emphasize the drama. I’m not sure we could do that today.

Paul Kandel, voice of Clopin: They were toying with Clopin being the narrator. So they wrote “The Bells of Notre Dame” to open the movie.

Stephen Schwartz: [Alan and I] got called into a presentation, and on all these boards [was] laid out “The Bells of Notre Dame.” We musicalized the story they put up there. We used the pieces of dialogue they invented for Frollo and the other characters. I wrote lyrics that described the narrative. It was very exciting. I had never written a song like that.

Kirk Wise: Early on, we [took] a research trip with the core creative team to Paris. We spent two weeks all over Notre Dame. They gave us unrestricted access, going down into the catacombs. That was a huge inspiration.

Don Hahn: To crawl up in the bell towers and imagine Quasimodo there, to see the bells and the timbers, the scale of it all is unbelievable.

Kirk Wise: One morning, I was listening to this pipe organ in this shadowy cathedral, with light filtering through the stained-glass windows. The sound was so powerful, I could feel it thudding in my chest. I thought, “This is what the movie needs to feel like.”

Brenda Chapman, story: It was fun to sit in a room and draw and think up stuff. I liked the idea of this lonely character up in a bell tower and how we could portray his imagination.

Kathy Zielinski, supervising animator, Frollo: It was the earliest I’ve ever started on a production. I was doing character designs for months. I did a lot of design work for the gargoyles, as a springboard for the other supervisors.

James Baxter, supervising animator, Quasimodo: Kirk and Gary said, “We’d like you to do Quasimodo.” [I thought] that would be such a cool, amazing thing to do. They wanted this innocent vibe to him. Part of the design process was getting that part of his character to read.

Will Finn, head of story/supervising animator, Laverne: Kirk and Gary wanted me on the project. Kirk, Gary, and Don Hahn gave me opportunities no one else would have, and I am forever grateful.

Kathy Zielinski: I spent several months doing 50 or 60 designs [for Frollo]. I looked at villainous actors. Actually, one was Peter Schneider. [laughing] Not to say he’s a villain, but a lot of the mannerisms and poses. “Oh, that looks a little like Peter.”

James Baxter: I was doing design work on the characters with Tony Fucile, the animator on Esmerelda. I think Kirk and Gary felt Beauty and the Beast had been disparate and the characters weren’t as unified as they wanted.

Kathy Zielinski: Frollo stemmed from Hans Conried [the voice of Disney’s Captain Hook]. He had a longish nose and a very stern-looking face. Frollo was modeled a little bit after him.

Will Finn: The team they put together was a powerhouse group – Brenda Chapman, Kevin Harkey, Ed Gombert, and veterans like Burny Mattinson and Vance Gerry. I felt funny being their “supervisor.”

Kathy Zielinski: Half my crew was in France, eight hours ahead. We were able to do phone calls. But because of the time difference, our end of the day was their beginning of the morning. I was working a lot of late hours, because [Frollo] was challenging to draw.

Kirk Wise: Our secret weapon was James Baxter, who animated the ballroom sequence [in Beauty and the Beast] on his own. He had a unique gift of rotating characters in three-dimensional space perfectly.

Gary Trousdale: James Baxter is, to my mind, one of the greatest living animators in the world.

James Baxter: I’ve always enjoyed doing things that were quite elaborate in terms of camera movement and three-dimensional space. I’m a glutton for punishment, because those shots are very hard to do.

Gary Trousdale: In the scene with Quasimodo carrying Esmeralda over his shoulder, climbing up the cathedral, he looks back under his arms, snarling at the crowd below. James called that his King Kong moment.

As production continued, Roy Conli’s position shifted, as Don Hahn joined the project, and Jeffrey Katzenberg left Disney in heated fashion in 1994.

Roy Conli: Jeffrey was going to create his own animation studio. Peter Schneider was interested in maintaining a relationship with Don Hahn. We were into animation, ahead of schedule. They asked Don if he would produce and if I would run the studio in Paris.

Don Hahn: Roy hadn’t done an animated film before. I was able to be a more senior presence. I’d worked with Kirk and Gary before, which I enjoy. They’re unsung heroes of these movies.

Kirk Wise: The [production] pace was more leisurely. As leisurely as these things can be. We had more breathing room to develop the storyboards and the script and the songs.

Gary Trousdale: Jeffrey never liked characters to have facial hair. No beards, no mustaches, nothing. There’s original designs of Gaston [with] a little Errol Flynn mustache. Jeffrey hated it. “I don’t want any facial hair.” Once he left, we were like, “We could give [Phoebus] a beard now.”

Kirk Wise: The ballroom sequence [in Beauty] gave us confidence to incorporate more computer graphics into Hunchback. We [had] to create the illusion of a throng of thousands of cheering people. To do it by hand would have been prohibitive, and look cheap.

Stephen Schwartz: Michael Eisner started being more hands-on. Michael was annoyed at me for a while, because when Jeffrey left, I accepted the job of doing the score for Prince of Egypt. I got fired from Mulan because of it. But once he fired me, Michael couldn’t have been a more supportive, positive colleague on Hunchback.

Kirk Wise: [The executives] were distracted. We were able to take more chances than we would have under the circumstances that we made Beauty and the Beast.

Don Hahn: Hunchback was in a league of its own, feeling like we [could] step out and take some creative risks. We could have done princess movies forever, and been reasonably successful. Our long-term survival relied on trying those risks.

One sticking point revolved around Notre Dame’s gargoyles, three of whom interact with Quasimodo, but feel more lighthearted than the rest of the dark story.

Gary Trousdale: In the book and several of the movies, Quasimodo talks to the gargoyles. We thought, “This is Disney, we’re doing a cartoon. The gargoyles can talk back.” One thing led to another and we’ve got “A Guy Like You.”

Kirk Wise: “A Guy Like You” was literally created so we could lighten the mood so the audience wasn’t sitting in this trough of despair for so long.

Stephen Schwartz: Out of context, the number is pretty good. I think I wrote some funny lyrics. But ultimately it was a step too far tonally for the movie and it has been dropped from the stage version.

Gary Trousdale: People have been asking for a long time: are they real? Are they part of Quasimodo’s personality? There were discussions that maybe Quasimodo is schizophrenic. We never definitively answered it, and can argue convincingly both ways.

Jason Alexander, voice of Hugo: I wouldn’t dream of interfering with anyone’s choice on that. It’s ambiguous for a reason and part of that reason is the viewers’ participation in the answer. Whatever you believe about it, I’m going to say you’re right.

Brenda Chapman: I left before they landed on how [to play] the gargoyles. My concern was, what are the rules? Are they real? Are they in his imagination? What can they do? Can they do stuff or is it all Quasi? I looked at it a little askance in the finished film. I wasn’t sure if I liked how it ended up…[Laverne] with the boa on the piano.

Kirk Wise: There was a component of the audience that felt the gargoyles were incompatible with Hunchback. But all of Disney’s movies, including the darkest ones, have comic-relief characters. And Disney was the last person to treat the written word as gospel.

“A Fantastic Opportunity”

After a successful collaboration on Pocahontas, Menken and Schwartz worked on turning Victor Hugo’s tragic story into a musical.

Alan Menken: The world of the story was very appealing, and it had so much social relevance and cultural nuance.

Stephen Schwartz: The story lent itself quite well to musicalization because of the extremity of the characters and the emotions. There was a lot to sing about. There was a great milieu.

Alan Menken: To embed the liturgy of the Catholic Church into a piece of music that’s operatic and also classical and pop-oriented enriches it in a very original way. Stephen was amazing. He would take the theme from the story and specifically set it in Latin to that music.

Stephen Schwartz: The fact that we were doing a piece set in a church allowed us to use all those elements of the Catholic mass, and for Alan to do all that wonderful choral music.

Alan Menken: The first creative impulse was “Out There.” I’m a craftsman. I’m working towards a specific assignment, but that was a rare instance where that piece of music existed.

Stephen Schwartz: I would come in with a title, maybe a couple of lines for Alan to be inspired by. We would talk about the whole unit, its job from a storytelling point of view. He would write some music. I could say, “I liked that. Let’s follow that.” He’d push a button and there would be a sloppy printout, enough that I could play it as I was starting the lyrics.

Roy Conli: Stephen’s lyrics are absolutely phenomenal. With that as a guiding light, we were in really good shape.

Stephen Schwartz: Alan played [the “Out There” theme] for me, and I really liked it. I asked for one change in the original chorus. Other than that, the music was exactly as he gave it to me.

Gary Trousdale: Talking with these guys about music is always intimidating. There was one [lyric] Don and I both questioned in “Out There,” when Frollo is singing, “Why invite their calumny and consternation?” Don and I went, “Calumny?” Kirk said, “Nope, it’s OK, I saw it in an X-Men comic book.” I went, “All right! It’s in a comic book! It’s good.”

Stephen Schwartz: Disney made it possible for me to get into Notre Dame before it opened to the public. I’d climb up the steps to the bell tower. I’d sit there with my yellow pad and pencil. I’d have the tune for “Out There” in my head, and I would look out at Paris, and be Quasimodo. By the time we left Paris, the song was written.

Kirk Wise: Stephen’s lyrics are really smart and literate. I don’t think the comical stuff was necessarily [his] strongest area. But this movie was a perfect fit, because the power of the emotions were so strong. Stephen just has a natural ability to connect with that.

Will Finn: The directors wanted a funny song for the gargoyles and Stephen was not eager to write it. He came to me and Irene Mecchi and asked us to help him think of comedy ideas for “A Guy Like You,” and we pitched a bunch of gags.

Jason Alexander: Singing with an orchestra the likes of which Alan and Stephen and Disney can assemble is nirvana. It’s electrifying and gives you the boost to sing over and over. Fortunately, everyone was open to discovery. I love nuance and intention in interpretation. I was given wonderful freedom to find both.

Stephen Schwartz: “Topsy Turvy,” it’s one of those numbers of musical theater where you can accomplish an enormous amount of storytelling. If you didn’t have that, you’d feel you were drowning in exposition. When you put it in the context of the celebration of the Feast of Fools, you could get a lot of work done.

Paul Kandel: The first time I sang [“Topsy Turvy”] through, I got a little applause from the orchestra. That was a very nice thing to happen and calm me down a little bit.

Brenda Chapman: Poor Kevin Harkey must’ve worked on “Topsy Turvy” for over a year. Just hearing [singing] “Topsy turvy!” I thought, “I would shoot myself.” It’s a fun song, but to listen to that, that many times. I don’t know if he ever got to work on anything else.

Paul Kandel: There were places where I thought the music was squarer than it needed to be. I wanted to round it out because Clopin is unpredictable. Is he good? Is he bad? That’s what I was trying to edge in there.

Kirk Wise: “God Help the Outcasts” made Jeffrey restless. I think he wanted “Memory” from Cats. Alan and Stephen wrote “Someday.” Jeffrey said, “This is good, but it needs to be bigger!” Alan was sitting at his piano bench, and Jeffrey was next to him. Jeffrey said, “When I want it bigger, I’ll nudge you.” Alan started playing and Jeffrey was jabbing him in the ribs. “Bigger, bigger!”

Don Hahn: In terms of what told the story better, one song was poetic, but the other was specific. “Outcasts” was very specific about Quasimodo. “Someday” was “Somewhere Over the Rainbow.”

Kirk Wise: When Don watched the movie, he said, “It’s working pretty well. But ‘Someday,’ I don’t know. It feels like she’s yelling at God.” We played “God Help the Outcasts” for him and Don said, “Oh, this is perfect.” That song is the signature of the entire movie.

Don Hahn: “Someday” was lovely. But I had come off of working with Howard Ashman, and I felt, “This doesn’t move the plot forward much, does it?” We ended up with “Someday” as an end-credits song, which was fortunate. ‘Cause they’re both good songs.

Kirk Wise: It was all about what conveys the emotion of the scene and the central theme of the movie best. “God Help the Outcasts” did that.

Everyone agrees on one point.

Stephen Schwartz: Hunchback is Alan’s best score. And that’s saying a lot, because he’s written a whole bunch of really good ones.

Gary Trousdale: With Hunchback, there were a couple of people that said, “This is why I chose music as a career.” Alan and Stephen’s songs are so amazing, so that’s really something.

Paul Kandel: It has a beautiful score.

Jason Alexander: It has the singularly most sophisticated score of most of the animated films of that era.

Roy Conli: The score of Hunchback is one of the greatest we’ve done.

Don Hahn: This is Alan’s most brilliant score. The amount of gravitas Alan put in the score is amazing.

Alan Menken: It’s the most ambitious score I’ve ever written. It has emotional depth. It’s a different assignment. And it was the project where awards stopped happening. It’s almost like, “OK, now you’ve gone too far.”

Stephen Schwartz: It’s astonishing that Alan has won about 173 Academy Awards, and the one score he did not win for is his best score.

The film featured marquee performers singing covers of “God Help the Outcasts” and “Someday”. But one of the most famous performers ever nearly brought those songs to life.

Alan Menken: I met Michael Jackson when we were looking for someone to sing “A Whole New World” for Aladdin. Michael wanted to co-write the song. I could get a sense of who Michael was. He was a very unique, interesting individual…in his own world.

I get a call out of nowhere from Michael’s assistant, when Michael was at the Four Seasons Hotel in New York. He had to [deal with] allegations about inappropriate behavior with underage kids, and the breakup with Lisa Marie Presley. He’s looking to change the subject. And he obviously loves Disney so much. So I mentioned Hunchback. He said he’d love to come to my studio, watch the movie and talk about it. So we got in touch with Disney Animation. They said, “Meet with him! If he likes it…well, see what he says.” [laughing]

There’s three songs. One was “Out There,” one was “God Help the Outcasts,” one was “Someday.” Michael said, “I would like to produce the songs and record some of them.” Wow. Okay. What do we do now? Michael left. We got in touch with Disney. It was like somebody dropped a hot poker into a fragile bowl with explosives. “Uh, we’ll get back to you about that.”

Finally, predictably, the word came back, “Disney doesn’t want to do this with Michael Jackson.” I go, “OK, could someone tell him this?” You can hear a pin drop, no response, and nobody did [tell him]. It fell to my late manager, Scott Shukat, to tell Michael or Michael’s attorney.

In retrospect, it was the right decision. [But] Quasimodo is a character…if you look at his relationships with his family and his father, I would think there’s a lot of identification there.

“They’re Never Going to Do This Kind of Character Again”

The film is known for the way it grapples with the hypocrisy and lust typified by the villainous Judge Frollo, whose terrifying song “Hellfire” remains a high point of Disney animation.

Gary Trousdale: Somebody asked me recently: “How the hell did you get ‘Hellfire’ past Disney?” It’s a good question.

Alan Menken: When Stephen and I wrote “Hellfire,” I was so excited by what we accomplished. It really raised the bar for Disney animation. It raised the bar for Stephen’s and my collaboration.

Stephen Schwartz: I thought the would never let me get away with [“Hellfire”]. And they never asked for a single change.

Alan Menken: Lust and religious conflict. Now more than ever, these are very thorny issues to put in front of the Disney audience. We wanted to go at it as truthfully as possible.

Stephen Schwartz: When Alan and I tackled “Hellfire,” I did what I usually did: write what I thought it should be and assume that [Disney would] tell me what I couldn’t get away with. But they accepted exactly what we wrote.

Don Hahn: Every good song score needs a villain’s moment. Stephen and Alan approached it with “Hellfire.”

Alan Menken: It was very clear, we’d thrown the gauntlet pretty far. It was also clear within our creative team that everybody was excited about going there.

Don Hahn: You use all the tools in your toolkit, and one of the most powerful ones was Alan and Stephen. Stephen can be dark, but he’s also very funny. He’s brilliant.

Gary Trousdale: The [MPAA] said, “When Frollo says ‘This burning desire is turning me to sin,’ we don’t like the word ‘sin.’” We can’t change the lyrics now. It’s all recorded. Kinda tough. “What if we just dip the volume of the word ‘sin’ and increase the sound effects?” They said, “Good.”

Stephen Schwartz: It’s one of the most admirable things [laughs] I have ever seen Disney Animation do. It was very supportive and adventurous, which is a spirit that…let’s just say, I don’t think [the company would] make this movie today.

Don Hahn: It’s funny. Violence is far more accepted than sex in a family movie. You can go see a Star Wars movie and the body count’s pretty huge, but there’s rarely any sexual innuendo.

Kathy Zielinski: I got to watch [Tony Jay] record “Hellfire” with another actor. I was sweating watching him record, because it was unbelievably intense. Afterwards, he asked me, “Did you learn anything from my performance?” I said, “Yeah, I never want to be a singer.” [laughing]

Paul Kandel: Tony Jay knocked that out of the park. He [was] an incredible guy. Very sweet. He was terrified to record “Hellfire.” He was at a couple of my sessions. He went, “Oh my God, what’s going to happen when it’s my turn? I don’t sing. I’m not a singer. I never pretended to be a singer.” I said, “Look, I’m not a singer. I’m an actor who figured out that they could hold a tune.”

Kathy Zielinski: I listened to Tony sing “Hellfire” tons. I knew I had gone too far when, one morning, we were sitting at the breakfast table and my daughter, who was two or three at the time, started singing the song and doing the mannerisms. [laughs]

Don Hahn: We didn’t literally want to show [Frollo’s lust]. It turns into a Fantasia sequence, almost. A lot of the imagery is something you could see coming out of Frollo’s imagination. It’s very impressionistic. It does stretch the boundaries of what had been done before at Disney.

Kirk Wise: We stylized it like “Night on Bald Mountain.” The best of Walt’s films balanced very dark and light elements. Instead of making it explicit, we tried to make it more visual and use symbolic imagery.

Gaëtan Brizzi: We were totally free. We could show symbolically how sick Frollo is between his hate and his carnal desire.

Kathy Zielinski: The storyboards had a tremendous influence. Everybody was incredibly admiring of the work that [Paul and Gaëtan] had done.

Don Hahn: They brought the storyboarded sequence to life in a way that is exactly what the movie looks like. The strength of it is that we didn’t have to show anything as much as we did suggest things to the audience. Give the audience credit for filling in the blanks.

Gary Trousdale: It was absolutely gorgeous. Their draftsmanship and their cinematography. They are the top. They pitched it with a cassette recording of Stephen singing “Hellfire”, and we were all in the story room watching it, going “Oh shit!”

Paul Brizzi: When Frollo is at the fireplace with Esmeralda’s scarf, his face is hypnotized. From the smoke, there’s the silhouette of Esmeralda coming to him. She’s naked in our drawings.

Gary Trousdale: We joked, maybe because they’re French, Esmeralda was in the nude when she was in the fire. Roy Disney put his foot down and said, “That’s not going to happen.” Chris Jenkins, the head of effects, and I went over every drawing to make sure she was appropriately attired. That was the one concession we made to the studio.

Gaëtan Brizzi: It’s the role of storyboard artists to go far, and then you scale it down. Her body was meant to be suggestive. It was more poetic than provocative.

Brenda Chapman: I thought what the Brizzis did with “Hellfire” was just stunning.

Roy Conli: We make films for people from four to 104, and we’re trying to ensure that the thematic material engages adults and engages children. We had a lot of conversations on “Hellfire,” [which] was groundbreaking. You saw the torment, but you didn’t necessarily, if you were a kid, read it as sexual. And if you were an adult, you picked it up pretty well.

Will Finn: “Hellfire” was uncomfortable to watch with a family audience. I’m not a prude, but what are small kids to make of such a scene?

Kathy Zielinski: When I was working on “Hellfire,” I thought, “Wow. They’re never going to do this kind of character again.” And I’m pretty much right.

“Straight for the Heart”

“Hellfire” may be the apex of the maturity of The Hunchback of Notre Dame, but the entire film is the most complex and adult Disney animated feature of the modern era.

Gary Trousdale: We went straight for the heart and then pulled back.

Kirk Wise: I was comfortable with moments of broad comedy contrasted with moments that were dark or scary or violent. All of the Disney movies did that, particularly in Walt’s time.

Don Hahn: A lot of it is gut level, where [the story group would] sit around and talk to ourselves and pitch it to executives. But Walt Disney’s original animated films were really dark. We wanted to create something that had the impact of what animation can do.

Will Finn: Eisner insisted we follow the book to the letter, but he said the villain could not be a priest, and we had to have a happy ending. The book is an epic tragedy – everybody dies!

Kathy Zielinski: It’s a little scary that I felt comfortable with [Frollo]. [laughing] I don’t know what that means. Maybe I need to go to therapy. I’ve always had a desire to do villains. I just love evil.

Don Hahn: Kathy Zielinski is brilliant. She works on The Simpsons now, which is hilarious. She’s very intense, very aware of what [Frollo] had to do.

One specific choice in the relationship between Frollo and Esmeralda caused problems.

Stephen Schwartz: I remember there was great controversy over Frollo sniffing Esmeralda’s hair.

Kirk Wise: The scene that caused the most consternation was in the cathedral where Frollo grabs Esmeralda, whispers in her ear and sniffs her hair. The sniffing made people ask, “Is this too far?” We got a lot of support from Peter Schneider, Tom Schumacher, and Michael Eisner.

Kathy Zielinski: Brenda Chapman came up with that idea and the storyboard. I animated it. It’s interesting, because two females were responsible for that. That scene was problematic, so they had to cut it down. It used to be a lot longer.

Brenda Chapman: I know I’m probably pushing it too far, but let’s give it a go, you know?

Kirk Wise: We agreed it was going to be a matter of execution and our collective gut would tell us whether we were crossing the line. We learned that the difference between a G and PG is the loudness of a sniff. Ultimately, that’s what it came down to.

Brenda Chapman: I never knew that! [laughing]

Don Hahn: Is it rated G? That’s surprising.

Gary Trousdale: I’m sure there was backroom bargaining done that Kirk and I didn’t know about.

Don Hahn: It’s negotiation. The same was true of The Lion King. We had intensity notes on the fight at the end. You either say, we’re going to live with that and it’s PG, or we’re not and it’s G.

Brenda Chapman: I heard stories of little kids going, “Ewww, he’s rubbing his boogers in her hair!” [laughing] If that’s what they want to think, that’s fine. But there are plenty of adults that went, “Whoa!”

Don Hahn: You make the movies for yourselves, [but] we all have families, and you try to make something that’s appropriate for that audience. So we made some changes. Frollo isn’t a member of the clergy to take out any politicizing.

Gaëtan Brizzi: We developed the idea of Frollo’s racism against the gypsies. To feel that he desires Esmeralda and he wants to kill her. It was ambiguity that was interesting to develop. In the storyboards, Paul made [Frollo] handsome with a big jaw, a guy with class. They said he was too handsome. We had to break that formula.

Stephen Schwartz: I [and others] said, “It doesn’t make any sense for him to not be the Archdeacon, because what’s he doing with Quasimodo? What possible relationship could they have?” Which is what led to the backstory that became “The Bells of Notre Dame.”

Don Hahn: The things Frollo represents are alive and well in the world. Bigotry and prejudice are human traits and always have been. One of his traits was lust. How do you portray that in a Disney movie? We tried to portray that in a way that might be over kids’ heads and may not give them nightmares necessarily, but it’s not going to pull its punches. So it was a fine line.

Stephen Schwartz: Hugo’s novel is not critical of the church the way a lot of French literature is. It creates this character of Frollo, who’s a deeply hypocritical person and tormented by his hypocrisy.

Peter Schneider: I am going to be controversial. I think it failed. The fundamental basis is problematic, if you’re going to try and do a Disney movie. In [light of] the #MeToo movement, you couldn’t still do the movie and try what we tried to do. As much as we tried to soften it, you couldn’t get away from the fundamental darkness.

Don Hahn: Yeah, that sounds like Peter. He’s always the contrarian.

Peter Schneider: I’m not sure we should have made the movie, in retrospect. I mean, it did well, Kirk and Gary did a beautiful job. The voices are beautiful. The songs are lovely, but I’m not sure we should have made the movie.

Gaëtan Brizzi: The hardest part was to stick to the commercial side of the movie…to make sure we were still addressing kids.

Kirk Wise: We knew it was going to be a challenge to honor the source material while delivering a movie that would fit comfortably on the shelf with the other Disney musicals. We embraced it.

Roy Conli: I don’t think it was too mature. I do find it at times slightly provocative, but not in a judgmental or negative way. I stand by the film 100 percent in sending a message of hope.

Peter Schneider: It never settled its tone. If you look at the gargoyles and bringing in Jason Alexander to try and give comedy to this rather bleak story of a judge keeping a deformed young man in the tower…there’s so many icky factors for a Disney movie.

Jason Alexander: Some children might be frightened by Quasi’s look or not be able to understand the complexity. But what we see is an honest, innocent and capable underdog confront his obstacles and naysayers and emerge triumphant, seen and accepted. I think young people rally to those stories. They can handle the fearsome and celebrate the good.

Brenda Chapman: There was a scene where Frollo was locking Quasimodo in the tower, and Quasi was quite upset. I had to pull back from how cruel Frollo was in that moment, if I’m remembering correctly. I wanted to make him a very human monster, which can be scarier than a real monster.

Roy Conli: We walked such a tight line and we were on the edge and the fact that Disney allowed us to be on the edge was a huge tribute to them.

“Hear the Voice”

The story was set, the songs were ready. All that was left was getting a cast together to bring the characters’ voices to life.

Jason Alexander: Disney, Alan Menken, Stephen Schwartz, Victor Hugo – you had me at hello.

Paul Kandel: I was in Tommy, on Broadway. I was also a Tony nominee. So I had those prerequisites. Then I got a call from my agent that Jeffrey Katzenberg decided he wanted a star. I was out of a job I already had. I said, “I want to go back in and audition again.” I wanted to let them choose between me and whoever had a name that would help sell the film. So that series of auditions went on and I got the job back.

Kirk Wise: Everybody auditioned, with the exception of Kevin Kline and Demi Moore. We went to them with an offer. But we had a few people come in for Quasimodo, including Meat Loaf.

Will Finn: Katzenberg saw Meat Loaf and Cher playing Quasimodo and Esmeralda – more of a rock opera. He also wanted Leno, Letterman, and Arsenio as the gargoyles at one point.

Kirk Wise: Meat Loaf sat with Alan and rehearsed the song. It was very different than what we ended up with, because Meat Loaf has a very distinct sound. Ultimately, I think his record company and Disney couldn’t play nice together, and the deal fell apart.

Gary Trousdale: We all had the drawings of the characters we were currently casting for in front of us. Instead of watching the actor, we’d be looking down at the piece of paper, trying to hear that voice come out of the drawing. And it was, we learned, a little disconcerting for some of the actors and actresses, who would put on hair and makeup and clothes and they’ve got their body language and expressions. We just want to hear the voice.

Kirk Wise: We cast Cyndi Lauper as one of the gargoyles. We thought she was hilarious and sweet. The little fat obnoxious gargoyle had a different name, and was going to be played by Sam McMurray. We had Cyndi and Sam record, and Roy Disney hated it. The quality of Cyndi’s voice and Sam’s voice were extremely grating to his ear. This is no disrespect to them – Cyndi Lauper is amazing. And Sam McMurray is very funny. But it was not working for the people in the room on that day.

Jason Alexander: The authors cast you for a reason – they think they’ve heard a voice in you that fits their character. I always try to look at the image of the character – his shape, his size, his energy and start to allow sounds, pitches, vocal tics to emerge. Then everyone kicks that around, nudging here, tweaking there and within a few minutes you have the approach to the vocalization. It’s not usually a long process, but it is fun.

Kirk Wise: We decided to reconceive the gargoyles. We always knew we wanted three of them. We wanted a Laurel and Hardy pair. The third gargoyle, the female gargoyle, was up in the air. I think it was Will Finn who said, “Why don’t we make her older?” As the wisdom-keeper. That led us to Mary Wickes, who was absolutely terrific. We thoroughly enjoyed working with Mary, and 98% of the dialogue is her. But she sadly passed away before we were finished.

Will Finn: We brought in a ton of voice-over actresses and none sounded like Mary. One night, I woke up thinking about Jane Withers, who had been a character actress in the golden age of Hollywood. She had a similar twang in her voice, and very luckily, she was alive and well.

Kirk Wise: Our first session with Kevin Kline went OK, but something was missing. It just didn’t feel like there was enough of a twinkle in his voice. Roy Conli said, “Guys, he’s an actor. Give him a prop.” For the next session, the supervising animator for Phoebus brought in a medieval broadsword. Before the session started, we said “Kevin, we’ve got a present for you.” We brought out this sword, and he lit up like a kid at Christmas. He would gesture with it and lean on it. Roy found the key there.

Gary Trousdale: Kevin Kline is naturally funny, so we may have [written] some funnier lines for him. When he’s sparring with Esmeralda in the cathedral and he gets hit by the goat. “I didn’t know you had a kid,” which is the worst line ever. But he pulls it off. He had good comic timing.

Kirk Wise: Tom Hulce had a terrific body of work, including Amadeus. But the performance that stuck with me was in Dominic and Eugene. There was a sensitivity and emotional reality to that performance that made us lean in and think he might make a good Quasimodo.

Gary Trousdale: [His voice] had a nice mix of youthful and adult. He had a maturity, but he had an innocence as well. We’re picturing Quasimodo as a guy who’s basically an innocent. It was a quality of his voice that we could hear.

Don Hahn: He’s one of those actors who could perform and act while he sang. Solo songs, especially for Quasimodo, are monologues set to music. So you’re looking for someone who can portray all the emotion of the scene. It’s about performance and storytelling, and creating a character while you’re singing. That’s why Tom rose to the top.

Stephen Schwartz: I thought Tom did great. I had known Tom a little bit beforehand, as an actor in New York. I’d seen him do Equus and I was sort of surprised. I just knew him as an actor in straight plays. I didn’t know that he sang at all, and then it turned out that he really sang.

Paul Kandel: [Tom] didn’t think of himself as a singer. He’s an actor who can sing. “Out There,” his big number – whether he’s going to admit it to you or not – that was scary for him. But a beautiful job.

Brenda Chapman: Quasimodo was the key to make it family-friendly. Tom Hulce did such a great job making him appealing.

Kirk Wise: Gary came back with the audiotape of Tom’s first session. And his first appearance with the little bird, where he asks if the bird is ready to fly…that whole scene was his rehearsal tape. His instincts were so good. He just nailed it. I think he was surprised that we went with that take. It was the least overworked and the most spontaneous, and felt emotionally real to us.

Kathy Zielinski: Early on, they wanted Anthony Hopkins to do the voice [of Frollo]. [We] did an animation test with a line of his from Silence of the Lambs.

Kirk Wise: We were thinking of Hannibal Lecter in the earliest iterations of Frollo. They made an offer, but Hopkins passed. We came full circle to Tony, because it had been such a good experience working with him on Beauty and the Beast. It was the combination of the quality of his voice, the familiarity of working with him, and knowing how professional and sharp he was.

Though the role of Quasimodo went to Tom Hulce (who did not respond to multiple requests for comment), there was one audition those involved haven’t forgotten.

Kirk Wise: We had a few people come in for Quasimodo, including Mandy Patinkin.

Stephen Schwartz: That was a difficult day. [laughing]

Kirk Wise: Mandy informed Alan and Stephen that he brought his own accompanist, which was unexpected because we had one in the room. He had taken a few liberties with [“Out There”]. He had done a little rearranging. You could see Alan’s and Stephen’s spines stiffen. It was not the feel that Alan and Stephen were going for. Stephen pretty much said so in the room. I think his words were a little sharper and more pointed than mine.

Stephen Schwartz: I’ve never worked with Mandy Patinkin. But I admired Evita and Sunday in the Park with George. He came in to audition for Quasimodo. When I came in, Ben Vereen was sitting in the hallway. Ben is a friend of mine and kind of a giant star. I felt we should be polite in terms of bringing him in relatively close to the time for which he was called.

Mandy took a long time with his audition, and asked to do it over and over again. If you’re Mandy Patinkin, you should have enough time scheduled to feel you were able to show what you wanted to show. However, that amount of time was not scheduled. At a certain point, I became a bit agitated because I knew Ben was sitting there, cooling his heels. I remember asking [to] move along or something. That created a huge contretemps.

Kirk Wise: Gary and I stepped outside to work on a dialogue scene with Mandy. As we were explaining the scene and our take on the character, Mandy threw up his hands and said, “Guys, I’m really sorry. I can’t do this.�� He turned on his heel and went into the rehearsal hall and shut the door. We started hearing an intense argument. He basically went in and read Alan and Stephen the riot act. The door opens, smoke issuing from the crater that he left inside. Mandy storms out, and he’s gone. We step back in the room, asking, “What the hell happened?”

Gary Trousdale: I did a drawing of it afterwards. The Patinkin Incident.

Stephen Schwartz: Battleship Patinkin!

“Join the Party”

The darkness in the film made it difficult to market. Even some involved acknowledged the issue. In the run-up to release, Jason Alexander said to Entertainment Weekly, “Disney would have us believe this movie’s like the Ringling Bros., for children of all ages. But I won’t be taking my 4-year old. I wouldn’t expose him to it, not for another year.”

Alan Menken: There was all the outrage about Jason Alexander referring to it as a dark story that’s not for kids. Probably Disney wasn’t happy he said that.

Jason Alexander: Most Disney animated films are entertaining and engaging for any child with an attention span. All of them have elements that are frightening. But people are abused in Hunchback. These are people, not cute animals. Some children could be overwhelmed by some of it at a very young age. My son at the time could not tolerate any sense of dread in movies so it would have been hard for him. However, that is certainly not all children.

Don Hahn: I don’t think Jason was wrong. People have to decide for themselves. It probably wasn’t a movie for four-year olds. You as a parent know your kid better than I do.

If everyone agrees the score is excellent, they also agree on something that was not.

Alan Menken: God knows we couldn’t control how Disney marketing dealt with the movie, which was a parade with Quasimodo on everybody’s shoulders going, “Join the party.” [laughing]

Roy Conli: I always thought “Animation comes of age” would be a great [tagline]. I think the marketing ended up, “Join the party.”

Brenda Chapman: Marketing had it as this big party. And then you get into the story and there’s all this darkness. I think audiences were not expecting that, if they didn’t know the original story.

Kathy Zielinski: It was a hard movie for Disney to merchandise and sell to the public.

Gaëtan Brizzi: People must have been totally surprised by the dramatic sequences. The advertising was not reflecting what the movie was about.

Stephen Schwartz: To this day, they just don’t know how to market “Disney’s Hunchback of Notre Dame.” I understand what their quandary is. They have developed a brand that says, “If you see the word Disney on something, it means you can take your 6-year old.” You probably shouldn’t even take your 8-year old, unless he or she is very mature, to Hunchback.

Alan Menken: We [Disney] had such a run of successful projects. It was inevitable there was going to be a time where people said, “I’ve seen all those, but what else is out there?” I had that experience sitting at a diner with my family, overhearing a family talk about Hunchback and say, “Oh yeah, we saw Beauty and Aladdin, but this one…let’s see something else.”

Stephen Schwartz: I did have a sense that some in the critical community didn’t know how to reconcile animation and an adult approach. They have the same attitude some critics have about musicals. “It’s fine if it’s tap-dancing and about silly subjects. But if it’s something that has intellectual import, you can’t do that.” Obviously we have Hamilton and Sweeney Todd and Wicked. Over the years, that’s changed to some extent, but not for everybody.

Roy Conli: Every film is not a Lion King. [But] if that story has legs and will touch people, then you’ve succeeded.

Kirk Wise: We were a little disappointed in its initial weekend. It didn’t do as well as we hoped. We were also disappointed in the critical reaction. It was well-reviewed, but more mixed. Roger Ebert loved us. The New York Times hated us! I felt whipsawed. It was the same critic [Janet Maslin] who praised Beauty and the Beast to the high heavens. She utterly shat on Hunchback.

Don Hahn: We had really good previews, but we also knew it was out of the box creatively. We were also worried about the French and we were worried about the handicapped community and those were the two communities that supported the movie the most.

Will Finn: I knew we were in trouble when the first trailers played and audiences laughed at Quasimodo singing “Out There” on the roof.

Kirk Wise: All of us were proud of the movie on an artistic level. In terms of animation and backgrounds and music and the use of the camera and the performances. It’s the entire studio operating at its peak level of performance, as far as I’m concerned.

Gary Trousdale: I didn’t think people were going to have such a negative reaction to the gargoyles. They’re a little silly. And they do undercut the gravity. But speaking with friends who were kids at the time, they have nothing but fond memories. There were adults, high school age and older when they saw it, they were turned off. We thought it was going to do really great. We thought, “We’re topping ourselves.” It’s a sophisticated story and the music is amazing.

Kirk Wise: The 2D animated movies used to be released before Christmas [or] Thanksgiving. The Lion King changed that. Now everything was a summer release. I always questioned the wisdom of releasing Hunchback in the summertime, in competition with other blockbusters.

Paul Kandel: It made $300 million and it cost $80 million to make. So they were not hurting as far as profits were concerned. But I thought it was groundbreaking in so many ways that I was surprised at the mixed reviews.

Kirk Wise: By most measures, it was a hit. I think The Lion King spoiled everybody, because [it] was such a phenomenon, a bolt from the blue, not-to-be-repeated kind of event.

Gary Trousdale: We were getting mixed reviews. Some of them were really good. “This is a stunning masterpiece.” And other people were saying, “This is a travesty.” And the box office was coming in, not as well as hoped.

Don Hahn: I was in Argentina doing South American press. I got a call from Peter Schneider, who said, “It’s performing OK, but it’s probably going to hit 100 million.” Which, for any other moviemaker, would be a goldmine. But we’d been used to huge successes. I was disappointed.

Peter Schneider: I think it was a hit, right? It just wasn’t the same. As they say in the theater, you don’t set out to make a failure.

Don Hahn: If you’re the New York Yankees, and you’ve had a winning season where you could not lose, and then people hit standup singles instead of home runs…that’s OK. But it has this aura of disappointment. That’s the feeling that’s awful to have, because it’s selfish. Animation is an art, and the arts are meant to be without a price tag hanging off of them all the time.

Paul Brizzi: We are still grateful to Kirk and Gary and Don. We worked on [Hunchback] for maybe a year or a year and a half. Every sequence, we did with passion.

Gaëtan Brizzi: Our work on Hunchback was a triumph of our career.

Kathy Zielinski: There are certainly a whole crowd of people who wish we had not [done] the comedy, because that wasn’t faithful. That’s the main complaint I heard – we should’ve gone for this total dramatic piece and not worried about the kiddies.

Gaetan Brizzi: The only concern we had was the lack of homogeneity. The drama was really strong, and the [comedy] was sometimes a little bit goofy. It was a paradox. When you go from “Hellfire” to a big joke, the transition was not working well. Otherwise, we were very proud.

James Baxter: We were happy with what we did, but we understood it was going to be a slightly harder sell. The Hunchback of Notre Dame usually doesn’t engender connotations like, “Oh, that’s going to be a Disney classic.” I was very happy that it did as well as it did.

Jason Alexander: I thought it was even more mature and emotional on screen. It was an exciting maturation of what a Disney animated feature could be. I was impressed and touched.

“An Undersung Hero”

25 years later, The Hunchback of Notre Dame endures. The animated film inspired an even darker stage show that played both domestically and overseas, and in recent years, there have been rumors that Josh Gad would star as Quasimodo in a live-action remake.

Alan Menken: I think it’s a project that with every passing year will more and more become recognized as a really important part of my career.

Stephen Schwartz: This will be immodest, but I think it’s a really fine adaptation. I think it’s the best musical adaptation of the Victor Hugo novel, and there have been a lot. I think the music is just unbelievably good. I think, as a lyricist, I was working at pretty much the top of my form. I have so many people telling me it’s their favorite Disney film.

Alan Menken: During the pandemic, there was this hundred-piece choir doing “The Bells of Notre Dame.” People are picking up on it. It’s the combination of the storytelling and how well the score is constructed that gets it to longevity. If something is good enough, it gets found.

Paul Kandel: I think people were more sensitive. There was an expectation that a new Disney animated film would not push boundaries at all, which it did. For critics, it pushed a little too hard and I don’t think they would think that now. It’s a work of art.

Gaëtan Brizzi: Hunchback is poetic, because of its dark romanticism. We have tons of animated movies, but I think they all look alike because of the computer technique. This movie is very important in making people understand that hate has no place in our society, between a culture or people or a country. That’s the message of the movie, and of Victor Hugo himself.

Jason Alexander: I think it’s an undersung hero. It’s one of the most beautiful and moving animated films. But it is not the title that lives on everyone’s tongue. I think more people haven’t seen this one than any of the others. I adore it.

Peter Schneider: What Disney did around this period [is] we stopped making musicals. I think that was probably a mistake on some level, but the animators were bored with it.

Don Hahn: You know people reacted to Beauty and the Beast or The Lion King. They were successful movies in their day. You don’t know the reaction to anything else. So when [I] go to Comic-Con or do press on other movies, people started talking about Hunchback. “My favorite Alan Menken score is Hunchback.” It’s always surprising and delightful.

Kirk Wise: I’ve had so many people come up to me and say, “This is my absolute favorite movie. I adored this movie as a kid. I wore out my VHS.” That makes all the difference in the world.

Paul Kandel: Sitting on my desk right now are four long letters and requests for autographs. I get 20 of those a week. People are still seeing that film and being moved by it.

Alan Menken: Now there’s a discussion about a live-action film with Hunchback. And that’s [sighs] exciting and problematic. We have to, once again, wade into the troubled waters of “What is Disney’s movie version of Hunchback?” Especially now.

Jason Alexander: Live action could work because the vast majority of characters are human. The story of an actual human who is in some ways less abled and who is defined by how he looks, rather than his heart and character, is timely and important, to say the least.

Kirk Wise: I imagine if there were a live-action adaptation, it would skew more towards the stage version. That’s just my guess.

Stephen Schwartz: I think it would lend itself extremely well to a live-action movie, particularly if they use the stage show as the basis. I think the stage show is fantastic.

Kirk Wise: It’s gratifying to be involved in movies like Beauty and the Beast and Hunchback that have created so much affection. But animation is as legitimate a form of storytelling as live-action is. It might be different, but I don’t think it’s better. I feel like [saying], “Just put on the old one. It’s still good!”

Gary Trousdale: There were enough versions before. Somebody wants to make another version? Okay. Most people can tell the difference between the animated version and a live-action reboot. Mostly I’m not a fan of those. But if that’s what Disney wants to do, great.

Don Hahn: It’s very visual. It’s got huge potential because of its setting and the drama, and the music. It’s pretty powerful, so it makes sense to remake that movie. I think we will someday.

Brenda Chapman: It’s a history lesson. Now that Notre Dame is in such dire straits, after having burned so badly, hopefully [this] will increase interest in all that history.

James Baxter: It meant two children. I met my wife on that movie. [laughs] In a wider sense, the legacy is another step of broadening the scope of what Disney feature animation could be.

Kirk Wise: Hunchback is the movie where the final product turned out closest to the original vision. There was such terrific passion by the crew that carried throughout the process.

Roy Conli: It’s one of the most beautiful films we’ve made. 25 years later, I’d say “Join the party.” [laughs]

#long post behind read more #the hunchback of notre dame #hunchback of notre dame #notre dame de paris #victor hugo #interviews #disney #alan menken #stephen schwartz #quasimodo #esmeralda #frollo #phoebus #movies #movie history

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zillennial97 · 4 years ago

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Enemies to Lovers | Larry Fanfic Recs

Walk That Mile by purpledaisy | 149k | Explicit

Harry stares at him, the line of his jaw standing out scarily. “I wanted to get the most out of this trip so I planned it carefully.” His voice is low and steady and somehow that’s worse than when he was yelling. “So far, you’ve put your sticky fingers on everything I’ve tried to do.”

“Sticky fingers?” Louis repeats, offended. “Are you saying it’s my fault you got stung by a bee? Had you been alone you would have gotten halfway to the Dotty Diner and ran the car off the road because of an allergic reaction, so don’t go blaming me.”

“Polk-A-Dot Drive In,” Harry spits before getting out of the car. He slams the door shut with a deafening reverb and Louis rolls his eyes.- A Route 66 AU where falling in love was never part of the plan.

Unbelievers by isthatyoularry | 136k | Explicit

It’s Louis’ senior year, and he’s dead set on doing it right. However, along with his pair of cleats, a healthy dose of sarcasm and his ridiculous best friend, he’s also got a complicated family, a terrifyingly uncertain future, and a mortal enemy making his life just that much worse. Mortal enemies “with benefits” was not exactly the plan.

Or: The one where Louis and Harry definitely aren’t friends, and football is everything.

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Louis narrows his eyes at Harry. “What that supposed to be a fucking joke?”

Harry narrows his eyes right back. “It was a good joke.”

Louis rolls his eyes. “Jokes require laughter, Curls.” Louis glances down at Harry’s thighs again, Christ. “Your pants must be so tight they��re restricting airflow to your brain.”

Harry wipes a bead of sweat off his forehead. “Pretty sure yoga is supposed to increase airflow, blood flow, and all that,” he responds dryly, finally jumpstarting himself and walking away from Louis towards his own bedroom.

Louis can’t help but stare at his broad back, still sheen with drying sweat, and his perky bum in the tight yoga pants.

Louis swallows. Christ.

...Or, the one where Harry and Louis are unlikely uni flatmates who definitely don't like each other and definitely won't fall in love (even if Liam and Niall think otherwise).

Our Lives, Non-Fiction by indiaalphawhiskey | 113k | Explicit

Heralded as the next Neil Gaiman, Louis Tomlinson does not appreciate being told that his very serious novel is in dire need of a PR boost. Even worse, that it comes in the form of a joint book tour with the UK’s #1 online romance-writing sensation Marcel Styles. Already turbulent at best, their partnership takes a drastic turn when, overly stressed about his looming deadline, Marcel accidentally blurts out a secret: though he’s famed for his scorching hot literary love scenes, he is, actually, a virgin.

Convinced that the only way to rid himself of writer’s block is to gain some experience, Marcel asks Louis, author-to-author, to sleep with him – for Science. And of course Louis agrees because, well, what on Earth could possibly go wrong?

Or, a lesson in romance that proves that sometimes the best love stories aren’t always by the book.

Soft Hands, Fast Feet, Can't Lose by dolce_piccante | 112k | Mature

American Uni AU. Harry Styles is a frat boy football star from the wealthy Styles Family athletic dynasty. A celebrity among football fans, he knows how to play, he knows how to party, and he knows how to fuck (all of which is well known among his legion of admirers).

Louis Tomlinson is a student and an athlete, but his similarities to Harry end there. Intelligent, focused, independent, and completely uninterested in Harry’s charms, Louis is an anomaly in a world ruled by football.

A bet about the pair, who might be more similar than they originally thought, brings them together. Shakespeare, ballet, Disney, football, library chats, running, accidental spooning, Daredevil and Domino’s Pizza all blend into one big friendship Frappucino, but who will win in the end?

Dance to the Distortion by Lis (domesticharry) | 96k | Explicit

Louis accidentally breaks Harry's camera lens and in order to get it fixed, they decide to participate in a romantic couples study. The only issue is that they are not actually couple. Well that and the fact they cannot stand each other.

You’ve Got My Devotion (Hate You Sometimes) by lucythegoosey | 95k | Explicit

Harry was in the biggest boy band in the world. He was also one half of the best (or worst, depends on who you ask) kept secret relationship in the music industry.

Now, almost five years on, after One Direction has broken up, and Harry and Louis' relationship has as well, a video threatens to put everything at risk.

One determined Irishman, a massive publicity stunt and two begrudging exes are all it takes to bring One Direction back to life and maybe, just maybe, Harry and Louis' mangled love life too.

Or: Harry and Louis are forced to fake-date after an old video from when they were dating emerges.

The Sidelines by RedRidingStiles | 47k | Explicit

"Alright, I know you guys are the best of friends but I'd like you to do this for the rest of the team,” Cowell says, making the rest of the team snicker. "So I want both of you to compliment each other." "I hate your trainers. I mean that in the nicest way possible. They're very...yellow," Louis says, arms crossed as he offers a fake close-lipped grin. "It's really nice of you to blow anyone you find slightly attractive," Harry replies, a sickening sweet smile on his lips. "Thank you, children, let me remind you this is a college hockey team. Try again," Coach says, completely unamused.

Or Harry and Louis play hockey for Penn state and can't stand one another, since they can't keep their hatred off the ice their coach and team do what they can to keep their hard earned spot in the playoffs and their two star players from killing each other

Wonderwall by AFangirlFantasy | 43k | General Audiences

Taking the sheet cluttered with times available for the next few weeks, Louis notices a pattern in the list. The name of the person Perrie had just mentioned: Harry Styles. It’s written at least seven times, and three of which are during timeframes Louis wants.

“Who the fuck is Harry Styles?”

“You’re about to find out,” she answers, pointing over Louis’ shoulder.

Or a Love/Hate College AU where Louis Tomlinson is the lead singer of The Rogue - the most popular band on campus - and Harry Styles is the talented Freshman unknowingly challenging all that.

All the Right Moves by cherrystreet | 32k | Explicit

This is the third game in a row that Harry has been distracted by the noisy boy in the stands, five rows back.

There’s really no reason that he should feel compelled to stare into the audience as frequently as he is, but he can’t help it. This boy is a nuisance. And he’s loud. Even from basketball court with nine other players running by him, shoes squeaking on the shiny hardwood floor, and thousands of cheering college students, Harry can hear this boy nearly shrieking, his laugh more like a cackle than anything.

It’s seriously obnoxious.

Nicotine by KrisStylinson | 32k | Explicit

"We're two different types of people, Liam. He likes sex and drugs, I like theater and tea. Trust me, we'd never date." Except they would, they do, and neither of them plans on letting go anytime soon.

"Just because you can get me hard doesn't mean I like you," Louis whispered. The fact was, he didn't like Harry right now, not at all. Not even a bit.

"Yeah, yeah," Harry murmured, his breath fanning over Louis' cock as he spoke. "You done telling me how much you hate me so I can suck you off?"

Like Candy In My Veins by littlelouishiccups | 31k | Explicit

“Um…” Harry said slowly after a moment. “Okay. That’s… this is… Let me get this straight.” He lifted up a hand and swallowed. “You told your family that you have a boyfriend… and my name was the first one you thought of?” “Harry Potter was on TV, alright? It wasn’t that much of a stretch.” Louis pinched the bridge of his nose. He couldn’t believe he was explaining himself to Harry fucking Styles. He couldn’t believe he was stooping this low. “Forget it. I’m sorry I even thought about bringing you into this.”

Harry snorted. “What? Did you want me to pretend to be your boyfriend or something?”

(Basically the A/B/O, enemies to lovers, fake relationship, Christmas AU that nobody asked for.)

We're Like Bumper Cars by sincehewaseighteen | 31k | Explicit

“I have won, I won the final cross country. I win, Harry--”

“Whoever gets to fucking nationals wins it, pretty boy,” Harry teases. “You haven’t won. Interhouse is nothing compared to nationals, or interstate. You haven’t even won interschool. You can dream all you fucking want that you’ve won.”

Louis becomes so ignorant he decides to no longer eye the boy taunting him. “Trophies prove it all, Styles.”

“Where’s your trophy for biggest asshole?”

“Where’s yours for winning cross country?”

Harry growls before hooking his fingers in Louis’ belt loops and bringing them together for a flat kiss.

Or the AU where Louis and Harry are rivals of the century and Cross Country competitors before things get complicated and they play pretend.

After Hours by Velvetoscar for shipsdrifting | 26k | Not Rated

Harry Styles and Louis Tomlinson are the bane of each other's existences. Unfortunately, they're already in love--even if they aren't completely aware of this minor detail.

[A "You've Got Mail" AU]

When It's Late At Night by Rearviewdreamer | 25k | Mature

Louis has zero interest in an ex-boybander turned solo artist when his appearance on the show gets announced, but that's exactly who he gets stuck with when Harry Styles shows up at the Late Late show to promote the release of his debut album. For an entire fucking week.

The Late Late prompt that we all need to get through this excruciatingly hard time.

Love Me Please by angelichl | 23k | Explicit

Louis hates Harry, which is fine because he would really rather prefer to avoid him at all costs.

The only problem?

They're soulmates.

runnin' like you did by orphan_account | 20k | Explicit

“Should we tell him?”

When Lauren is met with everyone either nodding their heads or shrugging, she takes a deep breath. “I mean, I think it’s pretty obvious by now.” She stalls, sounding ominous and Louis doesn’t like it one bit.

“What is obvious by now?” Louis asks. He’s starting getting anxious. “I swear to God, spit it out. Stop being so damn cryptic.”

“I—We think it’s pretty obvious that you’re in love with Harry,” she states simply and shrugs as if she isn’t telling him he’s in love with the second—Nick being the first—most annoying person on the planet.

or, a college au where Louis knows how to hold a grudge and is definitely not in love with Harry Styles

Three French Hems by 100percentsassy, gloria_andrews | 20k | Mature

In which Louis is a designer at Burberry and Harry spends December wearing Lanvin… and Lanvin… and Lanvin.

once bitten and twice shy by pinkcords | 19k | Mature

This time as his stomach rolls, there’s no doubt about it. He’s going to vomit. And if he does, it’ll be on Louis’ shoes, a nice little parting gift to go with the embarrassment he’s caused the both of them. “I’m gonna throw up,” he says just as Louis turns to look at him, blue eyes swimming with shock and confusion, and asks, “Is that true?”

Or, in a rush of bravery only senior year can bring, Harry confesses his feelings in a letter to his neighbor and best friend, Louis, only for the entire school to hear it and laugh him out of their small town in Wisconsin. Ten years later, Harry's a successful lawyer at Columbia Records, coming home for Christmas for the first time since he departed for college. He plans to work his way through the trip, eat his mom's cooking, and avoid everyone from his past for as long as possible. The only problem is best laid plans hardly ever go as intended.

That's How I Know by allwaswell16 | 19k | Explicit

Louis Tomlinson has just landed his dream job, coaching soccer at Augustus University. When he moves into a new house near campus, he meets his very fit new neighbor, English professor Harry Styles. Although their first meeting leads to an instant mutual dislike, the more Harry gets to know Louis, the more he likes what he sees.

Or the one where Harry’s African grey parrot spills his dirty secrets to his very hot neighbor.

Get Off of My Cloud by Marora_Daris | 9k | Explicit

Harry is the most annoying neighbour that sexually frustrated Louis could have. Niall decides it's a good idea to handcuff them together.

Featuring guinea pigs, animal print leggings and inappropriate boners.

Erase My History, (Expo)se Me by BayouSexual, pacificrimjob for Edandcurly | 6k | Teen And Up Audiences

“My hair does not smell like strawberries.”

Louis blinks up at Mr. Styles. “I never said your hair smells like strawberries. How would I even know that?” Harry’s hair does smell like strawberries, Harry himself smells like strawberries, everyone who’s been within three feet of him knows this. ~~~~~~~~ Or the one where Harry and Louis both teacher history, their students think they should date, and one pink dry-erase marker is trying to ruin their lives (with a little help of course).

#larry fanfiction recommendations #larry fanfic rec #larry fic #larry fanfiction #larry stylinson #louis tomlinson #harry styles #one direction fanfiction #one direction fanfic recs #larry fanfiction masterpost #enemies to lovers #enemies to friends to lovers #hate to love #enemies with benefits

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