[ID: Two panels from Dungeon Meshi. The first scows Senshi clutching his face as tears start to spill out of his eyes, saying, "I've always... always wanted to have this soup one more time." He's not wearing his helmet in this panel, so his face is unusually visible, detailed and vulnerable. The second panel shows himself as a youngster, surrounded by his old mining team, all smiling at each other, one of them rubbing Senshi's head. Modern-day Senshi continues, "Thank you. All of you. Thank you." End ID.]
Holy shit. I anticipated some tragic backstory from the "I must feed the young ones" panels, but what I'd guessed was that Senshi might have become so devoted to cooking and eating literally whatever because he'd previously survived a famine and had seen children starve to death. I did not expect him to have been the child who was the sole survivor of a doomed travel party, one of whom was determined to feed Senshi first because he was the youngest, and that Senshi has lived with the fear of having inadvertently committed cannibalism by eating stew that he'd never quite known the contents of. I'm happy for him that Laios deduced and confirmed for him that it was griffin meat, that he was able to taste the meal that saved his life once more and remember the friends he lost. Seriously, I'm crying, and also earnestly relieved that while his backstory is pretty dark, it's not the type of fucked up I'd been preparing myself mentally for.
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Man, what a great character Hoolay is. Proud, extremely so, but not so arrogant that it'd easily be his downfall. Confident, but not to the point where he believes himself irreplaceable - even the opposite, where he sees the way other borisin see him as a great savior as a weakness. And smart. Very smart. It'd have been easy to make him a savage beast going on a mindless rampage, but instead he was extremely cautious and strategic and was playing mind games with both his hostage and pursuers. And all that made the stakes feel that much higher through the story, because the hunt is a lot more dangerous when the prey is always one step away from becoming the predator.
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it's been over a whole month since i had a stupid argument with my parents about driving, a skill that i legally possess but hate doing because i have a special brain illness that makes me fear death and injury, but i'm still chewing over an absurd claim that it's "equally dangerous to go on a 14 hour train ride like you just did". literally how is that more dangerous. in what way. in what world. public transport is nice and good and i like it and i don't have to enter my personal torment nexus
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it's 1:30 am and i'm thinking about how logan and rory both grow up feeling like their lives aren't really theirs. how logan uses risk and impulse as a way to feel some semblance of control over his life in response to his father's control. how in contrast, rory spends her life with a tight grip on just about everything, clings to safety and a clear path forward, because she worries that her success is the thing holding her and her mom's life together.
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also today in queer history class discussion i pitched the question "how has your race impacted your experiences as a queer person" and so one of my classmates talked abt how she was usually the only black person in queer spaces (or if not, then the only dark skinned black person) and talked a lot abt the isolation of it all
which was cool to hear, but not quite what i was looking for, so at the end i was like, "follow-up question: how has your blackness influenced your queerness?"
and after class she told me no one had ever asked her that before and so she'd never had to consider it, but now she was excited to just throw that at every other queer person of color in her life because it's like, "huh. what kind of homoeroticisms DO i experience as a result of my culture? how CAN i express my queerness in a way that also feels at home with my culture, instead of just picking an expression that is one or the other?" and i think that's beautiful. i hope she figures out how she wants to be queer in her own uniquely black way
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