#they needed more character development imo

[angelinthefire]

Whenever I read or see someone talking about something they think is missing from Arcane plot- or character development-wise, my reaction is always, why? Does it make the story better or does it just make it fit a template better? Does it enhance what's being done with the characters or does it change what's being done with them? Is it relevant to the main arcs and themes?

Like with Sevika, understandably people wanted to see more of her in the latter half of the show. But her presence in the story has always been limited by the extent that it's relevant to Vi or Jinx. The real opportunity to have her have a significant scene again would have been in planning to join the battle with Jinx. And we know that Jinx and Ekko's preparations were cut. Having a little bit that shows Jinx and Ekko how Sevika and Scar have taken charge of things in their absence would have been nice (which is ultimately communicated by the fact that Sevika functions as leader with Scar at Jayce's meeting). But I have the sense that one more scene isn't what most people mean when they say they wanted more for Sevika, they want an on-screen arc. But again, we just don't see what Sevika is up to when it's not relevant to the sisters anyways, so I don't think that was ever in the cards. And imo, the fact that action continues off-screen when it's not part of the main story is actually one of the things that makes Arcane feel like full, rich world.

Or the fact that Vi and Cait made up so quickly. I think changing the way that went down would have significantly altered how the relationship functions as part of their respective character developments.

In act 1, Caitlyn has a very clear moral compass, which she loses after her mother is killed and Piltover is attacked and Ambessa encourages her to focus on revenge. Even though Cait expresses doubts, she keeps going along with Ambessa anyways. It's Vi's return that brings that clarity back to her.

The whole of act 2 Cait has been conceptualizing people from the undercity as monsters, etc. Warwick is the ultimate embodiment of that. And then Vi says, that’s my father and he's worth saving. It's about Cait choosing empathy, but she needed Vi to appear to present that choice to her.

And for Vi to be able to do that, she had to go off on her own and learn that people *can* change, that healing *is* possible, something that she had entirely given up on. She’s in an entirely different place emotionally and mentally than where she was when Cait left her, it doesn't make sense for them to pick up where they left off.

And then Caitlyn lets Jinx go free, basically for Vi.

Their relationship is a catalyst for their individual character development, rather than a story on its own. It's for showing what they want out of life, and who they want to be. And it functions very well for that purpose.

Anyways, every time I see someone say such-and-such was cut and it was bad, I always want to go off about it, and now I have a little bit.

[emero0]

Someones said this already- surely- but i cant stop thinking about ruis whole “thank you for giving me a chance to change” mentality

Because its super sweet and all but i dont think either him or tsukasa have realized how much tsukasa has changed because of rui

Like- read main story or even early game tsukasa and then read the most recent (eng or jp)

HES CHANGED SO MUCH and its all because rui humbled him- told him that he’d never be a star—because at that rate, he really wouldnt have—in a moment of pain and hurt because tsukasa was being a bitch towards nene, and also possibly because this great opportunity rui wanted to have was turning out to be a lie

Until tsukasa changed

Realized his behavior and worked to better himself, and (lets be honest) practically begs this guy hes known for maybe 2 months (idk how long the main story takes place) to come back and make shows with him because??? Because tsukasa thinks hes just that good of a director? Or maybe its because ruis the one who made him realize his true dream again and what being a “future star” really means

Not to say rui hasnt changed either, him and mizuki talk a bit about it in ena5 and he mentions it a lot,

I think the wonder halloween event might be the best example

Cus the reason i thought of this post is because i was reading tsukasa side story from that event and MAN is he cocky- like annoyingly so- idk why he was (and still is) my favorite /j

But anyway- i remembered just now that the whole plot of that event is rui learning not to hold himself back, which is a big part of his character development imo

On the other hand, ruis impact on tsukasa is less direct

Like i said its because rui first got him to realize his “true feelings” (as the game calls it), but after that its really all on tsukasa—well not quite-

See- a big part of Tsukasa’s character development is his constant realization of- i guess “his place in the world”

For me personally the phoenix edge event is a good example of him acknowledging it- but i realize it actually started way sooner

In the pop in my heart event- he realized that his acting is so far behind these american (or atleast english speaking) actors who can convey feelings through language barriers

Its his “humbling” arc if you will, he realizes just how far he needs to go, and its not that he’s not confident anymore, but that hes more aware of where his talents lie and isnt overconfident

And this is all stuff he learned more on his own- however: rui still helped propel this growth

He realized in the torpe event (on the stage of dazzling lights i believe-) that he had been holding tsukasa back by typecasting him, and decides to give him more diverse roles as well as let wxs do the play torpe in the first place (because as director, it was his final decision)

But after that—and this applies to all of wxs, but mostly nene+tsukasa—he goes and tries to figure out how to keep wxs together while still giving them the chance to grow as actors and not be confined to a stage

And he succeeds, and off wxs goes to improve!

They (and every character in game i feel) have changed and grown so much and its so awesome to see it happen—and its neat how much theyve influenced each other’s change through it all

So yeah— ruikasa(/p or /r idc) have helped each other grow so much and i hate them with a fiery passion /j

[lupinescribbler]

How to write Injuries!

Note this is how to utilize them in your story and not going into the physical details how how to write every type of injury, because that second one would both stretch my medical knowledge and be way too expansive for a tumblr post.

1) Research

Knowing about the malady you are afflicting your character with is important. In the most optimal case this involves talking to an actual medical professional who is well-versed on that type of injury. However, since not all of us have doctors at our beck and call, a few articles from decent sources can suffice. Typically you're going to want these pieces of info:

symptoms (description fodder)

mechanism (how could this injury be sustained?)

level of impairment (know how and to what level the injury would reasonably impair someone. This info might need more digging around than the others)

healing time (know how long it takes to heal from this injury)

treatment (potentially including symptom management)

Having this knowledge will help ground your story in at least a touch of realism. Make sure your symptoms match the injury, make sure the mechanism of the injury is sufficient and just overall makes sense for the injury, don't have someone with a broken leg strolling around like nothing happened, don't have the healing time unexplainably short or long, don't treat shock by trying to cool them off, etc.

A quick note, if you are doing a fantasy/not-real injury or illness you don't get to necessarily skip this step. In fact, imo, it can become even harder since you have to fill in these details yourself. Remember, internal consistency is key.

2) Attach Relevance

You want the injury to matter to the plot or character development. Does the broken leg prevent a character from joining a big battle? Does the flu present an extra challenge to going to their daughter's dance recital? Does being weak or out of the action aggravate their hero complex or self worth issues prompting growth or self-reflection? Does a captive's injuries complicate a rescue mission? Does having their dominant arm injured force a usually brunt force reliant powerhouse to be more creative in their strategies? Does the overpowered character have to rely on their friends/allies more because of a certain injury?

Use the injury to show the level of a character's commitment or mental toughness, use it as an obstacle they have to work around, use it to up the stakes, use it to force them to be vulnerable or else show how unwilling they are to being vulnerable, use it to thwart the main team's perfect plan, use it to push a situation into even more dire straits, use it as an alternative to character death, etc etc. These are just a few ideas, there are numerous different ways you can use different injuries/illnesses in stories. Really think about how it could affect or reveal things about the plot, characters, and relationships.

As always, remember writing advice is highly subjective. Find what works for you. My number one writing advice is always to not take writing advice as hard truths :) happy writing!

[lesbianwithchainsaws]

Gasleak year aside, I want to thank season 4 for giving us as much trobed content as it did. I mean, we got Jeff and Britta referring to them as boyfriends. We got Conventions of Space and Time. We got Basic Human Anatomy. We got the puppet episode and every post ever about it is just "yeah, Abed had a secret and he said he's in love with Troy". It showed that Britta and Troy didnt work as a couple and broke them up. We got "you were out there and you weren't looking for me?". It was trobeds season

[iwritenarrativesandstuff]

Teruko and Yosano should've faced off. I think Yosano should've been posed that question that Atsushi was; that reveal of the "future war" - Teruko went along with Fukuchi out of a mix of indebtedness and being at a loss for what to do. War is all she's known; of course she doesn't know. But Yosano has been to the depths of despair and come back out of it again. She might've faltered at this horrific reminder of her trauma, but when it comes down to it, she saves the lives before her. She fought for a way back to light and life. I just think there could've been a really interesting conflict there. And it would've made Teruko's role much more tragic if she wanted desperately for there to be a third option but just didn't have enough time to sit with it and process what that third option might be before Fyodor made it all go to hell.

Also a fight between them would've been interesting, because Teruko is much physically stronger than Yosano, but Yosano can heal from any physical injury inflicted. However, since we now know Teruko can alter mental age, she could inflict psychological wounds by de-aging her, which would've been a good callback to the horrors of war in her backstory, and also been a nice bit of foreshadowing for Teruko actually being a child.

Teruko eventually allowing Yosano to leave out that door after seeing her resolve would've been a deeply bittersweet and powerful moment, I think, especially in hindsight after her backstory reveal.

[enixamyram]

You know one of the weirdest things about the Toxic side of fandoms I've seen? It's the way they try to treat all shows like they're supposed to be setting examples for the audience.

Take Hazbin Hotel for example. I have seen so many people pulling up a single bad trait that Chaggie or Huskerdust may or may not have and use that as the sole reason why they shouldn't be together at all. Which is so dumb but also bizarre because real life couples have their own good and bad qualities and having one possibly negative aspect about your relationship is more often not a reason you should immediately break up.

But sometimes fans and trolls act like these characters need to be in Disney-style-picture-perfect romance otherwise they're unhealthy and shouldn't be together. Like they seem to be under this really strange idea that all entertainment should be educational for the audience and if they're not setting a good example then it's bad TV.

It's so weird.

[bug-and-such]

Also finished final season of Enterprise.

As for the last episode, personally, I don't hate it, but it's very VERY underwhelming.

You can tell it got cancelled in the middle of filming and were told they can have 1 final episode to wrap things up and it just didn't work.

Oh well...

[pinknpoodley]

i wish garth and cherry weren't reduced to background characters in season 2...they deserved better

[bigboobshaunt]

Finished RER2! I'm happy I finally got to the end, after stopping late into it the first time I played it.

I find it and its predecessor to be really underrated, especially in the story department. It doesn't help that they never developed the massive bombshell that they dropped in the stinger to the true ending, and seeing how 7+8 turned out... I don't think they ever will, and that bums me out.

[amber-isnt-a-precious-stone]

I've finished all of castlevania last week (not nocturne yet, no spoilers pls) and I'm playing the sotn game on ps4. But god help me I want more castlevania with those characters and rewatching clips ain't doing it. I'm seconds away from finding fanfic and minutes away from writing my own 😭

[gideonisms]

I know I say this as a confirmed seivarden stan but I would have killed to see her interact with captain hetnys and sword of atagaris. or with basnaaid! can you imagine? all the class stuff gets explored in ancillary mercy from the seivarden/ekalu angle but imo it would possibly have been more fun to watch her have a status showdown with hetnys and figure out how to treat someone similar to awn, especially since breq is constantly wondering how she would treat awn & comparing basnaaid to awn. I just think there was potential for all of those relationships to be messier and more dramatic which is maybe a personal taste thing but still

[dennisboobs]

im actually getting so heated but i’d love to know your opinion on how annoyed people are getting about dennis “successfully monitoring his blood pressure” and actually being in control of his body. like??? huh??

I dunno, I don't really get why it's an issue for so many people personally speaking shsjnfnkhfjd this is like, pretty well established stuff, he's just gotten better at it and is using kratom to achieve it now. I'm jazzed that we're going to get (and have been getting) the Not Just Angry dennis that glenn wanted to play.

[crehador]

this season’s astonishingly mediocre romcoms are making me realize shikimori was waaaaaay better than i originally gave it credit for

[scarrunner05]

it’s so funny to have like. A completely different interpretation of a popular pairing in a fandom. Like these characters do not interact in canon and therefore neither of us are really right cause you can interpret both of the characters interacting in reasonable in character ways and come out with 2 wildly different scenarios. I see you people that also think about this ship in wildly different ways than I do. I respect you. I am also mildly afraid to share my opinion on them cause it’s hilarious but also objectively like. The least functional vaguely toxic dynamics.

[waywardsalt]

:3

[gertritude-art]

A fun way imo to develop characters is to look at them and ask, "what does this imply?" This unfortunately only works if you already have a character concept in mind, but it's always been useful for me when I need to create some interiority for a character who feels a little flat.

As previously stated, literally all you're doing is looking at a character and performing a rudimentary analysis of them based on what you've already developed. A good example of this is my character Mordred, who early on in his development was conceived of as a sickly looking teenager wearing a full suit and bowtie. This is because I thought there was a lot of potential in this image. "What kind of teenager goes to school everyday wearing a full suit and bowtie?" Probably a kid who takes himself very seriously and has some interest in looking "polished" -- perhaps he even views himself above his peers for how he dresses. And, how might this visual extend to other aspects of him? Is he always someone who goes against the grain? Does he actually have an interest in men's wear, or is this a symbolic image for how he stands against his peers? I bet he has strong opinions on society. Did he buy the suit himself, or did his mom buy it, because one or the other also implies some stuff about the nature of their relationship, if his mother is supportive of his oddness or not, etc. etc. etc. A lot of stuff that you can find out, just from looking at one small aspect of a character! The same kind of process can spiral from anything - a character's actions, a character's thoughts, their beliefs, a line they say, a face they make, a hobby they have... all can be a good starting point for developing them further and figuring out more about them.

In a similar vein, I know that people recommend filling out character charts and stuff, but usually I find it more useful to think of a character in terms of a "scenario" or a "description" than in terms of their traits. "This character is smart" vs. "This characters complains to the teacher when the test has a question that isn't in the book" ; "This person is stubborn" vs. "This is the kind of person who'd rather starve than order food if they said they weren't hungry." Figuring out a character through something like this gives me a specific image of how they might act in a story as opposed to more broadly-described traits. Being as I tend to think up characters with story ideas and scenarios, it's much more helpful for me! "Ah, but how do you do this, Gert?" Easy: you stare at a wall for multiple hours until you have a revelation about a character. This is surely what everyone is capable of [nodding sagely]