#they made some interesting choices
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warlenys · 1 year ago
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thisisadonaldduckblognow · 2 years ago
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all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.
- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”
- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.
- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?
- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.
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turtleblogatlast · 8 months ago
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Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.
Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.
Mikey being paired up with Meatsweats? Yeah that checks out!!
Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…
And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????
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hudders-and-hiddles · 8 months ago
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(re)watched in 2024: Ripley
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takaraphoenix · 11 months ago
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This line killed me.
Part of me really feared Disney would Disney-fy the story and force some 'love at first sight' nonsense where it didn't happen. Something where Percy would be inexplicably smitten from day one or something.
But nope, this boy fully 100% clocked the way Annabeth has been nothing but unkind to him from their first interaction on.
Genuinely loving the fact that growth is demanded and expected. Can't wait to see it.
And, quite honestly, I also love that it was made Percy's choice. In the book, it was much more Annabeth's decision - she volunteered herself and... Percy didn't exactly have the broad circle of heroes to pick from, the way the show presented it. Here, it's Percy's choice - and it shows him putting genuine thought into his decision.
I love that we are getting to see Percy strategize and use his brains.
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lord-squiggletits · 11 months ago
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
#squiggposting#and like dont get me wrong barber wasnt trying to make cybertronians the bad guys or whatever#it's just a problem with his writing where like. he has A Message he wants to send#and so he uses the entire story literally just for The Message even if it involves bullshit plotlines#or familiar characters ppl were reading about for the past decade being shit on by OCs made up to fill a new roster#like barber's writing tends to lean way too much on a sort of lecturing tone#without giving proper care towards including moments where characters get to like. fucking express themselves and share their side#sort of like how barber couldnt be bothered to write pyra magna and optimus actually talking to each other during exrid#and instead during OP ongoing pyra is suddenly screaming about how OP is unteachable#even tho she never even tried to teach him bc she and OP never interacted bc i guess barber couldnt be bothered#he just needed someone to lecture OP so fuck making the story make sense or like letting OP get to say anything in defense#this is the infuriating part of barber's writing bc i think he has incredible IDEAS and was in charge of the lore i was most interested in#but most of the time his execution sucks and he's basically just mid with a few brilliant moments occasionally#or like he has a message about the cycle of violence he wants to convey#but his narrative choices trying to convey that theme made his story come off as super unsympathetic to the ppl who suffered#to the point where barber actively kneecapped some scenes that couldve been super fucking intense and emotional#in favor of the characters lecturing each other or some stupid plot to criticize OP#that time in unicron where windblade screamed about how this is their fault and then arcee replied that her planet is build on coloniation#shouldve happened more often than literally the last series of the ocntinuity. like goddamn stfu about your moral superiority#when your own sins are right fhere lol
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maladaptivedaydreamsx · 10 months ago
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not me immediately getting jude from this
who did you guys get? 👀
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tabithatwo · 2 years ago
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(x)
(this is a pls stop blaming juliette lewis for nat’s arc and death post <3)
#regardless of whether you loved the death or hated it YOU CAN STOP BLAMING JULIETTE NOW OKAY??#like even people who liked it overall but had qualms the party line is well I’m sure it was juliette leaving early so that’s why xyz#no! it was not! this was the plan <3 and idc if you hate love or nothing it I just think like making these excuses for things is weird#like do I get why some people might have assumed juliette might have left early sure yes but also idk like PEOPLE ARE FALLIBLE#showrunners are fallible! and that’s OKAY! they’re PEOPLE! and you CAN love every choice they make but jumping through hoops#to find *reasons* for the things you didn’t like is so interesting to me cause like…it’s okay!!! they can do a little thing you didn’t love!#you can even SAY you didn’t love it if you want and that’s okay too! or not! but stop blaming juliette lewis for whatever you didn’t like#also the rest of the article is an interesting read!#now I’ll do conjecture and tell you it is CONJECTURE for sure okay disclaimer#but after reading this article I think it is even possible Juliette’s anger with nats arc was partially BECAUSE she knew her death was soon#like maybe! who knows! not us! but I don’t even know how I became this hardcore juliette defender bc honestly I dosagree w her on a lot lol#but like I’ve seen people say oh she’s difficult and she made them do this and she’s a problem and she always does this#HELLO??? stop blaming women for shit baselessly??#(if you casually wondered if maybe she wanted to leave and didn’t say it like it was fact or use it to pin blame on her for stuff…#…this isn’t directed at you)#but some people got VICIOUS#juliette lewis#natalie scatorccio#yellowjackets
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shorthaltsjester · 1 year ago
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free my complex female character, she did the same thing as complex male characters but the fandom takes Any analysis of her actions/choices/motivations that doesn’t strip her of all of her agency in bad faith and claims that only misogynists would dare to critique the things that they’ve noticed in her character because she’s a woman, completely ignoring the over-presence of discourse about similarly traited male characters in their fandom.
#exhausted by people categorizing CRITIQUE. not even genuine hate just literally basic analysis of imogen’s character#as a) hate at all but b) misogynistic simply because… they assume the person like caleb and percy uncritically like#i love imogen and i love her because she’s riddled with complexity that gives reason for her to be unlikeable#the shit ashton says makes me want to tear out my hair and i could write analysis on why but they’re still one of my favourite characters#i enjoy caleb but watching him infuriated me because of his self interest which is a coherent trait of his but is a tiring one#similarly with percy of love his pretentious Smartest In The Room shit but sometimes it meant he treated others more poorly than necessary#but i’m not unpacking all of that just so i have some fandom mandated right to say that i think there’s an aspect of a female character#that is imperfect in the human sense#because like. i will continue to call imogen’s self interested until the world burns and the moon shatters. because she is.#the only reason her choice to do good is compelling at all is because the choice to do otherwise is so tangible#it isn’t a Mistake or Fault that she’s self interested. it’s by design#like. she reaches towards the storm in curiosity in her sleep. but then she fights back when she’s awake#that’s it#that’s the dynamic. that’s what’s compelling#but no ur right fandom. let’s instead all agree that imogen is actually just intrinsically good#and take away all agency and complexity and humanity from her#and instead slap a sticker of Morally Good and enjoy the caricature of her where she’s made to fit into the imagine of#the latest aesthetic ad for diarrhoea medication#imogen temult#critical role#inspired as always by dumbass twitter posts that i’m subjected to because of school n work#the worst part is i do like the laudna n imogen dynamic in the stagnancy where it is but so much of that fandom is so clear in their erosion#of both characters actuality to suit the picture of Ship Tropes#like fuckin. so much of imogen’s fanart in imodna making her fat which as a fat person great love to see it#not so much when it’s clearly to make her short n stout against laundas tall n lanky.#anyway
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ivyithink · 1 year ago
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so i’ve finished “mo du”
so, i’ve read “mo du” and it finished me
fei du’s mug! (a gift from luo wenzhou, obviously)
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tiredandoptimistic · 6 days ago
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I feel like Jocelyn Fairchild has very much received the Mary Winchester treatment of getting hated on because people expect her to exist for the purpose of being The Mom when she's in fact a whole complex person with mental illness
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corvidcrossbow · 6 months ago
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I will never get over how pretty comic Sophia was
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(Carl babe I know Lydia made you feel confident with all the eye stuff BUT SOPHIA WAS RIGHT THERE THE WHOLE TIME AND WANTED YOU FROM THE START YOUR ASS IS LUCKY SHE PICKED YOU BACK UP)
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ihopeitruinsrocknroll · 24 days ago
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ughh i have so many feelings about characters that are backed into a corner, snarling and bleeding and dying but instead of letting themselves die and fade into obscurity they get up and keep fighting. they don’t just let themselves get swept into the wings of the heavens—instead they grit their teeth and make their death mean something. if they’re going down, if there’s no other option—their death is going to mean something. if they’re dying, they’ll take another dozen, hundred, thousand of their enemies with them. even if it’s meaningless in the end, even if they won’t survive to see the happy ending the bloodshed won them. they’d rather plunge a knife into their heart and make the world watch than pass away in a hospital bedside, they’d rather bleed themselves dry out of spite to cover up the sight of their foes celebrating.
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theartgremlin2 · 2 years ago
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Shhhhhhhhhh
He is reading
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marcusagrippa · 8 months ago
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every time i remember this movie exists i take one hundred billion psychic damage
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13eyond13 · 1 year ago
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a headcanon I just realized I have is that Light often has a lot of trouble living in the present moment and L often has a lot of trouble NOT living in the present moment. Light is a huge planner and forward thinker and accustomed to grinding through unpleasant current circumstances in order to achieve optimal future results. L is very keen on living for today and whatever is currently tickling his fancy and giving him the most excitement and pleasure and challenge, and prefers not to dwell heavily on the future nor the past. And I think that both of them normally feel uncomfortable and resentful if they are forced to do the opposite of what they are normally accustomed to doing.
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