#they just actively showed people filming

[starbuck]

My new favorite activity is scrolling through the black sails tag and commenting my interpretations on random people’s posts and they’re like “wtf are you talking about?” and i’m like 👍🏻

[duckduckngoose]

'Real' Ambulance/hospitals shows always unnerve me because like, esp with unconscious cases, who the fuck gave you consent to film that person

[robertleckie]

I'm here, crawling out of my little hole to say that I am currently in Melbourne (in fact, I've been in Oz for almost 6 months y'all, it's been a wild year), so guess who's gonna look up filming locations for The Pacific and sob about walking the same ground as not only Robert Leckie, but also my boy James Badge Dale and the rest of the cast and crew?

[saltyfilmmajor]

I know in my heart of hearts that they were not going to give tom that best acting nom but by god it makes me sad

[hannibalismos-jaaneman]

the fact that barbie's rotten tomatoes score is 90% and oppenheimer's is 94% says a lot about us as a society.

[designernishiki]

I think I’ve said this before on here but. it really baffles and somewhat annoys me sometimes how people hear that a character is in their 40s-50s and immediately assume they should be weak or feeble or less attractive than they are. like. no. i think everyones just been brainwashed to think that attractiveness/health/worth is determined by how young someone is. why is it more understandable to view a teenager as more attractive and capable than a fit 40-50-something year old. kinda wack

[awordwasthebeginning]

.

[liinos]

i didn't watch the girls season so idk if it went to shit then but it's so crazy seeing the difference between qcyn1 and qcyn3 like i don't know what the fuck they were doing for qcyn3 but that might be one of the worst structured shows ive ever seen

[teruthecreator]

i dont know what it is but i cannot be hyperfixated on a show like other people can. like if i were to rlly itemize all of my hyperfixations and do a pie chart of media genre, a good 90% of them will be video games! whether i myself played the game or if i just watched a playthrough is irrelevant bc it was still a game 

[vilelittlecritter]

About half the reblogs are about 73 yards and I'm sorry to break it to you but I don't really like 73 yards that much..

No hate to the episode I thought it was cool as an idea but wasn't really well done in my opinion

Firm believer that doctor who should get fucked up and unnerving on the regular

[vivalasthedas]

i hope when veilguard comes out people will like... let people dissect it and be critical and very 'the curtains were blue symbolized xyz' and not get shitty about that way of engaging with things you enjoy and claiming that any negative opinion is 'fandom drama'.

like for sure if you don't like talking about that shit, great, don't engage, leave it alone. But the amount of times you'll be having a perfectly fun talk about biowares Unfortunate Implications because of their constant statement of real world parallels and inspirations and their handling of shit in game and how that unintended outcome effects their intended story or something and someone comes along and like fandom high horses about how it's not that deep let people enjoy things why are you being so negative whine whine bitch bitch about it is wild.

Let people engage with fandom however they enjoy. For some that will be Big Think. It will be analyzing shit, no matter their skill level at doing so, and digging into it. If that's not it for you, that's awesome! I'm sure most people like both at different times, different moods, different media properties. Sometimes you want to get in the fandom place and go 'i bet this blorbo would cry if their tamagotchi died' and other times you want to talk about the accidental 'colonialism is good' narrative in the scifi movie you just watched or how xyz thing is part of a larger character motif about 123.

Respect whatever the fuck fandom means to other people, and just don't engage with shit you don't want to. Either direction. Don't go on posts of people being silly goofy and happy and be a jag, don't go on posts being negative or critical about something and get mad about people being negative. Grow up. Move on. None of it matters.

[davy-zeppeli]

trying to not let it get to me that at this point all I really do it wake up, work all week, and then spend my weekend waiting for the week to start again.

[cheeseanonioncrisps]

It's a weird fucking feeling realising that you actually have to plan ahead for and schedule in the things you like to do, as well as the things you have to do.

I don't mean the complicated stuff, that's a given.

If I'm going to the cinema, then I accept I'm going to have to look up film times and buy tickets and figure out when I'm going to leave the house. If I'm going to visit a friend who lives in a different county, then I accept that I'm going to probably be looking up travel times and planning activities and where to eat and what time we'll be doing what, for possibly days beforehand.

But its even the fucking lowkey stuff. If I want to watch a tv show, I have to plan time out of my day to do it, and I don't always get round to it. If I have a whole day free for some reason, and I decide I want to watch a film (at home, on the sofa) and I don't lay out a plan for when I'm going to do that and how long I'm going to take, then it just won't happen.

If I want to go for a walk just around my local area before it gets dark, or eat something with a slightly longer cooking time, or write my diary, or read a book I've been looking forward to reading, or even read fucking fanfiction that is longer than about 8000 words, then I have to set some sort of plan beforehand.

Like, I know intellectually that executive dysfunction affects more than just the things you don't enjoy doing. But fuck it doesn't really hit you until you realise that you haven't sat down to watch an episode of that show you like for over a week, even though you can't really name any activities you've been doing or commitments you have that would make it impossible to do so.

Anyway, this is a reminder to people who struggle with that sort of thing: schedule your days off, lest they be swallowed by the Pit before you get the chance to do anything fun with them.

[yogurtkags]

❝ HUSH ❞ — sakusa kiyoomi

cw. f!reader, fluff, olympics au, athletic trainer!reader, timeskip characters, established relationship, secret marriage, language (omi swears like once), not beta read (sorry!) word count. ~ 1.6k

“japan’s outside hitter sakusa kiyoomi and newly revealed wife, athletic trainer y/n l/n, steals the spotlight in the city of love!”

@tetzoro's summer olympics collab

your eyes glance in his direction, letting it linger on his figure as the team settles down into their corner. he’s a little tense, understandably so– it’s his first time at the olympics, and with the pressure of the finals sitting on his shoulders, the nerves are showing, though carefully hidden behind his standard resting face that you can see through so well. the lights hanging along the ceilings of the south paris arena cast a tasteful warm glow along the contours of his face. despite the subconscious clenched jaw and slightly downturned lips that make you want to kiss the frown off so badly, there’s a shine in his eyes like no other.

the last few days have been pretty rough, of stiff beds, subpar food and sleeping without kiyoomi. you know he feels the same if the progressively increasing frequency of late night calls and texts are any indication. with the boys sharing rooms in twos amongst themselves and the rest of the team’s staff being housed in a separate wing of the building, falling asleep in his arms was a faraway thought since you arrived at the olympic village.

loml ♡ : miya snores so fuckin’ loudly i can’t handle this me : well it wouldn’t be the first time you’ve dealt with it baby loml ♡ : i still think we should’ve fought harder for us sharing a room

he drifts off into slumber easily after washing up and getting his fill of talking to you (never enough), the mental and physical fatigue of matches and practices in between taking a toll on his body, but for you, being wrapped in his warm embrace was the perfect recipe and vital to a good night's sleep. it’s safe to say that you haven’t been sleeping well for the past week.

it didn’t help that being sworn to secrecy about your relationship also meant that any interactions you had with him outside being the team’s athletic trainer was like treading on eggshells. it feels like you’re in high school again, sitting next to him in the dining hall during meal times with your clasped hands hidden under the table from watchful eyes, his thumb rubbing soft circles against the back of your hand or squeezing ever so often, as if to affirm his presence and silently reassure that i’m here.

it seems to be a trend lately for athletes to be active on their social media platforms, be it their team’s or just a personal account, recounting stories or even taking avid viewers through “a day in the life of an olympic athlete” — without looking too far, even miya jumped on the bandwagon, often seeing suna running around filming short clips of their shenanigans in free pockets of time during the day. you and kiyoomi talked about it before the season began, keeping any non-professional interactions to a minimum. there’s eyes everywhere and it’s better to be safe than sorry.

both of you are very private people, it was only natural that you preferred to keep your personal life and matters to yourselves behind closed doors. this ended up being a double-edged sword, because everyone wants to be all up in your business, especially kiyoomi who finds himself in the spotlight more often, being apart of the “young handsome eligible bachelors” of the MSBY 4 and now one of the most sought-after new additions to japan’s national team.

you on the other hand, were better known by twitter as “the pretty trainer” from the shweiden adlers and now the national team, standing next to another fan-favourite, iwaizumi hajime. thankfully your role is kept more so behind the scenes, checking on the players during games and making sure they remain in tip-top shape on and off the court.

being the quiet and brooding one amongst outgoing chatterboxes meant that the media would try to dig any information out of kiyoomi, but prying interviewers and prodding questions towards him and his love life were smoothly deflected and brushed aside, the boys even coming to his defense if anyone got too pushy with it, which you were beyond thankful for. not that they needed to most of the time, he’s known to be curt with his responses and quick to bring the topic back to the game, and no one likes a snappy sakusa anyway, many have learned this the hard way.

just months prior to the both of you getting called in to begin training for the olympics and before schedules start to pick up, you had a small private wedding in your hometown with just close friends and family, the ceremony kept under lock and key and tucked away from the public eye. it made it all the more intimate, more like a quiet gathering to celebrate your union than a grand spectacle, which suited you perfectly. the honeymoon hasn’t happened yet with the timing of everything, you’re saving it for post-season when you both can finally take a break and relax for a little while.

you won’t deny that there are some days where you wished that things were different, and that you could openly express your love for each other without scrutiny and attention being on you, but alas, that is to be expected as someone exposed to the public eye.

the olympics is your first public appearance as married individuals, not that anyone particularly cares about your status, their eyes instead zeroing in on kiyoomi and the chain around his neck carrying a shiny new silver band. it's safe to say that judging by the scowl on his face and the chatter buzzing around the front rows of stands as the team settles into their side of the court, his “mystery wife" is the new talk of the town.

when he comes over to you during timeout, his eyes meet yours bashfully as you hand him a bottle, fingers brushing against yours in an unspoken apology. you just smile and lightly pat his back as he turns to join the team huddle. there’s nothing to be sorry for, silly.

these little moments mean everything to you, even though it looks like nothing in the grand scheme of things. just being there with him and coming together with a shared passion even if it's in different fields of the broader spectrum of sport, fills you with a sense of happiness and content. watching him in his element and being able to support him on the sidelines through it all, you'd never trade that for the world.

and as you’re sitting at the edge of your seat with your bum hanging on for dear life, you lean forward with your hands pressed together, the top of your index fingers resting against the tip of your nose like a pseudo prayer. match point.

it feels like you’re watching the longest rally of your life and like a bad habit, your knee begins bouncing up and down in your nervousness and anticipation. iwaizumi too, is so engrossed in the play at hand that he doesn’t notice, or maybe he just doesn’t care enough in this moment to stop you with his usual slap to your thigh and a chiding comment, “stop it, even my grandma back in sendai can feel the tremours from your goddamn knees.”

with bated breath, you watch kageyama tosses one beautiful arc of a set to kiyoomi as he leaps into the air and makes contact with the ball.

with a powerful spike, he is a force to be reckoned with, sending the ball home as the opponents dive to save it, their arms hands and fingers stretching out in a last ditch attempt to connect and rescue the point, but to no avail. the ball lands with a harsh thud and as he stands tall above their groveling, the whistle blows and the crowds roar.

your arms instinctively raise in a cheer, and in the next moment they’re closed over your mouth, tears pricking your eyes as you stumble over your feet and scramble to get up. as the team rushes towards him with shouts of celebration, his eyes immediately dart in your direction, softening as he sees you dashing over. with knowing smirks and crescent moons for eyes, the boys follow his line of sight and give him firm slaps on the back, parting the hoard for you and giving just enough room for him to uncharacteristically swoop you up in his arms and crash his lips into yours, all caution thrown to the wind.

all the noise halts and time stands still, everything fades away and nothing else in the world matters in the moment, not the people, not the cameras, just the overwhelming rush of joy and pride, and love, oh love, swelling from the depths of your chest and your heart bursting at its seams.

your senses flood with everything kiyoomi, from the way the sweaty strands of his hair at the back of his neck feel on your fingertips, his cheeks dampening from your tears, the nudge of his nose against yours, and the press of his smile on your locked lips. he breathes out and you breathe him in, letting all of his being rest in the room in your heart saved specially for him, seeping into every corner of your soul.

when you inevitably pull apart for air, the current predicament doesn't exactly click in your mind just yet until he grabs your hand and pulls you into his side, shielding you from the onslaught of reporters and press looking to get a fresh scoop on the hottest piece of news. with blown out eyes, you look at him in a daze and disbelief, did that really just happen?

the smug smirk on his face says it all.

the matching silver bands on your finger and hanging around his neck, it was always there. for the longest time it was your little secret, and now a declaration of love and devotion — not even a shiny new gold medal could compare.

© yogurtkags. please do not repost, plagiarise, or translate my work.

[fans4wga]

"The studios thought they could handle a strike. They might end up sparking a revolution"

by Mary McNamara

"If you want to start a revolution, tell your workers you’d rather see them lose their homes than offer them fair wages. Then lecture them about how their “unrealistic” demands are “disruptive” to the industry, not to mention disturbing your revels at Versailles, er, Sun Valley.

Honestly, watching the studios turn one strike into two makes you wonder whether any of their executives have ever seen a movie or watched a television show. Scenes of rich overlords sipping Champagne and acting irritated while the crowd howls for bread rarely end well for the Champagne sippers.

This spring, it sometimes seemed like the Hollywood studios represented by the Alliance of Motion Picture and Television Producers were actively itching for a writers’ strike. Speculations about why, exactly, ran the gamut: Perhaps it would save a little money in the short run and show the Writers Guild of America (perceived as cocky after its recent ability to force agents out of the packaging business) who’s boss.

More obviously, it might secure the least costly compromise on issues like residuals payments and transparency about viewership.

But the 20,000 members of the WGA are not the only people who, having had their lives and livelihoods upended by the streaming model, want fair pay and assurances about the use of artificial intelligence, among other sticking points. The 160,000 members of the Screen Actors Guild-American Federation of Television and Radio Artists share many of the writers’ concerns. And recent unforced errors by studio executives, named and anonymous, have suddenly transformed a fight the studios were spoiling for into a public relations war they cannot win.

Even as SAG-AFTRA representatives were seeing a majority of their demands rejected despite a nearly unanimous strike vote, a Deadline story quoted unnamed executives detailing a strategy to bleed striking writers until they come crawling back.

Days later, when an actors’ strike seemed imminent, Disney Chief Executive Bob Iger took time away from the Sun Valley Conference in Idaho not to offer compromise but to lecture. He told CNBC’s David Faber that the unions’ refusal to help out the studios by taking a lesser deal is “very disturbing to me.”

“There’s a level of expectation that they have that is just not realistic,” Iger said. “And they are adding to the set of the challenges that this business is already facing that is, quite frankly, very disruptive.”

If Iger thought his attempt to exec-splain the situation would make actors think twice about walking out, he was very much mistaken. Instead, he handed SAG-AFTRA President Fran Drescher the perfect opportunity for the kind of speech usually shouted atop the barricades.

“We are the victims here,” she said Thursday, marking the start of the actors’ strike. “We are being victimized by a very greedy entity. I am shocked by the way the people that we have been in business with are treating us. I cannot believe it, quite frankly: How far apart we are on so many things. How they plead poverty, that they’re losing money left and right, when giving hundreds of millions of dollars to their CEOs. It is disgusting. Shame on them. They stand on the wrong side of history at this very moment.”

Cue the cascading strings of “Les Mis,” bolstered by images of the most famous people on the planet walking out in solidarity: the cast of “Oppenheimer” leaving the film’s London premiere; the writers and cast of “The X-Files” reuniting on the picket line.

A few days later, Barry Diller, chairman and senior executive of IAC and Expedia Group and a former Hollywood studio chief, suggested that studio executives and top-earning actors take a 25% pay cut to bring a quick end to the strikes and help prevent “the collapse of the entire industry.”

When Diller is telling executives to take a pay cut to avoid destroying their industry, it is no longer a strike, or even two strikes. It is a last-ditch attempt to prevent le déluge.

Yes, during the 2007-08 writers’ strike, picketers yelled noncomplimentary things at executives as they entered their respective lots. (“What you earnin’, Chernin?” was popular at Fox, where Peter Chernin was chairman and chief executive.) But that was before social media made everything more immediate, incendiary and personal. (Even if they have never seen a movie or TV show, one would think that people heading up media companies would understand how media actually work.)

Even at the most heated moments of the last writers’ strike, executives like Chernin and Iger were seen as people who could be reasoned with — in part because most of the executives were running studios, not conglomerations, but mostly because the pay gap between executives and workers, in Hollywood and across the country, had not yet widened to the reprehensible chasm it has since.

Now, the massive eight- and nine-figure salaries of studio heads alongside photos of pitiably small residual checks are paraded across legacy and social media like historical illustrations of monarchs growing fat as their people starve. Proof that, no matter how loudly the studios claim otherwise, there is plenty of money to go around.

Topping that list is Warner Bros. Discovery Chief Executive Davd Zaslav. Having re-named HBO Max just Max and made cuts to the beloved Turner Classic Movies, among other unpopular moves, Zaslav has become a symbol of the cold-hearted, highly compensated executive that the writers and actors are railing against.

The ferocious criticism of individual executives’ salaries has placed Hollywood’s labor conflict at the center of the conversation about growing wealth disparities in the U.S., which stokes, if not causes, much of this country’s political divisions. It also strengthens the solidarity among the WGA and SAG-AFTRA and with other groups, from hotel workers to UPS employees, in the midst of disputes during what’s been called a “hot labor summer.”

Unfortunately, the heightened antagonism between studio executives and union members also appears to leave little room for the kind of one-on-one negotiation that helped end the 2007-08 writers’ strike. Iger’s provocative statement, and the backlash it provoked, would seem to eliminate him as a potential elder statesman who could work with both sides to help broker a deal.

Absent Diller and his “cut your damn salaries” plan, there are few Hollywood figures with the kind of experience, reputation and relationships to fill the vacuum.

At this point, the only real solution has been offered by actor Mark Ruffalo, who recently suggested that workers seize the means of production by getting back into the indie business, which is difficult to imagine and not much help for those working in television.

It’s the AMPTP that needs to heed Iger’s admonishment. At a time when the entertainment industry is going through so much disruption, two strikes is the last thing anyone needs, especially when the solution is so simple. If the studios don’t want a full-blown revolution on their hands, they’d be smart to give members of the WGA and SAG-AFTRA contracts they can live with."

[krittec]

there’s something extremely extremely creepy about taking an actor that you have known since they were 13 years old, only JUST a teenager, and making them kiss a fully grown woman the second that they turned a legal adult.

Steve Blackman already has a ton of shit out against him which came out recently so it unfortunately doesn’t surprise me that he would write something like this but it makes me genuinely concerned for everything behind the scenes.

There has been a HUGE problem in the Umbrella Academy fandom since season ONE when Aidan was a 13-14 year old of people writing insanely disgusting stuff and defending it because his character was mentally an adult but oh my god did they make it worse. You’d think they’d protect actor & character by avoiding any romantic interaction but instead you have him kiss an actress 15 years older than him. The age gap being the age that he was when they filmed season two. Quite honestly I feel that if he could’ve done this seasons previously and gotten away with it then he definitely would’ve done it, given the jokes that are actively made.

Quite honestly may Steve Blackman never work again if this is how he treats his actors because this is awful. I’m not even done with the season but that gave me very little desire to continue and this show has been important to me in ways I can’t explain. Maybe I am blowing this out of proportion but it feels so insanely creepy and horrific to me and I needed to rant.