#they generally felt like the characters

[sonicthehedgehoglover2]

Ya'll remember when we got Rise trending because of several blogs were supposedly owned by Leo, Donnie, and the others? Because I do.

[imclou]

can't believe fnaf brought me out of art hibernation man what a turn of events

[coffee-scrub]

No tgaa spoilers I’ve only finished the first case. Woe, doodles be upon ye

[imjustavenuxwithaboomerang]

they can never make me hate you

(collage by me)

[kaydreamsart]

Exasperated Loop experimental sketchy thingy

[dizzybizz]

some doodles

[alicenpai]

⭐🌛🌞 november trick or treating... spooky season can be anytime if you aint a scaredy cat!!! flynn, terence, nate - from my series Lost & Found Children

some WIPs!

^ some theatre costume designs that inspired Flynn's outfit. originally I wanted more of a pierrot motif, but I went with a sortof celestial angel to match nate's fiery devil. I do want to draw them all as pierrots one day...

my friend asked about the "costume" part of this - terence is not wearing a "halloween costume" per se, because he thinks he's too mature for costumes (haha). hence the star moon and sun theme to unify all of their outfits. he IS a piano player in the story, who wears a similar outfit to concerts, so you can see him as being a sort of astronomical musician for the occasion. i think these designs turned out pretty rad and since they're not "stereotypical" halloween fare, i would like to use them again...

tumblr killed my drafts... and unfortunately I am too tired to type out more of the description that got lost.

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[alastair-1205]

Major props to Dragons Rising for managing to write a super Gen Z/Alpha, tiktoker, brainrot loving, kid character that is actually endearing and not annoying and doesn't make me feel like the writers literally said "what are the kids into these days?" While in the writing room. I fucking love how cringe Roby is he's so good at it <3

[front-facing-pokemon]

[rawliverandgoronspice]

anyway to end the series on ganondorf tp's writing, my take (which isn't canon but arguable as a valid "death of the author" read imo) is that he is at his most iredeemable AND that's because he has zero things left to lose and no community left and his goal doesn't even make sense anymore he is parasitic and a ghost and pathologically obsessed by his own godlike legitimacy because that is the only thing he still has and it has prolonged his life in a horrible diminished state in a nightmare dimension so SURELY it must mean something right right RIGHT

[skunkes]

[kacievvbbbb]

I know this isn’t a particularly common characterization of them (at least not what I’ve seen) but I personally think of the two;

Shanks rarely gets restless, he’s the one more content to just bask in a moment, it may not be in silence but he’s comfortable just doing nothing with his crew. As long as there’s alcohol, a hammock and the people he loves, Shanks is straight.

Contrary to that Mihawk is always itching to do something, entertain himself in some way. If he’s not dueling/training, he’s gardening if it’s not that then he’s cooking or he’s reading and if nothing else will do then he naps. but he’s always trying to occupy his time with something.

I think a lot of people don’t notice it because it’s not the jittery hyperactivity that people associate with it. But Mihawk is restless, endlessly so. He’s in a never ending fight with his boredom but it’s all internal.(except when he decides to make it someone else’s problem ala Don Krieg)

Mihawk’s the type of dude to implode instead of explode so it makes sense that things like restlessness don’t really show themselves in an outwardly physical way. Instead it’s more of an internal pressure and incessant need to stave off boredom. But because of his preference for being alone and the fact that the activities he chooses aren’t ones usually associated with restlessness. It goes unnoticed.

Except by Shanks who’s always going out of his way to make the life of a pretty little birdie a litte more interesting.

[secretly-a-trekkie]

its a work in progress

[exlimix1a]

Quick piece of @luluyamofficial 's character Lucelia + a 30 second speedpaint!

[eternallog]

an old friend who dreamt of crows...