#they don’t have the same vibe if that makes sense at all

[k1tty5]

I would like to make it clear that I do NOT want anyone’s firstborns, but I will ramble. for you.

rambles about the process and other thoughts under the cut! I talk a LOT, so… view at your own risk?

I originally had this idea a couple months ago, I think when I first heard the song. I had made a little test for it, which I didn’t end up doing anything with because I thought it didn’t really make much sense. Which, I’m not sure I did that great of a job making this make sense, but you know. Whatever.

this is the original drawing i made for it back in early august, very rushed and not a big fan of it.

I liked the black background & grayscale palette, as well as the way the string kind of . Twirls around the text? BUT, I went into this without any planning, mostly just me doodling and then threw the lyrics on for fun. No plot or whatever, very short.

After I made this, I was kind of just keeping this idea in mind for later, but I held back on trying to do it as I just wasn’t really sure where I wanted to go with it. I’m very bad at planning and tend to rush into things a lot, which ends up hindering the quality of a lot of my art. and since this was something I actually liked the idea of, I wanted to give it my all.

There was also the fact that because I liked the idea, I wanted the best outcome. This kind of ends up in a sort of paralysis where I don’t want to work on something because I’m not good enough for it, but I did realize that I will likely never consider myself good enough for it, so why not just go for it?

Anyway ,

I did not end up keeping the black background for the reason that I decided that this time around I wanted it to have a more traditional vibe/look? Like perhaps it was scrawled over some roughed up paper, hence the sketchy style and limited palette.

And as for why I didn’t keep the string looping around the pages, I just thought that would add too much red to the pages, sort of ruining the vibe. So I instead just kept it inside the panels!

these are the original thumbnails/sketches! most of them I kept the same, but I did end up pretty much entirely changing the third page, because I decided there was already too many panels of just their faces with somewhat unsettled expressions .

thoughts on individual pages - don’t expect me to be organized or this to be well thought out, by the way,,

on page 1 ,

I started with a shot of the relationship, mostly to just… set the scene. I am NOT an expert on comics, and went into this with very minimal planning, so this work in general is more of the vibes than it is a storyline, but I did try to vaguely get it to resemble something comprehensible.

the second panel of Etho brushing Joel’s cheek is very much no thoughts for me lol, not very happy with how it looks. I do picture Etho as the more openly affectionate one (though i can see it both ways). BUT, to match with the lyrics, you could say that the first panel paired with “it’s hard to tell which elements of this are real” could be resembling that the boat is something tangible and physical, whereas the second panel paired with “and which are chemically enhanced” is referring to whatever feelings they have. Asking themselves if this is really real, or if it’s just the game.

no notes on the third panel lol. like i say this was not well thought out, the story is somewhat there, but it’s VERY much up to interpretation and I did intend it to be that way. I have ideas about what is happening, but I want to keep it up to the viewer.

on page 2,

“But it’s not easy to tell what I want from what I need” OH BOY !!! manic red joel. blinded by the bloodlust and rage and adrenaline. he needs this. he needs it, doesn’t he?

“I am more scared of myself than I am of anyone else” okay okay okay. I don’t headcanon he has any real remorse for killing anyone. this is a death game, you’re not meant to be a good person, this is built on lies and manipulation and blood and hurt. headcanon they’re all insane people doing bad things (with a forced hand or not). BUT !!! big fan of “i break everything i touch” kind of thing (its kind of a pattern in ships i like OOPS). so much angst. regretful of your violent nature, wishing to be gentler so that you can cradle his face without digging your nails into his skin, unwanting to break the only thing you’ve learnt to love.

but. etho doesn’t care !!! he doesnt care. his hands are just as bloody as yours, don’t you see?

on page 3,

panel one is just a continuation of the last scene which i just talked about blah blah blah

panel 2!! thats a portal. we all know what happened in the portal :)

on page 4.

ending the mini comic thing with the ship burning, while it started with a shot of the ship in its prime. before and after, how it started and how it ended.

all in all, I !! AM !!! INSANE!!! about them. I could ramble for hours probably but this is already long so ending with a couple final thoughts.

this is definitely meant to be set after they’ve gone red, when in that timeframe is up to you, though. in my vision the lyrics are kind of correlating to c!joel’s thoughts/feelings/whatevers, but it can definitely go both ways - or neither way lol. This song is really just like. THEM. To me.

anywho, thank you to anyone who has put the augh’s and ough’s in the tags, they’re very gratifying haha <3

the simplest words

[glamourscat]

¡Shidou’s hcs and character analysis!

tw// childhood trauma, violence, reference to possible SA in his past, my writing cause I didn’t proffered this

PHYSICAL TOUCH!! Friends, lovers or even just acquaintances, he has the bad habit of seeking touch, small or big doesn’t matter. From shoving to fidgeting. It’s different obviously base on the relationship you have with him. Are you two friends? Expect playful shoves, ruffling each other’s hair, if sat together legs or shoulders will touch casually. He is the type of person to laugh and slap your shoulder while laughing. 

If you two are lovers: hand holding (he does that thing of rubbing his thumb on the back of your hand), kisses, hair ruffling, legs intertwined, hugs from the back, nibbling/biting. Pressing his forehead against yours. SQUEEZES. Especially if you have more fat on you, he would *love* it. The need to hold you close and squish your rolls or chub. 

I personally see him as unlabelled. I know a lot like to hc him as gay. And it does make sense, but one can flirt with guys and it doesn’t erase the possibility of being into women too. That said, I do believe he has a preference for guys, especially aesthetically, but ultimately his choice of a partner would be base on mental compatibility and aesthetic attraction, no gender. I feel he is into someone who truly enjoys being their true self and doesn’t conform to society norms, more on this in a sec.

He is complex, as we see glimpses of this in the “egoist bible” and during his internal dialogue (like in the U20 arc). I don’t think he would be a bad boyfriend, but neither would he be perfect. Objectively speaking, he does have a rough, almost explosive side. But that’s a side he brings onto the football field. How he is outside of football we don’t really know. He is shown to be someone who values uniques, and also strength, complimenting other players strengths. He is not a demon, he just so happens to be a human with a deep complex personality. He seems to value peace in his life outside of football, which is something you don’t expect from him. Because he gets presented as this brute individual and yet he is the same who pops out this answers: “What made you cry recently?” At the end of the day when I become nothing, tears come out.

“What will you do on your last day on earth” Watch it as it reaches its end

“How would you spend your day off?” Be free from everything and become nothing

His answers are, intense, are they not? Which leads me to several thoughts. 1) He is very lonely. Using humour and anger to defend himself, a common trait of children who were abused, neglected in their childhood.

2) base on this, I feel in a relationship he would enjoy someone who has similar vibes to him but ultimately is different. Someone he can be chaotic with, someone he can laugh as loud as he wants, someone with who he can gossip and still have deep conversations at the same time. Ultimately, an artistic partner would be the best. Not only because he is into art, mostly as a way to cool down and shut down his brain, but because an artist or even a writer can see the world under different shades of colours rather than in greyscale. Classical introverted x extrovert duo, with the exception that the introvert individual becomes as extrovert as him when they are alone. His partner is his ancor. He will need to feel at peace from the turmoil inside of him. 

3)his home life was not the happy kind. Now, this has been long speculated and I will give my 50 cents on the matter. Let’s analyse his favourite movie, manga and song: 

Music > hide. Especially "Pink Spider" 

Movie > "A Clockwork Orange" 

Manga > "Chainsawman"

On the base line all three explore the darker sides of humanity, the need for personal freedom, and the consequences of defying societal norms. They create a raw and intense narrative about self-destruction, survival, and transformation.

But if we dive deeper > the movie mainly depicts SA, it’s a twist mix of violence, societal injustices and lack of free will… “Chainsaw man” it’s all about violence, power imbalance and manipulation. Denji was a tool from the start to end (again, lack of free will). The song, explored themes of internal chaos, the darkness in humanity, destruction and emotional turbulence and the psychological tool that that violence and abuse leaves on people.  I mean… can it be any more obvious? His whole character is shown to be this brute, rude, violent individual but slowly we are being feed details into his insight. Like how deeply philosophical he is, artistic and yet he is genuinely over sexualised. Maybe is a reach, but I don’t think that movie, the song and the manga choice are casual. They are a mirror image into the possibility that his childhood was pretty much terrible. That his sexual comments, which come off as almost distasteful, and feel icky in a way, are a projection of what he went through. Trying to use a distorted sense of humour and the violence he grew up with, to shield himself from what’s his personal life and past.

Like when he was locked up, his reaction was intense. He was close to begging to be set free. Again— lack of freedom, he hates not being able to be free. Something could have been taken away from him in the past. Maybe is as simple as a culture thing— as we know Japan is a rather modest country with certain unspoken rules. Its traditional outlook on things such as gender and sexuality are the total opposite of Shidou’s persona. His appearance is loud, his personality is loud and it alls screams “look at me I’m here” and yet at the end of the day he is still a lonely being.

I recently reread the U20 chapter where he enters on the field. His inner monologue he uses biology (specifically fertilization) as an analogy to scoring. Many people interpret it as him making a connection to sex, but for me, it didn’t read as such. Maybe it’s my literature student nerd ass, but, I took from his inner monologue a sense of need in terms of leaving a mark onto this world. He speaks how art leaves a mark, so does books, buildings and obviously children, showing the family legacy. Proof that something existed before them.

Shidou feels that his legacy, his needs, are validated through scoring. He feels seen, people are cheering. He is leaving a mark. Which ultimately could be validating a lack of emotional attention he received when he was a child. To me, all of these references and the constant sexual innuendos are a meaning for something deeper. We saw how each character with a heavy backstory has a trait or something in them that screams “something is not right”. Like Rin’s personality being a result of what happened between him and Sae. Can’t think of anything else to add, maybe I will add something later. If you have any opinions, I am more than willing to read them!! Feel free to reblog/comment :))

[indierpgnewsletter]

Murder on Arcturus Station

In 1983, Games Designers’ Workshop released an adventure module for Traveller called Murder on Arcturus Station. It’s a straight-up sci-fi murder mystery – an early landmark in Traveller‘s goal of taking play out of the dungeon and zooming off in every direction possible.

There’s lots to like about this little adventure. The dead body is a sleazy capitalist, who in the premise of the adventure has just screwed the players’ characters out of payment for their last job. There’s also labour strife brewing because the aforementioned bossman is screwing everybody on this little mining station. There’s almost a dozen suspects, each of them having some kind of grief with him. It’s the slick neo-noir vibe of Picket Line Tango but done with all the lack-of-flair of 40 years ago.But the best thing about the module is that there’s no canonical murderer. As a part of prep, it asks the GM to decide.

But the best thing about the module is that there’s no canonical murderer. As a part of prep, it asks the GM to decide.

I love this because there’s a lot of discussion these days about games that use Brindlewood Bay‘s mystery system. And while this isn’t the same thing by any means, it’s still mucking around in the same sandbox. Essentially, you could say that games like Brindlewood Bay or Apocalypse Keys are just respecting that time-honoured tradition of storygames and redistributing the role of the GM.

When I read Arcturus Station, I have this lovely premise dripping with potential and I don’t want to puncture it. If I was running this in 2016, I would’ve just used smoke and mirrors – pretended that I knew which suspect did it but really I would just see what my players thought and then use that to decide. (Someone on Bluesky called it “planning behind” rather than “planning ahead” and I find that phrase very funny.) All these new games do as far as I’m concerned is let me be honest about my smoke and mirrors.

But the creativity of Arcturus Station doesn’t stop there, it offers two more ideas, half-baked in that classic old school way but still very endearing: what if the one of the player’s characters did it (makes sense, they have a motive, they just got screwed) and what if instead of playing adventurers, the players took on the role of the NPC suspects and basically larped it.

The designer of this module, J Andrew Keith, doesn’t actually know how to pull either of these two things off. Well, the first one is a bit easier. It just requires planning and collusion between one player and the GM. But the second idea is just tossed in at the very end of the book. All that Keith has got to offer us is: “One other possibility which there was no time to explore in detail here is to dispense with the standard player characters and use the suspects as player characters. Give players the information on Katarin Xuan, Eayukheal, and the others, and have them play those roles; of course, one of them will be the murderer…”

Like with many other art forms, one way to read the history of RPG design is the push and pull of experimentation and consolidation: there are periods of obvious and widespread experimentation and then consolidation as the most popular experiments become the norm. But then people get bored of the norm as it looses the novelty that made it popular in the first place and a new phase of widespread experimentation follows.

It’s never so simple, of course. You can have experimentation in one space and consolidation in the other. But it’s interesting to see the creative overreach of the first decade of RPGs – people imagining possibilities but not really having the tools to implement them. It’s the same spirit that draws me towards the current indie games era (and the Forge era, and so on). It’s excitement for the possibilities of play.

[kindaasrikal]

Cole and Nya’s relationship is very special to me, even despite the love triangle thing, which you could technically say helped develop their relationship. Especially with how it links to their mothers.

Cole and Nya are both familiar with loss, specifically in regard to their parents. They both lost a parent(s) at a young age, and quickly became independent because of it. They learnt how to survive on their own without depending too much on their only family left. They both care deeply for the ones they love and are sensitive to their emotions, and when they were left with only Lou/Kai as their only family, they didn’t want to rely on two people deep in grief and were deeply effected by that loss.

They both are stubborn and sure, protective and confident, but they are both also soft and kind underneath all their layers, Cole showing that more than Nya.

I like to think that while the whole love triangle thing and love machine fiasco was annoying, you could actually twist it to show how it developed their relationship. Jay is the one Nya loves, that is not something you can change or even disagree on, seeing as she was willing to lose everything that makes her her for him, but the perfect match machine doesn’t have time be explicitly based on romantic interest. The machine is essentially like a ‘soulmate finder’, so it’s easy to say that one of Nya’s soulmates are Cole.

Soulmates have been shown in many different ways, and in this case its not showing a soulmate in the sense of a ‘one true pair’ or someone who you are inexplicably tied too, but someone who understands and can click with you a whole lot easier than most.

That buddied up with the whole love triangle thing definitely helped Cole and Nya realise how similar they are to each other, and how they deeply care for each other as siblings. Almost like twin siblings if I’m being honest. They don’t give a younger and older sibling vibe thats for sure. More like two twins where one is an aggressive wild animal and the other is also a wild animal but they don’t have as much of a temper as the other weirdo.

My favourite scene of their relationship is in Dragons Rising where Nya hold her hands against Cole’s cheek after not seeing him for months upon months.

Now about their mothers….

Knowing all of this, connecting it to how they both see their mother in each other seems so much more special.

Cole and Maya have both said ‘Its how the cookie crumbles’, both in relation to Nya. After Nya was possessed by the overlord, Cole tries to comfort everyone by saying that line, implying how its just how things must be, the same way Maya has towards Nya specifically, telling her that life is difficult, no matter what we try. Nya doesn’t know they both have said this, but its still so important how its come in full circle towards her, from her beginning all the way to her supposed end.

And then you remember how both Nya and Lily have worn the same kimono. The same kimono Lily wore, and the one that Cole gave to Nya.

ITS THE EXACT SAME.

Cole willingly gave him dead mother’s kimono to Nya, his sister.

Nya and Cole were never supposed to be in a romantic relationship, they were both have such a strong platonic love for each other it hurts. They both have similar experiences and similar personalities yet still have their differences, but those differences aren’t as big as most people would’ve expected.

I love these two so much they so deeply care for each other im going to cry i hope they don’t die for Jay.

[undercoverdonderwolk]

Ok so I don’t have any insider gossip for you, but I have little tidbit that there’s a pundit that is absolutely adamant that Horner wanted daniel for the RBR seat and was pushing for it quiet heavily even after summer break. I don’t know what the ~vibes~ we’re closer to Singapore but it makes me wonder:

I feel like the power play of it all could be the reason that Horner is apparently just not looking at Lawson or Yuki at all. Like, stay with me, but let’s say Horner’s first choice (when it became clear he was coming back to RBR) was Daniel. Hence, them kind of rushing him back into the seat at AT. But of course we know, Marko wasn’t for it and Daniel’s form at the start of his VCARB stint didn’t help him. So, then Marko started pushing for Yuki and then later Liam, not necessarily to spite Daniel but to spite Horner (specifically).

Then, when it became apparent that Marko was gaining some traction back into the team, Horner knew he couldn’t just keep all his eggs in the Danny basket - and this is where he starts to more heavily publicly back Checo. He needed a failsafe. If he can’t have Daniel (and therefore Max) firmly in his corner then he can at least keep Checo in the seat and have his sponsors to ensure the team is being paid dividends - at least financially if not in terms of overall performance.

This is why I thin we’re seeing this push-pull narrative suddenly back in the media. An comes out saying Horner doesn’t rate Liam, Marko comes out saying Checo is “acting like he would drive for us next year”. It doesn’t make sense to anyone else why Checo even has a shot at staying in the team next year - but it’s because they haven’t paid attention to the chess game going on between Horner/Marko all year like we’ve had to.

Somewhere along the way, Horner lost, at least in some sense. I don’t know where exactly, but one of his plays obviously fell through and one of his pieces (Daniel) was just removed from the board. The only play he has left is Checo and the backing of the shareholders that might come with it (also, let’s not forget it was the shareholders that backed him after his harassment allegations). Because if Marko gets Checo out and Liam or Yuki in, then he has 2/2 drivers on his side and can make last power grab before his own contract is up in 2026. I think regardless, things are going to get messy on RBR next year and I’m so glad in hindsight that Daniel isn’t in the middle of it. But to me this is the scenario that makes the most sense.

My only Hang up still is Horner’s lack of long-term plan. Like, why is he going so hard for Checo when he’s almost guaranteed to be out by 2026? What happens then? Maybe he thought he would be in the same boat with Daniel regardless because I was always of the opinion Daniel wouldn’t be in the seat past 2026 anyway. Idk I just felt like he wanted one more year, one last hurrah and then he’s how out (so potentially 2024-2026 if he’d gotten the seat this year). Maybe Horner just feels like if he can keep Checo in one more year, Marko will leave anyway in 2026 and he can rebuild from there but I still don’t think - if Max stays in 2026 - it’s a guarantee Marko leaves. Which I think would be personally hilarious for moi…if Horner ended up with no Daniel, no Checo, no championships, just Marko and a junior that he didn’t want in the first place 😅

hellooooo! i've read this a few times now and it's p much exactly what i think!!!!! as for your question, i think he's going so hard for checo because he is all that he's got left right now. max, yuki and liam are all marko's guys. and i think horner thinks if he can just keep someone on his side with big money until 2026, then he has two more years to find a new guy...

[kaninchen-reblogs]

mildly saddened that there isn’t a snappy word like girl/guy that works for non-binary folks, like the closest thing is enby but that has the wrong vibe…. like if you say “I’m just a little guy” it’s funny and a good meme but if you say “I’m just a little enby” then all kinds of awful phobic people crawl out of the sewer to beat you to death with their fists

[bogslob]

Okay, so I finally finished the live action atla and I have some thoughts.

I feel like they have stripped away the soul of the cartoon. By taking away Aangs fun, Kataras angriness, and Sokkas humour the story feels empty. Also, someone said Zuko doesn’t say honour once, which is truly detrimental to his character.

By not having any filler episodes, we didn’t get to learn who these characters were, and they didn’t get to bond with each other, so it made no sense when they kept telling each other they were family like guys you met a week ago.

I think they tried to make up for it, including as many fan favourite moments as possible, and by sticking to the key original plot beats. But in doing this they’re getting there in very different ways, which don’t always make sense, and feel really crammed together and rushed. I think they needed to let some of these moments go and tell their version of the story, because let’s be honest, the show really doesn’t hold up on its own and I think the main reason people are enjoying it is because of these references, not because of the story as a whole.

It seems like they’re trying to make a live action cartoon rather than a live action adaptation of a cartoon. All the wigs are terrible, Yues in particular. All the costumes look really cheap, I think partly this is due to them sticking too close to the cartoon and wanting the characters to look exactly the same when it doesn’t fit in this new medium. I think another reason for this is that particularly the water tribe costumes don’t look fit for use, the coats are all way too thin and I cannot believe that they would keep anyone warm enough at the poles. I think another reason for this is none of the clothes look worn, and they all look freshly ironed, which makes it difficult to believe in this world.

I will give them credit though, making the 41st Zukos crew was so smart and I love it.

[andiaquarium-moved]

^_^…

[pixelephant]

hm

[rosicheeks]

😬

[fingertipsmp3]

I got a job interview on the same day my current contract ends lol. Is my run of bad luck coming to an end or is it more of the same though 🧐

[glamourscat]

୨୧ Shidou's hcs ୨୧

CW: nothing?? maybe a little angst

a meme sender. Idk he just gives off those vibes, he would probably fill any messaging chat w random memes. Or even worse, reacts to some of your messages with those really cringe meme reaction pictures ... like this one

takes pictures on your phone when you leave it around. Good luck w your storage, cause it will always be full of random pictures. From forehead pics, funny faces, pictures of you sleeping

We know that one of his fav/best subjects at school aside from PE was art. I like to think he likes art as a hobby, especially after a stressfull day on the field. Mostly painting or sketching, but I can see photography and music especially.

It’s no secret that he doesn’t fit in. From his bold and extravagant style, I mean the guy's colour palette is literally hot pink, but that aside is — he is literally the total opposite of what the Japanese culture claims to be. Unapologetically loud, extroverted, doesnt accept societal norms. No wonder he is seen as an outsider in blue lock lmao. Especially because, like Bachira but slightly different, Shidou doesn’t play because he wants to win. Not like Isagi, not like Rin, who if they lose a match will go absolutely nuts. He plays because he just wants to play. His philosophy on football is to leave a mark, big enough that people know he was there and to just enjoy football as it is.

But, with that said, taking in consideration his philosophy and the way he lives, I think he would be into someone who’s pretty much the opposite of what society expects. He doesn’t want “the society standard”, he doesn’t want you to change yourself because of him (eg: shaving, cutting hair like you think he would like, less or more makeup etc..) he wants you to be yourself. From your clothes to the way you present yourself. He wants someone that can be loud as him, unafraid to be free— to search for that freedom with him, but at the same time someone who’s brave enough to be calm during the storm (aka at night when you two are alone with your thoughts and feelings) 

His partner will be the same coin, just different side of it. Someone that can literally match his freak lol, but who’s different enough to anchor him down. Someone who sees the world in colours, someone who’s unconventional in the eyes of all. 

Aesthetically wise, I don’t think it really matters to him. Again, it’s a matter of vibes mostly. Still, I can see him taking a liking into people who have unconventional features or fashion style. Anyone who "doesn't fit in". Both people with muscle and plus size people. He gives me the vibes of someone who would enjoy squeezing the living out of you, I can’t explain why. If you’re into makeup, even better. I think colour wise, his partner would have a clothing palette maybe similar to his. Some colourful stuff, mixed with base colours. I don’t see him with someone that just dresses with one tone/colour. Someone who maybe doesn’t even have a particular fixed style, but every day dresses differently base on their mood. 

Just by taking a look at what his favourite manga, movie and song is (i go in more detail about my analysis on them here) I feel he is an extreme political being. His style was already a dead giveaway, but, the fact he likes those three pieces of media that hold such heavy political discourse, the lack of freedom, the sense of feeling trapped… I would say he is someone who’s definitely involved in politics. See it as you wish. 

Lastly, i think he struggles to make friends. It’s no secret, he comes across as strong, personality wise— extremely imposing. His aura has probably scared a few people off before. He probably craves those deep, intense, friendships with someone.

let me know your thoughts on them!

© glamourscat

[cupcakeatsea]

Putting it out there, I don’t think “cow eyes” is the compliment it’s been made out to be. I’m in possession of some pretty banging big, brown eyes myself and if someone said that to my face I’d assume they were negging me.

[thebestpartofwakingup]

I wanna be more supportive of indie animation like the amazing digital circus but also have this unnerving feeling that if I highlight any aspects of it I dislike as a “learning example” for other artists as a whole I’m going to be like labeled a hater and bitch or whatever

[katsu28]

rain, rain, (don't) go away

pairing: lando norris x reader

summary: you put your trust in a handsome stranger in the midst of a bit of bizarre wet weather. what could go wrong? (4.6k)

warnings: minimal swearing

a/n: not quite the summer lando series i've been working on but the idea for this came to me in a dream a while ago lmao

It doesn’t often rain in Monaco. Especially not during the summer. 

So when you feel a drop splash against your forehead, then another, you’re wildly unprepared. You squint up at the rapidly darkening sky like it's personally wronged you, and you’re met with another raindrop, this time in your eye. 

Part of you wonders if you could try and make it home before it starts to pour. The other part knows it would be an impossible feat given your lack of a car and how far you’d have to run in such a short amount of time. Even as you ponder the thought, the occasional drops turn into a heavy drizzle. 

You barely make it under the nearest awning before it really starts to come down. All around you are people scrambling to get out of the rain and somewhere dry, caught off guard by the unexpected downpour like you are. 

“Crazy rain, huh?” You startle at the sound of a voice from next to you, gaze snapping to your left to see a man huddled under the same awning, most likely having come up with the same idea you did. “Sorry, I didn’t mean to scare you.” He apologizes, holding his hands up in surrender. “I take it you weren’t expecting rain when you left the house today either?” 

You scoff, chuckling. “Was anybody?” 

You tear your eyes away from the sky to look at him once more, and to say you’re pleasantly surprised is an understatement. 

Your awning buddy is awfully attractive, and looks to be around your age too. A form-fitting black sweater stretches across broad shoulders, paired with baggy blue jeans that might not have worked for everyone, but definitely suits him well. He’s smiling at you too, a lopsided grin that has you intrigued by him. “The one time I didn't check my weather app before I headed out.” 

“You actually check the weather app?” He chuckles, tilting his head. 

“You don’t?” 

“Can’t say that I do. Usually I just trust the vibes when I look out the window. Didn’t really work out today, though.” He holds his palm out from under the makeshift shelter, letting the rain pool in his hand before dumping it on the ground, flicking his fingers to rid them of the excess drops with a scrunched nose. “Is this your first time in Monaco?” 

You shook your head, smiling softly. “I live here. You?” He bobs his head, shoving his hands into his pockets. “It’s never rained like this though, especially this time of year.” 

“If it’s any consolation, I reckon it’ll stop soon. It’s usually pretty quick—” 

A bolt of lightning flashes through the sky right at that moment, followed by a clap of thunder not five seconds later. If it continues on like this, you might be stuck here forever. 

“Huh! Maybe not.” The man sounds amused, aiming a sympathetic smile at you. You can’t help but chuckle, and you notice it makes him perk up a bit, looking pleased with himself. “Hope you don’t have anywhere to be.” 

“Honestly? I don’t. But I’d rather not be standing under this awning til the storm lets up. Could be ages, by the looks of it.” 

A stream rushes its way down the street, carrying a sad swirl of leaves down the storm drain at the corner along with it. It seems everyone else has come to their senses and found somewhere warm and dry to wait out the sudden storm because when you look around, the two of you are the only ones still outside. 

As if the man can sense what you’re thinking, he speaks. He’s smiling hopefully at you, head tilted invitingly. “There’s a cafe down the block that was open before it started to rain. Care to join me?” 

Normally, you’d be wary about a handsome stranger inviting you to an unknown location. This seems like one of those situations you’ve been warned about, but right now you can’t find it in yourself to care. It’s about time you put yourself out there, take a chance for once. You’re pretty sure he won’t try to kidnap you. 

“I’d love to.” You reply. You peer out at the dreary grey sky again, lips twisting into a grimace. “Is it just me or does it seem to be raining harder?” 

“I say we make a break for it. Run like hell on three.” He says firmly. You nod and he does the same, holding out his hand. You slip your fingers through his without a second thought. “One, two, three—go, go, go!” 

You both take off in a wild sprint down the sidewalk, splashing through puddles on your way. He giggles the whole time, peals of laughter bouncing off the cobbled street that sound gleeful. You’re laughing too, because who would’ve ever thought you’d be running through the rain hand in hand with a guy you’ve only just met?

He tugs you along, leading the way to your destination confidently. Well, as confident as one can while being half-blinded by a torrential downpour. 

You nearly slip as you make a poor attempt at a sudden stop when he finally slows, and you probably would’ve ended up flat on your ass if he hadn’t grabbed you by your forearms, steadying you with an infectious grin that you can’t help but return. 

The bell above the door rings when the two of you stumble inside, soaked to the bone even in the very short time it took to get down the road. But you know what they say, when it rains, it pours. 

He shakes the rainwater from his hair not unlike a dog would shake out its fur, and in the process splatters you with the droplets. Normally you wouldn’t be too happy about it, but you’re already drenched and he’s very cute, so you don’t mind. 

The place is pretty much empty when you look around, save for a handful of other patrons doing their own things. It’s cute though—cozy and warm, the smell of coffee beans and something sweet floating through the air. You never noticed it before, but it’s exactly the kind of cafe that you love. 

The man seems to notice that you’re still holding hands, because his cheeks turn pink and he drops it, smiling rather bashfully. 

“Sorry. I’m Lando, by the way.” He introduces himself softly, rubbing the back of his neck. You tell him your name and he repeats it, testing it out on his tongue. You’re not ashamed to admit you like the way it sounds when he’s the one saying it. “Nice to meet you.” 

“Nice to meet you too.” 

“I’m gonna go order something so they don’t think we’re loitering. Preferably something hot, because I’ve got water in places water definitely shouldn’t be.” He shudders, pulling his soggy sweater away from his torso as proof. “Do you want anything?” 

You ponder for a moment before responding. “A latte sounds amazing right now. I’ll pay you back, of course.” 

Lando shakes his head, backpedaling towards the counter. “My treat. You just sit there and look pretty.” You roll your eyes playfully at him, but smile nonetheless. “Oh look, you’re doing great already!” 

That makes your cheeks grow hot. You’ve just met Lando and he’s flirting with you, and you don't mind at all. In fact, you have half a mind to flirt back. 

He finds you at a table soon after, balancing two cups and a concerningly large paper bag. You pop to your feet, carefully grabbing the bag to ease the load, and peer into it. There’s at least five different pastries inside, all of them looking absolutely mouthwatering. 

“I hope you’re hungry. Got convinced to buy a few things by the lovely old lady at the counter.” Lando says sheepishly, sliding into the seat opposite you. “Very persuasive, she is.” 

You shrug. “I could eat.” 

You’re not sure how long you sit there, chatting with each other like you're the only two in the world. It’s surprisingly easy to talk to him too. He’s funny and quick-witted and he talks very animatedly with his hands, you notice. You find it cute. 

Lando tells you about himself, asks about you and your life story, and you find yourself settling in nicely with his friendly nature. This isn’t a date by any means, but he makes it feel like one by the way he truly pays attention to you and what you're saying, nodding along closely with rapt attention. As far as listeners go, he's a fantastic one. 

You’ve also learned a lot about him. He was born and raised in the UK, but moved here a few years ago for work. What exactly did for work, he wasn’t too forthcoming with, but you don’t pay it any mind. You’ve just met, after all. You’re not expecting him to tell you his whole life story. 

But it also doesn’t feel like you’ve just met. You aren’t sure why, but Lando has this way of making you feel like you’ve known each other for ages, of making you feel comfortable and at ease with every word out of his mouth. 

Your clothes and hair have just started to dry out a bit, and you’re having a great time. Such a nice time, you don’t even notice the girl approaching your table. Lando sees her before you do, and he smiles politely. 

“Hi, I’m so sorry to bother you guys, but are you Lando Norris?” She asks hopefully. She looks young, maybe fifteen or sixteen. Her eyes flick to you, and you can tell she’s nervous, so you smile back. You’re confused to say the least, but you remember what you were like at her age. She reminds you a bit of yourself. 

Lando nods. “I am, yeah. What’s your name?” 

“Valeria. But everyone here just calls me Val. I’m the owner’s granddaughter, so I work here all the time.” 

“Well, it’s very nice to meet you, Val.” 

She looks positively starstruck now, hands trembling as she holds up her phone. “Would you mind if I got a photo with you? You can totally say no if I’m interrupting something, I—” 

“You’re alright, love, don’t worry.” Lando stands, moving into selfie position next to her. The poor girl’s arm shakes so much you’re positive the photo won’t turn out clear at all, so you slide out of your seat too. 

“Here, let me.” You take the phone gently, motioning the two of them to scoot closer to get them in frame with each other. 

Val looks a combination of relieved and grateful, while Lando gives off nothing but a cool, albeit reserved, confidence. The same kind of confidence a celebrity might have when approached by a fan of theirs. But certainly Lando couldn’t be famous…right? 

You shake away the idea, snapping a handful of photos before passing it back to her, figuring there can never be too many to choose from. She beams bright, hugging him quickly, then to your surprise, gives you a hug as well. 

“Thank you so much! I’ll get out of your hair now. Enjoy your food!” With that, she hurries away with a bounce in her step, disappearing into the kitchen. 

You turn to Lando with arched brows. “That was interesting.” 

“So interesting.” He echoes, but his tone makes it sound like he doesn’t quite agree. 

“What are you, famous or something?” You mean it as a light jest, but Lando looks guilty for some reason. He beckons for you to take your seat again, sliding back into his own before offering you a sheepish smile. 

“Um, there might be something I haven’t told you yet.” 

“Shit, are you actually famous?” 

“...Yeah, kinda.” You arch a curious brow, and he sighs, but not in exasperation. “I’m a Formula One racing driver. For McLaren.”

Formula One…racing…it all sounds slightly familiar, but you can’t quite place it. Then it dawns on you. 

Lando isn’t just a local celebrity—he’s literally world famous. 

You’ve heard your friends talk about the races before, a few of your relatives who keep up with the sport, but you’d never paid it any mind. It just wasn’t something you could see yourself being interested in. That really famous race that takes place here in the streets every year that makes traffic an absolute fucking nightmare the whole week, Lando drives in that race, and countless others around the world, if you recall your limited knowledge correctly. 

He’s…cool. And he’s sitting right here with you in a tiny cafe, and you had no idea who he was. 

“Oh my god, you must think I live under a rock or something! This is so embarrassing, I—” 

“No, no! I’m not��I don’t go around expecting everyone to know who I am, I swear. It’s just that most people usually do recognize me, and it saves me the whole ‘having to tell them I’m famous’ thing, which always just makes things really awkward, and…yeah.” 

“Things don’t have to be awkward.” 

“No?” 

“No. We don’t even have to talk about it.” 

“We don’t?” He sounds a tad wary, but when you nod, the tension in his posture melts away. Relief floods his features at once. “Thank you. It’s actually quite nice to meet someone who has no idea what I do. Makes me feel normal for once.” 

“Glad my lack of sports knowledge makes you feel like a regular guy,” You joke, nudging his foot with yours under the table. He gives you a light kick in return, infectious smile back in full bloom once again. You quite like it when he smiles. 

You’ve just moved on to a new topic that has nothing to do with Lando’s job when his phone buzzes, making him jolt in surprise. He digs it out of his pocket, and when he sees the name flash across the screen, his eyes go wide. 

“Sorry, hang on. I’ve gotta get this.” He says, hitting the answer button. It’s a quick phone call, and you try your best not to eavesdrop, but whoever is on the other line has Lando worked up when he hangs up. 

“Everything okay?” You ask lightly. Lando bobs his head quickly. 

“Yeah, it’s—I, uh, I’ve gotta go. I forgot about a work event, apparently. That was my press officer, wondering where the hell I am and how fast I can get there.” He sounds disappointed, smiling almost sadly. “So much for feeling normal.” 

You try your best not to let your face fall when you nod. “I should get going too. Get home before the next freak summer rainstorm.” 

It’s nice when you step outside. You tilt your face up towards the sky, feeling the sun warm your face. This is the Monaco you know and love. Though if it hadn’t rained, you would’ve never met Lando. 

He turns to face you, shoving his hands into his pockets. “Thanks for the nice afternoon. I had a good time.” 

“Me too.” 

“Maybe I’ll see you around?” 

“Maybe you will.” 

“I certainly hope so.” He says softly. You shift slightly on the balls of your feet, suddenly feeling awkward. You’re not sure how to leave things with him, and it looks like he feels the same by the way he mirrors your actions. “Um, I really should leave, so…goodbye, I guess?” The look on his face tells you that leaving is the last thing he wants to do, but he has to. 

“Bye, Lando.” 

“Bye.” He echoes, one more time before turning away from you to head down the street. 

You can only bring yourself to wait a few seconds before you call his name again. He turns around instantly despite his hurry, meeting your gaze. You want to say something to him that’ll make him remember you, because chances are you’ll never cross paths again. If you were brave enough, maybe you'd even ask him for his number. But you’re not, so you don’t. Instead, you just smile at him. 

“Thanks for the latte.” 

If he’s disappointed, he hides it well. He smiles back at you, warm and bright like the sun beginning to peek out from behind the clouds. “Of course.” 

You watch him walk away, fighting that pesky little feeling in your gut telling you that you’re making a mistake by letting him go. It’ll go away soon, and you’ll go on with your life like you’re meant to. 

-------

You find yourself going back to the same cafe often, whenever you're out and want a little treat before you go home. The pastries are always still as delicious as the first time you had them, and you’ve become well acquainted with the staff as the time goes on. 

Oh, and that feeling you had when you let Lando leave without a word? 

It never went away. It’s still here, worming its way into your thoughts every chance it can get. 

You’re a little embarrassed to admit that every time you walk into the cafe, you hope you’ll see Lando. It’s wishful thinking more than anything, hoping he’ll be there when you go. He’s probably busy doing his thing anywhere but here, busy racing around in the world to the tune of thousands of screaming fans. You’re not sure if he even remembers you, or the afternoon you’d spent together. 

Why would he? In the world of Lando Norris, world famous Formula One driver, you’re probably just a speck of dirt in his rearview mirror. 

The thought gets pushed to the back of your mind as you step up to the counter to order. Val beams at you from behind the register. 

“Hey, Val,” You greet the young girl warmly, returning her smile. You’ve become quite fond of her and her youthful energy, and she always brightens your day. “How’s business going?” 

“Oh you know, same old.” Val waves an absentminded hand in the air as she keys in your usual order with the other. Her smile turns mischievous at the same time, like she knows something you don’t, and you narrow your eyes at her, already knowing what she's going to ask. “Have you heard from Lando?” 

“No, I haven’t. How’s summer school going?” 

She makes a funky face at you, rolling her eyes. “Boring. Way to change the subject though.” Before she can press any more about Lando, someone calls her name from the kitchen. “Ugh, I’ll be right back. Make yourself comfy, wait for your order, you know the drill!” 

You chuckle to yourself, heading straight for your usual table by the window to wait for your name to be called. 

You like to sit while you enjoy your food and drink, watching the people and cars go by outside. The streets of Monaco are always busy and bustling, but being in here feels like a pocket of peace. 

“Is this seat taken?” 

Your brow crinkles at the sudden voice, because you know for a fact there are at least four or five other empty tables available other than the one you’re currently sitting at, but this person chose to to ask you. 

Pocket of peace…disrupted. 

You let out a short sigh through your nose, turning your head from the window to politely tell them to find another seat, preferably at a table that isn’t yours, and that’s when you see him. 

Lando is grinning at you when you look over, lopsided and endearing just like the first time you met him. 

“Oh fuck!” You can’t help the expletive that falls from your mouth at the sight of him, even though there’s a thousand other things you’d told yourself you’d say to Lando if you ever saw him again. He’s got his hands shoved into the pockets of his sweatpants, and he’s rocking on the balls of his feet slightly like he’s nervous as he waits for you to do something other than curse at him. “Lando! I—you—hi.” 

“Hi,” He echoes, shoulders creeping up towards his ears. All you can do is stare at him, wide eyed in disbelief. “Mind if I sit?” 

“Yes. I mean, no. I mean, yes, you can sit.” You fumble over your words like you’re not used to speaking, feeling your cheeks flame embarrassingly hot. Lando just chuckles, sliding into the chair across from you. “Um, so how’ve you been?” 

He rubs at the back of his neck, bobbing his head. “Good! Bit busy. We had a triple header the last three weeks, so it’s just nice to be home again.” 

“Oh, I bet. I don’t think I’d be very good company if I couldn’t sleep in my own bed for three straight weeks.” 

“That’s fair. Though to be honest, I’ve gotten scarily good at falling asleep anywhere. If it’s a flat surface, I can nap.” 

“I don’t know whether to be impressed or concerned.” 

“Impressed would be mint. Otherwise I just sound like a dumbass.” 

You laugh at that, and in this moment, you realize just how much you’ve missed Lando. No matter how many times you’ve tried to convince yourself to forget about him, to convince yourself that there was no point in pining after someone you’d only spent a few hours with, it all came back to this. You missed him because you like him. 

“I need to tell you something.” He blurts suddenly, bracing his elbows on the table. 

You nod, expression turning thoughtful. Whatever thoughts you’re having about liking Lando can wait. “Sure, go ahead.” 

“This is gonna sound unbelievably weird and maybe even a little bit creepy, but I need to get it off my chest or else I think I’ll regret it for the rest of my life.” If you didn’t know any better, you’d say that Lando looked nervous. The bouncing of his leg you can feel under the table and the way he plays with his fingers supports your theory. 

You cock your head at him, reaching across the surface to steady his fidgeting with a hand over both of his. His gaze snaps down to your touching hands, and you can see him visibly gulp. 

“What’s going on? Are you okay, is something wrong?” 

He shakes his head quickly. “No, nothing’s wrong. Everything is…the opposite, really. Everything is right. Meeting you, finding my way back to you—here of all places. I don’t believe in fate or anything like that, but this sure feels like something along those lines.” 

“Lando, I—”

“I haven’t been able to stop thinking about you since that afternoon. I tried everything. Nothing worked. I couldn’t get you out of my head.” He confesses. His fingers curl around yours gently, thumb stroking over the ridges of your knuckles. “If I’m being completely with myself, I think it’s because I didn’t want to get you out of my head. And I just got off the plane an hour ago, but instead of going home and passing out like I usually do, I came here, hoping that somehow, you’d be here too.” 

“Can I say something now?” You ask lightly, stifling a giggle. 

His cheeks flush an embarrassed pink, and he motions for you to go ahead. “Yeah, yeah, sorry. I talk too much when I get nervous. I’m working on it, I—fuck, sorry again. You go. I’ll shut up.” 

“I still think it’s cute.”

“Is that the only thing about me you still think is cute, or…?” 

That gets another laugh out of you. You chuckle, giving his hand a squeeze. “Not at all. I still think all of you is cute, and…I haven’t been able to stop thinking about you either. We haven’t known each other long, but I really like you, Lando.”  

“I could kiss you right now.” 

“What’s stopping you?”

You don’t have time to second guess your newfound confidence before he’s leaning across the table, sliding a large hand over your jaw and pressing his lips against yours. Lando kisses you softly—gentle, like he’s worried you’ll pull away if he’s too forward with it. 

You’re fully aware that you’re smiling like a madman against his lips, but in your defense, he is too. His eyes open slowly when you pull away, almost tentatively as if he’s not quite sure what just happened actually happened. 

He leans back just enough to study you, letting his gaze flit around your face, taking in every detail he possibly can. All while he grins larger than Cheshire cat, like he’s a kid whose parents just told them they could get whatever they wanted at the candy shop, instead of kissing you for the first time. 

“I was gonna be nice and bring you your order, but it looks like you’ve already got something sweet.” Val’s voice cuts through the moment, and when you look over at her, she looks over the moon. 

“Lando, you remember Val, right?” 

“Uh huh,” Lando hums, holding out his hand for a fist bump that she happily gives him. “Thanks again for the heads up.” 

“Hold on, what? What heads up?” 

The two of them share a look, like they’re debating whether or not to tell you their secret. Then Lando sighs, giving her a go ahead nod, and she squeals, setting your food down. 

“Okay, so you know how you come in here all the time after work? Well me, being the keenly observant, brilliant young mind I am, noticed a pattern. You come on the same days, at the same time, and you never stray.” She explains excitedly, all but bouncing on the balls of her feet. You aim a questioning glance over at Lando, who just gives another amused nod.

Val continues excitedly, “So I’m expecting you today, right? But then the door opens and guess who walks in? Lando! He asks me if you’ve ever come back here after that one day and I’m like oh my god, you have no idea! So I tell him to wait a half hour for you, and now you’re both here and my matchmaking skills can be put to rest.”

“Are you being serious right now? Really, I can’t tell.” 

She tilts her head, popping a hand on her hip. For the same girl who’d been so nervous to meet Lando just weeks ago, she’s got a surprising amount of sass in his presence today. “Why would I not be serious? I’m basically a genius, and I expect to be invited to the wedding. You’re welcome, by the way.” 

“Alright, that’s enough, cheers, Val!” Lando blurts, shooting her a pointed look. 

“Can I get paddock passes for making this whole thing happen? Preferably Monaco but I could probably make it to Monza too. Imola is a little far.” 

Lando blinks at her for a few moments, probably seeing if she actually means it. When all she does is raise her eyebrows, he concedes. “Maybe. I’ll make some calls, see what I can do.” 

“Fantastic. Well, I’ll leave you two lovebirds alone!” 

You both watch as she all but skips happily off, then turn back to each other. 

“She’s…definitely something,” You sigh, shaking your head. Secretly, you owe her everything. 

“Eh, I dunno. Kid’s growing on me.” He reaches across the table, lacing his fingers through yours with a fond twinkle in those pretty eyes of his. 

“How serious are you about those paddock passes?” 

“I mean…she did help me out massively. I’d have missed you if it weren’t for her.” Lando shrugs, rubbing an absentminded thumb over yours. “I hope you know I would’ve come back until I found you again. Everyday, if I had to.” 

“Me too.” 

If you’d told your past self that a bizarre summer rainstorm in sunny Monaco would’ve led you to where you are right now, you wouldn’t have believed it. But now, as you sit here with Lando, smiling at each other like complete and total idiots, you’ve never been more grateful for a bit of unexpected rain.

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[luna-azzurra]

Writing a Morally gray character

Think about their backstory, what shaped them into who they are? What do they believe in? And, most importantly, what pushes them to get out of bed every morning and keep going? These characters aren’t simple good or bad. They’re caught in the middle, in that murky, complicated space between black and white. That’s where they get interesting because they’re constantly wrestling with themselves, trying to figure out the right choice, or if the “right” choice even exists for them.

You need to show this internal battle. Imagine your character being torn between what they believe is morally right and what they actually want. This is where the real drama comes in, it’s like watching them juggle their principles with their desires in real-time. They’ll mess up, and they’ll make decisions that are sometimes questionable, but that’s what makes them human and relatable. One way to really highlight their complexity is by putting them in situations where there’s no clear answer. You know, those moments in life where everything’s kind of a mess, and you’re stuck trying to figure out what the hell you’re supposed to do? Your character should face situations like that. These gray areas create tension because readers won’t know which direction the character will go, and honestly, your character might not know either.

And don’t forget, growth is a huge part of writing a morally gray character. People aren’t static, they change based on what happens to them, and your character should too. Maybe they start off with a strong sense of morality but, over time, that starts to shift. Or maybe they start with shaky ethics and slowly become a better person as they learn from their mistakes. Growth can also go the other way, they could spiral downward, giving in to darker impulses. Either way, they need to evolve, just like people do in real life. That’s what keeps the story fresh and unpredictable. The last thing you want is a character that stays the same the whole way through.

Also, please, no stereotypes. A morally gray character doesn’t have to be a brooding anti-hero with a tragic past (unless that’s your vibe, but even then, switch it up). Give them quirks that make them unique. Maybe they have unexpected motivations, like they’re doing something shady for a cause they genuinely believe in, or they’ve got a weird sense of humor that throws people off. Whatever it is, make sure they feel like an individual, not just a copy-paste character we’ve all seen a million times.

Even when your character makes decisions that aren’t exactly clean-cut or heroic, the reader still needs to understand why. Show their vulnerabilities, why they doubt themselves, why they hesitate, and why they ultimately make the choices they do. It’s all about making them relatable, even when they’re walking that fine line between right and wrong. People might not always agree with them, but they should at least be able to see where they’re coming from.

And remember, every choice your character makes should have consequences. They don’t exist in a bubble. Their decisions should ripple out and affect not only them but the people around them. Maybe they make a selfish decision, and it ends up hurting someone they care about, or they try to do the right thing, and it blows up in their face. One last thing, just because your character lives in that gray area doesn’t mean they don’t have any sense of right or wrong. They might have their own personal code they follow, even if it doesn’t line up with society’s morals. Maybe they justify their actions in a way that makes sense to them, even if other people wouldn’t agree. It’s all about exploring that space where they’re not totally good, but not totally bad either. That’s where things get really interesting.

Think about where your character is going. Is their journey going to push them to become a better version of themselves? Will they fall back into old patterns and never really change? Or will they stay stuck in that moral gray zone, constantly torn between doing what’s right and doing what feels right for them?