#they deserve just as much as the women and the children

[wolfsong-the-bloody-beast]

Warden: You've never killed an innocent?

Zevran: Now there's an interesting word, "innocent." How many men do you know who can claim to be truly innocent?

Zevran: But if you're talking generalities, such as children and relatives and bystanders and such… never on purpose, but it happens.

Zevran: It's unfortunate, but death comes to us all. If not me, then some wasting disease. Or a fall down the stairs. Or at the hands of a darkspawn. It's all relative in the end.

Zevran: "Death happens," as we like to say. And when I get paid for it, death happens more often.

-

Zevran: In Antiva, being a Crow gets you respect. It gets you wealth. It gets you women… and men, or whatever it is you might fancy.

Zevran: But that does mean doing what is expected of you, always. And it means being expendable. It's a cage, if a gilded cage. Pretty. But confining.

-

Davrin: Lucanis, how do you decide when one of your targets deserves to die?

Lucanis: Usually when the client pays up front.

Davrin: I'm serious. Do you just kill anyone?

Lucanis: No. There has to be merit.

Davrin: "Merit?" Who decides that?

Lucanis: The Talon of the house.

Davrin: And then you just carry out the order?

Lucanis: It's my job.

Davrin: Must be tough to sleep at night.

-

Lucanis: You kill for a living, too, Davrin. How do you sleep at night?

Davrin: Like a baby. The things I hunt are pure evil. Monsters. There are no shades of grey with darkspawn. But you...

Lucanis: Provide a service.

Davrin: What if your target doesn't deserve to die?

Lucanis: Who does? Good, bad, everyone dies eventually. We just speed things up.

-

Emmrich: Do you have any say in your... targets?

Lucanis: You want to know if my victims deserved it.

Emmrich: Forgive me, I shouldn't have asked.

Lucanis: Everyone wonders.

Lucanis: I've never killed an innocent, by my count.

Lucanis: I cannot say if yours would agree.

-

Emmrich: Lucanis, do the implications of your work never trouble you?

Lucanis: Everyone on this team has killed before. I'm hardly unique.

Emmrich: Yes, of course. But in your case, it's a profession, rather than an act of necessity.

Lucanis: I'm not sure the Venatori or the Antaam see the distinction as you do.

-

Emmrich: I find it extremely interesting, Lucanis, that you consider the point of view of your enemies in battle.

Lucanis: I have to. It's much more difficult to find and kill them, otherwise.

Emmrich: Exactly! A utilitarian attitude towards death, and yet you extend empathy to your victims.

Lucanis: Not that much empathy.

Emmrich: Enough to wonder how the Venatori and Antaam view your actions.

Lucanis: Death comes to everyone, in time. I get paid to deliver it. Like a letter not everyone wants to read.

-

I think about this a lot. I'm always... surprised when I see the talk that they're supposedly trying to make Lucanis into the perfect "cinnamon roll" in Veilguard, because his sweet personality doesn't "match" his profession and background. Like, no? That's a very surface level of looking at it, I think.

Zevran is like this, too. He is an incredibly chill guy, and when you romance him, he is also very sweet and vulnerable, despite being an assassin. They're not that different in that department. They were both trained to be assassins since they were children. They're both traumatized in various ways. But neither of them acts like a bloodthirsty, evil freak. But they both also take pride in the job they do (or did), and how well they can do it, and have no intention of stopping. And yet they both express surprising empathy. (Zevran argues against annulling the Circle! Quite extensively!) And they make pretty much the exact same arguments about being killers for hire, as shown above.

Death is a natural part of life. Sometimes it just comes sooner, because we're there to deliver it. There's (almost) no such thing as an innocent person, so my victims aren't innocent people. Therefore, I've never killed an innocent in my entire life, as far as I know. (At least not intentionally.)

And that's interesting and fun about them! It's beautifully deranged. Lucanis completes an assassination mission, slitting somebody's throat or what have you, and then goes on his cosy coffee break, satisfied with a job well done.

The fact that they both say that they've never, in their opinion, assassinated "an innocent", so it's all good, doesn't automatically make it true and doesn't mean it's not complicated, however. Not every line of dialogue can be taken at face value. As video game players, we're rather desensitized to this, but hearing this should normally be at least a little alarming. For a regular person, at least. And it is for the people in the game! Like Emmrich and Davrin. Davrin has several banters with Lucanis about it. Like, who decides when somebody deserves to die and which contract's going to get carried out? Well, the "CEO" of "the company," of course! What could ever go wrong that way? Emmrich tries to coax Lucanis into saying that he does feel something about the whole thing, because he really wants it to be true. While Lucanis is very matter of fact about it. He knows what the Crows are, and that's it. He doesn't glamorize or demonize it.

So, it definitely isn't that "Veilguard says that Lucanis has never done anything wrong ever in his life," just like Origins doesn't do it with Zevran. Both the men's attitude towards killing is warped in an interesting way, completely in line with their background and upbringing. It shows when Lucanis argues with Davrin about them both being killers, because it completely escapes him (or maybe he ignores it for the sake of the argument) how the killing he does (contracts where the targets tend to be people) and the killing Davrin (a monster hunter, a darkspawn slayer) does is of different kind entirely. His logic is flawed at that point. But to him, it boils down to the fact that "it's just a job," and "killing is killing," and "death is death" regardless of form, and that rightfully baffles Davrin to no end. If anything, it shows how the Antivan Crows are taught to hand wave the issue, because the arguments Lucanis and Zevran both present are too similar to be anything else.

Of course, Lucanis, unlike Zevran, as the grandson of the First Talon and her favourite, might have had some extra privileges and wiggle space in comparison, which might have allowed him to bend the rules sometimes, give him space to show more compassion and act more heroically, because people are complex and there are many layers to what each person might consider right and wrong (e.g. killing is okay in various circumstances, and slavers in particular can get fucked - hell, we do it in video games all the time), but still. The fact that his grandmother wanted to tap a new market, so she made Lucanis specialize for hunting mages, which ultimately led to him killing a lot of Venatori and blood mages, makes it cleaner, which is nice, but then again, we hardly know the full extent of all his work. Moreover, when you ask Zevran to tell you stories about his jobs, you don't get much dirt out of him, either. He talks about some of the goofiest ones he's had. One of his targets that he (unsuccessfully) participated in taking out, a royal that got his position through plotting and murder, he also describes as somebody so immoral he basically deserved it. Also very clean. (Compare both these guys with somebody like Blackwall who truly committed a despicable act of murder for money that we do know of. And this single crime sounds so much more upsetting than anything either Lucanis or Zevran describe. None of the things Zevran says is as awful, besides the murder of his lover, which is framed like it wasn't really his fault, because he was misled.)

It's also worth noting that Zevran talks about how he was the best the Crows had before he left and how it brought him respect, wealth, women, men, or "whatever it is you might fancy." All in all, it comes with benefits. By his own admission, he was well off. But of course that came with a catch, as well. The "gilded cage" Zevran talks about. But that's not what made him leave. It was the plotting, backstabbing, and ever present distrust in the end, which led to the biggest mistake he'd ever made. Much like him, Lucanis also mentions that he had a comfortable life before getting captured, in the same quest where he also talks about how he didn't actually have full control of his life. ("Even before I was captured, my life was not really my own. So much had been determined for me.") The gilded cage comes up yet again. And it was plotting and backstabbing that made him lose a year of his life in the underwater prison.

My point is: Lucanis and Zevran are both assassins, because that's what they've always been, they were trained to be assassins since they were kids, they have a very pragmatic approach to death and killing, which they were most likely taught or perhaps were forced to develop, and they both take pride in how good they are at their job, and express no intention of ever stopping. And yet they both show that they have a good heart in various other ways, turn out to be friendly and incredibly loyal, and even very sweet as lovers. Because people can be complex, and so can be fictional characters. Yes, they're very different men, with different problems and personalities, yet also not that different.

You can't think that Lucanis is "too good" without also thinking that Zevran is "too good." You can't have this problem with Veilguard unless you also have it with Origins, is what I'm saying. And I think this may also apply to some of the other Crows we meet in Veilguard.

[xceanlynx]

I just saw a video of Palestinian men rescuing a small baby from rubble, still alive.... The baby was showered with kissed and praises to God, everyone smiling. They were handling the baby with such gentleness, such care, that I (a woman, expected by society to be motherly) don't believe I would be able to have. I can't stop crying. These men are being villainized by media. Even pro palestinian people tend to use the "think of the women and the children", as if palestinian/arab men don't deserve the same mercy, but THESE MEN ARE HEROES. They're fathers, brothers, husbands, sons. they're doctors, teachers, bakers, and so much more. They've lost their home, their families, but they are still brave enough to keep on helping. They are the true heroes, and they deserve our kindness and protection too. Our voice must include them.

[cookinguptales]

I love how ConcernedApe was like "no, you may not have children with your adorable monster roommate" and instead of making me less feral, that just encouraged me to marry villagers, divorce them, take full custody, then introduce our children to their new monster daddy.

You made me worse, ConcernedApe.

[cherry-treelane]

I find it so ironically funny when hardcore Debbie defenders use the defense that she was just a victimised teenage girl (agreed) and then proceed to slander Fiona and express their hatred for her character and lack of sympathy

as if being an adult magically absolves an individual of the horrifying trauma that precedes them and screws up their mentality and actions

funnily enough these people get mad at others for "expecting Debbie to be an innocent angel and hating on her for acting out as a result of trauma" (also agreed, debbie does deserve more sympathy, she can't be expected to grow up to be a perfect saint when she's been through so much) yet seem to hold Fiona to the same unattainable standards and put her on a pedestal as if she wasnt a child that was forced to intensely grow up while never actually being raised

like lets put this into perspective and remember that fiona grew up surrounded by corrupt morals and insanely screwed up behaviour yet still emerged as messed up, yes, but surprisingly good considering the situation she was in??? she had to navigate basic things such as morals and being a good, responsible person on her own. imagine how difficult it must be to lead a bunch of kids, including yourself, with no previous role model or good example of your own to follow. most of the time, she always tried to do what she thought was best and would have the most desirable outcome

[ctrl-lupin]

Yes, I would be very interested hearing your head canon (@tim-ribbert-56) (in response to this post)

I have decided for my personal entertainment that Clarisse de Cagliostro is related to Lupin III, and here's why.

-pulls out Arsène Lupin's Wikipedia page-

In the novel La Comtesse de Cagliostro, a young Arsène Lupin (at the time going by the name Raoul d'Andrésy) was courting Clarisse d'Etigues, a young lady of a well-to-do family, and trying to win her hand, despite her father's disapproval.

Throughout the course of the novel, Lupin meets and falls in love with Joséphine Balsamo, aka the Countess of Cagliostro, and abandons Clarisse in favour of her. To clarify, Joséphine is not actually countess of anything, she is (or claims to be) a descendant of Giuseppe Balsamo aka the Count of Cagliostro (who was also count of jack shit), a famous conman from the 18th century.

Shenanigans ensue, which I will not go into in details on, but oh my god I am insane about Raoul and Joséphine, I want to dissect them and study them under a microscope. It turns out Joséphine aka Cagliostro is evil as fuck, Raoul/Lupin realizes that and goes back to Clarisse (whom he had previously abandoned like an old sock, I fucking hate this guy), marries her, and a few years later has her kid.

Unfortunately Clarisse dies in childbirth, and Joséphine, who was still around and very very pissed at Lupin (and jealous as hell of Clarisse whom, may I mention, had never personally antagonized her in any way whatsoever, Joséphine is just fucking bonkers). Joséphine also kidnaps Lupin and Clarisse's son, Jean, and raises him as her own son. (I have not yet read the following novel The revenge of Cagliostro so I don't really know what Jean's deal is, I just know he's an antagonist).

The following is my headcanon, based on these events. In the universe of Lupin III, Joséphine Balsamo was actually countess of the small kingdom of Cagliostro (maybe Giuseppe was count, maybe he conned his way into becoming count, maybe he bought the land and built a fake kingdom with a fake history, who knows).

After the events of The revenge of Cagliostro, Jean settles down in the country of Cagliostro, gets married, has a child, and that child will later have a daughter of their own, who they name Clarisse, after their late grandmother. Clarisse de Cagliostro, of Lupin III: The Castle of Cagliostro fame, would thus be the great-grand-daughter of Arsène Lupin, making her Lupin III's cousin/niece/whatever you call this specific degree of separation.

I am choosing to make Clarisse de Cagliostro a great-granddaughter of Arsène Lupin, rather than a granddaughter, because Arsène Lupin was very young when the events I described unfolded: he is 20 years old when he meets Clarisse d'Etigues and the whole Cagliostro debacle happens, and 25 by the time Jean is born. I'm assuming he had Lupin II much later in his life. So Jean and Lupin II (half-brothers) would have a significant difference in age, and so Jean's hypothetical child (grandchild of Arsène Lupin, so of the same generation of Lupin III) would be much older than Lupin III. Clarisse de Cagliostro is younger than him, maybe around the same age if you stretch it, so she's have to be a great-grandchild.

Now I need to read The revenge of Cagliostro and study Arsène Lupin's wikipedia page in more detail to determine when exactly Lupin II was born and who his mother was. And also where Albert's family branched out, because the fact that he's called D'Andrésy should theoretically place him as a descendant of Arsène Lupin's mother but not of Arsène Lupin himself; but Jean was also going by that last name, so who fucking knows.

No I am not insane I promise, I am just a gigantic nerd.

[fromtheseventhhell]

Honestly, If we're talking about female characters who receive misogynistic hate then Lyanna needs to be high up on the list. She gets so much hate for a) her proximity to a male character (Rhaegar) b) the pure fanon that people have invented surrounding her and c) resentment that she's such an important part of the story. And the thing is, for as relevant as she is, we simply do not know enough about her character to justify the hate that she receives. A lot of it is just people inventing reasons to dislike her. I also find it funny that a lot of people who dislike her are Rhaegar antis who characterize their relationship as forced and non-consensual, but then they'll still find reasons to hate her for it. She's supposedly bratty and immature, but also somehow intentionally seductive and evil for "stealing" Rhaegar and hurting Elia 🙄. I wish people would learn to separate canon from fanon when it came to discussing these characters.

[another-whump-sideblog]

Thinking about Jane's relationship with gender. How she has Puppy/Dollie/Amanda do all the cooking and cleaning, and she says it's because she was first in their little trio, but is it really? How she treats her like a doll in addition to treating her as a pet, dressing her up, emphasizing how pretty she is, which she doesn't do with the others. How she confides in her, tells her things she doesn't tell the others, things that make her more prone to sympathize with Jane. How she puts her in a caregiving role over both herself and the others

And the thing is, she could give lectures about feminist theory. She knows her stuff! But there's still a bit of internalized misogyny there, after all these years

[burningtheroots]

Personally, I think that vasectomies should be the preferred option of (long-term) birth control for couples because it‘s the most effective and least invasive method (after condoms). Especially compared to hormonal treatment, female sterilization and IUDs (of course these methods are also used for other medical reasons, which is valid).

Birth control for women is always much more invasive and if a man wants to be with a woman, he should be willing to protect her from an unwanted pregnancy at all costs without potentially having her cycle and body interrupted in a way his body wouldn’t be interrupted.

[the-greendalehumanbeings]

i was watching this reel where this girl was joking about how she shouldnt have to give her seat up for a pregnant lady after working a ten hour shift and the comments on it were just so foul!!!

[mzannthropy]

I remember the time someone here called me a female misogynist for hating that failed abortion Amy March, but surely, if that was true, I would not hate just one character from a book filled with women?

[idontmindifuforgetme]

actually fucking insane that the moment posts about mohammad and shaima's fundraiser turned their focus on the boys of their family still stuck in khan younis, donations slowed down so drastically. it just goes to show that people truly don't care for arab men, because to them arab men are not worth the same care and effort as women and children. and that really hurts me bc i can't even stand to think of my uncles, my cousins, my dad in the situation so many palestinian men have found themselves in - let alone teenage palestinian boys. please donate what you can and help spread this. arab men deserve your sympathy as much as anyone else.

[mariacallous]

https://meidasnews.com/news/republican-mayor-of-3rd-largest-city-in-az-endorses-harris

John Giles, the Republican Mayor of Mesa, Arizona, wrote an OpEd today for the Arizona Republic stating the reasons why he is endorsing Kamala Harris for President. Mesa is the 3rd largest city in Arizona, and the Arizona Republic is the largest newspaper by circulation in the crucial battleground state. 

Giles listed the following reasons why he can't support Donald Trump: 1. He refused to accept the outcome of the 2020 election, and continues to do so. 2. He continues to trash the American legal system to delegitimize it. 3. He orchestrated the "fake elector" scheme in Arizona. 4. He orchestrated the sham "audit" of the election by the Arizona Senate and Cyber Ninjas. 5. He blocked the bipartisan border bill negotiated in the Senate. 6. He treated Infrastructure Week like a joke when cities like his badly needed it.

7. He is a convicted felon and threat to the nation. 8. He has threatened to abandoned NATO. 9. He has eroded public confidence in our institutions. 10. His advisors and associates drafted Project 2025, which is a threat to our freedoms. 11. He is crude and vulgar. Giles then listed the reasons why he isn't just anti-Trump, he is also pro-Harris: 1. The Administration delivered on their promise with infrastructure funding for the Phoenix-Mesa Airport, and made technological investments in the transportation sector. 2. Thousands of new jobs are being created in Arizona with the CHIPS Act. 3. She has taken a strong stand against gun violence. 4. She has taken a strong stand for women's rights which are under assault from MAGA Republicans.

Giles then concluded with the following: "We can choose a future for our children and grandchildren based on decency, respect and morality — or succumb to the crudeness and vulgarity of Trump and J.D. Vance and the far-right agenda they would champion.

Arizona leaders like McCain and Sen. Mark Kelly have embodied the commitment to country over party. And it’s that same high caliber of character and leadership I see in Vice President Harris.

That’s why I’m standing with her. Kamala Harris is the competent, just and fair leader our country deserves. This year too much is at stake to vote Republican at the top of the ticket.

It will take Arizona Republicans, independents and Democrats standing together against a far-right agenda. Let us put country over party by voting to stop Trump and protect our democracy."

Powerful stuff. 

Winning back Arizona is crucial for Donald Trump. It is difficult to see any electoral path to victory for Trump without Arizona. He has continued to support candidates in that state like Kari Lake and Blake Masters who are toxic to moderate voters. He continues to attack the McCain family, who remain popular with those same moderate Arizona voters. 

This endorsement by Giles certainly doesn't help Donald Trump, and gives a big boost to Kamala Harris in Arizona.

[hyperlexichypatia]

As I keep shouting into the void, pathologizers love shifting discussion about material conditions into discussion about emotional states.

I rant approximately once a week about how the brain maturity myth transmuted “Young adults are too poor to move out of their parents’ homes or have children of their own” into “Young adults are too emotionally and neurologically immature to move out of their parents’ homes or have children of their own.”

I’ve also talked about the misuse of “enabling” and “trauma” and “dopamine” .

And this is a pattern – people coin terms and concepts to describe material problems, and pathologization culture shifts them to be about problems in the brain or psyche of the person experiencing them. Now we’re talking about neurochemicals, frontal lobes, and self-esteem instead of talking about wages, wealth distribution, and civil rights. Now we can say that poor, oppressed, and exploited people are suffering from a neurological/emotional defect that makes them not know what’s best for themselves, so they don’t need or deserve rights or money.

Here are some terms that have been so horribly misused by mental health culture that we’ve almost entirely forgotten that they were originally materialist critiques.

Codependency What it originally referred to: A non-addicted person being overly “helpful” to an addicted partner or relative, often out of financial desperation. For example: Making sure your alcoholic husband gets to work in the morning (even though he’s an adult who should be responsible for himself) because if he loses his job, you’ll lose your home. https://www.nytimes.com/2022/07/08/opinion/codependency-addiction-recovery.html What it’s been distorted into: Being “clingy,” being “too emotionally needy,” wanting things like affection and quality time from a partner. A way of pathologizing people, especially young women, for wanting things like love and commitment in a romantic relationship.

Compulsory Heterosexuality What it originally referred to: In the 1980 in essay "Compulsory Heterosexuality and Lesbian Existence," https://www.journals.uchicago.edu/doi/abs/10.1086/493756 Adrienne Rich described compulsory heterosexuality as a set of social conditions that coerce women into heterosexual relationships and prioritize those relationships over relationships between women (both romantic and platonic). She also defines “lesbian” much more broadly than current discourse does, encompassing a wide variety of romantic and platonic relationships between women. While she does suggest that women who identify as heterosexual might be doing so out of unquestioned social norms, this is not the primary point she’s making. What it’s been distorted into: The patronizing, biphobic idea that lesbians somehow falsely believe themselves to be attracted to men. Part of the overall “Women don’t really know what they want or what’s good for them” theme of contemporary discourse.

Emotional Labor What it originally referred to: The implicit or explicit requirement that workers (especially women workers, especially workers in female-dominated “pink collar” jobs, especially tipped workers) perform emotional intimacy with customers, coworkers, and bosses above and beyond the actual job being done. Having to smile, be “friendly,” flirt, give the impression of genuine caring, politely accept harassment, etc. https://weld.la.psu.edu/what-is-emotional-labor/ What it’s been distorted into: Everything under the sun. Everything from housework (which we already had a term for), to tolerating the existence of disabled people, to just caring about friends the way friends do. The original intent of the concept was “It’s unreasonable to expect your waitress to care about your problems, because she’s not really your friend,” not “It’s unreasonable to expect your actual friends to care about your problems unless you pay them, because that’s emotional labor,” and certainly not “Disabled people shouldn’t be allowed to be visibly disabled in public, because witnessing a disabled person is emotional labor.” Anything that causes a person emotional distress, even if that emotional distress is rooted in the distress-haver’s bigotry (Many nominally progressive people who would rightfully reject the bigoted logic of “Seeing gay or interracial couples upsets me, which is emotional labor, so they shouldn’t be allowed to exist in public” fully accept the bigoted logic of “Seeing disabled or poor people upsets me, which is emotional labor, so they shouldn’t be allowed to exist in public”).

Battered Wife Syndrome What it originally referred to: The all-encompassing trauma and fear of escalating violence experienced by people suffering ongoing domestic abuse, sometimes resulting in the abuse victim using necessary violence in self-defense. Because domestic abuse often escalates, often to murder, this fear is entirely rational and justified. This is the reasonable, justified belief that someone who beats you, stalks you, and threatens to kill you may actually kill you.

What it’s been distorted into: Like so many of these other items, the idea that women (in this case, women who are victims of domestic violence) don’t know what’s best for themselves. I debated including this one, because “syndrome” was a wrongful framing from the beginning – a justified and rational fear of escalating violence in a situation in which escalating violence is occurring is not a “syndrome.” But the original meaning at least partially acknowledged the material conditions of escalating violence.

I’m not saying the original meanings of these terms are ones I necessarily agree with – as a cognitive liberty absolutist, I’m unsurprisingly not that enamored of either second-wave feminism or 1970s addiction discourse. And as much as I dislike what “emotional labor” has become, I accept that “Women are unfairly expected to care about other people’s feelings more than men are” is a true statement.

What I am saying is that all of these terms originally, at least partly, took material conditions into account in their usage. Subsequent usage has entirely stripped the materialist critique and fully replaced it with emotional pathologization, specifically of women. Acknowledgement that women have their choices constrained by poverty, violence, and oppression has been replaced with the idea that women don’t know what’s best for themselves and need to be coercively “helped” for their own good. Acknowledgement that working-class women experience a gender-and-class-specific form of economic exploitation has been rebranded as yet another variation of “Disabled people are burdensome for wanting to exist.”

Over and over, materialist critiques are reframed as emotional or cognitive defects of marginalized people. The next time you hear a superficially sympathetic (but actually pathologizing) argument for “Marginalized people make bad choices because…” consider stopping and asking: “Wait, who are we to assume that this person’s choices are ‘bad’? And if they are, is there something about their material conditions that constrains their options or makes the ‘bad’ choice the best available option?”

[artsyaech]

happy international asexuality day to:

[PT: happy international asexuality day to:]

asexual men, y’all are so underrepresented

asexual women, you’re not “prudes”

genderqueer / non-binary asexuals, you exist

asexual trans men, you don’t deserve infantilization

asexual trans women, you’re not “just a f3tish”

asexual cis men, your existence isn’t “sad”

asexual cis women, you do NOT just exist to have babies (but if you want to have children, that’s just as valid)

asexuals who don’t experience any sexual attraction, you’re not a “stereotype”

asexuals who experience any amount sexual attraction, you’re not “faking it”

demisexuals

gray-asexuals

asexuals with a high libido

asexuals who don’t label themselves

asexuals who use many labels

asexuals who use microlabels

asexuals who are shy, you’re not a stereotype

asexuals who are outgoing, you’re not pretending

christian asexuals, you’re not “just celibate”

jewish asexuals, your existence is NOT inherently sexual

muslim asexuals, Allah loves you just as much as anyone else

hindu asexuals, your deities respect you

asexual buddhists, kindness will protect you

asexual pagans, (me!!) remember to cherish every moment

asexuals who are in the closet

out and proud asexuals

alloromantic asexuals

aromantic asexuals

aplatonic asexuals

acespecs who don’t identify with the term asexual

every asexual! y’all are so epic!!

[josephquinnswhore]

somewhere only we know - joel miller x female reader

summary: joel has been the only constant in your life since you’ve been at Jackson. But you don’t know if you deserve him despite his persistent efforts.

word count: 3.3k

content warning: emotionally unavailable reader, depiction of readers ptsd, public sex, being caught, raw p in v, tension!!! Age gap implied but unspecified, creampie, exhibitionism, choking, breath play, f orgasm, m orgasm, dom! Joel. Not proof read lol.

an: inspired by the song ‘somewhere only we know,’ by Keane. good to listen to while reading :) @sunshineispunk 🫶🏼

More often than not you’d find yourself in this position, stuck in thought, eyes in an emotionless glare off into the distance as you attempt to escape the reality around you. All of the noise, chattering, even the wind whipping your hair around your face all seemed unnoticed by you.

So much had changed from the previous years, where you struggled to find canned food, living off of very little from foraging. With the group you’d been caught up in, all of the slaughtering, merciless killing of men and women, families. All for a torn up jacket, or a can of two decade old beans.

There was blood on your hands, so much of it, even if you werent the one to pull the trigger, or plunge the knife deep into someone's flesh and bone. The blood and bodies accumulated, so did the guilt.

Being in Jackson felt wrong for many reasons, you were a deplorable human, yet you were living now–lavishly. Electricity, hot showers, warm clothes and a full stomach. Hell, even a giant christmas tree in the centre of the civilised town.

Wrong. Wrong. Wrong.

What about those people that died? Their children, the women, the men. Good people.

Jackson winters are harsher than any you’d ever endured, the wind swirls around the snow jacket and penetrates your skin, landing on your skin and spreading like an infection. Your hands are freezing, fingertips red from being exposed.

He always knew where to find you, how much you torture yourself with guilt. He offered the hand that wiped your tears, the ear that listened to you as you sobbed into his chest. The heart that offered a home for you. Somewhere only you knew. Offering you a haven within him that he had opened for you alone. It was simple, really.

That was the worst part, that he had willingly opened his door, his arms, given you his heart on a silver platter. Falling for a man that tried, that gave you all he had. He could just as easily pull it all out from underneath you.

His multitude attempts of courting you, asking you to be his girl–all gone unanswered or denied. So he stopped asking, knowing that when the time was right you’d come to him.

Joel was aging, he would take any minute he could to spend with you unknowing of what day would end everything. The risk climbs with each patrol.

He knows where you’ll be, by the back of the stables, watching the horses as they play in the snow that had fallen on the ground over the past week. The snow surrenders under his feet, walking the pathway to you he knew like the back of his hand.

With the softest voice he could muster, he attempts not to startle you. “Hey.” He leans on the fence beside you, his elbow barely grazes your own. “Everythin’ okay? You've been here a while, ain’cha?”

It stings, to turn and look at him. The muscles in your neck seem frozen as you manage a small smile, realising that you've been leaning against the wooden fence for a while, the sky is thick and dark with snowcloud. Snowflakes fall around the two of you.

“Just thinkin’,” you clear your throat and manage to choke out. Inhaling sharply, you wiggle your nose in an attempt to clear the mucus from your cold nose.

Turning to face you, he knows what's going on within you, although the two of you weren't exclusive, he knew what the two of you shared. Something that felt so fragile in moments like this. He hums, gravelly noise cuts through the wind.

In a swift pivot, he's turning to face you, his gloved hands delicately brush the hair from your vision. “What is it?”

“Everything,” You're barely able to look at him, managing a quick sideways glance. The last thing you wanted right now was to start breaking down. Moments of you opening up were sparse, and Joel knew now was not one of those times.

He had to treat carefully, nursing your emotions delicately so you wouldn’t back away, start rebuilding your walls he had carefully and pliantly plucked one by one. To get here, where the two of you were, had taken months.

Dropping his hand to cradle your stiff neck, with gentle encouragement manages to coax you to face him, a gloved thumb caresses your cold cheeks. “Everything’s a lot to be thinkin’ about.” He utters in thought, “wanna tell me about it?”

Conflicting, the ache in your chest. Guilt. The urge to blurt it all out in one ugly, uttering cry, as if it were some dirty confession. “Not particularly.”

His brows furrowing were a response of disappointment, knowing that if he weren't careful you would brazenly resort back to isolating yourself. “You know how much I care about you.” Preferring a statement, a confession, it left no room for you to start questioning yourself.

“I know.” Part of you cracks a tight lipped smile.

The forced smile doesn't appease Joel, his own lips tight, hand curling around your jaw to look at him. Things seemed particularly bad today, he recognised. “Stop lyin’ to yourself an’ me, tell me the truth.” the attempt to coax you failed, with you pulling away from the gentle grasp on your cheek.

As you pull away from Joel's touch, your skin feels cold. All of you feel cold. It felt so wrong to pull away from him, but to confront the fiery flames of truth–you would bear the cold.

His hand falls to his side, the ever tugging frown on his features deepens as you pull away from him. Refusing any comfort he offers, a noticeable feat between you. The exhausted expression on your face, eyes weary, and now defeated silence.

But Joel had questions, something he desperately needed an answer to. “Are you happy?”

It was a loaded question, confronting. Are you happy here. With him. With your life. You can’t manage to decipher which one of those probabilities he wants answered. So it seems impossible to come up with an answer that was acceptable. “What do you want me to say Joel, that I’m thriving?”

Of course you resort to lashing out. “I want the truth,” his eyes take you in, the way you stiffen as he refused to be spooked by your natural act of stoicism. He shifts on his feet, you bet the cold is starting to take a toll on his aching joints.

The silence had become unbearable. “I'm miserable, Joel.”

“What is it that’s makin’ you miserable–”

With a stern warning, you interrupt him. “Don't go there.”

Each emotion you felt in this moment, guarded but vulnerable to him. He knew what was causing this turmoil. Him. your feelings for him.

“It’s me.” He utters matter of factly between you, looking over the fence as the horses whine and run inside the stable as the snowflakes start to fall faster. His hand contemplates holding your hand, realising that they are bare. Deciding against it, he pulls off his own gloves, sliding them onto your own.

“You ain’t happy because of me.” his bare fingers run through the hair at the back of his head and rub his neck as he exhales deeply.

Fixing the warm gloves on your fingers, it feels like you’re getting some much needed circulation. “It ain't like that.”

He was trying to give you the flexibility to open up to him at your own accord, but he's beginning to hurt, wondering if his love will be unacquainted until he’s buried beneath the soil, if your hand would be the one to push him in with an unwelcome gaze.”Then tell me what it’s like..” he pushes again.

All he wanted was for you to drop the veil, to reach forward and bring you to his chest and remind you that he was here, always had been.

“I need to learn to live without you.”

You can't swallow the shocked expression on his face, now bare fingers clutching onto the fence, the warmth of his palm melting the snowflakes that had fallen there. “You think I wouldn't miss you if you just walked away from this?”

“Don’t,” you plead, he was breaking your guard down.

Vulnerability and desperation roll of his tongue in a firm utterance. “I would.”

Deciding against what your reaction might be, he reaches out and takes a hold of your hands, thumb rubbing against the leather in an attempt to soothe you, to calm you before you could flee.

“I go on missin’ you as it is. You go on days without lettin’ me in. I can't stand it, everyday i don't see you is hell knowing you’re right there an’ dont wanna see me. Knowin’ you don't wanna be mine.”

Pulling away from his grip again, you step away from the fence, fleeing. “Don’t. Don’t fucking do this to me.”

With one long stride forward he's snatching your wrist, turning you back around to face him. God dammit, he was trying. He wanted to be everything you need. If you would just let him in.

He growls at the realisation. “Don’t what, huh? Say how I feel because you won't.”

“I’m fucked up!” You shout, emotion thick in your throat, unable to pull away from his vice like grip.

There's a tremble in his voice, a swirling mix of despair and desperation. “I’m tryin’ to be here.”

A bitter scoff rolls off your tongue, “that doesn’t fix anything!”

His chest heaves, up and down repeatedly until he finds the words to say. All of the pent up emotions he has toward you all rising to the surface. “Then what will?”

“You can't fix me.”

He drops your hand, “bullshit.” That was something he couldn't handle hearing, he was good at fixing things, repairing, protecting. The thought that you were a lost cause was as good as enough for his chest to begin constricting.

His fingers are succumbing to the exposed cold, tips of his fingers are cold on your cheeks, cradling your delicately compared to the ruthless things he had done with them.

Taken lives, stolen, abused substances, relieved himself, all with anger, all without meaning. But you–holding you was something he wanted to do right. He would do right. There was no room for mistakes. “I need to fix this..” the whisper is so quiet it's almost swept away in the wind.

It felt like a slap to the face when you pull away from his hands, the shared warmth from skin to skin was ripped away as you step backward.

That's all you knew how to do, retreat.

“You’re still pushin’ me away. Tell me when you’re gonna let me in,” the bitter edge was a clear indicator of the pain and disappointment he was feeling.

“The last thing I need is to trust you! Then what? You turn around with my heart in your hands and stomp over it?”

There it was, whether you realised what had slipped past your lips. Your greatest fear. Abandonment.

For a brief moment Joel hates that you distrust him after all he has done for you, proving time and time again that he would do anything for you. But it's quickly swept away by the realisation that you’d unclogged the blockage that kept him at arm's length. “How..” he pauses, realising he has one shot at this.

“What can I do, to prove that I ain’t ever gonna hurt you?” Of course, of course he looked absolutely torn, his throat bobs up and down as he swallows nervously.

The fact that you were still standing before him was a good sign. “How can I trust this is real?”

“Because I love you. I’m gettin’ old an’ I need somethin’ to rely on.” his hazel eyes softened with the admission, searching your face for any sign that you felt the same way. That you wouldn’t tear his heart open here and toss it to the snow, letting it freeze over once again as it had been before he met you.

He couldn't bear to go back to that, the loneliness, lack of heart and purpose.

There's a million thoughts running through your head, begging for your tongue and voice to cooperate, to blurt out somehow that you love him too.

His eyes continue searching your face at your silence, hoping to find any glimpse that you felt the same way. “Nothin’ to say then?” His heart ached, tone bitter.

This could be the end of everything.

In this moment of utter vulnerability, there are no words you can find to pluck from your throat, barely registering that you’re reaching up to grasp his face with both hands, pulling his head down to meet your own cracked, wind burnt in a soft kiss, lips brushing against each other.

For the short moment they are pressed together, you feel them warm against his, your heart races in reaction to the bold display.

“I.. I love you too,” you whisper thickly once you part from his lips, praying it wasn't too late. Foreheads pressed together, this is what Joel had been dreaming of, a simple act that had made his heart race, relief sparking each vein in his body.

“Oh.. baby..” he whispers, his own hands grasp your hips, grounding himself. Holding onto something to convince him this was real.

But at this innocent gesture, a small breathless moan rattles through his brain.

God.. the thoughts he had about you.

He stutters, “baby.. d-don't do that. You have no idea what it does to me. Tryin’ to be good to ya.”

Running the risk of taking things too far, you kiss him again, this time more desperately, seeking the validation and love Joel had always devoted to you, a newcome hunger growing within you. Your lips clash against his own, and you moan into the kiss, your hands roaming through his hair as you grasp onto the soft, overgrown follicles.

The both of you get carried away, both touch starved and seeking physical affection after having tension brewing thickly for months. Your hands find solace in the softness of joel's hair.

He cannot keep his hands on your hips, greedily giving in to your willingness to reciprocate his affections. Tracing the curve of your ribs to your hips, memorising each curve and dip. The way your body squirms closer into his chest as his revenant exploration of your body makes you whine into his mouth.

Deepening the kiss, his tongue wrestles with your own. Finding a rhythm that the two of you manage for a desperate long minute. His hands are groping the curve of your ass desperately through your jeans, whinging when he pulls you closer to him, the hard bulge in his jeans rub against your mound.

“Joel..” you whine, breaking away from him, his own hazel eyes blown out from the fiery kiss. Your lips are moist with a mix of his and your own saliva. Chests heaving in sync as the tension between you expands into something that cannot be contained another moment.

Without another word your gloved hands are attempting to unbutton his jeans, with much difficulty. Frustration wears your short fuse and you tear them off your hands, unbuttoning and yanking down Joel's zipper.

“I ain’t lettin’ you go, baby.” He utters as his hands work quick to tear your own jeans, pulling them down until they reveal your ass, getting stuck mid-thigh. He lets out a deep grumble at the sight of you, bare ass and pussy all for him.

“We’re in the middle of town, dirty fuckin’ girl.” He scolds breathlessly against your neck, his hands commanding you flush against his chest, holding your wrists together with one hand.

Bending yourself forward a fraction, you whine, feeling his hard cock spring against your bare ass. “Let them see.”

Closing his eyes for a moment in an attempt to ground himself, convince himself this was a bad idea, the rational part of him loses the internal battle. “Fuck you’re gonna be the death of me, you and this pretty pussy,” his voice husk with need.

With his free hand, he positions himself at your hole, damp and warm. A wonderful contrast to the rest of him that's freezing as you stand in the mild snowfall. Your hole opens up for him with no protest, his thick tip pushes into you with carnal need.

His hand frees your wrists, grabbing onto your waist, his thick fingers curling around the skin of your hips. “Made f’me baby.. fuckin’ hell.”

There's a slight sting as you adjust to his girth, but he can't hold himself back, bottoming out in your warmth, grunting into the nape of your neck, leaving an opened mouth kiss.

The pace he sets is relentless, ploughing into your willing hole that slicks more with each thrust. His cock is coated in your arousal, nevermind how loud you are as he pumps into you. Not bothering to try and be subtle, uncaring of the straggling townsfolk of Jackson on the other side of the barn that are entering the hall for lunch.

“You’re gonna.... get us caught baby..” he ruts into you desperately as he utters his concern. Pressing his chest against your back, unable to pull away from you.

“Don’t care,” you manage to choke out incoherently, your hole clenched around him. Theres a warmth in your stomach, feeling the pressure build as he fucks into you like his life depended on it.

With one hand, he forces his hand under your chin, grasping onto your throat, fingers squeezing the sides lightly. Applying enough pressure to make your eyes roll, a soft moan of surprise and lightheadedness equals the raw pleasure of the pad of his pointer finger rolling around on your swollen clit.

“You wanna get caught like this hm? Sweet girl getting fucked by an old man, what would they think of you, hm?”

The thought makes your stomach twist, attempting to close your thighs to stop his hand from swirling softly against the wet bundle of nerves.

He tuts, “uh uh, this is what you wanted, wasn't it? You’re gonna cum for me, baby.”

Throwing your head back, he applies a fraction more pressure to your neck and you cry out with a crack in your voice, spiralling as your hips rut against his hand. Legs and hips unwillingly jerk as you orgasm. His muffled voice is runging in your ear as Joel continues to fuck you through your intense climax.

“Atta girl, so good f’me.”

He releases the grip on your neck and snakes his hands underneath your jacket, the warmth of your skin underneath his desperate fingers.

There’s some distant muttering you don't understand, too overstimulated and crying from still taking Joel’s cock as deep as he can bury himself inside of you.

He gropes your tits harshly, crossing his arms around you as he forces you down onto him, taking his thick cock as he bottoms out, his cock twitching as he fills you with his warm load. Turning your head to kiss him as he cums, you moan into his mouth.

“Oh my god–that is them, Joel and–” the voices utter your name and you tune in as you hear your name being spoken from a distance, hearing slowly returning. Your cheeks warm as you realise that someone has indeed caught the two of you in the middle of town.

Joel slides his hands from underneath your shirt, covering you the best he can. “You gonna stand there creepin’ or y’all gonna move the fuck along?” He snaps in irritation at the invasive eyes.

With a whimper, he pulls out of you. Both of you slide your jeans up. He turns you to look at him, pressing a kiss to your forehead.

There’s an expression of vulnerability plastered on his face. “No more runnin’.”

Hopelessly, you nod. “Can we go back to yours?”

With a possessive swat of your ass, he hums. “Our place.” He corrects.

Is this the place you’ve been dreaming of?

[misstycloud]

[Yandere.Rich man x ballerina reader]

(I don’t actually know much about ballet so forgive me if things are incorrect!)

—————

Rich. Yandere who was pestered by his friend and his wife to join them at the opera house and enjoy a performance. The couple had asked him numerous times before but he’d always declined. He was a workaholic and didn’t have any other commitments, so there was no need to break his routine. Although he would never admit it to anyone- he barely does to himself- he often find himself imagining a different life; one where he had a wife to welcome him home every evening. Perhaps a few children too. There was no sound besides himself and the staff in his home, it would be so very nice to hear the noise of running feet and happy chatter echo through the empty halls.

Rich. Yandere who is lonely above all else. His family is dead and he has next to no friends- the only one he has is married and devote all his time to keep him company. He knows that he doesn’t have the best track-record of being the kindest person in the world, and he might not be the friendliest or the most out-going, still, doesn’t he deserve some love too?

Rich. Yandere who eventually give into his friends demand and goes with them to the opera. As they took their seats- the expensive and best ones, of course- his friends wife babble on about her favourite dancer. They were regulars there and had seen many performances. He simply sighed and leaned back into his seat, waiting for the show to begin. He could only hope that it’ll be somewhat enjoyable since he doesn’t like wasting his time.

Rich. Yandere who was prepared for it to be a dreadful 3 hours, rubbing his eyes and suffering from lack of blood-flow in his legs. Oh how wrong he was. Instantly his gaze zoomed into you as soon as you stepped forward from behind the curtain. You were so beautiful and you moved your body gracefully to the music. It was magical. While he knew close to nothing about ballet, he knew that the point of it were for the women to look like they’re floating, and it’s exactly what you were doing.

Rich. Yandere who is instantly enamoured with you. As someone who’s never felt love this was all a brand new experience for him. He asked his friend and his wife if they knew who you were, since they frequent the opera so much. And turns out the wife did know who you were; you were her favourite after all. Rich. Yandere was never close with her or particularly liked her even, but he had to give it to her: she has excellent taste in performers.

Rich. Yandere who starts looking up information regarding you. It’s be your name, age, background, family, where you went to school and where you live. Everything. He also begins donating a lot of money to the opera house. In a short amount of time he’s become their nr.1 funder. The managers and owners are ecstatic at the news! They ask why he’s so generous and he simply answers that he loves culture and thinks it’s important it doesn’t disappear. Then, they wonder if there is anything they can do for him return, to which he smiles in response.

“Well, I do suppose there is one dancer I would be delighted to meet in person.”

Rich. Yandere who you feel uncomfortable around. He is so strange. You were just a normal ballerina, a dancer, no better or worse than anyone before your time. That’s why you can’t fathom the interest this wealthy man has taken in you. You two came form completely different worlds! But what can you do when your bosses not-so-gently urge you to see this man alone? You dont have any other skills and can’t apply to another job if you get fired.

Rich. Yandere who is determined to make you fall for him the way he has fallen for you. He’ll take care of you, love you and protect you. You don’t have to worry about a thing. He will do anything for his love.

“Don’t be scared, just keep on dancing, my little dancer.”