#they could do so much with this fame and success and money they're making

[omarfor-orchestra]

I do think people who work in the field should roast the show because it was supposed to bring attention to some kind of realities that get ignored more often than everything else and it became a soap opera instead but consider. I like it.

[pomefioredove]

hii! i love your writing a lot! and its my first time requesting something so im sorry if it sounds weird.

could i request a reader who loves to give their friend or partner lots gifts(preferably handmade ones!!) and affection? like they just make gifts for them and randomly shower them with affection without any reason

please do it with the overblot gang or simply just riddle, azul and vil !!

also im sorry if you already did something like that ; ;

hi anon!! thank you for waiting so patiently for this <3

*ੈ✩‧₊˚ gifting!

type of post: headcanons characters: riddle, azul, vil additional info: romantic, reader is gender neutral, reader is yuu

pleasant surprise is not something that Riddle feels often, and gifts, especially such thoughtful ones, are not something he's used to. his mother never bought him anything that wasn't a necessity, and aside from what little Trey and Che'nya could sneak to him when they were children, Riddle just... doesn't get gifts

especially without a reason. the first time you leave a love note and roses at his desk, he's worried that he somehow forgot something- a birthday, a holiday, an anniversary?

you have to reassure him that you don't need a reason to be nice to him, and he deserves to be spoiled

which is... weird... for him to hear

still, he treasures every single thing you get him. trinkets go on a well-kept shelf in his room, practical gifts get used until they're falling apart, and he even presses the flowers you give so he can keep them forever

*ੈ✩‧₊˚

Azul lives in a give-and-take world. which is often... bad, but can be extraordinarily sweet when he applies that to your relationship

he wakes up to flowers on his doorstep? you'll be getting a bouquet the very next day. you write him a lovely note? he'll send one of his own right back. you make him something thoughtful, personal, and sweet? he will literally teach himself how to sew, paint, write, et cetera, and get you something you'll love by next week

(your crafting skills are incredible to him, by the way)

it's not even that he doesn't want to "owe you" anything; it's that he wants you to feel just as loved and special as you make him feel

he's never a neglectful boyfriend, I can tell you that much

*ੈ✩‧₊˚

there's something that can be so special about handmade gifts. Vil thinks of this often; he finds himself absolutely in love with everything you give him. he almost feels guilty wearing the jewelry or clothing you make, as if it should be put on display rather than worn

it's just so... you know?

you thought of him while you made this. you sat down, thought, "what would Vil like?" and made something. not because he hired you to, or because you want fame or money or success, but because you love him

as a person. not as an actor, or a model, or an image

oof. it's like an arrow straight through his heart. he loves to carry around the things you gift him, just so someone will notice and ask

he always gets the biggest smile telling them that his partner made it

[becausegoodheroesdeservekidneys]

as a kpop politics amateur researcher-yeah thats the interesting thing about hybe (katseyes label) they are so. So into the idea of being the coolest kid in school because of their major success story being Boys That Sing (i refuse to spell that in case it comes up on search) that they end up doing this weird game of neutrality/bragpop that ends up flat a lot.

For my money, I find that the factory-manufactured nature of K-pop is both its blessing and its curse. On the one hand, the visual spectacle of it is incredible in a way that no other cultural mainstream music genre can compete with, from the aesthetics to the sheer inhuman synchronisation from the dancing. Even sedentary shots of soloists in MVs can take on these breathtaking, otherworldly sorts of qualities. A while back I reblogged a side by side comparison gifset of Taeyeon's INVU and Key's Gasoline, and they look like gods of moon and sun. Aespa's got a whole bunch of slick, cyberpunk-type videos, like Drama. The sheer aesthetics. Your eyes want to drink them

But, on the flip side, the music itself is very often on a scale from vapid to completely meaningless. You might get an overall concept, like "I'm so great" or "I love my partner", but the execution is frequently sugary sweet or just plain hollow. That was one of the big criticisms of MEOVV's debut song, in fact - they went with this boastful "I'm so great" through line, but the lyrics had them boasting about how much money and fame and success they have, when they were (1) launching their first ever song and (2) literal children. You're right that Hybe does this a lot, but they aren't the only ones - Blackpink have a line in one of their songs that basically reads "My Lamborghini goes vroom vroom".

And, that's what happens with the 'churn them out of the factory' model. There's no time for artistry when you're making your artists record two albums a year, plus the dance training, plus the touring, plus the extreme diets, plus plus plus. Katseye's Gnarly is actually a great example of all of this. God, it is an empty song. But! Fuck me, it's a spectacle. The choreography is incredible. And, you know, we get treated to them describing Tesla as gnarly lol, though not in the 'clean version', where I note they're carefully avoiding hurting Elon's feelings.

I should say, of course, that a lot of these issues are lessened in groups that write/produce a lot of their own stuff. (G)-idle's Oh My God is an absolute masterpiece and is a song about a wlw awakening, something you frankly do not often get to see in the K-pop world; similarly, they produced Nxde as a critique of the sexual commodification of women AND as a way to make "nude girl idol" into a dead search term that perverts could no longer use to try to creep on young female idols, since you just get their stages and MV in the search results. IU's Love Wins All is a beautiful love song, with an MV that fucking shreds your heart. Similarly, artists who are sort of K-pop adjacent produce some amazing artistic stuff (Bibi, Jackson Wang, etc).

But, it's because they have time to dedicate to the artistry. And, frankly, to give roles to the members that play to their talents and let them actually shine. Companies are obsessed with forcing all members of a group to sing in the same pitch, and that pitch is "high" - regardless of whether or not a low-voiced idol will sound good in that register, or if it's even ruining their voices. They're all forced into a narrow box, so they can produce that same sugar sweet vocal colour, factory-made and ready. I think it's notable that the groups and artists who most often stand out in that arena are the ones that write for themselves - Stray Kids wouldn't be half the group they are if Felix wasn't allowed to let the bass notes roll, ditto (G)-idle with Yuqi's contralto.

Anyway. This got overlong. But you're right - bragpop fallen flat sums up a lot of it!

[basu-shokikita]

About Depths of Humanity

So, I talked about The Duel some time back and I thought, why not do the same for this song too? It's actually one of my underrated faves from Doomstar Requiem.

This more of a rant than a strict analysis though, I just really enjoy thinking about the implications of this song and what it means in regard to Skwisgaar.

Let's start with Ishnifus' warning. He claims that inside lies danger, the ghosts of their pasts and their fears. He cautions them to stay alert and Dethklok brave forward, even if scared.

Inside, they encounter their old manager, old groupies and Skwisgaar's old guitar teacher, in that order. As promised by Ishnifus', they're all people from their past, coming back to haunt them.

Immediately, these people start recriminating Dethklok for not having paid them back after how much they helped them. In short, they're jealous of Dethklok's fame and money.

The band is clearly affected by the plaints, quickly forgetting what they were here to do. Except Skwisgaar, who reminds them all they have to find clues about Toki's whereabouts. It does not seem like they're listening to him, though.

Now up to here, I want to point out 2 things:

That Nathan and Pickles seem the most upset by these confrontations.

That, while Skwisgaar is disturbed, he still has their goal in mind.

About Nathan and Pickles, I think it makes sense, they are the leaders of the band, they're most conscious of its tremendous success. They also know they're extremely talented musicians, meaning, they're aware of their value. They know they're far from being these miserable pricks demanding rewards. Nathan had a nurturing family while Pickles used to be in a huge band, previously to Dethklok. They're both people that have been inherently helped by other people, which is why being confronted is actually uncomfortable.

Skwisgaar is certainly a different case. I have to say, I was pretty surprised to find out that he had a guitar teacher. Based on the flashbacks in Fatherklok, I assumed he had been self taught. Skwisgaar himself has admitted he was pretty poor in his childhood so it's hard to believe Servetta would've invested in his music education. Plus, he can't read music which I think would be hardly the case if he had gotten classes.

But anyway, I'll play along. This teacher is speaking English and he doesn't make any mistakes so I'm guessing he's american. Meaning, Skwisgaar took classes when he went to America, which was later in his life. To strengthen his game and/or learn the technical bits he might have missed before? Maybe? And if this was the case, then Skwisgaar would've felt less obligated to indulge to other people in his life, when he learned to be independent from a really young age. He doesn't feel like he owes shit to other people, because other people didn't give him shit. Thus, the Depths of Humanity effect is not that strong in him.

You could also argue that the loss of Toki is a far more terrifying prospect than these bitter acquaintances from their past but I'll elaborate on that further in this post.

Murderface? Well, Murderface has low esteem and is the less popular member in the band, so of course he can't fall victim to guilt-tripping. Because that would mean acknowledging he feels like he's in a better place than others, it would mean that he actually believes himself superior than others. But he doesn't, Murderface is convinced he's worth nothing, so this whole charade is more grating than anything. Which brings us to the next moment.

The way Murderface is coaxed by the Depths of Humanity crew, is when a seemingly fan approaches him and starts praising him, claiming he's the best one. And then, is when Murderface is hypnotized by the attention. He's already such a negative person, of course more negativity isn't going to get to him. But positivism? That's another deal.

Skwisgaar once again insists that they have to find a clue on how to find Toki but it falls on deaf ears. Nathan is grabbing his head in despair while Pickles clutches his chest in what seems to be an impending panic attack.

Now I really like the wording 'I'll look if you do, too' from Skwisgaar. It almost feels like, even in this situation, he's trying to sound cool about it. He doesn't want to be the only one caring this much about Toki, he doesn't want to be the one leading this operation. He's not a leader, he's never been a leader, even less when it comes to emotional stuff, which is the implicit purpose of this search. They care about Toki, and that's why they're looking for him. But is Skwisgaar seems to be unconsciously rejecting this fact. This attachment.

However, his bandmates aren't listening, too self-absorbed in their anguish to do so. Skwisgaar continues the search and is quick to point out at something on the wall. It's a flyer that he grabs and, immediately, seems to connect the dots about. In an unusual display of leadership, he tells Nathan to grab Murderface so they can leave. Their purpose has been fulfilled and they can finally escape this horrid place.

Okay, so this is my favorite bit, obviously. Once they're outside, Nathan and Pickles keep complaining about what they were just subjected to, and Skwisgaar stops them to show his discovery. It's the same flyer he just grabbed, and it features the place where Toki had his audition. Also known as the place where they all met Toki for the first time and Skwisgaar and him had the legendary duel.

We don't have a precise Dethklok timeline but it's been a long time since Toki joined the band. Several years, at the very least. And this building is nothing but a far away memory, from when they were a lesser band. From when they weren't the big rockstars they are now. So, it really begs to question that not only did Skwisgaar remember the place, but he did so at once, when he hadn't seen or heard of it in years.

...Unless, he had been thinking about it recently?

We know, thanks to the beautiful central section of the movie, that Toki had been thinking of his audition, of joining Dethklok, as a means to cope with the devastating reality he was faced with. We know reminiscing of his dazzling battle with Skwisgaar and the happiness he found within the band gave Toki strength to carry on. But what about Skwisgaar?

For someone who considered himself much better than other guitarists, to the point he didn't want to play with another one, to actually find an equal, someone that challenged him, it couldn't have been anything short of extraordinary for Skwisgaar.

The summit is for the very best only, yet it's quite lonely too, and Skwisgaar had been basking in that isolation his whole life. Until he played with Toki, then the idea of sharing his field no longer felt like an insult, but potential instead. He found someone that could improve his own playing, someone that could compliment his guitar, take it to even higher heights.

And so, Skwisgaar was the one to invite Toki to the band, more specifically, to tell him he wanted him in the band. While we can't factually know how the rest of the members joined Dethklok, we know for sure that Skwisgaar was the sole responsible for making Toki join, as the rest were already bidding him farewell for failing to keep up with Skwisgaar.

So, when the one person that challenged Skwisgaar's playing was taken away, it wouldn't be a stretch for Skwisgaar to look back on how it all happened. To ponder about the circumstances that lead them to the current situation. It's clear the whole band loves Toki and, unable to deal with their own sadness, drank and fucked to oblivion. This also applies to Skwisgaar, except that with him it's especially complex, given that he's the one that brought Toki to his world to begin with. Given that Toki and Skwisgaar share the same instrument. (Fun fact: you don't actually see Skwisgaar fiddling with his guitar in Doomstar Requiem, just puttings dat out theres.)

Obviously, this is a bunch of mumbo-jumbo but as any Pepe-Silvia-scene impersonator that respects themselves, I want to point out how interesting of a coincidence it is that, less than 2 songs later, Skwisgaar is saying this:

Right before they head in to rescue Toki and Abigail, Skwisgaar imparts some reflection of his. He's been wondering if maybe it wouldn't be better to go back to being a one-guitar band. Toki has been in Dethklok for a long time now, so it's interesting Skwisgaar has been thinking about this...

...Except, that's exactly what his mentality used to be like, before meeting Toki. Right when he was trying to convince Pickles that they didn't need a rhythm guitar, he spoke these words exactly. One-guitar band.

It's almost like Skwisgaar is trying to do some self-preservation by returning to his aloof roots. He made Toki join the band, now Toki's gone and in danger, and maybe this wouldn't have happened if they had stuck with Skwisgaar's original plan. Because they attempted to replace Magnus is why this came to be. The revenge Magnus promised did arrive.

I just wanna be clear. I don't think Skwisgaar believes he's the sole to responsible for this, I'm sure he knows Magnus is the main perpetrator here. But the facts remain the facts, and had they all stayed as they were, then they wouldn't be risking their lives now to save their fifth member.

Like this, it seems entirely logical that Skwisgaar would be thinking of his former reluctance, of the Duel, of everything. It's all fresh in his mind once again, because Toki's kidnapping has forced him to realize they're not actually untouchable. Their mortality is back on the table, and so are their bonds.

In short, Skwisgaar had been repressing all his emotions about Toki's disappearance, but from the Depths of Humanity onward, he can't help but show them. He can't help but admit to himself and others, that he wants Toki back. So much, that a bunch of angry and entitled people can't affect him enough to forget it. So much that it's making him remember how distant he used to be, before Toki. So much that it's making him realize how different he is now.

[miraculouslbcnreactions]

Do you think having to model would have been damaging to Adrien when his mother was still with him?

Potentially controversial take here, but no, I don't think child acting is a terrible thing that should be illegal and child models are just a variant of child actors. Acting in commercials or movies is arguably more serious than something like community theater or local ads, but the risks aren't actually all that different. No matter the level of the production, the risk for abuse is there. It's not something limited to Hollywood. So I have no issue with child stars as a general concept. I think I've only ever hinted at this in my stuff, but I can actually picture a scenario in which Adrien got into modeling as an act of love.

His mother was a professional actress and Adrien very clearly enjoys acting. I could absolutely see Emilie recognizing his talents and getting him involved in commercials and modeling shoots for the company so that he can try acting in an environment that she can fully control (which is not concerning given that Adrien has clearly been modeling for several years, so he started young.)

I think most "good" parents would be super hesitant to let a little kid work with people they don't know, but with Emilie's connections and the success of Gabriel's company? Adrien going into an acting career actually makes a lot of sense. Especially if Emilie acted as his agent and was always on set to make sure he was okay.

Adrien being a model only becomes concerning when we get things like the super creepy Alliance AI-Adrien. Stuff that Adrien clearly isn't okay with and that should never have been considered to begin with (you literally see the model in his underwear when Soquline is showing off the fact that you can dress him up in Jubilation.) If Adrien was actually enjoying the work and the work was all ethical? Then it wouldn't be a problem.

Creative fields are rife with abuse and poor working conditions, but they're also a source of joy for many. Minors working in these types of fields is an incredibly complex topic, but I can't view it as inherently bad. I've known too many kids who legitimately loved acting or playing sports or whatever creative thing they were into.

Oh, and random side note, but it's super weird how the show plays Adrien's fame. He's fashion model, not a movie star. He would not be as famous as the show tries to make him. I actually researched this a while back to make sure France didn't have some sort of model-obsession and I couldn't find anything (btw, please let me know if I missed something and this is wrong).

I mention all of this because I think fashion modeling is potentially a much safer way to let a kid do some acting. Commercials and one-off fashion shoots are much smaller commitments than movies and TV shows and they carry way less risk of super star fame. I actually get distracted when fanfics have Gabriel constantly pulling Adrien out of school for fashion shoots for two reasons: first, that appears to be highly illegal in France. Second, how much marketing material is the Gabriel brand supposedly producing??? Especially since Adrien seems to just be a teen model and not model for the adult line, which would be standard for the industry. You don't really become a full fledged model doing things like runways until you're at least 16. (Btw, guess what age I often scale Adrien up to? There's a reason for that.)

As far as I can tell, most models have to work with multiple brands and companies to make good money. An exclusive deal with a single company should mean that your schedule is pretty relaxed, which is another reason I could buy a loving parent letting Adrien model. Modeling, commercials, and voice acting are actually a fantastic set of options for someone who wanted to do some acting work while still going to school. It is incredibly easy to take the setup the show gave us and use it to make Adrien a child star who wasn't exploited.

[youremyheaven]

Despite being celebate revati placements are often assumed as fboy/fgirls and promiscuous too.

I got one question tho.

Are revati and punarvasu both the strongest wealth naks and are they the only wealth naks?

Oh i got one more question.

What are the fame naks?

Your observations and posts are very entertaining please continue to do so.

im not saying they're always celibate

theyre not the type to be promiscuous which is to say, have several sexual/romantic partners at the same time. the number of partners may be fewer but the quality of their experiences are wilder or deeper, many Revatis are into crazy stuff (BDSM, knife play, primal kink etc) they seek a certain intensity with their sexual experiences and this is not something you can easily find with people. That sort of chemistry, connection and compatibility is rare, which is why Revatis tend to be celibate, its either crazy mind blowing euphoric ecstatic sex or nothing at all.

Some Revatis could very well be "fuckboys/fuck-girls" but it probably does not satiate them at all. They love the chase, the thrill of it but the experience itself probably underwhelms them since its impossible to experience ecstatic orgasmic bliss with every random person you sleep with. this requires a certain depth of connection and emotion.

Revati & Punarvasu are very strong wealth giving naks but they are not the only ones.

The thing about the abundance of Revati & Punarvasu is that they acquire a lot even in positions where they are not expected to.

Angelina Jolie has a net worth of $120 million, Rihanna of $1 billion, Kristen Stewart of $70 million, Cardi B $80 million, Pink (the singer) $200 million. All of these women have either Revati Sun or Moon.

Miranda Kerr $60 million, Drew Barrymore $125 million, Shakira $300 million, Cameron Diaz $140 million, Keanu Reeves $380 million, Mariah Carey $520 million, Jessica Simpson $280 million, Sofia Vergara $180 million. All of them have Punarvasu Sun or Moon.

Other than Cardi, none of them are actively working per se, they have different ventures and investments and generate a whole lot of passive income. This is what I meant by how they make money even in positions where they're not expected to make as much. Many of the above listed singer makes millions of dollars from royalties alone. They dont have to work as hard as others to make money. Perhaps their journey to success is difficult but once they get there, everything flows easily for them.

Other nakshatras associated with wealth are Jyeshta, Swati, Hasta, Pushya & Dhanishta.

Nakshatras associated with fame are harder to narrow down because one can be famous for many reasons.

Cancer rashi women are famous for their beauty, desirability and personal appeal.

Sun ruled men are famous for their masculinity and symbolize male virility and power. They're the poster boys of the "guy/dude films/aesthetic."

Venusians are famous for the art they make

Jupiter natives are famous for their abundance, high principles, values and ethics. Their regal & elegant conduct is also notable.

These are just a few examples, fame can manifest in many ways (and even negatively).

Also thank you💛🙏🏻I'm working on a new post<3

[emosquitoes]

Things about Lestat's rock band in the books that I hope the show carries through:

- Lestat is a sellout. He found this existing band, convinced them to let him join promising fame and fortune, then without asking them went directly to his lawyers and accountants to throw all the money in the world into Making The Band Famous. Also renaming the band in the process. RIP Satan's Night Out.

- He also changed the whole aesthetic of the band to be Vampires™. They're described as wearing rainbow silk shirts and dungarees before Lestat, and black vampire capes after. What gets sacrificed in the poser's pursuit of goth?

- He paints himself as playing from the heart, but that's only true to the extent that he's doing this to start a war and maybe die in the process. The actual art is secondary at best. Knowing the writers' modernism interest I'm really hoping for some futurism creeping in.

- On that note, the lyrics are. Well. Not very good. Many other characters recognise this.

- There's tragedy in that! Lestat as a human was borderline revolutionary! He criticised the rich, loved working in his tiny little theatre, and wanted to do good by making good art. What does vampirism take away from you? The ability to create? Or was it Magnus's wealth that removed him from his old self? Made him believe he could send a Strad to Nicki and everything would be fine?

- "Lestat, those songs of yours could wake the dead." (Not a compliment. They should be Loud.)

- The band is smoking so much weed all of the time. I don't think Alex, Larry, or Tough Cookie have any understanding of events. How does that play into the abuse of power of it all?

- We know next to nothing about the band

- Despite throwing, again, all the money in the world at this event, it's not an absurdly large concert in the end. 15,000 people is a big concert, but is it "this band's music videos play on every channel on repeat" big? Given the scale of investment, was it even really successful?

[hyenahunt]

Obbligato: The Devotion to Tatsumi Kazehaya - 13

Writer: Akira

Season: Spring, three years ago

Characters: Kaname, Tatsumi, Jun

Proofreading: Remi + 310mc (JP) & honeyspades (ENG)

Translation: Peace & hyenahunt

Tatsumi: The root of all misfortune lies in inequality and injustice. They are the root of all unhappiness. That is why they must be corrected.

[Read on my blog for the best viewing experience with Oi~ssu ♪]

Kaname: ... I feel the same as Sazanami. If the fame and shine doesn't belong to my own name, then there's no point to it.

But... Still, it seems as if "Tatsumi Kazehaya" is doing well for itself.

Maybe I should learn from it. Throw away this pride of mine and ensure success through that.

All so I can become the sparkling idol I've always dreamed of being.

Tatsumi: Haha. If you so wish, then we are able to help you in a number of ways. We offer idol practices, studies, and can even help you find work — all free of charge.

In fact, I pay everyone who comes to one of my gatherings an equal part of my own wages.

Kaname: What do you mean...?

Tatsumi: You see, I have no interest in money. All of the money that "Tatsumi Kazehaya" accumulates is thus given out in equal shares to those gathered here.

No matter how much you've done, or what you've helped with, you're given the same amount of pay as the person next to you.

Hence, I've asked them to help me with the work I've received as much as possible.

Kaname: Are you for real? You're the one paying them?

It isn't the other way around? They're only managing to catch rays of the limelight because of you, aren't they? And yet... you're paying them?

Tatsumi: That's right. I likened it to a company, didn't I? Anyone who becomes a part of "Tatsumi Kazehaya" is offered the same regular pay as everyone else within it.

It's only natural to reward those who work a reasonable sum, isn't it? I would never ask someone to do my work for free.

Such a thing would be against our doctrine— nay, against human decency itself.

Jun: Ohhh, I get it now... I see just why these guys don't care for working on their own and are perfectly content just being "Tatsumi Kazehaya's assistants.”

They can just kick back and let their earnings pour in that way. Why wouldn't they? The cash they earn through this kinda fixed income is definitely gonna be way more than whatever an idol with no accomplishments could get through independent work.

And on top of that, Kazehaya-senpai's so brilliant at what he does that his work's a huge success every single time. Thanks to that, these guys get the chance to shine while avoiding any risk of failure or injury, or of being thought of as useless.

Sure is a dream job — one fit for morons.

Kaname: And on top of that, if I'm understanding correctly, you pay those a fair wage even if they haven't worked at all?

Tatsumi: I do. We don't discriminate here, you see. All are equal.

Jun: Mmm, well, I’m not that educated so I might be wrong, but this whole arrangement'spretty much that thing, isn't it? Starts with a c and ends with ism....

Our country's a capitalist nation, so y'know, the opposite of that —

Tatsumi: There's truly no need to go that far. I only wish to treat everyone as equally and fairly as possible.

Such a world would be ideal, wouldn't you agree? I want to make it a reality.

Tatsumi: Everyone is treated equally, given the same opportunities, and is paid fairly for their work. That way, everyone is able to live a happy, fulfilling life.

The root of all misfortune lies in inequality and injustice. They are the root of all unhappiness.

That is why they must be corrected.

There is a distinct disparity between the Special and Non-Special Students here at Reimei Academy. I'm doing what I can to close it.

It doesn't matter who you are, what you are, or even where you came from: you will be treated equally. Everyone will carry the same weight, walk the same amount of steps, and reach the same destination.

Everyone finishes at the same time. Everyone will be granted the same first place result, fairly and ideally.

And that is how we'll stop needless fighting over who's won and lost, we'll cease begrudging others for what they have, and we'll share the same happiness with one another.

That is the ideal world I dream of.

To bring it even slightly closer to reality, I'm doing what I can— though at the moment, this small sphere is all I'm able to influence in such a way.

Tatsumi: One day, I will take all those who inhabit Reimei Academy, the teachers and Special Students alike, as well as those in the idol industry, in this country, in this world...

And change their ways so we may live in such an Eden.

No, it's more than that. That is my mission in life as the Voice of God, as someone born within a family who teaches His words.

I truly believe that, and so I will live by that faith.

Tatsumi: May all of God's creations be blessed. Amen.

[ ☆ ]

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[rainbowdaisy13]

To be fair, Miss Americana and the Lover Era happened during a time when she thought she's never gonna become more famous than she was at that point. Now she's on top of the world and she's using the same strategy that got her the most fame originally. Bearding heavily and the squad. Karlie's just not part of it anymore for whatever reason. In her career, when she had the most success, she wasn't that vocal about social issues or political matters. When she saw her star rising again with Folkmore and Midnights, she stayed silent on Roe vs. Wade or trans rights being taken away. She wanted to keep as much fans on board as possible and it worked because now she's here. She's in a perfect in between. Half her fanbase can think she's for Trump through those she associate herself with in the present and half thinks she's for Kamala because of her 2019-2020 Era of being an activist. She doesn't find it useful anymore to get involved in political or social matters. It'll harm, not hurt her status. Karlie might have a different moral compass, where it's important for her to adovcate for some things, regardless of criticism. Her post about abortion rights got so much hate though. That's what Taylor would risk as well if she spoke up about it. Or maybe she's pro life. Patrick is against Trump. His mom and wife Brittany are pro Trump. They can still be a happy family. Why compromise her image like that, when she still has shows remaining or people could boo her at football games? She has nothing to gain anymore from being an activist. This is a different Era for her. Billionaires will never do things out of the goodness of their heart. There's always a secondary goal there.

With Gaylors and Hetlors, it can be fun for her I suppose, to switch back and forth. Flag queer and then go back to your self place with the stunts. She probably doesn't care about Gaylors getting hate cause she thinks it's their fault for expressing their opinions so loudly. Everytime queer talk has gotten too loud, she does something that pushes Hetlors to see Gaylors as conspiracy theorists and to pile enough hate on, to shut them up. It's obvious to me she's not comfortable with queer talk about her becoming that loud. Tik Tok gaylors amplified that discourse as well. I think she enjoys to have queer themese and flagging because she's part of the community, but maybe she believes flagging should be a secret language within the community. I really don't think she enjoyed being blasted like that for her flagging and that's why she got Chely Wright to support the CNN article shaming Gaylors for being so loud about her queer themes and planted the idea that speculation is disgusting. She used to like posts about her not being comfortable with speculation back in 2014-2017 too.

Right now this NFL deal gives her PR and makes her ton of money. People have never idolized a partner of hers like they do Travis. It would be counter intuitive for her to separate from him and cut ties with the NFL. It's addictive being this famous and having so much power and she probably wants to enjoy it as much as possible without shaking the boat.

PS. This isn't to defend her in any way. They're just my thoughts on why she's continuing on with this strategy. ♥️🤍🩶💙🩵🤍🧡❤️

Good points thanks for sharing ✊🏼

[wanderingmind867]

My Take on Blue Beetle (Ted Kord):

Ted Kord is known as the Canadian Bruce Wayne. Well, maybe not explicitly by that nickname, but that is the type of character he shall be.

Ted Kord is the head of famed manufacturing company Kord Industries. Known around the world for it's research skills and for it's work in the development of new technology, everybody knows the Kord family. They're like the Rogers family, except without a monopoly on telecommunications. But based on the behavior of CEO Ted Kord, you may not always know that they're such a successful company.

Ted was always a shy boy. Early in his life, people around him began to notice just now precocious the boy was. Shy, lonely but incredibly creative and intelligent, ted was head and shoulders above his peers when it came to academics. But he never excelled socially. Ted has almost never had any friends, and his father was a cold, distant rich miser. With his mother having died when he was very young, Ted never really had anyone who cared for him in his life.

To cope with this loneliness and isolation, Ted loved to spend time alone reading. Ted fell in love with old fantasy and adventure stories, as well as with superheroes and superhero comics. Specifically, Ted loved the semi-fictional adventures of The Blue Beetle, otherwise known as archaeologist Dan Garrett. (The stories were semi-fictional because Garrett was a real archaeologist and adventurer in the 1920s and 30s, but he never had a magic scarab or secret identity as the Blue Beetle).

For Ted, these stories were an escape from his lonely life at home. They helped him deal with his cold home life and lack of friends. Ted began to dream of one day becoming a real hero, just like the Blue Beetle he fell in love with.

As Ted aged, he began to feel disillusioned by his family's work. He used to hang out with his dad's assistants and with the factory staff. He got to see how hard their lives were, and how much of their problems could be traced back to his dad. His dad hoarded money, was rude to his workers, refused to let them unionize or get raises, etc. Eventually, something explosive was going to happen. And something explosive did indeed happen.

When ted was around 19 or 20, the factory workers went on strike. Around the same time, a bunch of the key organizers of the strike began to go missing. Suspicious, ted began investigating. And what he found really shocked him. He found out that his father was hiring someone to sabotage the strikes by injuring the strike organizers. Outraged, Ted knew he had to do something. But what? And then it hit him: this was his chance. He now had a chance to become a hero, like his idol as a child.

So ted got to work designing a costume and an arsenal of weapons to help take the attack to the saboteur. And just like that, The Blue Beetle was born! He took out the saboteur and helped bring his father to justice! And now Ted Kord lives two lives. Sometimes he's Ted Kord, CEO of Kord Industries, dedicated to making amends for his father's actions. While other times he's the Blue Beetle, one of Canada's most famous Superheroes!

The Blue Beetle was one of the founders of the Justice League of Canada. Naturally so, since he's one of the most famous heroes Canada has. People even know of the Blue Beetle in America, which is shocking considering how often americans forget Canada exists. He was a natural choice to help found the team.

[ceofjohnlennon]

Hi, I'm kind of "new" to beatles lore and even though I've always listened to the music, I've never read much about the members. I couldn't help but notice that people always talk about John in a negative tone and I don't really know what exactly they're referring to when they say he's a "bad person" or something like that. I saw that you wrote this on your carrd "i condemn john lennon's mistakes", and I was wondering why exactly people think this about him? And what is your opinion on this? I loved your blog, thank you!

Hello, anony! First, welcome to the fandom. Liking the Beatles is an adventure, for sure, so focus on the good things to make this adventure as positive as possible. :) Thank you for trusting me to ask this because, I believe, it is something very delicate and any wrong comma can create a commotion lol. So let's go!

I, as a person, do not believe in "good" X "bad" people. And, as a history student, I see the contexts for judging something deeply. John himself is complex, very complex. He had a turbulent childhood and became a rebellious teenager, typical of a movie, but he grew up and achieved a fame that many dream of and few achieve. People tend to call him bad because his mistakes and flaws are as transparent as everything related to his name. John was explosive, he swore at people who shouldn't have been insulted, he was physically aggressive towards women and men, he was a meannie, he made jokes about things he shouldn't have, he had an acidic sense of humor that bordered on prejudice and, in short, things that I can explain in detail later, if you want. But the older he got, the more mature he became. He helped thousands of people with his privileges (whether with money or with the issues he started to fight for, with and without Yoko who also helped him a lot), he even gave allowances to needy people, donated to institutions for disabled children, he fed homeless people, asked for forgiveness for his mistakes and he himself said: I'm a violent man trying not to be violent and I want peace. See how complex it is? I'm not going to defend him, the mistakes WERE mistakes even with their conditions and people have the right to hate him, just as I pay a lot of attention to his successes and qualities because I believe he always wanted to be the best he could - that's why I'm his fan and I have the right to love him.

What I recommend to you is to research everything you can and have your own opinion: If you think he has crossed your limits and you don't like him, that's okay. If you see it and like him like I do, that's okay too. Just be honest with yourself, that's what John wanted from everyone, regardless of how they felt about him.

Thank you for liking my account! I love being here! Much love to you. ♡

[alarrytale]

Hi Marte,

Do you ever feel like H and L are sometimes held to different standards in the fandom, and those standards can be a bit unfair?

I’ve noticed how people react differently to Harry Styles™ and Louis Tomlinson™. Harry often gets villainized, with people saying he has full control over his career and that everything we see is his choice because he has big ambitions. Whereas with Louis, there's more empathy and understanding of his situation.

I’m not comparing their situations because their contracts differ, and obviously, BBG is more serious and frustrating than a new fake girlfriend. But sometimes it feels unfair that a part of the fandom sees Harry’s public image and actions as purely his choice and assumes he just wants money, fame, etc.

I just wish there was equal empathy for both of them.

Hi, anon!

They definitely are held to different standards, but i also think it's due to their situations being so vastly different.

I think people reacting differently and treating them differently is down to your beliefs, what you think is going on, and how you see H and L (who you think their true selves are). It's also about your own boundaries and what behaviour you can tolerate or not. Some are more sensitive to this or that. It's also very much about timing.

It's also very much about the fact that H has a more favourable image and enjoys success, while Louis doesn’t to the same degree while having to deal with being the larry denier with a shit image. In essence it's also down to people having a favourite among the two, that makes them unable to really treat them the same. I see that all the time.

I see some people give Louis more slack with stunts because he's got walls to climb to get to Harry's level. People have less tolerance for H's stunts and promo strategy, because he's already at a level where he could get away with not doing it. There really is no excuse for H's citrus fruit bike brand stunt that lasted almost a year, now is there? He doesn’t need the money and no image clause would state that he needs to bike. But he isn't half as free as people think he is. I think people are fooled into thinking so because his image is closer to the real him than Louis' is. So people have a harder time differentiating between the two with H.

They are both closeted and under contract. They both have to stunt and do things they don't want to do that fandom doesn’t like. They're both controlled by Sony. They both would be out of the closet if they could.

[ask-serendipity-sky]

I love Jungkook as much as a fan can love a celebrity but I gotta agree with your anon who said they're kind of bored of this era of Jungkook. Because I also agree with them that Jungkook is going through a period of rebellion and trying to find himself and trying to come across as more adult. And I feel like the persuit of trying to look more mature kind of showcases how immature he kind of still is. Because it seems like his idea of mature and adult is smoking and cursing and singing about sex. And I think that's a very shallow view

And that's why I just sit and laugh at people defending everything he's doing because give it 3 years and he'll be looking back and cringing. Not to say there's anything wrong with smoking and drinking and singing about sex. But this feels very performative. Like he thinks this is what he SHOULD be doing and not what comes naturally to him.

And I think this also applies to his dream of becoming the biggest pop star ever. Because why would someone who has the fame and prestige BTS has even want that? What would that grant him? The only thing I can think of is that that would make him essentially untouchable and not at the mercy of a company or a specific music market. He could do whatever he wants. And I think that "whatever he wants" is coming out as queer without the huge hit to his career. He wants to be known for his music before he becomes known for being a queer guy in BTS. It's either that or he wants even more fame and money but why?? It's already global. I guess to get out of the niche? But what's so wrong with the niche? What is the obsession with breaking into the west? Especially when he already has world wide success? I guess it might feel different solo than in a group.

This was a little rambling but I hope it made sense lol. I love Jungkook and I'll continue to love him through his growing pains like a parent with a teenager lol. But I don't have to love everything he does and I don't think that makes me a bad fan.

Hello,

I don't think you are a bad fan. You are making observations like we all do. And it's ok to not love everything an artist does.

Yeah, at that age we are all trying to figure out stuff. Your 20s are something else. And to that we add different life changes and we got the perfect mix for relabeling and figuring yourself out.

Perhaps Jk is really trying to let people know that he is not the old Jk so he's pushing harder? Since we know goofy shy Jk, our perception of him is different. But if a new fan encounters him, they won't know he is the guy with lots of emotions who gives piggy back rides to his mimi.

He will break out of the niche and be untouchable. Less criticism and judgment from people who don't compare him to his previous self. Perhaps this is all he wants? To be free.

Maybe?

Thank you for sharing your thoughts.

[modelingagenciesindehradun]

What to Look for in a Legitimate Modelling Agency

The world of fashion and entertainment is exciting, fast-paced, and full of opportunities—but it’s also filled with traps and shady characters posing as professionals. If you’re dreaming of becoming a model or helping someone break into the industry, one of the first steps is finding a trustworthy modelling agency. But what exactly makes a modelling agency legitimate? With so many options out there, how can you tell the difference between a professional agency and one that’s just out to take advantage of aspiring talent?

Let’s break it down.

A genuine modelling agency operates with professionalism, transparency, and a solid track record. Their primary role is to represent talent, connect them with real jobs, and guide them along a path that leads to growth and exposure. But it’s not always easy to identify the good ones, especially when you’re just starting out.

One of the first signs of a legitimate agency is its reputation. If a modelling agency has been around for years and has helped launch the careers of recognizable names, that's a major green flag. You don’t necessarily need an agency that works with international supermodels, but you should look for one that can show a portfolio of current and former clients who’ve booked work in the industry. Real clients, real campaigns, real results.

The next thing to look at is how they recruit new talent. A common red flag is an agency that promises instant fame or insists you pay money upfront just to be signed. A legitimate modelling agency doesn't charge you to join their roster. Instead, they invest in your potential, often recouping their costs through commissions on the jobs you book. While you may need to cover some personal expenses like headshots or portfolio updates, these are separate from the agency's business model. If someone’s demanding hundreds or thousands of dollars before you’ve even had a real conversation about your goals, run the other way.

Another indicator of a credible agency is its transparency. A legitimate modelling agency will explain how their process works. They’ll talk you through what kind of modeling jobs they represent—whether it's fashion, commercial, print, runway, or niche markets. They'll also clarify how contracts work, what the commission rates are, and what’s expected of you. There shouldn't be any confusion. If you ask questions and get vague answers or evasiveness, that’s a red flag. Visit here Safer Alternatives to Adult Modeling

You should also pay close attention to the agency’s communication style. Are they respectful? Do they respond in a timely manner? Do they seem genuinely interested in your success? A modelling agency that values its models will treat you like a professional from day one. This means providing guidance, honest feedback, and helping you develop your brand—not just trying to squeeze money out of you for classes, photoshoots, or marketing packages you don’t need.

Social media and online presence matter too. A reputable modelling agency will have a clean, professional website that highlights their models, lists their contact information, and includes examples of recent work. Check their social platforms—are they active, engaging, and showcasing their talent? Are the models they're posting also getting tagged in real jobs or campaigns? These small signs can say a lot about how serious and active an agency really is.

It’s also a good idea to ask around. The modelling industry is surprisingly small, and word travels fast. Look for reviews, testimonials, or even forums where people share their experiences. If you can, talk to models who are currently signed with the agency or have worked with them in the past. What they say about the agency’s professionalism and integrity will give you a much clearer picture than any polished website ever could.

One often overlooked but important factor is the agency’s location. Major cities like New York, London, Los Angeles, and Paris are home to some of the most established modelling agencies in the world. That said, legitimate agencies also exist in smaller markets. Just make sure the agency is well-connected within the industry, and that they have relationships with real clients, casting directors, and brands.

When meeting with a modelling agency, don’t let excitement cloud your judgment. It’s easy to feel starry-eyed when someone shows interest in your potential, but this is a business relationship—and it should be treated like one. Take the time to read contracts carefully, ask for clarification, and don’t be afraid to walk away if something doesn’t feel right. The right agency will never pressure you into signing on the spot.

Finally, trust your gut. You’re going to be spending a lot of time working with your agency, and your relationship should be built on mutual respect and trust. If something feels off—even if you can’t quite put your finger on it—listen to that instinct. Your safety, time, and career are worth protecting.

Choosing the right modelling agency can open doors and launch a successful career, but the wrong one can set you back or damage your reputation before you’ve even started. That’s why doing your homework, staying informed, and being cautious is absolutely essential.

Remember, the right modelling agency sees you as more than just a face. They recognize your unique potential and work alongside you to help bring that potential to life. Whether you're aiming for the runway, commercial shoots, or something in between, a trusted agency will guide you there with integrity, professionalism, and real opportunities.

So take your time, ask the hard questions, and make sure you're partnering with someone who truly believes in you. The journey may not be easy, but with the right support, it can be incredibly rewarding

[povsecretblog]

I wonder what K does with all that sponsorship money. She lives her whole life for free with the advertisements she gets thanks to her father, Max and the fame Max brings her. She stays for free. The house, a car, a private jet, a yacht, they are all Max's. This woman must have saved a fortune from living for free / I agree with Pov here, the only thing we can see regularly on her main is ads for Alo. She doesn’t have any other collabs as far as I know, apart from this magnesium powder, which was a total disaster. And Alo sends their items to bunch of semi famous people ( like Charles’s brother fiancée), I don’t know how profitable it could be. Not to mention MG is not as famous as she would like to be, and her numbers are not so good (like 1.8 followers and such small amount of comments/likes? Kinda suspicious, don’t you think?). As for other things they are probably sponsored by Max and Danil (regarding the child support obviously). And there is one funny thing, as far as we know, she doesn’t use Max’s jet by herself. I really believe that if not for Max, she would be basically a noname, just like during her time with Danil. And it is upsetting because she and the demon clan have such catastrophic influence on Max image.//

I'm curious about how much money K actually does make. She likes to give off the impression that she's an independent working woman who's also a single mom...and yet what does she do to make a living? Because I somehow feel like she may actually end up spending more money than she probably earns all for the sake of keeping up appearances or she uses whatever money she gets from M & D.

She's lucky that M is rich enough to basically provide all these luxuries for her where she doesn't need to spend money on anything except for clothes, makeup, skin care and cosmetic procedures - and even then, maybe he provides her with the money for those.

I always found it interesting how she never flies on M's jet without him. With how often she travels, you'd think that he'd let her use the jet at some point...But I guess not lol Somehow, I doubt he'd let her use his yacht either. At least M lets her drive his car, though I don't think she is allowed to drive all of them. Which probably means that if they were to ever split, he'd ensure that she wouldn't get to claim any ownership over any of those assets either because they're most likely in his name only.

I really hope all his assets and properties are in his name.As for money, I don't think she probably makes more than most normal people. Yes, influencers and models can make you a lot of money, but only if you're successful. There's hardly any proper collaboration. Most of the invitations she goes to are because she's a regular customer of that brand and spends a lot of money. I don't think the money she makes would help her make a living in Monaco or anywhere else.

[lunarsilkscreen]

But They tried!

"But Melin!" You're saying. "Ninja Tried to start up a new platform!"

What is Ninja's content? It's no different from any other gaming streamer out there. I hate to say this about him, since I don't know or care about him; His fame and success are directly tied with skill at shooter-games.

There's nothing else he has going for him. IMO.

And that's where a twitch clone platform failed. He was successful, in that he got paid a lot for signing on to the new platform. That has nothing to do with what a streaming platform can be.

What do business gurus say? "You got think how nobody else is thinking, you have to do what nobody else is doing, and you have to make content nobody else is making." But you gotta take the pay day if they're just gonna give you free money.

So what did Kick do that Twitch did not? They tried to do what every gaming team had done in the competitive gaming space. They tried to stack their deck with the highest rated players they could, and that failed ,because the content wasn't anything new or different.

You could, after all, watch the competitions in every other space.

Like trying to compete with SportsCenter with Lebron James and Tom Brady. You're not doing anything differently, you're just throwing money at it and trying to compete in established space.

Meanwhile, commentary was already being done by streamers people actually wanted commentary from. (Still don't know who Ninja is.)

Ironically, that's why a lot of tech start-ups fail. It's the exact reason tech start-ups fail, and why tech-bros are looked at as unbankable, and untrustworthy. And why the tech Sector looks "uninvestable".

Because they literally have no imagination, nor ability to think outside of the box. They're only trying to make what is already made, but better. Except, they can't make it better, because they're poaching whom is already the top paid individuals.

Which is exactly the same.

After-all, people only care about competitive sports players while they're competing. People can only handle so many vtubers reciting the same exact script. And there can only be so many half-naked trans philosophers.

I've already floated my ideas on the evolution of the space, as well as ideas to draw attention to new platforms, but those can't propagate until there's de-inflation.

Because the people that are supposed to be worth money, on the hook for paying back the loans... They are all Bankman-Fried's. "Good breeding stock" which is cattle-rancher for family. Had an established career, decided to get into Crypto at exactly the wrong time, and obviously didn't know s* about Crypto *except* that he could hire a bunch of public figures to try to build a brand by throwing cash at it.

And they still don't know s* about the tech Sector, do they?

Nor do they know how entertainment and tech fit together. To the Bane of every former High School AV kid.

Another group threw a bunch of money at Benedict Cumberbatch in an effort to entice people to play *that game that Cumberbatch plays*. Odds are it'll be a novelty, which'll wear-off real soon. No notes on the sticking power of the game itself. Probably enough to penetrate the *suave* new iPhone owner market who doesn't play video games that much.

What did they say about the post-laggards? You'll never convince them to adopt unless they've no other choice?

Good for a quick pay day--how did Mulaney phrase it? "Tell me a better way to make 15,000$ only spending 30,000$" (Sorry. Not Sorry. It's the best way to describe the same kinda energy going on here.)

They haven't tried. They've only tried recreating saturated spaces, that cannot grow as fast as you can throw money at something.

Watch the Twitter knock-offs. They're actually growing at a sustainable rate, aren't they? Not fast, but not falling apart. Actually thinking differently, andal about usability.