#they can't be bad people!!

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[palarien]

sketched this out at jury duty actually

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[uncanny-tranny]

Fat people deserve mobility aids, too. No matter if it's connected to their fatness or not, because having a mobility issue that is connected to one's fatness won't change that they're still fat and still have the issue at hand. Fat people don't deserve to "tough it out" because fatness should be this divine punishment doled out to those who "deserve" it. Fat disabled people deserve to have the peace of mind that they can exist in whatever way is most comfortable and accessible to them

[tarvalian]

XII - The Hanged Man, Upright: surrender, sacrifice, faith, perspective

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[flwrkid14]

Bruce shares custody of Tim with Harley Quinn

Yeah, you read that right. Gotham’s broodiest billionaire vigilante and the queen of chaotic energy are co-parenting Tim Drake. And, somehow, that’s not even the weirdest thing that's happened to the bats this year.

Why? Two words: Joker Junior.

The details are locked down tighter than the Batcave, but here’s what everyone knows (or guesses): Joker broke Tim in ways none of them can fathom. He didn’t just try to kill him—he tried to make Tim like him. And while Tim clawed his way back from the brink, he didn’t do it alone. Harley was there.

She was part of the nightmare. And then, unexpectedly, she was part of the healing. She stepped in, helped Tim survive when Joker was doing his worst. When it was all over, when Joker was (temporarily) gone, she didn’t vanish into Gotham’s chaos. She stayed.

And somehow, somewhere along the way, Tim started calling her “Mom.”

And Bruce didn’t stop him.

Cue the Batfamily losing their collective minds.

Dick is pacing the Batcave, gesturing wildly. “Bruce, this is Harley Quinn we’re talking about! You don’t just co-parent with a rogue! There are laws against this! Or, like, there should be!”

Jason is sitting on the Batmobile, arms crossed, voice dripping with disbelief. “She’s literally a former rogue. She tried to kill you! Like, more than once. This is insane, even for you.”

Steph is perched on the edge of a desk, trying (and failing) not to laugh. “Okay, but, like, can you blame Tim? Harley does make amazing pancakes. Better than Alfred’s, honestly—”

A scandalized gasp echoes from the other side of the room.

Cass just watches quietly, her head tilted, but there’s a small, knowing smile on her face. She gets it. She’s seen the way Tim softens around Harley, how he relaxes in a way he doesn’t around anyone else.

Damian glares at Bruce like he’s lost his last shred of common sense. “Father, you have truly surpassed yourself. Allowing that woman into the sanctity of our home—”

Duke raises a hand cautiously. “Okay, but can we at least talk about how Tim basically has diplomatic immunity now? No rogue in Gotham is gonna mess with him. He’s Harley’s kid!”

And it’s true. Between Harley’s reputation and Poison Ivy stepping in as Tim’s unofficial stepmom (because of course she and Harley got back together), the rogues have adopted a weird kind of reverence for him. Tim’s no longer just a bat to them—he’s Harley’s kid.

Picture this: Tim’s out on patrol, and Riddler has the gall to interrupt with a riddle—only to end it with, “You’re sharper than I thought, kid. Guess Harley taught you well, huh?” before disappearing into the night.

Harley’s brand of parenting is chaotic but deeply personal. She knows Tim’s tells, the way his hands shake when he’s overwhelmed or the too-quiet moments when he’s retreating into himself. She’s the one who sits cross-legged on the floor with him, working on puzzles and cracking jokes until the tension lifts.

She carries extra band-aids in her purse because “Ya never know when a fight with some thug is gonna leave ya with a paper cut!” She also leaves sticky notes on his projects with scribbled messages like “You’re a genius, baby boy!” or “Don’t forget snacks!” They’re goofy, sure, but they make Tim smile when he needs it most. She keeps a stash of snacks in the Manor because Tim forgets to eat when he’s working. She shows up with pancakes at 3 a.m., douses everything in syrup, and calls him “baby boy” in that soft tone that makes Tim feel… safe.

Even Harley’s chaos has an odd kind of comfort to it. She’ll burst into the Manor unannounced, dragging Tim into impromptu “self-care parties” with face masks, bad rom-coms, and every flavor of ice cream imaginable. Somehow, it works.

Ivy, on the other hand, balances Harley’s energy with her own structured nurturing. She insists on “proper nutrition” and occasionally sends Tim home with meal prep containers filled with organic, eco-friendly food labeled things like “Stress-Busting Smoothie” or “Brain-Boosting Soup.” If Bruce raises an eyebrow at it, Ivy simply reminds him that “The human body can only fight crime properly with the right fuel, Bats.”

One time, she cornered Bruce in the greenhouse, pointing an accusatory finger. “If you send Tim out on patrol without a proper meal or at least six hours of sleep, I swear, Bruce, your rose garden is compost.”

And while Harley is the queen of hugs and chaos, Ivy is the one who sits with Tim on the porch at night, talking softly about resilience and regrowth, using plant metaphors Tim pretends not to understand but secretly finds comforting. Once, after a particularly bad night, she gifted him a small cactus with a note: “Even when it feels like the world is trying to tear you apart, you’re stronger than you think. Also, low maintenance, like you.”

Bruce knows the family doesn’t fully understand. But as he watches Harley teaching Tim how to make lasagna one night, the two of them laughing as the kitchen turns into a war zone of flour and tomato sauce, he doesn’t regret it.

Sometimes family doesn’t look like you think it will. Sometimes it’s stitched together from the most unexpected pieces.

And sometimes, it’s an ex-rogue, a traumatized teen, and a brooding billionaire all trying to figure out how to keep the lasagna from burning.

Welcome to Gotham.

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[theabigailthorn]

"Good" Acting

i have a theory that a lot of people say acting is "good" when they're emotionally moved by it, and a lot of cishet white people have a lifelong habit of not listening or empathising when minoritised people speak, so minority actors get called "bad" even when they display some pretty fucking amazing technical skill

[refinedpet]

Hey, trans girls!

Yeah, I'm talking to you

Practice advocating for yourself NOW

I don't care if you're not out yet, it doesn't have to be about trans stuff.

But please please please start practicing asking people for things. Start speaking up when someone says something you don't like. If something doesn't work for you SAY IT instead of just letting it happen.

Yes, it will be hard, but the sooner you start doing it, the better

You can start now and make progress, because even stuff as simple as "I don't like being called dude", "no tomato on my burger please", "I appreciate the thought but I don't like this shirt"

ANYTHING

Because once you get to the point where you really need to start saying "Hey my name is actually *Blank*" or "Oh I use She/Her, I don't like getting they/them'd"

That practice will help so much. Because unfortunately you can't just "wait until the hormones have taken effect so I just look like a girl and then they'll just do it"

Some people will, sure, but alot of family and friends, even if they're not being malicious and are supportive, won't think things have to change.

You will have to tell people important to you that things have changed and they need to treat you differently. You will have to tell people who are basically strangers how you want to be treated.

So start now, practice taking up space

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[idolomantises]

Just a random question to my artist followers: does anyone enjoy posting their stuff on tiktok? I can't tell if its just a me thing or if that app and its userbase are the most obnoxious compared to other social media

[probadbatch]

Echo is the last person in the galaxy who's going to let you get away with that excuse

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[collophora]

Do yourself a favor and go read the entire fanfic work of @fanfoolishness

(In order: Under sun and shade, Blind Side, and Breathless (patching up is one of my fav too, I just had no cool sketch idea for it)