#they both choose death over life and also life over death.

[mikiemcsmitty]

Omori x Owl House Crossover AU

The Azura AU follows the events of the game Omori but with the characters and backstories of the characters from The Owl House.

(TLDR: Luz is Sunny, Azura is Omori, Hunter is Mari, Vee is Aubrey, Gus is Kel, Willow is Hero, Amity is Basil)

Luz/Azura:

After Hunter's death, the rest of her friends travel to the boiling isles to stop Belos from taking over their home. Luz stays true to her word and never returns to the demon realm out of guilt choosing instead to live out her life in the human realm. After her friends save the boiling isles Luz cuts contact with them and shuts herself off from the world. She stops going to school and spends all day sleeping the grief away until she starts to forget things from her life. She doesn’t even talk to Vee who lives in the same house as her. During the main storyline, it’s been 3 years since Hunter's death and Luz is given 3 days before her mom sells the house and moves her and Vee out of Gravesfield. Luz is approached by Gus on the morning of each day to hang out before she moves away for good.

Azura presents as a child-aged version of Luz but acts as a gatekeeper of her deep guilt and trauma. Azura lives in Headspace a place where Luz can escape in her dreams and live out a perfect world full of magic and play. Unlike Omori, Azura is very talkative and outgoing in headspace choosing to lead her friends in all of their day-to-day adventures. During the main storyline, Azura is faced with a mysterious but oddly familiar cryptid in headspace known as “Stranger” that seems to keep her at arm's length.

Hunter/Something:

In the real world, Hunter died during the events of For The Future. After being possessed by Belos and trying to fight back Hunter jumps into a lake and drowns. An injured Flapjack tries to save him but isn’t successful and the both of them disintegrate into floating light. All of Hunter's friends are grief-stricken after this event but Luz specifically blames herself for her involvement with Belos and the fact that she followed Hunter into the forest that day. 3 years later after Luz has suppressed the memory of these events she still finds herself haunted by the hallucinations of what Hunter looks like after he died. This hallucination is known to her as “something” and can be seen behind her when she looks in the mirror.

In Headspace Hunter acts as a safe place for Azura and her friends to wind down and have a picnic. He never joins their adventures and is instead always found nearby safely in the company of flapjack and a full picnic basket. He also gives Azura tons of brotherly advice as she traverses Headspace with her friends healing with things such as getting over fears and managing tasks. The main task Azura and her friends need help remembering is their quest to find Amity who’s gone missing during the main story.

Amity/Stranger:

On the night of Hunter’s death, Amity is the only one who finds out the truth about Luz’s involvement with Belos. Because of her love for Luz, she doesn’t blame Luz at all. The rest of the group all assumed Hunter drowned himself during his possession but since Amity knows about Luz’s guilt she became dilutional in an attempt to justify Luz’s actions. She claims that Luz is a good witch who wouldn’t do something like help Belos. Her Delusions are that “Something” helped Belos and not Luz. The version of something that haunts Amity in her day-to-day life however is not the same something that haunts Luz. After Luz locks herself away amity never got closure about the status of their relationship so She was never able to truly move on. Despite this, she chose to keep Luz’s secret with all of her willpower.

Amity’s presence in Headspace is different from that of the others. She acts as a holder of memories for Luz; because, of the diary she keeps because of this Azura tries to get rid of Amity in order to protect Luz from grief. During the main storyline, the group visits Amity and reminisces on old memories from her diary. Amity ends up seeing an unsettling entry that she doesn’t remember writing that involves Hunter’s death. This shocks her and begins her transformation into a stranger that no one remembers similar to Basil in Omori.

Since headspace is supposed to be a perfect place for Luz to forget about her problems having Amity around as a memory keeper wasn’t an option so she became a “Stranger” to the group. Stranger hinds not only within headspace but within Blackspace a deeper version of headspace where stranger will run and hide from Azura in an attempt to keep her away. Once Azura catches Stranger only then can Luz finally remember the truth about what happened to Hunter.

Vee:

After Hunter’s death, Vee wasn’t ready to go back to the Boiling Isles with the rest of the group and stayed behind with Luz in the human realm. After Luz shuts her out Vee is left to grieve Hunter in her own way. She looked up to Hunter and although they didn’t know each other for that long she considered Lus a sister and Luz considered Hunter a brother so she also thought of Hunter as an older brother figure. She takes the loss hard and ends up falling out of touch with the rest of the group. She starts hanging out with Marsha at first but after a while, she starts falling into the wrong crowd and taking her anger and grief out of the people around her similar to Aubrey from Omori. She especially gives Amity a hard time because she blames her for not being there for Luz and getting her to open up.

In headspace, Vee is as happy and playful as ever always following Azura around and going on adventures, and being helpful. During the main story, Vee is all for helping Azura find Amity until she starts to forget who Amity is over time the longer they go without finding her.

Willow:

Willow was a wreck after the incident. She had very strong romantic feelings for Hunter so his death left her very hurt especially since she was left to assume he died from suicide and not from the possession. She still cared deeply about every one of her old friends but she distanced herself from them for the sake of her own mental health. Gus was the only one who she still let in and even then Gus wasn’t in the know about just how deep her grief ran. She has mostly stayed in the demon realm since Hunter died in the human realm. She only returns to visit Gus when he wants her to hang out. During the events of the main storyline, she comes back to visit Gus and helps him try to reach out to Luz and reconnect with Vee before they have to move away.

In Headspace Willow acts similar to the others in the group by joyfully going on adventures and practicing magic. Her and Gus are often playfully making fun of each other and interacting with each other. Willow was the last one to fully forget who Amity was while they were still looking for her. In Headspace she often takes on a caring roll for the others in the group similar to Hiro in Omori.

Gus:

In the years after the incident Gus chose to try to find the joy in life and live in a way that he believed would honor Hunter by continuing his studies of wild magic and the human realm. He tried to keep in touch with all of his old friends as best as he could but Willow was the only one he still had regular contact with. In the events of the main story, Gus visits Luz’s house and tries to get her to come out of the house as well as trying to get Vee to forgive Amity and stop picking on her similar to Kel in Omori.

In Headspace Gus acts similar to the others in the group by joyfully going on adventures and practicing magic. He and Willow are often playfully making fun of each other and interacting with each other similar to how Kel and Hiro interact in Omori. Gus was the first to start forgetting who Amity was while they were still looking for her often questioning how exactly he knew Amity and why they were friends.

[howtodrawyourdragon]

Been thinking a lot as of late about the fandom take that Hiccup actually should hold a grudge against his village for the way he was treated. This is the "hold a grudge" website, so I'm not surprised and neither is this post about telling you that you're wrong to feel this way. If I was raised the way Hiccup was, outcasted to the point that I start to make friends with the enemy, I would be angry, too!

But holding a grudge just isn't in Hiccup's nature. And I think there is no bigger proof than his incredibly deep bond with Toothless.

Because even ignoring Httyd 2 for a moment, the first movie also hints at Valka dying to dragons.

The dragon raids are the only mentioned outside threat before they learn about the Red Death. And with Stoick gifting Hiccup a helmet made of his mother's breast plate (which are not supposed to be boob-shaped, believe it or not) when he thinks his son does surprisingly well in dragon training, that could be another one of those hints.

Hiccup will be facing dragons after training instead of being hidden in the forge for his own safety (while helping to contribute like the other teens) so it makes sense to me that Valka's death was always meant to be at the claws of dragons and Stoick is trying to prevent that now that it's become a reality that Hiccup might actually face dragons in the very near future.

There is no other threat spoken about in the first movie. Hiccup's mother was always killed by dragons. She's missing from his life because Toothless' kind took him away from her. If Hiccup were to be angry at his village for the way he was treated, he should also be angry at dragons for taking away the one person who could've been unconditionally on his side. Like mothers are supposed to be.

But Hiccup isn't angry at dragons. As a matter of fact, when he gets up close to one, has one completely at his mercy, he doesn't hate Toothless. And this is before he even realizes that there's more to them than fire breathing, home-destroying, food-stealing, man-eating creatures from Hell.

Instead of being angry, he sees Toothless for who he is. A living being just as complex as he is. Capable of fear, of curiosity, of forgiveness, of remorse, of love. And Hiccup wasn't kept from seeing this because anger for having his mother taken from him didn't blind him.

The same can be said about Mildew, who gets the dragons in trouble again and again. But at the end of RoB, Hiccup still decides to put his trust in him to get them both (and Toothless) home.

And Dagur, who started a whole war over being betrayed by Hiccup, which gives him a grudge for three whole years that leaves him filled with revenge until Viggo gives him a sudden change of perspective that leads to months of introspection. It takes a little while, but Hiccup doesn't just accept him as a friend, but accepts Dagur's offer to be found brothers.

He should hold a grudge against Heather. Who played on his kindness to get Alvin the Book of Dragons and then seemingly played him again in RttE, when he lets her stay on Dragon's Edge and the very next time they see her, she's working for the Hunters. Who come into their lives by leaving Astrid to die stranded in the middle of the ocean and abducting Stormfly. With only Astrid learning that Heather is actually spying on them with Hiccup not learning about this fact until much later. (Something very clearly hurts him, but even being left out of the loop he forgives Astrid and Heather for.)

Alvin canonically held Hiccup and Toothless captive for days, barely giving Toothless any food or water. Hiccup literally states that in the first episode of DoB.

And while they don't show it in the show itself, in the very first episode afterwards, Hiccup is trying to prepare his 14 and 15 year old friends for interrogation. Clearly something in that two-parter spooked him enough to do something as drastic as this.

But at the end of DoB, Hiccup still chooses trust Alvin to help rescue Stoick and get Outcast Island back from Dagur. An alliance was forged. One strong enough that when Stoick gets gravely injured in RttE, Alvin can be trusted to come in and help out around Berk.

The closest Hiccup comes to holding a grudge is with Viggo. The first person to ever make Hiccup feel like an idiot, make him feel frustrated that he can't get immediately out on top like he did with all his previous villains. He spends literal months trying to find Viggo just to get back at him, dragging all his friends and his dragons down with him. But even that doesn't last.

Not with both Dagur as well as Stoick advising him against harboring feelings of vengeance. Dagur warns Hiccup against how the need for vengeance can change a person. Stoick warns Hiccup that revenge can lead to an endless cycle of violence, explicitly telling his son that he's telling him this out of experience. They don't want Hiccup to be lead astray and hurt by holding and acting on grudges.

There is the potential for Drago, which the comics did try to get into until a certain comic got cancelled and left us with that story unresolved. For newer fans who don't yet know this; Hiccup was actually meant to experience a downward spiral in the comics that take place after Httyd 2. Except the comic that would've concluded this storyline got canceled around the time of THW's release. Probably because THW confirms that Drago is dead while the canceled comic actually had Hiccup face Drago again, the man in hiding after his defeat. Release The Fire Tides!

This entire post just to say... A grudge would've been justified, but Hiccup just doesn't have it in him to hold onto one. Certainly not forever.

[kurukufute]

Sabnock Sabro

Sabro Sabnock second son of Sabzan Sabnock and member of the misfits class. A man that desires to be the coolest man in the world the demon king and has worked constantly his whole life to achieve this goal.

When we first(properly) meet this brazen and boisterous character he is impaled with various types of weapons all over his body which he quickly expells from his form. Our(my) first impression of him is of some mindless meat head who believes everything can be solved with his fists and presence alone. He ignores the warnings given to him by his teacher because he believed that was cooler thing to do, that's what the demon king would have done. But was we know that's not how it played out. His injuries vast, wings unusable, failure and death inevitable. Until Iruma intervenes.

Instead of continuing in his attack we see him take influence from Iruma. He lays his weapon instead of continuing to attract on the guardian of the valley pur Iruma's request and for probably the first time he surrenders. After this incident while sitting in the time out square being pelted with pebbles(softly) Sabro reflects on what had happened and what he witnessed. He decides to apologize to Iruma for his misjudged assumptions of him and from then on declares him his rival. From that point forward we see Sabro's point of view shifted, we see how he takes those lesson to heart and how he then also use the advice he received to give to others later on.

In the rookie hunt he goes to the Demon King Battler room under the impression that the club was to build one's physical aptitude which was not the case. The club instead is a group of historians who collect books, scrolls and all sorts of other media from all around the netherworld especially if they contain information on the demon kings past. As we see he desires to stay and be a very committed member of this battler.

His choice to apologize for his past action of attacking Professor Buer Blushenko. Showing how he's taken what he has learned from his interactions with his rival Iruma. Gaining the professor's respect and stamp.

In the Walter incident we continue to see how what he has learned affects what he does. When he and Asmodeus are fitting against the magical beast. Asmodeus gets distracted and he almost dies because of it. Almost, Sabro steps in shielding Asmodeus both with a shield and his own body(injuring his wings again in the process). He asked Asmodeus why he's fitting, what is his ambition? If he truly believes that they should just keep fighting a battlethey cannot win themselves. Because he does, he does know why he's doing what he's doing and he believes that to continue he and they have to retreat. Someone currently stronger than them would take care of it. Of course they do retreat and someone stronger does take care of it.

He is reliable, loyal observant and even kind. Throughout the streets he continues to be stead fast in his desire. We see that he threw his own judgment does not believe his own uncle(Baal) a man he holds in high regard on his opinion on Iruma's character. By his experience he knows what his rival his friend is like. His rival is not one who with push ahead without anyone by his side. Instead he'll pull those who are close to him and anyone who chooses to follow him up with him.

All I want to say with this that despite him not being my favorite character I love and value him a great deal. His writing of person is something I appreciate a whole lot. Especially since most rival characters usually do fall for the twisted words of a very respected person in their life. He also gives me a sense of comfort and question (insert like father like son rant here).

[finelythreadedsky]

achilles choosing between living on through nostos and living on through kleos vs odysseus choosing between literally living forever and living on through both kleos and nostos. thinking this through.

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[priisakilljoy]

They gave her a choice. She choose.

INTERVIEW WITH THE VAMPIRE (2022 - ) I I Could Not Prevent It

[nunyabznsbabes]

Katniss is like Lucy Gray this, Katniss is like Sejanus that, and yes fine that's all good and true and lovely but Katniss Everdeen is also a direct parallel to Coriolanus Snow and people NEED to start talking about this because it's driving me crazy.

Think about it: they both grew up poor and deeply vulnerable, losing parents at a very young age, with a matriarchal adult (Katniss' mother and Coriolanus' Grandma'am) who fails to provide for them emotionally and physically. They intimately understand the threat of starvation, even developing with stunted growth because of it, and their narrations in the books share a fixation on food. Throughout their childhoods, both experienced constant fear and suffered a fundamental lack of control over their circumstances. Because of this, they're inherently suspicious of the people around them. They resent feeling indebted to others, especially those who have saved their lives. They're motivated almost entirely by family and deeply connected to their communities. Both are used and manipulated by the Capitol, both are forced to perform to survive and despise every inch of it, both are thrown into the Arena and made to kill. Both have a self-sacrificial, genuinely sweet sister figure acting as their conscience. Peeta and Lucy Gray - performers and love interests with a fundamental kindness and sense of hope about them - fulfill markedly similar roles in their narrative. Both contribute to the development of the future Hunger Games, Snow throughout tbosas and Katniss towards the end of Mockingjay.

It's easy to ignore these similarities because, as mirrors of each other, they are exact opposites. Katniss is from District 12, viewed and treated as less than human; Snow is the cream of the Capitol crop, given the privilege of a name with social weight, an ancestral home, and the opportunity of the Academy despite having no more money than a miner from 12. Katniss has no agency over her life, and responds by being kind whenever she's able, while Snow justifies horrendous evils in order to continue his quest for complete control. Katniss does everything she can to protect her family; Snow does everything he can to protect his family's image as an extension of his own ego. Katniss loves her District and connects with its inhabitants on a meaningful level, but Snow is indifferent at best to his peers - the apparent "superior people" - and only engages with his community for personal gain. Katniss emerges from the Arena horrified at herself and the system, but Snow takes his trauma and turns it into an excuse to perpetuate the violence with himself at the top. Katniss cares for Prim until her death and then snaps at the loss of her little sister, while Snow survives on Tigris' blood, sweat, and tears and then torments and abandons her, presumably because she calls him out on his insanity. Snow actively adds to and popularizes the Hunger Games because of his vendetta against the Districts following his childhood wartime trauma - Katniss briefly agrees to a new Hunger Games in the pursuit of vengeance, but later stops them from happening by killing Coin and choosing a life of peace and privacy. Snow is obsessed with revenge, but Katniss empathizes with the Capitolites and does what she can to keep them from suffering. He exists in a cruel system and selfishly upholds it; she exists in a cruel system and works to dismantle it for the good of her family and community, at great personal cost. And Peeta and Lucy Gray are incredibly similar, but Katniss and Peeta forge a relationship of genuine love and understanding that shines in comparison to Coriolanus' obsessive projection onto Lucy Gray.

So, yeah, Katniss is Lucy Gray haunting Coriolanus. But I bet you anything that eighty-something year old President Snow looks at her, the girl on fire, bright and young and brilliant, emerging from a childhood of starvation with a relentless hunger for success, a talented and charming performer helping her win the Games, and he sees the ghost of his own past. And that's why he's so afraid of her! Because if he sees himself in her, then he's up against his own cunning, his own talent for manipulation, his own charisma, his own genius. He's up against the version of himself that he once wished to be, with the nightmare army of his childhood at her back and her star-crossed lover at her side, spewing Sejanus' truths in his own voice. This isn't to say that Katniss ever achieved the level of power and agency that Coriolanus did during her time with the rebellion, but it is to say that Snow was taken down by what truly terrified him - his own morality, come to finish the job.

[hylemorph]

Spoilers: Eggers' Nosferatu

There's a lot of debate right now on if Count Orlok represents Ellen's shame/trauma/abuse, or if he represents her repressed erotic desires, and in turn there's debate on whether or not viewers who find the Ellen/Orlok dynamic alluring are "missing the point." Eggers and Lily-Rose Depp have both said in interviews that there's a mutual pull between Ellen and Orlok, and even that there's a love triangle element, but obviously the experience is terrifying for Ellen. How can we reconcile the sexual tension and the horror?

I think the broader theme is that Orlok represents everything in a woman's inner world that men refuse to acknowledge and accept - fear and shame and trauma, yes, but also our appetites . After the prologue, the story starts with Ellen begging Thomas to stay in bed with her; she says "the honeymoon was yet too short" and tries to pull him in and kiss him (obviously trying to start some nuptial bliss). But Thomas is anxious to meet with his boss and get his promotion, because he has a narrative he's going to fulfill: he's going to pay Friedrich back, buy a house, and then start having kids (he and Friedrich touch on this a bit later. Notably, Friedrich discloses Anna's pregnancy to Thomas before Anna has made it public.)

It's the start of Ellen and Thomas' married life and she just wants him to prioritize her sexual desire, but he chooses to focus on his ideal of success, which sets him on this path to confronting Orlok. We know Ellen doesn't care about having a house or fine things and she begs him not to go, but Thomas listens to Herr Knock and Friedrich, who tell him that as a husband he has to provide materially. He ignores Ellen's stated desires, and so fails to provide sexually and emotionally. When Thomas gaslights her about her nightmares and calls them childish fancies, he shuts down her vulnerability, which kills the intimacy she was enjoying in the literal honeymoon phase.

On a related note, there's a defence in here for Aaron Taylor Johnson's performance, which I've seen a few male critics call "over acting." In this story Friedrich represents the masculine ideal of the time, he's a rich business owner with a beautiful wife and kids. Thomas clearly looks up to him and wants to emulate him - he wants to give Ellen the life "she deserves." But Friedrich's elevated masculine status is why he refuses to listen to Ellen's "hysterical, sentimental" worries, he's too rational for all that of course. And his stubborn "rationality" leads to the death of his entire family. Friedrich IS the patriarchal ideal that crumbles when confronted with nuance and uncertainty. Some people see Friedrich and assume that a character like him is meant to come across as dignified, and that Aaron Taylor Johnson is messing up by making him look annoying, but really he is giving a great portrayal of a really common, annoying kind of guy. The kind of guy who melts down and has childish tantrums whenever they lose control of a situation, or their manly skills and values are shown to be irrelevant.

The men in the movie (excluding Professor von Franz) frame Ellen as childish for speaking about her dreams candidly, but their own childishness is revealed when her dreams manifest in the form of Orlok and become unavoidable. Ellen (partially? possessed in the moment by Orlok) tells Thomas how "foolish and like a child" he was in Orlok's castle. In the literal context that's cruel, and obviously that shit was scary as hell, but it hits on Thomas' failure in the metaphorical reading. He was a child playing house: 'I'll be the husband and make money, you be the wife and make babies.' When it came time to confront his wife's inner world and all the scary, traumatized, lustful complexity of it, he was completely inept. The message isn't that Orlok is what Ellen really needs, or that Thomas is a wimp, but he's not a perfect husband either. I think "the point" is that a real healthy marriage with sexual, emotional, and spiritual mutuality is impossible in that society with Thomas/Friedrich's ideals. In that kind of society, a spiritually and sexually potent woman like Ellen ("in heathen times you might have been a Priestess of Isis") will always be caught in a "love triangle" with her husband and her own inner world.

[gay-dorito-dust]

I have been binging your work!

I don't know if this breaks your trauma rule or not, but (with the guys of your choosing as long as Ratio is there) how would the guys react to losing reader (they haven't confessed feelings yet) during a mission and thinking they died. Then, the reader reappears a week later bandaged up, but alive. Maybe spouts their confession first? ˘͈ᵕ˘͈

I adore your writing. Thank you!

This is way too fucking long, so be warned. It’s like I rammed 4 mini stories in one but got lost at some point cuz I left this ask to collect dust. Also thanks for enjoying my writing it’s much appreciated. :) 🦦🐿️

Sunday:

The moment he got news that you’ve been assumed dead in the aftermath of a dangerous mission, he looses composure really quickly.

Loosing Robin was one thing but loosing you on top of that was the straw that broke the camels back.

He originally doesn’t believe that you were gone, he refuses to as he practically tears his office to shreds in a fit of anger and grief before forcing himself to regain composure and clean up after his outburst. He needed to in order to keep up the illusion that he was the levelheaded leader The Family needed in these moments of chaos and mistrust.

Even if he himself was breaking down internally alongside everyone else, hellbent on finding the culprit for your death and punishing them so severely that they’d beg for death. He’d avenge you in anyway he could, even if it meant sending out the bloodhound family on a wild goose chase that only ends in dead ends, he would get you justice no matter how it may come.

His heart had died alongside you that day.

So when a week passes and he finally has you back in his arms, all the while being carful with your wounds as his eyes searched you over in a way you weren’t use to.

‘You’re alive.’ He breathes out in relief as he then begins to laugh and rest his head against yours, breathing you in deeply as he relishes in this long awaited moment. ‘Of course you’re alive.’ He mutters.

‘Sunday,’ you began but Sunday was quite to cut you off.

‘Do you know how I felt thinking you were dead? Driving myself insane to prove that you were still alive anyway I could as not to bear the idea of walking through this life without the one person I love so dearly.’ Sunday takes a brief pauses in his monologue, feeling out of breath after having put everything out into the open before continuing. ‘I thought my heart had stopped beating that day and now I have you bad in my arms.’ Sunday then chuckles darkly as he gripped you tighter. ‘I’ll ensure that I’d never have to revisit that part of my life ever again.’

‘Sunday-‘

‘Shhh.’ Sunday cuts you off once more, pressing a kiss to your forehead as he holds you close to his chest, rubbing your back soothingly. ‘Just know that what I do after this, I do out of my love for you.’ He says against your forehead before pressing another kiss there for good measure.

Jing yuan:

Loss wasn’t new to Jing Yuan.

He has experienced it in multiple forms throughout his life, but that didn’t made the news of your death any less painful for the General.

While his mind might’ve made peace with the fact that you were gone, his heart however did not as he would find himself in the places that you often vacated to in moments of stress, or to just be left alone for a while with your thoughts. So to no longer see you in any of those hidden spots -waiting for him to find you like you usually did- only worsened the grief he felt in his heart as he sat himself down and allowed the memories to pass over him in waves.

You were both so happy together and felt a sense of fulfilment that could only be achieved when you were within the other’s presence; A feeling that was uniquely yours and yours alone that could never be replicated, ever. For no one could ever come close to replacing you, nor the companionship you and he had for each other that many assumed would blossom into something more; Jing Yuan also shared the same sentiments as they did, but just as he built the courage to push that boundary between the two of you, you were taken from him before he could utter a single word.

So when a week passes and Jing Yuan found your battered and beaten form in one of your secret spots, back resting against a tree with your eyes closed.

‘Y/n?’ He called out and your eyes opened upon hearing his voice and looking at him with a weak smile. ‘Hey General, miss me?’ You said as you struggled to get up to your feet, only to stumble forward and into Jing Yuan’s chest as his strong yet gentle hands hold you in place.

‘More than you could ever hope to know.’ Jing yuan said as he focused on how you felt beneath his hands, warm and alive.

‘I’m sorry I kept you waiting.’ You muttered against his chest as his warmth made you realised just how tired you were from everything you’ve experienced this last week alone. ‘I never meant to keep you waiting in fear that you’d forget about me if I don’t stay in your life long enough.’ You admit and Jing Yuan instinctively presses a soft kiss to the top of your head, holding you protectively.

‘I could never forget about you my beloved.’ Jing Yuan reassured you as he looked you deep into your eyes. ‘You’ve managed to carve your place within my heart and soul, so much that there isn’t a day where you aren’t all I think about, regardless of whether or not your by my side or far away.’ He finished by pressing a gentle kiss to the gauze on your cheek, chuckling upon seeing your cute attempts of burrowing your face into his chest.

‘How long have you’ve been waiting to say this.’ You asked, thankful that he was the one to admit his feelings first, as you would’ve had a hard time articulating your words as fluidly as he could.

‘For a very long time.’ Jing Yuan replied with a small smile as he then proceeded to lift you into his arms, cuasing you to squeal in surprise, as he made sure to be carful of your wounds and began walking to the nearest medics to make sure your wounds weren’t going to be trouble later on.

Aventurine:

He didn’t know what to think when you were pronounced dead, all Aventurine could feel in that moment was an overwhelming numbness that encased him entirely.

The only light left in his life had been snuffed out, plummeting him into utter and total darkness he had once been well acquainted with until you came along, giving him a reason to keep looking forward despite everything.

You were no longer here to hold onto his left hand before he could even think of hiding it behind his back out of habit, you were no longer here to be his reason, his comfort, his safe place. You were taken away from him unfairly and once again Aventurine found himself asking the same question he has been asking himself for a long time; why everyone was born into this life just to die.

So when a week passes and Aventurine finds himself sat on a bench somewhere, still not dealing well then than he was the week of your assumed passing, lost in his own thoughts when someone took a seat next to him. Aventurine was just about ready to tell them to go away, when he saw just who was sitting next to him; you.

‘I know, I look like shit but you don’t have to look at me like that.’ You spoke upon feeling his eyes gaze upon the gauze on your cheek, then towards the array of bandages that littered the rest of your body.

‘I thought you died.’ He hissed, emotion was heavy in his voice as his eyes became bleary with unshed tears as he felt his breathing become heavy with the reality that you were alive. He didn’t know what was real and what wasn’t in that moment as his mind raced. And it wasn’t until you reached out to grasp his left hand and intertwine your fingers together, squeezing, did everything finally became clear to him.

‘I thought I was too at one point but there was something that kept me from journeying over to the afterlife.’ You admit, looking over at him and smiling sweetly, wanting nothing then to calm his thoughts and reassure him that this wasn’t a dream.

‘And what was that?’ He laughs humourlessly as he stares back at you, wanting to hear what excuses you could come up with for faking being dead for a week. ‘Willpower? Determination?’

‘You Kakavasha.’ You replied straightforwardly and his breath hitched in his throat. You rarely used his actual name unless it was absolutely serious. ‘You were all I thought about as I pushed through my injuries.’ You told him as you continued. ‘Kakavasha is waiting for me was just about all I could think about for a week straight.’ You finished as though you didn’t just confess that he was your soul motivator in staying alive.

‘Really?’ Aventurine said softly, finding it impossible that he could possibly be your reason for anything. ‘Why?’

‘Yes really.’ You chuckled, pressing a kiss to his cheek as you rested your head against his shoulder. ‘As for why, it’s because I like you more then did let myself admit, but i just wanted you to know incase anything truly bad were to ever happen to me-‘

‘No.’ Aventurine cut you off suddenly, squeezing your hand as though he were afraid. ‘Nothing is going to happen to you, not now. not ever. I just got you back.’ He adds resting his head against your own in a desperate attempt of feeling more of your against him. ‘Just stay with me…please.’ He begs you in a whisper as he nuzzled further into you. ‘and don’t go anywhere I can’t follow. I don’t think I can bear the thought of loosing you again.’

You smiled softly as you just whispered back against the skin of his neck. ‘As long as you don’t go anywhere I can’t follow. I like my crush to be alive and close by even if he can be a pain in my ass sometimes.’

Aventurine chuckles, his heart becoming whole again as he made you cuddle into his side, kissing your head once more as you took this moment to familiarise yourselves with each other. ‘At least I’m a pleasurable pain in the ass.’ He teased and you pinch his side, causing him to flinch, but his smile remained and this time his smile was genuine.

His light has came home.

Ratio:

Fully believed that he’d see you when the mission ended, knowing just how talented and dedicated to the craft you were, and having faith that this would be a measly walk in a park for you.

Only to receive word that you were one of the many who were assumed dead when you weren’t found amongst the living nor the dead.

Veritas tries to remain as levelheaded and logical as possible during this time and continue life as normal. However found himself retracting from everyone else and going none contact, more so specifically with the people you were once associated with, and instead focused heavily on his studies and academics to an unhealthy extent.

A week passes and Veritas feels as though he’s seen a ghost the moment he saw you in his peripheral vision, bandaged and dressed in ripped clothing but still somehow finding it in you to smile.

‘You idiotic Buffon!’ He exclaims as he walks towards you.

‘Well that’s a nice way to greet someone you care about.’ You replied as you readied yourself for a massive rant about how stupid you were and so on, but instead you were held against his chest as he burrows his head into your neck.

‘I thought you died.’ He says in a whisper as he breathed you in. This went against all logic but in that rare moment Veritas didn’t care, you were alive but he still couldn’t let go of the fact that you didn’t tell anyone you were still alive. ‘Why didn’t you tell anyone that you were alive, send a signal, anything.’

You shrugged as you made yourself comfortable in his strong arms. ‘All communications were badly damaged or completely cut off.’ You told him. ‘I was on my own for a long while before finding my way back to you.’

‘Me?’ Veritas asked, pulling away from you. ‘Why not a medial facility for a proper treatment of your wounds? Have you hit your head so hard that common sense had been left on the back burner when making that decision?’

‘I wanted to see you first you dickhead!’ You exclaimed, shutting Veritas up rather quickly with your confession but you didn’t care. ‘is it so wrong of me to let the man I love know that I’m okay? So go ahead and call me an idiot all you like but that won’t change the fact that I felt more fear about not telling you how I truly feel then dying on some stupid mission.’ You finished your rant.

‘You’re insufferable.’ Veritas said after a moment of silence and you couldn’t help but feel a little annoyed at this that you didn’t notice that Veritas has began to close in the distance between the two of you.

You scoffed. ‘Oh sure call me insufferable as if you-‘ Veritas cuts you off by cupping your cheeks and planting a sweet short lived kiss against your lips before pulling away with a smirk.

‘Glad to know that the feelings are reciprocated.’ He says, taking enjoyment of rendering you speechless as he gently guided you to medical, and remaining by your side for the remainder of the day.

[cyreneduvent]

“Well I’m not ready, am I? I don’t want to go somewhere else yet.”

heres the thing. i get where people are coming from when they say that charles would rather stay with edwin than go to heaven. and i do think theres a lot of merit in it. but thats not the only reason he doesnt want to go to heaven. especially in the very beginning, when they've just met. he likes edwin, he's clearly very attached already, but not the way he is later on down the road, not quite attached at the hip yet. not "go down to hell to get him back" loyal yet

charles doesnt want to go to heaven because it would involve admitting that he's died. that he's dead. he wants to stay here and pretend. pretend that he can feel it when he kisses a living girl. pretend that people can hear him when he's talking. pretend like he's going to grow up to be more than an angry young man. and he can't do any of that in heaven. he's running from death just as much as he's running towards edwin.

[sh1-n0bu]

♡︎ 𝙝𝙖𝙥𝙥𝙮 𝙮𝙖𝙣𝙙𝙚𝙧𝙚 𝙝𝙪𝙨𝙗𝙖𝙣𝙙! ♡︎

characters: sub!yandere!AFAB!characters x dom!gn!reader

warnings: character uses he/him pronouns but has female genitalia/tcock (words such as pussy, vagina, cunt will be used), character is transmale, reader has you/your pronouns, cock/strap, yandere character, established relationship, protected sex, unprotected sex (don’t do that folks), breeding, creampie, belly bulge, mentions of pregnancy, mentions of death and light torture

notes: you can think of any character you want with this fic, i just had a wild thought during a car ride at my vacation. divider from @/cafekitsune

yandere! husband who has been in love with you since they first met you. what started out as a simple fascination developed into an unhealthy obsession until he finally got the courage to ask you out on an official date

yandere! husband who gets surprised when you accept his ask for a date, sheepishly smiling as you tell him that you found him pretty and had been building up the courage to do the same. who nearly fall into his knees right then and there with sheer nervousness yet also giddiness at your confession, finding the wobbly smile on your face endearing

yandere! husband who gradually built a stable relationship with you over time. there were moments where he thought of just drugging you up and stealing you away to keep you all to himself but he chastised himself for such thoughts when you have been nothing but loyal and honest. he thought of killing those annoying bitches and assholes who tried to hit on you or blatantly flirted with you in front of him, imagining cutting out their tongue and burning their eyes with scolding hot iron only to snap back to the present when your hand wound around his waist, introducing him as your lover excitedly

yandere! husband who got scared when you accidentally walked in while he was changing after a shower, terrified that you will leave him after having seen his top scars and cunt. who could hear his heartbeat in his own ears, rapidly beating like a frightened bird thrown into a cage while he waited your reaction. who try to apologize only to be cut off with your comforting words and accepting hug

yandere! husband who proposed to you first, getting on both of his knees as he presented you the ring in the box. who lets out a sweet laugh when you kneel down in return, showing your own ring that you bought for him

yandere! husband who definitely cried on your wedding, wiping away his tears silently as he turns his back to you, not wanting you to see him in such a weak and vulnerable state. turning back to you with the wet handkerchief still in his hand, who can feel the tears coming back once again as he sees your knowing look and comforting smile

yandere! husband who is happy with your married life. the new adventures of moving into a new house, decorating it to your liking and modifying your rooms being an exciting life for him. he loved the moments where you two put paint of each other’s faces instead of painting the walls, choosing the colors on complete random with an eeny, meeny, mini, mo game, dancing with you bare feet in the kitchen as you both wait for the water to boil for the cup ramen at midnight. he would want to hold your hand in his own, the wedding rings clicking against each other softly as he giggles

yandere! husband who wants to try for a baby after years into the marriage. it was a surprise to him how he managed to wait patiently for so long after your marriage. while he wanted desperately to get himself knocked up at the night of consummation of your marriage, he understood your wishes to wait until the perfect time. finally, he thinks it is the perfect timing, after years of protected sex and daydreams of feeling his cunt get filled, tells you of his plan

yandere! husband who purposefully poked a tiny hole into every condom there is at your home, who huffs a fake annoyed noise whenever the material tears as you try to put it around your strap. he may have a pout on his face and talk about trying it raw on the outside but on the inside he is fucking giddy. he wants to feel your cock constantly pushing into his wet pussy walls so bad and he couldn’t help but curse silently under his breath when you take out a lone condom that was thankfully reserved in the pockets of one of your pants

yandere! husband who suggests on riding you instead of taking it as usual. a sudden change in your usual sex life but you didn’t mind trying new things out. laying on your back, you watch and let out occasional groans and low moans as you see how his sweet pussy swallows you whole, the fat of his ass higgling every time he bounces himself on your strap, asking you to slap and squeeze it. which you do gladly, lightly slapping as the jiggling flesh, making your husband giggle

yandere! husband who gets annoyed as the feeling of the condom around your cock, skillfully bouncing himself until he ‘accidentally’ slips your strap out. he swears it was the amount of lube you used, grabbing your cock with his hand and tapping his dripping pussy with the tip. your husband who makes a show, wiggling his hips as he slides the tip inside and sinking down until he feels full again. not yet, he thinks to himself, knowing that you would get suspicious if he tries his plan too early on

yandere! husband who keeps ‘accidentally’ slipping your strap out of his gushing cunt, whining until his patience finally ends. the next time it slips out, his fingers pinch at the tip of the wet condom, pulling on the material with a pout and a mumbled “it’s in the way..” until it comes off with a lewd pop!

yandere! husband who disregards your frantic words of protection and taking a second for you to put on another one, turning around to face you now as he sinks down onto your strap with one move. the feeling of your own cock, without any annoying latex in the way making him cream around your fat cockhead instantly, a drawn out satisfied whine falling from his lips

yandere! husband who clenches around your strap on purpose every time he moves. his hands guiding yours to touch his chest, the top scars that healed beautifully and to squeeze and fondle his nipples “u-until i sta—anngh ah haagh mmgh♡︎! start to lactate, just like your sweet baby momma uungh♥︎!!” while his pretty pussy squeezes your strap like a vice, unwilling to let go or not even daring to think so. he wanted to feel your cum, hot seeds painting his walls white and making his legs shake

yandere! husband who silences your weak protests for a protection with a messy kiss. noses knocking together, tongue immediately pushing into your mouth and wanting to ‘connect’ with you on a deeper level. he wanted everything you have to offer and seeing the small trail of saliva left behind as you pulled back for a gasping breath made him giggle deliriously

yandere! husband who increases his pace when he hears you struggling to talk, words of cumming together coming out in a jumbled mess as he sits himself fully in your lap. pushing your pelvises together until no gap was between them, throwing his head back with a satisfied mewl when he finally feels it. that warmth he’s been craving so long, filling up his womb, mixing with his love juice as the excessive mixed cum drops down your strap

yandere! husband who gets pushed into his back, legs pushed up and over until his knees were beside his head. put into a mating press with your annoyed face staring down at him just made him clench around you, a drunk giggle of your name falling from his lips. he gladly spreads his weeping pussy open further, with you still inside him, letting you see the mess you two made

yandere! husband who drops his act entirely, wiggling his hips with heart shaped pupils as he asks you to breed him. cum inside him as many times as you want, he wants a baby with you, it’s about time you two take your relationship to the next level. “i’ll be a good baby momma… and you’re already a wonderful lover who would become a wonderful parent. come on [name], breed me full of your seeds♥︎”

yandere! husband who gets fucked thoroughly to his wish. crying out all sorts of filthy words every time your cock sinks back into his cunt. thin drools on his chin, old tear stains constantly being replaced by new ones as his pussy clenches around you for the nth time, forcing you to cum earlier than you usually does. overwhelming amount of your mixed cum wetting the bedsheets, your thighs and his own as well as his butt. not like he cared, he wanted to make sure he gets knocked up, that you get him knocked up as he creams around you again, creating an even thicker halo of white around your strap

yandere! husband who shows his filthier side, holding your head against his chest and asking you to suck on his nipples, who place your hand over his tcock, telling you to “s-stroke! my cock too ahh haagh♡︎ mgh n-not fair that mmuungh uunghk my cock is being left alone♡︎!”

yandere! husband who lets out one last hoarse wail, the wetness of his cunt making you groan as your strap cums inside him for the nth time that night before collapsing on top of him. he had passed out, tired from the continuous pounding he received as he lay there peacefully with flushed red cheeks, tearstains and drools on his chin and cheeks while pretty bruises and lovebites cover his skin. the most notable bruises being the ones on his hips and thighs, making you grimace at the painful wound you saw. but hey, the small bulge in his belly from your excessive cum inside his womb made you happy. it definitely made him happy too

yandere! husband who occasionally regains consciousness during your aftercare for him. who groans and refuses to let you pull out for bath, straddling your lap inside the warm water filled bathtub. he couldn’t help but slur out a “noo… don’t pull out” as you push his pelvic away from yours, feeling the cum inside his pussy to drip down his legs

yandere! husband who now eagerly wait for the signs of pregnancy with a full boxes of pregnancy test at his side of the nightstand, who still poke secret holes into your condoms because when did he said he wanted only one baby with you?

⇨ characters i think fits: jing yuan, dan feng, yingxing, sunday, aventurine, argenti, dan heng il, gepard, sampo, luocha, caelus, luka, jiaoqui, itto, baizhu, ayato, thoma, childe, pantalone, dottore, kaeya, kaveh, lyney, neuvillette, sethos, heizou, venti, rubedo, aalto, xiangli yao, scar, yoriichi, haganezuka, douma, kaigaku, jyugo, uno, kiji, honey, trois, kenshirou yozakura, musashi, houzuki sanzou, ruka gojou, seitarou, tsukumo, mitsuru, sinbad, sharkkan, spartos, koumei, titus, muu alexius, sphintus, rafayel, mammon, asmodeus, mephistopheles, diavolo, belphegor, simeon, solomon, satan + anyone you like

[frailsituation]

Tips for writing internal conflict

1. Define the Core Dilemma

• Internal conflict occurs when a character faces a choice or emotional struggle within themselves. This dilemma should challenge their values or identity.

• How? The struggle should feel deeply personal and tied to the character’s motivations.

• Example: A character who values independence but must rely on others in a life-or-death situation.

2. Make it tied to their core values

• The conflict should challenge what the character holds dear—whether it’s their morals, desires, or goals.

• How? The inner conflict should push the character to re-evaluate their beliefs and priorities.

• Example: A soldier torn between duty and personal ethics, forced to choose between following orders and doing what’s right.

3. Amplify with external consequences

• Link internal conflict to external consequences that impact the character and those around them. The choices they face should have significant repercussions.

• How? Show how the character’s internal conflict influences their decisions in the real world.

• Example: A character haunted by guilt must choose whether to admit their past mistakes, risking their career and relationships.

4. Show the pressure building over time

• Internal conflict intensifies when it’s compounded by time, increasing stakes, or mounting external pressure.

• How? Create scenes where the character feels the weight of their choices growing heavier with every passing moment.

• Example: A character whose addiction threatens to ruin their life, struggling to break free but tempted by old habits every day.

5. Conflict arises from competing desires

• Internal conflict often stems from having two equally strong desires that cannot coexist.

• How? Put your character in situations where they must choose between these desires, both of which seem vital.

• Example: A character torn between pursuing their dream job across the country or staying to care for a dying parent.

6. Explore their fears and insecurities

• Internal conflict can also be driven by the character’s deepest fears or insecurities, which affect their actions and decisions.

• How? Fear of failure, rejection, or loss can prevent them from acting, making every decision feel like a battle.

• Example: A character who has been hurt before refuses to let anyone in, even though they deeply crave connection.

7. The power of self-sabotage

• Let the character’s internal conflict lead to self-sabotage. They may avoid decisions or create obstacles to protect themselves from facing their own feelings.

• How? Show how the character's fear or internal resistance undermines their progress.

• Example: A character constantly pushes away someone they care about because they fear their own vulnerability.

8. Use internal dialogue to show the battle

• Let readers hear the character’s internal struggle through thoughts, doubts, or justifications. Internal dialogue can make the conflict feel more immediate and real.

• How? Keep the internal dialogue sharp, reflective, and in line with the character’s voice.

• Example: “I want to tell them the truth, but what if they leave? Can I really risk that?”

9. Drive change through resolution

• The internal conflict should lead to growth or change in the character. They should evolve, learn, or make peace with their internal struggle.

• How? The resolution should feel earned and reflect the character’s journey.

• Example: A character who fears commitment learns to trust and embrace vulnerability in the face of love.

10. Let it affect the bigger picture

• The resolution of internal conflict should impact the story’s larger arc, showing how the character’s inner change leads to progress or a new direction.

• How? The resolution should tie back to the theme and forward momentum of the plot.

• Example: A character who learns to forgive themselves is able to take the final step in reconciling with a loved one, mending broken relationships.

Follow for more!

[cosmique-oddity]

Phew, my last weeks of work are now complete >:)

I loved Dratchet and Ratchlock since the very beginning of my attachment towards Transformers, first TFP Ratchet…..but yeah….two of my favorites character….plus Keferon’s Mech AU…..I had to make my own thing about it.

A story….no…an illustration ! I couldn’t choose. So I did both :}

—————————————————

That was not the first time Ratchet came back to his private lab angry, but this time, yelling at his superiors, and at the system, and basically at evverything that could be yelled at except the pilotd while leaving the manufacture, was certainly the last. He quit. That was enough,

you don’t win a war with feelings they said

well yes,

exactly,

but you win a war with soldier, and frying their mind before they have their first fight because you want them to be more perfectionned ? That was a little counter productive.

So he gave up. They are on their own now.

The lightly humming of his car was barely enough to keep him awake, it have been a long time since he last returned home, usually, he stayed at his work place, to have more time to sleep, but then, he was sleeping even less. An endless vicious circle, things were often like that.

But all of that was over for him.

He granted these young greenhorn with his experience, and what did they do ? Ignored his advices. Sending pilots to death. So now, he had himself out of the infernal machinery. This mindless waste of human life, even where this is what they tried to save was absurd.

In the middle of his quiet and late ride, he heard a noise. Rumbling, was it the engine ? As he stopped the car backroad to check, the noise wasnt stopping. Came from the sky, military patrol ? He raised his two tired eyes on the sky and saw a shining rail approaching his forest, falling fast. Not quintesson shaped, and with the gaze of an experimented biomechanist, Ratchet identified a mech.

At this moment, its violently crashed on the ground, behind the trees at maybe three or four miles away. No matter how hard he argued with the scientist sooner this day or how bad he wanted to say fuck to all of this death industry who killed young soldiers, he could do something for the one trapped inside the mech....maybe.... the man regained his car as fast as possible and urgently headed for the crash area.

Deafened sound of tires on the damaged road. Ratchet was already projecting, mentally stocktaking the tools he took with him, and lucky enough for the poor pilot, he quit with almost all of his material, and even if it was mainly mechs repairing material, he also bought some instruments which were used for the subtle neuromedicine between human and mech. Could adapt some of it and stabilize the pilot....then he may have the time to go home and grab proper materials. If there was life there was hope.

" bold of him to crash himself just the day i insulted all of his hierachy".

He frowned. Almost there.

The trees nearby were crushed and uprooted. A flickering pink light catched his gaze.

Almost immediately, the Ratchet analyzed the mech. It was different. He didnt know in wich country it was made but that almost looks alien. The curves and shapes, busted and burned on several places were demonstrating an incredible display of genius ingeniery he could just admiring. But time was not for being amazed on plating.

Someone was trapped there.

He stopped and parked his car in front of a fallen tree, rushing to the car's trunk, taking few indispensable objets, including some of them to help a safe disconnection between pilot/mech. In case he wasnt out already. And a crowbar, the cockpit might be stuck, seeing all the damages the mech has taken...

The sound of slightly wet grass under his feet was covered by a frenetic noise of aeration. Ratchet listened to it, while cautiously approaching the unknown mech. It almost sounded like a breath, but was certainly a depressurisation issue. The mech had fallen from so high on the sky....

The damaged plating were hot, probably from atmosphere friction. He raised his crowbar and his eyes followed the curves of the chestplates, searching for a familiar shape, that could lead him to the injured pilot inside. His gaze stopped on a deep wound, that might have cut through the cockpit.

The engineer stepped on the hot metal, his thick boots preventing him from feeling the heat, and he started searching for a hint....anything that could be a mechanism, anything that could open this damn mech !

Ratchet considered the damaged chest plate he noticed earlier. The surroundings of the wound were leaking bright pink, a very unusual color for fuel. Another of these definitively strange things about the mech. Again....not the time for that. Maybe if he could widen the gap, then he would be able to have an idea of what was going on under this armor.

He tapped the plate, -it was starting to cool down- with one of his finger. It was a very little tap, but the whole mech startled. A hiss of pain, recognisible easily by an emerite engineer-but-i-fix-people-too, it had come from the head of the mecha. Was this modele controlled from the head, like Vortex ? But Vortex was insanely huge for a mech, way taller than this one. He moved careful, noticing the shaking of his support.

"You hear me, kid ? Its going to be ok. You crashed in a safe area.".

He spoke in his medic tone, wich mean, of course brusque, serious, but also reassuring and calm.

He mumbled about the mech's features and tiny words of comfort while reaching for the head.

A red light, not regular and rather epileptic was coming from the head, and while he was almost there, on all four of his limb to keep balance, Ratchet saw it.

A spectacularly humanoid face, with sculpted nose and lips was tensed in a painful expression, frowning, but the thing who trapped his gaze was the two optics....

....staring back at him.

Mechs dont stare. Their eyes are glowing, oftenly to mimick human face, after all, human are pretty prideful creature, no point in piloting big ass metal titan if no one could tell these where their creation.

What human couldnt mimick with technologie, on the other hand, was the subtle expression between trying to evualuate a threat, his own injuries, and looking rather on the verge of death but also ready to tear any enemy's limb appart with its teeth.

With just one....very long....look at the other's eye, Ratchet was suddenly understanding what was going on.

Well....probably not but he knew what he had to save.

The pilot, the pilot he had to save.

The mech was the pilot.

He was the one he had to save.

He stopped trying to -certainly- open his chest. If it wasnt good for human it probably wasnt for living technology.

The giant technological humanoid seemed in a high distress, exhaling a lot of air from his vents, his eye still intensely staring at him and the engineer doubted his usual technique -including trying to make himself as small as possible- would work.

"Its going to be okay Kid. I can help you. There is nothing here that want to harm you".

He did his best to convey all of these emotions with his facial expression and gaze, still firmly watching back at him.

"the world better wait till im home and officially retired before killing me".

The mech's gaze -damn it was so more living than ANY human made machinery- seemed to soften a bit but still radiated with suspicion.

Deadlock had been in several bad situations. It happened quite a lot when a specie of giant aliens with tendrils tried to invade your homeland, and he was ready to it.

Trained to kill, and to do it efficiently.

And he was *good* at it.

This time was just another of these ‘i went too far in my excitation’ moments, and he has crashed on a random planet he hoped was not inhabited. He landed hard, and pieces of his ship must’ve been thrown near his location.

And now, now there was an organic like no one he ever saw, and the organic was on his *lap* and he had the kindest warmest eyes he ever saw.

And these eyes were directly looking at his own eyes, and the well named ‘Deadlock’ was starting to wonder if he finally had reunited with the Allspark. His pained and tenseful grin faded a little and he tried to move his head forward, searching a better point of view to watch the singularity in front of him.

Ow.

Moving hurt.

Some sound came out of the organic’s mouth, probably a language. He didn’t had the proper tools to decode it but the tone of the language was extremely….comforting ? Soft ?

This was scary.

He wasn’t used to be welcomed like that after a fight.

Usually it was either another fight, either the yelling of a superior, either nothing at all. But this actual living being was carefully examinating his chestplates, and he recognized the gestual of someone who was used to heal. A medic perhaps ?

He tried to move something, maybe a hand, to reach for the pale organic, to be sure he was real, but his body was rather uncooperative, from what he could say, one of his legs was missing, and a lot of wound were releasing energon on the ground he couldn’t saw.

The high probabilities of bleeding out and crash was an issue.

He let his head hang, too tired to watch for every moves of the organic, and barely aware of his environment.

There must be a big problem somewhere….

He confusely thought, while watching the stars.

Must be a bigger injury I haven’t saw……..

Ratchet saw the bright light coming from the alien’s eyes slowly fading, and cold swear ran through his back. Yet, he could still say the soldier was alive, the lights of his body were shining, not a lot, but it was enough. He looked at his first aid kit with disappointment. That wouldn’t be very efficient since the form of life he was trying to preserve wasn’t a tiny human. The nearest thing he could compare the Mech to was….well their own mechs, or eventually….Quintesson. An horrible mess of organic and technology. It was partially thanks to their weird constitution that Ratchet had been able to make sense with the ‘he is alive’ thought.

At this moment and with this material, he couldn’t help the kid, and didn’t possess enough knowledge to tell if he was even dying or not.

He had already an idea of what to do….to fix him, at least trying to, but it involved several objects he hadn’t right now. Leaving to search for these so called objects was risking to let an injured alone, he couldn’t take that risk. He was trapped with the mech, and had to hurry and find something. He stood and reached for more adapted material in his car, trying to find something…. Anything.

Surprisingly, the most useful artifact he came across was his electric screwdriver and a bunch of screw along with a long metallic cabke. A parallel between human stitch, with sewing threads and the material he had with him right now. He could manage something between human fixing and mech repairing, that was what the ‘bio’ in bioengineer stood for.

The kid would be ok. He would live and tell Ratchet why he fell from the sky, and maybe if he saw his friend Jazz….out there…….

.

.

—————————————————

:)) @keferon

(I swear I’m not insane, your AU is just kinda giving me infinite drawing stamina lmao)

[lovifie]

Well, I Wasn't On That Tunnel ❤️

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Please don't look too much into the plot holes. Canon can suck my ass, I'm making my own, xoxo 💋

Pairings: Ghoap x Reader.

Warnings: Poly relationship, mentions of death, mentions of guns, rotating POV (mostly Simon's), Spoilers → amnesia, smut, voyeurism

“THE TUNNEL IT'S COLLAPSING! FOLLOW MAKAROV! I'LL TAKE JOHNNY OUT!”

That was the last thing Ghost heard of you.

It's been months since Johnny and you were declared KIA on that mission. 

You weren't even meant to be inside, you were the medic, you were supposed to wait outside. 

But the moment Makarov shot Johnny he panicked.

Ghost panicked.

And Simon panicked.

You came in running, panting for the effort of carrying with you the medical bag half your size. 

You were the one who told them to run. To go after Makarov and kill him. 

You were trying to wake up Johnny, Ghost knew it was a lost cause. He couldn't find the pulse, he was gone.

His Johnny was gone.

The last thing he expected was that he was about to lose you too.

Once outside, he kept looking at the tunnel. Waiting for you to come out, whether it was dragging Johnny's body or alone; it didn't matter. You needed to get out.

But after the tunnel collapsed and you didn't get out, it was Price who finally pushed Ghost away.

He barely remembers getting back to base, doesn't remember what Price kept telling him on the helicopter, doesn't remember skipping meals for days, doesn't remember crying himself to sleep for weeks.

But he remembers your face, he remembers Johnny's face.

Oh, what a coward he was. 

Two people that he loved, that found their way under his skin right into his heart. Two people that Simon wanted to grow old next to, two people that made Simon want to wake up every morning. 

And he was still not brave enough to confess his feelings to neither of them.

He used to stay awake late at night dreaming about how he would do it. After a long time of debating with himself, figuring out what those feelings inside of him were.

Until he figured out it was love, only to them have to face the complex situation of loving two people at the same time.

But even how complicated of a man Simon Riley was, when it comes to his wants it all turns simpler. If on the menu there are two dishes that he likes? He is getting both, obviously. Why choose?

So if all his lonely and twisted life he had never loved anyone, now he suddenly fell in love with two people. He wasn't going to give up one of them and their love just for society's norms.

Murder is also against society’s norms, and he gets paid for it. 

But it was too late now.

Maybe it was for the better.

He could lie to himself, agree that he never confessed because it was not his destiny. 

Not because they would have not loved him back. 

Not because they would have been scared of him.

Not because they wouldn't have been able to see past his mask. 

Not because they would have rather dated each other than him.

It's easier like this.

Simon knows how to mourn a loved one. 

What he doesn't know is, how it's possible he got a message from you this morning when you died four months ago.

You are stepping out of the shower, skin warm from the water and baby hairs sticking to your forehead; when someone knocks on the bathroom door.

You furrow your eyebrows at how hard they knock, the whole door shaking with it.

“Calm down, I'm almost finished.” You grumble, pulling the towel around your body. 

You drag your feet over the towel on the floor to walk closer, and open the door annoyed by the insistent knocking.

“I told you I am almost finish-” Your words are cut off by the barrel of a gun right on your face.

You don't even have time to panic, because you immediately recognise the stupid skeleton gloves holding the gun.

“Simon?” You whisper,scared that if you talk any louder he will disappear. Price and Gaz are behind him, slowly lowering their gun when they see it's you.

There is a glistering layer over Ghost's eyes that if you didn't known any better you'd think are tears.

You push his gun down, the man still immobile as if you were the ghost; and you jump into his arms, circling his neck with your arms.

“It worked! It finally worked!” You exclaim, tears slowly running down your cheeks. “I have been trying to contact any of you for months, it finally fucking worked!”

Ghost struggles to tell whether you are laughing or crying, a mix of the two. But he can't focus on that, he can only focus on your skin under his gloves.

God, how he hated his gloves right now. 

He bites the tip of his finger, pulling the glove off spitting it somewhere. And he snakes his hand under your towel.

He knows is improper, perverted even; but he needs it. He needs to feel your warm skin under his palm, your heart beating loud and fast. 

He surrounds your waist, hands big enough to rest on your ribs, right under your chest. 

Boom, boom… boom, boom… boom, boom…

He sighs, melting onto you, his tears getting absorbed by the mask on his face. He hugs you tighter, daring you to slip from his fingers again.

He bites his lips, copper taste on his tongue, to prevent himself from sobbing.

But the sobs can be heard, and Ghost it's almost disappointed with himself until he notices your body shaking.

It's you who is crying.

And he panics again, pulling back to look at you and you cup your face, apologizing. 

“I'm sorry. I tried my best, I really did.” He can barely understand what you are trying to tell him between sobs. “I'm sorry, I'm sorry.”

He shushes you quickly, he understands; the survivor’s guilt is a special kind of poison. But he understands, he feels it too. 

“It's alright, love. You are alright, everything is going to be alright.” He hugs you again, resting your head on his chest. Mourning Johnny will be easier if you are together, he now hates himself for thinking you were dead; for accepting it.

For mourning you for months and now having you on his arms. 

Warm and breathing. 

He can only imagine what you went through. 

You entered the tunnel because he called for you, and then he left you inside with a corpse. 

How did you get out?

How did anyone see you get out?

How did you find a house?

How did you survive alone with the guilt?

Are the scars on your shoulder for getting out or were they always there?

Were you trapped under the debris?

For how long?

But that doesn't matter, he knew you were strong. That you were clever. That you were better than him. 

He already knew that. 

Gaz and Price remain silent, reading in the situation that there is something underlying that they don't know. Letting the two of you, have your moment. 

It's only when Gaz hears the almost unnoticeable steps get closer that he moves, turning his body and almost dropping his weapon in the process when he sees him.

“Johnny?” That's all he is able to see.

And that's all that is needed to hear.

Price and Ghost whip their head around like they have been smacked, coming face to face with the man.

There are still bandages on the side of his head, he looks thinner, less muscles, sunken eyes and dark bags. But it's Johnny. 

A scarred, angry Johnny. 

Holding the pistol on his hands pointing to Ghost's head.

Looking at him as if Simon was his greatest enemy.

“Johnny…” He tries to talk to him, keeping you behind his back by instincts.

“SHUT THE FUCK UP! WHO THE FUCK ARE YOU?” Johnny shouts, his hands are shaking.

That explains it, why he look like a madman, why he looks so scared under the rage, why he keeps trying to look under him.

“Johnny, it's alright.” You finally say, moving from behind Ghost, softly pushing his arm back. You walk ahead, still only on the towel; and you walk up to Johnny. You rest your hand on the pistol, pushing it down with ease. 

You raise your other hand to the men, the signal of “wait”.

Johnny looks at you with utter confusion, eyes shaking moving around your face for any kind of explanation. His hand move around you, checking for any damage; the hand that doesn't have the gun clinging to the towel. 

You cup his face between your hands, the man bending down slightly to make it easier for you to reach; you whisper something to him making him relax almost immediately. 

And then you kiss him.

On the cheek, right beside the nose making him close his eyes for a second.

But it feels like a stab on Simon's heart. 

He tries to think rationally, you were just calming him down. He knows Johnny is always desperate for physical contact, that's all. Nothing else. 

He really tries to think logically, but logically the two of you are dead and buried under a tunnel. Not standing at the end of the hall, kissing and comforting each other. 

Something about it, about the possibility there is something more going on between Johnny and you; sends Simon's inner gears spinning. 

He sees the virtual space between the two of you, slowly getting in the shape of his body.

You whisper something to Johnny, he nods, touching your forehead with his for a second, before walking back. Looking at Simon with hate on his cerulean blue eyes. 

You sigh, watching Johnny move and turn to the three still shell-shocked. 

“As far as I can tell…” You whisper, once you are close to them. “He only remembers up to when he was 20, little more, little less.”

“So he doesn't remember anyone?” Price asks after a moment.

You shake your head. “Not that he hasn't asked me about, he asked about some people but I don't know them. He thought I was a nurse when he woke up.” You explain.

“What happened in the tunnel?” Gaz asks, looking behind you to check Johnny is not back. “How did you get out? And him? He was dead.”

You shake your head again. “Not yet. Almost… but not yet. I-”

“Bonnie! You want coffee or tea?!” Johnny's voice makes everyone jump.

“Coffee, please!” You answer without skipping a beat and turn to them. “I'll explain it later, alright? It's not the place nor the time.”

Price nods once. “Get dressed, I'll contact the pilot to let them know we are flying back tonight, right?”

“Roger that.” The three of you reply almost by muscle memory.

“I'll be fast, don't rile him up.” You say, before entering the bedroom closing it behind you.

Ghost feels Price's eyes on him. 

Wondering.

Asking.

What's between you and him?

What's between you and Soap?

What's inside his mind?

“Tea is ready.” It all gets interrupted by the amnesiac man calling them to the kitchen.

They walk together, sitting around the table. Gaz and Price find it almost easy to talk to Soap, about how happy they are to see him again, about how they are flying back later, easy chatter.

But Ghost can't. 

Not when Soap finally smiles at Price making fun of Gaz's cap and Ghost's breath is knocked out of his chest. 

That's his boy.

Breathing and warm.

Just like you.

He knows it's the universe talking, telling him not to fuck it up again.

Still, he feels his heart sink every time Soap looks at him with such a sour look. Offended even. His boy.

That would jump at any opportunity to impress him, to earn his respect, his affection. Now locked like he wanted to stab him on the chest, twisting the knife in the process.

He knows it's because of you, the way the man stared at his hand as you pushed it out of the towel didn't go unnoticed by Simon. 

Not the greatest first impression. 

Does it count as a first impression if he has known the man for years? 

You walk into the kitchen not much later, Johnny's eyes lightening at seeing you; his saviour. 

You walk past Ghost, your arm resting on his shoulder as you bend down to slightly knock your head against Soap's.

And that's it, that all Simon's needs. To be involved. He doesn't need to be in the middle of you two, he is fine with being in the sidelines, but he needs to be a part of it.

He knows you are on his side, you remember him unlike Johnny. You can be the bridge to get him to Johnny; to keep Johnny from running. Make a pack with him; keep the two of you close.

A turmoil of emotions keeps spinning inside Ghost's head, all the versions of himself wanting to be right.

The part of him he thinks is unable to love telling him to let the two of you alone, you are better of without him.

The part of him he thinks is unable to be loved telling him to not even try, save himself the rejection. 

The part of him that is still unsure of what even are his feelings telling him to not get involved, that it would only confuse the two of you.

But then there is also that part of him. The part called Simon Riley; that still holds onto the chance of loving and getting love.

And he looks at you and Soap, the way Soap looks up to you. The way he used to look at him. 

“Let's pack our things up, Johnny.” You say, patting Soap’s back. “The sooner we are back home, the better.”

And you smile at Soap so kindly, so wide, so warm.

He understands how you managed to calm Soap down. Waking up from what he assumed must be something close to a coma after getting shot on the head, not remembering anything, in pain, alone. And then you appeared, so soft and so kind.

He wouldn't blame Johnny if he was already in love with you, with you being literally the only thing he knows since waking up. 

Johnny stands up, walking out of the kitchen but looking back to make sure you are walking behind him. 

The two of you disappear down the hall, voices low as you move away.

“I can't believe they are alive…” Gaz comments, sipping his tea.

“Neither do I…” Price answers, sipping his. “Bloody necromancer…”

And you are, Simon was also dead before meeting you. 

“I'm gonna check on them.” He says, downing the beverage on a gulp that burns down his throat. 

He stands up, Price and Gaz look at him as he does. They are going to talk about him as soon as he gets out, but he doesn't care. 

He has made his choice.

He loves you.

He loves Johnny.

He walks down the hall, seeing the door ajar.

His hand reaches the knob when he hears it.

His blood running cold.

“Johnny…”

It's your sweet voice moaning the name. 

The unmistakable sounds of kisses inside the room.

“I don't like how he looks at you, bonnie.” The man whispers, his breathing unstable.

“He's your best friend, Joh-Ah!” You moan, interrupting yourself as you speak.

“I don't care! I don't know him. You are mine!” The man grunts, the sound of skin slapping slowly becoming more and more clear. 

“Johnny…” You moan again, and Simon is sure that he can hear your cunt squelch around Johnny's length. 

He opens the door the slightest bit, just enough for his eyes to see the way Johnny has you bent over on the bed. 

With you laying on your stomach on the bed, legs hanging from him without strength to push yourself up. Johnny behind you, a foot on the ground and the other on the mattress as leverage to keep sinking into your weeping cunt.

Neither of you bothered to take off the clothes, simply lowered the pants enough for Johnny to get inside of you. Your pants pooling on your ankles, legs limp with the rhythm Johnny has settled.

Simon wishes he could see your face, pleasure painted on your expressions with your face buried on the mattress. Johnny keeps your hands on your back, keeping you pressed against the bed. But the only thing he can see is Johnny's back.

So he sees perfectly fine when the man turns his torso around, still thrusting into you, and looks at Simon.

He looks straight into Simon's eyes, who panic just for a second for getting caught peeking into their room, into them together.

But the Johnny smiles, not the adoration-filled smile he used to gift Simon with. Instead, is the smile filled with pride that he only kept for after winning a match or catching an enemy.

Johnny raises his hand to show him his middle finger.

As he mouths “Fuck you.”

And Simon wants to laugh.

Johnny wants to play?

Then they'll play.

Game's on.

@waiting-so-long

Taglist: @whos-fran @thevoidwriting @sklt987659 @kayden666 @dumb12bvtch1212 @thatonepupkai @darkangel4121 @risingofjupiter @spadekip @herefor-tojis-tits @soupinasock @marymustdie @arbesa-mind @cmbghost @multifandomheathenannie @tooloudarts @panikk-attackkk @reap3erslov3 @mothsdrabbles @ghosts-hoe @cassiecasluciluce @sleepdeprivedkat @lunamoonbby @hatterripper31 @contractedcriteria @cod-z @jaguarthecat @savagemickey03 @fraserbraw @rosiehale23 @keiva1000 @sw33tsnow @viisgrave @theloneshadow24 @loveandplanet @sobbingnshtting @dprmoon @simpsallthetime1997 @ladyxtiger @soapsmohawk-16 @nina6708 @katreintjie @sacvh @mothymunson @archenillo @thesinsoflust @sodavrr @yuki2129 @mikaronn

[nervoussagittarius]

a vlog that’s pretty much just y/n’s day in the life

chris sturniolo x reader

summary: your boyfriend and his brothers film a day of their life, including their time with you. request

warning: fluffy, slightly suggestive (if you look hard enough), language

“wake up sleep heads,” nick said focusing the camera on yours and chris’s sleeping frames. “we’re filming our lives today and you guys need to get up.”

a slight groan could be heard from your boyfriend, but you made no efforts to acknowledge it. you were to focused on the deep sleep you were attempting to fall back into. “what nick?” chris’s voice had sleep prominent in it. his words made you more alert than before.

you picked your head up slightly but quickly threw it back down, loudly sighing at the light nick pointed at the two of you. you head came in contact with chris’s arm, slightly scaring him. “nick what the fuck are you doing kid. can’t you see she’s trying to sleep.” chris was less concerned about his own comfort then yours. he turned his body into you, blocking you from the light.

“can you two just get up and start yapping so this video is entertaining?”

“yea nick, just get the fuck out”

with nick leaving the room, chris started getting out of bed as well. becoming more coherent, you looked over at chris as he was picking both of your guys clothes off the floor from last night. “chris, get back in bed with me” you said to him giving him a slight smirk. he smiled at you before launching himself back in the bed.

the boys had a couple meetings that morning, so they picked up the camera again as you all were shopping for ingredients for dinner. since you volunteered to make them food it was the boys job to figure out everything you needed.

nick walked behind you, chris, and matt so he could film what the three of you were doing. matt pushed the cart as chris kept his death grip on your hand, pulling you with him and pointing out every interesting thing he saw. “look at the flowers, baby. do you want flowers? i’m gonna buy you flowers. what kind do you want?” chris dropped your hand walking away from you as he looked intently at the flowers trying to choose the prettiest ones. “you don’t need to buy me flowers” you had to raise your voice a little so he could hear you, but in response all you got was a little hand wave brushing your comment off.

nick turned the camera on you. “your boyfriend is like a child. he doesn’t listen.” you gave his a shrug and a laugh. “i think i have to have a talk with mary lou to see what went wrong with that one” you said pointing at chris, who was now walking back over to you three with two different bouquets of flowers.

“you referring to your amazing boyfriend, who’s buying you flowers might i add, as ‘that one’ is crazy.” chris found his place at your side. he handed you the flowers and pulled a piece of lint off of the fresh love hoodie of his that you were wearing. “i don’t know what you’re talking about, honey. also, i said you didn’t have to buy me flowers.” “exactly that why i’m buying you two.” he said kissing your forehead nodding in matt’s direction for you to start walking.

poor matt had been done most of the grocery shopping himself. none of you were paying enough attention to him, so when you got home to make dinner the ingredients were definitely a suprise. luckily you ended up with chicken and pasta so the rest came easily.

chris came up to you with the camera as you were cooking. “what are you making chef?” before you even got the chance to open your mouth and respond another comment was being made by chris. “vlog, look at how pretty my girlfriend is. she’s actually perfection” he put the camera on the counter so it was facing both of you. he grabbed your hand and pulled you away from the stove so you were in frame. “give them a spin ma. wearing my brand and everything”

you faked annoyance as you spun beside chris. not being able to keep a straight face for long you broke into laughter. when you returned to facing him he pulled you into a hug. he released your shoulders so he could hold your face him his hands. with your arms still around his waist, you leaned up to give him a small kiss.

matt came over to you guys, looked at you in disgust, and grabbed the camera off the counter. “sorry for you had to see that. chef matt is taking over because our original chef has become distracted.” matt tried to take your spot at the stove, but you weren’t going to allow it. “matt do not touch that you’re going to ruin it.” the bickering went on between you two for a while before realizing you could just work together.

that night, after eating and cleaning up the dishes, top golf was suggested by none other then chris sturniolo. his love for the activity was one that you’d never understand, but you went nonetheless.

a few rounds went by before you inevitably realized you’d never win against those three so you took over vlogging for them instead. the camera pointed at nick as he took his swing. “ohhh well that was definitely something.” you said from behind the camera. nick was far enough away that he couldn’t hear your comment, but you’d definitely get shit for it while he edited. the two boys to you left of a kick out of it though.

matt and chris broke out into laughter catching the attention of nick. “what are you two fuckers laughing about? try to do better.” he said, giving them attitude. you held back your laugh as nick sat to the right of you.

for entertainment purposes (and also to annoy him) you started narrating everything matt did. “and… matt sturniolo picks up his golf club. he waves it in front of the sensor. he gets his golf ball. he gets ready to hit. is it going to be good ladies, gentleman, and nonbinaries? we’ll see. and he hits, and it’s…… not as good as nicks shot.” matt side eyes you as chris starts laughing uncontrollably. he falls into your side sending you and the camera to the right into nick.

nick takes the camera from you since your posture has been infiltrated by chris’s body. chris is still laughing when matt gets back to the seats, so like any brother would, matt slaps him upside the head. chris groans as he pokes your shoulder. you’re conversation with nick gets cut off when you look over at him. “matt hit me” chris says with a childish tone. “okay and what do you want me to do about it babe? i’m not your mother. hit him back. i don’t fucking know” you say with a laugh.

the game quickly comes to an end with matt coming out in first place. the four of you decide to call it a night. and start walking back to the van.

when you guys finally got to the car nick started to outrow the video. “alright guys that’s it for this weeks vlog thank you so much for watching” he turned the camera towards the front of the car as you leaned over chris’s shoulder.

“chris can you please play 34+35 remix for nick and i.”

“no y/n” “absolutely not”

and with that the video concluded.

an: i didn’t have much motivation to write the past couple of days but i hope y’all enjoy this 🤍

[tealvenetianmask]

Stolas's Trolly Problem

I've been noticing the all too common "Stolas is a bad dad" takes coming back post-"Mastermind." For the thousandth time, no he's not. But let's engage a little.

The argument goes like this. "Stolas is willing to throw his life away and make Octavia suffer to save his lover. So he's choosing Blitz over his daughter. He doesn't care about her enough."

I invoke the trolly problem. There are all kinds of variations. You're on a bridge over some train tracks. The train is headed for three people tied to the tracks, but you have your hands on a lever that can divert it to hit just one person tied to the tracks instead. What do you do? What if that one person is your loved one? What if the three people are all elderly and have already lived fulfilling lives? What if you have the chance to sacrifice yourself so that no one else has to die? And so on . . .

This is Stolas's variation of the trolly problem:

The train is headed toward a loved one (Blitz) tied to the tracks. Stolas doesn't want to live in a world that doesn't have Blitz in it.

There's no lever, but he's standing on the bridge.

Stolas can save Blitz by jumping from the bridge and throwing himself on the tracks in front of the train. But he'll die (as far as he knows) and he'll harm another loved one, Octavia, who will lose her dad.

Stolas also recognizes that his own actions played a role in Blitz ending up in this situation, so I think a feeling of responsibility nudges him a bit as well in the direction that he chooses.

He's responsible for Via's wellbeing too. *casually tearing my hair out*

Here's the thing about the trolly problem though. THERE'S NO GOOD CHOICE, and certainly no objectively morally correct choice. Otherwise it wouldn't be hard.

Either way, someone Stolas loves deeply gets hurt. Either way, he will not come out unscathed himself. So protect Blitz from death or protect Via from the pain of loss? I think that for him the choice is easy, but both options are objectively horrible.

And getting furious with him for making the wrong choice is missing that point.

I saw this awesome non-fandom comic yesterday that points out a major flaw in the trolly problem, and uses it as a metaphor for systemic oppression. You should all read it. Essentially, it's this: WHY. THE. FUCK. Are we debating the morality of saving one person or another when we should be asking WHO IS OUT THERE TYING PEOPLE TO FUCKING TRAIN TRACKS?

Which I think is at least part of the point of "Mastermind." We focus on Stolas's choice, but everyone in that courtroom who sentenced Blitz to death had a choice too . . . one where no one had to suffer at all.