#they are simply put in a box

[legionofpotatoes]

I was recently invited to EA's Support a Creator program, which basically means you can uhhh support? Me I guess. If you're planning on buying a Dragon Age on the EA App or through the website itself (dragonage.com), that is.

And yup that's any Dragon Age PC game (including veilguard) with no restrictions on country or preorders or what have you. You can simply punch in LAZARART in the promo box at checkout and it'll kick a small commission fee my way.

I honestly wish it was a discount of some sort, but really nothing changes on your end except for fiddling with a code. I don't have a good pitch for this. So feel free to ignore it! I was surprised to be included in this at all seeing as I'm not really a "content creator" in the space as such, I'm just some art guy.

But hey, I'm still grateful as hell and in case someone's buying a dragon age at one of those spots and feels like giving me a supportive shoulder squeeze, here's a way to do it!

[novelconcepts]

In watching more interviews with Liv about Van and the escalation of Van's pragmatism to such dark degrees, I find myself genuinely baffled that anyone could ever think Van the bad guy. I mean, I'm perplexed at finding ANY of these girls The Bad Guy. The bad guy is the situation. It's being lost. It's freezing. It's starving. It's being scraped down to the barest bone of being alive. They make choices that might be snippy, or cruel, or hard-headed, sure--Shauna refusing to just hash it out with Jackie; Jackie being too stubborn to come inside; Taissa refusing to discuss her situation plainly; etc--but by the time we reach the end of season 2, it doesn't even matter. Petty bullshit doesn't matter. Jealousy doesn't matter. Those things are still going to be present and complicated, because--for all their choices, for all the distancing they're trying to do--these kids ARE still human beings. But it isn't the point.

The point is survival. Plain, simple, straightforward. Van's pragmatism is survival. It is the difference between living another day with blood on your teeth or dying pretty. It is the difference between fighting forward through the fire and the snow and the hell of it all, and laying down to die. Van knowing, in watching the ritual violence of Shauna beating Lottie nearly the death, that they will be killing and eating one another soon. Van coming up with the cards for the hunt. Van not blinking when the moment comes, Van choosing a weapon that doubles as a tool to bring the body back, Van refusing to apologize for staying alive--it's not evil. It's not Bad Guy behavior. It's purely about survival, because there is nothing else left to her--or to any of them. They can play the pretty little Sweet Angel Girl game and die, or they can get dirty, bloody, horrific and fight. Van chooses the fight. Van chooses to fight for herself, for her lover, for her team, even knowing not everyone is going to make it out...because the alternate path there is that no one makes it out. Van knew the baby wouldn't live. Van knows the rest of them won't, either. Not unless they start making the hard choices.

And, honestly, the fact that Van sees this narrative coming. Comes up with this plan. Brings out the cards. To me, that is the opposite of Bad Behavior. That is as close to justice as anyone can find in the wilderness. If someone else came up with an idea, maybe it would have come down to voting--but that would have had such a human element to it, with bitterness or hostility or whatever ultimately petty shit always comes of humans selecting who to Other. The cards don't leave room for that. It isn't fair, because the situation isn't fair, because Man vs. Nature isn't fair, but it's as close to a just system as they could possibly find. It's the kindest solution to an unwinnable game. Not to bring it back to American Gods again, but all I can think is "it's easy, there's a trick to it: you do it, or you die." Van gave them that.

[14dayswithyou]

I am really confused about this game. Is it like "Doki doki literature club" ? the game seems to break the fourth wall after getting bad endings and someone speaks in red text. Is it Ren and is he stuck in the game like Monica?Or is he and Redacted separate people, with him being a game character,but Redacted being some sort of entity who's stuck in the void of the game,or in it's code,and acknowledges that it's a game and someone's playing it and they speak to the player, not the game's protag?

✦゜ANSWERED: 14 Days With You is like 14 Days With You. It's not meant to be similar to DDLC in any way, and Ren isn't supposed to be like Monika or any other self-aware character.

Please don't associate 14DWY with other games just because they share similar tropes. /lh

But!! To answer your question: Ren isn't aware that Angel and the player are separate people. As of right now, he considers Angel and you as the same entity, and speaks to you as though you're part of his universe.

Ren is aware that his entire existence only comes into fruition whenever you play the game — but to him, that's considered normal — the same way getting wifi from trees and not discovering 80% of the ocean is considered normal for us. Nothing is out of place for him, and the way he interacts with his environment doesn't seem weird or out of place for him.

The Dead Ends are the only time Ren breaks the fourth wall, but it's still a massive WIP and there's not enough content for it to make much sense yet. But once more Days get released, this will be further explained!!

[poorly-drawn-mdzs]

A Blorbo You Treat Nicely, Right?

[maudiemoods]

Daydreeeaaamminngg

Swishy line my beloved

[the-kipsabian]

[telekitnetic-art]

Hey y’all, just a quick life update, I started a new job (because the one I got in the summer cut my hours really badly) and so I’m now working a regular daylight hour schedule again!! Unfortunately I’m still trying to recover from working a graveyard shift for three months, plus the new job will be a three day workweek minimum, so sorry if I’m a bit scattered or unresponsive some days!! I’m just getting used to a new job and a regular sleep schedule again! Orders will still be shipped out as normal though, don’t worry! I might just be a little drained in terms of my social and physical battery sometimes.

[bacchuschucklefuck]

Ooh what's barbarian Figs subclass

m flipfloppin between giant and totem (def reskinned) for her rn! giant would be Really funny for junior year and there's some thematic stuff for the transformation element I think would be interesting, but just purely on a character basis I think fig would love totem esp. as a barbie girl in freshman year. if I land on totem I kinda imagine it like a wuxia animal style thing tbh, mostly just because the idea of someone coming into a fight expecting typical movie shaolin choreography and getting Teenager That Mauls You To Death is entertaining to me

[darkshrimpemotions]

Actually the implications of John also being bisexual are so fucking tasty to me because like. OG John has no support system and no protection against the world except his own perceived strength so he learns to ferret out anything that can possibly be seen as weakness to those around him and that includes any affection or attraction he might feel towards men because nothing screams "stay in your fucking closet" like spending all your time around a fringe subculture of serial killing doomsday preppers in the Midwest during the Reagan era.

By the time he notices Dean starting to look a little too long at boys his age, he's probably convinced himself that whatever he felt (still feels but ignores) was a temporary youthful indiscretion, and of course Dean can't afford those, doesn't get to have those, he's got to be a soldier. He's got to be a better soldier than John, even.

I dunno I've just had enough conversations with family members who are loudly but somehow also mildly homophobic and yet say or do things that make me *eyeballs emoji* not to think this is not only possible but arguably likely.

[im-secretly-a-frog]

🌻

Ooh a new one!! Oki

My brain is rotating doing the microwave noise rn so apologies if I make not very much sense

So like you see. My dad has a collection of classic books. And. There is one of them that is somewhere between 180 and 200 years old!! Isn't that cool?! A book that could be 200 years old is metres away from me!!

[rainingmbappe]

The rise of "let people enjoy things" is single handedly the backbone of the rise of anti intellectualism

[laesas]

did you ever make a post about pete not liking tankhun ? i know you mentioned it a few times in your tags but i don't remember seeing a post. (i share your opin ions.)

I definitely toyed with the idea of meta or a gifset but I didn't ever make a full post! I love unrequited love and I ESPECIALLY love the extremely rare platonic version which Tankhun and Pete absolutely nail in my opinion!

There are loads of moments where Pete's smile drops around Tankhun very quickly, or he insults Tankhun behind his back. Instead of laughing things off like Arm and Pol, he almost has a wincing fear-response to Tankhun, which we don't really see at all from the other bodyguards.

I think that Tankhun likes to think of himself as being close friends with his bodyguards, and he does genuinely show a lot of open affection for Pete and eventually concern for his safety. But I think ultimately for Pete, Tankhun is just a part of Pete's job, and over time resentment has built up until he thinks of Tankhun as one of the *worst* parts of it. I definitely don't think he resents Tankhun enough to hurt or endanger him, but that's about as far as it goes, there's certainly very little love there.

Something about that dynamic is just particularly brilliant, especially when combined with Pete's eventual defection from Tankhun's side to Vegas'. He chooses a man who has beaten and tortured him over a man who showers him in affection and throws parties on his return.

I utterly adore Tankhun but I think as a character that's grown up in a gilded cage, he doesn't really understand that what Pete needs is a sense of his own autonomy rather than being dragged to "fun" "lets cheer up Pete" parties that Tankhun has demanded on his behalf. At least with Vegas he *chose* to go back, he handed Vegas the ropes, let him lock him back up again. Even before he develops feelings for Vegas, Pete has clearly felt like a subhuman pet for Tankhun and the main family for a long, long time and I think ironically Vegas acknowledging Pete's humanity is the tipping point for him.

I think even without their nascent romantic love as a factor, Pete would always choose Vegas. Because despite the threat of suffering, he offers a sense of freedom that Tankhun's gilded cage does not. It all makes for an incredibly interesting betrayal, and makes Pete choosing Vegas over Tankhun all the more pointed. By choosing to be Vegas' pet, he chooses to be human.

[chadlesbianjasontodd]

now that i have thigh-high wool socks i will never be cold again ✌️

[ravenekrops]

do i make a sideblog for creative writing or dump it all on main.... choices, choices

[0809sysblings]

Muu has NPD btw. if you care.

[floralovebot]

went fucking insane

template!!