#they are living up to the ''no one has any idea what they're doing'' theme

[imminent-danger-came]

Anyone else absolutely allured by how wrong everyone in lmk is all the time. Everyone is an unreliable narrator and no one knows what's going on or what they're doing. It makes it so fun for me

[musical-chick-13]

"This show is SO good, you should watch it!!"

I gotta be honest. If I look at a character list on Wikipedia and get five characters down without seeing a single woman, it's probably not for me.

[8housevenus]

3rd house placements and your voice!

hii, i wanted to do more of a light & fun themed post that goes over the kind of voice you have, the type of communicator you are, and other things as well according to your 3rd house placements. if you do not have any placements in your third, check out the house ruler and apply it accordingly, ex; my third house is ruled by pisces, apply the neptune features to it!

sun in 3rd house - talk about thinking out-loud!! sun in 3rd people are such great communicators, they get things across loud and clear. never ones to hold back, natural conversationalists, and you have a voice that often sounds younger. when you talk it's heartfelt and you feel that half-assings in conversations is just not you! sometimes, your age is mistaken due to your lengths of knowledge and the ability to express your inner child through your interests. you use your hands often when you speak! often have such a memorable voice and this placement is a strong indicator of being a music artist too; justin beiber, jay z, drake, britney spears, all very household names and all are always getting their voice impersonated by other people interestingly enough!! there's versatility that spews through these people, not hard at all for them to improvise, standup, debate, etc. can be gossipy though and involved in dramas very easily because of this.

moon in 3rd house - mental clarity goes crazy here. your emotions give you all the drive you need- creatively and you don't hold back on that. they intellectualize their emotions and can formulate feelings into words very well. the kind of voice they have is much softer, eloquent, and comforting. they're the kind of people that send you a voicemail and you listen to it over and over again because it's endearing. "say it with your chest," type of people, as the moon is mostly fixated in the chest-stomach region. they have a good discernment of their environment, walking analysts, know when to intervene, etc. celebrities with moon in 3rd; jennifer aniston, megan markle, margot robbie, etc.

mercury in 3rd house - very fast-paced talkers, versatile in the way they communicate. also uses their hands while they speak, has a witty and sarcastic tint to them when they speak. often very humorous people and naturally highly innovative. for these people ideas flow into them at fast rates, often giving them plenty of projects to work on. placement of high intelligence, and great at mirroring. "excuse me, may i interrupt," types of people. love adding on to others and i notice with 3rd house mercuries as they get older, they do become a lot quieter and keep ideas to themselves. celebrities with this include; jim carey, nikola tesla, stephen hawking, etc. (like i said super wise and funny thats a dub for sure)

venus in 3rd house - first thing that comes to mind is glamorous voice. often times they talk about their love-lives (yes they always have the craziest stories about others or themselves in love). just like the sun, these people have a notable voice too. one that can even get them famous. often these people have strong followings, or crowds that really like listening to them. highly influential and lowkey some party heads. might have some commitment troubles, but other than that they have good projecting voices- soothing, and has good posture too. celebs with this; cristiano ronaldo, taylor swift, kris jenner, etc.

mars in 3rd house - i like to say they have some of the most electric voices ever. seriously. they know exactly how to spice up conversations and they move a lot when they talk. they inspire others to take course of action, usually very good individuals at gaining crowds as well, but what differentiates venusian people and mars people- is the attitude. mars gain people's attention through their eccentric-ness. other people find mars in 3rd house bundles of expression, always on the go and actually very good manifestos. usually has raspiness and deepness to their voices because they tend to shout a lot. celebs with this; miley cyrus, harry styles, katy perry, etc.

jupiter in 3rd house - these people have a love for languages. usually very diverse linguistically, and always the guy that knows a guy. very good at developing acquaintances in their environment. usually has more high-pitched voices, slow and even sensual, but clear. they like knowing a bit of everything while they can. sometimes, these people can attract things out of thin air, and receive many comments on their voice or abilities to make their life experiences sound a lot less gruesome than it really is. kind of in their own little world and has open demeanor. often times you see these people unexpectedly associating with others that "make no sense" for them or in environments that "make no sense for them". side note: the biggest struggle these people will face is people trying to mold them to be somebody they're not. they love to expand wherever they can. celebrities with jupiter in 3rd; lana del rey, lionel messi, jim carey, and gordon ramsey.

saturn in 3rd house - mean big business ok!! let me tell you, these people are amazing at using their environments for their endeavors. they're very humble speakers, reserved and kind of talk when asked to. they are great at explaining principles of underlying things, usually seems older than what they really are. they stick to one thing at a time, and they are actually easy to read while talking to them. their body language is more telling than their words sometimes. watch a saturn in 3rd house's jaw clench when they are stressed, or crack their knuckles while thinking heavily. celebrities with this placement; steve jobs, kylie jenner, bjork, zoe kravitz, etc.

uranus in 3rd house - "you can't outdo the doer," is what i get from this placement. highly intellectual people, makes significant shifts into the world. when they speak, they're actually very good at impressions, get told they don't look like how they sound, or will attract many "haters" because they challenge status quo mentality. they will never stand down when communicating their deepest interests. they seem quirky & nerdy, however highly reliable and feels a strong sense of "these people need me." as they become older, they are more cherished, while they are younger they might seem air headed. their voices are so unique to them, that you cannot easily be reminded of them by others. they are completely in their own lanes. one of a kinds. celebrities with this placement; albert einstein, elon musk, celine dion, michael jordan, etc.

neptune in 3rd house - has a deep understanding of the environment they're in. they are very quiet and timid. these people really like to connect to people based off their souls and not their physical forms. and when they speak, they have a genuine tone and strive for genuine connection. sometimes, these people think many people they cross paths with are meant to make them feel good, feel bad, question, etc. highly accepting and others can admire this person too. seems ditzy, but on the inside is a whirlpool of feeling and emotions they sense. sometimes they can get abnormal praise, simply for the way they express themselves. i notice with these people they love to make facial movements when speaking, like very dramatically sometimes. you can always tell when these people are nervous too, watch how many times they shake their feet to soothe themselves. always seems very introspective wherever they go. celebrities with this placement; al pacino, leonardo dicaprio, beyonce, kendrick lamar, etc.

pluto in 3rd house - bringing pluto into this mix, wherever they go they love to change what they can in their environments. they want to change things for the better, and usually really find interest in talking about things that isn't so typical in conversation. they are very serious people when in discussion. they hate to say a lot without leaving impact. these people will sound much older and have a profound tone. often they bring the collective darkness to a collective lightness. i notice they love using metaphors, talking in 3rd person, and dropping their egos a lot in conversations. makes undeniable changes to societal norms or social structures. these are life changers and add some humanitarianism to everyday encounters, really love dropping a lot of their own lore too! celebrities with this; angelina jolie, martin luther king, adam levine, kylian mbappe.

thank you so much for skimming through this i appreciate it as always, let me know if you relate, disagree etc. super interesting in seeing what you think, let me know if u want me to do more like these <3

[loriache]

Kabru, impossible mutual understanding & unknowable objects

Despite his concerted and constant efforts to understand other people, it’s established in a few extras that Kabru believes that true mutual understanding between certain different races is impossible. Specifically, between long-lived and short-lived races, and between humans and demi-humans. Partially, we can trace this conviction back to specific hang-ups caused by his life; the trauma of the Utaya disaster, prejudices he carries from his childhood, and his experience of racism among the elves. In this “little” essay, I’m gonna discuss how I think those experiences formed this belief, how it comes out in his actions, and how some of his actions seem to contradict it. The question of whether it’s possible to reach mutual understanding with other living beings despite our differences is one of the core themes of the manga, and I’ll also touch on how this aspect of Kabru’s character links to that.

Seeking understanding

Kabru is a character who devotes a huge amount of time and effort to understanding people, and he is very good at it. In his internal monologue, we can tell how advanced and complex his skills of analysis are. He is able to read a huge amount of information just from looking at people's faces and body language.

People are, to him, what monsters are to Laios. This is something that's been expanded on at length in other, excellent meta. It's the fact that they're foils; it's the fact that Kabru is also very easy to read as autistic, with a special interest which is the opposite and parallel of Laios'. It's something that came out of trauma and alienation, as Laios' special interest in monsters also began as a coping mechanism.

The complicated origin of this "love" for monsters and for people comes through, I think, in the fact that one of the places we see both characters use their fixation is in being very, very good at killing the thing that they love. This also ties into the idea that loving something isn't even remotely mutually exclusive with using it to sustain your own survival; using it for your own purposes; hurting it or killing it. Love can be, and often is, violent, possessive and consumptive. This understanding is part of what makes Kui's depiction of interpersonal relationships so compelling to me.

While Laios fixated on monsters and animals to seek a place of escape, in both his imagination and his self-image, from the humans who he couldn't understand and who couldn't understand him, Kabru seems to have fixated on understanding people in order to navigate the complex, socially marginal places that he has been forced into throughout his life. As an illegitimate child raised by a single mother with an appearance that marked him out as different to the point his father's family wanted to kill him, and a tallman child raised among elves who didn't treat him as fully human and wanted him to perform gratefulness for that treatment – treatment that, after he met Rin at age 9, he certainly always understood could be a lot worse – his ability to work out what people wanted from him, whether they were friendly or hostile or had ulterior motives, wasn’t just an interest. It will have been an essential skill.  

Milsiril, I think, was a flawed parent who tried to do her best by Kabru and did a lot of harm to him despite her best intentions. She may have treated him much better than an average elf would have, but like Otta and Marcille's mother, there are other elves with different outlooks on short-lived races. How would they judge her treatment of him? We don’t have any insight on what it could be, but to be honest, the person’s whose opinion of her I’d be most interested in knowing is Rin’s.

But even if she'd been perfect, living as an trans-racial adoptee in a deeply hierarchical nation with a queen who is a 'staunch traditionalist' who wouldn't even acknowledge the existence of a half-elf like Marcille (according to Cithis) is an experience that would deeply impact anyone.

Elves & Impossible mutual understanding

While Kabru was living with Milsiril - in other words, while living in the Northern Central Continent - he came to believe that "there was no way to achieve mutual understanding with the long-lived races."

This is evident in his political project: he wants short-lived races to have ownership over the dungeon's secrets. Despite his dislike of the Lord of the Island, he's a useful bulwark to stop the elves taking over. Despite his doubts about Laios, Laios needs to be the one to defeat the dungeon, because if he doesn't the elves will take over.

Kabru still carries a deep scar from Utaya, one that was exacerbated by the fact that he never got an answer to any of his questions about what happened or why. This, despite the fact that Milsiril knows about the demon and how it works. Do you think Kabru, with his social perceptiveness that borders on the superhuman, wasn't aware that she knew more than she would tell him?

Given that, the fact that he gets to a place where he "doesn't have any particularly negative feelings about [elves/long-lived species]" .... well, to put it bluntly, I believe that he thinks that's the case, but I kind of doubt it. After all, if he did have resentment, of Milsiril (someone who was his primary provider and caretaker since age six, and who despite her flaws, loves him and who I do think he loves) or of elves (who he has had to play nice with for most of his life, in order to survive, and will still have to play nice with in order to achieve his goals, since they hold all the power) what would that do except hurt him and make his life harder? Kabru is Mr. Pragmatic, so I don't think he'd let himself acknowledge any such feelings he did have. Exactly because he can't acknowledge them, they're well placed to get internalised as beliefs about the Fundamental Unchangeable Nature of the World.

However, these stated beliefs seem to contradict his actions. Despite his belief in the impossibility of forming a mutual understanding, he certainly seems to try to understand long-lived people, just as much as he does short-lived people. There's no noticeable difference between his treatment of Daya & Holm versus Mickbell & Rin that isn't clearly down to their relationship with him. His skills of human analysis were honed and developed while living amongst elves, and as soon as he's alone with Mithrun he immediately sets to understanding him - his interests, his motivations, his needs, and his past.

He treats him considerately and without bias, and despite the fact that Mithrun conquering the dungeon for the elves is both a reenactment of a core part of his childhood trauma and a political disaster for his aims, that doesn't seem to colour his perspective on Mithrun negatively at all.

This is something I find extremely laudable about Kabru, and it's another way he parallels Laios. He seems to understand that people, as a rule, (in Laios' case, he understands this about monsters - and eventually, all living beings) will act in their own interests, and if those interests conflict with yours, might harm you. But that's just their nature, and it's not something that should be held against them; you're also doing the same thing, after all. The crux of Laios' arc is precisely that he has to accept the responsibility of hurting someone else in order to achieve what he wants.

Kabru is deeply concerned with his own morals, what he should and shouldn't do, but mostly in the context of responsibility for the consequences - a responsibility he takes onto himself. He isn't scrupulous about what he needs to do in order to create the outcome he wants, but if he fails to create that outcome, then....

He blames himself to the point of thinking he should die. He doesn't blame Laios, or seem at all angry with him, despite concluding he should have killed him to prevent this outcome. That's because in his eyes, ultimately Laios was going to act according to his own nature, and it's Kabru's fault for not understanding that nature well enough. He's extremely confident in his ability to understand and predict others, (including elves and other long-lived people). Then, where does his conviction that mutual understanding is impossible come from?

Partially, it's the "mutual" part. I'm sure Kabru, who isn't able or willing to deny Otta's insinuation that Milsiril saw him more like a pet than a son, has felt that his full interiority, the depth of his feelings and his ability to grow, act, and think as a fully equal being, was something that the elves around him just couldn't grasp. Because that was their excuse for it, he came to understand this as a gulf between short-lived and long-lived beings, an inevitable difference in outlook caused by their different lifespans.

This experience might be part of what leads to his iconic “fake” behaviour. He trusts his ability to understand others, but if they aren’t able to understand him, then there isn’t any benefit to being honest about his feelings and thoughts. If his attempts to reach mutual understanding with his caretakers were never able to be fulfilled, then it isn’t any wonder that he reacts with such surprise and horror at blurting out his desire to be Laios’ friend.

In his experience, making yourself vulnerable in that way only leads to being hurt. Soothing him, hushing him, lying to him, talking to him like a child that isn’t able to use proper judgement – that’s an inadequate and deeply hurtful way to respond to genuine distress, the desire for autonomy, or disagreement. Ultimately, I think that’s why he comes out on the side of being grateful to Milsiril; because she did equip him with the skills and knowledge he’d need to reach his goal, and let him go.

Though he could understand them, they couldn't understand him. To the extent that was true - which I'm sure it was - it wasn't due to anything about lifespan. It was due to the elves’ racism, and the solipsitic mindset & prejudiced attitude that it caused them to approach him with.

Because, if it needs to be said, the idea that there is an unbreachable gap in understanding between the long-lived and short-lived species is not true. Marcille and Laios have a much greater difference in lifespan than any full elf from any short-lived person, and they’re able to understand each other – maybe not perfectly, but better than many other people who are closer in life-span to them.

That doesn’t mean that I think Kabru is wrong about this, however. Because there’s an interpretation of his statement that is reflected in his actions and is true. When he talks about his problem with elves, it’s not just their attitudes: it’s their power, and what they use it to do. They “explain nothing and take everything”. Though it’s presented in the guise of ‘guiding and protecting’, in fact it’s a simple case of a powerful nation using their military power, wealth, access to resources, and historically stolen land – including the island itself – to protect their own interests and advance their own agenda. That’s why they’d be able to show up, seize the dungeon, and forcibly take Kabru’s party and Laios’ party to the West. If Kabru wants to stop that from happening, or change that status quo, persuasion or a bid to be understood would be completely pointless. Between the political blocs formed by long-lived species and the interests of short-lived species, “mutual understanding”, given their current, unequal terms, would be impossible. This is something that we see reflected in Kabru’s actions; before he asks his questions about the dungeon, he grabs Mithrun as leverage. He never really attempts to persuade the canaries to see his point of view, because that would be pointless: they’re agents of the Northern Central Continent’s monarchy, and will act in its interests regardless of any individual relationship with him.  

I don’t think Kabru sees the different dimensions of this belief of his in quite such clear terms, however, as is evidenced by the other group who he thinks it’s impossible to communicate with.

Demi-Humans & Unknowable Objects

The other place that we see his conviction about the impossibility of mutual understanding is in the kobold extra.

I'm including the whole thing, because I think it's an excellent and clever piece of world-building. Aside from what it says about Kabru, which I'll expand on shortly, what this extra does is deconstruct and call into question the usual "fantasy ontological biology" present in these sort of DnD-like settings. Essentially, the kind of worldbuilding where a race (such as kobolds) can be described as war-like, and that's establishing something essential about their biological nature. That's common to the point that if Kui didn't include this, some people would probably come away thinking that's the case about, e.g., the orcs.

But here, despite what Kabru is saying, the information the reader actually gets is:

the conflict between short-lived humans and demi-humans such as kobolds is mostly over access to material resources that they need to survive.

These resources are scarce because powerful nations, such as the elves, have monopolised them.

Kabru, who has grown up in a place at the centre of these conflicts, ascribes essential, negative traits to a cultural group which was in direct conflict with his own. Communication with this other group is impossible; they aren't people, they're more like objects.

oh yes! just like this conflict between groups of tall-men, a conflict which the reader will immediately interpret as more clearly analogous to real-life racism. Our other protagonists also carry prejudices from growing up in a place where a marginalised group was in conflict with the dominant group over scarce resources. It's definitely impossible to communicate with these people, and you can only kill them.

Woah, when you say it like that, it sounds pretty bad!

But also, nobody walks away having had a realisation or unlearned their prejudices - because they don't have the tools they need to do that work. Yet. I do think, to an extent, it could happen - especially with Kabru, since it's suggested in the epilogue that Melini might become a safe-haven for demi-humans.

To focus in on Kabru, the key here is his statement that you should think of demi-humans as "unknowable objects". Even his extraordinary powers of understanding have seemingly hit a limit. Part of this is just inherited prejudice, and doesn't need to have a complicated psychological explanation, any more than the elves who were prejudiced against him need one.

But also... this is probably somewhat linked to the way demi-humans seem to be considered "pseudo-monsters". They're the place that the strict delineation between the human and the monstrous is permeated. Laios, who is not interested in humans, remembers and is excited by Kuro. Chilchuck and Laios argue over whether it's OK to eat a mermaid. Kabru's prepared to (pretend to) roll with the idea that Laios ate the orcs.

But these are people, aren't they? Of course, this is a social construction, as we see from the fact that in the Eastern Archipelago, the label of "human" is reserved for tallmen, but in most of the rest of the world it depends on some obviously arbirary classification based on number of bones; "demi-humans" aren't in any essential way monstrous, except to an extent in their appearance, and physical location - due to their marginal social status, they're pushed out to live in unsafe places such as dungeons.

Therefore, Kabru's view of demi-humans as fundamentally "other", unable to be understood - monstrous - could be read as akin to abjection, the psychoanalytical concept described by Julia Kristeva. In order to create a bounded, secure superego, that thing which permeates and calls into question the border between self and other, human and animal, life and death, is rejected and pushed to the margin.

“Not me. Not that. But not nothing, either. A "something" that I do not recognize as a thing.[...] On the edge of nonexistence and hallucination, of a reality that, if I acknowledge it, annihilates me. There, abject and abjection are my safeguards. The primers of my culture.” (Kristeva et al., 1984, p. 11) “It is thus not lack of cleanliness or health that causes abjection but what disturbs identity, system, order. ” (Kristeva et al., 1984, p. 13) “The pure will be that which conforms to an established taxonomy; the impure, that which unsettles it, establishes intermixture and disorder. [...] the impure will be those that do not confine themselves to one element but point to admixture and confusion.” (Kristeva et al., 1984, p. 107) (discussing food prohibitions in Leviticus)

This is both (due to its affinity with food-loathing and disgust) a very fruitful concept to apply to dunmeshi, and a psychoanalytical theory which I wouldn't exactly cosign as True Facts About Human Psychological Development. You may also know the abject from its utilisation in the classic essay "Horror and the Monstrous-Feminine" by Barbara Creed - that's a lot more approachable than Kristeva if anyone's interested.

Key here, though, is that through the symbol of the "demi-human" is embodied a step between "human" and "monster" - and that's a prospect that puts at risk the whole notion of an absolute separation between those two categories in the first place. To Laios, that's something wonderful, and to Kabru, it's terrifying. We can see this principle further embodied in the relationship both characters have with the notion of becoming monstrous.

To Laios, this is transcendent, and represents a renunciation of everything human - in fact, if it didn't, it wouldn't "count".

To Kabru, it's a deeply-held fear, established by his childhood alienation (due to his illegitimacy, his eyes, and perhaps also his neurodivergency), deepened by monster-related trauma and the sense of responsibility and survivors guilt he feels for what happened at Utaya. His identity as a human who is not monstrous is key to his sense of stability and safety; he doesn't want to touch monsters, he doesn't even want to see them.

To acknowledge a kinship, a possibility of similarity between the things he loves (humans) and the things he hates (monsters) would be more than touching them - it would be putting them inside him. We know, quite explicitly, that this notion is triggering to Kabru. He literally has what seems to be a flashback when he's about to eat the harpy omelette.

So he abjects it, classifying the demi-human as fundamentally unlike him - an unknowable object, or an object that he refuses to know. Because in understanding it, he would interject the things he hates and fears into his self, which is already, always under threat by that hated and feared object.

Of course, again, Kabru isn't very good at enacting this refusal in practice. For one, when he chooses between his desires and ingesting the feared object, eating monsters... he eats monsters. Part of this is treating himself badly, the "ends justify the means" mentality. His goal is to destroy all monsters, so if he needs to become monster-like to do that, he will. But part of it is also the other motivation that he didn't even seem to know about until he said it: he wants to become Laios' friend, and to learn from him how a person can like monsters. He wants, at least in some part of him, to reconcile the feared and hated object into something he can understand.

For another:

Kabru can speak the kobold language. In the first place, while this may have been common in Utaya, it also could have been something he chose to learn, an early expression of his interest in understanding and talking to all sorts of people. It isn't the kind of thing you learn if you believe that communication between yourself and the group that speak it is impossible, is it?

It's possible to harbour prejudices against a group while being kind to an individual, and given Kabru has those prejudices regardless of his reasons, that is what he is doing. But also, his treatment of Kuro doesn't reflect a sincerely held belief that he's an "unknowable object" at all. His approach is exactly the same as it is to any other person: an analysis of goal and motive, and an attempt to help if he's sympathetic and their goals align - going out of his way to give language and local knowledge lessons in secret. His conviction that Mickbell and Kuro will truly become friends when they can properly communicate is completely contradictory to any sense of demi-humans as fundamentally different, or impossible to reach mutual understanding with. To me, it seems like this self-protective shield against the corruptive force demi-humans as an idea present to his identity, this abjection, when Kabru is face-to-face with one, just simply can't hold up against his finely honed skill of intellectual empathy. Perhaps because he's autistic, it seems his "empathy" is less an emotional mirror response, and more a set of cognitive skills for analysis of others. That instinctual, emotional empathy might not trigger when presented with a member of an out-group, but if it’s possible for Kabru to turn his cognitive empathy off, we don’t see him do it.

This isn't to say that this prejudice doesn't affect his behaviour. For one, it could negatively impact his judgement of politics and policy, where individual people don't enter into it. For another, I'm not convinced he'd be willing to overlook Mickbell's exploitative relationship with Kuro if Kuro wasn't a kobold. As it is, since both of them are satisfied, he doesn't feel like he needs to intervene, regardless of the fact Mickbell isn't paying Kuro. But if Daya and Holm were in a relationship, and Holm took both Daya's and his own share from their ventures, but only compensated her in living expenses and kept the rest, do you think he'd tolerate it, for example? Even if she said it was OK?

Conclusion

The kelpie chapter establishes that "people can never know what monsters are really thinking." That isn't just true of monsters, though.

True mutual understanding is impossible - between anyone. We can never truly understand another person's heart. This is touched on in, for example, the existence of shapeshifters and dopplegangers. Even a monster that seemed like a perfect copy of a person wouldn’t be that person, and wouldn’t be a satisfactory replacement.

We’re intended, I think, to understand the winged lion's repeated suggestions to just replace people who have been lost with copies as something uncanny, which demonstrates the way that the winged lion never manages to attain a complete understanding of humans. A version of a person who was created to fulfil your memories of them, to be the person who you wanted them to be, would be a terrible, miserable thing.

Disagreeing, coming into conflict, and misunderstanding each other, are essential parts of what it means to be living beings, as fundamental as the need to eat.

The only thing to do is not to take more than you need to eat to survive, and not impose your own desires onto others. To do your best to sincerely communicate your desires, even if they're embarrassing or vulnerable or strange, like Kabru eventually does with Laios; like Laios does, bit by bit, with the people around him; like Marcille does, Chilchuck does, Senshi does... to hope they will accept you, and do your best to understand them in return.

We can re-examine, in that context, Kabru's line about the elves' tendency to "explain nothing and take everything".

They have the power to impose their preferred "menu" onto less powerful groups. And in that context, mutual understanding being impossible just means that they won't give up their power because they're asked nicely. Kabru's goal is to seize the truth that they won't give to him, and to create a situation where they can't take everything. Because he's accurately surmised that nothing about the treatment of short-lived races will change so long as the power imbalance remains. Despite the way he mistakenly ascribes part of that to "long-lived vs short-lived" or "human vs demi-human", the actual gulfs in understanding he identifies are structural, are about power and about access to material resources and safety.

I think he could come to recognise this. Yaad is teaching him political science after all, and while a prince's lessons on political science won't exactly get at much that's radical or invested in the interests and perspectives of the marginalised (Capital is a critique of for a reason after all...) I believe in Kabru's ability to learn critically and get more from a lesson than it was intended to teach.

[mayaree-darling]

who's to say what's real or fake// Genshin SAGAU

from aree: impostor au but you actually are the impostor? but ofcourse theres a twist. I think i'll call this FakeGrace!Reader. This was just going to be a headcannon post but ended up a whole fic plot

warnings: themes that all come with the sagau tag (yandere, lots of religious talk, cult, etc.)

word count: 2k~

You end up on Teyvat and immediately the characters recognize you as their Creator; of course you're their Creator - you have the same face, name, and voice. You go through the ordeal of getting to know all the characters all over again and they in turn love you as the god they’ve been waiting for all this time.

You decide that well, this is the world and characters I spent blood, sweat, and tears building (even if it was behind a screen) so might as well help out and do what needs to be done. The people come to you for their problems and you find that they're not as difficult as when you were simply a player. Maybe a minor dispute here and there between the NPCs, but now the vision holders and the Archons ask for your thoughts on how to go about political matters concerning their nations. Even Snezhnaya has signed a peace treaty with the other nations as a show of good faith to the Creator (even if you know for a fact its a temporary one).

All has never been better.

Until another Creator appears in Teyvat, and this one bleeds gold the way their stories foretold. In a way you do not.

The vision holders are torn. Yes, you are an impostor, and they want to hate you for tricking them, but at the same time haven’t you only shown them love? Haven’t you been patient with them and understanding despite being thrown into a world you’re unfamiliar with?

But with careful coercion from the other god, they have to choose to follow their true Creator. You decide to take pity on them and step down from your position yourself, choosing to live with the Aranara who have gladly taken you under their wing (fake god you may be, you are still a friend of the forest, and the forest always remembers its friends).

The Archons tell their new Creator that you are no more. They pretend to not hear when the Creator says they should have brought your head with them, maybe just a bitter reaction for finding out that they have been serving an impostor all this time (the Archons are lying when they say they do not feel sickened at the idea of hurting you, and disgusted at this new God's words)

It soon becomes clear to the people of Teyvat that this new Creator is not you - none of the patience or kindness you had showed them. This new one thinks helping their people is below them, even laughs at some of their problems. They chuck their duties as a god to the vision holders and spend their days leisurely, wining and dining on the best food, expecting to be waited on hand and foot. And at first it was fine, the characters understood. Maybe their Creator was just enjoying the fruits of their labor for once (although in the back of their mind, they can't help but compare you - you who worked tirelessly to attend to everyone even when they’d almost beg you to take a break). The characters tell themselves that they just need to get used to this new god, their true Creator. It will all right itself in time. Even as the Creator acted more like a child by the day, calling for the punishment of characters for the simplest of things. It’s fine. It’s fine.

It didn't take long for their will to break.

The God of Wisdom is called as such for a reason. Nahida may be younger compared to the rest, but she is braver than most. She simply tried to impart a fraction of her wisdom, softly suggesting to the Creator to show mercy for their people who were gravely punished for things they did not do.

This Creator was not you. They did not have a drop of patience that you had, nor any love for their creations. Their god saw this as nothing but an act of treason. How dare a mere Archon tell them what to do? She dares to question who the Creator can and cannot punish?

The silence is deafening in the throne room as the Creator calls for the death of Lesser Lord Kusanali and the destruction of Sumeru. If it is mercy she asks for then it is the last thing she and her people will receive. The other Archons agree past gritted teeth, the sin of Khaenri’ah weighing heavy over their shoulders still.

Nahida had been banished to Sumeru before the order was given, so the Archons make their way to the Nation of Wisdom to tell her of her sentencing, hoping to beg her to ask the Creator for their forgiveness.

This can't be how it ends. Are they to spend their lives in fear of the god they so revered?

They enter a forest emitting divine energy in search of their friend, hearts heavy, but they found something else.

They found you. They found the Creator they loved once upon a time.

They seemed to have caught you mid-conversation with Nahida, and to their surprise (and resentment) the Tsaritsa; they can only assume that the god of Snezhnaya has informed you first of Nahida's fate. The Wanderer catches sight of them and stands in front of you in protection. You don't even bat an eye. You swallow hard and stand, Nahida's hand enveloped in yours, and the other gods would be lying if they say they did not feel jealousy strangling their lungs.

With a steady voice, you tell them that should they take one step against Nahida, you will meet them halfway. If they decide to send Sumeru to hell, they will have to go through you first. You will do everything you can to stop them, and if Sumeru falls then you fall with them.

They don't have to look at the others to make up their mind. There's a beat of silence but first it's Morax, and Beelzebul and Barbatos and then Focalor, and they are on their knees, heads bowed low.

It is only right to show respect to their god, after all. How could they be so blind?

Validation of their actions comes soon after as you let go of Nahida's hand and tell the Wanderer to stand aside. You do something that tyrant of a Creator that sits on a glass throne would never - you kneel before them and hold out your hand.

"Why are you all kneeling? Stand up. I am no longer your god. But I hope you will have me as a friend. Will that be alright?"

There are tears in their eyes as they let out stuttering laughter. Yes, this is their god. Their god with so much love and compassion and a heart that does nothing but bleed for them. A heart that does not ask for them to bleed.

You are their god. You are their true Creator. Golden blood be damned. All that gold has done nothing but blind them.

Eventually, you all end up on the forest floor. You accept the role of a friend as promised, and catch up with them. The Archons are almost in tears as you listen to their stories earnestly, squeezing their hands in sympathy as you listen to the pain they've been through under the rule of their so called Creator (they really should find a new title for you, the god that sits on your throne has sullied your rightful name). At one point they stop telling you stories of their mistreatment, unable to see your face be any sadder than it already was. They take to retelling your stories together, reminiscing better days - because is that not what they have done all this time? Think about the lovely you for every wrongdoing the other god had done in your name?

As you laugh and smile with them and their stories and their company, the idea burrows through their mind without your knowledge, taking root, and they refuse to let it go. Wouldn't it be so much better if it was always like this? Seeing your smiling face with them, a person that deserves to be called a god even more so than all of them combined. Knowing you were safe from harm, not having to defend yourself, especially from them under orders from a tyrant. Knowing you loved them the way they loved you.

It was all better with you.

When you weren't looking, the Archons gave each other knowing looks and curt nods in understanding.

You are their beloved Creator.

As a peaceful silence falls over you, they watch as you smile sadly, their hearts breaking to see such an expression on your face. In a soft voice, you apologize for not being able to do much to help them. When you lift your head, golden resolute eyes meet yours.

"You’ve done enough, Your Grace. Let us handle the rest."

You may have laughed at the old title, but the Archons are hell bent in returning it to you. Although it hurts them to say goodbye, they know it’s only for the moment. Soon, you will be with them. Back in your rightful throne, as you have always deserved.

Nahida is the youngest, and so they decide to spare her the carnage. The rest know she is no fool, they don't need to tell her what they had planned for her to know what happens next. She does not fully agree in the others' decision, yet she stays in Sumeru, promising to make sure you do not find out. Word travels fast to the other vision holders in the form of a breeze from Barbatos. Barely anyone had disagreed with the notion of removing the rejected god from the throne, and those who were hesitant at first changed their mind after hearing how you were ready to go down with Sumeru. Morax and the Tsaritsa lead the rebellion.

A god is only as powerful as the people who worship them. By the time the Archons arrived in the throne room, the Creator had no one to hide behind.

They made it a spectacle. They spin a tale for the people that the god they so worshiped was an impostor who had switched bodies with their rightful god, which explains the gold blood that should be yours. They say you were patiently waiting for them all to come back to you, to remove this impostor from your throne. You were ready to accept them all, they just needed to get rid of this filth that dared destroy your name. The Creator - no, the Impostor - is horrified when the people accept this story so easily, but they only have themselves to blame. Who cares what they have to say to defend themselves, although it’s not like they can anyway - how can they when their tongue was cut off?

Teyvat was silent as gold painted the streets of Liyue Harbor. Teyvat no longer cares for golden blood, not after all the blood and tears it had taken from its people. After all, a golden soul stands ready to take back their rightful place.

Your followers thought it had all been worth it - the pain, the hardships, the blood - to see you smile the first time you set foot outside Sumeru after what felt like years to them. And yet, despite the joyous occasion, you hesitantly turn to them and ask a question not even Irminsul would answer you.

"What happened to the Creator?"

You would be lying if you said the soft smiles each of them gave did not unnerve you as they all said the same thing, like a joke everyone knew all except you.

"We simply removed the Impostor from Your Grace's presence."

They are thankful that you are blinded by your love for them to see the gold shine on their hands. You do not ask about the shimmering streets either. Liyue was the city of gold after all, was it not?

For now, their biggest concern is your acceptance that they are your equal, but that can easily be fixed. You are their friend now, but someday you’ll be their god again. Slowly but surely. They will sit you back in your throne. They will kneel before you again. They will give you the reverence you so deserved.

It will all be yours.

You're their wonderful Creator, after all. Maybe not to you right now. But you always have been for them.

They’ll start from calling you Your Grace. You’d be too kind to tell them off over and over.

You always had been good at adapting.

You had gotten used to it then, you’ll get used to it again.

✨ Masterlist ✨ 

Taglist: 💛@anime-allover  💛@faeriessky  💛 @prksolon 💛 @dai-tsukki-desu

Disclaimer: Characters are not mine and belong to their respective creators. Their portrayal is merely my own interpretation of them and may not be accurate to their intended characterization. I stake no claim to the original works, only to the ideas and plot of the fictitious stories I’ve written them into.

[luvfy0dor]

“Please Don't Cry ♡⁠˖” BSD x GN!Reader ੈ✩‧₊˚

Warnings; crying, Nikolais kinda an asshole

Description; The BSD men seeing you cry, whether it's their fault or not

A/n; hi guys :333 one more request until they're all finished!! It only took me 6 months to do what, 11? 12? I don't know, I'm really slow when it comes to reqs, so I'm sorry it took so long!! I've also decided not to change to a gray theme cuz I don't wanna feel like I'm copying anyone, maybe one day though!!

Osamu Dazai ★

• It's probably his fault in most cases, but for this scenario we'll assume it isn't. Your day has just progressively gotten worse, and you were at the point where any minor inconvenience or annoyance would set you off and make you cry.

ೃ⁀➷

You pushed open the door to your apartment that you shared with your boyfriend, bags in your hands ready to rip from the weight of the groceries inside. You huff and kick the door shut behind you, annoyed when it doesn't fully close and requires you to kick it one more time. You carry the bags to the kitchen counter and set them down rather aggressively, not minding the strength you put into roughly placing them on the surface while you turn to put them away and wait for your boyfriend to arrive home from work for once. You sigh with a hand on your hip and the other on your forehead, opening the fridge and observing your current minimal amount of food and get to stocking up. A few things make it into the fridge before you hear the door open again and your boyfriend call out to you. "Y/n? Home?" A hum erupts from your throat in response and he quickly makes his way to you, following the sound of your voice. "Hey, babe, how was your day?" He asks, grabbing a head of lettuce to hand to you. "Terrible, 'Samu, nothing tragic happened but like, all the little things, you know?" You say, shoving the head of lettuce into one of the bottom drawers of the refrigerator. He reaches over to grab the milk, but realized that the half-gallon wasn't completely full, and upon further investigation (lifting the jug up), he realized that the plastic had broken and milk was spilling out into the plastic bags, onto the counter, and down onto the floor.

"Oh, the milk broke." He says, taking a large, exaggerated step past you and over the milk to bring the half-gallon to the sink. You straighten your posture and stand up straight, head swiveling towards the counter with whiplash inducing speed. You felt your throat close up, making you unable to say anything in response. Before you knew it, your shoulders started shaking and your tears quickly followed that motion. You whimpered quietly into the palms of your hands which attracted Dazais attention again over the milk. "Aw, don't cry over spilled milk now!" He jokes, but when you give him an agitated glare and open your mouth to defend yourself, he switches up and pulls you in for a hug. "No, I was just joking, but it's okay! There's nothing to cry about, we can get more milk. Do you have any idea how it coulda happened?" He asks you, stroking your back. "M-might've put the bag down to roughly.." you say, sniffling and wiping your tears from your face. He gives a pitiful frown and kisses your cheek quickly.

"Well that just means you're too strong for your own good! Oo, see I knew there was a reason why I had to clarify I was joking, you could've broken my neck if I didn't." He playfully says, trying to cheer your up a little bit. You let out a shaky sigh and nod. "Yeah...I guess. We can go without milk for tonight, I'll get some more for tomorrow." You grab some paper towels from the roll on the counter and start cleaning up all the milk. He nods in agreement and pulls you into his body, pressing a kiss to your forehead and squeezing your shoulder. "Yeah, we'll live. We should get take out for dinner, I don't think either of us are really in the mood to cook." A little bit of weight is lifted off your shoulders, one less responsibility for tonight. "Okay, Chinese?" he nods and smiles. "Yeah. I'll call right now, you want your usual, right?" He asks, pulling his phone out of his pocket. You hum against his chest, ready to knock out and take a nap. His words blurred together as you felt yourself slipping into sleep, but with that you also felt great amounts of gratitude for your boyfriend for making you feel just a little better. Or maybe you just needed to cry a little, who knows.

Chuuya Nakahara ★

• Chuuya is no stranger to annoying co-workers and tiring missions, often wearing him down through the day, but sometimes he's unintentionally snappy. Don't worry, he's always quick to make it up to you.

ೃ⁀➷

Throughout the day, the texts between yourself and Chuuya had indicated that Chuuya was having a rather troublesome day, especially because of the frequent complaints followed by the facepalm emoji. You decided that you'd kick back with Chuuya and relax, opening a new bottle of one of his favorite wines and maybe giving him a back massage or something to relieve his stress. You eagerly awaited that familiar sound of his key in the door, and when you finally heard it, you stood up from your seat. In walked Chuuya, his appearance a little roughed up. He hung up his coat and hat without a word or glance to you, walking right passed you into the kitchen. 'That was kinda rude.' You thought to yourself, but you knew Chuuyas job was stressful and sometimes overwhelming, so you let him walk off on his own for a while. You knew where he was going and it didn't concern you, just to the balcony for a cigarette. You crossed your arms over you chest, hoping that he'd come back in a bit of a better mood. You turned on the TV and occupied yourself with that for a little bit before his familiar, light footsteps were heard coming back into the house. "Chuuya?" You called out to him. You could hear his loud sigh. "Yes?" His tone of voice was clearly agitated and disgruntled.

You were taken aback by how clear it was that he didn't want to talk to you right now, and you knew it wasn't personal, but you couldn't help but be saddened over it. "Are you alright-" you go to ask, but he quickly cuts you off. "Yes, I'm fine, y/n, just leave me alone. God..." His words were followed by the bedroom door closing. You were stunned. Your mouth hung agape for a moment before you had to close it to swallow the shock that closed your throat up. After prying your eyes away from the closed door, you averted your gaze to your feet, feeling tears well up in your eyes. You felt bad for crying, but what could you do? All you wanted was to make him feel a little better and he wouldn't even give you the chance to. He chose to take some alone time instead, which you didn't mind, but he didn't have to be so mean about it. You went into your hands, some of the tears falling through the cracks in your fingers and silently onto the floor. Your sobs became louder and audible to Chuuya, who laid face first on the bed. He felt a bit guilty too, he never once asked how your day was and for all he knew, your day could have been just as bad as his. He knew you only had good intentions, and he didn't need to shove you off like that.

He sighed and got out of bed, opening the door gently instead of swinging it open and walked into the living room again, frowning at the sight of you. "I'm sorry, doll, y'know I didn't mean it..." He whispered quietly, placing a hand on your shoulder. You turned your head to look into his eyes, seeing the apologetic expression that painted his face. "Yeah, I know, but you didn't have to be so mean about it." He sighed and pulled you into a hug. "Yeah, I know, that was a dumb move. I just wanted some alone time, ill be better about it next time though, I promise." He says, grabbing your hand and kissing your knuckles. "Wanna tell me 'bout your day?" He asks, looking over at you. "Thank you. It wasn't terrible, just bland and regular." You tell him, erupting a hum of understanding from him. "I can only assume you already know I had a rough day." He jokes, trying to lighten the mood. "I'm real sorry though." The smile from his laugh turns into a more neutral one, almost a faint frown. "It's fine, just don't let it happen again, I don't like it when you're annoying like that." You punch his shoulder playfully. He groans in response, laughing as he stands up. "I won't, promise." He says, tilting your head backwards to kiss your lips. "I do still want that alone time, though, so I'll see you in a little bit, alright?" You nod in understanding. "Alright." He walked back into the room, giving himself some time to do nothing more than exist. He didn't sleep and he didn't think, just existed. You stayed on the couch, waiting for him to return with open arms, happy to see him giving himself personal time instead of forcing himself to be around people, even if it was yourself. Everyone needs a break sometimes, and Chuuya was grateful that you understood.

Fyodor Dostoevsky ★

• Fyodor came home to you, and that was enough to make you sob your eyes out. Happy tears, ofcourse, but your days had been riddled with anxiety since he left. He knew you'd feel that way, and he was fully prepared to open his arms to you again with that faint smile.

ೃ⁀➷

You watched the helicopter land on the helipad with your heart pounding in your throat. Your fingers fiddled with the collar and fabric of your shirt as you waited for the propellers to come to a full halt and your lover to step off. Leaves, gravel, and dust alike all blew around your feet as the blades finally slowed and your boyfriend came into view. Your body tensed and almost started moving towards him on its own, but your anxiety stopped it, keeping you in your place. Your eyes scanned over his intact body and granted you a sense of relief when you saw no visible large injuries. He took notice of you and gave a small wave, walking towards you with a steady pace. You couldn't stop it anymore and all of a sudden you were moving towards him at an increasing speed. Before you knew it, your arms were once in their familiar spot around his torso and he was quietly chuckling. He ran one hand up and down your back and kissed your forehead. "Someone's excited." You nodded, feeling your tears falling down your face. It wasn't until he got a better look at your face that he noticed you were crying, and his smile widened. "You missed me that much, Myshka?" He says, tilting your head upwards to look at him.

"Obviously! You knew I would." You huff, sniffling and wiping your tears off of your cheeks, but they just kept on flowing. He laughs at you and pulls you back into the hug. "Well i'm home now, and you don't have to worry about me anymore. For now, atleast." Now he's already got you stressing over his next leave, but luckily you're able to push it away from your head in the moment and be grateful to breathe in his familiar scent again. You felt him place a hand on your head and exhale, his heartbeat being your favorite sound next to his voice. The feeling of his hands on your body was easily #1 in the category of touch, and his appearance was, to you, the very best sight. And his kisses, his lips, were by far the best taste. It had been so long until you felt his lips on yours, so you went for it again, cupping his face with your right hand and pulling him into you. He hummed and kissed you back, rubbing your hip with his thumb. When you pulled away, his face was pinker than before and his breathing unsteady. He swallowed before speaking. "Everytime I come back to you it's like adding gasoline to the bonfire that is my love for you." He says, looking into your eyes.

You couldn't help but find his words as silly as they were romantic and pulled him in for another brief peck. "You talk so formally all the time, it makes me giggle." You tell him, caressing his pale pink lips with your thumb. "It's better than the things I say that make you cry, yes?" He had a point. "Very true." He grabbed your hand and held it in his own while leading you away from the helicopter and to your car, more than ready to go home. "Your face is still wet from your tears." He whispers, wiping the remaining dampness from your cheeks with a smile. "Much better." You blushed and nodded. "Yeah, I'm glad you're finally back to wipe my tears for me." You tease. "Was a workout doing it all by my lonesome." He laughs at your remark and 'tsks'. "Well then maybe you should get more active or stop crying so much." He replies, a smug grin on his face. "Says you, the only arm movement I ever see you getting in is moving the mouse of a keyboard around." He shakes his head. "That's very untrue, you see me using my arms for other things rather frequently, actually." He insists. The sun shone down on his raven hair and gave him a halo-like highlight. How unfitting to the rest of the world, but sensible to you. "Fine, I guess so." You leaned your head on his shoulder as you continued to walk, finally liberated from the depression and anxiety that overcame you when he had left all that time ago.

Nikolai Gogol ★

• Nikolai doesn't mean to hurt your feelings with his teasing and jokes, but when you trip and fall face first into the pavement in front of a bunch of people and all he does is laugh with them, you can't help but cry out of embarrassment.

ೃ⁀➷

You walked along a sidewalk with your boyfriend, one hand holding his and the other holding a coffee. Your conversation was filled with mindless chatter as your stride stayed at a steady speed. Your eyes were flickering between him and the pavement in front of you as you were careful to watch where you were going. You saw the feet of many people walking passed you both, avoiding the states they were bound to give you and your clownish boyfriend. Something astonishing must have come out of Nikolais mouth at a point though, because you've never turned your head so fast to look at him and stare for long enough to not notice the tree roots that poked out of the ground far enough to trip you and land you right on your face with both coffee and dirt all over your shirt. All falls silent for a moment before you start hearing snickers and then the outrageously loud cackle of your boyfriend.

You pushed your body up off the ground, clearly embarrassed over the whole thing and shot a glare at Nikolai. "Really? You're just gonna stand there and laugh?" Your cheeks were hot and your heart heavy with both annoyance and fluster. "I'm sorry, dove, it was just so funny! That stains gonna take awhile to come out, though." He says, pointing out the big splatter of coffee on your light colored top. You can't help but scoff. "It was so funny that you couldn't even help me up?" He nods, exhaling audibly and wiping a tear of amusement from his eye. "But ofcourse! If I wasn't paralyzed by my laughter than I would have been the first to help you." He started walking back home along the paved path with you, going to grab your hand but furrowing his eyebrows when you snatch it away. He looks up to your face with an exasperated frown. "Oh, don't tell me that made you cry." You just sniffle and huff, letting your tears drip from your waterline. "Come on, don't be such a baby. It's just a material item, I can always get you a new one." He says, referring to the shirt. Your expression is one of confusion before you snap out of it and correct him. "It's not that, it's the fact that you just let me trip, fall, and spill coffee all over myself and let everyone laugh at me! You even laughed with them! That's so rude." You say, trying to cover the stain to no avail.

He blinks. "Oh. Well, I told you I would have if I wasn't laughing- I thought we were like that, we laugh when the other falls, you know?" He raises an eyebrow. "Okay, yeah, but not in front of other people." You say, chewing on the inside of your lip. "That was....oh my god, I'll never erase that from my memory." You say, still completely overtaken by embarrassment. He bites his cheek and grabs your hand before reaching over to wipe your tears from your cheeks. "I'm sorry." He tells you, leaning his head on yours. "It wasn't ever with ill intention, darling. We'll go home and I'll get you changed out of that ruined shirt and whatever it takes to make you smile again." He says, smiling and opening his portal to whisk the two of you away. Soon enough you were standing back in your living room with a new shirt already in hand. "See how quick that was? Can I take this off for you?" He asks, tugging at the hem of your ruined shirt. You sigh and speak. "I can take it off on my own, thank you very much." You roll your eyes and pull it off, but it's quickly replaced with the new one. He laughs for a moment at your discombobulated expression, but the noise quickly quiets. "I really am sorry, sweetcheeks." He says, leaning in to rub your noses together. You peck his lips and brush his hair from his face. "It's fine, but don't be doing nothin' like that again. That was so embarrassing." You say, averting your eyes. He hums. "Alright, as long as my dove forgives me!" He smiles and pulls you into a hug, happy with your decision to forgive him.

A/n; dawg I'm writing this in the tj Maxx bro forgive me if it sucks lol

[bones4thecats]

Hi! hello! It is I, 👪 anon 〜⁠(⁠꒪⁠꒳⁠꒪⁠)⁠〜

I saw your requests were open and I saw that you write for some characters who I particularly adore (but see very little writing for (⁠｡⁠ŏ⁠﹏⁠ŏ⁠)) so when I saw them on the character list I was like (⁠ﾉ⁠*⁠0⁠*⁠)⁠ﾉ Heck yeah! \(⁠≧⁠▽⁠≦⁠)/

So, may I request Fellow Honest, Gidel, and Ruggie befriending a reader who bakes for a living and likes to treat them with baked pastries, pies, and other assorted treats. They even pay attention to what flavours and textures that they appear to prefer, and tailor their treats to their preference (⁠.⁠ ⁠❛⁠ ⁠ᴗ⁠ ⁠❛⁠.⁠)

I hope you have a lovely day! I'm sending good vibes your way, and they're not gonna stop (muahaha (⁠ﾉ⁠◕⁠ヮ⁠◕⁠)⁠ﾉ⁠*⁠.⁠✧)

Their S/O Being A Professional Baker

Characters: Fellow Honest, Gidel and Ruggie Requester: 👪Anon A/N: Hello again 👪Anon! I love your ideas when it comes to requests! As you guys should know when looking at my character list, you'd see that Gidel is one of the platonic only characters, so there is no romance insinuated in his part! Also, this is significantly shorter than other pieces. ⚠️ Spoilers/Trigger Warnings for: Stage In Playful Land Event ⚠️

••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●•

»»——————————-　   Fellow Honest　  ——————————-««

🦊 Fellow Honest, much like any other fox beastman, has a special kind of pasty that he can stand. His kind is not a large fan of chili peppers and garlic when it comes to certain foods

🦊 So most spicy things are off the table

🦊 But, if you were to bake him something with berries like blueberries or raspberries or even something with apples or grapes, he would fall head-over-heels for you. No doubt

🦊 When you first gave him and Gidel two pies, one fitting Fellow's taste or berries and the other fitting Gidel's of having a fishy-tang, he gave you an actual honest smile before kissing your forehead and helping Gidel settle himself at a table in your small bakery in the carnival

What do you think of Baker! Reader?

"I love their pies. They taste absolutely amazing, especially when they make a tiny fox-shaped figures on the tops!"

••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●•

»»—————————————-　Gidel　—————————————-««

🔨 Much like with Fellow Honest, as a beastman, Gidel has limitations in what he can eat wholeheartedly. Not saying that he'd die, but he'd get quite the stomach ache

🔨 These foods that upset him, such as mustard and chocolate, are things that Fellow Honest warns you not to put in his foods. And thankfully for both of them, you listen well

🔨 But, he does have a passion for when you make him desserts with cooked fish or even bananas, he gives you so many hugs and cute gifts that he either finds or makes

What do you think of Baker! Reader?

"They're yummy!" He writes

••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●••●•

»»——————————-　 Ruggie Bucchi 　——————————-««

🍩 Unlike most beastmen, Ruggie's sub-kind, which is a hyena, doesn't have any real threat to his system when it comes to food. Unless he ate something such as plastic, which is highly unlikely

🍩 He's smarter than that

🍩 Anyways, as his favorite foods are donuts, he loves it whenever he comes by your dorm and finds that you baked some yummy meat-pie themed donuts and even some cute berry-cupcakes

🍩 He also has a penchant for grabbing some of your pastries behind your back. He can't help that they're so delicious!

What do you think of Baker! Reader?

"I have only have five words to answer that. Their treats are the bomb. And if you disagree with that, then your taste buds have obviously given up on life and you have no taste."

[theeternalwombtarot]

Your present reality vs far future

message: I'm doing a reading from bed today guys, believe it or not, I have not done any readings from bed in quite a long time lol! I have a designated table for these types of things in the house but I'm feeling like taking it easy today and relaxing. Sometimes doing readings or creating tarot content feels like a chore although I really love it. Many things in my life have felt like a chore lately between work and school and managing my time properly and whatever else I have selected to put on my plate. This is the reason why I'm pulling this reading out of my draft list, I have many readings stored away in my drafts about various things. I felt called to do this one because I felt that maybe the collective wanted some insight as to what the life they're working towards or manifesting may look like. I've been feeling called to do these types of 3D-themed readings for a while. I also considered releasing a financial forecast reading as well. I'm asking spirit and setting my intention for this reading to motivate and help awaken the collective to the reality their higher selves live and what needs to be done or put in in order to receive the manifestation of the dream life you deserve collective. I know many people whose past life karma, the beliefs they grew up with, their childhood trauma, and the experiences that they were given within this lifetime to put them on their highest path of ascension if they made the right choices or saw things the best way has made them feel very discouraged and stuck and has ruined the idea that a good life is available for them to be a recipient of. It is not your fault that the divine plan that was set in place for you to learn certain lessons was difficult or was dreadful or took such a large toll on you but it is possible to heal from and be relieved from such a way of things. I swear. And today I will try and deliver to you the truth of a life you could live away from the hurt, the karmic cycles, and the trauma or hard times. Anyways, many months ago when I created the draft for this reading I chose Miss Frida Kahlo and her wonderful art for my banner and my pick-a-pile covers. I hope that you enjoy her as much as I enjoy her and her legacy and art.

-

i.

your past: I pulled the three of swords for your past pile one, there could've been a lot of loss and a lot of heartbreak cut out for you. Loss may have served as a large aspect of some of your greatest lessons. The loss of a parent to death or to outside third party obligations, the loss of a lover or many, the loss of approval or much-needed validation from outside sources, loss shaped the way things were laid out for you and was responsible for some of the behaviors or needs that you had for a long time. There's an essence of learning that is so incredibly significant to you here, you could've begun your life in a way where knowledge or the need for knowledge was heavily significant in your life, but I also see this idea of the primary purpose for your life events and circumstances was for you to learn important lessons early in order for you to become something great in your future. You could've had to grow up really fast, had to experience or see things or undergo drastic changes and hardships that people usually don't at such a large volume but you were made to survive and flourish. You're someone with a great purpose, you may be a healer or a light worker or someone who has a heavily significant gift even if your gifts aren't in the world of helping people along their ascension or things that fall into the metaphysical.

your present reality: you've reached a point within your journey where you've outgrown and broken all of your karmic cycles or successfully and fully completed the portion of your life that was heavily designed by the divine to teach you some of your most intense and powerful lessons, congratulations pile one. I almost said pile two, there may be messages for you in pile two. Last night in a reading I had said that there is a portion of someone's life in which their past life karma and the events in their lives and their experiences are heavily determined by what needs to be a part of their reality in order to reach the level of ascension needed to step into their higher self and fulfill their purpose. Sort of in the way in which we spend a large majority of our lives as minors in someone's care before we're considered legal adults and can go off on our own and create our own lives and stories. and This was exactly that. You've graduated or aged out of a space in time within your journey where your hardest lessons were that were meant to shape you.

You are at the beginning of your life, the world is yours. Some of you have just turned 19 years old or are newly adults. The number 19 is associated with perseverance, inner power, and finding your own path or finding your own spiritual path. The number 1 symbolizes the beginning and the number 9 symbolizes completion or near completion or the point in which someone is about to reach their highest level of completion or wholeness. You also have the ten of cups here indicating bliss, harmony, and alignment. This point is the calm after the storm that you have experienced, the ages of 6 and 7 may be incredibly significant for you as well and could've been the point in which certain karmic cycles or karmic energies began to flare up for you within your life.

You're at this extremely significant point in time, I see spirit or your spirit guides and ancestors opening up this huge door for you or you getting ready to walk through this gigantic door you've been waiting to enter for a long time. I see little you or someone being a teenager waiting in front of a door or sitting in front of a door. Someone had an ancestor or a spirit guide that always wanted to let you in early or always wanted to let you see what was on the other side even if you weren't ready yet someone's ancestor or spirit guide is very sorry that you had a hard time or had to go through so much, you have buckets of compassion in other realms for you pile one. Behind the door there is all of these opportunities, all of this abundance and all of these beautiful things for you to have and experience as compensation.

your future: in your future there's a lot of you using everything you've learned or everything you've experienced to keep you grounded or consistently moving in the right direction. Not out of a place of fear but out of a place of wisdom and knowing. You may also be someone who struggles with commitments in your life either emotionally or in the physical/material aspect of things and this is not going to be something that continues to hold you back I just heard "You'll find your way." or something along the lines of being able to put your money where your mouth is or stand fully in the things you want to accomplish will come to you eventually and you won't have to worry about this any longer if you worry about your productivity or your performance or your ability to take action and make things happen. You'll soon be seen as someone very disciplined who has things figured out and mapped out and you'll not only be seen that way but you'll be that person actually.

Some of you are young and may feel disappointed in yourself or having a hard time accepting that you are in fact young and there are skills or things you're not immediately good at or have to learn to do with time as you come into yourself due to the fact that you may be someone who is very grown up, wise or mature in a lot of areas. You are not behind. I just heard "allow yourself to grow." someone's ancestor or spirit guide thinks it's funny that you might get upset at the fact that you have a hard time. They see you as a baby in a suit lol. You may be unable to see just how much you have within your life or feel you crave more or don't get all the recognition you rightfully deserve within this lifetime to some extent here. You may fall into a practitioner role or be someone who teaches or creates a name for themselves through a leadership role or through something like divination. You'll be someone mysterious and sensual or someone who attracts the attention or curiosity of many. I just heard "friend of the world" or "mother" You may hold mystique and/or have a very high status patriarchal or matriarchal vibe. You may be well known in the world of the arts or there will be a worldly presence about you that you'll hold for the remainder of your life.

I pulled "The Daughter of Skulls" in the deck I'm using today and in essence, she represents infinite potential of life on earth. "steady and secure materialization. infinite potential. birth. completion. abundance. strength. tangible. earthly happiness. pure creation. opportunity. generous. beautiful. sensual. benevolent. arousal. adoration. truth. security. commitment. freedom. sensations. perfection. divine inspiration and holy wisdom. here is the message behind this card in the Tarot book for this deck:

In your future, what you put out in the world you will receive in return in full capacity and you will give to the world a lot and the most valuable and most cherished things. Anything that comes from you or derives from you will be held at high regard and will be something of value. Your ideas, your guidance, your charity and even your children if you bless this world with any.

how you'll get there: value yourself and value your energy and your time and your essence. You are a person of high rare value and you must behave as such. Your first line of defense is always going to be you in the physical realm and world of the living and your second line of defense is your spirit guides and ancestors. You cannot receive the things you want in your life or get to where you want to be or be who your higher self is if you do not protect yourself in every sense there is. respect your legacy in the making. make choices according to where you want to go, be the energy you want to receive. your success in your life will come from you using your wisdom and using the respect you have for yourself and the love you have for yourself as your biggest weapon. People often see us the way we see ourselves when we have a very strong sense of identity whether or not it's a honest one or not. People will come to you because you're magnetic. Success will follow you because you're magnetic and it's safe in your hands. continue to nurture yourself and your energy and your persona. I don't even mean in the sense of who you present to others as an alter ego but your higher self or who you feel called to be. Love yourself, love your life, value your essence. easier said than done for most but if this message is yours you know exactly what means, looks like, feels like, sounds like, tastes like. Love is your sixth sense.

-

ii.

your past: your childhood or past could've had a lot of stagnancy and suppression within it. There's something authoritative here or something that restricted someone's self-expression or was very judgmental and inflexible. this could be anything a parent or a legal guardian, a school system or a culture or a religion. Someone was a brilliant child or was someone with a lot of broad potential for many things who didn't get the freedom or ability to blossom or grow the way they rightfully deserved, there's a suppressed part of someone here that has been pushed into the shadow or has been lying dormant. you may have a difficult time making decisions in your life or have low self-esteem or an inability to think for yourself, express yourself or have a wicked case of imposture syndrome that tells you that you're not worth much or that you aren't capable of much but you're very powerful and very divine.

incredibly smart, have a psychic ability or an oppressed spiritual gift. someone told you that you were crazy or weird or led you in a direction or raised you up in a way that very heavily wounded your sense of self. this could also be a case of environmental oppression of the spirit, somewhere you once resided or the place you do reside and/or haven't moved away from didn't have the resources to accommodate you or help you. you may have a mental illness or a disability or have very heavy trauma that may impair you. There was some complication with the message that came through at first, I couldn't grasp it right away and I think this is reflective of the energy you may be in because something has cut you off or pushed you to lose something that was a naturally given birthright for you that you inherited from your ancestors or one in particular like a father or a grandfather or someone on your paternal line or a masculine energy. potentially one who passed away before your time. I pulled "The Lord of Knives" in the deck I'm using here's the message and essence behind the card:

someone in your life could've known that you had a gift and took advantage of the fact that you were a child and may have had their own ideas about which direction they felt you were destined to go or put a lot of energy into suppressing your gifts or trying to break your spirit for fear you'd be entirely too difficult to control or be disobedient or out of jealousy for what you'd get in life or what you'd reap if you were allowed to grow into your power or be yourself. I see this could've been multiple people who chipped it to see you fall or have a hard time it may have started in the home or came from the home as well but it also was something you dealt with outside of your life, in your social life. Someone was afraid of fullness of conserved power in you.

your present reality: You're about to grow into yourself or at the brink of your ascension, you couldn't spent a lot of time in a stagnant place with many karmic behaviors and cycles, you could've fallen into addictions or fallen into some hard places or ran into a lot of karmic people and situations that were meant to shake you awake or act as major catalyst to put you on the right path. I hear someone saying that these were the cards you were dealt in terms of your past (both as a child and in your early life and in your recent past or in these past couple of years) and there isn't much you can do about that but you can use the cards you were dealt with to alchemize your self and learn the right lessons and find what you may have lost a long time ago. there's something significant here about your crown chakra being closed or you having a hard time learning lessons or taking the positives out of a negative situation or circumstance.

There was a recent catalyst that you've just experienced or are standing in at the moment that has been the last one for this block of time or this cycle of misfortune or hardship. You need peace and quiet or you need most at this time the ability to break away and turn inwards and soul search. It's about time some inner clarity on certain matters including the directory of your life and what you need to do come to you. you're about to rethink an idea or any clouded judgment you've had or carried with you about your sense of direction or where you needed to go, do, or be is about to clear. At this point in your life you're potentially in a place where you're juggling the persona you've been given or the one you've grown into to assimilate or that was in alignment with your choices and the life that goes with it and the person you really are and the life you are destined to have that's in alignment with who you truly are. this collective is always a really heavy one within my readings, you're always with me, I've practically grown up with you and now is your moment. I've always loved you and seen your light. it is now time you see it to and step into your power pile two.

You're in the process of regeneration and healing as well after a time long spent carrying with you wounds and skeletons. You're finally on the rise and about to reach your freedom. You're so close.

your future: I see you feeling and being victorious. a force to be reckoned with. people might actually believe you to be the golden standard of something or may idealize you or feel that you're glorious. You may be someone who is heavily put on a pedestal by their romantic partners and romanticized even to a point where you don't understand and they may become increasingly disappointed or have a hard time coming to terms with the fact that you're a real person with real flaws are can't possibly be everything they've chosen to try and make you out to be but I see this no longer being the case with anyone in the future in the sense that you will be everything and more. You may be heavily attracted to someone in your present life or be really infatuated or obsessed with someone in your present life who is a fantasy-like individual or has a really beaming sort of divinity that you wish that you could embody on your own and you will. You are divine and you will be divine and that will be the end of it. You'll be someone in the future who has a knack for improving themselves or finds great pleasure in self-improvement and pushing limits, even to the point of perfectionism it may work against you at some point but what it really does for you is set the standard for which you think you're worth and what you think you're capable of doing or accomplishing.

You may find that you'll be someone in the future and for a good amount of it who is a lone wolf or is seeking out a divine counterpart or someone to compliment you and bring to you your ten of cups or your divinely ordained commitment here or some sort of completion. I see you holding off for it and devoting a large amount of your energy towards your self-care and your physical world and career as you look for deep and divine commitment in your love life and partnerships. You may be someone who commands a lot of attention or that people desire to follow around or invest in deep commitments with but will find yourself not necessarily lonely but seeking something profound, at this stage in your ascension you'll have the ability to detect intention and what is in store for you and another individual intuitively. You could very well be a masculine energy or just someone who is very action-oriented and moves through their lives with a sense of fluidity. I pulled the "Prince of Scepters" here is the essence and description attached to this card from the book:

how you'll get there:

focus on taking the time you need for yourself to thoroughly recover from the things you've experienced and allow yourself the time to make the changes you need to make to come into your power and refine who you need to be. Don't rush into commitments out of loneliness or force yourself to be around people just to keep company or just to make it seem like you are loved by others, it's okay to be alone or to use the time you have being alone for a productive cause that pertains to you, you're not selfish or wrong for it. Continue to grow and pour your energy into yourself. Love yourself enough to meet your own needs, love yourself enough to do things for the sake of your own nourishment, and stay far away from things that can destroy you out of craving or desire. take time to think about what you truly want and come into alignment with that by trusting that it exists and that it's available for you to have if that's truly what you want. the world is yours after such a long time of being denied it and it's time you align yourself with receiving it.

-

iii.

your past: This may not be for the entire collective but it's likely there could've been some of you that could've experienced some violence or abusive environment even may have had someone in your life that was emotionally volatile that you could never truly please or had to walk on eggshells around. could've also been heavily oversexualized in your life as a child and during your teen years or general early life. there's a possibility someone could've attracted a lot of people who wanted to take from them or exploit them and did. Some of y'all could have experienced a lot of heartbreak from a young age or a lot of your needs not being met or your first heart break or massive bouts of betrayal from significant individuals like family members or like your parents and that could've heavily affected the way you behaved in front of others or how you navigated in the world. It's possible some of you could've developed a personality disorder or may struggle with mental health. You may have developed a tendency to lie to get approval or to get your way or obtain opportunities you don't believe you could receive if you were just yourself. lie or put on facades.

You may also have liked to party within the past couple of years or went through a lot to try and keep from being alone with yourself or being isolated or feeling alone. If it wasn't partying it was attempting to keep as many friends as possible or do what was necessary to keep as much attention as you felt you needed.

your present reality: you could be potentially dealing with a lot of energetic pressure in the heart space or undergoing a heart chakra awakening. You could be in and out of depression at this time potentially as well. Things from your past or past suppressed feelings or memories are resurfacing. if it's coming up, it needs to come out. You're learning what it means to love yourself and operate from a place of love instead of fear. You could be experiencing heavy emotions attached to codependency There could've been a loss or multiple. Of friends or lovers or both, people you may have heavily relied on past even a healthy point. relied on for various things, to regulate your emotions, validate your existence, or prove to you that you are loved or could be loved. There's also a potential you may have several uncut soul ties from past lovers and failed relationships, talking stages, or sexual rendezvous. You may have attempted to use your knowledge to cut them or severe them but it was somewhat unsuccessful.

You've been isolating yourself lately or having a lot of trouble being perceived or have developed a deep/deeper fear of being seen. You may have spent a lot of time off of social media or have been minimizing the amount you're willing to share about how you feel with "friends" and family. This could potentially serve as a way of being able to control your environment and what comes in and out of space so as not to trigger you. someone might be an air sign as well, you may not have the ability you may usually have to let things flow right through you or control the way you react to certain stimuli. You're bothered, triggered, or heavily emotionally sensitive or volatile at this time. You're undergoing a dark night of the soul and are in the process of waning in order to return in better shape soon. You're the last portion of the collection to undergo a full transformation. Some of you apart of this pile/collective are individuals who have younger spirits or haven't been on this early plane for very long or haven't lived multiple lives here.

You could have very youthful or childish energy or tendencies in your most authentic and natural state, you may look older or give the impression to others that you are older than you really are. You're in the process of healing the part of you that's karmic behavior may stem from a stunted place in your growth. learning how to properly navigate in the world and in your relationships, learning how to communicate properly, some of you may also be seeking out therapy or psych evaluations or may be placed in alignment to receive those types of mental health services.

your future: You'll be completely committed to the cause that is loving yourself and being the energy that you want to receive or manifest in all forms. Self love or insecurity may be something you have struggled with for the vast majority of your life so much so that a few of you have learned to heavily overcompensate or have developed an extremely inflated sense of self-importance that comes from a seemingly narcissistic place due to your past. learning how to do things authentically and from an honest place and not take short cuts or use your trauma as a way to cushion the fact that you may have some unhealed aspects of your shadow is something that you'll be learning to do and be determined to do.

You'll be in the process of challenging beliefs you've learned from your past or carried with you a long way and be in the state of learning and growing for a large amount of time for the earliest portion of your enlightened life. Any growing up you failed to do or limited mindset you've carried is what you'll primarily be working on. You may be disconnected spiritually or disconnected from spirit or God as well and your faith and purpose is something that you'll be working on or trying to find guidance through. You'll be entering your most in-depth spiritual journey or spiritual rebirth. You may have spiritual knowledge already but it comes from a limited place or the intention for learning isn't in the right place.

by the time you've completed this inner work and have come into alignment with your purpose and what you're meant to do within this lifetime you'll find yourself feeling relieved and having more room within yourself to build your life in such a way that will bring true fulfillment for you. You may have a tendency to heavily fixate on the physical or material world or the way your reality "appears" in the 3D and neglect your spirit, emotional/mental well-being, or internal affairs which has played a huge factor in your stunted growth and ability to operate and your future will begin itself with you having no choice but to shift your focus and find alignment internally before you can make anything come into rightful alignment in your physical life.

how you'll get there: you'll receive your highest reality by nurturing and healing the parts of you that need the most care and attention, which happens to be everything within and in spirit. There can be no true abundance or alignment if we don't bring into true order our internal aspects first. Be for your inner child who you would have wanted for them growing up. You are your first line of defense for your internal and vulnerable self and behind that is your spirit guides and ancestors. Your journey to your highest reality and your deepest place of alignment is going to be a lot of soul searching and a lot of inner work and growth and the effort that you put in to get yourself there. I pulled "The Daughter of Scepters" in the tarot deck I've chosen for this reading and here's the essence and meaning of the card for you to read:

I also channeled the song "Tell Him" by Lauryn Hill, and "Him" as referred to in the song would be self (you).

Your greatest strength will be utilizing the natural free-spirited energy of your spirit, use it to allow yourself to embrace change and do the inner work to break karmic cycles and emerge out of stagnancy when it finds you.

-

This reading took me so long guyss 😭😭 I broke it into two parts, I completed the first two piles that took me a couple of hours last night yesterday and then this morning I woke up with the intention to finish. I hope you found what you were looking for in this reading and it touched you!! I was unsure about the directory spirit took it in because I had envisioned it to be more of an entertainment type reading and be more surface level in its content but it turned out completely different. Bless you. 🤎

[aayakashii]

indirect kiss

loosely related to this, but not necessarily a continuation

Warnings: angst with a bit of fluff, pining, pining, pining, PINING, did I say pining? I'm sorry I make you suffer so much in my fics, Rui...... oh, and some suggestive themes, but nothing explicit!

Rui was never one to walk around with his hands stuffed inside his pockets. No, he was always too confident for that, too self-assured. He was as poised as a lion – head held high, unafraid of occupying space.

He couldn't touch anyone anyway, so why should he refrain himself from being as loud with his personality as possible? He was just all bark, no bite after all.

Yet with you, he quickly figured out he had to shove his hands deep, deep inside his pants’ pockets, all to quell the urge of reaching out to you. He figured his brain would shut off at any time and only his instincts would prevail – the burning desire to touch you being the only thing left on his blank mind.

So he bound himself, or at least as much as he could in a way that wouldn't appear insane.

Still, as you walked beside him, his eyes flitted from your lips to your eyes and to your hands that swung back and forth, back and forth – he couldn't do anything but be painfully aware of your presence, right there beside him; just a few centimeters away, yet still untouchable.

You had given him the grace of your presence during a short, simple mission outside, and now he cursed himself for inviting you for a short walk before going back into the campus.

He had no idea it'd be so hard to walk with you without intertwining his fingers in yours.

Rui felt the hair at the back of his neck stand up as he suppressed a shiver. How long has it been since the last time he has touched someone with intent? How long has it been since he had been touched? His touch starvation was barely acknowledged at this point, because it had become who he was. He didn't exist without it. Just like breathing, it was his nature. It clogged his pores, ran in his veins and invaded his lungs. Much like a chronic disease one has to learn to live with, despite how agonizing it is.

His medicine was to be distant. To keep everyone at arm's length, so he'd never be affected by the torture of longing.

He kept Haru and Romeo at arm's length, restricting his role to just being their bartender.

He kept Lyca at arm's length, just caring for him like a dutiful but distant parent.

He kept Ed at arm's length, but it didn't matter – he kept himself isolated anyway.

He even kept his old best friend at arm's length – Haku, whom Rui avoided like the plague. He thanked what little mercy the Heavens had for him, for Haku knew when to mind his business. He knew not to pry.

And despite all his efforts, you appeared. Burrowing your way through his walls until you had found your place in his mind.

However, his name on your lips didn't sound damned and, for the first time in so long, he found himself wishing for a cure for his plight. Wishing he could find that wretched anomaly and then finally drop his peaceful act – he'd rip its head off and drink its blood if it meant he could touch you.

Rui laughed darkly to himself. What would even happen if he actually touched you? He would probably be so pathetically excited that he could feel your seemingly soft skin under his hands that he'd end up cumm–

“Rui!” you barked, snapping your fingers in front of his face. He interrupted that forbidden thought immediately.

“Yes, sweetie?”

You huffed, brows creasing on your forehead.

“Did you hear anything I said?”

Rui laughed awkwardly, running a hand through his luscious hair.

“Sorry cutie, I was a bit lost in my thoughts there. What did you say?”

“I said I wanna go to an arcade. I want to have a go at the claw machines.”

Rui frowned.

“Claw machines? You know those things are, like, scams right? They're rigged!”

“Oh my god, Rui” you snorted, and Rui swore he could drown at any given moment due to his suffocating affection for you. “You sound like a worried dad! And don't worry, I know all about claw machines and how to win.”

You smiled devilishly, rubbing your hands together like a little imp ready to cause problems.

“Um…” Rui grimaced, delighting himself with all your expressions, but mildly worried. “You're not gonna, like… Try to kick them or steal something, are you? I know I am your ride or die, darling, but we'd be in big trouble if we ACTUALLY broke the law, you know…”

You raised an eyebrow.

“What are you even talking about, Rui? I just meant I know the strategies to win.”

His lips formed an 'o'.

“Ohhh, I see! I thought for a second that you were up to no good!”

“Me?” you scoffed. “Never. I'm an angel.”

You said it sarcastically, but, to Rui, that's what you were. An angel, a saint, a deity. He was ready to kneel on nails if it meant he could worship you.

Rui watched you make your merry way towards a shiny and loud arcade, with rows upon rows of claw machines right next to the entrance.

It felt good to turn off his racing thoughts by thinking of harmless little fun things with you.

Even if you were the main reason for said racing thoughts.

If you wanted to play with claw machines, by all means, he would play them all until you got sick of it. Although he still thought they were rigged.

Rui leisurely walked behind you, watching while you scanned every machine for something of interest.

His heart warmed at the sight of you pressing your nose to the glass, tip-toeing to see the mess of plushies a bit better. You'd also click your tongue and pout, walking towards the next machine, disappointed with the selection of dolls.

You were just too cute. How would he ever survive you?

“Oh! Look at that! Rui, look!” You said, after perusing through that endless corridor a bit more. Apparently something pretty had finally caught your eye and Rui made his way towards you to take a peek as well.

“Did you find something cute?”

“Yeah, look at that!”

He followed your gaze, and was met with a black bunny plushie – its eyes were made of black buttons held tightly by white threads, with a long white ribbon wrapped around its neck. It wasn't anything too impressive (there were many other plushies in there that definitely looked a lot more striking), but he wouldn't say it wasn't cute.

“Are you going to try to get that little guy? Isn't he a lucky one, being chosen by you.” Rui winked, relishing in the way you rolled your eyes, already immune to his flirting.

“Yup. Gonna get that one.” you said, decisively, picking a few stray coins from your pocket.

“Allow me to help then.” Rui picked up his own wallet and you shook your head.

“You don't have to.”

“I want to. It will kinda officially turn this into a date AND I can call the plushie our son if I help you get it.” he smirked, fishing out a few coins and then placing them right next to the machine's slot.

You side-eyed Rui, before you allowed a smile to spread across your face.

“You're impossible.” you said, shaking your head while you placed the first coin into the slot and began playing, laughter warming your voice like tea with honey.

He'd love to drink only that for the rest of his life.

“Is that a ‘yes, Rui, this is now a date and I accept you as the father of my child’?” He gasped dramatically, placing his hand over his heart.

You hummed, as if you were in deep thought.

“Maybe.”

The first attempt at the claw machine failed, but you were quick to insert another coin.

“I promise to take good care of our kid.”

“I will ask for child support if you don't.”

Nice. He had successfully strung you along that little joke. He was going to unabashedly use that plushie as an excuse to see you far more frequently. Bonding time between parents and son, right?

You clicked your tongue. Second attempt failed as well.

It's okay, Rui thought. He had plenty more coins in his wallet to keep you trying. Now getting that rabbit was a matter of life or death to him.

The third time's the charm.

Rui watched the bunny precariously dangle from the weak claws of the machine, holding his breath as you slowly moved the claw towards the opening, where you finally dropped the plushie. It fell easily, barely making a sound.

You jumped and pumped a fist into the air, celebrating your victory. You quickly turned to Rui and he saw the way your arm went back, as if you were preparing to high five him – before you awkwardly dropped it, when you remembered that you simply couldn't.

Did he truly need so many reminders of how he couldn't touch your fucking hand?

Rui shifted on his feet, smiling awkwardly, and motioned for you to grab your prize. Despite the bitterness in his chest, he wasn't going to let his godforsaken curse ruin his date. Nor any single moment with you. Not if he could help it.

He wasn't sure if he could actually help it, though. Not when he observed the way your fingers touched the plushie, gently feeling the softness of its black, velvety coat.

He gulped, eyebrows scrunching upwards.

It was painful, to have this much longing for you lodged deep inside his guts. It clawed and ate everything around it, until there was nothing else left and all Rui could feel was pure desperation.

He wanted you. So fucking bad. Some nights – when he couldn’t sleep, and all chores had been done, and his own touch was more of a humiliation than a quick, unsatisfying reprieve – it felt like dying might be more of a mercy than having to live with you by his side everyday and not having you to himself.

He wouldn't die at all, though. And in the morning, he would still choose to have you close every single time.

Despite coming to terms with his own feelings, Rui suddenly felt a wave of disgusting jealousy wash over him when you brought the plushie's shiny nose to your lips.

Those lips he admired so obviously whenever you drank a pretty little concoction of his own in his bar's glasses.

His mind ran miles per hour, sharp tongue ready to spit some bitter quip about your kiss, even if he knew that being jealous of an inanimate object was absurd, when he was inmediately shut by your actions.

You had pushed the bunny's nose into his own lips.

Rui's eyes widened, and he stared down at you as you slowly retracted the plushie and cradled it into your arms. He blinked, stupidly, rendered speechless. All his mind could focus on was the indirect kiss you two had just shared.

Meanwhile, you seemed to find hilarious how dumbstruck he was by your actions.

“What? We do have to kiss our son's little nose, don't we? He needs to know he's loved by his parents.” You teased, a smug smile plastered onto your face as you brought back the little joke he had created.

The spell had turned against the sorcerer who cast it.

A beat passed, while you watched him blink and gather himself.

“Huh…” Rui managed to blurt out and you laughed.

While you grabbed one of the rabbit's paws, you held out the doll towards him, offering the other paw.

You nodded your head towards the plushie when Rui didn't move.

“Come on. It's only natural for parents to hold their kid's hands while they walk back home, isn't it?” you explained, still finding his reaction extremely amusing.

After a few long seconds, Rui rubbed his face with his hands, barking out a laugh into them. He slowly dragged his fingers down his face, pulling it into a scowl, until he let his arms fall to the side and shook his head, still chuckling.

“You're the one who's impossible.” Rui murmured, half amused and half pained, as he grabbed the plushie's other paw.

You shrugged, grinning, as you slowly began to make your way out of the arcade and back to Darkwick – the plushie between the two of you throughout the entire way.

A buffer between your hands.

In a different world, Rui thought bitterly while you two walked quietly, there would be no need for a silly little doll between you.

In a different world, he'd latch himself onto you in his every waking moment. Even if he had the most boring days, the most mundane chores to fulfill – he would bring you with him, chasing your presence constantly. A sunflower chasing the sun's rays.

In a different world, he would make sure he would never have to fold his laundry alone ever again.

And he would memorize the texture of your favorite shirt and the scent of the one fabric softener that made you linger a little bit longer in his hugs, only to breathe him in deeply.

And he would wash the dishes and give them to you, so you'd carefully place them in the cupboard. All while talking about whether you'd like to adopt one cat and one dog, or two cats and two dogs – and you'd probably think the more the merrier. Rui knew he'd end up cleaning most of their mess, but your happiness would be worth it.

And you'd make bitter coffee on rainy days, and he'd love to do nothing else but place his chin on your shoulder while you two watched the downpour; swaying gently to the sound of a silent music only you two knew of.

And he would love to travel with you to small villages and big cities, but his biggest happiness would be to lay his head down on his trusty pillow and look at you right beside him, snoozing softly in your shared old bed. His back would hurt, the mattress had to be changed, but he'd hide the pain because the memories of nights spent awake talking and kissing and touching your body were too precious.

And, oh, how would he touch your body, especially in those moments in which you were on your knees between his legs, like an angel, and sucking him dry, like a sinner.

Rui shook his head. He could not let his thoughts wander that path. Not if he wanted to keep walking with you and listening to you point out all the cafes you'd like to visit some other time.

Nothing like a raging hard on to ruin the walk back to Darkwick, he thought, chuckling darkly to himself.

Rui went to look at the small plushie that connected you two, only to be met with your eyes staring at him, his heart skipping a beat like all the times in which he looked at you before.

In that moment, he allowed himself to wonder if you dreamed of a mundane life with him as well. If you wanted him on his knees, shackled in devotion to you for the rest of your lives.

And in your smile and the endless pool of your eyes, he swore he could see a longing that mirrored his.

[anachronistic-falsehood]

Vash and Femininity: Trigun Stampede and its Themes of Bodily Autonomy, Exploitation, and Vague Gender Fuckery

alright sit the fuck down. we're gonna talk about THEMES

I was on Twitter- terrible idea usually, but a couple people I follow made some tweets that got me thinking about Trigun's overall themes, and here we are. So let's talk about some themes in Tristamp! And I'll take a couple looks at Trimax as well, just for fun :3

Let's look at how the showrunners utilize gender roles and exploitation of feminine characters to show how unhealthy Knives' obsession with his ideal of Vash is, and how horrific his exploitation of Vash and the Plants is.

Vash, from the beginning of Tristamp, is someone who cares about people's choices. When people kill others in front of him, he reiterates that whether someone lives or dies is not another person's choice to make. This is something he learned from Rem (a prominent female figure in his life). He refuses to kill people because that is not his choice to make. To kill someone is the ultimate removal of their bodily autonomy. They can no longer make any choices at all; they're dead.

Vash is also someone who has almost no choice in what path his life takes. He's constantly dragged around by outside forces, namely situations that are caused by Knives (which we'll get into later). Vash doesn't make things happen, things happen to Vash. The majority of events that occur are not his fault. He's pushed and pulled in a thousand different directions. His entire life is completely out of his control.

This can be seen as early on in his life as the Fall, something he had no control over and had no idea he even had a part in. Even later, in the ship with Luida and Brad, after he's been rescued from the desert, he's kept in handcuffs right up until he's shown to be of use to them and the Plant on their ship. After that, he could theoretically say "no, I don't want to go to other ships and heal their plants," but he doesn't. He's Vash. He's helpful and nurturing at his core, and these people have done so much for him just by letting him stay, so he'll do whatever they ask, no question.

This carries over into his adulthood. At Jeneora Rock, he goes to look at their Plant at one simple request, doesn't protest when he's dragged into a duel-- he doesn't take initiative unless someone's life is immediately at stake. He lets people tell him what to do and lets himself get dragged around by the wrist. He doesn't even pretend to have control over his life like Trimax Vash does, which I mean. Fair. Why pretend to have a grip on your existence when it's impossible to do anything without a gun pointed at your head?

Vash is a very passive character. He's nurturing, kind, gentle- he's a guy that fits a lot of very typical feminine character stereotypes. If you wrote this same story but made him a woman, I wouldn't bat an eye (but I would definitely be looking at it a lot more critically, what with the amount of stereotypically nurturing/motherly female characters in media already.)

This contrasts directly with Knives. He makes a decision and carries through no matter what stands in his way. He takes initiative. If Vash is a passive character, Knives is an active character. Wherever he goes, he leaves a lasting imprint. He makes shit happen! If outside forces make things happen to him, he'll go out of his way to make sure that particular force doesn't affect him again.

These two tweets I saw are what got me thinking about this originally. I just feel like here's a good place to put them as a segue into talking about episode 11.

Episode 11 is where a lot of this feminine imagery really just. Explodes in your face. IT'S RIGHT THERE. You can't dance around it if you try. And it kind of reaches a peak when the connection reaches 100%, the gate opens, and. well. THIS happens to the Plants.

Plants, in both Trimax and Tristamp, are almost always typically feminine-looking. Knives and Vash are the only two who are male or even masculine at all. Knives, as the most masculine out of all of them, is the one trying to take charge, and mould the world as he sees fit, to a degree that is detrimental to both him and everyone else. And Vash-- passive, feminine, kind and nurturing, whose Angel Arm in the manga always sprouts decidedly feminine-looking Plant parts-- is the one being exploited for Knives' plans. It's no mistake that they made the giant plant formation at the end of ep 11 look like a giant woman that almost resembles Rem.

Vash wants people to make their own choices and keep their autonomy when it comes to their bodies and lives. Knives is the exact opposite. He wants all Plants to become independent and he uses Vash to achieve that goal, without asking what Vash wants or even knowing what the Plants themselves would prefer. He exploits Vash for the soul purpose of trying to make these Plants have Independent Plant babies. He's completely incapable of seeing that his choices are not for the greater good! He thinks he's saving them, but none of his actions are for the good of anyone but himself. He’s just violating them for his own gain.

They're really leaning into gender roles for these guys, but in a way that screams "HEY, LOOK AT THIS! ISN'T IT FUCKED UP? LOOK AT HOW FUCKED UP THAT IS. LOOK AT THIS, AND BE UNCOMFORTABLE, AND KNOW THAT IT IS FUCKED UP."

Because it is! It's so extremely fucked up. They're using this imagery and these roles, something that makes most of us intrinsically uncomfortable, to drive home how unhealthy Knives relationship with his ideal of Vash is. That's the point. We're supposed to be uncomfortable with this.

Now of course there's some nuance to it. Like, you could see Knives as somewhat of a feminine and/or queer-coded figure as well, ESPECIALLY if you look at some of his panels in the manga, which could in turn lead to themes about infighting and control within marginalized communities, but that might be something for another post. :3

And there's definitely different ways you could take this! Vash, with all this feminine imagery, could be either transfem or transmasc coded, depending on what way you'd rather see it, which could lead into themes of how people outside the norm constantly face a lack of bodily autonomy and are exploited for purposes outside their boundaries. We could also look at Wolfwood and his lack of choice over joining the Eye of Michael and becoming the Punisher, and how masculine men (particularly men of colour) are often forced into violent roles against their will. If we look at Trimax, the exact same could be said for Livio/Razlo and people with disorders such as DID/OSDD.

There are many different ways you could spin these themes, some of which I don't feel personally qualified to discuss. If anyone who is qualified to talk about Wolfwood or Livio/Razlo or even other characters related to these themes, then god PLEASE add onto this post or make a post and tag me or something. I would love to read it!

Anyway, in conclusion: Vash is a feminine figure constantly taken advantage of and exploited and and he's so incredibly trans/nonbinary-coded that it drives me insane. Thank you

[harveyguillensource]

Harvey's photoshoot with Mike Ruiz for Photobook Magazine has been published, along with a short interview covering his career and ambitions! Read a few of his responses below:

You have become somewhat of a trailblazer for what is possible for queer, Latinx actors. Who are your biggest role models and inspirations when it comes to performing? My on-screen role models were pretty limited. I found inspiration in watching Cantinflas, a Latino comedian, with my dad. Watching people like Salma Hayek and Antonio Banderas represent Latinos on the big screen helped keep me hopeful. I’m happy to report that I’ve worked with both of them. From “What We Do in the Shadows,” to “The Magicians,” there is a slight recurring theme of supernatural or fantasy. What draws you to these types of projects and roles? In both 'The Magicians' and 'Shadows,' anything is possible. I love the idea that there are no limitations on where our characters can go, so I’ve always been drawn to that. I was never specifically seeking to be in these particular genres, but I’m so happy to be a part of them. In addition to on the screen, you have an extensive portfolio of voice acting credits. How does working behind a microphone compare to working on the camera? Doing voice-over has been such a wonderful experience. I didn’t really start doing V.O. work until the pandemic. It’s a tough door to get through. The pandemic brought these opportunities to me. It was the only work that I was able to do safely at the time. Since then, my portfolio has doubled in voice-over work. All the characters I get to play are so different from each other. I get so excited when people come up to me and mention they're fans of a character I voice. Either voice acting, on camera, or on the stage, are there any dream roles you would love to play? As a musical theatre kid, I’d obviously love to do Broadway. I’d also really love to host SNL one day. In addition to acting, you're also involved in advocacy work, particularly in the LGBTQ+ field. What inspires you to use your voice and platform for good? I try to use my platform to help anyone that I can, especially those in the LGBTQ+ and Latino community. For so long, I didn’t see anyone advocating for someone like me so I do the best I can to amplify their voices while bringing awareness to those communities. With “What We Do in the Shadows” heading into its sixth and final season, what’s next for you? Anything fans should look forward to? We’re about to wrap in two weeks from the time this interview is published. That being said, it’s bittersweet. We recently said goodbye to our exterior set, and it was really emotional. I committed to this character for half a decade, which is no small task. It’s become such a big part of my life, and I’m thankful for all the lives we’ve touched through comedy. Season 6 will air later this year. I’ll have projects like “Companion” and “Garfield” out this year as well as a couple others. I’m excited to see what’s next!

[a-town-called-hometown]

yippee! apologies if my takes are horrendously bad

my personal take on the matter is that i definitely think the dark worlds can work as a metaphor for escapism without undermining the darkners' personhood. it can be more than one thing, yknow? the darkners are important, their lives matter. and the lightners do go to the dark world as an escape from the problems they face in their own life. but that's not the darkners' whole PURPOSE, yknow? i mean. according to the laws of the universe of deltarune yes darkners' "purpose" is to serve the lightners but like it's not their whole purpose in the STORY.

it's sort of like how, in UNDERTALE, LOVE represents how distant you've become, how easy it is for you to hurt people. but it also literally gives you the power to destroy the world.

i think the biggest reason i believe escapism is at least a part of deltarune's narrative is queen.

queen's whole speech in both of her fights is about how she intends to provide escapism for the lightners (so that they will worship her but also so that they will he happy). she wants to turn the whole world into a dark world, so that everyone can live in bliss and not have to worry about the woes of the light world. she mentions "Staring, Tapping, To Receive Joy. Staring, Tapping, To Avoid Pain." which is like pretty much the definition of escapism

she wants to help Noelle with the problems she faces in the light world ("Noelle. Who Will Be There To Help Her? Her Strange And Sad Searches" and "My One Idea To Help Noelle, Failed") by just... shoving it away for a blissful fantasy world ("Wake? No, She Has Already Awakened Too Much. Let Her Close Her Eyes And Sleep Away, Into A Darker, Darker Dream.")

...i forgot the rest of what i wanted to say!

well first off, thank you for your ask! I'm going to get extremely in depth in my answer, so bear with me here. sorry it took several weeks to write this. the escapism reading of deltarune is pretty deeply entrenched in fandom, and to refute it, I felt it required a full-length essay to completely explain my viewpoint.

yes, "the lightners desire escapism" does not automatically translate to that being the darkners' actual narrative purpose. escapism can be a theme without dehumanizing those who are used in order to escape - in fact, I've read a number of stories that use someone's desire to escape to HIGHLIGHT how they're hurting others in pursuit of that. I believe that toby fox is definitely capable of telling a story about kids having a valid desire to escape, and about them grappling with having inadvertently created a world of real, living people as a result.

(I'll reiterate again that this is not the story arc that generally shows up in fanon. the common consensus is that the game will end in an omori-esque "growing out of" the dark worlds. it's why I have a huge dislike of the fanon escapism reading, given that the darkners are shown as people whose lack of agency parallels kris' own. it would feel cheap if the resolution to that plot was that the darkners were actually never meant to be agents in their own fates. but this is a digression.)

the reason why i DON'T believe that this is a story that toby fox is telling is because of the way the world, themes, and characters are written. put simply, it just doesn't come across as congruent with the story being told.

deltarune's main themes are agency, fate, identity, and control. this is a conflict that shows up in nearly every major character, is baked into the worldbuilding, and is the central struggle involving us, the player. the protagonist of deltarune is literally possessed by us against their will. the darkners are objects that have no choice but to serve and be discarded. over and over again, there is emphasis on roles that characters play - and crucially, roles that are imposed on them.

what would escapism mean, in this thematic context? in real life, escapism can represent any number of things, but in a story, a major narrative theme generally has to dovetail with other major narrative themes in the work. I would argue that escapism in deltarune would likely mean going to a place where characters are able to choose for themselves what roles they embody, or even to discard the notion of roles altogether. a fantasy of control is the only way to escape a reality where you have no agency. and honestly, it's hard to imagine that something could count as an escapist fantasy if you don't even get to choose whether or not you participate in it.

let's talk about kris.

I see a lot of discussions around kris that say that kris goes into the dark worlds to escape. the dark worlds are posited as kris' fantasy of heroism. it's a world where they can seem heroic and cool, a world where they can have friends. this theory makes a decent amount of sense on the surface level, but only until you consider that kris is being controlled in order to go into the dark worlds. and it is not a control that they appear to welcome.

if those worlds represent kris' fantasy, then why don't they get to choose what happens in those fantasies? why are they being controlled by an external force, one that they actively push back against? if it's really an escape, then why does everything about this world reflect their lack of agency? if they really think this world is just a pure fantasy, then why do they care if spamton falls when his strings are cut?

because they're being deliberately obscured to the player, it is hard to say how kris actually feels about many subjects... but I do seriously doubt that they view the dark worlds as an escape. they don't act in a way that is consistent with that. they resist their lack of agency, and what little we do see of their reactions to darkner characters doesn't suggest that they view those characters as part of a disposable fantasy, either. they seem to have complicated feelings on ralsei. and of course, one of their biggest emotional reactions in the game is to the spamton fight. I would argue that that suggests they have empathy for spamton, which is a hard emotional reaction to have if you believe he's just part of a fantasy. not impossible, mind you, but it seems unlikely that kris believes that all this is simply fantasy.

also, considering that snowgrave both actively discredits the idea that the dark worlds are mere fantasy and is actively traumatic for kris... I seriously doubt they'd open another dark world in chapter 3 on a snowgrave run if their motive was purely to escape. on that route, they've seen the damage we can cause in a dark world. they know that berdly has sustained lasting damage due to our actions, assuming he's not outright dead. why would they want to try and "escape" to a place like that again now that they know what can happen?

the only answer is that they have a motive that isn't escapist.

now, as for ralsei... what part does he have to play in all this?

ralsei does play a lot to the fun, fantastical elements of the dark worlds. he delivers the prophecy that kickstarts the adventure. he flatters both kris and susie endlessly when they act appropriately heroic. he welcomes them into the castle and even makes nice rooms for them. he initially seems tailor-made to enable a fantastical experience where no real issues can ever complicate anything, and where the pain of reality can successfully be hidden from. but there's a lot of complications to the idea that he might represent an escapist fantasy.

the first, and what honestly seems the most important to me, is that he doesn't encourage kris and susie to remain in the dark worlds. he is welcoming and kind, but once the adventure is over, he prompts them to return to the light world. he wants them to deal with their more "real" problems like homework. that doesn't feel like he is trying to facilitate escapism in them. a real fantasy would encourage you to stay in it, wouldn't it?

and while ralsei is definitely invested in making sure the lightners are happy, there are always cracks that show. he isn't able to make kris ignore what happened in the spamton fight. he isn't able to convince susie to be peaceful and kind. and in his very essence, he represents a number of uncomfortable ideas. very importantly, he represents a number of uncomfortable ideas to kris.

this probably ain't your first fandom rodeo, so I'm not going to explain all the different ways that ralsei interacts with kris' personal issues. there's plenty of posts on it out there. what i will point out is, once again, it feels odd that a character who seems tailor made to bring up kris' most uncomfortable associations with their lack of agency and their outsider status in their own family would be part of a fantasy of escapism to them. you'd think that they'd prefer something that didn't have an inbuilt hierarchy, a prophecy that denied them autonomy, or especially a person that reminded them how little they fit into hometown.

that doesn't mean kris doesn't care about him at all - it seems very likely that they do. what I mean to say here is that he just seems ill-suited to an escapism reading, both behaviorally and on a conceptual level. it doesn't seem like that's at all part of his servitude towards the lightners.

of course, there is another non-lightner entity that ralsei seems diegetically engineered to serve. but I'll discuss that later.

now as for susie...

yes, susie definitely views the dark worlds as more fun than the light world. and why wouldn't she? the light world sucks for her, and she doesn't seem very aware of the fact that the dark world can also suck. you could definitely make the argument that she views the dark worlds as a fantastical escape from reality... were it not for the fact that she treats her darkner friends with just as much importance as she does kris and noelle.

can someone treat components of an escapist fantasy as real and important? of course. but given deltarune's themes of agency and control, as well as the fact that darkners exist in servitude to the lightners, I feel like you'd have to make escapism tie into forcing others into a lack of agency if you wanted the theme to feel coherent with the rest of the work. this would require susie to be limiting the agency of the darkners around her. and obviously, she doesn't do that. her presence around them might be inherently limiting, just by simple virtue of being a lightner, but she isn't aware of it, and clearly is uncomfortable with the idea of limiting anyone's agency. she encourages ralsei to make choices. and she supports lancer in basically anything he wants to do. her treatment of lancer is integral to chapter 1's narrative, and it seems like that treatment of ralsei is integral to the ongoing narrative as well!

her preference for the dark world feels very rooted in her engagement with it as its own reality. rather than trying to avoid her real-life problems by engaging in a pretense, she seems to simply want to spend time with her friends in a place that isn't cruel to her. she isn't ignoring any of the dark world's problems in service of that, either. she notices when things don't line up. if she thought of it as a fantasy, wouldn't she be inclined to ignore issues that impede the fantasy?

and critically - like kris, she does not intentionally choose her imposed role in the prophecy at first. she steps into the role of bad guy to resist it, but that role is limiting too, and she eventually acquiesces to being a hero. it's never something she's completely on board with, though. she actively pushes back the limitations that the role places on her. I find this important to reiterate when we are discussing the notion of the characters viewing the dark worlds as fantasy.

noelle has a complicated relationship to the dark worlds. susie tells her that it's a dream to make her accept the strange reality she finds herself in, which works well on her. she continues to think of it as a strange dream throughout the chapter. (though, like the others, it is not a 'dream' she entered of her own volition!)

it is also a markedly unpleasant 'dream' at times. she has her agency restricted, is kidnapped, has to evade a controlling monarch, and is even tied up in a weird evangelion cross thing on the hand of a giant robot. it's not purely fun. noelle does like scary things, and while it might be healthy for her to have an experience where she stands up to a controlling adult figure... again, the circumstances make it difficult for me to assume that this is a fantasy she would choose for herself. not impossible, mind you, but it's not the first reading of the situation that comes to mind.

and while she does say she wishes she could dream like this every day in the normal route, that does happen specifically because she was talking to the girl she likes. it makes sense she'd find that pleasant. I don't think that necessarily equates to her finding the dark worlds escapist.

and importantly, this isn't the sentiment that she expresses in every route.

again, there's a lot of analysis on snowgrave, so I won't bother regurgitating it much here. but it's nightmarish for both kris and noelle, and very likely fatal for berdly. noelle needs to believe that the event is a dream, for her own psychological safety, but one of the most important parts of snowgrave...

...is that its events, and the world it took place in, are very, very real.

noelle wants to have the strength to face her problems, both in the regular route and in the snowgrave route. rather than escaping from them, she views the "dream" as a chance to practice dealing with her day-to-day issues. it's just that in the regular route she finds that strength authentically, and in the snowgrave route, that desire is manipulated and pushed until she is forced to kill berdly. she doesn't interpret snowgrave as an escape gone wrong. she views it as a dream that became a nightmare. and those are two extremely different things.

but i haven't even gotten to the biggest thing that undermines the concept that the dark worlds are a metaphor for escapism! which is: this fucking guy is dead wrong about everything.

so full disclaimer - I really love berdly. I think he's slept on a lot in the fandom because he's annoying and weird. which is fair, I suppose, but I think ignoring him hinders a lot of people's understanding of deltarune's overall narrative. because berdly often illustrates a lot of concepts in the game, but his narrative framing as a joke (usually...) prevents the player from taking it completely seriously. he has things to say and ideas to show off, it's just that he's often very loud and kind of dumb in his expression of them. which is kind of the point!

ralsei brings up the idea that the darkners are meant to serve the lightners very seriously in chapter one. by extension, and by way of the literal mechanics involved in a dark world's creation, we can infer that this logic is probably something that also applies to the dark worlds themselves. they are allegedly worlds and characters that only are supposed to fulfill a dream of the lightners. but due to narrative framing and deltarune's themes, we know that that's not the full truth. however dark worlds and darkners are created, they deserve to have their own agency. they can't just exist to fulfill a higher being's wishes.

you know who else undermines that view of the dark worlds? berdly! berdly does!!!!

because berdly is the only lightner in the game so far who does take the dark worlds to be an escapist adventure! he wants to turn cyber world into smartopia. he views this as a chance to be a cool hero. he believes he's going to get the girl, he's going to shape this world to his own liking, and maybe also he's going to get queen to acknowledge him or something so he stops being a forgettable little bluebird. and not only does none of this happen, his steadfast belief that it will happen is continually a joke within the narrative!!

berdly's wishes for uncomplicated escapist fantasy are flat-out denied by the dark worlds themselves. as a lightner, those worlds should be serving him. he should have the power to do whatever he wants within the bounds of an escapist fantasy. these npcs should be singing his praises!

but he doesn't have the power. and this world doesn't sing his praise. because it just isn't an escapist fantasy. he isn't right to view it that way. his wishes for heroism are always going to be thwarted.

so now that I've gotten all that out of the way, let's swing back over to the subject of your original ask. queen.

because, like berdly, queen's entire character arc is about how she's completely wrong about what the lightners actually want.

queen would in fact like nothing more to place the lightners into an escapist fantasy. she believes that that's the best way to serve them and make them happy forever. as a darkner, queen has very much internalized the idea that a lack of control is what actually makes people happy. since darkners have no choice in their destinies and are supposed to be happy in it, and since she personally finds her role as a darkner fulfilling, she believes that that's true of all people everywhere. if you want to make people happy, you just have to remove that pesky personal agency!

so she spends the story trying to force the lightners and particularly noelle into situations where she controls them in order to make them ostensibly happier. she does genuinely believe that this is the right thing to do, but as she finds out eventually, she's just wrong. noelle doesn't want that. queen believes that escapism is why the lightners use the internet... but that's totally wrong too.

while there are other searches mixed in, noelle is trying to use the internet to find her sister. instead of trying to hide from whatever happened, noelle wants to figure it out. queen's thesis about noelle and the lightners is proven wrong even before she personally encounters noelle in the dark world. it's just that queen doesn't realize it due to her limited perspective.

the concept of escapism being brought up with both queen and berdly is not there to say that the dark world is escapist. rather, it's there to say that it isn't. despite the dark worlds being a fantastical place, they are extremely real. to view them as a means of escape is foolhardy at best. you cannot act as though you are above consequences within them.

themes and ideas exist within the story for a sake of an audience. so let's get into the final character I need to discuss here. hopefully this will tie my thesis of deltarune together neatly.

that character is of course us. the player.

when creating a piece of fiction, an astute author will often identify and anticipate an audience's reactions to certain things in their work, and write things in such a way that they elicit the desired reactions. in essence, a writer is directing the "character" of the audience. how we feel and how we are anticipated to react to things is an integral part of nearly every fiction.

that effect is far more overt when dealing with metanarrative fiction that diegetically involves the audience. since the fiction is saying a lot of things about the general 'you,' the audience in aggregate, your reactions to certain things in the story have to be finely cued and anticipated by the author, so that the author can thus commentate on the reactions that you have to the story. the "character" you are assumed to inhabit is posited by the author to have certain traits.

to explain what I mean in plainer terms, I'll use the player of undertale's no mercy route as an example. because undertale is commenting on the way rpgs generally work. the player's behaviors in no mercy are attributed by characters in the story to be the result of us acting like a typical gamer. we kill the characters in the game because we want exp. and more than that, it's because we want to see everything the game has to offer. the role we inhabit in this role-playing game is that of a completionist. you could say that that's assumed to be our "character" in no mercy.

deltarune also posits that certain things are true of its audience. by being written to evoke certain cultural ideas, rpg tropes, and references to undertale, it guarantees that its audience will probably have certain traits, and spends a large amount of its conceptual focus commenting on those traits. one of those traits is nostalgia, which is probably an idea that I'll expound upon in a further essay because it's quite integral to my reading of deltarune. but the main one I mean to discuss here, and why I went off on this tangent about how audiences are dealt with in metafiction, is that we are posited as someone who believes in the logic of certain narratives.

deltarune's writing evokes a lot of portal fantasy narratives. alice in wonderland, narnia, pretty much every story where it's revealed at the end to be all a dream... the story of deltarune superficially resembles a lot of those. this, I think, is responsible for the popularity of the escapism theory. because those stories are often at their end about a child learning to put away fantasy and grow up, people tend to believe that deltarune must be about the same thing. but I truly don't think that deltarune is trying to do anything with that aspect of portal fantasy narratives, at least not directly. its main characters aren't involved in that exact type of coming-of-age arc.

instead, deltarune is very concerned with what happens to characters in fantasy, and specifically fantasy rpgs. if your world is deemed to not matter because it's a dream, what does that mean for you, who has no choice but to live in it? if you are an npc whose role has been predetermined for you via script, then can you ever decide for yourself what you want? what if you want to matter? what if you want to be your own person?

as the major controlling force of deltarune, we are initially cued to believe that deltarune is like a dream. it superficially fulfills so much of what we want from undertale fanon. hometown seems like it's a perfect idyllic town, at least until you start noticing the obvious cracks. and remember what I said about ralsei earlier? he is so reminiscent of asriel, and extremely eager to help us. it's not a stretch to say that making us specifically view deltarune as dreamlike and idyllic is probably part of his purpose in the game.

I would not say that we are posited as escapist. but the idea of escapism as brought up with queen and berdly is meant to strike at the heart of a much deeper idea that deltarune is trying to deconstruct. because if we view deltarune as a dream, escapist or otherwise, then we are inclined to write the internal realities of the characters inside off. the dark world can disappear without it mattering. we can control kris without it mattering. if it's all a dream, what does it matter? why should we care to let its characters go free? aren't we supposed to be in control?

if deltarune is an rpg... what is the significance of us interacting with it?

[sleepyconfusedpotato]

Do Ghost and Jade's kids don't know about their careers (or in Jade's case, former career)? Cause the comic you made of Andrew seeing Ghost in the middle of the night sorta implies they don't know about their parents' military background.

HMMM HM HM Good catch right there 👀👀

So this is also a part of what I've been thinking inside the Riley family after they have kids.

- I feel like the kids would definitely know about Simon's career as a soldier. BUT, as they are still in their early teens, I'd imagine that Andrew, Gracie, and later Orion know that their dad is a soldier, but that's the extent of their knowledge. They do know about Simon's nickname "Ghost", but they don't know how Simon operates inside the Task Force, they're not aware that their dad is an officer of one of the most elite and dangerous task force in the world. As far as they know, their dad only has edgy hobbies that involves black outfits and skull/skeleton themed. Heck, they even made fun of his preferences in outfits.

- But dear God, they never saw him in a full-on combat gear, in the dark of the night.

- Ghost is an officer, so day by day, he'd left the house with open face, and only wears the mask inside the car. After work day, he'd take off the mask before entering the house. If he's too tired, he'd try to sneak in in the deep of the night without making a sound. He'd sworn to himself that 'Ghost' will never enter his family and children's house/lives. They do not need trouble and his dangerous line of work to enter the one thing he cherishes the most.

- However, once you have kids, you can't hide anything forever. They'll find out by themselves (in this case, Andrew is entering his puberty and needs some midnight munchies). Simon and Lottie knows this, so they already have everything figured out. What would Andrew's reaction be, what would Gracie's reaction be, what would Orion's reaction be. They've discussed what they'd reveal, and what they'd still keep a secret, again, until they're old enough to know. They tread VERY carefully about it.

- About their mother though, that's a whole different story. After their marriage, Jade has strictly commited to be a mother for her kids, and opened a branch of The Garden in Herefordshire. She's an ✨ entrepreneur ✨. She's not that active to be called into deployment as before she had kids. If she's used to be 60% florist and 40% TF141 ally, after she had kids she'd be 98% Mum and Florist, and 2% TF141 Ally. Her kids literally only knows her as a florist, and that's it. Up until their late teens, Andrew, Gracie, and Orion would have no clue nor idea about her past with MI6. She didn't lie, she's just holding the truth until they're big enough to understand.

- In fact, Ghost BEGGED and asked Jade to not be active inside the TF141 or any conflicts anymore, considering Ghost would be deployed a lot (and how he's promoted to Captain and above), he'd want his wife to be with her kids. Jade herself also agreed, but she also told Ghost to not die and do stupid stuff. Even though married and less involved in the TF141 business, her resolve stayed the same. If he's missing, she'd pick up the guns in a heartbeat.

- Now, back to the kids. I'd imagine that because of how eventful each of Simon and Lottie's lives are, it sort of like become a game to the family. Each birthdays of the kids, Simon has established a "3 Question" rule game, where the kids can ask their parents anything about their lives. From Andrew and Orion, it's usually trivial and simple stuffs like "What's the naughtiest things you've ever done" "What's your favorite bla bla bla". HOWEVER, with Gracie, its always "What's your favourite mission?" "What's the worst condition of a dead body you've ever find?" "Who's the most difficult bad man you've ever encountered?" "Where is he now?"

- Ghost and Jade would answer with only two sentences. Looking at each other for approval. Gracie is most definitely Simon's daughter with that line of questioning. BUT, again, with every birthdays, and with their increasing age and they become more mature, they'll reveal everything bit after bit.

- By the time they finally know everything about their parents, they'd be in college years, probably, and Simon would no longer be the Ghost (he might be one of the higher ranked officer at this point), and Lottie would be completely out of the Task Force 141 game, becoming a regular civilian. Still, it'd be a legendary story to tell.

WOOHOO I kinda yapped a bit there, but hope that answer your question!

[justarandomlambblog]

I was possessed by a thought

Modern-ish au but in a "thousands of years post-canon universe"

In which Lamb did not spare Narinder and when they saved the Bishops from Purgatory, actually put them to rest (aka sent them to the After) and oops, the Bishops + Narinder accidentally reincarnated while the Lamb wasn't watching

(Part 2 here)

In this life, the Bishops are still siblings and all were born with magic; Narinder became a priest, and though the other Bishops were raised in the temple alongside him they chose to pursue careers outside of the priesthood. Heket runs a restaurant (of course), Kallamar makes jewelry and sells crystals (he has healing magic so his crystals are literal healing crystals :) ), Leshy is a gardener and Shamura runs a bookshop (I'm sure you're noticing a theme here- their past lives are affecting their new ones). Their past lives' injuries have actually carried over, only instead of being injuries they're disabilities they were born with; Shamura their memory issues, Kallamar is deaf, Heket is mute, Leshy is blind, and Narinder has chronic pain (he WAS in chains for a thousand years, his muscles were ATROPHIED and his joints destROYED, and you cannot convince me otherwise). Not shown here; Narinder also uses a cane and on his really bad days a wheelchair.

Heket: Get a whole pumpkin Narinder, who can't lift more than 20 pounds:

Why do Narinder (and the Bishops) look the same and have the same name? Well. The world may have forgotten them, but the universe hasn't.

Aym and Baal are immortals from their time in the After in this world, and though at first they were resistant to helping the Lamb, eventually they saw they needed Help™ and had no idea what they were doing, and having been witness and aid to Narinder's job for centuries they knew how to help. Over the millennia they fell into the old familiar role of being the guardians of Death (Forneus is also an immortal so don't worry they're not separated again) and are in a constant state of Done With Lamb's Shit (/affectionate).

... I actually really love how Lamb turned out here. It was fun drawing them Older. And quite a flip with making them look older than Narinder. The society that's been built up is still religious but no one recognizes Lamb because they've changed so much over the last two thousand years, and the fact they're a sheep doesn't raise any red flags as sheep have migrated to the Lands from other continents. They're rare but not unheard of.

The Crown fits in by disguising as various types of pets, though no matter its form it always has one eye. This time it's a bird, and it recognized Narinder from a mile away :) The mind forgets but the soul remembers....

[crystal-moon-101]

A while ago I had made up a Zak for each day of the week to match Zak Saturday and Monday for fun, and because I wanted to give Zak some more AU similar to how Ben gets a lot of them. So not only do they all have different last names, but each have their own backstories and colour theming! So I hope you enjoy my little AU concepts.

-Zak Saturday-

Classic original Zak. I decided to draw them all when they're 11, start of the series vibes. So that's why he doesn't look like the ways I normally draw him currently, since those are when he's 14. Nothing different with his design here, beyond still giving him those vivid orange eyes.

-Zak Sunday-

Also known as Zak Argost, having been taken in by the man after he had a certain encounter with Zak's parents, resulting in their deaths. When Argost found the young toddler, seeing the start of Zak's power, he was happy enough to take the child with him and use his powers to his benefit. Due to being taken when he was very young, Zak doesn't remember his parents at all, fully believing in anything Argost tells him, the only family he has. So he happily helps his guardian in keeping cryptids tamed during Weird World shows, or during trips to learn about them, even if Argost puts Zak in more danger than he should. Due to his appearances on Weird World, Zak is a celebrity of sorts, even if he doesn't get to go out often. Argost also gives him a lot of gifts, keeping the child in a positive mood to keep him under his thumb. So Zak truly believes that Argost cares about him.

Though things start to turn when Argost finally decides it's time to hunt down Kur and take his powers, hiring Van Rook and Doyle on the mission. This leads to Zak and Doyle getting to know each other, with Doyle feeling protective over this random kid for some reason. Eventually this leads to him taking Zak away when this whole Kur business gets out of hand. While Doyle can't seem to convince Zak that Argost doesn't care about him, the pair do at least agree to try and find Kur first, Zak worried that even Argost shouldn't handle such powers. However, only time will tell if the pair discover the truth behind their unknown family history.

-Zak Monday-

The good old twisted gremlin of a child, Zak Monday and his family were a result of the smoke mirror. They come from a world that twists the very nature of people, a poor reflection of their negative aspects. If you're naive, then your mirror self is incredible dumb. If you're a bit of a perfectionist, then your mirror self is a control freak. And Zak Monday represents the twisted doubts of Zak feeling like a monster, so why have any doubts when you can be the monster?

I decided to change Zak Monday a bit to have the green eyes and green shirt with his own logo, cause I liked the idea that after his first appearance, they switch back to what they're suppose to look like. But other than that I kept the concept of him looking just like Zak, minus the inverted hair colour.

-Zak Tuesday-

The young naga is the son of Rani Nagi. Born solely to have Kur's soul enter and be a host, but whoops! Looks like Kur's memories aren't there, but that wasn't going to stop Rani Nagi, who thinks if she keeps at her plans, eventually her son will become the old cryptid king she once knew. Even going as far as to solely call her child Kur, who secretly calls himself Zak due to him often watching humans in the shadow, curious about them and wanting a name for himself. Zak Tuesday has a lot of identity issues, not helped by his mother's teachings towards him, ignoring all his dreams and personal thoughts. Eventually he just got really good at lying rather than convincing Rani Nagi.

However, the young cryptid prince is suddenly kidnapped by Argost one day, as he figured out where Kur's soul was currently living. Zak knew he would have died that day if not for Drew and Doc recusing him, having been chasing Argost over this Kur situation. Though they're a little surprise that upon meeting the new Kur, they find it's just a young naga who really doesn't know who he is. At first Doc and Drew didn't know what to do with him, but Zak begged them to not send him back home, and let him stay at their place until he could figure things out. He wasn't foolish, he knew the nagas were planning a war, and he wasn't keen on being the face of it all. So now the Tuesdays just have a snake living around the house, but they can't exactly complain as he is a well mannered guest at least. And perhaps the house doesn't feel so lonely with him around either.

-Zak Wednesday-

Some of you might recognize this one, but this Zak is from my old Zur AU, where Kur was reborn via the Kur Stone due to it being an egg, and Zak is a dragon that shapes between human form and dragon form. I decided to update him, making him Zak Wednesday now, with a pink theme! I also decided that instead of Kur being reborn, I wanted to shake things up a bit and have it that Zak was directly Kur's son. His mother is unknown, and as Kur saw how the world was at the time, he put Zak's egg into a stasis situation until it was discovered again. After saving it from Argost, the egg hatched among the secret scientist, leading to them chasing the child of Kur. But upon using his shapeshifting abilities to look like a child of Drew and Doc, they just couldn't help but adopt him on the spot, siting there was no sense in blaming Kur's son over what happened years ago.

The growing dragon is very playful with a cheeky personality. He exhibits a lot of draconic behaviors, with a wild and free spirit. He is aware of his family history, but he doesn't like to think about it, unsure in how to view his father based on the stories he's heard. Besides, Doc and Drew are his parents, and that's all that matter to him. Though perhaps this sudden appearance by Argost, claiming he was going to far Zak's father, has been a bit rattling to deal with.

-Zak Thursday-

When Kur knew he was going to die, and also knew his soul wasn't able to live the mortal realm, he made plans to make it so his reborn self would both be born in hopefully a better time, and be without his memories. It was better that way, so that his new self could live a lovely life without the sins from his past. But that didn't exactly pan out properly, as Kur was reborn and sadly remembers everything. It took him a while to understand this growing up, his young human mind not processing it until he was roughly 7-8, and even then he needed time to think about it. And now he's a depressed 11 year old who now has to be stuck with the fact his plan didn't work, unable to run away from the person he once was. Doc and Drew found out the truth when Zak tried running away one day, their son sitting them down and telling them the truth in hopes they'd just leave him, it would be better that way. But to his surprise they disagreed, as he was still their son, Kur or Zak, and it would be too dangerous to leave him alone.

So now Zak lives with his parents? Are they really his parents? The family keeping this dark secret to themself, even from the other scientists. Doc and Drew still reach out to their son, doing their best to connect with him, but he can't help but push them away. He doesn't deserve this, and they deserve better. However, their secret might come out after Argost stole the Kur Stone and now hunts for Kur, not realizing the truth right in front of him. So now the family tries to get the stones back, wanting to protecting Zak/Kur from others finding out. Doesn't help that he has to go through being a child again with such dark memories lingering in his head, feeling tired and overwhelmed with the world. Hasn't he suffered enough?

-Zak Friday -

In a world where Kur and cryptids successfully wiped out humans, the king ruled the lands for a while after, before one day he mysteriously vanished. Many concluded that he had died somehow, the details unknown, but this lead to a prophecy that one day their king would return, leading to many claiming to be him, or praying that they will be him for the power and wealth. In this universe, Zak and his family are all cryptids, with Zak being a a Chuvash Dragon, Drew and Doyle are Epimeliads, and Doc is a Gargoyle (Other characters are also cryptids in this timeline). Zak is a serpent like dragon that breathes fire, as a very twistable body, and can freely shapeshift. He's heard about the legend of Kur returning, but frankly he thinks they don't need him, even if the cryptid world has been shattered without a king for years now.

But when a yeti named Argost claims that Kur is back, being backed up by the Nagas, everyone starts to gossip and run around trying to figure out who the new Kur is. So maybe it's best that Zak doesn't tell the whole world about his sudden new powers to control and communicate any fellow cryptid is walks by.

[inkdemonapologist]

My BatDR Take That Used To Be Hot But I Left It Out On The Windowsill To Cool So You Should Be Able to Eat It Now Without Burning Your Tongue

its not actually that hot, is what im saying

Anyway my BatDR hot take is that BatDR's story is not fundamentally worse than BatIM with one exception; an exception that, for BatIM, covers a multitude of sins:

BatIM has a theme.

I can't presume the intentions of the creators, but if I had to write an essay on the themes in BatIM, it wouldn't be hard to pick one out: the cost of obsession, or even just, the ruin Joey brought on the studio. In the very first chapter, Henry asks "Joey, what were you doing?" and every single thing in the rest of the game revolves around that central question: what WAS Joey doing? Each audiolog is a snippet of the studio's path to this messed up state; each character you meet is someone ruined by Joey. The major antagonists echo Joey's flaws -- obsession with Bendy as more than a cartoon, obsession with perfection, obsession with fame and greatness and legacy -- but even without that, they're also each a picture of how the lives of people caught in the path of Joey's dream were ruined by it. Bertrum, for example, doesn't match the concept of rubberhose cartoons, but as yet another person screwed over by Joey, he fits the central question of the story, so he feels like he belongs here. Ultimately, in a narrative sense, the Ink Demon isn't the story's monster -- Joey is; the Ink Demon is just the consequence of his reckless ambition.

But what's the theme or central question of BatDR?

You can... try to pick out a theme. There's some promising options, because it feels like the story WANTED a theme, stating its emotional intentions more overtly -- "there's always a choice" to leave the darkness and chose hope; family and the struggle of living in a heavy legacy's shadow; or even just good old mewtwo-brand The Circumstance's Of One's Birth Are Irrelevant, It Is What You Do With The Gift Of Life That Determines Who You Are.

I think, even WITH the clumsy execution of Joey's "arc" and Audrey's lack of real choices, any of those could work about as well as BatIM. But unlike BatIM, the majority of the game doesn't tie in. Joey's tour can be considered relevant -- a picture of the family legacy and the "darkness" that Audrey doesn't yet know she's inheriting -- but like, the audiologs and hints and environment of BatDR are mostly teasing the question of What Is Gent Up To, and the takeover of Gent is detached from Audrey's choices, her family, her legacy, and Gent never really becomes a relevant threat to those things in this game. The Cult of Amok and the Ghost Train have nothing to do with any of these ideas. It might've been neat if Audrey had ever considered, "Did my father really drive all these people insane?", a hint of actually having to wonder about the darkness in her past. Even Wilson only barely brushes against these concepts; he doesn't like Joey and he also is trying to escape his family's heavy legacy, but it doesn't really reflect on his actions and we don't find that last part out until he's about to be dead.

There's also the question Wilson poses of "real" people versus ink creations, and what counts as valid "life." It would be an interesting theme with a lot to build off of in this setting, it ties into Wilson more as Wilson seems to represent the opinion that Inky Things Aren't Really Alive, which could've tied to Audrey (as an ink-person who has yet to accept that part of herself) and maybe given Wilson a reason to think it's fine to sacrifice her, it could've even tied to Gent (who don't even seem to value human life) -- but after Wilson asks the question, it doesn't tie into the direction things go. He smooshes a little Bendy, we see hints of his disregard for Betty, and then everyone continues with their plan to destroy the Ink Demon without any further moral quandaries about inky life.

The thing is, when you compare an element like, say, audiologs, there's a lot of differences you can point to -- but I don't actually think Lacie Benton's audiolog is notably better, taken on its own, than Grace Conway's or Kitty Thompson's, and yet tons of people were intrigued enough to flesh out Lacie. None of them are big plot points or compelling characters on their own; Lacie and Grace both give us a little note on what it's like working in the Studio, and Kitty shares a little bit on how Gent's expansion is affecting people. But when Lacie talks about Bertrum trying to make a creepy animatronic, that ties back into Joey's ill-fated schemes that are the point of the whole story. The question we're asking through the whole game is "what happened here?" so the fandom is interested in who Lacie is and what her life was like and extrapolates a whole person out of a couple sentences. But that's not the question in BatDR -- what has Wilson done to the Cycle and the Demon? Why? Who is Audrey really, and why is she here? Telling us new things about the Studio's fate seems strangely irrelevant to those questions, just an attempt to create a Mystery To Speculate On like the previous game did... but what question you're asking and how it fits into your story's main theme, like, matters. I absolutely believe that one clock animator guy would've been in EVERYONE'S crew if he'd been introduced in BatIM, but the context makes a difference; fleshing him out feels less relevant here.

The explanations of how and why Wilson did everything he did are baffling and handwavey, but in and of itself that's not a worse problem than anything else in the franchise -- I STILL don't understand why the Ink Machine needs pipes in the walls or even how it works, there's no good reason for Sammy to believe the Ink Demon will "set him free," most of Alice's motives don't make sense, etc etc etc. But the thing is that in BatDR, the wibbly bit is the closest thing to a central question we have! Wilson, what were you doing? The theme doesn't really explore or connect to that question, so the explanations that are finally tossed our way feel lacking in a way that BatIM's handwaved elements don't. There's a lot about Joey's motivation in BatIM that we can't know, but the heart of it resonates -- Joey wanted something, he was willing to exploit people to get it, and he became obsessed and prioritised that dream at any cost. We'll weather a thousand logistical inconsistencies if it's got heart.

But all of that said.... to be honest, I don't think Lacie overtly fits that theme anyway. Even, like, Sammy is iffy -- we don't really know what happened to him, only that he didn't used to be made of ink and worship Bendy, and now he does. We assume Joey's nonsense had something to do with what happened to him (though the books later assert his influence was indirect at best), because when there's a pattern, we can fill in the blank. So many fan creators found a place for Lacie, Grant, and Shawn in the cycle as butcher clones or lost ones, so many people imagined that Wally must be the Boris we meet, because that would've fit the pattern, the idea that the point of what we're seeing is the downfall of the studio. It's not actually that BatIM did a great job tying everything together -- it's that BatIM gave us a compelling idea and that was all it took to make everything else SEEM like it could find a place to fit. This is what I mean when I say BatIM's theme covers a multitude of sins. There's a LOT of characters in BatIM that don't make sense. There's a lot of inconsistencies and things that just sort of happen without any real reason. Characters don't really have "arcs" so much as different states they happen to be in at different times. But because there's a central question and the story doesn't wander away from it, our pattern-loving human brains will slot in all the pieces and do all the work to make the story feel at least somewhat coherent.

The things that happened in BatDR aren't a whole lot less coherent than BatIM imo, they just don't tie into a bigger theme or any of the questions the story's asking, making "how do they fit into all this" feel irrelevant, making it easier to forget entire sections and harder to get invested in audiolog characters. I think a lot of the other criticisms people have for BatDR's story are very valid, but I also suspect that if BatDR had a more successful theme/central question, then a lot of its flaws would be easier to overlook -- just like BatIM.