#they are like spectres to me

[fiendishartist2]

//But I'm in so deep. You know I'm such a fool for you, you got me wrapped around your finger! Do you have to let it linger?//

[knockknockitsnickels]

"Sacrifice the Yourself" (title pending), the hip new slay the princess swap AU, in which you and the girlies must decide if you're gonna let a giant bird stab you (and maybe.... find love?!)

[trashyshrew]

please take care of your hands first! for when your hands get better: lawlight but with light kissing L's grave or something like that, if you can draw that? thanks!

thank you! hopefully i didn't go too far off script with this one...

[surreal-duck]

es rarepair week 2024 day 1 | AU/future

lil ghostic au of mine!!! yuzuru and the rest of fine are long since trapped souls in an abandoned mansion of which rst come across while looking for shelter during a storm :] it doesnt um. particularly end well

[one-pissed-off-child]

Day 10 of posting Nevermore thoughts until S2 drops

So, going with the theory that Lenore's Spectre is fire-based, imagine if Lenore's Spectre is too hot to touch like Anna's Spectre is too cold to touch except they reach perfect equilibrium together so they're the only one's that can touch each other safely also what if they ki-

[esotericas-sims]

George and Ruby's outfits going into the 1890s represent the odd dichotomy of their new lives. On one hand, they live a relatively "simple" life on Ruby's father's farm, and are compelled to dress practically, in simple, sturdy clothes, in order to support a lifestyle of hard labor. On the other hand, they have Moses's consistent financial support - less so cash, more often in the form of lavish gifts, especially of expensive clothing. They often have multiple outfits for the same occasion, one more expensive, and one more practical.

George in particular has taken to Moses's habit of giving gifts. George finds the promise of wealth infinitely appealing, and although he hasn't yet obtained said wealth, Moses's expensive presents often make him feel as if he has. Because of this influence from his father-in-law, George's outfits have also trended more towards Moses's all-black color scheme, becoming darker in color and adding in more blues and jewel tones, to replace George's teenage greens and yellows. He dresses in Moses's gift-clothing whenever possible, only returning to more practical garments while working on the farm.

Ruby, on the other hand, seems discomforted by the expensive clothes her father throws at her. Her hunger for independence and identity tends to push her away from making use of his gifts, no matter how lovely. She does dress up when he asks her to, or when the situation arises, but otherwise Ruby favors sturdy, comfortable, practical clothing. Some of her outfits do retain her teenage greens and yellows, especially those given to her by Moses, but the majority of her clothes are in a soft, neutral color palette, made up of mostly creams and browns. Still, Ruby does have a taste for drama, and what she lacks in fashionable clothing, she makes up for in her variable, expressive hats, often covered in flowers or feathers.

Links below the cut

George

Genetics: Skinblend / Eye shape / Blush / Hair / Beard (High School Years)

Everyday: Outfit / Shoes / Ring (Basegame) On The Farm: Outfit Going Out: Jacket / Pants / Hat / Gloves (Get to Work) Wedding: Outfit / Hat / Gloves (Get to Work) Formal: Top / Pants / Hat Underthings: Pants Sleep: Union Suit (TSR warning) Morning: Robe / Slippers (Basegame) Hot Weather 1: Outfit / Hat Hot Weather 2: Outfit / Hat Cold Weather 1: Outfit / Scarf / Hat Cold Weather 2: Outfit / Scarf / Hat (Basegame)

Ruby

Genetics: Skinblend / Eye shape / Structure (retired) / Nose Details / Eyebags / Updo / Blush (High School Years)

Everyday: Glasses (TSR warning) / Top / Skirt / Apron Acc / Ring / Shoes (Post deleted) On The Farm: Hat / Top / Skirt & Apron Acc Going Out: Hat / Outfit (1880s set) / Jacket / Gloves (Get to Work) Wedding: Dress (Anachronistic) / Necklace / Veil / Earrings / Gloves Formal: Dress / Earrings (Growing Together) / Gloves / Flowers Underthings: Corset / Combinations / Socks (Dream Home Decorator) / Hair Sleep: Nightgown / Braids Morning: Robe / Slippers (Basegame) Hot Weather 1: Dress / Hat Hot Weather 2: Outfit (The Schoolmistress) / Hat Cold Weather 1: Top / Skirt / Scarf / Hat (Eco Lifestyle) / Gloves (Horse Ranch) Cold Weather 2: Outfit / Scarf / Hat

Playing with SeveralPerson’s Ultimate Decades Challenge Rules

Started: 1800

Current year: 1890

Family tree

Spreadsheet

CC Finds

[anethiawoods]

playing slay the princess as intended (watching your friend stream it and then roleplaying as improvised ocs for each of ur runs)

[aldercaps]

🍂🪦 ghost of the savalirwood 🫧❄️🌲

[theclam-beforethestorm]

Darth Vader and Anakin Skywalker being treated like they’re two different people, my beloathed.

[bikananjarrus]

the fact that we don't know exactly when hera & kanan met zeb and sabine haunts me actually

[wetcatspellcaster]

write this on my tombstone. let this be my epitaph.

[dumvixerum]

Nevertober day 16 - Stolen moment (blood tw)

Honestly their marriage is their number 1 stolen moment ☹️

The inspo is "Ivan the Terrible and His Son Ivan on 16 November 1581", I love this painting so much go check it out. Now🧍

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[deathonthe]

kill for me one day? | 1633

pairing: charles/max

rating: explicit

word count: ~20,000

tags: mafia boss charles leclerc, unsafe sex, blowjobs, riding, choking, oblivious max verstappen

summary:

“Of course, I know you are not a criminal.” Max quickly reassures Charles. “Oh,” Charles finally says with a nonchalant roll of his shoulders. “But it’s true, though? I am a mafioso. It’s not exactly a secret. I thought you knew. The whole of Monaco knows.” Huh, Max thinks. “Huh?” Max says. “Huuuuuuuuuuuuuuuuh,” Max says again.

no notes because i'm sick and tired of this fic ruining my life. also i don't think i had a single thought forming in my head while writing it. i don't remember any of it.

[talaofthevalley]

Wonder what woulda happened if Ai hadn't interrupted here.

Cause like, Yusaku and Spectre are like mirrors of each other, this episode establishes that pretty clearly. And even though Playmaker starts out thinking every victim thought the incident was alike to hell, you do see signs that he's trying to understand Spectre's perspective. He asks Spectre questions, and interestingly Spectre answers, honestly at that.

Playmaker asks, and listens, and it seems like he's on the verge of something when Ai interrupts the conversation.

I don't exactly think Ai was wrong to pull this, they had no time and Ai is correct that it's pointless to talk to Spectre right now, since nothing except for Revolver's word would have made him let Playmaker pass. But the more interesting part for me comes from what he says after;

Beyond showcasing Ai's ability to manipulate, if Ai meant this seriously and thought it would play a big part in putting Yusaku into complete duel mode, then Ai doesn't understand Yusaku very well.

He says Yusaku and Spectre are nothing alike, which a normal watcher who's paid attention can pretty easily dispute. Playmaker doesn't acknowledge this claim, only realises they're on a time limit and they need to move. It's the reminder that the Tower of Hanoi is activating that gets him moving. Being told they're nothing alike isn't reassuring for Yusaku, because he's already realised him and Spectre are alike.

It's those similarities that make Yusaku understand Spectre a little, relate to him in a way he couldn't with any other Knight of Hanoi. But even when Yusaku relates or understands his opponent, it doesn't stop him from fighting. Yusaku's thrown from meeting someone with such a opposite perspective on the incident that ruined his life, but still possess such large similarities to him.

While Yusaku cannot comprehend enjoying the incident like Spectre did, I think he understands and relates to some of what Spectre describes here.

What little we know of Yusaku's life post-Lost Incident is that he recieved treatment for what he went through, tried to forget the incident and live a normal life. When we're shown flashbacks of young Yusaku after the incident, he's notably distant from everyone, if not physically then in his expression.

A big empty room filled with toys. No reaction to a kind-looking woman gently holding his hand. Introduced to what seems to be a new class of kids he doesn't know. Sat at the back, apart from the rest. Even if Yusaku was treated nicer than Spectre was, it was obviously not enough and came with its own hardships. And if he couldn't even talk about his experiences like Spectre, it would make adjusting even harder and the distance between him and others larger.

I'm especially honing in on the comment Spectre makes about Yusaku's life before the incident.

"If the incident hurt you, you must've led a happy a happy life before."

Spectre doesn't know that, he's drawing a conclusion based on observation and the information he has. But it's a conclusion Yusaku can't affirm or deny, because he doesn't have any memories of his life before the incident. The idea that the reason it affected him so much being because he was happy beforehand might not have even crossed his mind.

And then we have this fun little tidbit;

A place to belong. Something we in retrospect knows Yusaku feels he doesn't have, but wants. He can understand that desire very well. And if Spectre feels he has found that place with Revolver, then who is Yusaku to tell him he's wrong?

This framing tells a thousand words I think, cause we have Playmaker and Spectre in the same shot, but the focus is on Playmaker's face. It's hard to read his expression, but to me it comes off as thoughtful, still serious but he's considering Spectre's words and conviction here like he would any other opponent. It's like watching Yusaku building an understanding towards Spectre in real time.

Yusaku can understand that kind of loyalty. That unwavering dedication to someone who saved your soul when you needed it the most.

There are so many moments in S1 where Yusaku pulls on the memory of that person to gather strenght, to accomplish his goal of not only defeating Hanoi and learn the truth, but to meet that person again and save them if they are still in danger. Yusaku has survived this far on the memory of that kind voice that reached out to him at his lowest. He's dedicated in a way that, if he ever came to learn of the details, I think Spectre would similarly relate to.

dunno man it's fun to think about. I still have the rest of the duel to rewatch so who knows maybe my brain will be tickled even further or I've said something super contradicting that will be shown in just the following episode. The amount this show can give me to gnaw on in a single episode is kind of amasing.

[starberry-cupcake]

chekov proved to be spock's son during who mourns for adonais? and he proved to be jim's son during spectre of the gun

then they thought chekov was dead and both parents were having a hard time

team building exercise vulcan edition, because spock had to go from mind melding with jim for the first time a couple episodes back to mind melding with bones, scotty and again jim in record time

also, the baby boy is fine