#they are both so influenced by grief and it’s so interesting

[matrixbearer2024]

A slow day with the triplets, I would think that this happens post-weirdmaggedon after all the family drama is (mostly)resorted. No that isn't Ford in the left-hand corner that is Alexander, he just looks like a young ford by default LMAO. I'm testing out different appearances for all three of them to showcase their different temperaments and personalities. I'll be changing Alex's hair at some point in the timeline post-weirdmaggedon since he'd be more interested in his appearance if he's going to fully dedicate himself to business/entrepreneurship.

I also feel like Ford would've found them like this at some point and either got roped into journaling with Alex or playing video games with Athena. Just a lazy day and he's reconnecting with his kids after being away from them for 30 years.

Another point that I think I haven't mentioned enough is how Ford and Reader's relationship is with these three at this point in time. With daddy dearest it's definitely strained, but with mother darling I can't say it's any different.

The reason why Stanford will struggle is self-explanatory, but the reason why there's a struggle with even Reader is because they shift from pretty okay to overprotective helicopter as the kids get older. It's not surprising given the danger of Bill and then the grief of losing Ford that they haven't really processed. But yeah, Reader is pretty overbearing on the kiddos which is why they were so eager to transfer out when they got to university.

These three are close because they know they can only rely on each other, even when they split to go to different universities they still had each other's backs. Unlike the falling out between Stan and Ford, they all act like different people and end up treated as such. Most of their acquaintances don't even know they have siblings, much less are part of a triplet since they rarely talk about them to other people.

Sixer and Reader making amends is going to be a lot of separation anxiety among tears and everything else. I feel like Reader would make him promise to put his family above all else after getting him back and Ford would swear his life on that, especially knowing how much he's lost in the 30 years he was gone.

Stan and Ford having been exposed to the triplets in some capacity I think would also affect how they deal with Dipper and Mabel, Stan not being as reckless and Ford being more accommodating. Granted they're both still very much chaotic and the triplets as Uncles and an Aunt don't fall that far from the family tree- but Dipper and Mabel are still key players into how the family makes amends.

I also think Mabel would be the type to be like- GASP "GRUNKLE STAN NOW WE NEED TO GET YOU A WIFE!" While you and Ford cackle up a storm. Stan is already content being the chaotic uncle that constantly spoils the kids, you and Ford have to play responsible and get him to stop.

Man knows he's a bad influence and dngaf LOLOLOL.

You also reach out to Fiddleford now that he's regained his sanity and mind, so I think everything does eventually come full circle when it comes down to it.

Either way, send requests about art or writing in my inbox guys! Feeling pretty bored so why not XD (Might finish this sketchy with color at some point too so I'll have a proper picture of the trio together)

[foolishlyzephyrus]

i love nine and twelve because both at first glance seem indifferent but they actually care very deeply

[martyrbat]

Embalming: History, Theory, and Practice, Sixth Edition

[TEXT ID: “You must express your grief at the death of a loved one, and then you must move on. The eyes of the dead must be gently closed and the eyes of the living must be gently opened.”]

[ofdreamsanddoodles]

it's also interesting to me that laios & marcille's shapeshifter clones of each other are both influenced by falin. marcille was told that the siblings looked alike, & expected to meet another falin, so now her mind keeps exaggerating the difference between the two. laios meanwhile was so struck by her devotion to falin & the way she rose his sister from the dead that now he automatically pictures her as more serious and quiet (and with her hair down). something about the two of them being tied together by grief & love for the same person. marcille's feelings on laios is shaped by her thoughts on falin. laios' feelings on marcille are shaped by knowing her first as his sister's friend, and the woman who learned explosion magic just to watch falin's back. they're a three person team with one of the members gone

[snixkers]

Crushed Walnuts

Pairing: Spencer Reid × GN!Reader

Angst

For: Anonymous Request

Content Warnings: Character death, gunshot wound, loss of blood, grief, funeral, NO HAPPY ENDING

Summary: You fade in and out while Spencer tries to keep you alive.

Author's Note: Tissues at the ready. I'm experimenting with writing style and trying to improve how I write grief so enjoy!!!

Feedback is always welcome!

Requests are OPEN!

You rolled onto your side, vaguely aware of your team's muffled yells around you. The shot rang in your ears, rattling around your brain and causing your vision to wobble.

As you started to regain consciousness, you saw Spencer crouch down beside you, pressing on your chest.

Spencer.

Your breath hitched when you saw him. He was always so nice to you, telling you random things he’d learned and filling up your coffee for you.

(He did that for everyone because that’s the kind of person he was, but you liked to imagine that he took as much pleasure in your morning routine as you did.)

The best part of work was walking into the bullpen and seeing his smile.

Where was his smile?

He was panicked now, and his hands were shaking as he pressed on the red-hot spot.

“Hey, stay with…”

★★★★★

“...me personally, I think Gattaca is one of the most accurate sci-fi movies.”

You tilted your head, giving up on your paperwork to listen to his voice.

“I’ve never seen it. I’m not much of a sci-fi person.”

His smile widened, and he quickly leaned forward.

“Oh, you’re missing out! Sci-fi is one of the most interesting genres of film and literature there is. Some advancements in technology were directly influenced by fiction.”

You shook your head. “Unfortunately, I’m more of a rom-com person.”

He took a sip of his vile coffee.

“Did you know the first romantic comedy was released in 1924?”

You shook your head again. He always knew things you never even considered.

“I prefer to watch things that have been released within the past few decades.”

He sighed again, wiping a smudge of coffee ground off the bottom of his mug.

“You’re missing…”

★★★★☆

“...out. They’re going in and out!”

You blinked again, groaning at the pinching pain in your ribs. You could see the panic in his eyes, tears forming as he called for backup. You went to sit up, but he pushed you back down.

“Stay where you are. You’re losing a lot of blood.”

His voice cracked slightly at the end, something that usually happened when he was happy. But there was no joy in his expression as you both stared down at the bloody wound in your chest.

“When did I get hit?”

He frowned, elevating your head to keep you conscious.

“A few minutes ago. Don’t worry, an ambulance is on the…”

★★★☆☆

“...way back in 10,000 BC, the first ancestors of the modern walnut started growing.”

You paused, your hand halfway to your mouth.

“That long?”

He nodded, eager to share his never-ending flow of information.

“Mhm. They were brought over by Chinese merchants.”

You popped a few in your mouth, chewing slowly.

“Well, they’re really good. I could eat them for hours and never get…"

★★☆☆☆

“...tired.”

You heard your voice from far away, watching the panic in his eyes increase.

“No, I need you to stay awake. Don’t die on me, okay? I don’t want to lose you.”

His voice grew fainter, and you could hear your thready heartbeat in your ears.

“Stay with me. Do you…”

★☆☆☆☆

“...understand Korean? There's a film festival in town this weekend.”

You smiled gratefully, watching him stumble over his words.

“I wouldn’t get any of it.”

“Oh, you wouldn’t need to. I can translate everything for you in real-time.”

You blushed at the thought of him whispering in your ear, hoping he didn’t notice anything.

“Yeah, sure.”

The nerves quickly left his body and he sighed in relief.

“Perfect. It’s a date.”

Realizing his words, he quickly headed toward the elevator, pressing the button for the ground floor. You hesitated before stepping after him.

“When you said date, you meant as friends, right?”

He turned around, flashing you a more subdued smile.

“Yeah, of course. I don’t know why I said that. Sometimes I don't even know what I'm...”

☆☆☆☆☆

“...thinking of you all the time. And I miss the way that you listened, and how you used to make me feel. And every time I do a crossword, I look for things you like. Liked. I don’t know if I’ll ever get over you. Um, that’s all.”

He stepped down from the podium, making his way back to his seat in the front row. The shadows under his eyes were darker than usual, his hair was greasy and unwashed, and he hadn't eaten in days.

He knew if you saw him, you’d worry and tell him to take care of himself. But sitting in front of your fresh grave as another team member came to say some more remarks, he couldn’t bring himself to care.

[rachetmath]

Jaune More MC Ruby?

Ruby: That’s why I’m the MC and you're the side character.

Jaune: So because you have silver eyes you’re special?

Ruby: Yep.

Jaune: Even though I cheated Beacon.

Ruby: Yep.

Jaune: I was bullied.

Ruby: Yep.

Jaune: My partner is dead. And because I let my guard down, Ozpin died, and Oscar had no choice but to come on this journey. You know,  because of me.

Ruby: Yep.

Jaune: And because Cinder, who works under Salem killed my partner, I have beef with the main villain and her whole crew.

Ruby: Yeah.

Jaune: Salem, who I have way more in common with than most people, the deemed goddess I’m defying her, just like she did with the brothers over a loved one's death. Are you following me so far?

Ruby: … Yeah…

Jaune: Hazel, who mind you, lost his sister. He lost his sister because of the world Ozpin had created, like I did, with Pyrrha.

Qrow: She had a choice.

Jaune: A few days' choice which turned into minutes when Beacon was attacked. Then discovering how bad the situation is, you know with Salem being immortal, I almost hurt if not killed Oscar, making me at the spur of the moment,  just as bad as Hazel. And mind you I was willing to fight you on that.

Ruby: Uh… yeah…

Jaune: Tyrian, has the opposite to my semblance. Wasn’t he more interested in me than you? And you were his target.

Ruby: Mmhmm.

Jaune: Let’s talk about Cinder again. Cinder had two stray kids who followed her. I have Ren and Nora. Neither have parents. Also, we both want power but for different reasons. We even have different views on destiny.

Ruby: Oh damn.

Jaune: Atlas. Oscar did Ironwood not act like how I did in Argus but worse?

Oscar: Yeah he did. Jaune even saw Salem in person before you did.

Yang: So did we. You saw her face to face.

Oscar: I’m Ozpin. What is that supposed to mean?

Ruby: Oscar, not helping.

Jaune: Neo. We both lost our partners. The difference is that I have friends while she has none. The cat, him, and I almost have the same ability except he manipulates your soul or takes it. He might as well have been a devil version of me.

Weiss: O. Dear lord.

Jaune: Watts. … … … You know what no. He-he was no. Like he could have done better, he’s an example of being smart yet making the dumbest choices. 

Weiss: True.

In the Twilight

Watts: What?! My decision was understandable.

Ironwood: No. No, they were not.

Penny: Like you could have logically put your two weeks in and left for another kingdom. Or country. Like Vale. Mistral. Anywhere. You could have helped where you could've been needed. Which would have made you better than my father.

Watts: I wasted my life.

Back to Remnant 

Ruby: Um….

Jaune: You know what I have to ask this question. What is the moral of the story and how does your character fit into this?

Ruby: Well my-

Jaune: Let me retort. I lied. I was bullied. I had no idea about anything in the hunting world. I needed a teacher. I lost someone important to me. I have beef with the main villains. I train to get stronger to be of use to others.

Ruby: So?

Jaune: Okay. No one believed in me. But I still went to chase my goal. I lost the best thing in my life. I still moved forward. I had to kill someone. Still moved forward. I’m an old man trapped in a boy's body. Still moving forward. Fighting the odds that are stacked against me. I have seven who no one knows about. Yet your family is more interesting.

Ruby: Your point?

Jaune: The moral of the story is that no matter your circumstance you can always be better. Never allow destiny or grief to influence your entire life. No matter what odds that stand before you,  you can ultimately change your fate. And no matter the darkness a simple soul can light up the night and unite everyone against a greater evil. Even when the whole world is against you, you are never alone to endure it. If we stand united and look past our differences only then the wor;d would be a better place.

Ruby: Well my mom died at Salem’s hands.

Jaune: And?

Ruby: It's still relevant.

Jaune: You're right. But how many times has your mother been mentioned and you bothered to get information about her?

Yang: I-

Jaune: Bitch shut the fuck up. You were looking for the deadbeat mom more than the mom who stepped up.

Ruby: Well um… um…. Damn. Oh, but I-

Jaune: You weren’t the sword. I may not have known Penny as long as you, but the fact, that I could've saved her proved her death hit harder than Pyrrha's. I’m close to walking in Raven’s path.

Ruby: Shit.

Jaune: And back to your mother. She was a silver-eyed warrior. But Salem is still here. Do silver eyes work on her?

Ruby: Um.

Jaune: Because Salem is still both the brothers' creation. The old humanity. She can't be phased by the black liquid even though everything they touch decays. 

Ruby: She's immortal.

Jaune: Yeah but again when Maria told you her story didn't she try using her silver eyes on humans and it didn't work? 

Ruby: Cinder.

Jaune: Grimm arm.

Ruby: The hound. 

Blake: Silver-eyed person too but only stunned them.

Ruby: Blake.

Blake: What a minute he had animalistic ears. Should I be concerned for my people?

Jaune: Yeah… we’re not getting into that. The point is if you go see Salem and your silver eyes don't work then your mom died for nothing.

Ruby: Oo. Um…

Jaune: And let's get back to the other villains. Besides Emerald, Mercury, and Tyrian, some of them have valid reasons to join Salem. 

Ren: Jaune!

Jaune: Ren, your village got destroyed.

Ren: Nevermind.

Me: Hold up. Let me start. With Cinder, a huntsman saw what she was going through and didn't bother to help her. She was alone. The world abandoned her.  

Jaune: So Hazel was right. In fact, Raven had a point.

Oscar(Ozpin): Mr. Arc I-

Jaune: Motherfucker Hazel had every right to be angry. Dude shadow missions involve us going with experienced hunters. Yet his sister died and Ruby could’ve died. Shadowing them. Following their lead. Does that not show how bad the hunting system is? Not just that we got hunters who died in the line of duty. Not to mention how some were sexually harassing the girls.  And some of them are just plain crazy or assholes. Not to mention Blake, Qrow, and Raven. You let them in. And to make matters worse you chose Pyrrha, a first-year student, to be your maiden.

Oscar(Ozpin): She was my best option. 

Jaune: So Glynda wasn't on the table? A high-ranked fourth-year student wasn't on the table? Man, at least you could have chosen Ruby considering she has silver eyes and is a young upcoming prodigy. That would have made her more important. Like Ozpin Ruby off the bat was better than Pyrrha.

Qrow: Hey, I would have stopped that.

Jaune: O, so… it was okay with Pyrrha… but not your niece. I see. Hypocrite.

Qrow: Damn. Set myself up for that.

Jaune: Watts, despite his stupidity, had a point. James would abuse any source of technology just to have some level of control over something. Why did you think he wanted your sister instead of Penny? Why do you think he wanted Amity up as quickly as possible? Why do you think he hacked into Penny? Everything was always about control.

Weiss: Well our lives weren't easy.

Jaune: That I won't deny. Yet we are all still bad people.

Yang: Jaune my mother -

Jaune: Raven and Summer left you. Summer no one cared enough to talk about. Raven doesn't matter at all. Willow waited until her children were teenagers or young adults to start dealing with an abusive father. And Kali… yeah she should have slapped some sense into her daughter. 

Weiss: Well your mom doesn't love you.

Jaune: Don't care. Back to Jacque though how does he and James know each other? Why do they have beef with one another? Unless… o. Oh no. Don't tell me. Did James set Jacque up with Willow? And in return, he helps James rise to power. Or did James love Willow but because of his career he couldn't marry her? Could Winter be-

Weiss: Please stop. I do not need those theories in my head.

Jaune: Fine. The point I'm trying to make is… … well how about you explain.

Me: It's crazy how Jaune fits the main character role better than Ruby.

[relicsongmel]

Something I've always found fascinating about Raymond Shields is that despite seemingly having altruistic reasons for being a defense attorney, his reasons for trying to convince Miles to be one are anything but.

It seems understandable enough on the surface. After Ray comes around and agrees to work with Miles in The Imprisoned Turnabout, he sees remnants of Gregory shining through him despite von Karma's influence. Whether or not he recognizes that Miles' decision to become a prosecutor wasn't just born from that alone—that it was in tandem with wanting to distance himself from anything that reminded him of his father to alleviate the burden on his heart—is up for debate, but regardless: he acknowledges Miles as Gregory's son through and through and wants to capitalize on his dedication for pursuing justice in a way that he knows would make his father proud. He wants to let Miles in on the life he was robbed of at 9 years old—the life he once dreamed of living, where he follows in the footsteps of his father by giving everything he has to save people, by fighting like hell for the vulnerable and the condemned.

That said, as much as Ray dresses up his proposition by making it out to be as if he's looking out for Miles' best interests (and the best interests of society, even)...his motives for trying to get Miles to switch sides are almost entirely selfish. Ray's efforts (and most of his actions in general, really) are ultimately a product of his desperate attempt to cling on to anything related to Gregory out of an inability to move on from his death. Wearing his hat and coat, leaving the name of his office unchanged...and now, requesting that his son literally change jobs just because he can't bear the weight of his own loneliness anymore. Because he can't bear to think that the damage done by DL-6 is irreversible and Miles has moved on while he has stagnated for the past 17 years. Because he has an idealized vision of what he thinks Gregory would want and fails to realize that his son's occupation wouldn't matter to him as long as it brings him happiness and fulfillment. In his mind, letting Miles go means accepting the circumstances that brought him where he is and allowing both of them to move on. And that terrifies him.

It's even more deceitful when you realize that Ray's pitch comes at a very opportune time for Miles given his circumstances at that point: that is, he's under threat of investigation for prosecutorial misconduct and at risk of being stripped of his badge. Ray might fake incompetence, but he's not stupid—and he takes full advantage of Justine's warnings to try to sway Miles when he's in a more vulnerable position in terms of his job. Which is...pretty fucked up, to put it lightly. Despite having a better idea of where he came from compared to most people, through this Ray shows a lack of understanding of who Miles truly is and a lack of respect for what he's come to value, even if his path toward obtaining those values had some bumps along the road. But he's so blinded by his grief that he doesn't even stop to consider how much he's really asking of him, or what Miles is really searching for.

Ray was moved by Gregory. He values saving people. Defending the weak is an undeniably noble endeavor. But to ask that of someone else without consideration for their best interests is decidedly less so.

For all his occupation requires a certain selflessness, Raymond Shields is far more selfish than he lets on. And I for one find that contradiction fascinating to unpack.

[anthonys237thfreckle]

Do you have any Javi headcanons? (Just about him as a character)

Javier ‘Javi’ Rivera - Headcanons

TW: mentions of death and mild bullying

🌪- Javi def grew up being called ‘Javier’ a lot in elementary school. He only transitioned to the nickname ‘Javi’ in late middle school/ high school.

🌪- Speaking of growing up, his freckles were made fun of, so he grew up being insecure about them. He doesn’t give a shit now, though, since the ladies liked it in college

🌪- He was always a fun kid to be around - very smiley when he was a young boy. In his teen years, he started discovering himself more, and in high school hooked up with both guys and girls.

🌪- He probably had his bi awakening through watching a movie and finding a male character hot, then being jealous of the female love interest.

🌪- Of course he was a little anxious about coming out, but he didn’t really care as much what people thought of him. If they asked, he’d tell them but he wouldn’t go around announcing to the school he’s bi or whatever.

🌪- He never really found an interest in subjects like art or music in school. He was really good in science, obviously. In elementary, his favourite topic was the water cycle.

🌪- In college, he was surprisingly good at what he did. He put a lot of effort into coursework AND balanced his hookups.

🌪- He found his group of friends: Jeb, Kate, Addy and Praveen - and he fit right in. The perfect balance of nerdy, ambitious and troublemaking.

🌪- His best assets in college were his holy trinity - hair, freckles and body. He did work out a lot in high school and maintained his figure in college, so that made him attractive. Those god-damned freckles made him eye catching and unforgettable, and his hair - a brown mop of curls, shoulder length and he rarely ever had a bad hair day (and as someone with curls myself, i need his routine.)

🌪- Javi’s lively personality was mostly squandered by two major events in his life. The EF5 accompanied by the loss of his friends and joining the military.

🌪- He still holds onto the grief of not being able to guide them through the storm, of being picked by the universe to live when three of his best friends died.

🌪- Part of him died too that day.

🌪- The military gave him a tough skin. Lots of physical training and whatnot - he still got to pursue and use his knowledge in meteorology, but more professional and safe this time.

🌪- To him it doesn’t feel the same.

🌪- Once he was done with the military, he started dating Scott mostly because he just wanted to feel something, and Scott made him feel things. However, the two of them didn’t mix and split up.

🌪- He’s a logical thinker, but under the influence of emotions, he’ll say whatever’s on his mind, no matter how hurtful it can be.

🌪- That’s why he’s a little afraid to get too riled up or to let his emotions free because he’s afraid of losing someone from saying something shitty.

🌪- However, after Kate talked some sense into him, he found a new purpose in life - to help people in danger. To save lives and communities, and he’s determined not to let anyone suffer the same fate as his friends on his watch.

[v-a-l]

Hi! I was just thinking about what made Hermione come to the conclusion that Sirius wants to live through them. Now I last read OOTP a month ago, but I can't remember anything from the conversation that suggests that he wants to live through them, he only said that they should know how to defend themselves because of the environment that will come and that is why the DA is a good idea. And even if Hermione was influenced by Molly during the summer what makes her think that the DA is a bad idea after Sirius says it's a good idea? He gave valid reasons why it is a good idea. Hermione is very smart but this scene just felt and she felt ooc here.

I know that sometimes JKR used characters like Hermione and Dumbledore as spokespersons about what she wanted the audience to know that's why we get Hermione saying that but if that's what she wanted us to think, she did a poor job because Sirius actually kind of right and it makes Hermione look biased against Sirius.

Same with Dumbledore in that conversation with Harry after Sirius's death and it sucks. She wanted us to think Sirius saw Kreacher as inferior because of his species but that's not true at all. Now, some scenes with Sirius and Kreacher made me uncomfortable and I am not going to lie about it. But Sirius hated Kreacher because he was a part of his abusive childhood and repeated the same bigoted stuff his family thought and let's not forget Sirius only got violent with him when he called Hermione a slur. So Dumbledore saying that just feels so ooc because usually he is so wise (but once i read a meta about him seeing Sirius as Grindelwald and thinking by that meta it gives us an interesting perspective about this conversation as well).

Sorry this is getting long 😅. Anyways my point is that none of it makes any sense. It is clear that JKR was biased against Sirius and to show that she brought two other characters down (though these moments can be seen as interesting flaws in them)

Have a lovely day! (Sorry about the long ask, I hope it makes sense)

Honestly, while JKR is a brilliant writer, I also find her fairly reactionary in her writing style. Sirius was one of the most popular characters in the story because she wrote him that way, he inadvertently became more popular than a lot of other characters she preferred because again, she WROTE him that way. Perhaps the creation of a character as multi-faceted and dynamic as Sirius is was entirely by accident, as she really seems to double down on the character assassination as the books go by, but regardless, there's little in the way of canonical proof to suggest that Sirius is trying to live a vicarious life through the kids. Especially cause he's the one who seems to understand what they actually need after all they've been through instead of just patronising them.

Sirius is the only one who takes Harry seriously, he is the only one who tries to not just physically be there like the others, but actually also provide emotional support. He's constantly been doing this since he escaped Azkaban, and at this point, both in the case of Harry generally, and the Weasleys specifically when Arthur was injured, he's repeatedly looking after others at his own personal cost. He gets Ron an Owl, almost tells Harry how to beat a dragon (and that's the kind of stuff Sirius Black simply just goes around knowing, how to take down Dragons), gets Harry his firebolt and Hogsmeade slip. Sirius is generally an emotionally intelligent person, and this is after 12 years of forced isolation from civilisation.

The tragedy of Sirius' arc in OOTP is that there's no one around him who can relate to his experiences. This makes it impossible for Sirius to find the kind of empathy and support he needs from the members of the order. By OOTP, Sirius' mental health, whilst constantly deteriorating is also displayed on technicolour before the entire cast. He's not allowed any secrets, his abusive childhood, his unprocessed grief, years of dementor and solitary confinement related trauma, the fact that he lost his entire twenties, his burgeoning alcoholism is all on display and not spared judgement from the self-righteous members of the Order who did not support him at 21 and are not going to support him at 33.

Furthermore, the narrative repeatedly validates him. He insists that Harry should be told the truth, and he's right, he insists that he can do more instead of just being locked up and left alone and he's right, he wants Snape to restart Harry's lessons and he's right, he repeatedly and actively disagrees with Dumbledore's opaque methods and again, he's right. He gives Harry the two way mirror because Harry needs him to be there, and as Godfather, it is Sirius' responsibility to find a safe way to ensure that happens.

Whilst he's not at his best, he's still trying, he's trying so hard to be what everyone needs him to be even when its contrary to his own instincts and emotional needs which are either dismissed entirely by the people around him or mocked with derogatory catchphrases like "fit of the sullens" that its genuinely heartbreaking that despite him going out of his way to help the Order, not only is his devotion not returned it's barely even acknowledged. They never try to acquit him, there's no mission run by the Order to try and recapture Peter or get Sirius a trial or even an opportunity to give a press conference (which, with the political climate in OOTP would actually be a great way to discredit the ministry), Dumbledore pretty much just locked him in and threw away the key, a circumstance not entirely different from the past 12 years of Sirius' unfortunately short life. An acquitted Sirius would mean a discredited justice system and ministry and also a powerful wizard to run missions again, but this prospect is not even brought up let alone addressed. He gets a posthumous consolation through a footnote in the Daily Prophet, like that could compensate for the trauma and the decade he's lost.

I think it's very binary to put people into boxes and go "this person is only these set of traits and that's all they can be." Sirius is more than his grief for the Potters and love for Harry and years of isolation and torture. He's a brilliant detective, one of the order's most powerful duelists, someone who is blatantly not afraid of calling people out, be it Walburga or Crouch or Dumbledore, someone who despite growing up in a cesspit of bigotry and violence fights for people like Lily Potter and Remus Lupin and Hermione Granger. The guy who barely tolerates Kreacher but is distasteful of Crouch's treatment of Winky. Sirius, like most people, comes with facets and is possibly one of JKR's finest creations. Not that she seemed to realise it herself.

Not that that's surprising.

The most interesting thing about Sirius and Dumbledore, and Dumbledore's repeated refusal to trust Sirius is that unlike pretty much everyone else in the order, Sirius knows that Dumbledore and Grindewald used to be friends. Lily wrote it to him and Sirius read it. If Sirius could figure out the GoF plot while being half starved to death and living in a cave, a free healthy Sirius with a very much alive James Potter would probably have put the whole plot together. I wonder how much that influenced their dynamic in OOTP because whilst the others have nothing on Dumbledore, Sirius does. If Sirius can spare Dumbledore his judgement despite knowing the truth, Dumbledore can get over Sirius being a Black.

[gabrielsbubblegumbitch]

Please, elaborate more on these Hazbin Hotel headcanons. I’m very interested in hearing about them.

I would like to preface all my posts on headcanons related to psychology and mental illness with a disclaimer: diagnosing mental conditions, especially personality disorders, can be extremely challenging. It's a complicated process that relies heavily on a psychologist's interpretation of facts, making it susceptible to biases. Personality disorders cannot be diagnosed based on surface-level observations and are not just labels that we can assign to people like in the case of MBTI. Additionally, I am not a clinician with any expertise in diagnosing people. Therefore, the following post should not be taken as a reliable professional opinion. It's simply my interpretation of the internal mechanisms that may be responsible for the behavior of certain characters in my fan fiction. Furthermore, I want to make it clear that I have no intention of stigmatizing people with personality disorders by associating them with villains. A personality disorder does not determine someone's character or make them a bad person. Some characters may be evil because of the choices they make, not as a result of their mental conditions.

Since you didn't ask about anything specific, I'll just give some headcanons on Vs since I think about them the most.

> Vs are not a polycule, it's VoxVal + Velvette because she would never touch any of these losers. What's more, Vox and Val are extremely sexist (I mean it's kinda canon, we heard how they speak about women) so if she had sex with any (or both) of them, she would no longer be one of the boys and become one of the bitches.

> Vox has NPD, Val has BPD, Vel has APD.

> Vox is continuously overstimulated because he's constantly connected to his web. That's why snaps so easily and sometimes goes through 5 stages of grief in 5 seconds. He could disconnect (and sometimes he does) but he's too much of a control freak to not lurk constantly.

> During his life on earth, Valentino had a terrible, toxic father. Very much machismo who abused him relentlessly for being queer. (Not that I want to make him sympathetic, I just think that evil people are often miserable before they become evil.) Because Val is very queer, not just "man occasionally fucking other men", he's always been loud and proud pansexual and gender non-conforming. He wasn't some kind of activist, very concerned about queer issues, he just refused to stay in the closet out of spite, and because it made men around him uncomfortable. He just enjoyed being perceived as a deviant. It was one of the things that eventually got him killed.

> Vox is like a hardcore sadist. He cuts people open just to feel powerful.

> During his life on Earth, Vox used to be extremely homophobic because his bisexuality was threatening to his masculinity. He's also the embodiment of toxic white masculinity from the 50's. He actually did some personal growth in Hell, eg. He gave up racism, homophobia, transphobia, and most other -phobias, and now he despites everyone rather equally. He just bullies women more because misogynistic violence is a low-hanging fruit.

> So with Velvette I had some fun because she manifested in Hell not so long ago and happened to be as powerful as other Vs, who had much more experience and souls collected. So I assumed she must be completely deranged. I came up with the idea that she used to be a toxic influencer who built a cult-like following around her. She weaponized it against multiple people, ruining lives, and manipulating kids into committing crimes or even suicides. Her methods are very fine, Vox and Val have nothing on her when it comes to cruelty.

> Velvette is not misogynistic per se but she despises weak women who can't fight for themselves. That's why other Vs behavior don't bother her, she doesn't feel threatened by their aggression.

> Angel Dust has BPD and an eating disorder. That's why he fell for Valentino so terribly, to trust him with his soul. He used to think that Valentino is the only person fucked up enough to truly love him as damaged as he'd been. (More hc about Val and Angel here). Actually Val has a very similar backstory to him - a queer, gender non-conforming man in a very masculine environment (I'm not sure how canonic is Angel working for the Italian Mafia at this point but I stick to it until proven otherwise).

Other headcanos about Vox and Val ❤️🩵

[malspinningyarns]

It’s interesting that so many Shakespearean scholars focus on the death of Shakespeare’s son Hamnet possibly influencing Hamlet when Twelfth Night is way more obvious. Hamnet had a twin that lived into adulthood, Judith. Hamnet died around the age of 11. Twelfth Night was written about 5 or 6 years later, when Judith would have been about 16, so entering courting age.

For those who don’t know, Twelfth Night is about a young lady, Viola, who believes her twin brother Sebastian is dead after they both were in a shipwreck. In order to serve a Duke, she pretends to be a boy. Hijinks and a complicated love plot, of course, ensue after her brother is shown to be alive.

It’s not a hard stretch to speculate that Twelfth Night could be at least partially influenced by watching one of his daughters trying to move on from losing her twin brother (as well as Shakespeare processing his own grief by giving it a happy ending).

I know the answer is sexism and Hamlet being Hamlet, but it’s still interesting.

[saintsenara]

💚 💖 💀

thank you very much for the ask, anon!

what does everyone else get wrong about your favourite character?

that lord voldemort is legitimately emotionally intelligent.

i encounter a lot in fics the idea that voldemort doesn't have any idea how to understand or relate to other people's emotions - that he can't, for example, understand why one his minions is upset by a hard work day or a rude comment, since he considers both of those things to be unimportant if they occur in his own life - and that any interpersonal skills which he possesses are performative, a chameleonic mirroring of other people's emotional responses which he has no real knowledge of the deeper meaning of.

a lot of this is due - of course - to the idea that voldemort is a "sociopath" and/or "psychopath" [both of which are controversial terms]. and he's a great candidate for the pop-culture versions of these labels - which tend to present the person in question's "empathy deficit" as connected to a complete lack of understanding of how other people feel and a concomitant failure to appreciate or anticipate the emotional responses their actions will cause.

but, in many cases, the "empathy deficit" associated with antisocial personality disorder [the clinical umbrella term under which both "sociopathy" and "psychopathy" fall] isn't so much an inability to understand how other people feel... as it is an ability to understand this profoundly, use it for personal gain, and simply not care if this approach causes the other person harm.

[that is, they are capable of cognitive empathy - the ability to recognise and understand emotions in others, read social cues, and predict and influence others' emotional responses to their behaviour. this isn't a dangerous, abnormal, or disordered trait - it's what people who describe themselves as having "good intuition" or "good gut instincts" are talking about - but it can become so when it combines with other aspects of a person's personality to make them manipulative, exploitative, and entirely self-centred.]

and this - rather than an "empathy deficit" caused by an inability to understand human emotions - is what we see in the canonical voldemort. he is extraordinarily good at correctly identifying, dissecting, and influencing other people's emotions, and a failure to take this ability seriously often causes problems for the heroes of the series.

[dumbledore - for example - is caught out when the potion guarding the locket reveals that voldemort sincerely understands the power of love, grief, and guilt. his entry into the cave is hubristic - he dismisses voldemort's initial safeguards as crude, unimpressive, and not frightening, he then discovers that the final safeguard is extremely impressive indeed...]

the canonical voldemort is also someone whose own emotional performance isn't entirely fake, or entirely drawn from mirroring those around him. i talk a lot about how the fandom overlooks the fact that he's very, very funny - and how he's also [for narrative reasons, since the text needs him to deliver information to harry that neither snape nor dumbledore can if they're to maintain their cover until the end of deathly hallows] often found telling the truth in ways which render him considerably more authentic in conversation than many other characters in the story.

that his charm is performative [he's the centre of attention at the slug club, he's dull and subordinate when he goes to see hepzibah smith] is another example of him using his emotional intelligence to exploit other people for his own gain - and the fact that he's able to modify his affect so easily [and that, even when not performing, he doesn't have a reduced or shallow affect - he's someone who registers his genuine emotions very clearly on his face] is connected to his ability to understand, predict, and influence emotional expression.

and i do think that voldemort is more interesting - and his crimes much more difficult either to excuse or to dismiss as a monstrosity someone like us could never be capable of - when he's treated as something other than the caricature of the pop-culture psychopath, pretty and outwardly charming, with nothing beneath the surface.

and recognising that he understands other people very well - and still doesn't care about them in the slightest - is one way of doing this.

what is your biggest unpopular opinion about the series?

that - while its morality is individualist and its politics are neoliberal and both of these things are incredibly tedious - its central thesis, that redemption is possible, forgiveness is achievable, and love and mercy are triumphant, is a legitimately good one, and the vast majority of fandom arguments about which characters "deserve" to be liked become irrelevant when these basic, human principles are taken into account.

if you had to choose one major character to die, who would you pick?

i think arthur weasley should have died in order of the phoenix - not only because it makes my best girl nagini look like a flop that he doesn't, but because i think it would be really interesting to bring the experience of a grief to which harry is peripheral forward in the series.

in canon, this is the purpose served by fred's death - and it comes as part of the arc that harry undergoes in the last third of deathly hallows, in which he begins to get over his earlier belief that he's central to everything about resisting voldemort. but i think something really interesting could be done with forcing him towards this realisation earlier.

[mtreebeardiles]

Hmm so that post about normalizing male love did indeed come from someone who’s beliefs come from a place I don’t really agree with, and in the interest of that, I wanted to quote someone else who sees the problem from a lens more aligned with progressive thinking: bell hooks.

From The Will to Change

We construct a culture where male pain can have no voice, where male hurt cannot be named or healed. It is not just men who do not take their pain seriously. Most women do not want to deal with male pain if it interferes with the satisfaction of female desire. When feminist movement led to men’s liberation, including male exploration of “feelings,” some women mocked male emotional expression with the same disgust and contempt as sexist men. Despite all the expressed feminist longing for men of feeling, when men worked to get in touch with feelings, no one really wanted to reward them. In feminist circles men who wanted to change were often labeled narcissistic or needy. Individual men who expressed feelings were often seen as attention seekers, patriarchal manipulators trying to steal the stage with their drama.

Some highlights as to how patriarchy is also negative towards men/masculinity:

The unhappiness of men in relationships, the grief men feel about the failure of love, often goes unnoticed in our society precisely because the patriarchal culture really does not care if men are unhappy.

Patriarchal mores teach a form of emotional stoicism to men that says they are more manly if they do not feel, but if by chance they should feel and the feelings hurt, the manly response is to stuff them down, to forget about them, to hope they go away.

I was gonna slap on the usual disclaimer about male privilege and how patriarchy affects men/masculinity and women/femininity differently but I don’t think the usual disclaimers really work anymore because adherence to a binary and refusing to acknowledge the intersectional realities of privilege are kinda inadequate in reality, aren’t they? It’s the same shit that takes socialization and conflates it with biological essentialism when reality is not everyone is socialized in the same way — but cultural, and specifically patriarchal, systems have a way of punishing/discouraging certain behaviors based on perceived traits both in terms of external AND internal expectations. A young trans masc, for instance, is not ‘socialized’ female prior to coming out/transitioning to whatever degree in the same sense a cis girl is — the external factors still influence expectations, but the two are engaging with it differently as their internal perceptions alter perspectives, if that makes sense. To put it another way, my engagement with femininity from a feminine lens always felt very wrong — engaging with it again now that I am more comfortable and have embraced my masculinity feels so much better.

But to ground this again in bell hooks, consider:

We need to highlight the role women play in perpetuating and sustaining patriarchal culture so that we will recognize patriarchy as a system women and men support equally, even if men receive more rewards from that system. Dismantling and changing patriarchal culture is work that men and women must do together.

You can’t change a system by adhering to ANY of its methodologies. Denying men emotional growth, expression, and the ability to communicate their feelings in healthy ways IS the same method used by the patriarchy — yes, even if it is a woman doing it.

[brother-emperors]

What do you mean when you say that Pompey is a lover in a story of inescapable violence? I am extremely intrigued

the Late Republic is a stage of violence intent on gorging itself on this violence, the structure of the system leaves no other outcome.

Pompey is both someone born into this cycle and someone who is an acting hand of violence. He fashions himself after a military ideal, Alexander the Great, he positions himself as Sulla’s successor in the arena of political spectacle (rising/setting sun), he is Rome’s conquering hand.

He’s also, in Plutarch’s biography, intensely aware of matters of love and romance and does not treat them as an idle and casual affair. It is, in some way, an inherent part of his character. He is the ideal of a husband, even if it conflicts with whatever other ideals he’s supposed to embody, and apparently trades in his role as a general to remain in Rome with his wife.

We are told that Flora the courtesan, when she was now quite old, always took delight in telling about her former intimacy with Pompey, saying that she never left his embraces without bearing the marks of his teeth. Furthermore, Flora would tell how Geminius, one of Pompey's companions, fell in love with her and annoyed her greatly by his attentions; and when she declared that she could not consent to his wishes because of Pompey, Geminius laid the matter before Pompey. Pompey, accordingly, turned her over to Geminius, but never afterwards had any thing at all to do with her himself, although he was thought to be enamoured of her; and she herself did not take this treatment as a mere courtesan would, but was sick for a long time with grief and longing. (…) Moreover, Pompey also treated the wife of Demetrius his freedman (who had the greatest influence with him and left an estate of four thousand talents) with a lack of courtesy and generosity unusual in him, fearing lest men should think him conquered by her beauty, which was irresistible and far-famed. But though he was so extremely cautious in such matters and on his guard, still he could not escape the censures of his enemies on this head, but was accused of illicit relations with married women, to gratify whom, it was said, he neglected and betrayed many public interests.

Plut. Pomp. 2

All this won him admiration and affection; but on the other hand he incurred a corresponding displeasure, because he handed over his provinces and his armies to legates who were his friends, while he himself spent his time with his wife among the pleasure-places of Italy, going from one to another, either because he loved her, or because she loved him so that he could not bear to leave her; for this reason too is given. Indeed, the fondness of the young woman for her husband was notorious, although the mature age of Pompey did not invite such devotion. The reason for it, however, seems to have lain in the chaste restraint of her husband, who knew only his wedded wife, and in the dignity of his manners, which were not severe, but full of grace, and especially attractive to women, as even Flora the courtesan may be allowed to testify.

Plut. Pomp. 53

Nevertheless, the marriage was displeasing to some on account of the disparity in years; for Cornelia's youth made her a fitter match for a son of Pompey. 3 Those, too, who were more critical, considered that Pompey was neglect­ful of the unhappy condition of the city, which had chosen him as her physician and put herself in his sole charge; whereas he was decking himself with garlands and celebrating nuptials, though he ought to have regarded his very consul­ship as a calamity, since it would not have been given him in such an illegal manner had his country been prosperous.

Plut. Pomp. 55

The messenger, finding her in this mood, could not bring himself to salute her, but indicated to her the most and greatest of his misfortunes by his tears rather than by his speech, and merely bade her hasten if she had any wish to see Pompey with one ship only, and that not his own. When she heard this, she cast herself upon the ground and lay there a long time bereft of sense and speech. At last, however, and with difficulty, she regained her senses, and perceiving that the occasion was not one for tears and lamentations, she ran out through the city to the sea. Pompey met her and caught her in his arms as she tottered and was falling. "I see thee," she cried, "husband, not by thy fortune, but by mine, reduced to one small vessel, thou who before thy marriage with Cornelia didst sail this sea with five hundred ships. Why hast thou come to see me, and why didst thou not leave to her cruel destiny one who has infected thee also with an evil fortune so great? What a happy woman I had been if I had died before hearing that Publius, whose virgin bride I was, was slain among the Parthians! And how wise if, even after his death, as I essayed to do, I had put an end to my own life! But I was spared, it seems, to bring ruin also upon Pompey the Great."

So spake Cornelia, as we are told, and Pompey answered, saying: "It is true, Cornelia, thou hast known but one fortune to be mine, the better one, and this has perhaps deceived thee too, as well as me, in that it remained with me longer than is customary. But this reverse also we must bear, since we are mortals, and we must still put fortune to the test. For I can have some hope of rising again from this low estate to my former high estate, since I fell from that to this.”

Plut. Pomp. 74-75

I have some vague thought in here about how Pompey was entrusted with Rome’s safety, and that conflicts with his Lover status because you can’t love something more than Rome without Rome deciding to cast you out, and it also prevents him from reclaiming his Soldier role in the ensuing war with Caesar. Doomed by Rome, doomed by Love, doomed by Fortune, etc. but also simply the inevitable cycle of war and violence, the ever turning wheel of Rome.

[arcadiabaytornado]

No, because it’s so interesting that Rachel and Max are competing with each other’s ghosts, and neither one can truly win.

Rachel had to live up to the girl who came before all of Chloe's pain. Max was the childhood best friend who acted as Chloe's first love. It's impossible to escape her influence because every aspect of Chloe's life is drenched in her memory of Max. 

The bedroom where Rachel and Chloe had sleepovers was where two young girls played board games on rainy days. The couch where Chloe and Rachel watched tv was a pirate ship five mere years ago. The backyard, where they could dream of something bigger, felt much larger when Max and Chloe played there as kids. The ghost Rachel had to defeat was nostalgia, and that's a powerful demon. 

Then Rachel becomes one of Chloe's ghosts. She goes missing, and Chloe puts her on a pedestal because of the unanswered questions. She becomes this dream girl who can't let Chloe down because she's not in a position to do so, and therefore morphs into a figment that's just as interpretable to Chloe as it is to Max. That makes the idea of her perfection. As if she were an angel. 

This leaves Max trying to compete with a perfect entity who always lingers on Chloe's mind and interrupts their moments together. Chloe shows Max her secret hideout and then lets her know it would never be just theirs because she wishes Rachel was there too. They have a moment in the pool, and Chloe interrupts their silence to whimsically talk about how much Rachel would've loved being there at night. They speak on the cliffs moments before Chloe's fate is decided, and she tells Max, "Everything needed to happen. Except for what happened to Rachel.” even though Max just went through hell. The ghost Max had to defeat was one created by grief, and that's a powerful demon.

Chloe loves both Rachel and Max. Yet she’ll always be yearning for what she can’t have. 

[paigemathews]

(According to wiki at least,) Prue's death was today, May 17th. So, in honor of the oldest Halliwell sister's death: have you thought about how the cover up must have gone? Because, let's be real, that is not an easy death to cover up.

First of all, there is another dead body there, even if he was quickly forgotten about. He was thrown through their back window and was last seen hanging over it, so there's always the possibility that someone saw something. Plus, the house is wrecked.

As for Prue herself, she was thrown through a wall. She clearly would have suffered some kind of blunt force trauma, and we see a pool of blood underneath her head, so there was definitely some kind of damage to her body that they wouldn't be able to hide.

Honestly, I have no idea how they would've spun this. That's not really what I'm interested in talking about rn admittedly, because:

Imagine Phoebe, finding both of her sisters seemingly dead (and knowing that if she'd had been there, they'd both be alive). Imagine Leo, finding his wife and her sister seemingly dead and only able to save his wife (the guilt that must've caused). Imagine Piper waking up to find out that they didn't just fail to save an innocent (and Piper, who always took it the hardest as seen with the doctor's death, never mentions this again because), her invincible older sister is dead from the same attack that Piper herself survived (the survivor's guilt there alone.)

And not only are they confronted with the loss of their sister, but now they have to hide how it happened. Her body isn't even cold, but they have to figure out how to spin it so that they don't expose magic again. Realistically, that's when they'd probably have to call in Darryl, who is confronted with one of his close friend's death and the cover up of her murder in the span of one breath. (Which is worse? The idea that he finds out over the phone, sitting in the station and having to suddenly sit down as - who? Piper, tears in her voice? Phoebe, shaky and horrified? Leo, guilty and crying? Cole, on the rockiest of terms with Prue? - someone tells him Prue is dead - murdered - and they need his help covering it up or that he gets to the Manor, vexed and exasperated, only to see a battlefield with Prue lying dead, her sisters inconsolable, and realizing that he has to help cover all of this up while choking down his own grief about another lost friend?)

Victor had always thought that Penny calling him about Patty's death would be the worst phone call of his entire life, but this, a nightmare and worst fear come true, tops it as he finds the fastest way back to San Francisco.

Do you think about the fact that they'd have to coach each other on the cover story? Phoebe having to work to say the lies about her sister's death over and over again, always the worst at keeping secrets? Discussing potential plot holes and gaps in their story, trying to figure out how to fit it all together.

The fact that there was an investigation - of course there was an investigation, Prue's death was clearly a mystery - and at some point, someone may have pointed fingers at the sisters? (A rookie pointing out Phoebe and Prue's tense history and the former's return to take the house after their grandmother's death and the morally ambiguous boyfriend and what better way to get everything than get the oldest sister out of the way? Piper considered either as prospective victim or accomplice? I mean, Prue was noted to be the bossiest of the group and family is always the first place you look- and Darryl shutting it down, utilizing more influence than he maybe really had (and explaining his need to be promoted to Lieutenant a year later) to put a stop to it in its tracks.)

And they somehow manage to spin it as the murder it was, but imagine trying to explain how a human murdered her by throwing her through a wall. The sympathetic voices asking for statements and events and lies lies lies that the sisters and Leo and Cole and Darryl have to spin. All while Prue's body is barely cold, all while they each slowly realize that she isn't coming back this time, all while they realize that Prue Halliwell really and truly is dead for the final time, beyond their reach.