#they all look like their moms GOD

[vos-videmus]

compared the Arakawa boys to their parents side by side and ohhh boy I'm not normal

[maxgicalgirl]

Being a “Fun Fact !” kind of autistic is all fun and games until you get halfway through sharing an interesting tidbit and realize that it probably wasn’t appropriate to share in polite company and now you have to deal with the consequences :(

[egophiliac]

swipes everything else off of the table to yell about diasomnia flower bookmarks

(I gave Silver one too :D)

[opens-up-4-nobody]

Redraw of this post...

[starry-bi-sky]

Clone^2 Damian

If you really think about, Damian's situation in the clone^2 au is... kinda tragic? Especially in the early months of his arrival. Like,,, think about it. Damian has always known he was a clone of Damian Wayne, that he was a copy of the blood son. There was nothing 'original' about him, not even his name (of which at least Danny has that). He was just... a replacement. A disposable one, to boot.

And he knew that, to an extent, by the time he was six years old. he might not have been actively acknowledging it -- he's six years old -- but deep down he knew. And like, he's six years old. Every small child craves the love and affection of an adult, especially their parents, and even though he knew he was clone, I imagine he still considered - and still does consider, somewhat - Talia and Bruce as his mother and father. And I really doubt he was... getting it?

Now, I know Talia loves Damian, her son. At least in some interpretations she does, and in this au she does. But... a clone of her son? I'm not so certain if she would have the same affection for baby Dames as she would for Damian. I don't think she would treat him badly, but I don't think Talia would treat him warmly either. Kinda just, distant. Colder than she would have been with OG Damian.

And, I know I've mentioned Damian's arrival from Danny's point of view, and its kind of comical kind of insane from his perspective -- a little boy clone of Damian Wayne falls through a portal and immediately attacks him. That sounds like a bad joke.

But, if you think of this from Damian's point of view? It's like he just got dropped into a scary movie. Like, think about it. You're six years old, and suddenly a portal, as green and as swirling as your grandfather's pools, opens up beneath your feet and sucks you through.

After an intense bout of vertigo, you end up in a massive, urban city -- completely different from the rural mountain palace that you lived in for the last six years of your life, and in this city, you don't know any of the language. You don't know what anyone is saying, you can't read any of the signs - you are completely stranded, away from home.

And then, to make things worse, you're facing a figure with a terrifying mask and eyes as burning green as the portal you fell through. Of course Damian's first instinct, six years old, is to attack. He's terrified.

And this figure, he's not a good fighter, but he's fast, and he dodges you quickly. He grabs your sword with his hands, and tries to restrain you, saying something in a language you don't know. Naturally, Damian is just scared. He's six! He'd just be learning how to read if he was normal child going to school.

This figure halfway through the fight yanks off his mask -- he realizes you're scared -- and looking at you now, is a youthful version of your father. This is a clone of your dad, someone you have never met but, six years old, still wants to. Damian gets defensive. This is an imposter.

But this imposter eventually gets you home with him - and he's using his little box, his phone, to communicate with you through a mechanical voice speaking in arabic. and it's frustrating. The boy, the imposter, can say whatever to you just fine, but trying to talk back is a hassle and a half. He's six, he doesn't have that much patience.

He wants to go home.

And so he keeps trying to run away. He keeps trying to find out of this hellish concrete jungle, and he keeps getting lost. It's loud, and busy, and there are people talking to you and you don't understand them, and there are rules and signs you don't understand - Damian tries to cross the street and nearly gets hit by a car. He doesn't know how the road signs work, he was never taught. They didn't get to that.

And he gets lost. And it gets dark, and Damian is brave, but he is six, and this is the worst stress he's been under in all his six years of life. He wants, desperately more than anything, to go home. Why wouldn't he? The only stable... semi-stable environment he was in just got ripped out from under his feet, literally! He wants his mother.

And it's not happening.

But there's something good to be said, at least. The imposter that looks like his father always comes and finds him, no matter what. He could have left that morning, and he will find Damian at midnight, frazzled and worried, and carrying an extra jacket with him because it is cold in Amity Park and Damian is six years old.

And sometimes Damian attacks him - he's scared and stressed and he doesn't want to be here. And every time he catches the sword. Even though Damian can see it cut into his hand and pearls of blood well up and stains his fingers. Even though Damian can see him wince in pain and bite his lip, he still catches it.

But with that little box, he coaxes Damian to come back with him. It's cold, it's dark, Amity Park is unsafe at night. They can figure something out tomorrow, please. And every time, he agrees, reluctantly. And the imposter takes the extra jacket he brought with -- a flannel, a hoodie, a jacket -- and he wraps it around him. It's warm, Damian's clothes are not that thick, and even though he thinks he might hate this imposter, he still sticks close to his legs as he leads him down the street.

And sometimes the imposter carries him, because Damian's shoes are not that thick, and he cuts his foot on broken glass while they're walking home. The imposter sits in the bathroom with him and carefully cleans the cut out, and makes sure it doesn't get infected.

There's hope you know, he still has it. His mother will be looking for him. She'll be worried. He's important to them. Damian may not be the original, but he is still a blood son. He is still her son. She will come find him. This nightmare will end soon. He can go home.

And then weeks pass, and nothing. Then months, and nothing. His family is not coming for him, and it hurts. Hurts more than anything. And yet while that happens, the boy he's attacked, and hurt, teaches himself arabic in order to speak to him. He takes Damian out of the house one afternoon and buys him new clothes, or tries to. And then he keeps buying him new clothes. He gives him blankets and gives up his bed to him until they can get him one himself, and steadily he teaches Damian english.

This boy is kind. Kinder than Damian's ever experienced, and he doesn't know what to do with it. He's devastated by the fact that he is not as important to his family as his family is to him. What do you do when you're six years old and you learn something like that? When a random stranger who looks like your father is kinder to you, and cares more about you than your family did?

And then Damian tells him he's a clone. He's Damian Wayne's clone, and he tells him his purpose - that their grandfather made him to kill him. And the boy, the imposter, Damian thinks he probably already knows that he's a clone. But he doesn't say that. He just nods, and asks him if he wants to tell his original about him.

Damian says no. He doesn't want to. He's tired of living in the shadow of his original. He wants to keep this to himself. This is his. For once, all of this is his.

And to his surprise, the imposter doesn't try and convince him otherwise. He just nods, and says okay. And when Damian asks why, the imposter - his brother - looks at him and says.

"I don't care about Damian Wayne. I care about you." And in Damian's gobsmacked silence, his brother continues. He tells him that if Damian doesn't want to tell his original that he exists, then they don't need to. They don't need to worry about the LoA going after him, because clearly if his 'grandfather' needs to make a clone of Damian in order to take him out, then whatever it was that Damian Wayne was doing to keep himself safe, was working.

"Wayne already has people in his corner, he's got Gotham's army of vigilantes to keep himself safe." his brother says with his eyes as blue as moonlight. "You, however. Do not." And he continues, and says that if Damian Wayne has the same training as Damian does, then he will be fine. He doesn't need to be aware of his clone. Because if DW doesn't know about Damian, then the LoA doesn't either.

And here's the thing. Damian would not have survived in the LoA for long. Not as a clone. No matter what, he was going to die no matter what he did, and sooner rather than later. The sword of Damocles was always hanging above his head in the League of Assassins.

That portal, and meeting Danny, saved his life. There's no way around it. And to an extent Damian knows this even at six years old. He may not be aware that he would've died, but he knows that meeting Danny was the best thing to happen to him.

It's no wonder after that, that Damian is as clingy to Danny as he is. Danny is the first person he's met to offer him unconditional love, with no strings attached, only pure affection.

[todayisafridaynight]

[queenerdloser]

i just finished dark heir

[skunkes]

the thing abt the surgery is that yes I do get litle moments of being ecstatic it finally happened but also I just feel Normal now. like my base state for all my life up until last week was worry, horror, and panic when i'd occasionally remember the very unwanted thing my body was capable of, spiraling into what ifs on potential conflicts in my life and future... and now i just feel Not Stressed Out All the Time. Normal.

[bacchuschucklefuck]

riz gukgak is SO distressing to have as a favourite character I can never funckign rest out here

[monkee-mobile]

ough god, I cried over this

[lokh]

would u trust me to be able to carry heavy grocery bags

[valzhangism]

i know i said i was happy about how mel's story went, but the more i think about it the less i'm sure about that. this is very much connected to how the themes of classism and wealth disappeared in s2, but mel in the beginning was the epitome of piltover. she wanted to advance piltover to prove herself to her mother. to "put piltover—" and by extension herself, "—on the map."

she wanted wealth just to have it. and i'm not blaming her for anything that happened, especially with hextech! she, just like jayce and viktor, could not have known what it would lead to. i mean yeah heimerdinger said so but who the hell listens to heimerdinger? but anyway i think mel changed throughout s1, much in thanks to jayce. by the end she's become more cognisant of the mistreatment of zaunites. she's the first to vote for their peace. she was a good person all along but now she knows how to act on it. it's also seen more in s2 act 1. when she covers her painting with gold, it's symbolic—she won't act according to what her mother might think. she won't let her desire for approval dictate her anymore.

so somehow i wish those themes were. continued, somehow? like again they were dropped not just with mel but the whole show and it makes her story a off to me. there's no meaningful commentary on war or classism or how her ideology stands opposite to her mother's. like some people have said, it feels like she doesn't have much agency, even if she is really cool. and that to me is a shame because agency felt like her thing. "to shape your own destiny" as she says to jayce in s1. i know her collaborating with the black rose (but not fully joining them) and learning magic is supposed to represent becoming independent from her mother, taking her own path, but some other aspects of her character were thrown away... the more i think about it the more i'm thinking they kind of #girlboss-ed her a little bit. maybe to sell another champion. i can't help but feel like even though i enjoyed seeing her on screen, the payoff didn't feel proportionally satisfying compared to her setup in s1.

[the-meme-monarch]

biggest complaint about you is your not a big enough hater about kralsei. Get rageful with it. Make a whole rant about how gross it is in canon. Let the rage take over

oh it takes everything i have to not say swears about it like every day trust me. i am kra/lsei number 1 biggest hater

[skrunksthatwunk]

kinda thinking about how the women who serve as maternal figures/raise kids in yyh are never quite ready for it. genkai's an arguable exception, but like.. atsuko had yusuke at 15, shizuru's basically in charge of kazuma full time in her early 20s/late teens (depending on version) with very very absent parents, and even shiori is given a kid she wasn't expecting, in the form of an old, old demon rather than like. a regular, blank slate ass human baby. and although shiori seems to do quite well with kurama, kurama can never be honest with shiori about who he is, or much of what he's seen. if he was, it'd probably make things far more complicated and overwhelming. atsuko, no matter how much she cares for yusuke, Could Not Have Been and thus wasn't ready to have him at 15. her attempts to make the most of that situation have had middling success at best. shizuru has also been placed into a parental role. we don't really know how long she's been raising kuwabara, but that's.. probably still parentification anyway. she shouldn't have to do that, and she shouldn't have to do that so young. and i think some of her coarseness with kuwa is out of frustration with her own inexperience + inadequacy + uncertainty, his not cooperating, and their parents for putting this on her in the first place. the ones who know the full extent of their situation grow desperate and it squeaks out in unpleasant ways, and the one who seems unbothered by it is the only one who has no idea that she's in way over her head. and i mean. ok. gonna preface this by saying keiko is NOT yusuke's mom in any sense of the word. but she does take care of him in a way atsuko couldn't manage to. she's often looking after him and cleaning up after his messes and stuff. she takes him on as a responsibility, and that is, in a way, a caretaker role. not to say that it SHOULD be her responsibility, but it's how she ends up being.

and when the stress of trying to make someone take care of themselves or be kind or good or Whatever goes awry, again, the violence and arguing and distance and ugliness of caring for someone reveals itself.

and i wonder about that. for a series dedicated to physical fighting as a form of communication, what does it say that this extends to the complicated, quietly desperate situations of so many of the women/girls it depicts, whom our more central characters were shaped and raised by?

hell, even hiei touches on this, because hina loved hiei, but there was no way she was prepared for him, obviously, nor for the pain of losing him. rui (whom i also see as a sort of caretaker figure to hiei, inasmuch as either of them were caretakers) literally throws him off a cliff because she couldn't face down the village elders, and out of some mixture of care for hina and, likely, fear for her own survival. and the guilt and pain of that killed hina and deeply wounded rui.

it's like motherhood, this thing that's so often treated as sacred and beautiful, is a kind of stitched up, painful, eggshell-walking thing that hurts parent and child and it's just. oughh

[corpish]

.

[what-even-is-sleep]

thinking about Bodkin again bc I mean,,, ALL THE SYMBOLISM OHHHHHGH. i NEED some tumblr film analysis hobbyists to watch this show and tell me all the themes n such