#these were really fun to answer

[lostrealities0]

Hello! Couple weeks ago you sent me an ask about my interests, and I indicated that I might do the same at some point. I have thought of some questions, so I'm going to ask you them. There is of course no pressure to answer them, and infodumping is welcomed and encouraged.

(1) Which Scientific Field is your favorite, and Why? (If none perhaps consider listing your least favorite and why)

(2) What is your favorite thing about each of the turtles? (tmnt turtles, not regular ones) Whether it be a physical trait, a behavior, a mental trait, something in common with you, etc.

(3) Do you perhaps currently have or in the past have had a fun hobby you'd care to infodump about or simply declare your interest in?

(4) [Very very very optional cuz I don't know what you're comfortable telling the internet] How's life treating you?

Have a Wonderful Day and/or Night!

Hi!! Sorry for taking a while, the past couple of days were pretty busy 😅 Thank you so much for the questions!

1. My favorite scientific field is biopsychology! I love learning about the nervous system and how the body works. I've always enjoyed psychology but actually knowing what is happening on the inside is fascinating to me. I like understanding what causes certain reactions. Even though emotions are often seen as an illogical thing, they actually can be quite logical.

2. I was going to answer for both Rottmnt and Mutant Mayhem (as those were the only versions I've seen), but decided that would be too long. Instead, you shall have my answers for Rottmnt.

Raph: Oooooh this is a hard one. I love everything about his design, especially his snaggletooth. However, I think my favorite thing about his is how gentle and sweet he is. Kind of a side note but I love how the portray him. He is an antithesis to toxic masculinity and they don't make it a big deal. All his hobbies and traits are treated like normal, because they are! I'm not great with words so I'm struggling a bit to translate my thoughts, but I hope that made sense.

Mikey: My favorite thing about him is easily his different personas. I love how blunt Dr Delicate Touch is, and the seminar with Dr Feelings? I was having a blast. I love how he finds ways to express different sides of him, while still being himself.

Donnie: ...Do I have to choose one? I love his personality, his design, his tech. Everything about him is my favorite. If I had to choose... My favorite aspects of him is his genuine laugh and how silly he can be. Two clips that replay in my head all the time is when he imitates Mrs. Cuddles and starts laughing, and when he yells "sad face emoji!"

Leo: I relate to him way to much. His insecurities, how he copes and presents himself....yeah this hits home pretty closely. I also love how confident he is. Yes, a portion of it is a facade, but I believe there is a lot that is genuine. I don't think I can choose something specific, so I will cheat and say that his personality is my favorite thing about him.

3. Somewhat recently, I acquired an interest in creating languages. As a kid, I loved codes and made a substitution cipher with it's own letters but I didn't think making an actual language was possible. However, about a year ago I came across an instagram reel about a girl who created her own language. This introduced me to conlang.

Since then, I've been working on a language on and off. While making a conlang doesn't necessarily have to be hard, I am a masochist (/j) and decided make things more difficult. For example, instead of staying with a base 10 system, my language has a base 13 system. There are different symbols in replace of capitals, each used in certain situations. I always make jokes about how complicated and hard it can be but in the end, I do have a lot of fun with it.

4. Big picture: life is pretty good. As you saw, I just graduated. I'm enrolled in my college classes for next year, two of which I'm really excited for. I also will be getting my license in a month after years of having my permit.

Little picture: I am very tired. I had family visit last week, which meant I had to be around people the whole time. I'm an introvert who has the house to himself for most of the day, everyday. Additionally, I don't like it when normal changes, especially when it's at home. As much as I love family, I always dread when they visit.

Everything is good now though :)

[parrotxx]

book ask: 6, 9, 28, 40, 47

6. do you track the books you read? if so, how?

i don't really track them, more like go "haha i read that once". i'm not very organized

9. do you have a favorite author?

surprisingly no

28. is there a book that made you cry?

...next question

40. do you own any “rare” or “collector” books?

nope. although my parents have both written books, so i technically have the first versions of those that didn't go out to the public

47. what book do you feel most connected to?

i've reread magnus chase like a gajillion times and it got me into norse mythology, so probably that

[welcomingdisaster]

💘Is there any posted fic you want to rework/re-edit/re-write?

💞what's the most important part of a story for you? the plot, the characters, the worldbuilding, the technical stuff (grammar etc), the figurative language

💥find your least kudos'd fic - say something wonderful about it.

hi hi hi!! thank you for your ask. <3

💘Is there any posted fic you want to rework/re-edit/re-write?

hmm... sticking to tolkien fic, i feel like i could do more with ultramarine than i did. i do like it, but i kinda think it should either be shorter or contain more character work. a lot of it is about the details of crafting and i think some of the character voice/character details get a little lost in descriptions.

💞what's the most important part of a story for you? the plot, the characters, the worldbuilding, the technical stuff (grammar etc), the figurative language

is it cheating to say it depends on the story? a lot of the time i start out with a single phrase or a few phrases and build out from there, but sometimes i just have a strong mental image i wanna convey. i'd say character is always important to me, but it's not always the most important thing.

💥find your least kudos'd fic - say something wonderful about it.

ooo fun question! it's this little poem. i honestly really really loved writing that one. i don't always publish my poetry stuff but i wanted to participate in fun with fanon, & i'm really glad i did! i think there's some really cool lines in it, though looking back there's also some i'd rework.

[imclou]

can't believe fnaf brought me out of art hibernation man what a turn of events

[utilitycaster]

feel free to ignore if you feel like it's too theoretical/parasocial/etc. but: I see how the campaign as a whole is off because of how lack of prep influenced the cast to create somewhat unfit characters, but as someone who got immensely annoyed by this episode, I'm wondering why has that throughline carried out for so long. why haven't the cast decided to start playing their characters in a way that leads to a more cohesive and satisfying story? is the hesitation and bizzare opinions on gods a very dedicated RP choice or do you think the players themselves are also at a loss? I'm honestly very confused about that, given how driven and decisive they played VM and M9 during their oneshots. I don't want to feel like I'm singling anyone out to hate but e.g. the way taliesin plays caduceus vs ashton is particularly puzzling to me.

Hey anon,

This is all highly speculative (as, to be fair, was the original idea the cast was given very little information, and that turned out to be right) but I think it's the far-reaching consequences of that initial lack of prep combined with the fact that it's been a very central-plot focused campaign that failed to allow the characters to develop into more decisive people. It also, I think, centers the Ruidusborn such that I suspect a lot of the rest of the table is taking their lead.

The Mighty Nein, we know, involved a lot of prep with Matt specifically offering feedback and vetoing certain aspects. Every character came in with pretty clear goals, and because it was a character-driven campaign we got to see those goals change as they learned more: Caleb and Fjord notably abandon their original goals in favor of new ones. Veth and Caduceus achieve theirs; Jester as well, and she develops new ones as she becomes less sheltered. Beau and Yasha's exact goals were much more nebulous, but they have the opportunity to confront their pasts at length and find new purpose and peace throughout the narrative. I don't think it's productive to rehash everything every time but: lack of pre-existing long-term relationships and more work on the short-term friendships that existed, the fact that Beau and usually Molly due to Yasha's absences (and later Caduceus) were free agents who didn't know anyone prior to their meeting, and the fact that the party had like 2 gold to their name and had to double up in odd configurations plus their willingness to engage in conflicts led to a fairly quick and deep bond, which also influenced their goals and dynamics.

Vox Machina were initially very generally sketched out characters, but after they began doing more there was a similar effort put into to backstories, and I think going back after they'd already played a bit meant they knew more about who they wanted these characters to be. The pre-stream plot, as we can tell from the origins comics, was also heavily backstory focused; the Briarwoods arc is when most people feel the streamed campaign really takes off.

We have seen the backstories of the characters of Bells Hells, but a lot of them are deeply tied into a long-running main plot that doesn't really allow for the same development over time. Like, Percy, for example, actually does his "plot" about quarter of the way into the campaign; but this kickstarts his development. Fjord is rather similar; he learns the source of his powers quite early on, but grapples with them until the halfway point and then the rest of the campaign is him embracing something new. To compare, I suspect Laura envisoned Imogen's story as being not dissimilar in the sense of "learn what my powers come from, find a way to better control or perhaps get rid of them" and so upon finding out this is the lynchpin of the entire plot, Imogen never has that post-resolution time to cook, essentially. Even for those who had slightly more rewarding plot beats they kind of felt like "let's address this problem so we can get back to the moon stuff" (Chetney, Laudna) and in some cases, I think it felt to the players, rightly or wrongly, like those plots were actively rushed to the point that they couldn't explore them (I suspect this happened for Ashton during the solstice split). There's been a hurry-up-and-wait sense of urgency over the whole campaign because it's a plot that was introduced very early and has never let up. There's been no "what do we do" type breaks and I'd be shocked if there are. We've sort of run out of plot because we've speed run everything that would have been a plot in a different campaign.

So I think the players don't know how to evolve their characters because there's been no in-world impetus to evolve, really. Now, as someone who prefers to play people who are already decisive, the fact that most of the cast went for kind of indecisive/impulsive types isn't my bag, but that is valid; but it means no one's really had the chance to organically move from that.

I also think that the fact that there's one big plot that really centers the ruidusborn is another factor. Even if Orym, for example, were the type to shut down the party, what is one person who can't reasonably stop two spellcasters from going into the Hallowed Cage going to do? I think this post makes a good point; I think putting the pressure very heavily on two players who (very understandably! for a number of reasons!) are among the most averse to making a hard and potentially alienating or unpopular choice has sort of prevented anyone else from taking a wild swing. The other campaigns had a much more even distribution of who could make decisions within the party, and I think that reflects that. I also think this is uniquely an issue for longform campaigns; I haven't seen this hesitancy from Laura nor Ashley in Candela, Downfall, nor in the various Daggerheart one-shots and miniseries, since you have to swing big there.

I do want to cover one point specifically, which is that I actually find Ashton to be one of the better played characters. I disagree with them, to be sure, but like, Caduceus is a character who can be arrogant in his fairly limited worldview, but who is also consistently very empathetic and kind. Ashton has that arrogance, but without those priorities. Caduceus isn't really invested in hurting those who hurt him; he's interested in stopping those who would hurt his home, family, or friends, and if that requires hurting them he's okay with that. Ashton really does want to beat up those they deem responsible for their own pain, justified or not. I think taking the shard was a great move and stand by that [though, admittedly, it and the bit about Predathos needing a vessel just now have me like. the consequences have been conveyed in a crystal clear manner to ME and somehow the cast is not getting Matt flat-out saying in game THIS IS WHAT WILL HAPPEN, so idk what's up with THAT.] and my issues stem specifically from his decision to claim to speak for the weak and then immediately accept the titans saying that a remade world in which only the strong survive is fine. Like, I don't think there is a problem in how Caduceus is played vs. Ashton, in that I think they are both internally consistent as characters; I think it's just. Caduceus is someone who tries to make decisions that minimize broad harm to that which he deems good, and Ashton is often, by their own admission (episode 78), selfish and conceited. Like, Taliesin is just. Playing someone who is often not a great person this time. And that's a valid choice. But I think it's in a narrative that didn't really permit enough time and space for characters to change meaningfully so Ashton is a bit stuck there whereas, while Caduceus didn't have nearly as much of a gap between who he already was and the hero he needed to be, he had far, far more room to grow.

[aquanutart]

She is offering water to any lost travelers! However, it's so hot that the water has become tea, so she's adjusted accordingly!

[shanastoryteller]

Happy Fall Season! 🍁🍂🌻🎃👻🧛🏻‍♀️ … Three faced goddess continuation 👉🏻👈🏻? God dammit shana i fucking loved this prompt, 2012 Tony is the only version that has rights and I’ve had such a problem with him ever since aou, but your writing took me back to when I actually loved his character

a continuations of 1

Rhodey heads to the smith, unsurprised to see a line of people outside of it, waiting for the man inside to succumb to his need to eat or sleep and pounce on him for whatever issue they believe needs his immediate attention. Peter is among them, the closest to an apprentice that exists, but he can’t enter the forge without everyone else pushing in too, so he waits with all the rest of them.

When they see him coming, they groan, knowing their chances have been destroyed, except for Peter, who just looks relieved.

He remembers a time when Edward belonged to him alone. Edward exists because of him, after all, and needs must, but sometimes he can’t help but resent that this is another piece that he’s had to share.

“When I walk back out, it better be to an empty hallway,” he says blandly.

He receives a chorus of, “Yes, General,” and a jaunty wave from Peter before he’s opening the door and then shutting it firmly behind him.

In the beginning, the alchemy lab and the forge had occupied the same space, the outpost not yet big enough to have the rooms to spare. It had been quickly remedied once Rhodey had found about it, because the last thing any of them needed was losing him to an explosion of his own making, but he can’t say he’s surprised to see a cauldron bubbling ominously in the center of the room. “You have a lab for a reason.”

Surprised brown eyes snap up to meet his, and then there’s that familiar grin that always causes tension to unspool from his spine, even when it really shouldn’t. “Well, well, look what the cat dragged in. How goes the battle on the Eastern border?”

As if he doesn’t know. “They’re retreating. Our soldiers are holding the line and it looks like they’ve given up attacking us on that front. For now.”

“Sounds like something you should tell the king,” he says, frowning down into the cauldron as if it’s personally disappointed him.

Rhodey closes the distance between them, grabbing his chin and tilting his head to the side, frowning at the bruising mostly hidden by his hairline. “I am. But it’s a bit of wasted effort, considering the king is half the reason for their retreat.”

“Just half?” he pouts. “I really think that I deserve more credit-”

Rhodey kisses him to shut him up, a strategy that he’s been employing since they were teenagers, the whole reason necessitating Edward in the first place.

The second prince could not be scene dallying with someone so below him in station, the fact they were known to be friendly was a fluke of a broken wagon and much derision to all who heard of it. But Edward was no one, an educated fifth son of some nameless noble with a talent for metalwork, and no one cared if he kissed a commoner.

Then war had come knocking and a king could not do what needed to be done and so Edward had shifted from Rhodey’s to the country’s overnight.

Tony hums happily against his mouth and Rhodey pulls back rather than deepening it. Half the trick with was not letting him get distracted. “You need to get some sleep. Have you slept at all since getting back from the battle?”

The deep bruises under his eyes already tells him the answer, but it’s still worth asking.

“Need to figure this out,” he says, tilting his head to the cauldron. “It’s a coating for the blades to get them sharp enough to cut through armor. Not our armor, obviously, but other people’s.”

“A day,” he says, because Tony is needed everywhere at all times in all ways, and someone has to keep him from running himself into an early grave, and at the outpost, that’s him. “Just a day at home. I know you miss it. It’s been a while.”

Tony’s eyes go distant and fond. “Yes,” he agrees, and that one word has all the exhaustion that he won’t let show.

“You disappear all the time, no one will question it,” he murmurs, “I’ll make sure of it.”

“I’ll go if you will,” he returns. “You haven’t been home in even longer than I have.”

“Less of a need,” he argues, and he should argue against this too, when it’s unnecessary and dangerous, but he’s tired too. “Fine. We’ll need to sneak out to the woods if you don’t want to get caught.”

Tony clearly hadn’t expected him to agree that easily. “You hate flying.”

He hates how much pain it puts Tony in, but since he’s flying either way to get home, it doesn’t matter. “I’ll deal.”

Tony kisses him again, writes down some notes, douses the cauldron, and then they’re using the secret entrances that had actually been the whole point of building a lab near the forge. When they’re far enough away, Tony’s chest glows, the light and sparks spreading out from his chest to effulge his body and liquid gold and mercury sliding down his limbs. Rhodey has to close his eyes against the light, but Tony’s arms around him are always welcome, even when they burn almost too hot to stand.

The Iron Mage flying to the castle is a common enough sight that it raises no alarm and the brightness of Tony in flight means no one can tell he has a passenger, seen as nothing more than their own personal shooting star.

Tony melts the iron shutters back with a wave of his hand, likely reforming it behind them with a more intricate pattern than they’d been wrought with, because he always had such opinions about anything he hadn’t crafted himself.

He’s barely set Rhodey back onto his feet and folded the star back inside himself when there’s the running of little feet coming straight for them. Rhodey’s not surprised.

She’s always watching the stars, looking for her father.

Tony bends to pick up Morgan as she rounds the corner, barreling towards him with single minded intensity. “Daddy!”

“Hey, buttercup,” he says, hoisting her into her arms and settling her on his hip. “Miss me?”

“Yes,” she answers, wrapping her arms around Tony’s neck in a hug. She turns her head to grin at him, Tony’s eyes shining in her face. “Hi Rhodey. I missed you too.”

“Hi, Princess,” he says, leaning down to press a kiss to her forehead. She frees one arm from Tony to grab onto the front of his jacket, keeping him in place. He settled a hand on her back and that seems to satisfy her.

The door pushes open and Pepper is standing there, still with hair up and braided around a circlet and in a deep blue silk gown. “Someone here is supposed to be asleep.”  

Tony and Morgan’s innocent faces are identical and equally unconvincing.

“It’s me, isn’t it?” Rhodey asks.

“It’s all three of you, really,” she answers, striding forward. She squeezes his shoulder, then uses it as balance to push herself to her tip toes.

Tony bends to meet her in a kiss, chaste enough that Rhodey doesn’t feel the need to pull away but long enough that he assumes Tony’s sleep might end up experiencing a delay.

“I don’t want to go bed,” Morgan says. “Daddy’s home.”

“I’ll be here in the morning,” Tony says and Pepper’s face relaxes. “Come on, I’ll put you to bed myself, okay? And then you can tell me about all the new things you learned over breakfast.”

“I’m not tired,” she insists, but only waves at him when Tony pulls away to take her to her room.

Rhodey waves back, almost goes with them, but having the two of them there will just make her twice as riled up.

“I could have another, you know.”

He looks down at Pepper, blinking. “I thought – after the war?”

After the cave, after swallowing a star rather than being swallowed by it, Tony couldn’t justify staying on the sidelines, couldn’t justify only contributing to the war as Edward. Besides, being captured in the first place had shown him that he wasn’t safe as Edward anyway, but even Tony couldn’t justify taking to the battlefield without an heir, without a child of Stark blood to inherit, without a queen who could rule both while he fought and invented and in the event of his death.

Prince Gregory had been ten years older than Tony, he’d been the boy everyone knew would be king. Tony was just the spare, and not even one had on purpose. It’s why he’d had the freedom to meet Rhodey in the first place, to take on the name Edward and poke and prod his way through universities and labs and harassing blacksmiths into teaching him a craft a prince was never supposed to know. They’d assumed his father would arrange his marriage to some foreign noble for political reasons and Tony would install her onto an estate and do what was necessary to add a couple kids to the royal line and that would be that, he would then be free to spend his time on pursuits he enjoyed and with the man he loved. He was just the second prince, after all, it’s not like what he did really mattered, and he and Prince Gregory had never gotten along anyway.

Lots of people hadn’t gotten along with Prince Gregory, lots of people had thought his temper and his cruelty and several other attributes made him unsuitable as king. Maybe, on their own, they wouldn’t have mattered much – Rhodey thought Prince Gregory was not so much worse than King Howard – but he was constantly compared to the brother ten years his junior and found lacking.

They never found out who was behind the attack that killed Tony’s parents and brother. With their enemies sensing weakness and declaring war soon after, it was easy to pin the blame on them. But there were persistent rumors that it’d been someone, or several someones, that wanted Tony on the throne over his brother.

Rhodey doesn’t know if it’s true. All he knows is that relief rippled through the country far heavier than mourning.

The relationship he and Tony had, the future they’d mapped out, had been possible for a snubbed second prince and utterly impossible for a king. Tony had put off marriage for longer than he should have, but he couldn’t forever, and his urge to get out and fight now that he could pressed down on him.

Pepper had been his friend first. Their friend first. A noble, but only barely, and utterly unsuitable for the title of queen according to her pedigree and also the only one Tony would agree to marry so the rest hadn’t mattered.

If she were anyone else, he thinks he would have hated her. But Pepper had come to him after Tony had asked her and said, “I love him,” like throwing down a gauntlet.

He’d known. Who couldn’t help but love Tony, once they got to know him? And Pepper was beautiful and competent and trustworthy, could have Tony’s children and lead his country and keep all his secrets. And Tony might be able to resist falling in love with Pepper when she was only his friend and confidant, but as his wife, the mother of his children, his queen? He would fall.

“I want what’s best for him,” she’d continued in what he thought was going to be the worst conversation of his life, “and that’s me and you. He would never give you up. You know that. You should have a little more faith in him.”

“He needs you,” he’d said quietly. What Tony needed is something he couldn’t be, he wasn’t a noble or a woman.

Pepper had lifted her chin in defiance, every inch the queen she was going to become. “He needs us.”

That had been years ago. They made it work, awkwardly and painfully at first, but much smoother these days, warmer and easier. When the war ends, he thinks things might even be easy.

Tony and Pepper had needed to have a child and quickly, to secure the succession. She’d been pregnant within four months of their marriage and Princess Morgan’s birth had been greeted with relief by the country. Still, more heirs are better, especially with Starks being thin on the ground, but Tony resisted the idea of having another child in the midst of war, another child that he might die on and abandon.

Which is what makes Pepper’s statement so confusing.

“I didn’t mean right this second,” she says, lips turning up at the corners. “I know I’m not exactly your type, but I certainly wouldn’t mind the process myself. Morgan’s yours, of course, but if you wanted – I wouldn’t mind. Tony wouldn’t either.”

He understands what she’s offering and he’s shaking his head before she’s even finished talking. “We can’t – they’d know.”

“Maybe the next one will take after my genes,” she says. “Goddess knows Morgan’s all her father.”

She is, so clearly Stark, from her eyes to her intelligence to her love of trouble. But there’s no way a child of his could pass as a child Tony’s, which is what any child of the queen’s would have to be. Even if they came out pale enough to pass as a Stark, which isn’t any sort of risk they could take, it wouldn’t be worth the risk of anyone finding out that a child in line for the throne was not of the Goddess blessed bloodline.

“Tony’s children are my children,” he says, and means it. Pepper and Tony had always been clear about that and it had been a relief, to not have to be so close and yet so far, to be able to love Morgan as his daughter even if it was nothing he could ever say out loud. “Go and help him with her. I know you have a lot to catch up on.”

He’ll go to his room, with the bed and comforts that he’s missed quiet a lot, and get the sleep that he’s also missed.

She sighs, squeezing his arm. “Don’t wander. I get up early and Tony never sleeps through it.”

Tony will get up with her, and kiss her as she heads to the hall, then go down to his room and crawl into bed with him, still sleep warm, until he has to get up and put in an appearance as King Anthony.

Rhodey smiles and nudges her towards the hall. “Go on, your husband is waiting.”

“Our husband,” she corrects imperiously and doesn’t move until he laughs and nods and repeats her words back to her.

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[rwbyrg]

If it's alright, I'm just curious, do you have any thoughts of your own or theories about Oscar or Ruby or both of them in terms of v10? To add, do you have any theories for the merge and how it will end up for both Oscar and Ozpin? Like will it be a good or bad thing? Sorry if these questions seem vague lol

Of course it's alright to ask! I do have many thoughts and a handful of theories. I'll admit most of them are wishful thinking since there's truly no way to tell where the story will go until it actually happens. But if I were to distill it to the ones I'm most expecting and why, then I'd probably say:

Expansion on Ruby's solo arc that kicked off in V9

Acknowledging the setups (plural) between Ruby and Oscar's arcs

The merge-curse is eventually broken (blame the allusions)

I'll elaborate a bit below.

1. Expanding on Ruby's Arc

What we saw Ruby go through in V9 is very much not the end of that particular plot line, imo. We saw a bit of this in Justice League: Part 2 and the final ep of RWBY Beyond where she talks to Clark and Yang about her struggles a bit. Ruby needs to learn how to both ask for and accept help from those around her so the weight of everything she's carrying doesn't crush her. Especially now when they're down to the wire and she's come back as a resurrected martyr who's face has been used at the centre of the resistance movement she's now helping to lead. How will she live up to the expectations and pressures of that impossible pedestal when she's only a human girl with very normal knees who's barely keeping it together? Also, while I don't know exactly how they're going to address everything she experienced, and I struggle to imagine her speaking about Neo's Horror House to anyone directly... that sort of trauma doesn't just go away once it's over. So I would be very surprised if the effects of it didn't ripple throughout the remaining chapters of the show. Especially when every other member of RWBY has seemingly had the bulk of their main character arcs already. It's long overdue for Ruby to get that time in the spotlight. Which does sort of lead into my next point...

2. Acknowledging the Setups in Ruby and Oscar's Dynamic

For starters, we've got the merge and ascension parallels to address. Ruby and Oscar have always mirrored each other's issues around identity, choice, fear, responsibility, leadership, etc., and this buildup seems to be coming to a head following V9. From Oscar's "I'm just going to be another one of his lives, aren't I?" to Ruby's "What if you could be anyone?", and how the two of them will relate to each other in light of those contrasting - but similar - experiences. Especially with Ruby having just come back from the tree to find Oscar fighting against the merge harder than ever before. But we also have their attachments to each other to sort out as well. Ruby and Oscar have been watching each other's backs in different ways since V5, their reunion hug in V8 was interrupted where no other "pairing's" was, and they were the only "pairing" still to be split up between the Ever After and Remnant. Not to mention that, while they were separated, Ruby was pushed to a breaking point after being shown an illusion of losing Oscar, while Oscar was back in the real world eulogizing about how he lost Ruby. CRWBY doesn't setup relationship parallels and focuses as intensely and intentionally as this without pay off at some point.

Again, while the specifics are nearly impossible to predict, I'm expecting a bit of a Dojo Scene Reprise, heart-to-heart of sorts, and/or, something that puts those attachments to the test. My immediate thought is that this test will finally push Oscar to unlocking his semblance since getting shot, falling from Atlas, being kidnapped, and tortured were all not enough to make it happen. (Although my wishful thinking is that it unlocks in a happier moment, I think that's much less likely.)

If I were to engage in pure speculation on this, my easiest bet is that it will come at the hands of Tyrian. When our Little Prince was first introduced, it was almost as if he was waking from a nightmare of that villain laughing with glee at the opportunity to hunt down a certain rose. And with this being the Vacuo arc with Ruby and Oscar getting a lot of focus, and Tyrian already on the prowl within the kingdom, it would make a lot of sense. The little prince fated to have a confrontation with a venomous antagonist in the desert over his attachment to a rose is about as textbook as it gets. (I could also see it go to Cinder or being delayed until they follow through on the threat of Ruby being kidnapped by Salem, if that's the route they decide to take. But again we'll have to wait and see how it plays out.)

3. Oscar and the Merge

I'm not entirely sure where they're headed with this one between now and the resolution... but I do think the resolution itself will otherwise be a happy one, if not bittersweet. RWBY is a story about breaking cycles, and Oz has been part of one of the longest on Remnant since the very beginning. Pairing that with this show being, ultimately, a happy story, as well as a looking at two of Oscar and Oz's shared allusions, I can only imagine they will be separated by the end.

The first allusions to mention are from The Marvelous Land of Oz. Princess Ozma (aka Oscar) is the rightful heir to the kingdom and next in line to take over when it's time for the wizard to retire. It's very clear that - however this plays out - Oscar is the final incarnation. Typically, when one ruler leaves the throne that's it. They're gone. Oz has fiddled with Remnant's history for countless millennia now in his endless fight against Salem. When the dust settles and it's time for Remnant to rebuild, it should be up to the new generation to take charge without his influence from "the old world" in the mix.

From a Little Prince lens - for those unfamiliar with the book - the aviator (aka Oz) spends much of the story waffling about the little prince he is stranded with in the desert... only to be very sad when his new friend leaves him behind to go home to the stars. RWBY is already subverting this story a bit with Oscar being the one wanting to be rid of his pilot instead of the other way around. If I were to guess how the show will carry this further, it would be that Oz moves on, but perhaps with some lingering attachment on either (or both) sides. Maybe a bit of a "all this time I wanted it to end, but now that it's finally happening, I wish I (you) didn't have to go".

At least that's what seems to make sense to me, thematically speaking. Oscar will be irreversibly changed by these events even if he is freed from the curse, however. There is no question about it. Because that is what the Hero's Journey is all about.

The hero leaves their farm and they fall through a new world. It is both horrifying and exciting in equal measure. And throughout it all they are changed by the experiences they have and the people they meet - both good and bad, within their control and outside of it. And when the quest is finally over, there is grief. Because you are not the same person you were when you left home, and you can never truly return to what you had and who you were before it all happened.

This is also, coincidentally, just what it means to grow up. Which - while not the only one, and certainly not unique to Oscar's arc alone - has always been one of the loudest allegories hiding within the merge to me. We meet and know people, we don't always have a say in how long they can stay and how they change us... and then one day they are gone, but their influence and our memories of them stay with us. And then, as RWBY has taught us since the very beginning, we keep moving forward despite it all.

( @creatoriamari tagging you here just in case to make sure you get the notif because I don't know if it still works if I saved the ask as a draft. 🙇‍♀️)

[whereismyhat5678]

OOOOHHHH PIZZAHEAD HAS A CRUSH ON PEPPINO- *get zap by his laser beam*

owie

Guys I think he likes Peppino- ��

[youssefguedira]

V, JoeNicky & Nile

V. An abandoned or empty place.

When Joe pulls the sheet off the couch it kicks up enough dust that it makes Nile sneeze. The couch underneath is old, wooden frame rotting, fabric stained and full of holes where moths have eaten away at it. 

“Sorry,” Joe says to Nile when she finally manages to get the sneezing under control. “Didn’t realise it was that bad.” He puts his hands on his hips and looks down at the couch. Nile looks it over.

“There’s no saving that,” she says, wiping at her eyes. She can heal from falling over ten stories, but she can’t get away from allergies.

Joe frowns. “I liked that couch.”

The house is older than anywhere else they’ve brought her, and has been abandoned for long enough that it’s falling apart. But through some trick of posing as their own sons, or something, Joe and Nicky still own it, even if there’s a giant hole in the roof and all the windows are broken. Why they’d decided to come back here, Nile doesn’t know, but it’s a nice enough area, and a good distraction from, well. Everything. Growing back a leg, she’s discovered, is not fun. 

From one of the other rooms – she thinks it’s the kitchen, she’s not actually sure where Nicky had wandered to – there’s the sound of something breaking and crashing to the ground, and a muffled curse. 

Joe makes a questioning noise in the vague direction of the kitchen. A few moments later, Nicky appears in the doorway, covered in dust. “I am okay,” he says. “But I think we will need to go out to eat tonight.”

“Nothing?” 

Nicky shakes his head. ��Unless you want to start a fire and go hunt some rabbits.”

Joe grins. “Just like old times, right?”

Nile shakes her head firmly, which makes Nicky smile. She loves them, but there’s no way they’re doing that. 

“We can probably clear out enough space in here,” Joe says, gesturing to the floor. “Get the sleeping bags out of the car. Probably have to start a fire anyway, but…”

Nile looks around again while Joe says something to Nicky in Arabic that makes him laugh. The house is falling apart, sure, but it’s structurally stable, and the bones are all there. It could be something. They’ve got time to make it something. 

Nicky is the one who goes for pizza in the end – he doesn’t trust Nile and Joe to order it if left to their own devices – while they try to clear out a space in the living room. Eventually, though, after Nile has another sneezing fit, Joe suggests they just take the sleeping bags outside instead, which works out a lot better. He sets about starting a fire with practiced ease while Nile sets out the sleeping bags around it. They’re far enough away from civilisation that she can’t hear cars passing by, which is kind of surreal, and the stars are brighter than she’s ever seen them. 

When Nicky gets back, two boxes balanced on one arm and a bottle of wine in the other, he looks over their makeshift camp and laughs. “Just like old times, then?” he asks.

Joe grins. “Except we have pizza.”

“And actual sleeping bags,” Nile says.

“Ah, these modern inventions could never quite match the comfort of a pile of furs,” Joe says wistfully. Nile gives him a look. She’s ninety percent sure that one’s bullshit, but she can never quite tell with him. 

Nicky sets down the pizza boxes, and jogs back to the car to grab the pack of plastic wine glasses they’d bought before they got here. 

“We should’ve bought marshmallows,” Nile says. “Could have made s’mores.”

“Well, we’ll have to go to the hardware store tomorrow anyway,” Joe points out. “And I think it’ll be a little while before we can actually sleep in there.”

“Tomorrow, then?”

“Tomorrow,” Nicky agrees.

[carlyraejepsans]

VERY GLAD to see u get into ghost trick, btw. media of all time. sissel and lynne you will always be famous

they're quite possibly the biggest besties to ever best, they play off of each other so well i keep going "god, they're GOOD" every other interaction

[smoozie]

Okay I want to say, I LOVED this gimmick. It was cute and fun, gave everyone some more resources to prep with and (for the most part) didn't have too deadly of consequences (from the povs I've seen). The most interesting part, however, was just what questions the ccs did and did not know.

I was justing thinking about this the other day, ironically. I think a lot of people assume the ccs remember a lot more of the series than they do simply because they lived through it, but I think the fans in general are more aware of things because we tend to rewatch seasons. And that was proven correct today. Most ccs play through a series and forget most of the details right afterward.

[sysig]

Growing closer than expected (Patreon)

[introspectivememories]

sometimes i wonder what was the source of the obsessiveness between lewis and nico, knowing each other since childhood? i was always curious about lewis acting "no homo" when it came to nico?? is there an answer? i don't really want to have what they had. sounds intense

i'm sorry i'm not answering any of your other questions but "i don't really want to have what they had" is sooo fuckin funny to me

[m0e-ru]

did everybody remember when atlus finally restored the attendant social link in the steam port and how stupid it actually was