forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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Showing my roommate Alien for the first time
Him: This is sooo like Prometheus
Me: Wait you've seen Prometheus but not Alien????
Him: No, I just was trying to think of something dumb to say that would annoy you lol
Me: OK GOOD cause as I said before, no judgment from me for not having seen Alien, but if you'd seen Prometheus but not Alien, then we might have a problem
*15 minutes later*
Him: Wow ok that ship does kinda look like the stuff in the Prometheus trailer though
Me: I mean yeah that makes sense
Him: Wait Prometheus is part of the Alien series?
Me: WHAT IS EVEN HAPPENING RIGHT NOW
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Soooo after I reblogged some of OSP's JttW content, I get the Lego Monkie Kid recommended posts and blogs thrown at me every 4 minutes on my dash. Fiiiine, I went to check out the pilot.
And ok.
Tumblr was right.
The pilot episode is hilarious and the animation ABSOLUTELY SLAPS. I keep rewinding because there are so many good gags happening in the background, or just because the animation was so pretty I wanted to see it thrice. This is like a crackfic with the production value of movie theater animated blockbusters.
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Happy Queer Media Monday!
Today: Paradise Lost (2018)
Most beautiful movie I’ve seen since The Blue Caftan.
(Picture taken from Netflix, because Google didn’t give me a lot to work with. This is Imã, in one of his performance costumes.)
Police officer Odair randomly ends up at a small bar called Paradise Lost, run by a family. The grandfather hires him as a bodyguard for Imã, his very effeminate (and gay) grandson, who runs a certain risk of getting hatecrimed. As he spends more time at the bar, Odair grows close to the different family members, who all have their own battles to fight, and discovers something about them that will also affect his own life.
This movie was SO BEAUTIFUL, I’m still not over it half a week after I watched it. The story is wonderfully human, but it’s the execution that makes it special. The way it’s shot is gorgeous, with some very good frames and great use of color. Then there is the music. The entire movie is carried by the songs sung by the different family members, which for one is good to listen to, but also adds so much intimacy to the whole thing.
If I find more movies like this and The Blue Caftan (2022) (another one so beautiful that I’m still not over it), I will have to make a separate category somewhere for “queer movies that are just too beautiful, in a very bittersweet way”.
Watch it. It’s on Netflix and Mubi. Also, here is the IMBD link.
Queer Media Monday is an action I started to talk about some important and/or interesting parts of our queer heritage, that people, especially young people who are only just beginning to discover the wealth of stories out there, should be aware of. Please feel free to join in on the fun and make your own posts about things you personally find important!
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Idk why this struck me as “cute” or like “heartwarming” but there’s just something about Dan writing a song about a dead girl from a TV show, and making it sound like this very bombastic spectacle
yeah i know what you mean. it's the unashamedly indulging in something you love just for the love of it babyyyy. like ig he literally wrote that song cause he loves that show so much and that is actually v beautiful imo
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