#these little designs are always really fun

[thosewickedlovelies]

A guide to writing fics set in museums / with a museum worker character

Hey hi hello it’s your local museum worker here, offering you some insight and tips to writing museum-related fics! This is primarily organized as a list of different jobs you could have in a museum and what their duties entail. This post might also be useful to you if you’re considering working in museums and want to know What Goes On In There. Let’s go!

For simplicity/fic-writing purposes, I would divide museums into 2 very rough groups: large national or city museums that Have Money (think the Smithsonian or British Museums, or the Chicago Field Museum or the Royal Armouries Museum in Leeds); and smaller local museums. These could be local industry and culture/history-of-our town museums, historic houses, or  really niche subject museums run by One Person With A Passion.

Big national museums have a fuckton of staff and money (museums can never have enough money. But these places are very well-off compared to somewhere small that might always be hustling and writing grant applications). If you work here you’re likely to have a specific role in a particular department, and you probably won’t do much outside this role (ex., if you work in collections management, you probably won’t also design exhibits)

The smaller the museum, the more varied your workload will be/the more likely you are to be doing a little bit of everything. You’re probably organizing collections storage, manning the front desk, and desperately running fundraising efforts, all at once. 

To this end, smaller museums are more likely to be closed one or two days a week- you’ll be there, probably cleaning displays or managing storage, but visitors won’t be.

A lot of (most?) universities also have museums, so a college town setting is also doable. But the same big vs small museum disparity is still possible! At Penn State University, for example, the Palmer Art Museum is its own (recently redone iirc) building in the center of campus with a lovely plaza out front, while the Matson Museum of Anthropology is uhhhhh a couple classrooms in the Anthropology Department (which they’re currently rebuilding tbf, so we’ll see what they’ve done with it in 2025).

Types of Jobs

Curator

The one museum job that everyone can name. Nominally the person in charge. Probably laments that their job is way more admin than fun hands-on stuff now.

Actually this is the role I have the least knowledge of, but I think that’s partially because this job might vary the most from place to place? Structural organization can vary a lot between institutions, but I think the higher up you get in any field, the more your job tends to consist of meetings/overseeing, designating, and ~liaising~

A list of things a curator might do:

Planning or approving events and fundraisers, schmoozing with donors and members at said events, approving or designing a schedule of exhibits, publish outreach/advertising or research materials, oversee hiring, approve new object acquisitions (or de-acquisitions), generally make sure that the museum is working within the scope of its mission and if necessary, change or refine their mission

The curator might not necessarily control a museum’s funds; in this case they’ll liaise with the people who do, likely a Board of Executives or Board of Trustees. Once they get the money from these people, though, they could potentially redistribute it as they see fit.

 If you work in a fuckoff museum like the BM, you could also be the curator of a specific department, arranged by overarching subject, geographic area, time period, or even object type (eg Curator of Archaeobotany, Curator of Korean Collections, curator of coins from the medieval period). These categories can be more or less specific depending on what kind of holdings your museum has. I think these types of curators would still be able to do interesting things, as they aren’t the ones who Oversee The Whole Place.

You can also be an assistant or associate curator, like being an assistant manager.

Education/Engagement

These are the people who design fun extra activities (esp for kids) in the galleries or relevant events/workshops/lectures the public can attend. They might be called Engagement/Education Officer or Events Manager or anything similar

Again, the bigger the museum you work at, the more specific your role is likely to be. You might focus on web content/outreach and social media, manage the ‘friends/members of the museum’ program, or engage with shareholders, etc

Or you might do things like develop content and events to engage adult audiences. Workshops or lectures connected to new exhibits, after-hours visits. These people are also probably the ones with an eye on accessibility- you’ve probably seen advertisements for museums’ early or late hours for older visitors, or ‘quiet hours’ for people who might be overstimulated by normal museum hubbub, or tactile workshops designed for visually impaired folks.

I think most places would try to have someone specific for kids activities at the very least. They’ll be designing little activities or dress-up stations for the galleries, kiddie mascots or scavenger hunt trail kind of things, as well as, potentially, activities for any digital elements in the museum. They probably also coordinate school visits and act as a tour guide for classes, and will lead the kids in specific workshops or lessons in classrooms attached to the museum.

As a note on technology- some people would probably say that integrating digital elements into exhibits is the ~next big thing~, that museums have to get with the times in this regard, but opinions vary. Big science and technology museums are the most likely to have the most digital and techy elements in their exhibits, so if this is your setting, your character could also be a generic “tech person”. I would go so far as to say the smaller/more local the museum, the less technology you’re likely to have, but smaller museums are able to get grants, some of them potentially for specifically this type of thing, so it’s totally possibly that they have a few tablets with integrated activities, or some other Digital/Screen Thing.

Engagement Officers are probably the most likely people to be drafted for out-of-hours events, so that’s a potentially fun thing for your character to do. Some museums, particularly bigger ones, have event spaces attached that anybody can rent out, for weddings, galas, markets, etc, so they might also take care of these bookings as well.

Exhibit Design

This role has a lot of nebulous terms: exhibit coordinator, design constructor, exhibit programmer- but these are the people who design the exhibits. They’ll come up with a theme or narrative, a design scheme, choose the objects, write the text. They’ll probably come up with some marketing material as well, that matches the design scheme, or they’ll liaise with the marketing people who will.

These people might not be as familiar with the collections as the collections management folk (below), depending on how strictly divided your roles are, so they’ll likely consult with the collections people on choosing objects for a particular exhibit or theme (they say that good exhibit design builds an exhibit from the objects up, but I digress).

These people will also direct and participate in the install and deinstall (the actual terms) of exhibits- putting the objects on the right plinths/stands and arranging everything just so in the cases. Genuinely there’s a lot of psychology behind exhibit design- colors, lighting, the way you might design an exhibit to be navigated vs the path people will actually take through the gallery, people’s sight lines and where their eyes go first, how the display of any given object affects people’s perception of the importance of that object. Fascinating stuff, many books on the subject. 

There are also a lot of accessibility concerns to be considered here- how bright is the gallery, how large is your display text, at what height is the central eyeline of your cases?

Museums often loan objects to and from each other’s collections, so if you’re building an exhibit and you’d really like to include X type of object but your museum doesn’t have any, you can borrow some from another museum (this isn’t necessarily a guarantee- museums are allowed to say no to these requests, but I think manners would dictate that they should have a good reason)

Museums sometimes tour whole exhibitions as well- the objects, the text placards, maybe even the stands for super special or fragile items- and exhibit coordinator people are the ones who would handle those arrangements.

Potentially good opportunities for angst stories here- wow things come to life at your museum, you fall in love with a statue but oh no it’s only at your museum for three months

Collections Care

People who work in Collections Management have the most direct contact with the museum objects themselves. You probably work here if you prefer objects to people. When a museum gets new material, these are the people involved. They might not always initiate acquisitions, and the final approval is probably down to the relevant curator, but 98% of the time they’d be consulted (I hope).

A mind-boggling statistic is that most museums only have like 10% of their collections on display at any given time. Yeah. Forreal lol. But collections folk will know where the other 90% is and what’s in it (particularly the longer they’ve been there). 

There’s usually a head Collections Manager. Other workers might be a Collection Assistant/Associate, Collections Officer (we like calling people Officers for some reason), Registrar, or some variant of these depending on the specific flavor of your duties. 

Main job duties can be divided amongst documentation and database work, organization and storage of objects, and lite conservation. Just how much/how technical the conservation work depends on your own training, but also on the size/funding of your museum. The more money, the more likely your museum is to have its own lab with people specifically trained as conservators. More on them later. 

Here’s what happens when a museum gets new stuff!:

Ideally, it goes to a ‘quarantine zone’ first. This is a separate space or room where the objects can relax for a few weeks to a few months (ultimate best practice is actually a year, but, you know. that’s a long time) to ensure that they’re not harboring anything icky (bugs, mold, etc) that will infect the rest of the collections. It’s ideally super-sealed and climate-controlled, but the primary feature should be that it’s away from the main collections store.

Collections folk do the paperwork. They’ll give each individual object a unique number (following their preexisting system that will allow it to be identified distinct from all the other objects in the collection). They’ll create a ‘collections record’ for the object- documentation containing any and all information about the object. This includes the accession paperwork (everything that says ‘we legally own this now’); provenance info (all previous owners and everywhere else the object has been in its life); measurements and description (in painful detail); and conservation history and concerns (ie ‘there’s a crack in the side so pick up with care’, ‘this was repaired in the 70s so that glue is gonna fall apart any day now’).

(I'll say as a fic writer that this would be an great time to wax poetic over a beautiful statue or painting; you can’t write “This golden crown deserved to be worn by a great king, or maybe by that broody Roman general in the painting in Gallery B” in the collections paperwork, but you can think it.)

For fiction’s sake, your collections records could be either paper or digital, but in an ideal world a museum would have both setups, for security’s sake. So you’d fill out some long forms and/or input all the information to the digital collections management system (‘the CMS’, or referred to by your specific software’s name, as there are many out there). The CMS is not a static archive, but rather a living register that’s updated every time an object is interacted with. The object records also include where an object is at any given time (‘normally in Case E in the Fancypants Gallery, currently in Conservation Lab A for repairs’).

Once the objects are done in quarantine, they’ll go to storage. If they’re being displayed immediately, they’ll probably go to some interim storage space/shelf with other objects for the same exhibit and in that case only get a temporary setting. Every object will get labeled with their object number (directly on them, with a special pen that’s safe for this. Or if it’s really tiny, like a coin or jewelry, then their own tiny box will get the label). Small or fragile items, or items grouped together, will go in their own boxes (made of acid- and lignin-free cardboard or polyethylene plastic, like Rubbermaid totes; lined with polyethylene foam and then acid-free tissue paper). Stable ceramic vessels might sit directly on lined shelving, particularly if they’re very large or heavy, like many stone objects.

Listen, every type of object has a particular way(s) of storing that’s best for them, you’re gonna have to look that up yourself or consult someone if you need that level of detail

Ideally, before being stored away, objects are also photographed. This could be part of the Collection Officer’s duty, and/or your museum could have a photographer on staff. (say it with me:) This is more likely if your museum is really huge and/or has a backlog of unphotographed collections and has hired someone specifically, even if temporarily, to improve its collections documentation.

I would say a collections person, or anyone with a museum studies degree, should have some minimum amount of conservation knowledge that includes basic storage standards for different object materials, how to spot potential preservation problems (like if your bronze axe head is actively oxidizing or if that green spot looks the same as it always has since starting and pausing decaying), and maybe how to give objects a basic clean or deal with certain types of problems. But the nitty-gritty science is more the realm of Conservators, someone with a degree that ends in -Sci or who’s done some other certification course.

The general collections store should always be dark, slightly too cool for prolonged human comfort, and labeled to high heaven. Objects will most likely be grouped by material- ceramics/pottery, metals, precious metals and stones (jewelry or beads), stone, glass, wood, bone/ivory/other organic material like feathers or teeth or anything that can be decorative, textiles, paintings. A museum often has some paper material/documents, usually part of or related to a group of objects they acquired, but generally paper and photographic material is the realm of archives and archivists. Yet again, the bigger/more well-funded the museum, the more likely it to have a separate archive department, so your character could also work as an archivist in a museum.

Another thing the collections care folk probably do is ship objects. Remember how I said that  museums loan objects and exhibitions to each other? The stuff’s gotta travel somehow! If things are being shipped internationally, they’ll go in big wooden crates, with specifically dimensioned partitions inside. Then it will be lined with our favorite foam and tissue paper, cut so the objects sit snugly inside. I haven’t personally worked anywhere with a possibility of local shipments, so I can’t say where the threshold might be as to when a museum would just pay an employee to drive the objects over vs ship them with a shipping company. But the preparations would be similar, minus the big wooden crate but with extra-careful packing (and paperwork and insurance etc)

Conservation

Conservators are the people who work in labs with fancy equipment. Not every museum will have a formal conservator or a lab of any kind; sometimes the collections care person fills this role, or if something urgently needs care beyond the abilities of the museum’s equipment, they might send it away to a lab elsewhere, the same way you can send your old VHS home videos to a professional archive to be digitized.

If an object is actively deteriorating in a way that could harm itself or other objects (as opposed to like, at risk of fading bc the lighting is wrong, which is a straightforward fix related to the environment), that’s when a conservator would intervene.

Some methods/machinery by which you can analyze objects:

Ultraviolet (UV) and infrared (IR) light - Different materials absorb and react to light differently, which you can use to identify them. Useful for seeing things like the different layers of paintings

Stereo-microscopy (microscopes, of varying strengths)

At magnifications of x5-x100 you can see things like tool marks from an object’s manufacture, traces from wear, deposits, and coatings

At x50-x500, with a thin sliver of a sample, you can see (and hopefully identify) fibers, layers, particles, metallographic structures 

You can get information from objects without taking samples, but samples are usually worth the information. 

energy dispersive x-ray fluorescence spectrometry (EDXRF) - EDXRF allows you to identify the elemental composition of the surface layer of an object. So it might tell you what a tool is made of, and also the composition of the objects it was used on, if they left traces

scanning electron microscopy (SEM) - an SEM uses a focused beam of electrons to produce a magnified, high-resolution image of the surface of an object

X-radiography, both film and digital - X-rayy are beneficial for objects that might be covered by dirt or corrosion and can show you details of an object’s construction or hidden structural weaknesses

I’m not a conservator, so if you want more hard science-based info, ask one of them lol

Listen to me. If you take nothing else away from this post, let it be this:

 Once an object is in a museum, it is never seeing natural daylight again. Sunlight is the ultimate enemy of every object’s lifespan. If you need to see an object in the sun or moon light for ~magical spell reasons~, you will straight up be stealing that object to smuggle it outside.

Okay. That being said, you do hear (and could probably google) stories about museum employees stealing things from their museums on purpose to prove a point about security or insurance to their higher-ups, so like. Depending on your type of museum, it might not be impossible to steal from lmao. (Don’t tell anyone I said that.)

Possibly the most useful advice for you to keep in mind when writing your conservator or collections care characters would be that touching objects hurts them. It might not hurt them now, it might not even hurt them in ten years, but every time you handle an object, there’s a risk that you’ll damage it. Not on purpose, obviously, but to err is human. The simplest, most effective advice my conservation professor ever gave us was “don’t handle an object if you don’t have to.” That means don’t move an object without a plan and a place to put it, first examination should always be visual, not tactile, etc. Unfortunately, that means that your character cannot walk around lovingly handling and caressing their favorite objects (unless this is a Night at the Museum situation where the objects are caressing them back, ykwim)

Museum Technician

These people probably have a lot of different names, but basically, technicians are the background muscle of the museum. They do the technical construction of bigger pieces of exhibition material, up to and including the exhibition cases themselves. 

So they wouldn’t deal with the small mount that the object rests on, but they might build the big plinth that the mount sits on. They’ll help move things around the building, particularly big heavy things, hang big framed works, assist with exhibit installs, and generally do most things which might involve power tools/equipment or heavy lifting

I worked in a big museum that hired a third party company to supply their technicians; I interviewed at another place that hired their own. If you’re a small museum, you might just have a freelance person that comes in once or twice a week to help move things.

Other

Other miscellaneous roles one could have in a museum: researcher (for exhibits and/or collections), gift shop or cafe worker, security guard, room attendant, translator, archaeologist, consultant

Honestly, TL;DR? Just have your character be a consultant of some kind. “Oh no, I don’t work here, I’m Y’s friend. They called me in to provide some expertise on X subject that they’re doing an exhibit on.” This could work for literally any subject- history/archaeology/anthropology, art, transportation, science and technology, anything you might find pictures of in an archive, idk. This could get you into an office or meeting room of some kind in the ‘employee only’ space of the museum, or potentially all the way into the collections store if you’re giving them information they were missing about some objects. Otherwise you’d probably (hopefully) need a key or some other kind of security clearance to get into the collections store.

Whew, that was a ride, huh? I hope this guide was useful to someone! I’m always open to answering questions if you think I forgot something or if anyone wants more details <3

[copperbadge]

hey sam, totally understand if you don't want to get into this, but i'm curious how you interpret your tarot reading for the year in light of the election results?

So, I have two replies to this, but I do want to say despite responding that I really I appreciate the permission not to respond. Especially because this is going to be a form of non-response, but only because of extenuating circumstances. I know that I'm never required to respond to an ask, but I always feel bad if I don't, so it's helpful to know the asker understands.

First -- I could go back and look at the reading and look at the world and see what there is to be seen, but...that's fun when it's like "Oh, the reading predicted Dracula Daily, how interesting". It's not really as fun when we're talking about deeply unsettling and dangerous political events. And I'm not sure I'm in a headspace for it, being honest. The reading itself feels like it aged poorly, although some of its advice is still sound.

Second, and honestly to me more relevant, is the fact that I've found this specific spread is not really ideal for this purpose. As a personal reading, Four Royal Advisors seems fine, especially if you're trying to just take a vague look at the future rather than predict the course of a coming year. When I've tried doing the "new year's" reading for the coming year, it always seemed to stall out in autumn and not cover the full year. So I don't know if it would have any particular insight after Halloween in any case.

On the plus, I do have a new reading that is specifically designed to be a "coming year" reading and to cover the full year, so hopefully this month and certainly before New Year's I'll be debuting that and trying it for next year. I'm a little concerned about what it might tell us, but I think we're all rather concerned for the future, so that feels normal.

[raven-at-the-writing-desk]

Hopefully this doesn't come off as snarky, but I find it genuinely hilarious that every "big-name" Leona fan that I've seen seems to like him against their will lol. I've always had Leona as my favorite, so it's fun to see the journey other people go through to liking/appreciating him!

Look 💦 I can’t speak for other L*ona likers (regardless of size, honestly; I'm a firm believer that one's level of internet fame isn't a factor in the devotion for a character) but for me—to quote Scar—“my words are a matter of pride.” And by confessing to (ick 🤢) LIKING LION… it’s throwing all that pride out of a window. It seriously does feel like these feelings exist against my will.

I have a summary of my story to explain my relationship with the lion lore 💀 I call it a summary, but it’s still kind of long— It's below the cut for those who are interested!

To begin with, the promotional materials didn’t sell me on him. Everything about how he initially presents—from his arrogance to his “tough/bad boy” design (seriously, that biker-cowboy combo of his dorm uniform is SO ugly and shows way too much skin for my liking…)—was so unappealing to me. He seemed exactly like the kind of character and tropes I tend to dislike. The only “good” thing I saw in him was his face (which, ironically, is what Vil says about him) and maybe his UM chant particularly the line where he demands you kneel before him. Then comes along book 2, which is easily the weakest of the main story and does a HUGE disservice to him, making L*ona seem a lot stupider than he actually is. At that point, I had basically written his entire character off. I claimed to all my Twst friends that there was nothing that would ever make me like him.

Around 2022, I decided to get involved in a round of EBG (Epic Bias Game) which is basically like a test of your will?? You’re supposed to compete with your friends to see who can go for the longest without talking about or acknowledging their oshi (which includes not being able to react to fan works of them). As part of EBG, each participant was randomly assigned a “new oshi” to replace the usual one AND GUESS WHAT, I GOT HANDED L*ONA BY THE WHEEL OF FATE 💀

One of my friends (who knew I hardcore hated him at the time) assured me that this would get me to change my mind. They even went out of their way to write a little story explaining how my OC was forced to spend more time with L*ona, which led me into writing interactions between them to build more of the lore. I managed to outlast the friend in EBG, but didn’t win the entire game. I came out of it not really feeling super different about L*ona, but I think forcing myself to write about him extensively helped me gain a little more perspective on his character. I still didn’t like him, but I at least appreciated his presence in the cast a little more.

AND THEN TWST HAD TO COME AND BASH ME OVER THE HEAD WITH L*ONA CONTENT… All the little vignettes and voice lines where other characters would talk about what a good leader he is (*glares at Epel, Jack, Ruggie, Savanaclaw mobs, etc.*), when he sarcastically claims to be a “delicate prince” or a “lost child”, those moments where he sasses others, times when he’s able to use his charisma and/or intelligence to pull ahead, rare instances when he whips out his royal manners, him respecting women… But I think the turning point for me had to have been book 6 OTL GOOD LORD, BOOK 6 FUCKED ME UP 😭 Him using his UM in a creative way to turn falling glass shards into harmless sand? And strategically turning himself in?? Willingly ceding control of the dorm to Ruggie??? Telling everyone about Styx’s lore???? AND THE BEEF HE HAD WITH JAMIL BUT STILL GIVING HIM WISDOM AND ADVICE… Sometimes I still tear up thinking about how L*ona says “You’re not like me,” to Jamil 😔 implying that part of the reason why L*ona guides others is because he has hope in their futures but not his own… (I’m still salty that EN messed up this line by changing it to “I’m not like you,” which makes him come off as way more arrogant 💦) Anyway, I blame book 6 for being the tipping point in my downward spiral 🌀 IT GOT WORSE IN BOOK 7 WHEN HE STARTED SHOWING HE'S MOTIVATED TO ACTUALLY GRADUATE AND TAKES ON AN INTERNSHIP THAT COULD BENEFIT HIS COUNTRY... Special shoutout to the Club Wear card for being especially hot-- I did my best to hold out against the steady drip of content that called attention to his… positive traits… (Not that I’m saying he doesn’t have any; I mean this in that whenever his strengths as a character are brought up, they really get to me as someone who loves intelligent, mature/responsible types and “big brother” figures OTL) BUT IT'S SO HARD WHEN TWST KEEPS PULLING STUFF LIKE THAT???

Then in 2024 came the stupid Lost in the Book with Nightmare Before Christmas event 💀 which finally introduced us to L*ona in full formal attire (MY WEAKNESS) and gave him the opportunity to be in the role of the "hero" and leader... and those Nightmare Suit vignettes 😭 Leona thinking about what it actually means to be "king"... Ugh, it was another strong showing of his character. I'm pretty sure it was this event that started the snowball of my friends (lovingly) bullying me about him and calling me a tsundere about it. Weirdly enough, a BUNCH of things started happening irl to push L*ona at me too. For example, my pet (who usually actively avoids or attacks Twst stuff) was actually eager to pose for a picture with a L*ona standee. In a group fan merch order, I had asked for the bonus Grim sticker but the artist (who had no idea about my complicated thoughts on L*ona) said they were out of the Grim sticker but they had L*ona stickers they could include instead. Most recently, I had just finished this last-minute artwork of Miss Raven eating pocky by herself to celebrate Pocky Day (11/11). Typically the fan art you'd see on this day would involve two characters playing the "Pocky Game" (in which the players try to eat a stick of pocky from either end; usually it's framed as romantic since meeting in the middle results in a kiss). However, I had chosen to do a solo Miss Raven art because I thought this suited her "I want to be taken seriously!" personality better. Well, guess what? I GOT A PACKAGE DELIVERY NOTIFICATION FOR THE TWST MERCH ORDER... WITH L*ONA IN IT 💀 Almost like he heard there was food meant for sharing and he came to claim it for himself... Like I literally did NOT choose for these things to happen to me, THEY HAPPENED ON THEIR OWN. I DON'T BELIEVE IN PREORDAINED EVENTS BUT THE UNIVERSE SURE IS WORKING IN STRANGE WAYS.

So now that the tables have turned, it’s really embarrassing. Everything is coming back to bite me in the butt… It truly feels like L*ona plotted this all along and was on the prowl, patiently waiting for me to get worn down before he pounces and delivers the final blow to my ego OTL Like, it's gotten to the point where many of my long-time friends in the Twst community are now joking that "It's over" for J word... ONE OF THEM EVEN TOLD ME IT FEELS LIKE I'M GETTING DIVORCED AND L*ONA IS THEIR NEW STEPDAD, HOW AM I SUPPSOED TO FEEL ABOUT HTHAT ??????????? ? ? ????? ? ??? ? ?? ?? ? ???? ?

But by the far the worst, the WORST part about everything here is that if L*ona were fully sentient, he would be so smug about recent developments 😡 It makes me SO mad thinking about how he'd look down on me with that hot smug rage-inducing smirk of his and make fun of me for eating my words so badly.

“What was that you said about hating my guts, herbivore? … Hah, it's written all over your face--you're terrible at hiding your true feelings. You can just give in, you know. Tell me how much you worship me. How much you want me. You'll give in eventually one way or another--so why not make this easier for the both of us and save us the time of playing the wait game? I don't bite, promise." (<- a liar)

(Disclaimer: NOT MY MERCH; this is a L*ona Liker friend’s picture that they’re letting me use as a reaction image 😅)

THIS IS FR MY OVERBLOT ORIGIN STORY…

[anon-e-miss]

Broken Vows - 8

“‘M gonna go look at habs for ya when ya have a rest,” Jazz told Prowl. He avoided the glyph nap which seemed a little mocking to him. As his frame continued to integrate the delicate repairs and with a fragile self-respair systems, Prowl ran out of energy quickly and recharged off and on throughout the mega-cycle.

“Perhaps you might like to take Smokescreen with you?” Prowl offered. “He would benefit from fresh air.”

“Are ya sure?” Jazz asked.

“I trust you,” Prowl said.

“What about you and Blue?” Smokescreen asked.

“We need more rest than you, Bravespark,” Prowl told him. “I know it is not terribly fun for you when we recharge. There is a fine playground in the park your progenitor and I used to walk in.”

“I’d love to,” Jazz said. “What do ya say, Smokey?”

“Okay!”

“I’ll give ya a list o’ favourites,” Jazz offered Prowl. Prowl just shook his helm.

“I trust you and Smokescreen to select it,” he said. “You know how little I concerned myself with my habsuite.”

“A’ight,” Jazz said. “We’ll do our best.”

Smokescreen was nervous, Jazz knew. His genitor was nervous too. Jazz held Smokescreen’s servo in a firm grip as they walked down the hall and made their way to the tram that would drop them off at the metro. It was faster to drive, of course but Jazz was too nervous to drive Smokescreen and the mechling was far too young to drive on his own. Smokescreen would not have wheels of his own until he was a youngling. Sooner or later, Jazz would give him a ride somewhere but Smokescreen had already gotten lost once on his watch and he was not going to risk getting in a crash with him on their first trip off base. The media were all gone, having been chased off by the Primal Vanguard after Prime had given his speech. That did not mean there might not be opportunists who would sneak a quick shot but Jazz had a plan for that.

“I want ya to wear this,” Jazz told Smokescreen as he magnetized a small device to the collar of his armour.

“What’s it for?” Smokescreen asked.

“If anyone tries to take a picture o’ ya, this’ll scramble it,” Jazz told him. “I know yer ori don’t want yer face all o’er the news.”

“It was the same in Praxus,” Smokescreen said. “He didn’t want me in portraits. He didn’t want Blue either but he wasn’t allowed to say no.”

“‘M sorry yer Ori had to make that choice,” Jazz told him. “I’m sorry I bout’m in that spot.”

“Origin loves you,” Smokescreen said. “And it makes him sad. It always made him sad.”

“He’s got good reason, Sweetspark,” Jazz told him. “I broke his spark. I did it on purpose.”

“You were sick,” Smokescreen defended him and Jazz ruffled his helm. After everything Jazz had said and done, Prowl had excused him to their creation. It was a kindness Jazz did not think he deserved.

“Don’t make the damage any easier to live with, Bitlet,” he said.

“Hmm,” Smokescreen took a seat in the window and Jazz sat next to him. “You feel bad about it.”

“Sure do,” Jazz told him. “I didn’t know I’d kindled ya wit Prowl until I saw yer designation next to his on the casualties list. Even when I was better, I was too scared to face your Ori, even the memories o‘m so I didn’t read his letters, ‘n I lied to myself ‘bout how bad I’d behaved. I didn’t want to remember how bad I’d been. When I saw yer designation I had to face what a monster I’d been. I didn’t think I deserved to mourn ya, either o’ ya. But I needed to. I still carry the ultrasound photos he sent me.”

“Really?” Smokescreen asked. Jazz showed him the ultrasound. “I was just a blob.”

“We all start out that way.”

Jazz knew Smokescreen hoped his procreators would get back together and raise him and his brother together. It was something Jazz was a bit too scared to hope for himself. He loved Prowl dearly. With all the clarity in the world now, Jazz did not shy from this truth. The reality was, however he had hurt Prowl terribly and he had driven him away, laying the groundwork for the direction the Praxian’s life had taken. Every awful thing that had happened after could be placed at Jazz’s peds. At some point, if Prowl ever wanted to hear it, Jazz would like to apologize probably, to make sure he knew that Jazz took responsibility, that he had no excuses for everything he had said and done. He could not ask for a chance to be better for Prowl, for Smokescreen and for Bluestreak. Jazz would have to be better and to let the chips fall however they might.

“I know Origin’s originator and grandcreators were afts,” Smokescreen said. “What about yours? Origin never told me about them.”

“That’s ‘cause I never told’m,” Jazz explained. “My genitors were split-spark twins. They died in a riot in Polyhex ‘n losin’em broke my Ori ’n made ‘m go mad... sorta like I did, I guess. Me ‘n my brother, my twin split up... blamin’ different mecha for what happened. I know they’re alive but that’s all I know.”

“You got better,” Smokescreen said. “I bet he will too.”

Counterpunch had sent Jazz another of his rants that light-cycle. As always, it made no sense. There was no threat to Jazz in particular or the Autobots in general. It was just random glyphs, not even in sentences but almost just splattered across the page. Because Counterpunch did not know he had creations, because Punch had always considered his family to be his and not his alter’s, that he even had the code to the commlink Jazz had only ever shared with his family was still a bit unnerving. Talk of a mechanical spark and grinding gears, even when Jazz read it together with the other notes he had received lately, he found no meaning in it. He wondered if Ricochet got notes like these. His twin would never tell him. Ricochet had blamed Sentinel Prime for the deaths of their progenitors and the madness of their originator, in hindsight Jazz understood why. Ricochet did not forgive Jazz lending is allegiance to that prime as Jazz had blamed terrorists who had worn the Decepticon brand. Whether Ricochet called himself a Decepticon or freelanced, as had been the family business, Jazz did not know. He had not spoken to his twin in millenia and had not laid optics on him for even longer.

“This is our stop,” Jazz took Smokescreen servo and led him down the escalator and out onto the street.

It was just around the corner from Mirror’s, nearer than even Prowl’s old hab and been and a short walk to the park. There were other habsuite on his list to look at but if this one was even close to as good as the ad had suggested, he thought it would be perfect. Smokescreen, of course, would be the one to cast the deciding vote. The property manager shook Smokescreen’s servo after he shook Jazz’s and that was a point in his favour. There were lots of families in the building, or so said the manager and that was a point for the building. No one had lived in the habsuite for a while so it was a completely blank slate. Imagining how it might be set up was not a problem to Jazz. He laughed as Smokescreen ran about, checking every room. The mechling definitely needed sometime in the park to release some energy.

“This room for Origin, because it has a pretty view,” Smokescreen pulled Jazz along for a tour. “This room’s for Blue because its right next door. This rooms for me and this rooms for my grandori and uncle when they come to visit.”

“He’s so sweet,” the property manager said. “And so well behaved.”

“His Ori gets all the credit,” Jazz replied.

“Origin’s going to love it,” Smokescreen declared as they left, key card stored in Jazz’s subspace. As Jazz was an officer in the Autobot Corp, the property manager was quick to sign the habsuite over to Jazz, even having never met the principle tenant. Security was good, it would be better when Jazz added encryptions to the lock. Smokescreen had picked a good room for Prowl, it had a few of the park. He would love it.

“He’ll love that ya picked it for’m,” Jazz said. “How ‘bout we go to the park now ‘n ya can run ‘round like a wild mechanimal?”

“Okay!”

“And who is this?” Jazz jumped. The voice was husky. He knew without looking that it belonged to a wispy femme about his originator’s age.

“Dipole!” Jazz exclaimed. He had met her when she had returned from burying her progenitor. The funds that had seen her get there had been stolen and Prowl had hunted the thief down and returned them too her.

“I’m Smokescreen, Ms Dipole!”

“You look just like your Origin, doin’t you?” Dipole said. “Mirror mentioned you stopped by, to pick up a peace offering. Than she saw the news and she’s been as close to a wreck as I’ve ever seen her.”

“Mirror makes the yummy rust sticks, right?” Smokescreen asked.

“That’s right,” the femme replied.

“Prowl’s got some more healin’ to do but he’ll visit soon,” Jazz promised.

“Mirror always thought of Prowl as something of an adoptive grandcreation,” Dipole said. “What with him being all but orphaned.”

“Can we say hi?” Smokescreen asked.

“Uh...” Jazz thought on it. “I don’t want to take the wind outta yer Ori’s sails, Bravespark.”

“Eh?”

“I thought yer Ori outta be the one to introduce ya to Mirror,” Jazz said.

“He won’t mind,” Smokescreen said. “Especially if we bring more rust sticks. And... if Ms Mirror is worried about Origin, she’ll feel better and Origin’ll feel better knowing she’s not worrying anymore.”

“He is very clever,” Dipole said.

“All credit goes to his Ori,” Jazz replied. “Okay, we’ll say hi to Mirror.”

“They were really buried for vorns?” Dipole asked, softly as they headed to the bakery.

“Yeah,” Jazz replied.

“Mirror wouldn’t look at the casualty list,” Dipole explained. “After he said goodbye, she always figured he’d come back. She said he belonged here and not in Praxus but... well he never came back and then Praxus was gone. She didn’t want to know because if she didn’t know than she could imagine he was well, wherever he was.”

“I promise he’s okay now,” Jazz said. “He thought Smokey outta get out ‘n get some exercise while ‘m ‘n the bitty rest more.”

“It’ll be good to see him,” Dipole said. “He was always one of Mirror’s favourites.”

[the-100-days-of-junkan]

Day 42

Colors! THEY RETURN! This one was inspired by two things.

Thing number one, I really, really, REALLY, REALLY do not like Mikan’s Anniversary Outfit. Junko's? Amazing. Mikan’s? It fills me with unbearable sorrow, why did they do that to her. I generally try to live a life of positivity instead of bitching 24/7. I’ve had people assume that I just like everything, however I do feel hatred, I just choose to not make that everyone else’s issue. That said, I cannot pretend that looking at this outfit on Mikan makes me very mad.

So I tried my own take. Admittedly feels too simplistic compared to some of the other designs, however I still feel happy with it. The primary inspiration was Mikan’s own hair along with her bandages. A dress that wraps around her, all purple of course, throw in some jewelry and my desperate attempt at fancy shoes, and you’ve got a cute Mikan dress.

The other inspiration for this is another VanadisValentine Fic! It’s been awhile since I shilled for her work.

The Marvelous Makeover of Mikan Tsumiki

An absolute classic of Soft Junkan, in my definitely unbiased opinion at least. I didn’t go the whole way giving Mikan a haircut or makeup and all that jazz, I simply wanted to put her in a nice dress courtesy of Junko. But the vibe was definitely inspired by that fic rest assured.

Another fun fact, well not really fun. This is another pic I edited after the fact, not for colors, I did in fact color this from the getgo. However when looking back on this art I really did not like how i drew Junko. I made her chin look fucking awful. So I edited it to make it actually look nice. So now the only way to see that original version is through a (of all things) Jujutsu Kaisen meme video made by a friend of mine, EpicLinkSam (enjoy that completely dead tumblr account link). Below is the video, and further below is the individual images making the bulk of the vid.

and yes that is my voice. someday i will voice train.

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

This is the closest you're getting to a sneak peak at a future day btw.

For context the Junkan Folder, where I kept everything for and relating to the project was just a thing I found funny. Because how many people just have a massive folder of just Junkan art.

I've got another Junkan meme that I can't show off yet because it has a bunch of spoilers for future days.

[xxspirit]

wow, something different for once?!1??

(He’s been on my mind lately so I wanted to draw him-)

But ya er- Ive been wanting to draw other undertale related things and take a lil break from drawing dreamberry so often

Which I’m not sure what this other undertale stuff is yet exactly so requests are open yayyy!!!!1🎉🎉

I did kinda lie- I do have ONE more dreamberry art I will post(probably the next thing I’ll post after this one) since I’m almost finished with it, but then I’ll be prioritizing requests/asks after that :]

[autism-swagger]

Various Quakes I drew while thinking entirely too hard about alien/human hybrid physiology.

Reblogging is better than just liking.

[ohitslen]

College (uni??) AU catering to my own interests as it should always be hehe :)

[beatriceportinari]

Another year, another outfit to die in! Happy birthday again Izuna!!!!!!

Like last year, I played with someone else's lines for these charming patterns, thank you so much Lena @elhnrt ! I had a ton of fun :D

Check the readmore for pattern references and explanations, there are some easter eggs in there :)

(x,x,x,x)

My goal for this piece, in addition to playing with patterns and textures and adding some Naruto references, was to add as many death flags as possible.

The idea of having Izuna in a fireman's coat is obviously not from me. I've always like the idea of Uchihas in fire resistant clothes, and the opportunity for a thick texture alongside a reversible double pattern is very appealing. I used the image of the second reference as a base, with skulls on one side and stylized lightning patterns on the other (visible inside the sleeves and collar). Both were common immagery of firemen coats.

The actual skull pattern is taken from the third reference. I'd seen this one before and before even learning anything abt it it was too beautiful to pass up. Those white and navy gradients are absolutely delightful and I enjoyed using my gel pens for them very much.... This particular type of imagery with skulls and bones in a field is called Nozarashi, inspired by Buddhist representation of death and transience.

The lightning pattern itself is a reference to water and lightning dragons :) Like Tobirama's iconic jutsu, it's one of the hints of what's abt to happen to our little guy. The scabbard is also decorated with dragon motifs for the same reason.

The background pattern is taken from the first reference, another fireman's coat with an illustration of Raijin, the thunder god. He is often representated with drums decorated with tomoes. It works nicely as a standard looking sharingan illustration, with a reference to Tobirama's hiraishingiris with the thunder imagery, like the thunder patterns inside the coat.

If you're interested in this I recommend the book linked in the second reference! It is entirely about skeleton motifs in japanese clothing of the early 20th century.

[sysig]

Pretty clothes for you! ✨ (Patreon)

[fuck-john-calvin]

Team give lyfrassir edda tentacles. Not in a horny way. I mean, sure if that's your thing, but that's not what the point of this post is. the rainbowed hair, blood, and eyes are cool and all but I need something a little less pretty bifrost glow-up and a little more I-got-turned-into-an-eldritch-monstrosity-and-can't-go-out-in-public-anymore.

Not full on monster level (though bonus points if they have a barely even human-esque form when they're angry or using their powers). I want them to still be decipherably humanoid, or recognizable by someone who'd met them before all this. but something that could conceivably be achieved by a cosplay is not enough for my hp Lovecraft body horror needs. my ideal post-tbi lyf design has become the subject of several drastic urban legends simply by walking around the street and not interacting with anyone.

so yeah. give the fricker tentacles that don't go away and are a nuisance to find clothes to wear with. make Marius find them pretty even when the way they've been changed isn't conventionally attractive. Please reblog with any personal hcs you have about their cosmic horror appearance that are a bit more screwed up than the norm, lyf edda is my barbie and I like dressing them up in nuclear chaos lmao

[bassicallymaestra]

My Hogwarts Legacy MC ✨Serena Kosmos ✨

[chasingthewesternsun]

Pls accept my doodle annotations from the first ascendancy book v_v

(Ch. 13)

[starflungwaddledee]

🕰️🩷🧋and 🥘 for starstuck Dee please and thank you.

[ >>> kirby oc ask meme <<< ]

🕰️ (Clock) - What would a Dreamy Gear version of them look like? What sort of accessories would they have? What kind of role do they play?

well i couldn't resist drawing it once i'd thought about it, so here she is! still pretty recognisable, but i think that large elements of her story and the suspicions surrounding her would be different, due to the fact that waddle dee/bandee is usually the one and only waddle dee. i think she'd still be found in a meteor crater at the edge of town by meta knight, but i think this time he'd bring her to bandee instead of president dedede, mostly due to the clear visual similarities. bandee would take her in instantly, and she'd follow him around the mechanic shop, learning to tinker and serving as his glorified assistant. learns to make really good apple tea instead of being a friendly chatterbox she would be shy and selectively mute, speaking out loud exclusively to bandee. though she still forms relationships with kirby and meta knight, i think that sadly in this world president dedede would frighten her, despite how highly bandee thinks of him 😭 at meta knight's suggestion, after he finds her squinting skyward on the roof at night a few too many times, she makes herself a pocket telescope for looking at stars and surveying the weather. she uses it to give bandee reports, which he discretely passes on to kirby and dedede for their races.

🩷 (Pink Heart) - If they were a Dream Friend, what would their moveset be like? How much HP do they have? Would they be a strong attacker, or would they take on more of a support role?

she would be a support role for sure, but i also can't resist also giving her some specialised abilities... > hp: small health bar, but practically immune to damage. will still die in insta-kill scenarios like lava or crush blocks > basic attack: if bandana waddle dee, meta knight, or king dedede are on the team she'll get a simple swing attack with a toy/training version of their weapon. if at least two are on the team, it's upgraded to an attack with a three-swing combo, and she'll alternate at random between which weapon she pulls > basic support: drawing magic from the environment around her or other allies or enemies present, she can give a wide variety of power effects. i previously said she'd give blustery and i stand by it, because even if there are no other elements around there's always air, but i think she could give the others too. she cannot attack with any of these herself > healing: under CPU control she'll focus on running ahead to pick up heal items, and bring them back. if everybody has full health, she'll actually store the item and bring it out later whenever anyone gets below half health; tdlx bandee style > meteor shower: this is a charge attack that starts with a 3 minute cooldown. after charging, she can use it by jumping in the air and pressing a multi-button combo, to avoid accidental activation. this is a full screen, crash-like attack with a shooting star visual, similar to team meteor. all on screen enemies defeated, and most bosses down to at least 1/3 health. > downed: unfortunately after using the charged attack she will drop her inventory, pass out, and need to be piggy backed for about 5 minutes if you want to keep her on the team (walking over to her will activate a 'piggy back' bar instead of the standard 'revive'). she cannot heal or give buffs during this time, but can be dropped by accident or when attacked, and can take damage that cannot be healed. if she makes it she wakes up at partial health, but returns to being invulnerable while conscious

🧋 and 🥘 both answered here!

[mo-ok]

little guy saga continues this time with the biggest little guys you've ever seen 🤖

[idolomantises]

there's something so comforting about artists you admire talking about their own struggles and insecurities