#these are just examples I happened to screenshot it happens ALL THE TIME
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MY COMMISSIONS ARE OPEN!
Hello hello! I muster up the courage to open my commissions (hooray!)
All of my TOS and commission information will be in my carrd. This post is a brief summary of what I got to offer, how I do things and general things, the formatting is a bit of a mess.
A heads up that I do have reoccurring migraines that may affect my workflow and could cause delays, I will notify my commissioners if something has happened that will cause these delays!
I’m open to do both LINE ART and LINELESS style;
it will include a simple background with a block (with or without it lmk) and the character of your choosing being the main focus. I can also stylist the background as well ranging from outlines, images, pattern and other little things—detailed backgrounds won’t be available as I am still experimenting for the time being—here are some examples and the prices.
I’m also open to do commercial commissions as well! Just hit me up and we can discuss the details and the pricing depending on the intentions, and no you will not commission me that involves any form of AI training or NFTs.
So this is how the process works, once I accept your commission, I will respond back to discuss further details to get an idea on how you want to envision on the artwork. Respond time may be slow as I could be busy with personal stuff or working on other commissions (or scared).
After that, send in the payment upfront so I can get started with sketching out a few things for feedback—in this phase, you have the option to requests any changes or add ons to the work with no extra charges—after the sketches are approved, I can begin polishing the artwork (any changes/add-ons beyond the sketch phase, will be charged depending on how big of a change it is).
Once the artwork is at its final stage, you won’t be able to refund!
I can provide screenshots of the progress (in low res) if asked.
For doing ship art, i’m chill with drawing any ship as long as it’s not sus or outright criminal as hell. Character included.
I also fw crack stuff as well, i’m all for it.
Pets are a mix, I don’t mind doing it but I will decline if I don’t feel like i’m up for it.
If the wording in this post horseshit or if there’s something you wanna ask, you can ask me either on this post or pm me, I don’t bite I swear!
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I love that like, 60% of the time in A Journey to Love, two people will be having a conversation with like TONS of emotional/plot importance and then bam cut to: FIVE PEOPLE WERE STANDING JUST OUT OF SHOT LISTENING TO YOUR CONVO THE ENTIRE TIME
#these people are so NOSY.#ajtl#a journey to love#cdrama#yngs#these are just examples I happened to screenshot it happens ALL THE TIME
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I haven’t really seen any of the more recent U.S. election news hitting tumblr yet so here’s some updates (now edited with sources added):
There’s evidence of Trump cheating and interfering with the election.
Possible Russian interference.
Mail-in ballots are not being counted or “recognized” in multiple (notably swing) states.
30+ bomb threats were called in and shut down polling stations on Election Day.
20+ million votes are still unaccounted for, and that’s just to have the same voter turnout as 2020.
There was record voter turnout and new/first-time voter registration this year. We definitely should be well over the turnout in 2020.
U.S. citizens are using this site to demand, not only a recount, but a complete investigation into election fraud and interference for the reasons stated above:
Here is what I submitted as an example:
An investigation for election interference and fraud is required. We desperately need a recount or even a revote. The American people deserve the right to a free and fair election. There has been evidence unveiled of Trump cheating and committing election fraud which is illegal. There is some evidence of possible Russian interference. At least 30+ bomb threats were called in to polling places. Multiple, notably swing states, have ballots unaccounted for and voting machines not registering votes. Ballots and ballot boxes were tampered with and burned. Over 20 million votes that we know of are unaccounted for. With record turnout and new voter registration this year, there should be no possibility that there are less votes than even in the 2020 election.
Sources (working on finding more links but if anyone wants to add info, it’s appreciated):
FBI addressing Russian interference and bomb threats:
Emails released by Rachael Bellis (private account, can’t share original tweet) confirming Trump committing election fraud:
Pennsylvania's Centre County officials say they are working with their ballot scanner vendor to figure out why the county's mail-in ballot data is "not being recognized when uploaded to the elections software:”
Wisconsin recount:
[ID:
Multiple screenshots and images.
The first is a screenshot with a link and information for contacting the White House directly regarding election fraud. The instructions include choosing to leave a comment to President Joe Biden directly and to select election security as the reason.
The screenshot then instructs people to include any or all of the following information in a paragraph as a comment to the president:
32 fake bomb threats were called into Democratic leaning poll places, rendering polling places closed for at least an hour.
A lot of people reporting their ballots were not counted for various reasons.
This all occurred in swing states.
This is too coincidental that these things happen and swing in his favor after months of hinting at foul play.
Directly state that an investigation for tampering, interference, fraud is required, not just a recount.
The second image is from the FBI Twitter account that reads:
The FBI is aware of bomb threats to polling locations in several states, many of which appear to originate from Russian email domains. None of the threats have been determined to be credible thus far. https://t.co/j3YfajVK1m — FBI (@FBI) November 5, 2024
The next four Gmail screenshots of an email sent to Rachael Bellis from Chris T. Spackman that read together as follows:
Dear BELLIS, RACHAEL E., The Dauphin County Board of Elections received a challenge to your absentee ballot you applied for in the November 5, 2024 General Election. The challenge argues that a provision of the Pennsylvania Election Code takes precedence over the federal Uniformed and Overseas Citizens Absentee Voting Act (UOCAVA), which requires states and counties to permit U.S. citizens who move overseas to vote by absentee ballot for federal offices based on their last U.S. residential address.
The full text of the challenge that was filed appears below this email.
You may respond to the challenge in any of the following ways:
1. Call the Bureau of Registration and Election at (717) 780-6360;
2. Email a statement to the Bureau at Election [email protected]. Any statement you submit regarding the period during which you lived in Dauphin County, any family or connections that you still have here, and why you are now residing abroad would be read into the record.
3. Appear in person at a Board of Elections hearing scheduled for Friday, November 8 at a time to be determined in the Commissioners Public Hearing Room, 4th floor of Dauphin County Administration Building, 2 S 20d St, Harrisburg, PA 17111. The meeting is also likely to be livestreamed on Facebook on the Dauphin County channel.
Sincerely,
Christopher T Spackman
TEXT OF CHALLENGE BEGINS
Dear Dauphin County Board of Elections,
I am submitting this challenge to an absentee ballot application pursuant to 25 Pa. Stat.
3146.8(f).
25 Pa. Stat. 3146.8(f) Any person challenging an application for an absentee ballot, an absentee ballot, an application for a mail-in ballot or a mail-in ballot for any of the reasons provided in this act shall deposit the sum of ten dollars ($10.00) in cash with the county board, which sum shall only be refunded if the challenge is sustained or if the challenge is withdrawn within five (5) days after the primary or election. If the challenge is dismissed by any lawful order then the deposit shall be forfeited. The county board shall deposit all deposit money in the general fund of the…
The rest of the forwarded email is cut off.
The last image is a screenshot of the official statement from the Centre County, Pennsylvania Board of Commissioners released on November 6, 2024 that states:
Centre County Working with Ballot Scanner Vendor to Export Election Results.
(Bellefonte, PA) -Centre County Elections Office is working continuously to provide mail-in ballot data in order to post unofficial results.
To this point, all ballots have been scanned, including all mail-in ballots.
Centre County's Election team and IT team have identified that the data are successfully being exported from the mail-in ballot scanners, but that the data is not being recognized when uploaded to the elections software.
Centre County's Administrator, John Franek, Jr. stated, "We have not stopped working, and we will continue to work until unofficial results are posted and reported to the Pennsylvania Department of State."
As a next step, Centre County has begun working with the equipment vendor to adjust configurations to make the two systems-the mail-in ballot scanner and the elections software where data are uploaded -compatible with one another.
We will provide updates as we make progress.
/end ID]
#sources added#us politics#us election#presidential election#2024 presidential election#election interference#election integrity#election security#image described#image description in alt#image description included#image description added#described#kamala harris#kamala 2024#us news#us presidents#updated id
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Can I get a smau about them finding out you were a jujitsu sorcerer? Like you’ve been dating 4 years and you just casually drop it out of nowhere. Like a REALL strong one too (stronger than SUKUNA strong) ps. Let me be delusional pls😍
secrets pt. 1 -> them finding out you're actually a jujutsu sorcerer -> choso kamo, kento nanami, kiyotaka ijichi, satoru gojo, suguru geto, takuma ino
ok, first of all: thank you for this phenomenal request!!!! I love fulfilling requests, regardless of what they are because I just love interacting with you guys & sharing my writing with y'all, but it's always so fun & amazing to get a request that I'm so genuinely excited to fulfill & that inspires me as a creator, so thank you!!!
secondly: I kind of took the request & ran with it. I had a hard time coming up with a solution to like, why would they not know about it if they were dating, like that's an odd secret to keep?? So I originally planned on making this a pre-relationship kind of situation, but I have such a hard time with that, I always feel like anytime I try to create something like that it's so cringey & forced, idk??? So I'm sorry if this isn't exactly what you were asking for!
third: you'll notice the cast list for this smau is somewhat different than previous ones. I don't plan on keeping the same exact people or number of people in rotation for each post. When it comes to smau or writing in general, the last thing I want to do is force myself to create something. I typically don't add suguru to my smaus, but I felt like he really fit within this one & I had an idea for him. I didn't include any of the non-sorcerer characters because that made the most sense to me. In the future, if you'd like me to include a specific character (like suguru or sukuna, for example, who aren't in all of my smaus), just let me know; otherwise, it might be a mixed bag.
okay, fourth & final thing: this maybe only occurred to me, & if so, yay! but the whole time I was making this, I kept thinking that if this actually happened, they would probably never choose to have this conversation with you over text, & they'd probably have a much larger reaction. Those kinds of things are pretty difficult to capture in a 3-4 screenshot smau, if you know what I mean. Plus, angst is really not my bag at all; I wish it was & maybe I'll write more of it in the future, but not today.
xoxo, carlisle!
did you like it? -> here's my masterlist -> want something more? ask me for it
#jjk#jjk smau#jjk x reader#jjk headcanons#choso smau#kiyotaka smau#nanami smau#gojo smau#suguru smau#takuma smau#choso kamo#kento nanami#kiyotaka ijichi#satoru gojo#suguru geto#takuma ino
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Don't worry, you're not butting in. I want as many people to add their takes to this discussion because that way the discussion can be more nuanced and all-encompassing of different views and experiences. Thank you for joining.
And I totally agree. My main gripe with this person's approach to fandom isn't that they love certain interpretations or that they're not all that academic. It's that they put down other fans, whether directly or indirectly, by invalidating their interpretations of canon and whining about their lack of peers with comparative intellect. I can't believe I have to say this but if you have to state that you're clever, you aren't. This dismissive attitude towards anyone with a different approach to canon and the information we have is actively discouraging people from engaging in discussions of said canon (something I know Samurai cares about a lot. I've scrolled through most of their blog and their entire BlueSky and I have a lot of screenshots and links but it's past 2am so I'll have to add those tomorrow). Of course I'm not claiming anything definitely and I'd love for Samurai to put in their own two cents but from reading a lot of their posts, I get the feeling that they don't actually know what a headcanon is.
Quoting from Dictionary.com: "Headcanon is a slang term for someone’s personal interpretation of or belief about the details of a fictional story that aren’t part of the “official” account. [...] In contrast, headcanon is simply what a fan believes (or wants) to be true about a story. It can involve backstory, what happens after the story ends, or any other aspect. [...] Of course, it is possible for someone’s headcanon to become canon if such details later become part of the story or are confirmed as true in some way." This definition is corroborated by for example UrbanDictionary.com. Now, I'm not here to argue pedantics of what a headcanon is or isn't since it's not that strict a term, but I just want to point out that something which is not proven as canon qualifies as a headcanon and something that happens pre-, during, or post-canon and isn't explained in the canon material is by definition a headcanon.
I'm mentioning this because while reading through their posts I got the feeling that they harbour a certain disdain for headcanons as if they're beneath them and canon. But considering I'm extremely aware of what their fics contain by now and that they claim to exclusively write canon compliant fics, this dismissal of headcanon as almost unworthy of their time is ridiculous to me. A large part of their fics consist entirely of headcanons. Likely headcanons, sure, but headcanons nonetheless. You can subdivide into soulcanon, heartcanon, crackcanon, etc. but the bottom line is that all these add-ons to canon are not canon and are by definition headcanons.
I also want to touch on the whole ace debate. While acephobia is definitely a problem and sex positive ace erasure even more so, I find it pretty ridiculous to levy such a strong accusation against people who so much as suggest that there are other explanations of Yuuri's behaviour in canon. If there's an allosexual gay guy out there who sees himself in Yuuri's experiences and behaviour because maybe he didn't realise what he was feeling was sexual attraction towards guys and as such he didn't understand the Eros assignment, is that experience invalid grounds to interpret YOI as Yuuri's personal coming out story simply because someone else finds that implausible? Of course not.
And I want to clarify that I like the ace headcanons and am ace myself but as an ace person I can also confirm that I know literally nothing about what it's like to be allosexual. I don't know if an allosexual person might also have trouble identifying Eros because I don't have those experiences to prove or disprove this. And as an ace person too, I find it questionable that Samurai insists that they can definitively say that Yuuri's experiences make him ace. Is it a plausible conclusion? Sure and as stated I myself like this interpretation. Is it the only valid one and does interpreting it as anything else based on the same canon evidence and personal anecdotal evidence make you acephobic? No it does not.
Acephobia is a real problem that could be called out but I personally think such accusations should be reserved for cases that aren't about like a fictional anime man whom none of us personally know. Levying such strong language and accusations against people is why they don't engage with this person. They don't want to be dragged through the mud for simply suggesting an alternate approach to analysing the evidence (I have a friend who's confirmed that they've refrained from posting about certain curious thoughts simply because they didn't want to end up being criticised for a simple sharing of ideas so this is not a baseless statement. They've asked to be kept anonymous though so it's up to you if you believe me).
To reiterate: there's nothing wrong with believing Yuuri is ace-spec. I myself like this theory. But a probable headcanon is not grounds to call people acephobes or publicly demean them for simply wanting to expand the discussion. Acephobia has no home here but neither does harassment of people simply asking to consider alternate interpretations of canon. It's an anime. We're not doing C-14 dating here. There is no indisputable, empirical truth when it comes to the human experience and claiming that there is is just as ignorant as claiming Yuuri cannot be interpreted as ace. Just let people have fun with their blorbos. It's not that serious.
A totally different thing I just want to mention real quick that bothers me about Samurai too is their lack of owning up to mistakes. I very briefly pointed out a mistake in their use of Katakana in their post about the Latin spelling of Yuuri/Yuri and instead of simply acknowledging it, they silently corrected the original post (incorrectly, might I add) and then explained what they meant but not actually understanding. チ is written as chi in Latin characters. Not ch, not ti/tsi (neither of which are Latinisations of any existing individual characters in Japanese for those who don't know (excluding any combinations like つぃ or ツィ)), チ is just chi. コ一チ is just like any other loan word but I'm sure you can explain this better than I can, Rikeijo (and can point it out if I've misunderstood something). It was a spelling mistake. Just move on. Don't try to make an excuse for it. It's not that deep.
Scrolling through their posts, I've repeatedly seen this diversion from the actual criticism or issue at hand. It's okay to just be straight up wrong. Just admit it. It's not dangerous, it's actually quite admirable. It feels like a variant of whataboutism where the discussion never goes anywhere because Samurai just keeps bringing up new things that weren't part of the discussion. It's okay to bring things up as you discuss but I've seen multiple instances of this not expanding a discussion but instead falling into the slippery slope fallacy.
Again, it's past 3am now and most of my links and screenshots are on my computer so sorry about the lack of academic sources. Good thing this is just a discussion about anime and that no one is required to have a PhD in YOI to be here.
Hey, just wanted to reach out to say that I found you pointing out and calling this person was really great and you shouldn't have apologized. It was incredibly true what you said, and to be honest it seems out of touch with the reality of a great deal of the japanese fandom, the nuances and their culture. Also, it was as you pointed out, extreme and may I say rude. I want to mention too that the way it was written, as if entitled of the knowledge and the 'explanation' made it all worse in context of the 'fucked up'. The original poster always gets away by using the 'well-written academic'' statement of their 'metas' as an excuse to do or say and make everyone else agree and if not, uses victim narrative and discourses exactly selecting wording for people to agree on it or feel bad.
I don't know if they tagging you in the way they did made you reblog and apologizing/backing up, but no one thought bad about you pointing it out. On the contrary, a lot of people had been bullied and discriminated by this person when they called them out/disagreed going onto lenghts of sending their friends to harass people, and the other persons can't even defend themselves because they are effectively blocked. To quite a few people in the fandom has been done, even accusing them as 'acephobes' (when they're not) or even Nazis by spreading lies. So yeah, I just wanted to say that. I think you were right to call them out publicly.
Thank you very much for this ask. To be completely honest I agree with everything you said here and don't actually feel bad about pointing anything out. I mainly apologised because I didn't want any potentially poor phrasing from my side to cause unnecessary hostility and because I myself have gripes with this person's behaviour but didn't want to cause a scene.
My honest opinion is that they have a serious issue with taking accountability for their own mistakes and highly overestimate their own intellect. If you're reading this, @thegirlwhorideslikeasamurai, sorry if I seem harsh, but it's true. I saw your post lamenting how you're the only academic meta writer / fan in the fandom and I didn't interact then because I honestly do not care enough to start that drama but with the information Blonndiec has just given me, I think it's necessary that someone calls you out.
You're not an academic. You're not beyond the mental capabilities of other fans. You're actually incredibly childish in your metas and analyses and I am not kidding when I say that I was halfheartedly writing essays more academic than every analysis I've seen from you when I was barely a teenager. I don't know how old you are and I frankly don't care. You're not as clever as you think you are.
Also, don't think I didn't notice that you didn't reblog my correction (link here to my correction and here to their "response" for those who didn't see that exchange) of your post so that you could control what your followers saw of the exchange. You're the opposite of an academic. You control information to tailor the narrative, you don't cite your sources properly if at all, you don't format your posts in anything close to how an academic analysis would be, you make unbased claims, you reference posts and canon material without in any way indicating where that information is from, you reference your own (equally unacademic) metas and your conclusions from them without indicating what post it's from or that it's your own theory this new one is based on and instead present it as a common fact, and I could go on and on and on. Your posts are also riddled with logical fallacies and you talk in absolutes and opinions when there's no canon basis to claim such things. I'm sorry, but that's not academic in the slightest.
To be clear, you don't have to be an academic to post on the Internet. You don't have to be anything at all. You could up front be a genuine idiot with no remorse and that's fine. But when you claim to be an academic and also put down the rest of the fandom for not being on your level, you have to be able to back that up. It'd still make you sound like a prick but at least your arrogance would have a basis. It currently does not.
I haven't personally seen the discussions that Blonndiec is referencing and I'm not going to claim anything definitive (because that would be unacademic of me, take notes) but if what they're saying is true and did happen as described, which I have empirical, if anecdotal, evidence to believe could very well be (a friend of mine has personally been blocked by you after they criticised you without actually mentioning your name which I of course can't prove is the reason for the block but the timing is awfully convenient), you should know that you should be ashamed of yourself.
If there's context missing, feel free to enlighten me and call out any incorrect accusations. You have every right to defend yourself. However, I encourage you to cite your sources since you're such an academic. If you don't, then it's just your word against Blonndiec and anyone else who might comment's word and that doesn't prove anything. Don't misunderstand, acephobia and nazi rhetoric should absolutely be called out but only if it's actually happening. False accusations can ruin lives. I hope you know that.
I'm not a fan of calling people out publicly and, again, thank you for this ask, Blonndiec. But considering many of the issues I've personally seen and those I've been informed of by second hand sources were posted publically, I don't really feel bad about calling this out. I could do a full breakdown of just the insulting "academic" comments alone and how there's no academia to be found in said academic metas and, Samurai, if you give me reason to, I will show exactly what I mean point by point (and academically just to give you an example of even low level academia).
If you respond to this, do it in a reblog. That's what a real academic would do. If I'm wrong and you can prove it, you'd have no reason to not show my post in your rebuttal. If I'm right, you'd have every reason to be upfront about your mistakes and how you intend to rectify them. There's nothing wrong with being wrong but there's a lot wrong with refusing to admit to it in a way that lets others peer review you (academic thing, look it up) and come to their own conclusions about the situation. That's what you did when you just @'ed me instead of reblogging my response. A true academic wouldn't hide a peer review. You'd know that if you were one.
I swing in many academic spaces and yet that doesn't make me any kind of expert and I don't claim to be one because I'm not. But since you want to be one so badly, reblog this with a response and show us all how smart you are. I'm dying to know what your academic take on this is.
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On stars, guardians, and Rain World’s cosmology.
One aspect of Rain World lore that’s asked about quite a lot but normally never gets satisfying answers is the topic or Rain World’s space/universe/cosmology. Despite first impressions though, there’s a lot more it than meets the eye, so I thought I would compile most everything we know about it.
For one, to get it out of the way, Rain World isn’t on a planet, and its universe is fundamentally different from our own. This is something Joar has talked about on occasion.
He also said on an earlier dev log how Rain World functions more like a fantasy world where it doesn’t hold much relevance than a real sci-fi like planet.
“Oh, another thing - Rain World isn't a planet lol Cheesy Or I guess it might probably be on a planet, just as Lord of The Rings, Sex And The City, Zelda and Frankenstein's Monster are probably technically on a planet, but just as in those examples the planet aspect isn't really relevant at all. Rain World is more of a fantasy world or a dream world, not somewhere you can go in a space ship ~”
But even if it’s not incredibly relevant, it’s clear a lot of thought was put into Rain Worlds fictional cosmology, this was even mentioned by James.
So, that being said here's what we know about Rain World's cosmology in game.
The biggest indicator of Rain World's unique cosmology is that the Farm Arrays deep pink pearl just mentions celestial spheres, which are aspects of older cosmological models.
"This one is just plain text. I will read it to you. "On regards of the (by spiritual splendor eternally graced) people of the Congregation of Never Dwindling Righteousness, we Wish to congratulate (o so thankfully) this Facility on its Loyal and Relished services, and to Offer our Hopes and Aspirations that the Fruitful and Mutually Satisfactory Cooperation may continue, for as long as the Stars stay fixed on their Celestial Spheres and/or the Cooperation continues to be Fruitful and Mutually Satisfactory." ...May Not as long as the Stars stay fixed on their Celestial Spheres Grey Hand, Impure Blood, Inheritable Corruption, Parasites, or malfunction settle in Your establishment."
More subtly, there's also a mention of the ground colliding with the sky.
"If you leave a stone on the ground, and come back some time later, it's covered in dust. This happens everywhere, and over several lifetimes of creatures such as you, the ground slowly builds upwards. So why doesn't the ground collide with the sky? Because far down, under the very very old layers of the earth, the rock is being dissolved or removed. The entity which does this is known as the Void Sea."
You could chalk this line up to flowery language, but considering the presentation of the rest of the dialogue, it sounds more like an actual aspect of this world.
We know from the Chimney Canopy echo that the sun rises.
"From within my vessel of flesh, I would perch upon this spot to observe the rising of the sun."
And from the top of The Wall we can see the moon and stars (confirmed to be stars by Joar in the previous screenshot, instead of satellites or something else) , which are green!
So, what does this all mean? I think we can entail a few things with what they've given us.
For one, the mention of the ground colliding with the sky implies some sort of firmament, which isn't an unusual concept in the general realm of celestial spheres.
But on the topic of celestial spheres, the pearl actually isn't the only place we see the concept. Guardian halos are very similar to depictions of celestial spheres, and also astrological clocks.
You can make of this as you will, perhaps the astrological references being tied to guardians could hint at the nature of karma, but there isn't much to really delve into that idea.
For what it's worth, celestial spheres are also core concepts in Gnosticism, which Rain World is heavily inspired by. I explain it more in this post about Void Worms, but for a quick synopsis in Gnosticism there are seven planetary spheres, and an eighth above them; the planets and stars are fixed to their spheres. These things just further cement the fact that celestial spheres seem to be a key aspect of Rain World's cosmology, and it would also likely imply it's universe follows a geocentric model.
For a bit of a more out-there theory, people have pointed out how the view atop the wall stretches really far, going far beyond what we could see on a spherical planet like Earth, which has led some to theorize that the world is also flat.
But what is probably the most important aspect of Rain World's cosmology is the nature of dust. Dust builds up, and the bedrock of the world is eaten away at by the Void Sea. Civilizations rise and fall into the sea as new ones are built above it. Many, including myself, believe that the world exists in a sort of state of equilibrium. The world is dissolved from the bottom, then that falls back on the world as dust; even in the final moments of the game we see dust suspended in the void sea depths.
And hey, even void worms are described as being star-like.
"Oh, interesting. This is a diary entry of a pre-Iterator era laborer during the construction of the subterranean transit system south of here. In it they describe restless nights filled with disturbing dreams, where millions glowing stars move menacingly in the distance."
Cyclical, recursive, something else entirely? We can never really pin down the true nature of Rain World's cosmology, but the things we do get hint at something strange and unique. It's such an interesting aspect of the lore, and it seems like Videocult will continue to make mysterious cosmologies in their future projects...
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I dont know if it was intentional but I love that Narinder when he sees Lamb throwing up he turns gentle and pushes their wool and ears back so they dont get stained with vomit and for some reason it reminded me of how when Nari was throwing up too after the nightmare he had when they were on route to fight Leshy, Lambert helped him with camellias for the nausea.
Ahh, parallels. I think.
IM SO GLAD YOU POINTED THAT OUT allow me to ramble for just a moment.
Narinder was trapped in the Afterlife for over 1000 years, with little social skills and plagued by wishing for vengeance and his only company being two kittens who become disciples under his rule. He has terrible social skills, if not lacking them entirely.
(I would argue that Aym and Baal also have horrific nonexistent social skills, so those three cat's can't really help each other communicate properly to anyone else outside themselves.)
It can be argued that since The One Who Waits had other vessels to pass time and try to kill /annoy his siblings before the prophesized Lamb arrival, that he would have developed them a little bit more, but I would argue that the power balance would have been oodles more severe since the vessels weren't the promised one. He didn't need them, so if they no longer were of service or disobeyed him, he got rid of them. Whether just sending them out or killing them, any how.
Lamb, however, knows they are the last Lamb, the prophesized liberator of The One Who Waits, and therefore his only option. They knew that they were his only reasonable way out of there (whether they asked for it or not) so they were oodles more comfortable than how a professional relationship would have been.
So they asked questions, bothered him, played and ran around him. Complained and vented to him. Yapped and yapped. What is he gonna do? Kill them? Find a new vessel? He can't. "You're as trapped into this prophecy as much as I am, so let's be friends"
Example parts from Chapter 3:
The power balance equalizes because Lamb did not see his presence a God, but rather a fellow prisoner and victim of fate. Rude and demanding, but in the same chains as they were. 'My lord' was simply formalities at first.
This puts Narinder / The One Who Waits in social situations he hasn't been in (or hardly been in) in over a thousand years, and frankly, he had no idea how to navigate them:
Example from Chapter 5:
The God of Death has not needed to comfort or 'be there' for someone in a long, long time. The Lamb's presence is what forces him to try, even if his first attempt aren't perfect. So in that same chapter, he'll ask them a question to distract them. Conversation. Like how they do it.
While I won't post a screenshot of everytime this happens in written format (not including the dreams/memories/flashbacks that haven't been posted yet)-
The One Who Waits is pushed outside of his bubble when it comes to socializing in a way that isn't just 'God-to-Lowly-Vessal' format. He has to talk to them like a person, because he's being talked to like a person, not a god on a pedestal.
Obviously after the final battle and betrayal (to both of them, otherwise known as the Grand Miscommunication) this means nothing for a while as tempers are still high and feelings are hurt. But overtime, this returns, and can show in small ways (ways that may not seem like comfort but is certainly an attempt) like just in Chapter 18:
Trying to bring them an 'offering' (breakfast) mirroring other times the Lamb has done the same for him:
Crudely offering to replace something they are upset at losing/later offering reassurance abet in a curt way:
And what you mentioned: earlier when the Lamb is throwing up, narration shows they're having trouble with keeping their wool, cloak, bell, ect all back at the same time. He can see that. He has a mental boiling pot explosion over the fact that helping them is even a want that he has after the denial crisis he's experiencing where the only answer a minute ago seemed like he needed to kill them, and he chose comfort.
It is intentional. Narinder is learning how to show care, and allowing himself to show care. Slowly, and not perfect, but learning.
#trod au#the rehabilitation of death#ramble#long post#apologies for the spew of words#there are other small instances in the fic outside of chapter 18 where he shows a little#but it's going to just get more and more noticable from this point on#with a lot of his behaviors he honestly needs to be smacked with a rock (deuragatory) /j#but the lamb does not take his shit and doesn't react in explosive anger#a 'be kind but take no shit' kind of vibe that has narinder put in a spot where he has to actively choose#whether the consequences of his actions is something he really wants or if he Wants Something Else
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we need to talk about Inprnt.com
Following a really good post with more screenshots and evidence by @dynasoar5 i'm going to talk about my own experiences with @inprnt and why I am about to put my shop on indefinite hiatus from Monday the 14th of August.
First of all I'll say that since starting my print shop last year it has been a significant help to me financially - I was able to not worry about affording car insurance or motor tax (together commonly over a thousand euro) when I bought my first car, for example. I am immeasurably grateful to anyone who chose to buy one and I treasure all the pictures I've been sent of my prints hanging up on people's walls. Right now they are displayed in a real (if small) art exhibition in my home town.
(top right print is not from inprnt though)
They're great prints. Never had any complaints about them. But here's what's going on behind the scenes.
Earlier this year, around March or April, Inprnt sales started increasing in regularity. I'd made as much as $600 a week during previous sales when I made proper promo posts here, but with this increase in regularity, I felt that I couldn't make promo posts every single week. And then one day, I'm not sure when tbh, the sale just never ended. It just didn't stop having that "Ending soon! 15% off your order" banner at the top of the site. Right now it says "Final Hours: $5 Worldwide shipping and save up to 35% off your order!" and not even for a second do I believe in this final hours bullshit. It's been 'final hours' for weeks now. Months, even.
Why is this a problem? Well, how tf am I meant to make a promo post for a sale that is always "ending soon!!" and then never ends. One week it'll say "this weekend only!!" and then when the weekend is over, the sale banner just changes its wording and the sale doesn't end. I can't promo this, it makes me look like a liar and a skeevy salesman by association! It makes the site look like it's 1 week from crashing and burning, and the site owners are just scrabbling to suck as much money from artists as possible before they drown.
And they are sucking money from us. To peel back the curtain, Inprnt money can only be transferred to my paypal account 30 days after the sale is made, just in case the order is cancelled and refunded. This means I used to make one withdrawal every couple of months, when there was enough build-up of money to make it worthwhile. It also forbids withdrawing any sum under $50 btw. I would make a withdrawal request and then, after a 10 business day wait, it would reach my Paypal account.
Not anymore! The past few withdrawals have taken over a month to complete. They are straight up keeping my earnings from me for longer the agreed period. This was my last fulfilled withdrawal:
Note the date.
Almost two months.
And here is the latest withdrawal request that still has not been fulfilled.
It's coming up on 1 month and if the pattern continues, it could literally be November or December by the time I fully clear all sales.
So what's going to happen to my print shop? Because my art is currently being exhibited with a QR code linking to the shop, I can't close the shop this week. Instead I will close it on Monday the 14th of August, next week. That means that on the 14th of September, I can withdraw all of the remaining money without having any left over. My account balance will go to 0 and stay there. Although I'll de-list my prints I will leave my account there, because at the end of the day I don't want to leave Inprnt. It still offers the best artist margins and as I'm now unemployed after graduating, the additional support is such a load off my mind. So this is a chance to wait and see - if they improve their services, I'll happily re-open.
It's a big deal to me because selling prints is sort of my ideal life as an artist. I never had the attention span or self-discipline for commission work and I found that it left me creatively stagnant. I always want to try new things, new concepts and ideas, and being able to think "yeah, people will like this as a print" while I experiment is honestly very reassuring. And I know that in going on hiatus, it'll break a lot of "buy a print" links in my circulating posts. Oh well lmao. If you want to buy a print right now - go ahead, it might be your last opportunity. Another way to support me would be to check out my ko-fi for once-off donations or some nice sketchbooks/comics/book samples you can buy, or subscribing to my Patreon.
As of right now, Inprnt owes me $381 (the unfulfilled request submitted above for $186.60 and my current standing balance of $194.80 which takes 30 days from each transaction to clear).
#it's so god damn insulting u know. even redbubble threw its shitty payouts directly into my paypal asap#inprnt
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Toph Beifong doesn’t hold up as disability representation - Disability in the Media
[ID: A screenshot of Toph, a twelve-year-old girl with black hair in a loose, green and tan short-sleeve shirt and shorts, cheering in an arena. Next to text written in a rough, blocky font: "Disability in Media - Toph Beifong Doesn't hold up as disability representation" /End ID]
Avatar the Last Airbender is one of my all-time favourite TV-shows, and Toph is still easily one of my favourite members of Team Avatar. I was a few years younger than Toph when the show first started airing, and being a disabled kid who was into martial arts, constantly being dismissed by my able-bodied opponents and teachers, meant that I connected very strongly with her right from the get-go.
But upon my last couple of rewatches of the series, I began to come to the realisation that my opinions on Toph as a shining example of good disability representation were... well, pretty heavily influenced by my nostalgia for the show and that many aspects of Toph's character just don't hold up today. Which, honestly is fair, the show is nearly 19 years old (if it were a person in my country, it would be old enough to drink) and I think it's pretty ridiculous to expect every part of every character from an 19 year old show to age well. So today I wanted to talk about the things I think Avatar the original Last Airbender did right with Toph, where I think they missed the mark, and what changes I think would need to be made to Toph to make her work for a modern audience.
So let's start with why I think Toph doesn't really hold up as "good disability representation" today, and the elements of her character that just haven't aged as well.
For me, one of the biggest issues I noticed upon rewatching the show, is how often we are told (often by Toph herself) that she is blind, but how infrequently we are actually shown it's impact on her life beyond her bending or outside of jokey contexts. Outside of her bending, we only ever see her blindness impacting her ability to do things like read or write, otherwise, she functionally has full vision -so far as the audience is informed - with the only exceptions being when she's in the air or water (e.g. on Appa or in the submarines) or in loose soil (e.g. the desert). Having places and circumstances where she doesn't have access to her power that allows her to "see" was a step in the right direction, but I do think it would have been better if her seismic sense wasn't quite as accurate, even in the most ideal of circumstances.
But why? Well, I think Suki explains it really well, long before Toph is even introduced. when Sokka says "I should have seen you as a warrior instead of a girl" Suki stops him and says "I am a warrior, but I'm also a girl". Being a warrior and a woman are both important parts of Suki's character, and only recognising her as one or the other means ignoring a big part of who she is, and the same is true for Toph. Being blind is a big part of toph's character that has informed a lot of her life, but so is being a warrior and bending master. Many people see Toph as a warrior or fighter, but ignore her disability, but both are important. She's disabled, and a warrior, and those things don't cancel each other out, the same way being a warrior doesn't diminish Suki's status as a woman.
When the show was still airing though (and even still today) it was very common to see non-disabled fans of the show exclaiming that they honestly forget that Toph is even blind sometimes, with many people going so far as to say that she's not even disabled (and that this was a good thing). While I do think some of that comes from the fact they weren't used to seeing a disabled character as both disabled and an active participant in these kinds of stories, I do think this mostly happened because of the show's lack of, well, showing the impact of her blindness on her daily life and allowing her earthbending and seismic sense to erase the effects of her disability to some extent. It's much harder to forget a character is blind when it impacts their daily life in ways that are shown to the audience. This doesn't have to be in big, showy ways mind you, showing things subtly but consistently works way better than one "very special episode" type setup.
In the show as it is though, the seismic sense functionally gives Toph a perfect image of her surroundings until it's just not available anymore for *plot reasons*.
[ID: A black and white shot of Toph and how she sees the oponent she's fighting, with shockwaves radiating from him towards her to indicate how she's interpreting the scene. Her foe has jumped into the air and now has his hand dug into the ground of an arena, about to launch rocks towards her. /End ID]
In many ways, her picture of the world is better and clearer than what the non-disabled characters can see, leading to this feeling of her disability being erased. It may have been better though if the seismic sense could give her a general idea of big things in her immediate vicinity but she still missed the finer details, functioning at least a little bit more like a tactile/earthy-vibration version of the limited sight some legally-blind people have in real life. Things like a person's position, movement and overall pose would still be "visible" to her in a general sense, as well as big things in the environment (including things underground, since there are a few plot-points that require that), but smaller things like details about objects and creatures, people's facial expressions or what they're doing with parts of their body that have no direct contact with the ground (like their hands) is less clear. On top of this, she may struggle to detect smaller, lighter objects or creatures that realistically wouldn't cause much of a vibration at all. creatures as small and as light as Momo and Hawky for example might be detectable, but "fuzzy" to her, and anything smaller might make enough of a vibration to tell her it's there when it moves, but not enough for her to be able to tell what specifically it is without some other cue (such as sound). There are a few moments in the show that seem to imply this is what they were initially going for, but it's not really consistent, and is directly contradicted in her debut episode, "the blind bandit" when she explains that she can even "see" something as small as the ants off in the distance.
[ID: A shot of Aang, a twelve-year-old bald boy with an arrow tattoo on his head, dressed in a yellow and orange outfit, standing with Toph at night. In the foreground is an anthill will a trail of ants, which Aang is looking for. /End ID]
With an adjustment like what I'm suggesting though, she still serves her narrative purpose of teaching Aang the importance of being able to wait and listen - possibly even more so, as her needing to wait and collect more information in order to get a clearer image before striking, would back-up what Bumi tells Aang that he needs in an earth bending master. It would also still help to illustrate the connectedness of the world, a theme Toph continues to embody heavily in The Legend of Korra, while still showing the ways her disability impacts her more frequently.
When I talked about the "super-crip" trope a while back, I mentioned that one way to avoid the more harmful elements of the trope (where the character's disability is erased by their powers) is to use the ability in question more like a mobility or disability aid than a straight-up cure. The power should help them, but shouldn't make their disability redundant. People are creative and we would find ways to use a superpower or magic to help with our disabilities if it were available in real life, but what's the point of including a disabled character if you're just going to functionally erase their disability? For a character like Toph, I think this is the kind of approach that should be taken with her. Her seismic sense still helps her, but it's not a perfect replacement. (Ironically, I did use Toph as a "good" example of that trope, but I do think after this last rewatch, for the reasons I'm discussing here, I might have to backtrack that a bit).
I considered giving an alternative approach here, to keep the sensitivity of toph's seismic sense as it is in the show as is, but giving it draw-backs such as making her susceptible to sensory overload similar to what autistic people experience. However, while replacing one disability with another can work for some characters and stories, I don't think it's the best adjustment to make for Toph or any blind character, largely thanks to this also being a trope. The "blind (or d/Deaf) person who's other senses become super-human to make up for it" trope is very common in fantasy, sci-fi as well as older martial arts films, and while I'm not really the best person to cover it, I do know that members of both the blind and deaf communities have expressed a lot of frustration with it. Toph already falls into this trope quite a bit, and any suggestions I could make would have just dialled that element up to 11, and fixing one problem with another is never a good idea.
Another thing that actually did bug me for a while, even before my most recent rewatch of the show, is how Toph is treated on the rare occasions she does point out something won't working for her. There are a number of times where Toph advocates for herself and points out that something The Gaang is doing isn't accessible to her or sets a boundary to do with her disability, and she's either left behind, her concerns are brushed off or she's ignored entirely. The three most noticeable examples of this are in the Episodes "The Ember Island Players," "The Library," and Toph and Katara's segment of "Tales of Ba Sing Se."
In the Ember Island Players, Toph complains that the seats they have for the play are too high up and too far away, and she's unable to "see" what's happening on stage. Her friends don't really take any notice of her though except for Katara who tells her not to worry, "I'll tell your feet what's happening."
[ID: A shot of Katara, a fourteen-year-old girl with long brown hair and blue eyes, sitting with Toph, who is sitting with her arms crossed, annoying in a theatre seat. Both Toph and Katara are wearing red and gold, fire-themed outfits. Katara is looking at something off-screen. /End ID]
My problem here is that this particular kind of situation is something that is familiar to a lot of disabled people. Even the least independent disabled people I know get annoyed when their access needs or requests for accommodations, even among friends, are ignored and their pushback is brushed off with "don't worry, I'll just help you!" It's one of the first things that many disabled people tell non-disabled folks wishing to be better allies to us: you offering help instead of actually accommodating us isn't a good thing. We don't want to rely on others if we can avoid it, because honestly, non-disabled people often aren't very good at actually helping or in this case, relaying information to us without training and more often than not, it just results in us being left out. I find it very hard to believe a character as independent as Toph would accept that without any protest, especially considering that is pretty much exactly what ends up happening (even if the show didn't really acknowledge it). Katara never actually conveys anything about the play to Toph, except when she's attempting to throw Toph's words back in her face when she asks for clarification about the actor playing her - which ends up backfiring on her.
[ID: A shot from the same location as before, this time Toph has a huge smile on her face and is leaning on the balcony excitedly while Katara is leaning towards her, annoyed by her reaction. /End ID]
While it would have been better if Toph was actually listened to, it would have been…fine? if a justification was given for why they had to sit there (e.g. to avoid being recognised), if Katara had actually described the play for her. This wouldn't have been ideal, but it would have been better at least. In real life, many movies, TV shows (including this show's sequel series, The Legend of Korra) and other forms of visual media have an Audio Description track that does exactly that. If they weren't going to move for Toph to be able to see better, having Katara describe the play could have introduced kids to the fact this is an option. but instead it's brushed off, and I'll admit, it left a bit of a bad taste in my mouth, even back in 2006.
The Library is a bit more forgivable in my opinion, since Toph is still new to the group, but in this episode, she states that she doesn't want to go inside the spirit library because she isn't able to read and therefor there wouldn't be anything for her to do. However, it still would have been nice to see her friends consider this at all before they actually arrived. They could have (and should have) still gone, but some acknowledgement that they at least thought about the inclusion of their disabled friend would have been nice.
[ID: A shot of Aang, Katara, Sokka and another man are talking while looking down at a map on the table. Meanwhile, Toph is sitting on the other side of the table, completely disinterested as she sips from a large ice cup with her feet up on another chair. /End ID]
Alternatively, I do feel like Wan Shi Tong, a self-proclaimed all-knowing-spirit or his assistants would have been able to point her in the direction of something to interest her, since he does imply books aren't the only form of knowledge he collects.
The reason I mention this though is two-fold. In real life, disabled people are very often left out of "fun" group activities, whether that be in formal settings or in casual ones, like hanging out with friends. If the episode had been framed as "the Gaang learns about the library and decides to track it down," I might have been less critical, but it's specifically framed as something that at least starts out as a kind of break for the team where they all take turns picking out fun things to do so they can rest, and Toph's access needs not being considered at all until they're already there hits a bit close to home, especially since they just end up leaving her outside. Secondly, there's also a stereotype that disabled people (and especially blind people) don't belong in academia and places of learning, such as in this case, libraries. This stereotype is about as old as the concept of organised institutions of learning, and definitely isn't unique to AtLA, but the assumption is often that disabled people wouldn't be interested in more formal methods of learning, so it's not worth accommodating us. With blind people in particular, when I've seen this in media, the premise is often "well I can't read anyway so why bother?" which Toph definitely falls into here with no push-back against the trope.
[ID: A close up of Toph and the rest of the group, Katara, Sokka and Aang standing in a desert. Toph shrugs, looking bored, while the others looks confused and surprised with the exception of Katara, who looks mildly annoyed, standing with her hands on her hips. /End ID]
It does make sense that she would have been resistant to going in, and I'm not saying this episode should have turned Toph into a bookwork akin to Wings of Fire's Starflight (another blind character) or anything. But there was a chance in this episode to push back against some of these assumptions, and I think it's a shame they missed it. How cool would it have been if Toph had mentioned not feeling welcomed in more formal learning spaces because of her disability, which was just reinforced by the way her old earthbending instructor and her parents treated her. She decides to go inside the library anyway as "backup" in case something goes wrong, grumbling about it the whole way down. Wan She Tong starts his introduction mostly the same way, saying humans aren't welcome and Toph makes a snarky comment about it. Wan She Tong, equally offended that this human thinks he, the all-knowing-spirit, wouldn't have considered something, shoots back with an annoyed comment about humans being so self-centred. He explains that spirits come in all shapes and sizes, and not all of them have eyes, but they can still access his library. She's not the first sightless being in his study, and he-who-knows-ten-thousand-things knows this too. Once everyone is permitted entry, one of the knowledge seekers shows her to a series of slates about a lost earthbending form that she can actually read (or at least, "see" the pictures on) because it's carved. Or instead of a slate, it's a series of statues outlining the form, similar to what Aang and Zuko find in the episode "The Firebending Masters". Perhaps this form is something that helps her develop metal bending later on, and lays the groundwork for Toph becoming interested in teaching in the comics.
And finally, Toph and Katara's segment of Tales of Ba Sing Se. Katara convinces Toph to go get a makeover with her as part of a girl's day. Overall, this segment of the episode is pretty nice, and I liked that they showed that a person's gender expression (in this case, being a tom-boy) doesn't mean they can't like things outside of what we usually associate with that. Tom-boys can like girly things on occasion, and vice-versa, and I think this is an example of an episode that would seem a bit ham-fisted today, but honestly, was needed in 2006. However, there's a throw away joke where Toph says "as long as they don't touch my feet," and it immediately cuts to show spa workers filing down the calluses on her feet in a way so painful several staff are required to hold her down.
[ID: An image of Toph in a bath robe being held down in a chair by two spa workers while a third scrubs at her feet so hard that she is sweating. Meanwhile Toph is fighting against the two holding her down and has a facial expression like she is in a great deal of pain. /End ID]
this might be a minor thing in the grand scheme of the show, but it's still another example of Toph's boundaries about her disability and her access needs being disrespected by her friends, which the show just doesn't acknowledge it at all. People ignoring Toph's wishes about a part of her body she depends on in a much more direct way that others do is played off like a joke in a montage of otherwise enjoyable and goofy activities and this is a very, very common experience in disability circles.
There are a number of other, much more minor issues that show up with Toph as well, such as the fact she's the only one of the main cast who never has an on-screen (or on-page) relationship. not in the original show, not in any of the comics and not in The Legend of Korra. Again, it's not a big issue on it's own, especially because in AtLA, she's young enough where it's possible that she was just not interested yet, and she does have kids in The Legend of Korra where she mentions a relationship with a man named Kanto (Lin's father). So it is implied she does have some form of relationship eventually, but the issue is that it's never shown on screen or on the page. This feeds into a wider pattern in media of disabled characters being the only ones in their respective cast not given on-screen romantic relationships in stories, and so I still think it's worth pointing out, especially since the creators have had a lot of opportunities to correct that by now.
Toph is also portrayed, pretty much undeniably, as the best earthbener in a way that, at times, comes across almost like the creators felt like they need to compensate for her being on the team "despite" her being blind. This trope is one that I think Toph, at least partially, helped to popularise with the current generation of story tellers: The Disabled Savant. In this trope, disabled characters aren't really given the same room for growth as other characters; they aren't permitted to be average or still learning, they start good and get better. If they do progress, they often become the best, which is the case for Toph. To be fair, everyone in the The Gaang is the best at their respective skill by the end of the first series, which is why I say this is a minor point. She dose, however, have the least amount of on-screen growth in skill out of the whole team. Katara starts out barely able to lift any water at all, let alone actually bend it. Sokka is skilled with weapons from the start but does get his butt handed to him a number of times by others with more experience than him whom he learns from throughout his story arc. Zuko spends most of the early-to-middle of the show having things "blow up in his face" (to use his own words) and being belittled by his family of prodigies. While Aang is an airbending and, to a lesser extent, waterbending prodigy, he fails at pretty much everything else for a while before he starts to find his confidence - especially earth and firebending, not to mention the entire situation with locking himself out of the Avatar state. Toph is the only one who doesn't seem to fail or struggle all that much from a combat perspective. She does grow and improve in her bending (she invents metal bending after all) but she never has any moments where she really messes up or even struggles in combat all that much compared to the others.
All of these points and criticisms I've mentioned are not necessarily big in and of themselves, but when looked at together, they build up to create some issues with how Toph is depicted and how the people around her treat her disability
So that's it then? Toph is bad disability rep and Avatar should be "cancelled"?
God no. Like I said at the start, I still adore Toph and Avatar as a whole, but the show is a year away from being two decades old, it's bound to have some elements that don't hold up and I think it's worthwhile discussing them, specifically because I love the show and it's characters. Despite all the negativity I've brought up, I do think there are a lot of things AtLA did well with Toph too.
I've mentioned a few times that we rarely see how Toph's blindness impacts her life outside of her bending and combat abilities, and there's a reason I made that specification. Unsurprisingly, if you know much about the show's development, the ways in which Toph’s blindness and seismic sense impacts her bending and fighting style is one area where the show really does shine, and I still think that is worth a mention. The various types of bending are based on different styles of martial arts, specifically, different types of Kung Fu. Most earthbending in the show takes heavy inspiration specifically from Hung Ga, but Toph is different. Her bending heavily references Southern Praying Mantis Kung Fu, something unique to her within this world.
The reason for this (outside of simply wanting her to be visually distinct) was because the show’s creators made sure to consider what limitations Toph might have and what parts of the more common earthbending styles wouldn't work for her. Since her connection to the earth was critical in order for her seismic sense to work, they decided on a style that would keep her feet on the ground more, prioritised strong stances with minimal jumping and put more focus on attacking with her upper body. While not an intentional choice, the style they went with for Toph, according to the show's head martial arts consultant, Sifu Kisu, was supposedly developed by a blind woman in real life, at least according to legend. The creators also made further adjustments to the style with the help of martial arts consultants and just watching Toph fight is evident that a lot of love and care was put into the decisions made on that front.
I also appreciate that Toph's disability wasn't off-limits to joke about.
[ID: A picture of Toph waving her hand in front of her face with an exaggerated smile to remind the others she's blind. /End ID]
As I already mentioned, they didn't land 100% of the time, but lot of shows are afraid to use disability as a source of jokes, which would have felt weird and out of place in a show like Avatar. I see this hesitance in real-life too; people get extremely uncomfortable when I joke about my own disabilities and I've heard several people and even disabled comedians talk about the same observation. My last video on Tik Tok that got outside my usual audience was a joke about my prosthetic leg, and every single stictch and duet I received was people saying some variation of "I'm such a bad person for laughing!" "I'm going to hell!" or just straight up asking if they're aloud to laugh. If I didn't want you to laugh, I wouldn't have posted the joke! But joking about disability does make it more approachable. Despite how often Toph and the others made blind jokes though, outside of the one instance I mentioned earlier, they never felt mean-spirited or like they were punching down. Even when a very sleep-deprived Katara was intentionally trying to be.
I think it's also worth keeping in mind the context of the media landscape when Avatar The Last Airbender was airing. Today, characters like Toph are very common, so much so there's a whole trope about them (super-crips) but at the time, having a character with a major disability be a main character in an action-orientated kids show like Avatar was really rare. She wasn't the first of course, but a lot of the time, if they were included, they were almost certainly sad and depressed, wishing for a cure or they were designated to the roles of "Guy in the chair" (which is a character, usually a tech person, who helps from the background), inspiration, scary villain fake-out (or other variations of "creepy" character) or the actual villain. Having a character that was not only comfortable in her skin as a disabled person, who didn't want or need to be "fixed" or "cured" to be directly involved in the story, and who's main obstacle (at least in season 2) were how the people around her treated her, was pretty ground-breaking at the time (pun not intended) and went against the most prevalent stereotypes of it's day.
And I really want to emphasise that. For many Millennials and older Gen Zers, myself included, Toph was the first character that didn't tell us we were broken and needed to be fixed in order to be part of the group (even if they slipped up with that messaging occasionally). Prior to seeing Avatar, I honestly thought there was something deeply wrong with me for being happy with my life (a reminder, I was 10 years old when this show first started airing), because every other disabled person in the media only ever talked about how much worse their life was because of their disability, how much they hated it and how much they hated themselves. Many outright said that they wished they had died rather than become like me. Toph wasn't the first to go against those tropes, but she was the first example of a disabled character who wasn't like that many people my age saw. Did she do it perfectly? Hell no, but personally, back then, I was happy to have a character who maybe over-corrected and took things a bit too far than another sad character talking about how lives like mine weren't worth living.
I also deeply appreciated that Toph did struggle with her independence, at least initially, and where to draw the line with accepting help. Because of how much she'd been coddled and overprotected as a little kid, she saw any attempt at people being helpful and working as a team as them trying to baby her. It was very on the nose, but I liked that the show gave her an episode just dedicated to realising that it's ok to accept help. Again, this is a bit of a story telling trope today, but having the disabled character realise that it's ok to accept help, and to do it without talking down to them or saying that them wanting independence was bad, was a refreshing change compared to what was around at the time.
[ID: a zoomed out image of Toph, standing before her parents with Aang, Katara and Sokka standing behind her. /End ID]
While I think the show's creators could have benefited from consulting with disabled people and specifically blind people the same way they brought in consultants for the martial arts featured in the show, it's very clear to me that the intention behind Toph's character was good, and that actual effort was put in to make sure they depicted her well, even if some of it was a bit misplaced. It's also worth noting that the groundwork for a lot of my suggestions is already in place, they just didn't follow it all the way through. Overall, I'd say Toph was good for her time, and she's what was needed in the 2000's, even if she doesn't hold up as well today. I also think it speaks to how far we've come in terms of disability representation. When I first started engaging with the online fandom directly, almost no one, even other disabled people, argued that Toph wasn't good representation, because honestly, the bar was on the floor and we were just happy to have something different. But now there are options, and the standards are higher, and that's so, so good. It means that people, even in the media, are starting to listen and be more thoughtful about their depictions of disability than we were in 2006.
And finally, I want to really quickly mention The Netflix adaptation of Avatar. A few people have asked me now what I think they should do with Toph when they get to her, and what my predictions about the show are. I'm not going to talk about my predictions here, because this post is already way too long and that's not what this is about, but I don't think the suggestions I made today would necessarily work in this particular remake, primarily because of the tonal differences. Some adjustments definitely could, such the other characters doing a better job at listening to Toph when she points out inaccessibility and them actually considering her in the first place, but others might be harder to balance. The original show could get quite dark and serious at times, but it was primarily a light-hearted adventure story for kids. From what I've seen of the live action remake though, they're more heavily leaning into those serious elements - for better or for worse, and as such, trying to tone Toph down in the specific ways I mentioned might not balance out as well as it would in the original show. At the very least, the specifics would need to be different. To be honest, I'm not entirely sure what approach they should take, that's not really the point of this post, but I did want to quickly address it to avoid confusion. My suggestions today were specifically on how to approach the cartoon version of Toph for a modern audience, and were not meant to be read as suggestions on how her live-action counterpart should be depicted.
#writing disability with cy cyborg#Wow I had a lot more to say about this than I thought (I think this is my longest post to date lol)#writing disability#disability representation#writeblr#writing#Avatar#avatar the last airbender#atla#Long Post#toph#toph beifong#the gaang#Animated Avatar#disability in media#fantasy
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Examples of Irrational Thoughts/Cognitive Distortions:
These are common errors in thinking. And sometimes these distortions can cause us distress or other strong emotions.
Black and White Thinking: This is all or nothing thinking. For example, if you see yourself as failing at one thing, you think it makes you a failure at everything. "I didn't pass my driver's test. I can't ever do anything right."
Overgeneralization: This is where if one thing happens that is bad, you assume all things will be bad. For example, "I woke up late this morning. This day is doomed to be terrible."
Ignoring the Positive: You disqualify any positive and focus on the negative. Maybe you got an A on a test, but are disregarding that because you messed up somewhere else.
Jumping to Conclusions: You ignore facts in favour of your own interpretations. You may assume your friend hates you despite them inviting you to the movies the day before because they gave you a short response.
Mind Reading: This is making a conclusion about how someone else is feeling. "My friend hates me. I can tell."
Possibilities to Cope with Irrational Thoughts / Cognitive Distortions
Check the Facts: Here’s a post I wrote on this.
Challenging Irrational Thoughts: Here’s a post I wrote about this.
Examine the Evidence: Here’s a post on this.
You’ll likely find that most of these possibilities are very similar. One of the more common ways to deal with thoughts like the above is to use evidence and logic because it gives our brain something solid to use. Just telling ourselves that our thoughts aren’t real isn’t often helpful enough whereas evidence can help make it more convincing.
I’m going to include a couple other links I think may be helpful:
Emotional Permanence: Here’s a post on it. This one I think is important to understand because if we lack emotional permanence then it makes it that much easier to forget about anything other than the feelings in the current moment which make reinforce any negative thoughts.
Needing Reassurance: Sometimes our distorted thoughts lead us to second guessing our loved ones. Here’s a post about that, how to cope with it, and how to get reassurance in a healthy way if needed.
Some General Tips:
Learn about the different types of irrational thinking and cognitive distortions. (I don’t have them all listed). Being able to recognize them can be helpful itself. I find when I’m able to realize it’s a cognitive distortion, I’m able to move beyond it easier.
Keep a list of our accomplishments that you add to. This can be helpful in times we need reminders if we often have thoughts about us being a failure anytime we make a mistake.
Keep screenshots of loved ones and/or lists of things they’ve done that make you feel cared for. This can be helpful if we often have doubting thoughts about loved ones as a result of our cognitive distortions.
Think about what you’d tell a friend. If a friend failed a test, would I think they were a failure?
Sit with the discomfort. Sometimes, we know a thought is irrational and all we can do is get through it. Telling myself “it’s an irrational thought. I can sit with it. I don’t need to act on it” can be helpful. Acting on my feelings to irrational thoughts often damages my relationships or has other negative effects. But as uncomfortable as the thoughts are, learning to just sit with them instead of acting on them prevents some negative consequences.
Journaling. You can journal about your thoughts and feelings for a set amount of time a day and then mark the irrational thoughts. This can help us learn to recognize them when we’re having them.
Focus on something else. Sometimes the thoughts are too distressing and the best thing we can do is distract ourselves. You could reach out to a friend, watch a favourite show, enjoy an activity, etc.
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my thoughts on the whole Cameo Thing™
Putting my first tweet in a screenshot; the rest is copy-pasted. And for context, since the quoted tweet was (understandably) deleted, it said, "Yes $100 is a lot, and it feels a little classist as some of us won’t be able to afford it."
Cameos are not a public service. No one is hurt by not having the ability to spend $100 on a video. No one is being treated worse than others because they can't afford a personalized video. I don't understand how "classist" would even come to mind.
Even if that was the worst example, I'd still fully get J's reaction. He and G are professionals. They deserve to be paid fairly. Based on G's earlier rate, other ppl's cameo rates, con photo rates, and how unique J&G are... $100 is a great deal.
I expected the $100 price tag. If George charged $50 for one person... I mean, there's two of them now. 50 x 2 = 100. I'm shocked that more than a handful of folks were surprised.
A personal anecdote: I've just started taking art commissions this fall. I am finally confident enough to charge a rate that fairly compensates me. Honestly, I should probably charge more.
Things like art commissions, cameos, convention photos/signings all fall under the same umbrella. They are treats. They are luxuries. They are never going to be equally accessible to all. It's not just price; it's also time, expertise, location, etc.
What kind of message does it send artists, writers, actors, creatives, etc when we frame their reasonable* rates as selfish and wrong? * reasonable based on industry standard, not on individuals' wallets
Anyway. J radiated enthusiasm for another chance to engage with us. I expected his happy bubble to burst at some point—I was surprised by his level of fandom engagement tbh—but that doesn't make it any less fucking sad.
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If you're upset or heartbroken or angry because Jayden is backing away: maybe think about why, and if you could change what you do to help protect yourself from suffering this kind of distress should something similar happen again.
#fandom bs#dead boy detectives#long post#the entitlement and unselfawareness some people have is truly gobsmacking
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The Brozone Misconception
(This picture is more a joke don't take it too seriously)
This is a kind of long analysis, deep dive, and discussion about certain fandom misconceptions. I am 100 percent open for discussion but I would ask that you read the whole thing first before reaching out, and please be respectful!
A link to the og google doc with images as tumblr image limit killed part of the essay XD
Essay under the cut
There is a common misconception in a small subset of the trolls fandom about the character of Brozone. That is their reaction and treatment of Branch, their overall purpose in the story, and whether or not Branch should have forgiven them. Whether or not their trauma born toxic traits which they aim to grow out of should be forgiven or not.
Let’s begin with an analysis of the beginning, middle, and end of their arc progression more or less.
We start with our favorite problem child, Jonathan Dorian, mounting the pressure of tonight's show, building expectations, and showing us, the audience, a bit of what goes on every time these guys perform:
Making Bruce do 100 more push ups in the time before showtime (1 minute)
Pressuring Clay to wear the funderdrawers even tho he clearly doesn’t want to
Rebuffing floyds attempts to calm himself down
And his worst crime
Making Baby Branch Nervous
Now you could see all of these and think “Evil! Evil John Dory! Jail for John DOry for 1000 years!!” because he is being oh so toxic. Now JD’s main motivation for pushing his brothers so hard in this moment has to do with the “Perfect Family Harmony” which according to baby Branch no one has ever hit before
And you can see the strain it puts on the other brothers not just through the scenes i showed before but Clay literally tells us
John Dory not only sees it as a great achievement, but he is putting his own and his families self worth all on whether or not they accomplish the perfect family harmony
(ignore the crappy cropping image limits)
And when they fail he blames it on them not following his lead
He still believes after all of that that they can successfully complete the Perfect Family harmony
This looks to be about the first time the brothers air their grievances out to their older brother about how they actually feel about not only completing the harmony, but the direction of the band itself.
All of this happens within the heat of the moment, and only continues to get worse as when confronted with all of this Negativity JD decides to leave. You can see by his facial expressions in the above screenshots he was already feeling terrible about the situation as a whole. Animation is very show don’t tell just as much as live action is, it’s very important for storytelling as a whole. A character should not have to SAY they are remorseful for you to be able to see it.
So JD leaves leading his other brothers to leave as well. Ironically they are following his lead badum dum dum.
Now we can assume this is probably par for the course for these guys, cuz Grandma is right there, and she just lets them leave, you say plot convenience I say subtle story telling/ It is implied they do this all the time and will eventually come back. (they don’t)
(Also ignore this image its also a silly and not serious XD)
Now you may be thinking, Ricky, you say that Brozone is not toxic, yet you show us the worst examples of their character. Listen dear reader, this is only the beginning, what I’ve shown you is merely the establishment of the eventual conflict that will be part of the driving force behind character growth and the story itself.
Let’s move on to adulthood. The main arguments against Brozone happen here, other than the initial abandonment of Branch, which, I should remind you, happened when the oldest among them was still a teenager (teenagers are dumb).
In this section I also have to mention another movie, and another character, as he is usually brought up in these discussions
Creek
Creek is usually used as a comparison to the Brozone bros in the argument that Brozone is EVIL AND TOXIC AND UNFORGIVABLE and Creek by comparison should be seen in a better light and not deserve the hate. To be honest I have never seen the level of hate that has been given to Brozone leveled at Creek in the slightest. He is canonically a toxic character, and one who is incredibly self serving which a majority of the fandom recognize and vibe with. Creeks admittedly rancid personality is a massive factor in his appeal (at least for me), and that is kind of the point of his character: To be awful and unforgivable. Creek wasn’t made as your average side character, Creek was specifically made to be an antagonist, to be a contrast to one of our main protagonists, Branch. That is why they are always at odds with each other within both 3D media and 2D media.
Taken from the trolls wiki
Creek has also shown disregard for Branch’s hobbies in the main show, tossing his puzzle into the fire. This was during Haircuffed, when Creek didn’t want to do Branch’s puzzle
Which you think not so bad, its just a puzzle! Well…
Puzzle’s have incredible significance to Branch, a comfort object if you will, and another way to feel connected to his Grandma. Now you might cry “Creek didn’t know it was significant! He can’t be held responsible for that!” HE SHOULDN’T HAVE TO KNOW THE TRAUMA BEHIND THE PUZZLE TO NOT DESTROY THE PUZZLE.
Conversely let's look at the Brothers:
Throughout the course of the film they are a bit rude to Branch and dismissive of him:
JD:
Bruce:
Clay:
(You could argue the face grabbing is just a troll thing cuz)
But anyway
These scenes are minor things that add up during the course of the film for the purpose of showing off the traits they will put aside and grow out of for the sake of each other.
(brb reading xmen)
Lets talk about Xmen, you think JD is bad well watch this
Bam!
Anyway
Before we tackle the entire argument scene let’s first tackle the individual character of each of the bros, Specifically: John Dory, and Bruce, who are most criticized for their actions.
John Dory is one of the first brothers we see return in the film, and his first and foremost objective is to collect Branch so that they can go get their other brothers to rescue Floyd. Some have called John Dory uncaring for his younger brothers, but if that were the case why start the rescue mission at all? An uncaring brother would just ignore the letter and go on with his life, but John Dory literally drops everything just to go rescue his little brother. The letter even specified getting the other brothers first, but John Dory goes alone to get Floyd out of danger as fast as possible only retrieving the other bros when he fails (and cuz he didnt know where they were, can’t waste time when you got a brother to save)
A brother who didn’t care about his family wouldn’t go through all this effort. Some would say he’s only doing it for appearances sake, but for whom? Him and his brothers have been out of the limelight for 20 years, JD especially has been isolated in the neverglades, who is he trying to impress with this? No one, he’s just a good brother.
Also a reminder! When thinking about breaking Floyd out he is not the first to bring up the harmony! Floyd is, John Dory had a much more clever idea
So it's not just to complete the harmony either.
He’s also held on to all the merch from their Brozone days, mementos of his family, it shows how he cares, but also the flaw he aims to overcome: his desperate attempt to cling to the past, the better days.
Now let's go to Bruce, easily the most scrutinized of the brothers (because of the baby comment)
When he first sees his brothers again this is his reaction:
(Another point for JD, got ignored but is more happy to see his bros getting along)
Bruce is excited to introduce them to his family, excited to reconnect.
(Note: At this point tumblr stopped allowing images so i will be giving descriptions along with a link to the original google doc for reference purposes these are screenshots from the movie)
Cut image: Bruce introducing his wife to his brothers "These are my brothers, unexpectedly"
(Still excited and immediately introduces them to his wife despite them being “unexpected”)
Cut Image: Brandy saying "It's so nice to finally meet you"
“It’s so nice to finally meet you” Implies that he’s talked about them at length and the possibility of them meeting up with one another.
Also all of his kids completely ignore their mom, just to ask their father something, or tell on their sibling, or ask for his help as seen in this entire clip
youtube
With the ketchup kid he assures his kid he will handle it (and yes Brandy had to handle it but um rescue mission?) and that he loves them he just needs a bit of time to address, um who was it again? His brothers, right…
Bruce is argued as being incredibly selfish, I had seen a meme once that had suggested Bruce would let his own children die before he would give up his own life, which is horrendous and blatantly untrue. Bruce only tries to turn away his brothers when John Dory brings up the perfect family harmony and that’s before he knows it's for Floyd, once he finds out it’s for Floyd he is immediately on board! His biggest concern about the harmony at this time is how they’re going to do it.
As for “abandoning his family again” Bruce is going on a rescue mission, which he asks his wife before hand if it is alright
Which she approves, he also agrees to cover for a WHOLE MONTH for the yoga retreat (Also seen in the clip above)
He spends the majority of the journey caring for Tiny Diamond as well, he lets Tiny into his hair, carries him around in a baby sling he’s a dad to any kid who needs him.
Clay doesn’t get as much scrutiny as either of the older bros, most likely due to his inability to leave the golf course and the fact he apologizes to Branch at the end. There are many things that mimic the same in the ending scene but let’s address the points brought up within the argument that people use to claim the evilness of Brozone.
Also fun reminder, Clay is the one to start the fight, Not John Dory, not Bruce, Clay just a fun note (he is a lil problematic and argumentative and thats why i love him)
Clay brings up John Dory being bossy which sets everyone off into a tangent about the past, past actions that they think are resurfacing
Cut image, the beginning of the argument:
Clay: No. No, dude. You’re forcin' us to be perfect, just like you always have, so we can hit the perfect family harmony.
John Dory: Yeah. For Floyd.
Bruce: Is it? Or is this all just so you can tell people what to do again?
John Dory: Wha What?
_
Bruce: This isn’t gonna work if you keep on bein' the same old John Dory.
We all know John Dory’s reason for being “bossy” ; his reason for his perfection, once done out of an effort to impress, is now one out of necessity. They need to be perfect because now someone can die, and the others can’t see that due to their own trauma at the hands of JD’s perfectionism.
As shown way at the beginning of the essay, all of the brothers suffered at the hands of JD’s past obsession, Bruce had to look a certain way pushing his body past its limits, Clay had to act a certain way disregarding his own happiness to keep up an image, Floyd was ignored and his advice pushed aside, and Branch was pushed to be perfect when he was only about 2 years old (or a month old if you go by the brozone blog). JD also suffered, pushing himself to make song after song, mentally exhausting himself and inadvertently hurting his brothers in the process of doing what he thinks is right for them.
JD also had the responsibility (as a teen) to parent all of his younger brothers:
Cut Image:
John Dory: Well, I’m not allowed to change. I’m the oldest. I had to be the leader.
John Dory: Why do you think I moved to the middle of nowhere? So I didn’t have to be in charge of anyone. Four little brothers is a lot of responsibility.
You could argue it's his responsibility as the oldest but Grandma was right there, they shouldn’t be his sole responsibility.
When most of them left it was done out of self preservation, to protect their sanity and to finally find happiness outside of a place that was no longer bringing it to them. They were kind of acting how most would want Branch to act, they cut out the toxic family for their own safety.
Bruce:
Cut image:
Bruce: [stammers] Why do you think I left? So no one would treat me like you did.
Clay:
Cut Image:
Clay: I’m gonna find trolls who take me seriously. Next to Clay is a picture of himself in a graduation cap
(Also that is Clays graduation photo, they are all around teen years in the prologue which means this is either a middle school graduation photo or he graduated early and is still not taken seriously, which as someone who also faces that [only being seen one way despite your achievements] is incredibly discouraging and soul destroying)
They most likely didn’t return due to the fact they didn’t want to be faced with this kind of treatment again (golf course entrapment aside)
(Now you’re probably wondering about Floyd and he’s a whole other post, this is mostly focusing on the brothers who receive the most criticism due to misrepresentation)
During the argument they talk about going their separate ways, it is admittedly harsh they way they talk about leaving again, but they never say they’re leaving forever. Bruce has to return to his wife and kids, Clay left the golf course without one of its leaders, JD has his own life and routine, of course they’d go back to it once it was over, but that doesn’t mean visiting is off the table, and that they’d never see each other again.
Cut Image: John Dory: What? The mission’s the mission. [chuckles] You didn’t think we’d all live together when this was all over, did you? Singin' songs and roastin' marshmallows?
Again i recognize JD is being an asshole here, but he is only knocking the idea of living together off the table, which kind of understandable they’re all adults with their own lives they don’t need to live together, I don’t get mad at my sister for going back to her house when shes done visiting. But again it is more how they say it then what they’re saying
Cut Image:
Branch: [scoffs] Oh, I’m sorry. Is that funny to you? That I might want us to actually be a family again? Tiny Diamond, pull over. Now.
Seen is JD's look of regret
You can see on his face that he regrets what he said when Branch says this, when he gets angry at him, he didn’t mean it like that. Thats when the don’t be a baby comment comes in, they still don’t actually understand why he’s upset, they think he’s acting childish, they don’t recognize he’s changed yet
Cut Image: The bros reaction upon hearing of grandmas death
These are their faces when they hear what Branch has been through, they obviously are upset, they’re hurt on his behalf, they are remorseful, this and their future actions signify the shift from who they were (hurt kids turned hurt adults, fighting over their past trauma)
After Branch leaves, they, on their own accord, continue the mission to save Floyd, which is how they get caught, and during the final climax control freak JD relinquishes control, having changed and lets Branch take the lead. This is after Branch reminds them they don’t have to be perfect to be in harmony, just to be as they are together which they AGREE
Cut Image:
JD: We'll follow your lead, Branch
Once they save Floyd we are brought to Bruce’s restaurant, he brings them there to host their reunion, there is where branch gets encouragement from JD, where Clay apologizes, where Floyd reminisces and you can see JD engaging with his brothers more than just encouraging Branch he has joined Clays sad book club
Cut Image: JD reading a sad book behind Branch and Clay talking about said book club
This isn’t the end of their reconnection, this is only the beginning. They still have lots of time to grow, and to become closer as family.
Now lets head back to Creek for a moment before we close this off:
We have brought up the puzzle destruction and his purpose as an antagonist. The main argument most people use is that Creek had no other choice but to sell out his entire race to be eaten and killed to save himself. He had a choice, Branch would’ve let himself get eaten if it meant protecting all of troll village as noticed when he protects poppy in twt (though he might’ve actually found another way out), Poppy would’ve as well. In tbt Floyd begs each of his brothers who meets him before the climax to let him die so they don’t face the same fate, these are all selfless acts. Creek reacts selfishly, eat everyone else but don’t eat me, then he smugly confronts Poppy, obnoxiously laments about how he has to live with his actions when if he were a truly good and selfless character wouldn't have been an issue. He smiles smugly, shrugs his shoulders, and lets himself be carried to safety when his people look at his betrayal with disbelief and sadness.
Creeks actions in the 1st movie are awful, they’re supposed to be, they’re meant to be unforgivable crimes, and that is why he is killed in the 3D canon, legit he is dead in the 3D canon. 2D and 3D are different continuities, which is part of why I find them (Brozone and Creek) to be mostly incomparable.
Brozone’s arc only affects Branch and each other and in the end they grow stronger, and into better people. Creeks arc/actions affect an entire species and their survival, within the 2D continuity his actions only continue to be self serving, and rather toxic (more for funsies but you know) he should not have been forgiven, but he was. His actions were deplorable yet forgiven which then begs the question why aren’t Brozones? Creek also wrote the apology song solely to humiliate Branch in front of his friends which is not cool bro, Branch did not deserve the treatment he got in the episode from anyone.
To conclude my thoughts are that Creek and Brozones actions are incomparable, Creek’s actions are not meant to be taken in a positive or sympathetic light, he is a villain cut and dry, that is who he was made to be and he does it wonderfully. I don’t hate Creek, I love his character, he is awful and that is great! Love toxic awful characters! Brozone are a representation of a broken family coming together again, they are toxic, and then they grow, they are meant to do so, the villains of that movie are Velvet, Veneer, and familial trauma all of which get mended by the end of the film. It’s not perfect but its there, and the ignorance of it is what causes these major misconceptions.
TL;DR Learn media literacy please
#trolls#dreamworks trolls#trolls 3#trolls band together#analysis#discussion#this was made mostly for fun#and kind of in response to someone who wouldn't let me talk sob#discussion is the foundation of fandom life#if you say you wanna talk then actually talk dont just speak at me let me respond#anywho again this is mostly not serious#just silly#enjoy hehe#Youtube
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I don't think there's enough discussion of the transmisogynistic voyeurism that's extremely widespread in online spaces. it's definitely a problem offline too but it's become significantly more pervasive and inescapable online.
transmisogynistic voyeurism is an obsession with trans women's internal lives. while traditionally it's usually been focused on our bodies, hormones, sexualities, transitions, and other such aspects that portray us as exotic, artificial, hypersexual mimics of "real" women (this is still largely the case among conservatives), it's taken on a new form in the past several years as society's understanding of transness has slowly improved.
in more recent years, the fascination with trans women and transfemininity, particularly in purportedly progressive spaces, has shifted to focus on the "artificiality" of our womanhood from a sociocultural perspective, rather than from a biological and sexual perspective.
it's become common to see screenshots from 4chan and other similar communities of trans women or transfem eggs posting about their unusual kinks, often with racist or antisemitic undertones. screenshots of ostensibly closeted trans women being transphobic to openly trans people have become commonplace. whenever a trans woman is revealed to be racist or a sexual predator, she becomes the new topic du jour, where everyone has to weigh in and publicly disavow her actions.
you might be thinking, what's the problem with this? after all, shouldn't we be holding racists, antisemites, transphobes, and sexual predators accountable? and while the answer to that question is an unambiguous, resounding "yes!", the problem here is the unusual focus on trans women in particular, and the fact that what's happening doesn't even remotely resemble accountability.
bigotry is not a uniquely transfeminine trait. anyone can be a bigot. however, by and large, even supposed trans allies, people who put "trans women are women" and "terfs dni" in their bio, still secretly see trans women as fundamentally male, due to having been "male socialized" (a notion which very strongly contradicts our own lived experiences). thus, when they see post after post after post of trans women being bigoted, it reifies tme people's beliefs that we are all holders of male privilege who have never had to face oppression before coming out as trans.
this idea is problematic for a number of reasons. first, it denies the experiences of trans women who have been oppressed by other systems before coming out as trans. for example, multiple times in just the past few weeks, I've seen trans women of color accused of being racist, even against people of their own race; as if having to face racism all their lives wasn't bad enough, now they're assumed to be perpetrators of it. however, this idea also ignores the very real effect that transmisogyny has had in shaping our lives, even when we didn't know we were trans ourselves.
when we attempt to talk about this topic - the perception that tme people have of trans women being uniquely bigoted, we are by and large brushed off as seeking to "excuse the actions" of bigoted trans women so that we can be bigoted ourselves. this abject refusal to actually engage with what we are saying to instead paint us as the very people we're constantly made to publicly disavow lest we face social ostracization (even if we have no idea who said people even are) further reifies the stereotype of us as privileged men.
I want you to imagine for a moment if trans men were subjected to this kind of voyeurism instead. on an average day scrolling through tumblr, you'd see a post of a trans man's nsfw blog where he shares posts about how rape should be legal, right alongside his bloodplay and cannibalism kink posts, accusing trans men of normalizing rape and murder. another post would show a screenshot of the trans guy who proclaimed to have been hitler in a past life, accompanied by comments demanding trans men take responsibility by purging their community of people like him. you'd scroll down a little further and see a screenshot of a terf blog with "dysphoric female" in bio where they complain about how a trans man they know has been brainwashed by "gender ideology" with all of the comments hoping they figure out their gender identity but still vehemently disavowing them and asserting they would feel unsafe around such a person even after coming out.
the reason that doesn't happen is because biological essentialism runs rampant even in queer spaces. trans men, who were afab, are often presumed to be incapable of harm due to having been "female socialized". trans men don't have their kinks publicly shared to paint them as dangerous because they're generally assumed to be victims of sexual violence, not perpetrators. trans men aren't collectively held accountable for the actions of one trans man they don't even know because a trans man doing harm is believed to be an anomaly, and thus can be dealt with on an individual basis. that last example is especially laughable, because trans men who were formerly terfs are often lauded as heroes for sharing their stories and offered condolences for having been victims of "cult brainwashing".
the fact that this kind of voyeurism does happen to trans women is because, having been amab, we are presumed to be the perpetrators of harm rather than victims. that's not to say that trans women can't be bigoted or dangerous; clearly they can, or else this kind of voyeurism couldn't exist in the first place.
trans women can be racist, trans women can be antisemitic, trans women can be transphobic, trans women can be sexual predators, and so on. these things are all true. however, they are not more likely to be true of trans women than of other demographics. that's the point I'm trying to make here.
stop and consider for a moment, what accountability actually means. are racist, antisemitic trans women being held accountable when you share screenshots of the bigotry they post anonymously on 4chan? does that screenshot you reblogged of an assumed transfem egg being transphobic to an out trans person hold them responsible for their transphobia? is that racist trans woman who's a convicted sexual predator sentenced to prison being held accountable when you share detailed documentaries about her crimes? are they facing consequences for their actions because of you raising awareness about them?
in the vast majority of cases, the answer is no. what's really happening is that you're raising outrage about trans women, and demanding that all of us publicly disavow and distance ourselves from them, even when we have no idea who they are, so that you won't come after us next. you're upholding the idea that trans women hold a "male privilege debt" that we can never fully repay but must endlessly strive to repay regardless. this obsession with our perceived socially male traits has got to stop.
#txt#transmisogyny#my writing#sorry this is so long I know people are gonna take this in the worst faith possible and I had to debunk all their counterpoints in advance#1k
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I recently received a DM from a fellow who was a junior mod in the Shipping Container server, & they’ve been gracious enough to allow me to use their words on the current happenings, covering the events of the 0303Emily internal happenings of the server at that time.
Now, you may wonder why exactly I’m bringing up the 0303Emily debacle, much less in association with Pansear?
Well, besides the fact that the accusations leveled against 0303Emily are baseless themselves (One example of why at the bottom of this post, completely ignoring the fact that Azriel was only a month or 2 away from being 18 at the time of the accusation while 0303Emily was just 20.), they indicate a trend between both accusations that further shows minimal actual PROOF & deliberate misinterpretations of situations to then twist things into a more negative light.
Now, the statement from the junior mod:
“first off, sorry this isnt really that well worded. i dont even know where to start with all this. i wanted to offer my view on things from the internals of the SC server and some info that might explain the origins of all this. ive wanted to talk about this for a while but im not a very confrontational person and i didnt even have a tumblr or twitter
i was a helper (basically junior mod that had bare mininum perms) on SC during the entire event, and while I did not participate in the decision because it was really complex and i was busy with finals but i did lurk the convo and read a lot of it. i dont have any screenshots of this because i left a few weeks later after the entire mod team basically dissolved and the server lost all its users.
basically a while back before the grooming accusations some kids (like under 18) on the server were going around looking up artists on furaffnity, e621, and other nsfw websites and then reporting it to the mods of SC and i think mainworld too. the mods were pretty "this isnt really our business" about it and told the kids to stop snooping, and that was the end of it.
a few months later still before the grooming the issue resurfaced with the same users going after nsfw artists, they were again told to mind their business but a few weeks later came back with the grooming accusations on top of it. the key thing here is that the mod issue was heavily centered around the nsfw art that emily had been making, along with several other users who were in nsfw servers that these kids had joined to snoop around. they logged thousands of messages from multiple users and sifted through them looking for anything that could be added to this report.
again i just want to emphasize that this was not at all about Emily and Azriel at this time. The entire report was about NSFW people were doing in private NSFW sites and places that the kids had to lie and sneak into because they were LOOKING for dirt on these people. It was not just emily but around a dozen users in our server that had been perfectly fine up until this point.
there was a lot of delay with getting this report finalized and the grooming accusation came later. however given the context this seemed to raise a few red flags for the staff because the accusors had been so intense about their search for info and the fact that the conversation between them was months prior, there was some question of if the accusors had coached or otherwise convicned azriel about them being groomed just to get more dirt on emily.
Well the SC mods were tired of the NSFW artists being reported and considering the number of people being reported (again, more than just emily) and the methods the accusors had taken, decided that this was basically tantamount to stalking and kicked everyone involved.
What you see on tumblr is the response to that. They went and said "SC is run by groomer zoophiles" and everyone who had a hate boner for pansear jumped on board and it went nuclear.
I dont really know if this helps but i am just tired of sitting here being unable to speak about it because i dont have a following and i really miss pansear.”
I want to further emphasize this part:
“again i just want to emphasize that this was not at all about Emily and Azriel at this time. The entire report was about NSFW people were doing in private NSFW sites and places that the kids had to lie and sneak into because they were LOOKING for dirt on these people. It was not just emily but around a dozen users in our server that had been perfectly fine up until this point.”
Minors actively invaded adult-spaces, willingly & ACTIVELY exposed themselves to adult content EXPLICITLY to ‘dig up dirt.’
So, with that in mind, why would they stop at that? Why would they stop at something so trivial as faking screenshots? Multiple members have actively made threats to people accused & they care not about spreading a falsehood (Just look at Pansear’s old Tumblr handle!).
And here’s the example I said I’d give earlier. Azriel starts the conversation with mention of the horrors of some NSFW content from the fandom & then gives an example. 0303Emily follows up with a shared experience. This is some of the ‘proof’ that was presented in the doc Azriel & Co. put forth.
This doesn’t even mention any of the other discrepancies in their own ‘proof.’ The ‘Zoophilia’ allegations are once again Anthro on Anthro characters engaging in sexual acts, just like the allegation against Pansear.
Don’t believe me? Their own google doc is right here on this chap’s post. Read through it.
And if you want to read more, read this. It further emphasizes on this matter.
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Alright. We need to talk about screenshotting my posts and putting them on other sites.
tl;dr: feel free to screenshot and spread my posts, but if you do so or see someone else doing so, please let me know. Either tag me (same username on youtube and reddit) or send me a link here.
Reasoning/why I'm saying this now under the cut.
Recently, I've noticed increase in the number of my posts that have made it to the subreddit r/curatedtumblr. This subreddit is a bit of a gateway to tiktok, youtube, and any other site that reposts tumblr screenshots - usually, AI video voiceover videos use the exact screenshots that were posted to reddit first, so usually r/curatedtumblr is the first "leak" of a post having reach outside of tumblr itself.
Now.
Most of the time, I don't have a problem with this. I even like it when random stuff I say has a reach beyond my usual community, and maybe even has a chance to resonate with someone that wouldn't have seen it otherwise. I don't know which one of my posts are going to resonate with other communities and other people, so I also don't want the only way for a an idea of mine to make it to another platform to be me manually posting that idea there myself. curatedtumblr has a blacklist of blogs who do not want to be post to that subreddit, but for this reason, I don't necessarily want to add myself to this blacklist. And of course, most of the time what gets reposted is a random shitpost, so its not a big deal.
However. Occasionally, a post of mine that is political, or has a deeper discussion associated with it, or something along those lines, is reposted elsewhere. And well, things can get very weird. Discussion can go in directions that I can't control, context can be added or removed that completely alters my point, and I can start to attract hate from people without even knowing it. And when this happens, it tends to spill back to me. When my posts make it to other platforms, its pretty normal to get a slight uptick in hate, or even just people finding that post and adding their own misinterpretation or discussion that happened 100% without me knowing. Being looped into the conversation, or even being able to see what kind of
A frustrating, but ultimately harmless example, is the "peak androgyny gandalf big naturals" post. I added context to that to clarify the way I was making fun of societal standards of androgyny as a whole, when the post instead seemed to be interpreted as the "correct" way to be nonbinary, which was not my intention at all.
I found the post on reddit, posted my own screenshots with the context I added, and was able to participate in the conversation, which helped a lot! But, the original, contextless post was up long enough that it pretty much solidified that misinterpretation as the main way people read that post.
I considered posting something like this then, but again, its ultimately harmless. I would've liked to participate in the reddit discussion earlier, but no biggie. So I didn't mention anything then.
Today, I opened reddit and saw this:
That title is not mine. It was added by the person who posted it to curatedtumblr. I've since had a respectful conversation with u/Hummerous, and they agreed to take the post down. 0 hate to them, again, they were respectful, and I'm screenshotting their username with permission.
This reads as a call for violence. Specifically, it reads as a call for violence that I am saying, and was attributed to me without my knowledge or consent.
This was not the intention of the original post. I was specifically referring to social ostricization, deplatforming, and anger responses, which are the forms of "silencing" that conservatives typically complain about.
Look. Responsible left wing gun ownership is something I support. Calls to extreme action are sometimes warranted. However, I am not qualified to comment on these, encourage them, or communicate about them. Communication of a specific topic is a skill. I do not possess that skill as it relates to guns or gun ownership. There are many, many other activists who do. Miscommunication can be dangerous. I want the most qualified and strongest voices to communicate properly. For this issue, that is not me.
This post isn't even about gun ownership, but suddenly, I'm forced to comment on it. If it seems like I'm pussyfooting around the topic, then yeah, I am- because this post is a little fucking scary on my end, and escalates rhetoric against me and others around me. Again, without my knowledge or consent.
I saw this post and was able to request it be taken down. But by that time, it already had 1.2k upvotes and god knows how many people who had seen it. If I were tagged earlier, I could've asked for that earlier, and I would be a little less jumpy right now.
So please. PLEASE. If you see a post of mine on another platform, please either ping me on that platform or send me a link to that post via tumblr DMs.
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I am sick and fucking tired of the fandomsphere's obsession with explicit canon. A character can be coded to hell and back and people will still refuse to acknowledge it unless the character looks directly into the camera and says "I'm [marginalized identity]."
The Spider-Verse movies made Peter B Parker Jewish and made Gwen Stacy trans. I don't give a shit if it's never said outright. It's canon. Peter B Parker has a Jewish wedding on-screen and shows off Hannukah bling in promotional material. He's Jewish. Gwen has a trans flag in her room and a trans-coded coming-out story that peaks with being cast in clear and intentional trans flag lighting. She's trans. Good on Spider-Verse for giving us solid representation without sacrificing time that should be spent on the characters' stories to bring explicit attention to their identities! The consequence is that you can't say he's Jewish or say she's trans in a public forum without having to pull out screenshots to prove your case.
Those are just two irksome examples from the same franchise, but this happens all the time across all fandom media. If you refuse to accept evidence and coding as proof, then you're perpetuating the idea that privileged identities are more normal and default than marginalized ones. Gwen shouldn't need to say "I'm trans" and Peter B shouldn't need to say "I'm Jewish" on-screen. No character should ever have to do that, because we never expect a character to reveal that they're canonically cisgender or goyishe.
#of course it's not lost on me that this happens with some identities more than others.#characters can have literal decades of Yiddishisms and Jewish coding baked into their characters and not be considered Jewish.#but if a character with darker skin says ¡Ay Dios mío! one single time they can be accepted as canonically Hispanic#i don't know what the difference is but if you have any theories I'd love to hear them
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