#these are just examples I happened to screenshot it happens ALL THE TIME

[waterlilyvioletfog]

I love that like, 60% of the time in A Journey to Love, two people will be having a conversation with like TONS of emotional/plot importance and then bam cut to: FIVE PEOPLE WERE STANDING JUST OUT OF SHOT LISTENING TO YOUR CONVO THE ENTIRE TIME

[matteoberrettini]

the REAL tragedy of having my phone stolen is that i'm gonna have to rebuild my meme folder from scratch 😔😔😔😔

[welcometoqueer]

I haven’t really seen any of the more recent U.S. election news hitting tumblr yet so here’s some updates (now edited with sources added):

There’s evidence of Trump cheating and interfering with the election.

Possible Russian interference.

Mail-in ballots are not being counted or “recognized” in multiple (notably swing) states.

30+ bomb threats were called in and shut down polling stations on Election Day.

20+ million votes are still unaccounted for, and that’s just to have the same voter turnout as 2020.

There was record voter turnout and new/first-time voter registration this year. We definitely should be well over the turnout in 2020.

U.S. citizens are using this site to demand, not only a recount, but a complete investigation into election fraud and interference for the reasons stated above:

Here is what I submitted as an example:

An investigation for election interference and fraud is required. We desperately need a recount or even a revote. The American people deserve the right to a free and fair election. There has been evidence unveiled of Trump cheating and committing election fraud which is illegal. There is some evidence of possible Russian interference. At least 30+ bomb threats were called in to polling places. Multiple, notably swing states, have ballots unaccounted for and voting machines not registering votes. Ballots and ballot boxes were tampered with and burned. Over 20 million votes that we know of are unaccounted for. With record turnout and new voter registration this year, there should be no possibility that there are less votes than even in the 2020 election.

Sources (working on finding more links but if anyone wants to add info, it’s appreciated):

FBI addressing Russian interference and bomb threats:

Emails released by Rachael Bellis (private account, can’t share original tweet) confirming Trump committing election fraud:

Pennsylvania's Centre County officials say they are working with their ballot scanner vendor to figure out why the county's mail-in ballot data is "not being recognized when uploaded to the elections software:”

Wisconsin recount:

[ID:

Multiple screenshots and images.

The first is a screenshot with a link and information for contacting the White House directly regarding election fraud. The instructions include choosing to leave a comment to President Joe Biden directly and to select election security as the reason.

The screenshot then instructs people to include any or all of the following information in a paragraph as a comment to the president:

32 fake bomb threats were called into Democratic leaning poll places, rendering polling places closed for at least an hour.

A lot of people reporting their ballots were not counted for various reasons.

This all occurred in swing states.

This is too coincidental that these things happen and swing in his favor after months of hinting at foul play.

Directly state that an investigation for tampering, interference, fraud is required, not just a recount.

The second image is from the FBI Twitter account that reads:

The FBI is aware of bomb threats to polling locations in several states, many of which appear to originate from Russian email domains. None of the threats have been determined to be credible thus far. https://t.co/j3YfajVK1m — FBI (@FBI) November 5, 2024

The next four Gmail screenshots of an email sent to Rachael Bellis from Chris T. Spackman that read together as follows:

Dear BELLIS, RACHAEL E., The Dauphin County Board of Elections received a challenge to your absentee ballot you applied for in the November 5, 2024 General Election. The challenge argues that a provision of the Pennsylvania Election Code takes precedence over the federal Uniformed and Overseas Citizens Absentee Voting Act (UOCAVA), which requires states and counties to permit U.S. citizens who move overseas to vote by absentee ballot for federal offices based on their last U.S. residential address.

The full text of the challenge that was filed appears below this email.

You may respond to the challenge in any of the following ways:

1. Call the Bureau of Registration and Election at (717) 780-6360;

2. Email a statement to the Bureau at Election election@dauphincounty.gov. Any statement you submit regarding the period during which you lived in Dauphin County, any family or connections that you still have here, and why you are now residing abroad would be read into the record.

3. Appear in person at a Board of Elections hearing scheduled for Friday, November 8 at a time to be determined in the Commissioners Public Hearing Room, 4th floor of Dauphin County Administration Building, 2 S 20d St, Harrisburg, PA 17111. The meeting is also likely to be livestreamed on Facebook on the Dauphin County channel.

Sincerely,

Christopher T Spackman

TEXT OF CHALLENGE BEGINS

Dear Dauphin County Board of Elections,

I am submitting this challenge to an absentee ballot application pursuant to 25 Pa. Stat.

3146.8(f).

25 Pa. Stat. 3146.8(f) Any person challenging an application for an absentee ballot, an absentee ballot, an application for a mail-in ballot or a mail-in ballot for any of the reasons provided in this act shall deposit the sum of ten dollars ($10.00) in cash with the county board, which sum shall only be refunded if the challenge is sustained or if the challenge is withdrawn within five (5) days after the primary or election. If the challenge is dismissed by any lawful order then the deposit shall be forfeited. The county board shall deposit all deposit money in the general fund of the…

The rest of the forwarded email is cut off.

The last image is a screenshot of the official statement from the Centre County, Pennsylvania Board of Commissioners released on November 6, 2024 that states:

Centre County Working with Ballot Scanner Vendor to Export Election Results.

(Bellefonte, PA) -Centre County Elections Office is working continuously to provide mail-in ballot data in order to post unofficial results.

To this point, all ballots have been scanned, including all mail-in ballots.

Centre County's Election team and IT team have identified that the data are successfully being exported from the mail-in ballot scanners, but that the data is not being recognized when uploaded to the elections software.

Centre County's Administrator, John Franek, Jr. stated, "We have not stopped working, and we will continue to work until unofficial results are posted and reported to the Pennsylvania Department of State."

As a next step, Centre County has begun working with the equipment vendor to adjust configurations to make the two systems-the mail-in ballot scanner and the elections software where data are uploaded -compatible with one another.

We will provide updates as we make progress.

/end ID]

[bennetsbonnet]

I came across this screenshot of a YouTube comment about Pride and Prejudice on Pinterest ↓

Ordinarily, I don't go out of my way to pour scorn on other people's interpretations, and certainly not without good reason. But this one really, really irked me.

I don't know what's more depressing; that someone interpreted Mr Darcy and Elizabeth's dynamic in this way, or that 12,000 people apparently agreed...

...because there are two major problems with this interpretation:

Firstly, Darcy is an asshole.

Secondly, he's very much not a stupid man.

This isn't just my opinion. This is canon.

Elizabeth doesn't think Mr Darcy is a terrible person because she happened to feel like it one day. Darcy gave her every reason to think he had absolutely no redeeming features. I mean, their very first interaction, before (contrary to what adaptations portray) they had even said a single word to each other, was when he insulted her.

Not only that, Darcy knew what he was doing, as this excerpt from chapter 3 proves:

'Turning round [Darcy] looked for a moment at Elizabeth, till catching her eye, he withdrew his own and coldly said: “She is tolerable, but not handsome enough to tempt me; I am in no humour at present to give consequence to young ladies who are slighted by other men. You had better return to your partner and enjoy her smiles, for you are wasting your time with me.'

Darcy wanted Elizabeth to hear him. There is no mistaking that. Yes, Elizabeth should have listened to the repeated warnings she received from others that Wickham was not all he seemed and that, perhaps, Darcy wasn't so bad... but you can completely understand why she was prejudiced against him. I wouldn't forgive someone saying something like that about me in a hurry.

There are other examples of Darcy's rudeness to Elizabeth. His tone of voice is described as 'grave' and 'cold' when they dance at the Netherfield ball in chapter 18; when he visits Hunsford Parsonage in chapter 32, he ends their exchange in a rude manner '[Darcy] experienced some change of feeling; he drew back his chair, took a newspaper from the table, and glancing over it, said, in a colder voice: “Are you pleased with Kent?”' and there are too many examples in the proposal in chapter 34, but for me the worst is, 'towards him I have been kinder than towards myself.'

If a man implied that separating my beloved sister from the man who loved her, was kinder to them both than the agony of him proposing to me... well, I don't think he would've walked away from that exchange. Elizabeth Bennet you are a better person than me.

Regarding the other point: Darcy's intelligence is never questioned. In fact, the narrator devotes time to ensuring we understand that in chapter 4:

'In understanding, Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well-bred, were not inviting.'

Again, this man knew exactly what he was doing. He wasn't sorry about any of it, and he certainly was not 'internally crying.' Mr Darcy was a conceited, spoiled rich man who needed to be made aware of his flaws and reflect on them in order to become a better person; or at least, improve enough that he ceased to give the impression that he was not, at his core, a compassionate man with many great qualities.

At the same time, Elizabeth was not a poor, innocent angel who was slighted by a man and who subsequently never did anything wrong. She didn't deserve to be on the receiving end of Darcy's unpleasantness, no; but she, too, was absolutely blind to her own flaws... until she read Darcy's letter.

I just think that if you don't grasp this fundamental aspect of their respective personalities and subsequent interactions, then how can the payoff possibly be satisfying?

Pride and Prejudice is, amongst many other things, a story about two flawed people whose love for the other shapes them into the best possible versions of themselves. It's really beautiful and it's a shame to think such a key part of it is being misinterpreted.

[raven-at-the-writing-desk]

This is off topic but the switch direct featured a game called Disney villains cursed café, and it got me thinking, what if Yuu ran a café in twst

I saw the trailer myself and instantly thought of Twst! 😭

Maybe Yuu wouldn’t be able to have their own café (lack of capital for startup), but they could be the Mostro Lounge’s barista or something? They have what appears to be a bar-like area:

It could be considered a part-time job to supplement the monthly allowance Crowley gives Yuu! It’d also be a good way for them to spread the Magic of Friendship and interact with the student body way more than what is shown in the main story.

If that part-time job goes well and Yuu enjoys it, maybe it could be a viable career path for them once they graduate NRC (assuming they don't find a way back to their world)? With a degree from a prestigious arcane academy + connections built by then, Yuu could surely net some financial backers and set up shop in Foothill Town (or even on NRC campus!). They could even have drinks and sweets themed after the dorms of inspired by their classmates. Since a lot of the expendable items in Twst gameplay are edible, it would also be so cool if Yuu recreated them for their business. Friendship Popcorn, Leaping Macarons, Rich Card Cookies, Limelight Waffles, Lucky Cupcakes, Starshards, Friendship Tea, Secret Snacks, breads drizzled with Blooming Honey, etc. It sounds like the beginning of a cozy fantasy novel www

In Disney Villains Cursed Café because I want to talk about how silly it is, you play the part of a "potionista" and serve magical brews to various Disney villains in a modern setting. Your choices will influence the villains' ambitions and result in different things happening in their storylines! Some stories teased include:

Gaston attempting to impress his golfing buddies

Hook wanting to be the star of a community theater production

Maleficent seeking to dominate on social media

Ursula becoming a reality TV sensation

The art style is very stylish, and I'm always a sucker for games involving food and fairy tale motifs 🤡

Some customers you'll meet include Ursula, Gaston, Jafar, Captain Hook. Cruelle De Vil, and Maleficent (in casual wear!). asdbasoydasd The Mistress of Evil using her staff as a selfie stick in the promo art makes me laugh a little 😅 Gaston looking preppy and athletic is also super fitting, but Jafar looks so different in a hat and suit that I had to do a double-take when I first saw him.

If you pay close attention, you'll also find Easter eggs in the decor and background! For example, Flotsam and Jetsam are in a glass container on the left of your counter, and the Magic Mirror seems to be mounted on the right. You'll find customers seated at tables and enjoying their drinks (JAFAR WHY ARE YOU HUNCHED OVER LIKE THAT... I also spot what seems to be the Evil Queen in one screenshot?)

Yzma also makes an appearance; apparently, she helps you with ingredients upgrades to make even more powerful potions.

THIS IS SO SILLY... My brain is just superimposing the NRC boys in these scenarios and that magnifies the silliness 😭

Ursula's "I went to the beach today and NO ONE wanted to make a deal with me" gives Azul being dramatic on an NRC school beach trip energy OTL Maleficent wanting to be a social media influencer is so ironic given that Malleus doesn't know how tf to use technology and regularly breaks phones... Vargas going on a golfing trip... Crewel wanting a hot brew to take the edge off of dealing with unruly pups all day... TWEELS CRAMMED INTO A JAR FOR THE AESTHETIC... Paparazzi trying to sneak a photo of Vil at a café... Jamil being a chuuni by declaring his drink teleports him to a powerful lamp, only to reappear a yard away under a ceiling fixture lamp... This just SCREAMS of the NRC students/staff terrorizing a local business/j Not me hoping that fan artists do crossover art/art inspired by interactions in this game...

[championari]

So I’m constantly thinking about Charles and how he could eventually meet Edwin with his feelings.

Here’s something I realized: Charles, despite constantly talking about things he miss, things he wants, he actually has a complicated relationship with desire as a concept.

How I would put it is by taking Supernatural as an example. There’s an episode in Season 5 where the boys meet Famine, a horseman of the apocalypse. However, Dean is not at all affected by him. It’s because due to being the older brother, and a Hunter, Dean was never allowed to consider acting on or even having desire for anything.

You can see where I’m going with this. Charles, like Dean, doesn’t actually believe he should want anything, due to “not being good enough”.

This is something actually touched on subtly in the show through the acting. When Niko says, “I know what it’s like to want something you can’t have.” Edwin directly looks at The Cat King’s bracelet, while Charles stares off into space. When Tragic Mick describes Angie’s light as enforcing a sense of yearning, Edwin looks at Charles, while again, Charles looks off blankly (can’t access screenshots right now). Edwin knows what he wants but is scared of it, while Charles doesn’t know what he wants because he can’t allow himself to consider it. This gives an entirely new meaning to Charles’ hatred of the Cat King. A supernatural entity who describes his kingdom as being about “want and pleasure”. Thomas is the encapsulation of everything Charles was never allowed to have. Charles chases after things that he knows he can’t have, romancing a living girl despite knowing she will eventually leave. Charles can’t consider returning Edwin’s feelings because that would mean he’s been running away from what’s been in front of him the whole time. That what he wanted was always there, at his lowest point, when he thought he deserved it least.

Returning Edwin’s feelings means he was already enough. And Charles can’t imagine that yet.

While I would obviously adore an interaction between Charles and Desire of The Endless, ultimately I don’t think it would do anything. Like Dean, Charles might be completely unaffected by them because he’s spent most of his existence building walls around his desires. Edwin was completely blindsided by Thomas because he never even considered having to think about Desire due to having no attraction to women and that being the dominant narrative of his time. Charles pursues Crystal because he still wants to feel like he has a chance at “normal life” (which as I said is self-punishment by throwing himself at something he knows he can’t have). To accept that he’s in love with Edwin would mean no longer pursuing a living person. Edwin would be it for him, which he kind of already gets but it hasn’t fully sunk in yet. Just like his death

There's also this exchange that drives me nuts:

"You gave up tranquil eternity…for your friend?" "Does that sound like someone who belongs in Hell?"

THIS. MAKES. ME. INSANE. Because Charles, like he always does when confronted with his own wants, completely avoids it. He doesn't respond to The Night Nurse's obvious confusion as to why he ran from Death, and instead turns the conversation back to Edwin. He makes it all about what Edwin deserves, not what Charles saw in Edwin that led him to make that choice. You could say this is practical as time is of the essence, but I think that's the point. Charles throws away the chance to explain his viewpoint on their first meeting, the consequences of his choice to run from Death with a boy he just met and knew for a few hours, and instead remains single-minded on Edwin's safety. Like when Edwin reasonably questioned, "Why are you getting angry?" when he began freaking out over Thomas getting close to Edwin, he says nothing.

There's just so much happening in that head that I can't stop thinking about.

[vavoom-sorted-art]

I was very anxious and afraid to speak about this, but I realize that my last posts weren't a good or sufficient way to address what happened. I want to be open about the things that were posted about me and some other community members in February.

However, I don’t want to make this about anyone else who was involved in this conversation, because they are not responsible for anything I said, just as I cannot take responsibility for the words of others and the interpretation thereof. This post is solely about me taking responsibility for my own words.

In a private conversation on discord I made a joke about Aziraphale not understanding asexuality (in a rather aphobic way) that sounds very much like a Sexual Assault joke.

I want to make one thing very clear to the people who don’t know me as closely: I don’t enjoy non-con in any way, neither art nor fic, I don’t believe that ace people need to be “proven wrong” and I’m sorry if I came across this way.

Secondly, I know that making jokes about these topics is very much not funny to a lot of people, but this was clearly a joke made in a safe space among friends and not a public statement of any kind. We all have different filters when talking to those close to us compared to speaking in public. This was never supposed to be an attack on my ace followers and doesn't mean I hate ace people, or that I don’t care about what victims of Sexual Assault go through. To everyone who felt hurt after seeing that screenshot, to everyone who feels disrespected or unsafe because of what I said: I’m sorry.

In the one-and-a-half years that I've been part of the Good Omens fandom, I've always strived to be kind and welcoming to everyone and I will continue to do so in the future as I very much appreciate this about the Good Omens Fandom. I don’t harass, bully or discriminate against anybody and it's sad to see that people would believe such things about me.

On the other hand, I'm honestly shocked how far some particularly bad actors would go, including posting screenshots of private conversations (including the above screenshot), attempts of doxxing me and even trying to compromise my college education by attempting to contact my university in order to slander me, as well as actively sabotaging my thesis project. Something else that clearly crossed all lines was the harassment of completely unrelated people who are in some way associated with me. Dragging innocent people into the drama, for example other artists whose work I reblogged or the mods of a subreddit I posted on just because they tolerated my presence, is not justifiable and absolutely unacceptable, and I do not want anyone to go through these same things I just described.

If you, based on the joke I made, this statement, as well as my general online presence, have the feeling of no longer wanting to support me, you’re free to block me and cancel your Patreon subscription, but this kind of toxicity goes a step too far. 

In the future, I want this blog to continue to be a safe space for joy, inspiration and creativity. Especially in times like these with fascism on the rise in many places in the world, we need to stick together and stop tearing apart our own communities. To anyone who read this far and heard my side of the story, thank you for listening.

To everyone that was lucky enough to miss the entire situation: I realize that people do come here for art and fun and not drama, which is why this is the last time I will speak about it.

[grunckle]

On stars, guardians, and Rain World’s cosmology.

One aspect of Rain World lore that’s asked about quite a lot but normally never gets satisfying answers is the topic or Rain World’s space/universe/cosmology. Despite first impressions though, there’s a lot more it than meets the eye, so I thought I would compile most everything we know about it.

For one, to get it out of the way, Rain World isn’t on a planet, and its universe is fundamentally different from our own. This is something Joar has talked about on occasion.

He also said on an earlier dev log how Rain World functions more like a fantasy world where it doesn’t hold much relevance than a real sci-fi like planet.

“Oh, another thing - Rain World isn't a planet lol Cheesy Or I guess it might probably be on a planet, just as Lord of The Rings, Sex And The City, Zelda and Frankenstein's Monster are probably technically on a planet, but just as in those examples the planet aspect isn't really relevant at all. Rain World is more of a fantasy world or a dream world, not somewhere you can go in a space ship ~”

But even if it’s not incredibly relevant, it’s clear a lot of thought was put into Rain Worlds fictional cosmology, this was even mentioned by James.

So, that being said here's what we know about Rain World's cosmology in game.

The biggest indicator of Rain World's unique cosmology is that the Farm Arrays deep pink pearl just mentions celestial spheres, which are aspects of older cosmological models.

"This one is just plain text. I will read it to you. "On regards of the (by spiritual splendor eternally graced) people of the Congregation of Never Dwindling Righteousness, we Wish to congratulate (o so thankfully) this Facility on its Loyal and Relished services, and to Offer our Hopes and Aspirations that the Fruitful and Mutually Satisfactory Cooperation may continue, for as long as the Stars stay fixed on their Celestial Spheres and/or the Cooperation continues to be Fruitful and Mutually Satisfactory." ...May Not as long as the Stars stay fixed on their Celestial Spheres Grey Hand, Impure Blood, Inheritable Corruption, Parasites, or malfunction settle in Your establishment."

More subtly, there's also a mention of the ground colliding with the sky.

"If you leave a stone on the ground, and come back some time later, it's covered in dust. This happens everywhere, and over several lifetimes of creatures such as you, the ground slowly builds upwards. So why doesn't the ground collide with the sky? Because far down, under the very very old layers of the earth, the rock is being dissolved or removed. The entity which does this is known as the Void Sea."

You could chalk this line up to flowery language, but considering the presentation of the rest of the dialogue, it sounds more like an actual aspect of this world.

We know from the Chimney Canopy echo that the sun rises.

"From within my vessel of flesh, I would perch upon this spot to observe the rising of the sun."

And from the top of The Wall we can see the moon and stars (confirmed to be stars by Joar in the previous screenshot, instead of satellites or something else) , which are green!

So, what does this all mean? I think we can entail a few things with what they've given us.

For one, the mention of the ground colliding with the sky implies some sort of firmament, which isn't an unusual concept in the general realm of celestial spheres.

But on the topic of celestial spheres, the pearl actually isn't the only place we see the concept. Guardian halos are very similar to depictions of celestial spheres, and also astrological clocks.

You can make of this as you will, perhaps the astrological references being tied to guardians could hint at the nature of karma, but there isn't much to really delve into that idea.

For what it's worth, celestial spheres are also core concepts in Gnosticism, which Rain World is heavily inspired by. I explain it more in this post about Void Worms, but for a quick synopsis in Gnosticism there are seven planetary spheres, and an eighth above them; the planets and stars are fixed to their spheres. These things just further cement the fact that celestial spheres seem to be a key aspect of Rain World's cosmology, and it would also likely imply it's universe follows a geocentric model.

For a bit of a more out-there theory, people have pointed out how the view atop the wall stretches really far, going far beyond what we could see on a spherical planet like Earth, which has led some to theorize that the world is also flat.

But what is probably the most important aspect of Rain World's cosmology is the nature of dust. Dust builds up, and the bedrock of the world is eaten away at by the Void Sea. Civilizations rise and fall into the sea as new ones are built above it. Many, including myself, believe that the world exists in a sort of state of equilibrium. The world is dissolved from the bottom, then that falls back on the world as dust; even in the final moments of the game we see dust suspended in the void sea depths.

And hey, even void worms are described as being star-like.

"Oh, interesting. This is a diary entry of a pre-Iterator era laborer during the construction of the subterranean transit system south of here. In it they describe restless nights filled with disturbing dreams, where millions glowing stars move menacingly in the distance."

Cyclical, recursive, something else entirely? We can never really pin down the true nature of Rain World's cosmology, but the things we do get hint at something strange and unique. It's such an interesting aspect of the lore, and it seems like Videocult will continue to make mysterious cosmologies in their future projects...

[wisteriasymphony]

But .. isn’t there already meaningless sexual violence for shock value in your story ? ? With Emmy at least. I’m probably wrong but I haven’t kept up w the AU . Also I don’t think some of those anons meant for shock value , but because Gabriel has said some weird shit in the past that some can’t help but view in a disturbing light .

For starters, the overwhelming majority of any focus on Emmy and Gabriel is written mostly in implication and is never graphic. I guess I should clarify that the few asks I got had tones similar to smut, based on what was emphasized and omitted etc, and that's never what I'm going for with any of the characters. A lot of the graphic stuff comes off almost like jumpscares to me?

If you're going to, say, sodomize someone with a fashion awards trophy, I'm always going to say it will be more effective to only have it almost happen. That way, the readers are always left with the implication that it's always a possibility, but never given the release of tension of reading it happen. Imagination is a powerful thing, and it's usually going to be more effective if the monster in the dark is never given a face. TL;DR It's a matter of building horror through tension and release (or lack thereof).

Second of all, establishing lines of motive goes a long way, and a lot of the asks were just throwing out ideas based on what would be the most extreme situation without taking in account the characters themselves*.

For example, it is paramount that anything Gabriel does to Emmy is out of a desire to recreate his relationship with Emilie (and, secondly, maintain the power he has now, which inevitably comes into conflict with the former). And it's extremely important that explicit sexual violence is not the only way this can be demonstrated! A great example of this is in Chapter 3:

Then was the makeup: Gabriel had gotten a particular knack for painting Emmy’s face, like one would a doll, meticulously drawing brush strokes over her round cheeks and holding her head still as he raked mascara through her lashes. Gabriel’s grip on Emmy’s head was uncomfortably tight for the lipstick, in particular, his fingers pressing her jaw thinner as he puckered his lips out as if demonstrating what she was ought to do for him. His eyes, too, lingered on the shape of Emmy’s lips for quite some time, and as he finished Emmy got the sickening implication from the way his mouth stretched into a grin that M. Agreste wanted to immediately smudge his work… and was only showing just enough temperance to restrain himself.

This is a clear example of Gabriel using Emmy as a tool for his whims, in a manner that is not inherently harmful (doing someone's makeup), and yet is made creepy through context and implication. Anybody could make the fashion-trophy-sodomy uncomfortable, it's already an uncomfortable idea. It's the wrongness of Gabriel shouldering Emmy with expectations of a dead woman that makes the abuse interesting, for lack of better terms.

Extra example of what I mean, based on the above screenshots:

"Oh, I missed you," Gabriel slurred out, running his fingers through Emmy's hair. "My gorgeous, gorgeous girl, how I missed you. It drove me absolutely mad." Emmy just sucked at her teeth as she watching Gabriel's head and the way his drunkeness made it nod, his cold blue eyes hidden behind a half-lidded gaze of adoration. Her stomach turned. Gabriel giggled as his hand moved from her hair down the slope of her jaw to hold her cheek, seemingly in awe of Emmy being real and in front of him at that very moment. "What else can I even say, sweetheart? I'm just so glad to have you back." Emmy didn't remember the last time she had been out of Gabriel's sight, and even when she had been she never thought it had ever been for long enough to warrant being missed like this. Frankly, Emmy would've liked it more if Gabriel didn't miss her at all. The way he pet her was too soft, the stroking of his hands almost made her skin itch.

Motive is also incredibly important with Gabriel and Gege as well. Gabriel doesn't exactly just dole out mistreatment willy-nilly; If readers aren't able to pick up on why he, in his head, thinks of his actions as justified, it's going to feel meaningless. Gabriel's abuse of Gege largely comes down to self-hatred, and if anything he's going to punish Gege for perceived 'disobedience' (talking back, stealing fabric or fashion supplies, not conforming to some ludicrous standard of well-mannered-ness, generally anything that reminds Gabriel that he used to be some rowdy boy from a hick town up north). That, I think, needs to be made clear whenever Gabriel and Gege is brought up.

So yeah, there's my thoughts on that.

*As a final note, I'll clarify some highlights of the asks included the trophy sodomy, things where Gege and Emmy were forced into exhibitionism (which runs directly counter to Gabriel wanting to preserve his relationship with '''Emilie''' as much as possible and not wanting Gege to insert himself into it), and stuff where Adrien was involved in sexually explicit ways with the other sentikids. Like, the whole point of Adrien is that he's forcibly made entirely oblivious to everything going on in the house, either through Gabriel using the amok to wipe his mind or Gege and Emmy just refusing to speak about Gabriel when Adrien is around. That's what I mean by the "shock value".

[mismatched-ideas]

Okay. So I don't think this is going to be groundbreaking for anyone, but I need to get the thoughts out of my head.

I, like everyone, loved this so much:

But, it has made me think too hard about Shin's need for attention and validation.

The "you're actually pretty useful" line is obviously a sign that for the first time, at least in a while, someone is praising Shin for his telepathy. I'd be willing to bet we'll get more of that in future chapters.

We know from earlier that at this point, he really dislikes his ability even though when he was younger, he insisted Asakura shouldn't be upset about Shin's powers.

(That said, I think there could be some retconing happening here since I don't think the ages would match up, but Suzuki didn't give a specific timeline for the scenes in the lab flashback, so I could be reading it wrong. It's been 11 years, though, so Asakura also could not have a perfect memory/be condensing things. Regardless....)

My read on him saying "aren't you even happy about it" and "your research isn't stupid" to Asakura is not just because he's always supported his research, but also because now his wanting to reverse it feels like there was something wrong with him. What it seems like he's really saying is "aren't you even happy to have me around" and "I'm not stupid."

He's also a kid who obviously wants attention. Growing up as the only kid in a lab of adult scientists probably had something to do with that. Then, on top of that, there's the alienation because of his telepathy.

I feel like younger Shin, to some extent, didn't really think that a blood relation was the only person who could accept him. More, I think he convinced himself of that after feeling rejected by the people in the lab.

Like, talk about attention seeking behavior. He tries to provoke a reaction from Sakamoto any way he can, even if he fully expects that reaction to be negative. I'm sure in his time away from the lab his alienation and loneliness has only grown given he now has nobody.

But he doesn't get any negative reactions from Sakamoto which, at first, frustrates him. But, that then leads to the greater satisfaction of the positive reaction he receives later.

Before that can happen, though, he finally finds his father. At first, he acts like he doesn't even know who Shin is.

If this panel didn't absolutely crush you, I don't know what to say.

Then Sakamoto rescues him and even though his thoughts reveal he wasn't thinking that was (that said, we know Sakamoto, and seemingly other skilled assassins, can pretty easily hide his thoughts from Shin, so who knows if that was just him trying to remain detached) I think for Shin, it was still a meaningful connection, something he hadn't had in a while.

Now! My point to this is, for me, it really recontextualizes a lot of Shin's actions in the present.

He craves attention and validation. Not just from Sakamoto Taro, either.

When he feels he isn't useful enough, he apologizes.

There are definitely more recent examples of this, too, but I need to stop taking screenshots at some point.

All of this culminates into what I think is even sadder upon second reading, when Sakamoto tries to go to Thailand alone.

He is so hurt by this. But even after Aoi has to help Sakamoto realize he's just scared of losing the people he cares about (again), Shin still feels bad, like he did something wrong.

He's still such a kid, looking for validation from the father/older brother figure he's wanted his whole life.

I could go on about how I think there's something to the idea that being a telepath from such a young age could also mess up someone's ability to judge other people's feelings. After all, outside of people like Sakamoto and Nagumo, Shin has no trouble knowing what the person is feeling.

My final thought is, given all of this, my heart is breaking thinking about Shin first learning Sakamoto has retired and, it seems, disappeared. How much did he know? Did Sakamoto leave any note? He's not the most emotionally developed person (I mean, he had no parents and it seems like he was basically raised to be an assassin, so I don't blame him). Not to mention he would've been wary of creating connection and so, consciously or not, may have downplayed his and Shin's relationship.

Shin would've been 15 or 16 when Sakamoto retired. Can you imagine how that must have felt? I'll just remind you of this:

I'd be willing to bet Shin blamed himself when Sakamoto retired. After all, what did his dad say?

Why did he leave the lab?

And, in the end?

(if you want to see my additions from ch200)

[andivmg]

is it bad i wish people would give examples of how dream is “manipulative”?? because the examples I am seeing right now are just him over explaining himself

tw/ drama, sa mention

i can give you one example but you have to bear with me here, it’s kind of hard to explain through text and i can’t give full context because it would drag other people into it and i don’t want to be messy.

edit: i added a division here bc i don’t want to see all that when scrolling through my blog lol

the following screenshots are taken from a conversation we had in july 2023, where he messaged me after 7 months of no contact and basically tried to make me apologize to him after he ghosted me. i have since blocked him and deleted his number (i had to dig through my friends’ group chat to find these screenshots). the conversation was extremely long and if i wanted to dissect it fully i’d have to make an hour long video on it and and tbh, i don’t care that much so this is what we’re working with.

for at least some context: the “she” being referenced is a former mutual friend who informed me that he had a gf the whole time we were talking (i have since learned that might not have been true but with him who tf knows). The name blocked out is her boyfriend, who is his friend. and the block of text covered is just him yapping and name dropping too many people. also i guess to give him some grace, he had just gotten surgery and told me he was high off pain meds, which is why he was messaging me.

here we go

“your memory is wrong”

this is referencing the day i was told he had a girlfriend. that day, the girl and i went to get our nails done and during that time, she informed me of the situation. as you can see in the message, i had texted him saying that we had those plans that day. he never replied to it. like seriously, that was the last message i ever sent him before blocking him a few weeks later. so, in this context, him saying my “memory is wrong” is textbook gaslighting.

“i swiped to look at to give you the chance to bump it, which you never did.”

now… huh?????? tbh i’m still confused about this bc he’s basically admitting that he didn’t reply to my message after saying that he didn’t ignore me. so, contradicting himself there and making it seem like it was my fault that he didn’t respond.

“you can unblock me on snap”

as we know, he has a history of having conversations with girls and other people exclusively through snapchat in order for him to say whatever he wants because the messages disappear. i guess he had a point there bc here we are. you could see this in his favor, but i see it as a way for him to avoid any accountability whatsoever for the shit he says. he was trying to move the conversation over to snapchat, i guess to avoid exactly what is happening now: evidence of him being a slimy little shit.

“I was the only one actively trying to keep you in the friend group despite even backlash from others for it”

now this one just pissed me off at the time. after getting out of an abusive relationship (which all of our friends knew about btw) everyone continued to hang out with my ex instead of me because: a) clout and b) they had been friends with him longer. here, he tried to make it seem like he was doing me this huge favor by still talking to me and “keeping me in the group” (which he didn’t btw). now, at this point he already knew about my sa, he knew about all the shit that happened in the relationship, and he still wanted me to be in a friend group with the man who put me through all of that, his other friends, who made super weird sexual comments about me on multiple occasions, and other people who enabled all that shit. then, he tried to make it seem like he was doing me a favor. insane and manipulative.

i hope this helped, anon. i kinda had to relive some shit in order to provide this for you but i think it’s the only example i could give from my situation in which he was being manipulative. i think these are pretty good examples and i hope it wasn’t too confusing without all the context.

[babykittenteach]

Re: Theft

You ever watch a crime drama where a detective is going around trying to talk to witnesses and everyone's too scared to say anything?

Okay, imagine basically a year of that.

Last April is when I noticed first that he'd basically yoinked some tags I left on another person's post to make his own post. Then I saw him do something like that to someone else that I didn't know and couldn't talk to.

Then I saw someone post about their fic idea they were working on, people reblogged all excited, including me. Then about an hour or so later PCCP began his own fic with the same idea.

The general post yoinking kept on for a while, and then I assume people know at this point that the fic thing happened to [a writer] I talked to [a writer] privately about it and encouraged blocking. They worked it out privately and I was asked to not pursue. Out of respect, I did not, but I kept paying attention, and I especially was not fond of the guilt tripping way PCCP talked about this.

This was roughly around the time bizarrelittlemew noticed he'd basically rewritten a post from someone else and reblogged the original so they were doing the rounds at the same time. A screenshot of that "coincidence" made the rounds as a funny post? Which was baffling to me.

I talked to at least two other authors who also didn't want to do any kind of confrontation. Add to that a couple other people who'd noticed he was taking post ideas. Still, no one wanted to go anywhere with it. Meanwhile, random fics happened that sounded similar to others --spaceship plots, BDSM clubs, etc. You can probably find these.

Last summer, I posted my first major fic for this fandom, on an account I actually had not intended to link to this art account. (I sort of wanted the writing to stand on its own, and also, I usually post fluffy things for art while writing can get messier.) That made me a no name, and the fic wasn't immediately noticed, but shortly after, I got a kudos from PCCP. And knowing what he had done to other people, I decided to own the fic on this relatively large account so that if he did anything he'd know it was me. And he did. The next day after kudosing the fic, he took a joke from it about Stede falling through the roof to make his own short tumblr fic. A little after that he messaged me to say he really loved my fic and was working on leaving a comment. That never happened, and I was unwilling to talk to him further privately because I have had experience with manipulators that will threaten you with their mental health. If I were going to confront him, I'd prefer witnesses.

This messed me up pretty bad, btw; I was previously in a fandom where someone just search and replaced my entire fic to be about a different ship. That was September.

In October, I was posting my own personal rewatch of S2, and I made a joke about a misheard lyric in part of my large post. A few hours later, PCCP made the same joke its own post. I lost my temper and tried again to talk to people. No one was particularly willing, and I didn't think at that point that any of the examples I personally had the right to share with people, since I'd been asked to drop it by others, would convince anyone.

So, I blocked him outright. The only reason I hadn't before then was because I was still trying to keep track of when he did this shit to people, and like motherfucking clockwork I get a message alerting me that he was posting a Woe Is Me spiel about getting blocked. Also, he was apparently soliciting donations in exchange for fic. Which is, you know, bad.

You'll notice I'm still being vague about examples, because I was asked to leave people out of it. Repeatedly. So I am. If you want more, you'll have to hope other writers come forward.

And basically none of this matters compared to racefaking and tumorfaking, but maybe it gives you a picture of someone with no fucking respect for other people who is willing to manipulate them to avoid consequences.

[bamsara]

I dont know if it was intentional but I love that Narinder when he sees Lamb throwing up he turns gentle and pushes their wool and ears back so they dont get stained with vomit and for some reason it reminded me of how when Nari was throwing up too after the nightmare he had when they were on route to fight Leshy, Lambert helped him with camellias for the nausea.

Ahh, parallels. I think.

IM SO GLAD YOU POINTED THAT OUT allow me to ramble for just a moment.

Narinder was trapped in the Afterlife for over 1000 years, with little social skills and plagued by wishing for vengeance and his only company being two kittens who become disciples under his rule. He has terrible social skills, if not lacking them entirely.

(I would argue that Aym and Baal also have horrific nonexistent social skills, so those three cat's can't really help each other communicate properly to anyone else outside themselves.)

It can be argued that since The One Who Waits had other vessels to pass time and try to kill /annoy his siblings before the prophesized Lamb arrival, that he would have developed them a little bit more, but I would argue that the power balance would have been oodles more severe since the vessels weren't the promised one. He didn't need them, so if they no longer were of service or disobeyed him, he got rid of them. Whether just sending them out or killing them, any how.

Lamb, however, knows they are the last Lamb, the prophesized liberator of The One Who Waits, and therefore his only option. They knew that they were his only reasonable way out of there (whether they asked for it or not) so they were oodles more comfortable than how a professional relationship would have been.

So they asked questions, bothered him, played and ran around him. Complained and vented to him. Yapped and yapped. What is he gonna do? Kill them? Find a new vessel? He can't. "You're as trapped into this prophecy as much as I am, so let's be friends"

Example parts from Chapter 3:

The power balance equalizes because Lamb did not see his presence a God, but rather a fellow prisoner and victim of fate. Rude and demanding, but in the same chains as they were. 'My lord' was simply formalities at first.

This puts Narinder / The One Who Waits in social situations he hasn't been in (or hardly been in) in over a thousand years, and frankly, he had no idea how to navigate them:

Example from Chapter 5:

The God of Death has not needed to comfort or 'be there' for someone in a long, long time. The Lamb's presence is what forces him to try, even if his first attempt aren't perfect. So in that same chapter, he'll ask them a question to distract them. Conversation. Like how they do it.

While I won't post a screenshot of everytime this happens in written format (not including the dreams/memories/flashbacks that haven't been posted yet)-

The One Who Waits is pushed outside of his bubble when it comes to socializing in a way that isn't just 'God-to-Lowly-Vessal' format. He has to talk to them like a person, because he's being talked to like a person, not a god on a pedestal.

Obviously after the final battle and betrayal (to both of them, otherwise known as the Grand Miscommunication) this means nothing for a while as tempers are still high and feelings are hurt. But overtime, this returns, and can show in small ways (ways that may not seem like comfort but is certainly an attempt) like just in Chapter 18:

Trying to bring them an 'offering' (breakfast) mirroring other times the Lamb has done the same for him:

Crudely offering to replace something they are upset at losing/later offering reassurance abet in a curt way:

And what you mentioned: earlier when the Lamb is throwing up, narration shows they're having trouble with keeping their wool, cloak, bell, ect all back at the same time. He can see that. He has a mental boiling pot explosion over the fact that helping them is even a want that he has after the denial crisis he's experiencing where the only answer a minute ago seemed like he needed to kill them, and he chose comfort.

It is intentional. Narinder is learning how to show care, and allowing himself to show care. Slowly, and not perfect, but learning.

[sanctus-ingenium]

we need to talk about Inprnt.com

Following a really good post with more screenshots and evidence by @dynasoar5 i'm going to talk about my own experiences with @inprnt and why I am about to put my shop on indefinite hiatus from Monday the 14th of August.

First of all I'll say that since starting my print shop last year it has been a significant help to me financially - I was able to not worry about affording car insurance or motor tax (together commonly over a thousand euro) when I bought my first car, for example. I am immeasurably grateful to anyone who chose to buy one and I treasure all the pictures I've been sent of my prints hanging up on people's walls. Right now they are displayed in a real (if small) art exhibition in my home town.

(top right print is not from inprnt though)

They're great prints. Never had any complaints about them. But here's what's going on behind the scenes.

Earlier this year, around March or April, Inprnt sales started increasing in regularity. I'd made as much as $600 a week during previous sales when I made proper promo posts here, but with this increase in regularity, I felt that I couldn't make promo posts every single week. And then one day, I'm not sure when tbh, the sale just never ended. It just didn't stop having that "Ending soon! 15% off your order" banner at the top of the site. Right now it says "Final Hours: $5 Worldwide shipping and save up to 35% off your order!" and not even for a second do I believe in this final hours bullshit. It's been 'final hours' for weeks now. Months, even.

Why is this a problem? Well, how tf am I meant to make a promo post for a sale that is always "ending soon!!" and then never ends. One week it'll say "this weekend only!!" and then when the weekend is over, the sale banner just changes its wording and the sale doesn't end. I can't promo this, it makes me look like a liar and a skeevy salesman by association! It makes the site look like it's 1 week from crashing and burning, and the site owners are just scrabbling to suck as much money from artists as possible before they drown.

And they are sucking money from us. To peel back the curtain, Inprnt money can only be transferred to my paypal account 30 days after the sale is made, just in case the order is cancelled and refunded. This means I used to make one withdrawal every couple of months, when there was enough build-up of money to make it worthwhile. It also forbids withdrawing any sum under $50 btw. I would make a withdrawal request and then, after a 10 business day wait, it would reach my Paypal account.

Not anymore! The past few withdrawals have taken over a month to complete. They are straight up keeping my earnings from me for longer the agreed period. This was my last fulfilled withdrawal:

Note the date.

Almost two months.

And here is the latest withdrawal request that still has not been fulfilled.

It's coming up on 1 month and if the pattern continues, it could literally be November or December by the time I fully clear all sales.

So what's going to happen to my print shop? Because my art is currently being exhibited with a QR code linking to the shop, I can't close the shop this week. Instead I will close it on Monday the 14th of August, next week. That means that on the 14th of September, I can withdraw all of the remaining money without having any left over. My account balance will go to 0 and stay there. Although I'll de-list my prints I will leave my account there, because at the end of the day I don't want to leave Inprnt. It still offers the best artist margins and as I'm now unemployed after graduating, the additional support is such a load off my mind. So this is a chance to wait and see - if they improve their services, I'll happily re-open.

It's a big deal to me because selling prints is sort of my ideal life as an artist. I never had the attention span or self-discipline for commission work and I found that it left me creatively stagnant. I always want to try new things, new concepts and ideas, and being able to think "yeah, people will like this as a print" while I experiment is honestly very reassuring. And I know that in going on hiatus, it'll break a lot of "buy a print" links in my circulating posts. Oh well lmao. If you want to buy a print right now - go ahead, it might be your last opportunity. Another way to support me would be to check out my ko-fi for once-off donations or some nice sketchbooks/comics/book samples you can buy, or subscribing to my Patreon.

As of right now, Inprnt owes me $381 (the unfulfilled request submitted above for $186.60 and my current standing balance of $194.80 which takes 30 days from each transaction to clear).

[cy-cyborg]

Toph Beifong doesn’t hold up as disability representation - Disability in the Media

[ID: A screenshot of Toph, a twelve-year-old girl with black hair in a loose, green and tan short-sleeve shirt and shorts, cheering in an arena. Next to text written in a rough, blocky font: "Disability in Media - Toph Beifong Doesn't hold up as disability representation" /End ID]

Avatar the Last Airbender is one of my all-time favourite TV-shows, and Toph is still easily one of my favourite members of Team Avatar. I was a few years younger than Toph when the show first started airing, and being a disabled kid who was into martial arts, constantly being dismissed by my able-bodied opponents and teachers, meant that I connected very strongly with her right from the get-go.

But upon my last couple of rewatches of the series, I began to come to the realisation that my opinions on Toph as a shining example of good disability representation were... well, pretty heavily influenced by my nostalgia for the show and that many aspects of Toph's character just don't hold up today. Which, honestly is fair, the show is nearly 19 years old (if it were a person in my country, it would be old enough to drink) and I think it's pretty ridiculous to expect every part of every character from an 19 year old show to age well. So today I wanted to talk about the things I think Avatar the original Last Airbender did right with Toph, where I think they missed the mark, and what changes I think would need to be made to Toph to make her work for a modern audience.

So let's start with why I think Toph doesn't really hold up as "good disability representation" today, and the elements of her character that just haven't aged as well.

For me, one of the biggest issues I noticed upon rewatching the show, is how often we are told (often by Toph herself) that she is blind, but how infrequently we are actually shown it's impact on her life beyond her bending or outside of jokey contexts. Outside of her bending, we only ever see her blindness impacting her ability to do things like read or write, otherwise, she functionally has full vision -so far as the audience is informed - with the only exceptions being when she's in the air or water (e.g. on Appa or in the submarines) or in loose soil (e.g. the desert). Having places and circumstances where she doesn't have access to her power that allows her to "see" was a step in the right direction, but I do think it would have been better if her seismic sense wasn't quite as accurate, even in the most ideal of circumstances.

But why? Well, I think Suki explains it really well, long before Toph is even introduced. when Sokka says "I should have seen you as a warrior instead of a girl" Suki stops him and says "I am a warrior, but I'm also a girl". Being a warrior and a woman are both important parts of Suki's character, and only recognising her as one or the other means ignoring a big part of who she is, and the same is true for Toph. Being blind is a big part of toph's character that has informed a lot of her life, but so is being a warrior and bending master. Many people see Toph as a warrior or fighter, but ignore her disability, but both are important. She's disabled, and a warrior, and those things don't cancel each other out, the same way being a warrior doesn't diminish Suki's status as a woman.

When the show was still airing though (and even still today) it was very common to see non-disabled fans of the show exclaiming that they honestly forget that Toph is even blind sometimes, with many people going so far as to say that she's not even disabled (and that this was a good thing). While I do think some of that comes from the fact they weren't used to seeing a disabled character as both disabled and an active participant in these kinds of stories, I do think this mostly happened because of the show's lack of, well, showing the impact of her blindness on her daily life and allowing her earthbending and seismic sense to erase the effects of her disability to some extent. It's much harder to forget a character is blind when it impacts their daily life in ways that are shown to the audience. This doesn't have to be in big, showy ways mind you, showing things subtly but consistently works way better than one "very special episode" type setup.

In the show as it is though, the seismic sense functionally gives Toph a perfect image of her surroundings until it's just not available anymore for *plot reasons*.

[ID: A black and white shot of Toph and how she sees the oponent she's fighting, with shockwaves radiating from him towards her to indicate how she's interpreting the scene. Her foe has jumped into the air and now has his hand dug into the ground of an arena, about to launch rocks towards her. /End ID]

In many ways, her picture of the world is better and clearer than what the non-disabled characters can see, leading to this feeling of her disability being erased. It may have been better though if the seismic sense could give her a general idea of big things in her immediate vicinity but she still missed the finer details, functioning at least a little bit more like a tactile/earthy-vibration version of the limited sight some legally-blind people have in real life. Things like a person's position, movement and overall pose would still be "visible" to her in a general sense, as well as big things in the environment (including things underground, since there are a few plot-points that require that), but smaller things like details about objects and creatures, people's facial expressions or what they're doing with parts of their body that have no direct contact with the ground (like their hands) is less clear. On top of this, she may struggle to detect smaller, lighter objects or creatures that realistically wouldn't cause much of a vibration at all. creatures as small and as light as Momo and Hawky for example might be detectable, but "fuzzy" to her, and anything smaller might make enough of a vibration to tell her it's there when it moves, but not enough for her to be able to tell what specifically it is without some other cue (such as sound). There are a few moments in the show that seem to imply this is what they were initially going for, but it's not really consistent, and is directly contradicted in her debut episode, "the blind bandit" when she explains that she can even "see" something as small as the ants off in the distance.

[ID: A shot of Aang, a twelve-year-old bald boy with an arrow tattoo on his head, dressed in a yellow and orange outfit, standing with Toph at night. In the foreground is an anthill will a trail of ants, which Aang is looking for. /End ID]

With an adjustment like what I'm suggesting though, she still serves her narrative purpose of teaching Aang the importance of being able to wait and listen - possibly even more so, as her needing to wait and collect more information in order to get a clearer image before striking, would back-up what Bumi tells Aang that he needs in an earth bending master. It would also still help to illustrate the connectedness of the world, a theme Toph continues to embody heavily in The Legend of Korra, while still showing the ways her disability impacts her more frequently.

When I talked about the "super-crip" trope a while back, I mentioned that one way to avoid the more harmful elements of the trope (where the character's disability is erased by their powers) is to use the ability in question more like a mobility or disability aid than a straight-up cure. The power should help them, but shouldn't make their disability redundant. People are creative and we would find ways to use a superpower or magic to help with our disabilities if it were available in real life, but what's the point of including a disabled character if you're just going to functionally erase their disability? For a character like Toph, I think this is the kind of approach that should be taken with her. Her seismic sense still helps her, but it's not a perfect replacement. (Ironically, I did use Toph as a "good" example of that trope, but I do think after this last rewatch, for the reasons I'm discussing here, I might have to backtrack that a bit).

I considered giving an alternative approach here, to keep the sensitivity of toph's seismic sense as it is in the show as is, but giving it draw-backs such as making her susceptible to sensory overload similar to what autistic people experience. However, while replacing one disability with another can work for some characters and stories, I don't think it's the best adjustment to make for Toph or any blind character, largely thanks to this also being a trope. The "blind (or d/Deaf) person who's other senses become super-human to make up for it" trope is very common in fantasy, sci-fi as well as older martial arts films, and while I'm not really the best person to cover it, I do know that members of both the blind and deaf communities have expressed a lot of frustration with it. Toph already falls into this trope quite a bit, and any suggestions I could make would have just dialled that element up to 11, and fixing one problem with another is never a good idea.

Another thing that actually did bug me for a while, even before my most recent rewatch of the show, is how Toph is treated on the rare occasions she does point out something won't working for her. There are a number of times where Toph advocates for herself and points out that something The Gaang is doing isn't accessible to her or sets a boundary to do with her disability, and she's either left behind, her concerns are brushed off or she's ignored entirely. The three most noticeable examples of this are in the Episodes "The Ember Island Players," "The Library," and Toph and Katara's segment of "Tales of Ba Sing Se."

In the Ember Island Players, Toph complains that the seats they have for the play are too high up and too far away, and she's unable to "see" what's happening on stage. Her friends don't really take any notice of her though except for Katara who tells her not to worry, "I'll tell your feet what's happening."

[ID: A shot of Katara, a fourteen-year-old girl with long brown hair and blue eyes, sitting with Toph, who is sitting with her arms crossed, annoying in a theatre seat. Both Toph and Katara are wearing red and gold, fire-themed outfits. Katara is looking at something off-screen. /End ID]

My problem here is that this particular kind of situation is something that is familiar to a lot of disabled people. Even the least independent disabled people I know get annoyed when their access needs or requests for accommodations, even among friends, are ignored and their pushback is brushed off with "don't worry, I'll just help you!" It's one of the first things that many disabled people tell non-disabled folks wishing to be better allies to us: you offering help instead of actually accommodating us isn't a good thing. We don't want to rely on others if we can avoid it, because honestly, non-disabled people often aren't very good at actually helping or in this case, relaying information to us without training and more often than not, it just results in us being left out. I find it very hard to believe a character as independent as Toph would accept that without any protest, especially considering that is pretty much exactly what ends up happening (even if the show didn't really acknowledge it). Katara never actually conveys anything about the play to Toph, except when she's attempting to throw Toph's words back in her face when she asks for clarification about the actor playing her - which ends up backfiring on her.

[ID: A shot from the same location as before, this time Toph has a huge smile on her face and is leaning on the balcony excitedly while Katara is leaning towards her, annoyed by her reaction. /End ID]

While it would have been better if Toph was actually listened to, it would have been…fine? if a justification was given for why they had to sit there (e.g. to avoid being recognised), if Katara had actually described the play for her. This wouldn't have been ideal, but it would have been better at least. In real life, many movies, TV shows (including this show's sequel series, The Legend of Korra) and other forms of visual media have an Audio Description track that does exactly that. If they weren't going to move for Toph to be able to see better, having Katara describe the play could have introduced kids to the fact this is an option. but instead it's brushed off, and I'll admit, it left a bit of a bad taste in my mouth, even back in 2006.

The Library is a bit more forgivable in my opinion, since Toph is still new to the group, but in this episode, she states that she doesn't want to go inside the spirit library because she isn't able to read and therefor there wouldn't be anything for her to do. However, it still would have been nice to see her friends consider this at all before they actually arrived. They could have (and should have) still gone, but some acknowledgement that they at least thought about the inclusion of their disabled friend would have been nice.

[ID: A shot of Aang, Katara, Sokka and another man are talking while looking down at a map on the table. Meanwhile, Toph is sitting on the other side of the table, completely disinterested as she sips from a large ice cup with her feet up on another chair. /End ID]

Alternatively, I do feel like Wan Shi Tong, a self-proclaimed all-knowing-spirit or his assistants would have been able to point her in the direction of something to interest her, since he does imply books aren't the only form of knowledge he collects.

The reason I mention this though is two-fold. In real life, disabled people are very often left out of "fun" group activities, whether that be in formal settings or in casual ones, like hanging out with friends. If the episode had been framed as "the Gaang learns about the library and decides to track it down," I might have been less critical, but it's specifically framed as something that at least starts out as a kind of break for the team where they all take turns picking out fun things to do so they can rest, and Toph's access needs not being considered at all until they're already there hits a bit close to home, especially since they just end up leaving her outside. Secondly, there's also a stereotype that disabled people (and especially blind people) don't belong in academia and places of learning, such as in this case, libraries. This stereotype is about as old as the concept of organised institutions of learning, and definitely isn't unique to AtLA, but the assumption is often that disabled people wouldn't be interested in more formal methods of learning, so it's not worth accommodating us. With blind people in particular, when I've seen this in media, the premise is often "well I can't read anyway so why bother?" which Toph definitely falls into here with no push-back against the trope.

[ID: A close up of Toph and the rest of the group, Katara, Sokka and Aang standing in a desert. Toph shrugs, looking bored, while the others looks confused and surprised with the exception of Katara, who looks mildly annoyed, standing with her hands on her hips. /End ID]

It does make sense that she would have been resistant to going in, and I'm not saying this episode should have turned Toph into a bookwork akin to Wings of Fire's Starflight (another blind character) or anything. But there was a chance in this episode to push back against some of these assumptions, and I think it's a shame they missed it. How cool would it have been if Toph had mentioned not feeling welcomed in more formal learning spaces because of her disability, which was just reinforced by the way her old earthbending instructor and her parents treated her. She decides to go inside the library anyway as "backup" in case something goes wrong, grumbling about it the whole way down. Wan She Tong starts his introduction mostly the same way, saying humans aren't welcome and Toph makes a snarky comment about it. Wan She Tong, equally offended that this human thinks he, the all-knowing-spirit, wouldn't have considered something, shoots back with an annoyed comment about humans being so self-centred. He explains that spirits come in all shapes and sizes, and not all of them have eyes, but they can still access his library. She's not the first sightless being in his study, and he-who-knows-ten-thousand-things knows this too. Once everyone is permitted entry, one of the knowledge seekers shows her to a series of slates about a lost earthbending form that she can actually read (or at least, "see" the pictures on) because it's carved. Or instead of a slate, it's a series of statues outlining the form, similar to what Aang and Zuko find in the episode "The Firebending Masters". Perhaps this form is something that helps her develop metal bending later on, and lays the groundwork for Toph becoming interested in teaching in the comics.

And finally, Toph and Katara's segment of Tales of Ba Sing Se. Katara convinces Toph to go get a makeover with her as part of a girl's day. Overall, this segment of the episode is pretty nice, and I liked that they showed that a person's gender expression (in this case, being a tom-boy) doesn't mean they can't like things outside of what we usually associate with that. Tom-boys can like girly things on occasion, and vice-versa, and I think this is an example of an episode that would seem a bit ham-fisted today, but honestly, was needed in 2006. However, there's a throw away joke where Toph says "as long as they don't touch my feet," and it immediately cuts to show spa workers filing down the calluses on her feet in a way so painful several staff are required to hold her down.

[ID: An image of Toph in a bath robe being held down in a chair by two spa workers while a third scrubs at her feet so hard that she is sweating. Meanwhile Toph is fighting against the two holding her down and has a facial expression like she is in a great deal of pain. /End ID]

this might be a minor thing in the grand scheme of the show, but it's still another example of Toph's boundaries about her disability and her access needs being disrespected by her friends, which the show just doesn't acknowledge it at all. People ignoring Toph's wishes about a part of her body she depends on in a much more direct way that others do is played off like a joke in a montage of otherwise enjoyable and goofy activities and this is a very, very common experience in disability circles.

There are a number of other, much more minor issues that show up with Toph as well, such as the fact she's the only one of the main cast who never has an on-screen (or on-page) relationship. not in the original show, not in any of the comics and not in The Legend of Korra. Again, it's not a big issue on it's own, especially because in AtLA, she's young enough where it's possible that she was just not interested yet, and she does have kids in The Legend of Korra where she mentions a relationship with a man named Kanto (Lin's father). So it is implied she does have some form of relationship eventually, but the issue is that it's never shown on screen or on the page. This feeds into a wider pattern in media of disabled characters being the only ones in their respective cast not given on-screen romantic relationships in stories, and so I still think it's worth pointing out, especially since the creators have had a lot of opportunities to correct that by now.

Toph is also portrayed, pretty much undeniably, as the best earthbener in a way that, at times, comes across almost like the creators felt like they need to compensate for her being on the team "despite" her being blind. This trope is one that I think Toph, at least partially, helped to popularise with the current generation of story tellers: The Disabled Savant. In this trope, disabled characters aren't really given the same room for growth as other characters; they aren't permitted to be average or still learning, they start good and get better. If they do progress, they often become the best, which is the case for Toph. To be fair, everyone in the The Gaang is the best at their respective skill by the end of the first series, which is why I say this is a minor point. She dose, however, have the least amount of on-screen growth in skill out of the whole team. Katara starts out barely able to lift any water at all, let alone actually bend it. Sokka is skilled with weapons from the start but does get his butt handed to him a number of times by others with more experience than him whom he learns from throughout his story arc. Zuko spends most of the early-to-middle of the show having things "blow up in his face" (to use his own words) and being belittled by his family of prodigies. While Aang is an airbending and, to a lesser extent, waterbending prodigy, he fails at pretty much everything else for a while before he starts to find his confidence - especially earth and firebending, not to mention the entire situation with locking himself out of the Avatar state. Toph is the only one who doesn't seem to fail or struggle all that much from a combat perspective. She does grow and improve in her bending (she invents metal bending after all) but she never has any moments where she really messes up or even struggles in combat all that much compared to the others.

All of these points and criticisms I've mentioned are not necessarily big in and of themselves, but when looked at together, they build up to create some issues with how Toph is depicted and how the people around her treat her disability

So that's it then? Toph is bad disability rep and Avatar should be "cancelled"?

God no. Like I said at the start, I still adore Toph and Avatar as a whole, but the show is a year away from being two decades old, it's bound to have some elements that don't hold up and I think it's worthwhile discussing them, specifically because I love the show and it's characters. Despite all the negativity I've brought up, I do think there are a lot of things AtLA did well with Toph too.

I've mentioned a few times that we rarely see how Toph's blindness impacts her life outside of her bending and combat abilities, and there's a reason I made that specification. Unsurprisingly, if you know much about the show's development, the ways in which Toph’s blindness and seismic sense impacts her bending and fighting style is one area where the show really does shine, and I still think that is worth a mention. The various types of bending are based on different styles of martial arts, specifically, different types of Kung Fu. Most earthbending in the show takes heavy inspiration specifically from Hung Ga, but Toph is different. Her bending heavily references Southern Praying Mantis Kung Fu, something unique to her within this world.

The reason for this (outside of simply wanting her to be visually distinct) was because the show’s creators made sure to consider what limitations Toph might have and what parts of the more common earthbending styles wouldn't work for her. Since her connection to the earth was critical in order for her seismic sense to work, they decided on a style that would keep her feet on the ground more, prioritised strong stances with minimal jumping and put more focus on attacking with her upper body. While not an intentional choice, the style they went with for Toph, according to the show's head martial arts consultant, Sifu Kisu, was supposedly developed by a blind woman in real life, at least according to legend. The creators also made further adjustments to the style with the help of martial arts consultants and just watching Toph fight is evident that a lot of love and care was put into the decisions made on that front.

I also appreciate that Toph's disability wasn't off-limits to joke about.

[ID: A picture of Toph waving her hand in front of her face with an exaggerated smile to remind the others she's blind. /End ID]

As I already mentioned, they didn't land 100% of the time, but lot of shows are afraid to use disability as a source of jokes, which would have felt weird and out of place in a show like Avatar. I see this hesitance in real-life too; people get extremely uncomfortable when I joke about my own disabilities and I've heard several people and even disabled comedians talk about the same observation. My last video on Tik Tok that got outside my usual audience was a joke about my prosthetic leg, and every single stictch and duet I received was people saying some variation of "I'm such a bad person for laughing!" "I'm going to hell!" or just straight up asking if they're aloud to laugh. If I didn't want you to laugh, I wouldn't have posted the joke! But joking about disability does make it more approachable. Despite how often Toph and the others made blind jokes though, outside of the one instance I mentioned earlier, they never felt mean-spirited or like they were punching down. Even when a very sleep-deprived Katara was intentionally trying to be.

I think it's also worth keeping in mind the context of the media landscape when Avatar The Last Airbender was airing. Today, characters like Toph are very common, so much so there's a whole trope about them (super-crips) but at the time, having a character with a major disability be a main character in an action-orientated kids show like Avatar was really rare. She wasn't the first of course, but a lot of the time, if they were included, they were almost certainly sad and depressed, wishing for a cure or they were designated to the roles of "Guy in the chair" (which is a character, usually a tech person, who helps from the background), inspiration, scary villain fake-out (or other variations of "creepy" character) or the actual villain. Having a character that was not only comfortable in her skin as a disabled person, who didn't want or need to be "fixed" or "cured" to be directly involved in the story, and who's main obstacle (at least in season 2) were how the people around her treated her, was pretty ground-breaking at the time (pun not intended) and went against the most prevalent stereotypes of it's day.

And I really want to emphasise that. For many Millennials and older Gen Zers, myself included, Toph was the first character that didn't tell us we were broken and needed to be fixed in order to be part of the group (even if they slipped up with that messaging occasionally). Prior to seeing Avatar, I honestly thought there was something deeply wrong with me for being happy with my life (a reminder, I was 10 years old when this show first started airing), because every other disabled person in the media only ever talked about how much worse their life was because of their disability, how much they hated it and how much they hated themselves. Many outright said that they wished they had died rather than become like me. Toph wasn't the first to go against those tropes, but she was the first example of a disabled character who wasn't like that many people my age saw. Did she do it perfectly? Hell no, but personally, back then, I was happy to have a character who maybe over-corrected and took things a bit too far than another sad character talking about how lives like mine weren't worth living.

I also deeply appreciated that Toph did struggle with her independence, at least initially, and where to draw the line with accepting help. Because of how much she'd been coddled and overprotected as a little kid, she saw any attempt at people being helpful and working as a team as them trying to baby her. It was very on the nose, but I liked that the show gave her an episode just dedicated to realising that it's ok to accept help. Again, this is a bit of a story telling trope today, but having the disabled character realise that it's ok to accept help, and to do it without talking down to them or saying that them wanting independence was bad, was a refreshing change compared to what was around at the time.

[ID: a zoomed out image of Toph, standing before her parents with Aang, Katara and Sokka standing behind her. /End ID]

While I think the show's creators could have benefited from consulting with disabled people and specifically blind people the same way they brought in consultants for the martial arts featured in the show, it's very clear to me that the intention behind Toph's character was good, and that actual effort was put in to make sure they depicted her well, even if some of it was a bit misplaced. It's also worth noting that the groundwork for a lot of my suggestions is already in place, they just didn't follow it all the way through. Overall, I'd say Toph was good for her time, and she's what was needed in the 2000's, even if she doesn't hold up as well today. I also think it speaks to how far we've come in terms of disability representation. When I first started engaging with the online fandom directly, almost no one, even other disabled people, argued that Toph wasn't good representation, because honestly, the bar was on the floor and we were just happy to have something different. But now there are options, and the standards are higher, and that's so, so good. It means that people, even in the media, are starting to listen and be more thoughtful about their depictions of disability than we were in 2006.

And finally, I want to really quickly mention The Netflix adaptation of Avatar. A few people have asked me now what I think they should do with Toph when they get to her, and what my predictions about the show are. I'm not going to talk about my predictions here, because this post is already way too long and that's not what this is about, but I don't think the suggestions I made today would necessarily work in this particular remake, primarily because of the tonal differences. Some adjustments definitely could, such the other characters doing a better job at listening to Toph when she points out inaccessibility and them actually considering her in the first place, but others might be harder to balance. The original show could get quite dark and serious at times, but it was primarily a light-hearted adventure story for kids. From what I've seen of the live action remake though, they're more heavily leaning into those serious elements - for better or for worse, and as such, trying to tone Toph down in the specific ways I mentioned might not balance out as well as it would in the original show. At the very least, the specifics would need to be different. To be honest, I'm not entirely sure what approach they should take, that's not really the point of this post, but I did want to quickly address it to avoid confusion. My suggestions today were specifically on how to approach the cartoon version of Toph for a modern audience, and were not meant to be read as suggestions on how her live-action counterpart should be depicted.

[borderlinereminders]

Examples of Irrational Thoughts/Cognitive Distortions:

These are common errors in thinking. And sometimes these distortions can cause us distress or other strong emotions.

Black and White Thinking: This is all or nothing thinking. For example, if you see yourself as failing at one thing, you think it makes you a failure at everything. "I didn't pass my driver's test. I can't ever do anything right."

Overgeneralization: This is where if one thing happens that is bad, you assume all things will be bad. For example, "I woke up late this morning. This day is doomed to be terrible."

Ignoring the Positive: You disqualify any positive and focus on the negative. Maybe you got an A on a test, but are disregarding that because you messed up somewhere else.

Jumping to Conclusions: You ignore facts in favour of your own interpretations. You may assume your friend hates you despite them inviting you to the movies the day before because they gave you a short response.

Mind Reading: This is making a conclusion about how someone else is feeling. "My friend hates me. I can tell."

Possibilities to Cope with Irrational Thoughts / Cognitive Distortions

Check the Facts: Here’s a post I wrote on this.

Challenging Irrational Thoughts: Here’s a post I wrote about this.

Examine the Evidence: Here’s a post on this.

You’ll likely find that most of these possibilities are very similar. One of the more common ways to deal with thoughts like the above is to use evidence and logic because it gives our brain something solid to use. Just telling ourselves that our thoughts aren’t real isn’t often helpful enough whereas evidence can help make it more convincing.

I’m going to include a couple other links I think may be helpful:

Emotional Permanence: Here’s a post on it. This one I think is important to understand because if we lack emotional permanence then it makes it that much easier to forget about anything other than the feelings in the current moment which make reinforce any negative thoughts.

Needing Reassurance: Sometimes our distorted thoughts lead us to second guessing our loved ones. Here’s a post about that, how to cope with it, and how to get reassurance in a healthy way if needed.

Some General Tips:

Learn about the different types of irrational thinking and cognitive distortions. (I don’t have them all listed). Being able to recognize them can be helpful itself. I find when I’m able to realize it’s a cognitive distortion, I’m able to move beyond it easier.

Keep a list of our accomplishments that you add to. This can be helpful in times we need reminders if we often have thoughts about us being a failure anytime we make a mistake.

Keep screenshots of loved ones and/or lists of things they’ve done that make you feel cared for. This can be helpful if we often have doubting thoughts about loved ones as a result of our cognitive distortions.

Think about what you’d tell a friend. If a friend failed a test, would I think they were a failure?

Sit with the discomfort. Sometimes, we know a thought is irrational and all we can do is get through it. Telling myself “it’s an irrational thought. I can sit with it. I don’t need to act on it” can be helpful. Acting on my feelings to irrational thoughts often damages my relationships or has other negative effects. But as uncomfortable as the thoughts are, learning to just sit with them instead of acting on them prevents some negative consequences.

Journaling. You can journal about your thoughts and feelings for a set amount of time a day and then mark the irrational thoughts. This can help us learn to recognize them when we’re having them.

Focus on something else. Sometimes the thoughts are too distressing and the best thing we can do is distract ourselves. You could reach out to a friend, watch a favourite show, enjoy an activity, etc.