#these are all very rough sketches and i am still learning how to draw everyone
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abnomi ¡ 11 months ago
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Ok... Who exploded 😐
BTW I LOVE UNICO. I LOVE KURUKU AND BEEZLE ESPECIALLY!!! kurukus character design is so mesmerizing to me and his personality speaks to me deeply. his whimsical nature contradicts his violent tendencies and i LOVE IT. i use him as a basketball. characters when they! Wow!
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motionjames ¡ 1 year ago
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Wake up girlies, it's time to return to the frontline!
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Guess who has insomniaaaa! 🤗💕💕
A month of cramps, nausea, increasingly worse insomnia (but a strangely good mood) has lead me down the path once again. I caught wind of some strange "gfl2" thing and after being struck with nostalgia, I grabbed bluestacks and fell into hell once more. I'd deleted gfl off my phone simply because it took too much space but now that it's on my computer, it's become DANGEROUS...! Github and clip studio up front with logistics running forever in the background. Yes, the ideal working experience.
Anyhow, everyone say hello to Contender.
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I've been making more progress in these past two days than I had in the entire two months I spent with my new account because I realized how to (partially) Not Be An Idiot. Turns out there's a thing called "anchored construction" and you can get some pretty nice units (eventually) if you realize it exists! Wow! I got the girly and now I'm working on grabbing Carcano because she is pretty but also insane skillz.
Also, there's a discounted gatcha running right now and that means I can finally get over my mental block and spend tokens... I was surprised at how easy it's been to acquire them, so I've just been shilling em out. My dorm was totally bare until now. I'm sorry, everynyan...
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As for actual gameplay, I finally made it past 2-6. It might seem like a simple thing to most but I was yet again, being an idiot. I was under the impression that I HAD to have dupes of the girls to dummy link them when I actually was swimming in dummy cores 🤦🏽‍♂️ What's wrong with me... Well, I jumped over that hurdle, blasted through the emergency missions, and am finishing chapter 3. The first parts arent so bad when you learn how to read! 😃😃😃
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First eschalon is good, it's the standard one that everyone seems to use to clear the early game. This second one is a WIP mess that I'm readying for night missions. You see, I'm really hurting for half-decent SMGs and rifles, the second one there is kinda lacking in defense/fire power... I wanna create a decent second eschalon and night mission groupie but I gotta figure out what units to invest in. I hope for Carcano soon. She is cute. Also, feel free to berate me for my bad decisions and suggest decent compositions. I am so lacking in SMGs that dont immediately explode (mpk you are so cute but so stupid). I'm currently looking at friend's compositions to figure out what formations work...
In completely different news and only further proving how dense I am, I only recently learned that Girl of the Bakehouse was related to GFL. I've had my eye on Reverse Collapse for a while now since it's a remake (of a remake?! I didnt play the previous one) of a visual novel I played in 2012 or so. The original vn was made in 2009 in like Kirikiri script and I was a young lad very fixated on all things with girls and guns (Gunslinger Girl was and still is a favorite of mine, I would've read it one summer at my Uncle's out on the front porch). There's an english patch now, but back then it was only in Chinese so I had to use text extracting and image translators, looking up the characters as I went. I got a cup of coco and opened up a patched version last night for old times sake. It's clearly a doujin work with those rough edges but it's so damn confident in its presentation you can't not get swept up in the presentation. The sound work make it very immersive. I highly reccomend reading it if you want a solid, emotional war story. Looking at the sepia soaked sketches, down-to-earth narrative, dense wordbuilding and general war otaku sentimentality... It really predicted a lot of my tastes, huh... 😅
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Behold, teh wolfguy...
Back to work. Logistics still running. I can and WILL continue being stupid. The nostalgia is really strong, I'm tempted to draw fanart despite the sour memories of the past. Again, please berate me and tell me of your team compositions. I think my ID is 772030 but I promise you, I won't be any good on teh battlefield 😇 this machine runs off hopes and dreams, not realities!
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pbandjesse ¡ 2 years ago
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I'm exhausted. Like bone deep exhausted. And it does not help that I'm still in a lot of pain. But now there is new pain too. Because I did to much showing off. When will I learn.
When I got home last night I was just really happy to eat my leftover chipotle with James and then take a hot bath. I kept a rag with the hot water around my shoulders and it helped lessen the pains in My neck. And then I had a little bit of luck with some of the stretches that Mom sent me. They didn't help as much as I was hoping but a lot of the reason is because I can't get my shoulders to drop down and they're like up around my ears. I'm trying very hard but it is not exactly working.
I woke up this morning and I wasn't actually hurting too much. I got dressed and I felt pretty good. My hair feel very dry today but that's okay. I might go and try to get some kind of dry oil at the store tomorrow I don't know if that concerned about it. It was going to be a nice day.
I stopped from McDonald's for breakfast but then they gave me regular cook instead of diet and I was pretty disappointed. And I didn't want to go back so I would end up giving it to PJ because I didn't want it to be wasted.
I got the camp at 8:00 and things were okay. I did not really walk around as much as I have been because I was so sore. So after I made sure everything was set up I got in my hammock and I just chilled until around 9:00.
That's when Candela told me that the tipis were heading to the council right and that she would love my help. So I got to spend a little less than an hour helping out with them and it was so fun.
They had to mix the sand with powder pigment and they needed some more so I remembered that I had some from years ago from day camp so CJ ran up to get the gator bring that down because it was very heavy. And Candela went to go get some rakes so that the kids could get council ring all ready for The image and then they would color it in.
It took a while to get everything ready but once it was ready I had so much fun trying to draw these horses. I did a rough sketch first in the sand as they were raking just to figure out the scale then I had candela look at it and see if it was the right size and what she was looking for. I'm not really very good at drawing horses so this was a little nerve-wracking but it ended up being great. And I was very fast at it so while Candela was supposed to do one and then I was doing one and then we were going to have two other people would on the others I did three of them in the time she did one. So we completely finished the actual drawing and the kids were able to jump right into coloring them in with the sand.
And I just felt so proud. Both of myself for drawing a horse consistently three times even though they were very chunky. And for the kids for doing such a good job tracing it out and coloring it and making it look so beautiful. I hope everyone appreciated it because it looked amazing.
I had told woodlands that I was in the council line because they're always late arts and crafts so I wasn't going to be rushing back up there and even though I didn't get up there to almost 10 I still beat them there. But once I got there they were very sweet and honestly everyone did really good for that. I didn't have really any issues except for a hot glue gun burn later in the day. Everyone else did an excellent job.
Good morning went really well though and I got to work on my blanket which is almost completed. They're still going to be a lot of finishing work and sewing down woven edges and stuff but the actual attaching of the blanket is almost done. I only have The one panel left and then it will be completely put together. And I am so happy. Louisa would come and she was very silly today she did some embroidery then she got bored and she want to try other stuff.
So I showed her how my Ariel silk worked for yoga and she ended up being really good at inverting and so I showed her how to do like a pike and invert and do harness and a backpack not and then we played around with a couple shapes. She's really good at it because I wanted to show off things I know how to do I absolutely bruised my lower back. Feels nice though because I miss doing it I'm just not very strong anymore in my upper body so I was for sure trying to do too much but I was having so much fun and now I want to buy a whole apparatus and get back into it because I love it so much I just hate the classes because I hate waiting. So we'll see what happens but it was really nice to do that and I'm glad that she enjoys it but I'm also very worried about her breaking her head open. Because she was doing it a couple of the other kids wanted to try it including a counselor so I had a couple people walking through how to go upside down and some of the news and I was just watching a lot of heads making sure no one was going to fall. It was just a blast.
At lunch I walk down to the council ringless Louisa to see the finished course painting and it looked so good. Took some pictures and then went to the dining hall to get french fries. The vegetarian option was not done yet and I did not want to wait any longer. And I wasn't that hungry anyway because I had brought my McDonald's sandwich. Now I spent some time just laying in my hammock. I read for a little while. And it was really nice. I was still really sore and my neck was hurting but when I had inverted on the hammock I was able to just kind of let my shoulders go for the first time and it hurt but it didn't feel as tight and so I think I need to work on that a little bit more. Something to think about.
My afternoon groups were great. There was a burn injury which was upsetting. She wasn't even using hot glue gun she was next to someone using hot glue gun and there was a pile of pot glue and she accidentally got her finger on it and my first aid stuff kicked in and I was very calm and I kept reassuring her and I got the hot glue off of her I put her hand under cold water for a few months but she was scream crying and I felt so bad. And I know it hurt because it was big and pink and circular. I called the nurse and while we waited for the nurse I got an ice pack for her and we sat and I just made sure she was okay and I was very calm. I don't ever want to seem dismissive but me freaking out at the same time as her freaking out is not going to help anything. And then once the nurse came up she gave her burn cream and everything was all right nobody was freaked out she was just more upset that she thought she wasn't going to be able to the project just the nurse told her to not use her finger too much. So I would have attach everything but she would direct how to do it and she ended up with a very cute puppy. Everything would be okay.
And tipis would come and I had a great time just chatting with them about siblings and telling stories and listening to their stuff. I taught Aubrey how to make a bracelet on the circle loom. And I kept working on my sewing and it was a good day I was having a lot of fun.
At the end of tipis's program Louisa wanted to show them all how she could do a split in the silk so I let her go up in that and then we were showing off a couple different moves and then it turns out one of the kids also knew how to do it from taking circus classes so we let her go on it and it was just a very silly and a lot of fun. I'm just glad nobody got hurt. I let alexie know that we have been playing around with it and she said that she trusts me and that she's not worried that I would let someone get hurt on profess. Even if we are doing something dangerous I'm making sure we're doing it safely even if we don't have a crash mat.
I wasn't sure if they were going to meet me to stay to help with pick up at the end of the day road really hoping they want because I very much wanted to go home. My neck was hurting still on my back was bruised and my thighs hurt from running the horse last night. Nothing was too bad and wouldn't be until I got home but I really wanted to leave.
I went down to the office to double check that they didn't need me. Annabelle head volunteered to do the bears so I did not have to. And then I waited for Celia to bring a few things up that she had borrowed and I myself together and then I was off.
I drove to home Depot to get the tile adhesive I needed for next week's project. Right before I left I made sure that everything was set up and I know I'm not going to have enough objects but I think it will be okay at least for a couple days. So I worked on that and got everything together and then went to the store. When I got to the store immediately I found a very nice man to show my picture to of what I was looking for but they did not have the one I wanted. So he found me an alternative that was only slightly more expensive and I asked my questions like the cure time and texture and he said it was like a white peanut butter and I said oh the kids call it forbidden green cheese and he literally belly laughed out loud and it was so cute. And I just thought that was the sweetest thing.
After I paid I headed out to my car and there were two girls, young like teenagers or 20 somethings, parked behind me and they were laughing at my stickers and they came out and they told me that I was very cool and that they knew that the person they parked behind was just a really neat person and that made me feel very good and I said I just want people to think that I'm just a little weird. It was a very cute interaction and it everyone drive home.
And the drive home was fine. No traffic or anything but turning my head to look for cars hurts a lot still. I'm doing it but I am for sure turning my whole shoulders.
Once I got home honestly I started falling apart more. Everything started to ache and I think my body up and holding itself together because I couldn't do anything about it and so when I got here I was just like falling apart. James was making us food and they tried really hard but the mac and cheese didn't come out right. It was very salty and very oily. But I really appreciated them trying and we both had hot dogs. I have a vegetarian one for my Kia. It was very good. And then James went and got me acetaminophen from Walgreens because apparently that won't bother my liver as much. Because I just could not function with my neck hurting this much. Like I couldn't turn and look at the coffee table.
Sweet pea late with me and we had some ice cream and it was kind of a rough evening but I was happy to be home and be with the two things I love the most. My husband and my cat.
Eventually I went and took a shower and washed my hair real good. And I felt a little bit more like a person. I got in bed and watch TikToks for a while. Eventually though I was very sore and I just wanted to close my eyes. James came and laid with me and I close my eyes for like a half an hour. But I wanted to get my post done so that I can go to sleep for real because I still have to work at the farmers market tomorrow. And Anna is not going to be there so I have to be in charge the entire time. Which is fine. I'm just sleepy already so I'm not 100% looking forward to it. And then James is going to New York so I'm going to have some time nice but I will also miss them very much.
I hope it's a good day. I hope you all sleep great. And feel better tomorrow. Goodnight everyone.
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cochineal-leviat ¡ 8 months ago
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Yo, you once said you "Learned to be satisfied whit your work" and I just wantes to know ÂżAny lessons about that you cam provide to a small artist/writer? Over all when works as good as yours or other i've seen can make you feel you're bad and intimidate you (I didn't finish Castalia cone yet because of that)
(Sorry for my maybe bad english, I speak portuguese and I'm learning)
Hmm, quite a few questions you have there. I will try my best to answer!
Being satisfied with your art is no easy feat. It certainly sounds easy coming from me after more than a decade of practice, but then I do not tell you or my other dear readers how long it took me to accept the art I produce. It is a lesson in loving yourself.
As you read this, I may sound sappy or loopy, but I am not kidding. You are an extension of your art, as art is how you express yourself. You put a little piece in yourself in what you make; as such, we judge it the same way we judge ourselves. So, when your self-esteem is low, your opinion of your art will also be low.
The first step to acceptance is knowing this and trying to be kinder to yourself. There is no right or wrong in art. If it does not feel right, take a break and try again later. Art is a skill you build over time over a very long while. And that is the beauty of it. We are ever-evolving creatures with many stages in our lives. We truly unfinished clay sculptures, just like our art. You, as the artist, decide when you are done with an art piece because there is no such thing as finality when it comes to your art.
If you struggle with something, realise art is a process. We love making art because of the joys creation brings us. Perhaps the finished product, like a painting or a chapter, pushes us forward, but truly, if it were not for the middle, why would we keep doing this? We struggle and get back up again, all for the love of the game. And it is going to be very frustrating. I will not lie and say I have not cried before because I thought my art was ugly and worthless.
But I have learned as I grow older that it was not necessarily my art that I hated. So instead of thinking, "I will never get this right" or "My art is not good enough because it does not resemble this artist`s skills." I changed my course of thought to, "I will get it right one day because tomorrow is another day." Everyone has their own journey with art, making us all wonderfully unique.
Of course, this is easier said than done. So, allow me to give a few tips! I am unsure if you want tips on the visual or written arts, so let me divulge shortly in both forms:
Study and practise: I know this sounds boring as hell, but a big part of making art is referencing what already exists. But you can make it fun! Draw what you find interesting and want to see more of. Study what makes an art piece tic, or practise your observation techniques. The same thing applies to writing. Reading a lot helps broaden your horizons and your vocabulary. Over time, you integrate tools and quirks into your own art that you have seen somewhere else before. Everyone's skills are built over a long period, and studying great artists who used to be just like them. Before this, I filled out a sketchbook every month or so. Dedication is key. (You do not literally have to do this. Start small, please. Doodling is a good first step)
Watch art tutorials. I hated doing this as a teen, but seriously, it helps. YouTube has a lot of well-made tutorials you can watch and learn from. The most essential skill for any artist is learning how to build up an art piece from a rough sketch to its final stages, regardless of whether it is a digital or traditional piece. Learning your shapes is an absolute must! Mastering these will open many doors to you.
Not immediately understanding the material and taking a break is not giving up. Knowledge is one thing, but your brain still needs the time to catch up to what you've learned. I have agonised over stuff like this for ages, and then poof! The next day, suddenly, it clicked. We are only humans, and our bodies need the time to adapt. So, give yourself the time to learn and adjust to changes. Everyone learns differently, so you cannot compare yourself to others. It is a losing game and will only give way to frustration. You know you are on the right track once it feels seamless to draw or write.
Specifically for writing: draw from your own experiences. Writing is closer to the heart than the visual arts and can hit your readers deeper than any blade can. The pen is mightier than the sword, after all. When I write, I immerse myself in the world and characters I create. At that moment, I was really there, feeling what they felt and experiencing what happened to them. So if the moment is serious, you have to treat it as such, and when it is hilarious, you have to write it jaunty. You do not literally have to have experienced the things your characters do. Heck, I have written a lot of characters I disagree with or about experiences that are too wild for me to have ever been in. But that is what reference material is for. It does not have to be realistic. As long as your audience believes it, it is good. We do not read fantasy stories or sigh after fairytales because they are realistic. We read because, at that moment, we are in that world, so explore this world and make it a place we want to experience, even if it is a ruthless world. For example, with Kieran in Pokemon, I draw from my own grievances and self-hatred when I was a teenager, which is why his pain and grief feel so potent. Sure, I am aromantic, so the love bit stuff does not apply to me, but I read a lot of romance, so I still have a well of knowledge to draw from. A good writer and artist fills their gaps of knowledge and adds to their skill repertoire (still, not haste to fill that gap. This fills up with research and time)
Bonus tips for writing: take notes and outline what you want for your story. What are your goals? What lessons do your characters learn from their experiences, or what do you want to tell your readers? You do not need to know the end, nor must it be serious. Just like visual art, you are entirely free in what you make. Notes and your outline can really help later down the line when you are stuck. Btw, these are guidelines, you do not have stick to them if you want to take your story in another direction. There are art rules, but once you learn them, you can break them to climb to new heights.
Lastly, have fun. I am serious. Once art feels like a chore, you will not want to do it, and it will feel more draining to perform. This is your outlet, not your work. Love the journey, and treasure the skills you pick up. Every time, you will see it gets a little easier, and you will look back on your old art and perhaps feel embarrassed. But that is normal. Lords know I used to be embarrassed about my old works. (And I still am sometimes) But being embarrassed is okay! It means you have approved. Forgiving yourself and moving on is the most important part.
I hope my advice is useful! I simply wrote what I would have wanted to know when I started with art. Do not be afraid to try things and ask for help occasionally. Have fun creating, and remember to be kind to yourself!
PS: Please finish Castalia Cone Creamery at your leisure. There is no rush. I post my works to be enjoyed, so please don't push yourself to finish them.
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scarlet-streak-fanfics ¡ 3 years ago
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Could I potentially get a small thing of a vary creative MC drawing one of the boys and just, silently giving it to them, refusing to elaborate, and just walking away
You absolutely can! Ok, let's do this one with just the brothers to start. Feel free to request the dateables next!
Lucifer:
Lucifer is flattered but also doesn't pass up the chance to tease MC about not being honest about their affection for him! Because of course he does, it wouldn't be Lucifer if he wasn't a pompous ass when receiving a gift. (A pompous ass that I love so much, I'm very much a Lucifer fan, it's awful)
He's going to corner them against a wall away from his brothers under the guise of thanking them for the gifts: "You have a wonderful eye for art, MC--it makes sense that it was only drawn to me, just like the rest of you."
Mammon:
He immediately regrets his gut reaction, which is to wave MC off and then make a show of crumpling it. Now MC is crying, and he's panicking, hugging them, and telling them how much he loves the art--he pours all the compliments he holds back from MC into their art.
Next time they're in his room, they'll notice it framed on his wall, something he's quick to brush off: "Well, the wall looked empty, and the drawin' was ok, I guess. Don't read into it or nothin', it's just a placeholder until I get something better." (Lie)
Leviathan:
Ego trip of the century--he has a drawing of himself from MC. It's one of a kind, from someone he loves, and will make all of his brothers jealous. He doesn't even care that it's some normie show of affection. It's his, and nobody else gets to have it.
That drawing is going to become his D.D.D. background and his social media profile pictures: "I can't believe you wasted your talent on such a gross otaku like me! Do you think you could draw me in anime style some time?"
Satan:
I'm a firm believer in Satan being a soft romantic at heart. He absolutely sees this as a courting gift and decides he needs to step up his game for MC. For the next week, they'll find roses, trinkets, and love notes that seem to almost magically appear everywhere they go.
The big surprise at the end of the week is what Satan was stalling for--he's written them an original love poem that he presents to MC with a bouquet of rare, human-safe devildom flowers: "Your drawing was beautiful, so I decided I needed to make something worthy of you in return."
Asmodeus:
He's never going to shut up about this. MC has created a monster--a clingy, rose-scented, affectionate monster. He's going to post this to social media and pay for it to be boosted to everyone because MC managed to capture him in all his glory down to the smallest detail.
Asmo would spoil MC rotten over this. He's going to buy them all the art supplies. On the downside, he's also declared himself their muse: "Oh, darling, do tell me when you want to do another drawing. I'm always happy to pose for you in private~ ♡"
Beelzebub:
I am weak, so MC drew him during a Fangol game. It's a rough sketch, mostly catching his action and form, but Beel loves it. He carries it around with him to show all his teammates because his human is so talented that they could draw him when he was moving!
He desperately wants to know how MC did it. Now he wants drawing lessons: "Can you teach me how to do that? I want to learn how to draw you so I can draw you when you're cooking. That way, when I eat while you're in the Mortal Realm, it'll be like you're here with me."
Belphegor:
Belphegor is going to be a brat about his gift. Why did MC draw him asleep with bedhead? It doesn't matter if they think it's cute. He thinks he looks silly. Ok, maybe it matters a little if they think it's cute.
He's going to display it in the attic as a reminder to check his hair when he wakes up from naps. Belphie still loves it, though: "Next time, leave out the bedhead, MC. Or just come nap with me."
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spectacles-blog ¡ 3 years ago
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Chapter 1 of a fanfic without a name yet. (Ink x Geno/Error)
“Who would’ve thought Fate had such a terrible sense of humor?!” -Error
Reblog over like
Silent sobbing filled the white void. Despite it being so soft, it could be heard everywhere around him. But there was no one to notice his pain, his sadness, his loneliness. There was no one to reach, no place to go to. Just a white, empty, endless void. No visible floor, ceiling or walls. All that existed was him and a few sketches of what was supposed to become his family and friends, his home.
Geno/Error - @/loverofpiggies
Word counter: 1570
~
Ink - @/comyet/mye-bi
A black void, the Save Screen as one had apparently named it, with only one inhabitant. He could see everyone, but no one could see him. He watched the happiness and terror of what was once his world. He watched them live and watched them die. Someone had taken his place and he couldn’t go back. The world lived on without him. Such a terrible thought. 
“Being forced to watch over a world in which you don’t exist…
Thinking about that terrifies me.
What about you?
Do you really exist? Do you really belong here?
...You can’t go back.
He thought of it as a joke back then, some insane people.
While you’re in here, do you still exist out there?
Which reality matters more to you?
You should start thinking about that.”
No matter what he thought about the dialogues himself, the loneliness and sight of other’s happiness was killing him. He couldn’t interact with them, only watch. The skeleton sat on the ground with his legs close to his chest. He just wanted someone to talk to, someone who understood the loneliness and boredom, the suffering of being imprisoned without a way to escape.
Do you believe it is possible to exist in two realities at once?
The skeleton stood up and opened a white screen. He put his left hand on it while he held onto his precious red scarf. “Just someone..” He whispered. “Anyone.. to talk to.” 
The white screen began to flicker like a tv. The skeleton took a step back, his eye sockets and eye lights widening. He didn’t think he would actually have any control of it like that. But, after a few minutes of staring at the screen, it went black to white as if nothing had happened. He sighed. It was dumb to think it would do something. He had no control, nothing.
“H-Hello..?” A soft, quiet voice came from the white void. A skeleton with rough edges, small white eyelights. Desperate. He was right there, his hands on the invisible screen. His eye sockets widened in shock when he saw the skeleton with white clothes and red scarf. A black void with one person. A place similar to his own. The other skeleton had his back turned towards him however and didn’t seem to hear him. “Hello?!” He said louder, slamming his fists on the screen.
New tears appeared in his eyes. This was his chance to meet someone! Someone could talk! Someone.. Possibly similar to him?
The other finally looked up, shocked at the sound. Like him, he stared with confused and surprised eyes at the screen. He ran towards the drawn skeleton, putting his hands on the screen. Someone to talk to, just as he asked.. Begged for. Something both of them asked for.
They stared at each other for a while until the skeleton with the red scarf spoke. “..Are you alright?” He asked.
A voice, something he had never heard before next to his own. Someone with feelings. “I-I..” The drawn skeleton whispered. A small genuine smile appeared on his face. “I am okay..” He released his fists and put his hands flat on the invisible wall, trying to push through. But the window didn’t move, not an inch. But at least, they had someone to talk to.
It was the first time the smaller skeleton had a conversation and it was such a nice one too! Well, he was mostly listening to the other skeleton with the red scarf. He told him about his old home. A nice wooden house with an amazing brother. About his friends and the people around him. While the backstory was sad, the present he seemed to talk about was very nice. Though, the scarf skeleton didn’t tell him why he was stuck in a void just like him. The drawn skeleton didn’t want to push it, so he kept quiet and didn’t ask about it.
Geno, was his name, the skeleton with the red scarf. He told the roughly drawn skeleton he had changed his name once, related to some unfortunate events, but that didn’t matter anymore. It also didn’t matter to the nameless skeleton. If that was what he wanted to call himself, then that would be just fine!
“What’s your name?”
The smaller skeleton snapped out of his thoughts and looked confused and puzzled at Geno. “..Sorry?” He replied quietly, tilting his head.
 “Your name?”
It took him a while to think of a fitting answer. Though, there was no answer. He didn’t have a name. Nothing in his world had a name. Everything was unfinished, a thrown away idea. “I don’t have a name.” The drawn skeleton eventually replied. “Nothing has a name here.” He said, looking over his shoulder at his unfinished family, friends and home. He wondered what his name would’ve been if his creator had continued working on his world. But that didn’t happen, those thoughts were just broken hopes and dreams.
“Then we will just make up a name for you.” Geno said and stood up. “One second, I got an idea.” He gave the drawn skeleton a quick wave and walked away. There wasn’t much to walk to but he happened to pick something up from the floor, before he returned and sat down again. He crossed his legs and used them as a support for the sketchbook. “I am going to draw you, okay? There are no mirrors, so I bet you don’t know what you look like..” He had an ordinary pencil in his hand and an eraser next to him on the ground.
“Draw?”
Geno nodded as he started to draw. “It’s.. a secret hobby I got. It clears my mind. I believe no one knows I draw. It’s like.. You can make whatever you want. You just got to put a little thought into it. The pencil makes the lines but you’re the one in control.” He hummed a bit as he drew. “You have to tell it what to do and if you practice enough.. Something beautiful will happen.”
He noticed the skeleton’s curious eyes and grinned. He shoved a bit closer to the screen and turned around so the smaller skeleton could watch him draw. The skeleton didn’t completely understand what was happening but it sure was interesting. Slowly, a picture appeared. 
It was him. A skeleton, rough edges, big eye sockets with small white dots as eyes. He was smiling. A genuine smile. 
Geno smiled satisfied when he heard the other giggle at the picture. Once he was finished, he wrote “Sketch” above the skeleton and held the paper against the screen. “How about I call you Sketch?” He suggested. “You look like you’re a living drawing, it’s pretty unique. I wanted to draw you just as you look!” He turned around so he could face Sketch again.. who was smiling brightly at the drawing.
 “Yes! Yes! That’s the best name ever!” The smaller skeleton called out with the biggest smile Geno had ever seen. “I love it.. Thank you!” It had only been a few days.. Maybe just a couple of hours, time was hard to tell in their voids, but the skeleton had built up such a fascinating personality. He was smart, curious and cheerful. Cheerful.. the opposite of Geno, though it was definitely cheering him up. At least he had something to do while they both spent their time in their separate voids.
“Can I draw too??” Sketch asked after a while of silence.
“... Sorry bud, I don’t think I can give you the sketchbook.” Geno said and put his hand on the screen. “It’s still as solid as a rock.” The other nodded and sighed. “Yeah.. Okay.” It looked so interesting. Maybe he could finish his own world like that! It would be nice, but probably impossible.
“Can you draw some more?” Sketch asked. “Can you draw your world for me?” 
It was saddening, how this skeleton longed for a world of his own. Geno knew his buddy would never get one though. The system wasn’t fair. He had learned a few things from Sketch though. He seemed to know a bit more about alternate universes or at least how they started. It was pretty interesting. He was aware, just like Geno.
“Of course.” Geno flipped over the page for a new one but didn’t start just yet. He looked at his illustration of Sketch and then at the actual skeleton. He put down the sketchbook and turned towards his friend. The skeleton with the scarf stood up with the drawing in his hands. He pushed the drawing against the screen and summoned a bone in his other hand, pushing it against the paper. He looked surprised at the result. It actually worked, it was pinned against the screen… Now his friend could actually look at the drawing, and many other drawings  would follow.
[First!] [Next soon maybe!]
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frappe-art ¡ 3 years ago
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(And 18 im v interested in frappe art)
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I accidentally deleted the first answer I'm a clown
anyway at first I hesitated before reblogging, like "am I enabling Lucy to ask for all of them? is it wise to give her all this power?"
8) uuuh this is already hard but I think lineart and sketching! like, in general. I just feel like my drawings are more expressive when only in rough form, more dynamic. If I have to choose tho I'd say hair and sometimes hands (I'm weird that way)
9) since I'm quite content with my lineart, the most of problems come with coloring, especially color painting. thats the part I'd loved having someone teaching me the most. 90% of my art is self taught and I managed to learn anatomy and proportions through experiments, books and other artists speedpaints but man. color theory, shading, lights are hard. also my pc works against me bc its screen makes everything a bit lighter and bluer than ANY other device known to man
another thing I'd love to understand better are backgrounds. architecture school taught me (half assedly) perspective and composition, but often when I draw i try to use complex scenery to get used to doing it digitally and not with 3d softwares. those are also the drawings I end up not posting because I'm not satisfied with ;-;
14) uuh I'm not sure how to answer this one. up until I was 14/15 I really liked making realistic portraits and drawing animals, but then I went through a loooong art block where I hated everyone of my drawings, so to improve i started copying other people's art, screenshots and fanarts. after a while I was so unsure about what to draw that I thought I forgot how to draw original things.
just recently, like 2 years ago, I started watching jojo, and its artstyle and colors were so weird, and the fanarts so beautiful, I started trying things on my own, bought a thick sketchbook and started filling it with drawings that progressively were more personal and I decided than at the end of the sketchbook i would have bought a graphic tablet. and since then, I've been fighting with colors lmao
I don't always feel inspired, sometimes it's really frustrating and it feels pointless, but I think right now it's one of my happier periods, artistically speaking (and you and the things you write and your reactions have a huuuuge part in it, you have no idea)
16) if the most fun is composition, sketching and lineart, the most daunting is color painting. I love finding shades that go well together, but sometimes it is stressing, because I feel like I'm ruining the vibes of the sketch and the painting is completely different from how I imagined it :/ and also for all the reasons above, like, yk, my asshole of a pc.
18) a big big dream (not really a project) is to use illustration experience for architecture, or architecture knowledge to work in illustrated books, animated series or fantasy/sci fi movies backgrounds, but it's something that's still very abstract in my mind.
the more concrete project you already know about obv, and it's one of the things I'm more excited about, is collabing with you for your next big project!
basically, for everyone not aware, I'm going to illustrate Lucy's next long wip, a jujutsu kaisen gang au, satoru's prequel story of her oneshot rabid dreams, and I'm so excited about it that as soon as it's out I'm never going to shut up about it >:3
thank you for the ask lucy! (and you know u don't have to wait for an ask game for listening me ramble about art lmao)
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lazyevaluationranch ¡ 5 years ago
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I was wondering if you would be willing to share the titles of your resilience-inspiring lesbian farm books? My google search led me to a book titled “Attack of the Lesbian Farmers” which, while certainly inspiring, is not exactly what I was looking for.
Here are two very different books in the Farm Lesbians Write Honestly About What Went Wrong And How They Got Through It genre. Hopefully at least one is to your taste.
It's nearly fifty years old now, and can be hard to find, but Country Women: A Handbook for the New Farmer is deeply important to me. Country Women was a black and white xeroxed magazine written by a collective of woman-run farms in California in the 1960s. (There are some issues scanned at the Lesbian Poetry Archive). Each issue was half articles about feminism and half articles about small-scale farming. In the 1970s, the how-to articles on farming were expanded and organized to make the book, along with some scattered journal entries, lovely hippie-style line drawings and poetry about wood splitting, bees, and gazing at one's beloved while fixing the tractor on a summer day. The contributors have names like Jean and Ruth Mountaingrove, Ellen Chanterelle, and Sam♀ Thomas. 
It's written in an informal and pragmatic style, mostly organic hippie farming, but using pesticides or conventional medications when necessary.
This afternoon the Anderson brothers began teaching me how to graft fruit trees - the careful joining of life with life. Even more than I loved gaining a new skill, I loved learning from two old men who have so very much to teach me. I admire the audacity of eighty-three-year-old men setting grafts that will not bear fruit for years: the total involvement in a process they love. Those trees will stand and live; I doubt whether Jake or Fred even stop to wonder if they'll pick the fruit. I want to live my life with that kind of harmony and purpose. I want to be planting seeds the day I die.
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The first lamb was born today. Premature and dead. Olivia, the mother, seems to be all right though. I had a dream a few weeks ago that the lambs were born tiny (like mice) and pink. And that I struggled to save them, but they were too small to feed. The lamb today was small and pink, its fleece plastered against its body, thin and sparse. For a moment it was nightmareishly like my dream... This is my first animal death. The beginning of a long cycle. It seems even harder to have death come before life, than to have an old one die giving birth. Hopes for the future stillborn.
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Driving home today, I suddenly realized that this really is going to be a sheep ranch, that I have done, and am doing, and will do it. That I'm making my livelihood from the land. The canyon is fenced now. There are  sheep out there on pastures that were open hillsides two years ago. 
The very act of building this place, the simple actions of tamping dirt, stretching wire, dumping hay in feeders, has profoundly changed my sense of self. I'm doing things I never dreamed I could do, and I'm doing them easily without even considering whether I really can. Last night I was talking with Susan about fencing the front meadow for feeder calves, and I realized that I could say that realistically, no fantasizing, no bragging: I can fence the front meadow as soon as I get done with the hay barn and get a little more money.
Like almost every other farmer in America today, I'm in debt and hoping for a good season. I'm only at the beginning now, and I know there are many struggles to come and overcome and come again: Someday I too, like my neighbours, will be counting carcasses killed by a marauding dog or watching the spring oats be wash away in an "unheard of" late storm. No matter how prepared I am, there us always that vulnerability - to the weather, other animals, disease - that seems to strike when things are finally going smoothly. But inside me there is also this incredible joy: This life is real and good, and it has made me strong and real and good too. 
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I gotta stop or I'll type the whole book into this post. One more: 
My father is here this week ... working on the truck whose engine has been alien to me. I am learning now what I could have learned at 7, 11, 15. Beneath my truck, side by side, lie his seven-year-old son and his twenty-five-year-old daughter, both of us learning for the first time how bearings fit together, how to remove pistons. And here beneath this truck the patriarchy stops: he has passed his knowledge to his daughter, and from me  it will pass to sisters, from sister to sister to sister. 
That's this book. The things women weren't supposed to know in the sixties. They found people to teach them; they taught each other; they learned through bitter loss. The book says: we have gone before you and you are not alone. Here is what we have learned, and here is how we have learned it. We have failed, and we have wept, and we have gotten up and gone on, and it was alright. Here is the fire, passed from hand to hand to hand. Here is the light that will never be put out. 
The week after we first got goats, we received a package in the mail from my coolest relative, a veterinarian who was the first woman to graduate with a specialization in large animal medicine at her school. People thought that women just weren't physically capable of handling large animals. (Hint: the bull weights 1100 kilograms. It doesn't much matter if the veterinarian weighs 50 kilograms or 150 kilograms.) I remember staying with her a child, in summer, laying on the stainless steel operating table in the barn; it always felt cool when the heat was unbearable.
The package, of course, contained Country Women. An old well-loved copy, with notes on long-ago calving dates penciled in the margins, and random scraps of paper with sketches of possible gardens and goat sheds as bookmarks.  A light passed from hand to hand, a light that will not go out. It was like receiving a video game quest artifact.
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Country Women is rooted in second wave feminism, which is not everyone's cup of tea. For something more modern and story-focussed, consider Hit By A Farm or Sheepish by Catherine Friend. These are collections of short, funny autobiographical essays about farming and relationships. Their tone is honest and wry, self-deprecating. You can see Catherine Friend's blog here and decide if you like her writing style. She wanted to call Hit By A Farm "Sheep Sex and Other Disasters" but her editor didn't think it would sell. 
In Hit By A Farm, Catherine - a professional writer - goes along with her partner Melissa's lifelong desire to ranch sheep, and describes the results from the perspective of the slightly reluctant farmer's wife as they start a farm in Minnesota.  Sheepish is written fifteen years later, when they're thinking about quitting the farm, after all the shiny newness of farming and the relationship has worn off. There are different mistakes then, different sorrows, and new joys. 
From Sheepish: 
We rarely pay attention to middles. Perhaps we ignore them because they're problematic. The middles of our beds often sag. The middles of our bodies sag. The middle of a long story told by your brother-in-law is likely to sag, and so you'll need another beer to stay focused. Everyone needs a reason to keep going when they're in the middle. 
And:
Don't expect a farm to fix your life, for once the romance dims, you must still muck out the barn and stack hay bales and give that sick goat an enema...Although there are tons of stories about starting something new, there just aren't that many about how to keep doing something, about how to slog through the middle when the going gets tough.
The quotes are all from Sheepish; I can't find our copy of Hit By A Farm:
My spinning wheel continues to torture and confound me. I realize I'm not interested enough in the craft to really commit to learning it. After a few more tries, I tuck the wheel into a corner of our living room and turn it into what Melissa likes to call a Dust Accumulation Research Project. Clearly our wool market will continue to be the wildly unlucrative wholesale warehouse.
The patron saint of spinners is, interestingly enough, Saint Catherine. She was a Christian martyr in Alexandria. In 307 AD, she was condemned to be torn apart by the spokes of the wheel.
Well. No wonder.
Spoiler: things get pretty rough, there’s illness and hard winters and financial issues, but they do not, in fact, give up the farm or each other. 
The book says: We made it. You will too.
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crashing-comets ¡ 4 years ago
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Panic
A little warning, panic attacks and blood. 
Let me know any mistakes or anything like that!
Take care of yourself!
Usopp was working in his workshop on some new pop green balls. One of the plants in the corner let out a little growl wanting attention. The man-eating plants were excellent company when he is alone. Usopp leans back on his stool and lets out a huff, his new idea was a little more complex than he intended. He scratched his head and stood up, and headed towards the door. He patted the plant’s head as walked out on the deck. Luffy was sitting on Sunny’s head, watching the water hit the ship’s side. Chopper was last seen in his office, and Zoro was training in the crow’s nest. Sanji was serving the sunbathing girls near the farther set of stairs, and Franky and Brook were sharing different ideas from music to minor fixes on the ship. The StrawHats would be docking on a nearby island for supplies. Usopp smiled and looked up at the sky, not a cloud in sight, perfect weather for drawing. He grabbed his sketchbook and sat leaning near the gallery door. He started to sketch, and Sanji stopped in front of him. 
“What are you drawing?” Sanji crouched down, trying to look at the sketch, but Usopp pulls the book to his chest, embarrassed.  
“Nothing!” He squeaked, Sanji hummed and walked back into the gallery. He cautiously looked at what he sketched, and it was a small sketch of his mother. He sat there for a moment, ‘Did she look like that?’ he jumped at the thought. He forgot what his mother looked like. His mood dipped, and he continued to try and get the perfect image of his mother, but after a while, he became frustrated and threw his pencil on the ground. After making minor changes to the portrait, he couldn’t see the true one. He crumples the sides of the paper as small tears built at the corner of his eyes. He got up and grabbed his pencil, and returned to his workshop. He shut the door and locked it, and the dam broke. Fat tears rolled down his face, and he rubbed the corner of his eyes as he sat in the far corner of the workshop. He pulled up his knees to his chest and took a look at the sketchbook before throwing it across the room with a huge thump. He tightened his grip on his elbow as he hid his face in his arms. He sobbed, and with every exhale, he could feel a slight sting on his elbows. It seemed to be hours passed before the sobs slowed to a small hiccup. Usopp pulled his head up and wiped the tear streaks on his cheek. Usopp shifted his position when he heard a knock on the door. 
“Oi Usopp, the shitty cook, said that it is dinner time. Come on.” Zoro’s voice boomed through the air. Usopp placed a hand on his lower stomach, and he wasn’t very hungry. Usopp sat there for a moment, and Zoro slammed on the door harder. “Hey, come on.” Usopp jumped and shuddered. 
“I’m not too hungry, so I am going to skip lunch.” 
“It’s dinner.”
“Right!” Usopp started to pick at the skin around his knuckles. “I need to finish this project, you know?” he chuckled a little at the end.
“Alright.” Zoro sighed and walked away. Usopp let go of the breath that he didn’t know what he was holding. He felt something sticky on his fingers and found blood was dripping from a wound he made on his knuckle.
“Shit.” He whispered and grabbed a small towel on his worktable. He squeezed the towel around the wound. The knuckle throbbed with his heartbeat, and his eyes started leaking again. He moved back to the corner and hugged his injured hand to his chest. 
“How could I forget her?” he whispered to himself. Another knock on the door made him jump. This time it was Sanji.
“Hey idiot, you missed lunch as well. Pause that project!” Usopp starred at the door in a panic. He could let Sanji see him in this state. After all, he forgot his own mother’s face. How could someone want someone like that on their crew? What was Luffy thinking! He moved through the thoughts at a thousand miles an hour, and his breathing kicked up. Sanji called him again, but Usopp couldn’t hear him. His thoughts were too loud, and his breath was gone from his lung. ‘I forgot his mother and my father forgot me, that’s why he left. I am useless on this ship. Why am I  here? I’m going to die on the next island. How could I let Luffy down like this.’ His thoughts suddenly stopped as a pair of rough hands were placed on his cheeks and softly patted them. Sanji was kneeling in front of him, patting his cheeks and whispering his name. Usopp looked past Sanji and looked at the door that was broken into pieces on the floor. Franky would have to fix that later. He grumbled at the thought of Franky’s disappointed look when he learns about the door. Sanji pulled his jaw towards him and said his name, but it sounded like static in his ears. Usopp looked at Sanji in confusion as he grabbed his chest and felt it move at an incredible speed. He realized what was happening, and he had a panic attack in front of Sanji. He remembers getting them when he was younger, but he had his mother to calm him down. The thought of his mother started a whole new train about how much he missed his mother, and he began to see black dots in his vision. Sanji took Usopp’s hands and placed them on his shoulder. “Usopp, if you can hear me, breath with me, okay?” Usopp could feel his hands lift and lower as Sanji breathed. He started to follow Sanji’s calm breathing and the black spots disappeared. 
It felt like an hour before Usopp’s breath was semi-stable, enough for Sanji to release his hands from his shoulders. He placed one of his hands on Usopp’s cheek and patted it to get his attention. 
“Hey Usopp, you doing okay?” His voice was softer than usual, and Usopp seemed to notice as well. Usopp’s head jumped up and looked at him. He took in a breath.
“I’m sorry.” He bowed his head and whined at the sharp pain that came from his knuckle. Sanji first noticed the blood that stained the towel and then saw the tears that started to fall slightly faster as he held Usopp’s wounded hand. 
  “Do you want me to call Chopper?” Sanji said in a low voice. Usopp’s eye’s widened, and he shook his head.
“No, I’m fine!” He said it a little too fast for Sanji to be confident in the answer. Sanji patted his cheek, picked Usopp by the knees and the back, and walked out of the workshop and to the infirmary. Luckily Chopper was still eating dinner, so Sanji placed Usopp on the bed, which was a little out of it to realize what was going on, and grabbed some bandages on the shelf and some ointment that he has seen Chopper use for his cuts. 
“Wanna tell me what happened back there,” Sanji asked, sitting next to Usopp and turned him towards him. He pulled the towel off Usopp’s finger, and the blood flaked off with a slight snap, waking Usopp from the trance that he was in. 
“What happened,” Usopp said, looking around the room then down at his finger. 
“You tell me.” Sanji opened the ointment and placed it on his fingers. He rubbed the cream on the wound and caused Usopp to wince. “Sorry.” He took the bandages and started wrapping the finger. 
“I think I had a panic attack.” He watched Sanji wrap his hand. 
“I could see that. Do you wanna talk about it.” 
“Not really.” His voice dripped with defeat. Sanji finished his wrapping and looked at Usopp’s face. Usopp was still looking at his hand. 
“You know that everyone is here for you, right?” 
“Yeah, I just. It’s nothing.”
“Are you sure?”
“Yeah, I just was freaking out for a moment.”
“Usopp.” Sanji’s voice was demanding and challenging, wanting answers, but a part of him knew that he wouldn’t get them tonight. 
“I’m fine, I promise.” Usopp waved his hands in front of him. Sanji sighed and got up from where he was sitting, and made his way to the door.
“Fine, but when you need to talk. Come to me.” With that, Sanji went out the door and left Usopp with his thoughts. He was debating if he should spill to Sanji about what happened on his way to the men’s sleeping quarters. 
“I’ll talk to him later. Maybe.” Usopp hopped into his bed and went to sleep. 
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remedy7411 ¡ 3 years ago
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I both didn’t and did want to write tonight. On one hand I’m still a little bit in shock that I’ve written for 14 days in a row. Like words on paper, not just ideas in my head but actual words and I’m not letting the overwhelming feeling of an empty page stop me from writing. So there is that... 
On the other hand, I’m exhausted and distracted and would have been super happy spending the evening scrolling through social media. This is  a continuation of what I was writing yesterday. I really like this part but honestly the transition between where I stopped yesterday and started today isn’t very good. I need to work on that, but I do think I’m getting better at details. 
It’s 2pm the next day which according to everyone is writing time and once again she would rather be anywhere else but in her room trying to fill a piece of paper with words that no one is ever going to read, should everything go right. She stares at the empty page for a moment twirling her ink pen around her fingers, before flipping back to the picture that she drew yesterday. She moves her pen to the next branch and set of leaves and starts to write. 
Art- I used to dream of being an artist. Momma and Papa would take me to all the little galleries around the city and we would look at the paintings. It was so much fun. The pictures were breath-takingly beautiful, colorful and bright. We would see painting of the sunset with the rays shooting over the sky, morphing from reds to oranges to pinks to purples to blues. There fields of wildflowers and streams and waterfalls with rushing rapids topped in white. 
Then there were my favorite pictures, the ones of people doing normal things. Paintings of girls in gorgeous pale dresses dancing, with layers made to look like lace floating around them. The brushstrokes were light and airy making it seem like you could step into the painting and dance along as well. Or the pictures of people in the fields, picking vegetables, the greens of the plants all lined up in neat rows, with people working together in rough overalls and white shirts. I would imagine them singing as they worked and try to picture what kind of songs they would sing. Paintings of cooks in kitchens with fires roaring, pots steaming, and vegetables or meats on tables ready to be cooked. Paints of families playing together with the mother at the piano and the children on the floor with their blocks and stuffed toys and the dad sitting watching the mom with soft eyes. 
I saw charcoal drawings and oil paintings and sculptures and journals. They were something special. My papa actually got me an art set and said that as long as my grades were good and I practiced my needlepoint I could also spend time sketching. He let me attend one set of lessons where I picked up the basics of charcoal, of using differing amounts of pressure for shading, of long smooth strokes versus shorter jerky strokes. I learned and I drew and I drew and I kept up with everything else but art, oh art was life. Then the lessons ended and I asked for more and that was bad and now if they catch me drawing I am in TROUBLE. Instead I’m forced to write and write as if I have the words to fill an hour's worth of time. 
The clock tower bell rings, making her jump and smear a bit of ink across the page. She looks up in complete surprise having entirely lost track of time. But writing is over, so she carefully closes the cap of the ink bottle, puts the ink and pen away in their case and then closes up her journal. She’s free and she refuses to think about how she lost track of time writing.
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andrewmoocow ¡ 4 years ago
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Steven Universe Alternate Future chapter 17: Together Forever (originally posted on July 5, 2021)
AN: Welcome back my loyal readers! Sorry to keep you all waiting these past few months, but I know the wait will really be worth it. The final two parts of Alternate Future might be some of my greatest writings yet, and I'm more than excited to share it all with you starting today. Now without further ado….
Synopsis: Steven tries to become Connie's official boyfriend.
Cast:
Zach Callison as Steven
Estelle as Garnet
Charlyne Yi as Ruby
Erica Luttrell as Sapphire
Deedee Magno-Hall as Pearl
Grace Rolek as Connie
Dee Bradley Baker as Lion
Kimberly Brooks as Cherry Quartz
NoĂŤl Wells as Black Rutile
Featuring Ray Chase as George Ikari
--
Pearl stood in line at the Buddwick Public Library alongside many other parents and parental figures like her, waiting as a bearded, glasses-wearing Japanese-American man signed books at a table.
"Hey, you wouldn't happen to not be from around here, right?" a single dad standing behind Pearl asked her.
"Well, technically yes," Pearl informed the father. "I come from a planet of beings similar to myself who are all based around gemstones, which explains my appearance. Also, just last week I helped save your world from a sociopathic revolutionary, so you're welcome."
"You foreigners say the craziest things!" the father giggled in disbelief of Pearl, who just groaned flatly as the line began to pick up.
Eventually, Pearl was at the front of the line and now face to face with childcare author George Ikari, who had his fingers clasped together as he gazed at Pearl.
"Let me guess, you are here because of your own son, daughter, or whatever pronouns your child prefers to be dubbed?" George asked Pearl while he took out another copy of his book, titled "When Your Child Wants Time Apart", to sign for the Gem.
"Well, he's not really my son, but Steven is the closest thing my team, the Crystal Gems, have to one after his mother died giving birth to him." Pearl explained as George got to signing. "And that's not even getting into the fact that his mother was a former despotic alien conqueror who grew tired of her life and the constant neglect from her fellow despots, so she faked her death because of how much she valued your planet as part of a big war, then thousands of years later she met a rock star and fell in love with him before they consummated their relationship and she gave up her physical form to give birth to Steven."
George just stared in shock at Pearl's tale before she tried to continue. "And just last week, there was this other Gem with a vendetta against Steven's mother who tried to destroy the planet and kill us a-"
"Stop." George commanded Pearl with a raise of his hand before handing over the signed book. "Just take the book and leave. Your tales are holding up the line."
"What did I tell ya, foreigners say the craziest things!" the single father from before laughed.
"I'm deeply sorry Mr. Ikari, it's just that Steven has been going through some rough times lately." Pearl apologized to the author.
"I completely understand miss." George said while pulling out his phone to show Pearl a picture of his own son, a young man with scruffy brown hair, a white dress shirt, and a nervous expression on his face. "My son Shane has had his fair share of troubles ever since his mother died, troubles that he insisted on running away from rather than facing them maturely."
"Just like Steven." Pearl compared the two boys sympathetically. "I am deeply sorry for your loss sir."
"Thank you for your kindness." George smiled, putting away his phone. "The best thing I feel could work for a situation like this is to let things play out and discuss his problems when the time is right."
"Thank you very much George." Pearl thanked the author as she finally began to leave the library with her new book in hand. "Though I doubt that'll be of any use to Steven."
--
Not too far away from the library, Steven was sitting in his room talking to Connie on the phone while she was on her study break.
"Wow Connie, looks like you got all this college stuff figured out." Steven laughed with his dear human friend over his phone.
"I've got a whole plan figured out for early admission into the University of Jayhawk, but I'm still not sure about my major," Connie explained to Steven. "Maybe I should major in political science and minor in sociology, or perhaps the other way around."
"Did all our galactic adventures together get you interested in politics?" Steven asked.
"Maybe." Connie chuckled. "But I'm thinking more down to earth, as far as long-term careers go." As the two laughed at Connie's pun, the timer on her phone began to go off. "Wow, fifteen minutes went by pretty fast."
"Aw man, these study breaks are too short." Steven complained before he realized something. "Hey wait, you left a brochure at my place last time." He stated, pulling out a brochure for Connie's college of choice to show her. "You want it back?"
"It's alright Steven, I still have two more, and the Internet too." Connie answered smiling.
"Oh, right." Steven realized. "Well, call me when you still wanna hang out, okay?"
"You know I will, silly!" Connie beamed. "Okay, for real now, bye!"
After Connie ended the call, Steven turned over on his back and gazed at the brochure in his hands. "The University of Jayhawk, huh?" he muttered to himself. "And how far is that from here?" Steven then opened up the brochure to learn how far the distance between Beach City and the university's location in Kansas was. "Oh, that far."
Once again, Steven began to glow pink as he sadly sank into his bed, fretting over how little often he'd be able to see Connie regularly. Gazing at his rose-colored hand, he then started pondering on whether he should do something about this new condition, as he had been thinking about since the titanic battle with Black Rutile.
--
Soon, Steven had decided to get up off his bed and walk downstairs, to which he found Garnet standing in the living room dressed in a hat and kerchief. "Oh Garnet, you're still here?"
"Steven." Garnet greeted Steven tersely.
"I could really use your advice right now." Steven declared racing over to the fusion. "It's about-"
"Not right now Steven, I gotta split." Garnet cut Steven off before un-fusing into Ruby and Sapphire.
"I'm terribly sorry Steven, but I'm running late for my lecture on alternate timelines." Sapphire apologized while taking off the scoutmaster's hat and giving it to Ruby, along with a kiss on the cheek, before racing off to her lecture. "See you soon!"
"Sapphire might be going, but you still got good ol' Ruby to talk to." Ruby said to Steven as she went to fetch a backpack. "Let's walk and talk scout, I got things to do."
"Oh, okay." Steven agreed as he followed Ruby to the Warp Pad, and the two set off.
--
Later that day, Steven had joined Ruby's class, consisting of Onion, Zebra Jasper, and Little Larimar, as they strolled through the woods on a gorgeous afternoon. When the class got to a good stopping point near a stump, Ruby hopped up on the stump to speak. "Okay everyone, you remember what we learned last week, right?" she asked her students. "Well, today is the day! Brace yourselves, 'cause today we're sketching nature and the animals around us!"
Onion and his Gem classmates excitedly took out their notepads to draw on as Ruby continued. "Draw to your heart's content scouts!" Ruby declared. "Feel the beauty of everything around you, and you'll have the honor of receiving this Nature Sketching Badge!" She then presented a patch depicting a paint palette and brush in front of depictions of a wolf and a bird. "Got that? Now get to drawing!"
As soon as the three pupils left to go draw the beauty of nature around them, Ruby took it as her cue to jump down from the stump to talk with Steven. "So, what did you need Garnet for?"
"It's about Connie." Steven admitted to the small red Gem. "Every time I talk with her, I feel like she knows exactly what to do with her life, mostly thanks to her parents, and I don't. When we're together as Stevonnie, I feel so ready for anything, but on my own, I feel so lost. Just, what do I want with life?"
"That's tough Steven." Ruby declared sympathetically.
"Exactly!" Steven replied. "Connie is gonna go super far away for college, and I'm gonna be stuck here in Beach City where barely anything can go right for me nowadays and I don't know what to do about them! I want to be with Connie forever, like how you and Sapphire are basically together forever as Garnet!" That was when he came to a conclusion. "Wait, if I want to be together with Connie, then she's my future!"
Steven's revelation made Ruby super excited, and she began scuttling in place with stars in her eyes, her rapid footsteps creating a small fire beneath her feet. "STEVEN STEVEN STEVEN STEVEN STEVEN!" she cheered, but stopped short once she noticed the fire she created. "Oh my gosh, one sec!" Ruby quickly ran off and came back with a towel that she used to put it out. "Anyways, STEVEN, YOU GOTTA PROPOSE!"
"Wait, propose?!" Steven exclaimed in shock. "But, we're only teenagers, we can't get married yet! But then again…"
"Don't say you haven't thought of it!" Ruby added cheerfully. "Besides, aren't there couples in this country that get married at 18 or something?"
"Y-yeah, I thought of it." Steven began blushing, which he tried to hide within his jacket. "I mean, we just had this discussion."
"Well, what are you waiting for?!" Ruby yelled happily while jumping up and grabbing onto his head. "DO IT, DO IT, DO IT! DO IT LIKE YOUR LIFE DEPENDS ON IT!"
"Are you still really sure?" Steven asked the overly eager Gem. "As I said, Connie and I are still only teenagers."
"C'mon, we told you about how it worked for Sapphire and I." Ruby responded. "And if you're successful, you'll have the honor of receiving this!" She presented Steven with a badge depicting one figure popping the question to another. "The Proposal Badge! And if you're not so sure, well, seeing the future would be really helpful here."
Steven gasped, knowing just who Ruby was implying.
--
Far away from Ruby, Sapphire sat down with her class, made up of the Watermelon Tourmaline fusion, two of the Nephrites, Orange Spodumene, Cherry Quartz, and Angel Aura Quartz, while drawing lines in the sand with a stick.
"Okay class, let's begin our lesson." Sapphire announced to her students when she spotted Steven racing towards her with a big smile on his face. "Ah, Steven. I've been expecting you."
"Hi, Sapphire." Steven greeted Sapphire. "I'm sorry to interrupt your class, but I got big news! I've been thinking about my future with Connie lately, and a chat with Ruby convinced me that I should propose!"
"Wait, don't you have to wait until you're a grown-up to do that?" Cherry Quartz inquired with a raise of her hand.
"Let me guess, you're here because of my future vision?" Sapphire asked. "Let's run the numbers then." She then let Steven stand next to her before beginning to speak to her class. "Okay class, let's review what we've learned today." She began while drawing complex math equations in the sand. "Using the concepts we discussed so far, let us calculate the probability of Steven succeeding in asking Connie to marry him. Let's begin with the probability that she'll want to spend her life with someone, and then we'll multiply that by the differential factor in sociocultural marriage acceptance. Next, we multiply that by a possibly happy cohabitation, the factor of fear of engagement, the intensity of the love you share, and finally the robustness of your goals in life." As Sapphire finished her equation, she finally turned back to Steven. "Are you following so far, Steven?"
"Uh, maybe?" Steven answered as he stared at the equation Sapphire had jotted down for him in the sand, but it wasn't long before the ocean tides began to wash them away. "Oh no, your work!"
"And there we have it." Sapphire declared with a chuckle. "Don't you get it, Steven? My marriage to Ruby, our fusion as Garnet, it eluded my future vision for so long, defied the odds, and perhaps even changed the course of time itself!" she declared encouragingly. "We could just write equations in the sand all day, but then a wave of chance can come crashing in and wash everything away! Love is truly unquantifiable! Even with my gift of clairvoyance, I know far better than anyone that love can make the impossible possible! And that is why I say do it! Do it, Steven, just do it!"
"Yeah, you're right!" Steven began getting pumped up before turning to Sapphire's class. "Get one last good look at me, everyone, because after today you're gonna be calling me Steven Quartz Cutie Pie DeMayo Diamond Universe-Maheswaran!"
The class began cheering vibrantly, bringing a big smile to Steven's face as he finally realized what his future now held.
--
As the afternoon slowly began to give way to evening, Ruby and Sapphire reunited by rushing towards each other on the sand, excited about the big proposal.
"Steven told me first, and I led him to you!" Ruby cheered, spinning her little blue wife around by the waist.
"I told him to go for it!" Sapphire laughed. "Oh, it's going to be so wonderful!"
As the two fused back into Garnet, she stood still for a few moments, contemplating her components' decisions before coming to one of her own. "I take full responsibility for their actions." Just then, Garnet heard footsteps and found Pearl walking behind her, her pointy nose stuck in a book. "Pearl, I'm guessing you want to see me about the book you're reading."
"I was just thinking about calling up you and Amethyst," Pearl announced as her gaze turned from the pages to her leader. "Where's Steven?"
"Oh, nothing much," Garnet answered. "Just going to make a rash decision that'll emotionally damage him in the long run."
"Oh, that's ni-" Pearl began before she did a double-take. "WAIT, WHAT?!"
--
As for Steven, he was too busy getting ready for an evening with Connie without a care in the world, picking up a cake from Spacetries that said 'Together forever!' on it, buying some flowers from Crazy Lace Agate, lighting up the glow bracelet that brought him & Connie together to begin with and dressing up in some nice clothes. If all goes well, he would soon become Steven Quartz Cutie Pie DeMayo Diamond Universe-Maheswaran.
Meanwhile, at Connie's house, Connie kept on studying for the University of Jayhawk when she heard a roar coming from outside her window. Walking over to the window, she discovered Steven parked outside her home with Lion by his side.
"Evening Connie, how are you doing?" Steven asked his ladylove.
"Steven?" Connie replied. "What are you doing here, and why are you all dressed up like that?"
"You got a fifteen-minute study break in two minutes, right?" Steven inquired, gazing at his watch to check if his timing is correct.
"Whoa, spot-on!" Connie exclaimed, gazing at her phone to learn that he was indeed right. "So, what did you come here for?"
"You want to go for a walk with me?" Steven offered. "I'm sure you could use some fresh air."
"That's very sweet Steven." Connie smiled. "I'd really love to, but I-"
"Don't worry, we can take Lion, and then I'll bring you home in fifteen!" Steven declared with a thumbs up.
"Okay, let's do this!" Connie accepted the offer and left her room to meet Steven outside, taking a moment to tell her parents along the way. "Bye Mom and Dad, I'm spending my study break with Steven!"
Once Connie was out the door, she and Steven mounted on Lion's back and he ran away from the Maheswaran residence.
--
"Remember when we first met here?" Steven asked Connie as they dismounted from Lion and began walking down the beach.
"You mean when you tried riding a bike in the sand and then started running away screaming?" Connie replied with a chuckle.
"Yeah, I was trying to get your attention." Steven added.
"Last I remember, I was more focused on my book than your silly antics." Connie stated.
"Well, that all happened right here." Steven declared, gesturing to a picnic at the very spot where he and Connie first met all those years ago. "You like what I have here?"
"Steven!" Connie exclaimed in awe at the picnic set before them. "I don't know what to say! I also can't believe you still remember this exact spot!"
"I just remember it like it was yesterday!" Steven exclaimed just as eagerly before running over to a nearby rock to sit on.
"This is too cute." Connie squealed while blushing.
"And without further ado," Steven announced as he picked up a guitar to play while Connie sat down. "There's something very important that I'd like to tell you today." With that, he started strumming the guitar and began to sing. "I'd rather be tall, I'd rather be smart, I'd rather be sure you know I care." He sang for Connie. "Wherever you go, wherever you start, I'd rather be sure you know I'm there. I'd rather I always be a part of whatever you do. I'd rather be me, with you."
Although Connie was a little turned off by the deeper meaning of Steven's song, she chose to just keep those feelings hidden to not hurt Steven's while he continued singing. "Wherever we go, I already trust, I'd know what to do if it were us. I'd know what to say, I'd know how to be, I'd know your entire syllabus." Steven continued as the song reached its climax. "I can't think of any other thing in the world that I would rather do. If I could be, I'd rather be me with you."
"Oh Steven, that's so beautiful!" Connie applauded the love song. "If a little unsettling, but I'd rather not say it out loud because-" Steven then got down on one knee and presented him her old glow bracelet. "Huh?"
"Connie, will you marry me?" Steven popped the question at last.
"Come again?" Connie asked, completely taken off guard by such a proposal.
"Let's get married and live together as Stevonnie, just like Garnet!" Steven reiterated for his possible wife.
"Are you serious?" Connie chuckled at the marriage proposal. "I think we should talk about this first."
"You might think I'm being sentimental, but this makes sense!" Steven exclaimed. "I don't know what you'll be studying, but I'm sure Stevonnie will! We can go to Jayhawk together!"
"I really appreciate this little date, but come on! You're still young!" Connie said as she stood up. "And acting a little clingy, I might add." She added under her breath.
"What was that?" Steven asked Connie.
"Nothing!" Connie lied. "Like I said, we're still young. And even if some couples get married at like, eighteen, I don't think we're fit to be one of those."
"So, you don't want to be Stevonnie with me?" Steven asked despondently, but Connie was there to comfort him.
"Of course I'd want to be Stevonnie, but I'd like to be my own person too," Connie answered reassuringly. "You get that, right?"
"Yeah, but," Steven began while putting the bracelet away as Connie hugged him. "Is it a no?"
"I'd say it's not right now." Connie answered.
"But if we're going to spend our lives together, why didn't you say it now?" Steven kept on inquiring fretfully.
"We got plenty of time." Connie declared, moving on from hugging Steven to holding his hands. "Don't you worry."
"I'm not worried, honest." Steven tried correcting his best friend. "I'm just happy when I'm with you."
"I'm happy around you too." Connie replied. "It's just that-" Before Connie could finish, the alarm on her phone went off. "Oh snap, my alarm!" she yelped in realization while pulling her phone out. "Forget studying right now, I don't think it matters."
"But it does matter to you!" Steven yelled.
"And you're just as important!" Connie responded, beginning to notice Steven getting more stressed out.
"I'm fine, we can talk about it later." Steven began rapidly panting. "Look, Lion's still right there, you can go now."
"Are you sure Steven?" Connie wondered sympathetically. "You're looking a little on edge. Maybe I can hook you up with a good therapist. She's a good friend of my mom named Dr. Rebe-"
"I'm sure I'm fine." Steven cut Connie off. "Now go."
"Okay." Connie obliged before giving Steven a goodbye hug. "I'll call you again tomorrow at noon." She said before walking towards Lion to have him take her home.
"Have fun studying!" Steven continued putting up a happy front as he bid Connie farewell. But as soon as she was out of sight, that front completely fell. "Nobody I love ever wants to stay."
With that, Steven fell back-first to the sand and turned pink, the resulting impact ruining the nice picnic around him as he wallowed in a crater of his sadness, and stayed there for the rest of the day.
--
Many hours later, Steven kept on lying in the crater long into the night with tears in his eyes, and when he finally decided to get up, Garnet was there waiting for him with the picnic basket containing the cake still intact.
"I assume it didn't go well." Garnet theorized as she helped Steven up from the crater and began walking him home.
"I don't get it," Steven muttered cynically. "Ruby and Sapphire said I should go for it, and I did, but everything went wrong."
"I apologize on their behalf," Garnet stated. "You just can't trust love advice from hopeless romantics like those two."
"Then why didn't you stop me?" Steven asked the fusion.
"I couldn't see a future where you didn't try proposing to Connie," Garnet answered. "However, there were quite a few where after she said no, you forced her to fuse with you and subsequently went insane."
"Of course." Steven moaned. "Even in alternate timelines, nothing can ever go right for me."
"Don't be so hard on yourself." Garnet comforted her half-human ward with a hug to the side. "Your soulmate should be your complement, not a missing piece. Ruby and Sapphire may deeply love each other, but they still have their own thoughts, feelings, and lives." The pair soon reached the beach house and sat down on the steps together. "Whatever hole you have in your life Steven, I want you to know that Connie or Stevonnie might not fill it."
"It's just that you guys make it so easy!" Steven revealed as he took the basket from Garnet. "Can't believe I'm saying this, but it's kinda your fault for being so dang perfect!"
"I know you're upset Steven, and I take responsibility for your plight," Garnet apologized to Steven. "but blaming others as much as you blame yourself won't help."
"Then maybe shoving this adorable cake in my face will!" Steven declared as he opened the picnic basket to reveal that the cake was in pieces.
"It probably won't." Garnet deadpanned, but Steven didn't listen and started eating the broken cake anyways.
"Well, I'm still gonna do it!" Steven exclaimed, his mouth now full of cake.
"I know," Garnet added as she gazed up at the sky. However, what she didn't catch was a fly buzzing around her and Steven, and its green eyes started blinking.
--
"Ah, romance. So utterly futile." Black Rutile grimaced as she watched the live footage of Steven drowning his sorrows in cake through a hard light welding mask. "Still, all that trauma could be useful in the future."
As Black Rutile was spectating on Steven's pain, she was hard at work on her plans for revenge, using a blowtorch to put together the final touches on a special wrist-mounted device. Once she was done, the villainous Rutile aimed the device at a rock carved into the exact shape of White Diamond's gem and fired. The resulting blast destroyed the rock and left a massive cloud of ash where it once was, but she wasn't satisfied with the smattering of pebbles that once made up the rock.
"Hm, need to work on the disintegration aspect a bit more." Black Rutile pondered while retracting the welding mask into her visor and began going back to the drawing board.
--
Guess who's back? Back again? Black Rutile's back, she's no friend! And on that rather sad turned ominous note, we conclude the first chapter of Part 3. Now that we have Steven's romance issues out of the way, expect to see the following in the coming chapters, in no particular order.
Garnet, Amethyst and Pearl re-enact Ace Attorney while Steven becomes even more scarred for life.
Viva Los Diego! Lapis & Amethyst get involved with a James Bond parody, Garnet & Bismuth solve mysteries together with a police officer who's basically the Plumber from Ratchet and Clank, Pearl matches wits with a snooty film director who's like Michael Bay, David Cage, Neil Druckmann & Zack Snyder in one, and Peridot tries promoting her CPH reboot.
Steven hangs out with Spinel and plays basketball with Wolverine.
Peridot finally gets her own song.
Jasper finally gets her own song.
A certain Stevonnie-chasing jerk dares Steven to reform him.
And finally, Black Rutile plays a role in a certain event in Fragments, the final chapter of this part.
Have I gotten your interest yet? Good, cause strap in everyone, it's gonna be nuts.
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hearthandhomemagick ¡ 4 years ago
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Food For Thought - Steven Universe
Hello there, I would like to tell you my story and journey with the amazingly beautiful, and wonderfully written TV Show...
Steven Universe.
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I started watching this show when it first came out in High School. I mean, I was so excited to watch it that I anticipated the very first episode and sat down with snacks to observe it’s premier. I had become immediately enthralled not only with the art style, but also with the genuine wholesomeness and elucidations of processing emotions and life experiences. I was astounded that a kids show could express to me how to manage my emotions as well as connect with my moral standings. It’s a show I recommended to everyone, but often didn’t talk about because of it being a kids show, and me being almost being grown. It was my secret love until someone else brought it up.
This show stuck with me through the years, and helped me through some of my hardest moments in life. 
I remember watching the episode, “Mindful Education” and melting into Garnet’s lesson of mindfulness and self-awareness. I had been going through a lot at the end of 2016, graduating and going through a rough election along with having to move states for college. My opinions were forming in the extreme area and I had a fire to protect my thoughts and opinions with no restrain or any form of control of my emotional reality. I was rambunctious as much as I was head-strong and, at times, hard-headed all together. 
When this episode aired, I didn’t know why I loved Garnet and Stevonnie’s song, “Here Comes a Thought.” But I did, and it still carries with me into my life today. 
I want to discuss a specific time, though, that this episode saved my sanity and opened my eyes to a concept I didn’t understand when I first watched it. I was on social media, and was defending my opinions against quite a few people by myself. Eventually, I was getting nasty comments from a bunch of millennials telling me, 
“You’re too fucking stupid to understand, maybe you should go back to school, child.”
“You’re so emotional, and your emotions don’t matter here. Imagine being this dumb.”
“Imagine being a dumb bitch like Carly and saying you wanted to cut your penis off to look like a woman.” *NOTE I am not transgender, there is nothing wrong with being transgender and her insinuating such did not bother me. Her rhetoric insinuating trans was wrong is what irked me, this bitch was transphobic and had issues that she needs to repair in her own time. She wrote an entire post based around this context on her personal page using my real name, and she didn’t even know who I was.*
and my personal favorite, “Here’s the suicide hotline, I know your generation is prone to killing themselves and are overly emotional.”
Now, there were over 50, under 100, messages going back and forth where these people were just bullying me and I refused to back down. I wound up in a panic attack in my bedroom, literally wanting to kill myself because they were bullying me. The hotline would have come in handy if it were the actual hotline. I ended up going to my dad and older sister (my older sisters friend was the main one I was arguing with and her posy showed up on my post), because no one on the post was on my side.
Both told me, “If you can’t handle the heat, stay out of the kitchen.” My sister told her friend to stop, and threatened the other girl for her nasty posts and comments. My dad tried to mediate on the post itself, but the people wouldn’t stop. I eventually had to take it down.
My family didn’t calm me down in this moment. Not even a little bit. It felt like a back-handed helping hand. Like they wanted to protect me, but also somewhat agreed with the people on the post.
The only thing that calmed my nerves in this moment, ultimately, was the song, “Here Comes a Thought.” 
I sat in my room, sobbing, hoping to myself that it would make sense as to why it was okay for these things to happen. The song soothed over my nerves, eventually releasing my muscles and giving me a sense ease. I was able to process and realized a few personal things as well. I didn’t realize it, but before long, I was meditating to the song on repeat. I kept telling myself, “I’m okay, this is a thought. A moment. I am not my thoughts. I am not this moment.”
This was simply one of the ways Steven Universe has helped me process and understand myself more. I bring this up because I came across and article today that disappointed me to the core.
The Steven Universe Fandom has toxic tendencies.
I was shook.
How could a child’s show be turned into something so negative? Something that was meant to promote self-awareness, self-love, acceptance of character, and understanding of others had been morphed into a gatekeepers safe haven.
Now I know this isn’t the majority, and before you get offended, hurt or start defending yourself, I want you to ask yourself if what you are defending is an action you would defend from anyone else. If it is, by all means defend your ground.
But the one concept that eludes me, and offers zero substance in terms of valid arguments, is that men can not watch this show. Let me explain why men NEED to watch this fucking show.
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My boyfriend watched this entire show, episode for episode, and benefitted from it. This show offered him coping techniques, an understanding of why love should come before war, and mediating every situation so you see and understand every perspective. These are things children shows didn’t offer him growing up, he has often and openly verbalized his need for this show in his childhood because of certain traumas, and we often continue watching it even after seeing every single episode and movie.
This show was never meant for one or two groups of people, and if you feel that way then refer back to the writers themselves who were literally trying to teach the lesson in the show over and over again to NEVER EXCLUDE PEOPLE FROM YOUR GROUP. You exclude people, and you create a division, a war of sorts. You immediately have become the thing Steven Universe advocated against in the first place.
This also leads into the whole “art” situation in the fandom. 
This show is anti-bully. There are commercials for it and everything. It is expressed in multiple episodes why bullying is never a good thing in any situation. 
You simply cannot justify the hypocrisy in bullying someone out of self-expression that literally harms no one. You can’t justify it.
Think about it. You draw or sketch a piece of art that took you hours, or even a few minutes. It’s your favorite character, and maybe you yourself are going through some mental thoughts regarding your weight that lead you to draw the character thinner or bigger. Size shouldn’t matter in any capacity when relating a character to ones self. 
If you’re skinny, you’re beautiful. If you are thick or curvy, you are beautiful. If you are obese or overweight, you are beautiful. Weight doesn’t matter, but representation of body types in different characters does matter.
Imagine a child falls in love with a bigger character, but is experiencing body challenges where she is being picked on for being too thin or scrawny (it happens, I’ve seen it with my nieces). Who are you to say that making her favorite character look like her own body is wrong? Especially if art is a coping mechanism they use for mental health reasons.
Like Malachite, a fusion that was devastating and abusive in every way, you are taking the choice and voice of an entire being to make your actions and opinions “right” or “okay”.
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There is so much more I could say on this show, and so much more I could say about the fandom. And I know it is not the majority of the fandom, but I did want to make everyone in the fandom aware that we are human.
None of us are stoic and balanced like Garnet, and even Garnet had problems in her relationship. None of us are strong and laid back like Amethyst, and even she had self-love issues. None of us are as analytical and organized as Pearl, and yet she had problems throughout the series. 
None of you are perfect, and to act as if you are is defeating the purpose of a show trying to teach you how to be responsible for yourself and your actions. I’m not perfect either, and preaching about a fandom I’m not a huge part of sounds counter-intuitive, I’m aware.
But my nieces want to watch this show. My nephew watches this show with me. My boyfriend’s niece is going to start watching the show. 
Please do not make a toxic environment for kids who need this show to grow up. Kids who experience trauma, and learn from this show deserve a safe space without people trying to justify bullying or force them to think that because they are a boy or girl, they can or can’t watch the show. Without people making people feel bad for being themselves.
Why don’t we create a new space? A space where everyone is accepted as they are, and negative behavior is addressed the same way the gems or Steven would address them. With education, perception awareness, and PATIENCE. 
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I know some will say, “It’s not my job to raise your child.” and “It’s not my responsibility to make people aware of their tendencies.”
You’re right. It’s also not your responsibility to bully people into changing themselves to fit your dialogue. Simply put, you’re responsible for yourself alone. But you have no right to complain on someone's behavior, art or experiences if you are not willing to be patient with correcting said behavior in yourself first.  
Who knows, maybe I’m in the wrong here for not knowing the full story. All I’m saying is, if you see someone being a bully, being mean or even being a hypocrite, call them out in the sweetest way possible. Let them know we are facilitating a safe space for people who need a community rather than a closed off club.
Be the change you want to see in this world.
Learn, grow and prosper. 
I wish you all well and genuinely hope we can all expand our perspectives to fully understand each other in healthier and more communicative based ways. We deserve that sort of kindness from each other.
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maraudererasmut ¡ 5 years ago
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what kinds of things did you do when you were first practicing digital drawing? did you use reference images? where did you find them? anything you would recommend to a baby drawer with a short attention span for instructions?
Well, first and foremost, I’m gonna take a moment to do a little fangirl wiggle, because I’m a huge fan of your work! Thank you for messaging me! 
I’m gonna include a lot of info here, so bear with me! I’ll try to break it down so that it’s easy to understand, but if anyone ha any questions, feel free to ask!
The absolute most important thing for starting out drawing is practice. 
You’re going to hear it from everyone, everywhere, but it’s so very true. When I first started digital drawing, I made sure to use my tablet every single day. Now, that doesn’t mean I spend three hours each day trying to do something amazing; some days I only had a few minutes here and there, but I’d try to sketch something rough, something loose, maybe just a doodle. Maybe it’s a face one day, maybe it’s just a bunch of swirls and stars the next. It doesn’t matter what you draw, as long as you are developing the habit of drawing! No matter what it is you are doing, you’re learning! Playing with brushes to see how they feel on your new drawing program? Learning! Trying to see if one way of colouring is better than another? Learning! Drawing the same nose over and over and over again until you like what you see? Also learning!
Another key step to learning to draw is to identify what you like!
What does that mean? Well, look at other artists who inspire you! Why does their work appeal to you? What is it about their drawings that you LOVE? Once you realize what it is that makes something beautiful to you, you know what to practice and how to learn to adopt that into your own style!
@burdge is an excellent example for illustrating this. They are a fandom artist that has been around for so long, nearly every fandom artist I know has been inspired by them in one way or another!
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So what is it about Burdge’s art that I love? I love the closeness that’s portrayed, and the softness. But those are very arbitrary things that are difficult to identify and even more challenging to implement. I love the noses. I love the proportions. I love the hairlines! I love the body movement! Those are things that are a bit easier to pick out and start practicing!
This leads so well into my next point:
It is okay to copy someone else’s work if it’s for practice!
Let’s break this one down, just to ensure that nobody accidentally misinterprets what I’m saying: It is okay to copy someone else’s work if it’s for practice. It is NOT okay to copy someone else’s work and post it, claiming it as your own! If you use a reference picture, generally speaking, most artists will post which reference they use, but I know that I often forget to do that as well! But using a reference picture is different than copying. 
When you copy someone’s work, what you’re really doing is working on identifying what you love about it. You’re practicing drawing in their style! And that’s totally fine! When you’re first starting out, it’s actually really helpful to be able to use someone else’ expertise and practice to guide you to draw something you love! A lot of people have it in their heads that copying = bad. And sometimes it does. But I think it’s important for new artists to get rid of that notion in their heads. Practice is practice. When you practice cooking, you copy other people’s recipes! You’re not going to post those recipes online and say you created them, but you CAN feed them to your friends and you CAN eat them yourself! And if you do post pictures of your food? You can say whose recipe you used and thank them for a great meal! 
We were all starting at one point, and every artist I know started by copying something. 
Use reference pictures! Use them liberally! References are helpful!
Yes, some artists are so good that they do not need reference pictures. That’s fine. Good for them! I’m very proud of them!
When you’re first starting out, you don’t have to worry about that! Don’t get into your own head and tell yourself “Real artists do XYZ, blah blah blah, etc.” None of that is helpful. Use whatever is available to help you improve!
Now the question is what actually makes good reference pictures? Well, everyone uses something a little different. Some people use faces of famous actors, some people use stock photos, some people use other people’s drawings that are specifically made for references! 
What do I do? I save every single photo I come across that inspires me into a folder. I have tons of folders labeled “Reference: Pose” or “Reference: Remus” or “Reference: Gay”. (That one is smut references. :3 )
I use blogs like @posereference and @fantasyartistreference, which I follow on here! I’ve gone through their content and saved photos that I think will inspire me in the future. Sometimes I don’t do anything with them. Sometimes I use them! 
I also take advantage of stock photos. That includes ones that adobe puts onto the internet as well as ones that other artists put! Senshi Stock on Deviant art is an excellent resource that has made a TON of photos available to artists to use for FREE! 
Google is also my friend! I like to google terms like “Couple Pose Reference” or “Couple Kissing”. If you include search terms like “pose reference” you often find that you get things specifically created for artists to use to help with poses!
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Look at all the helpful poses! 
Now, this leads us to my next point:
How to use reference images
Everyone does this part differently, too! I’m going to show a few different examples. Let’s use this amazing reference sheet by @kibbi as our example!
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Some people like to have their reference photo beside their drawing space, to use for them to look at, simply as a guide:
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Some people like to have their pose reference in a layer beneath their actual drawing on a lower opacity so that they can trace right over it:
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Often times, what you end up doing is using your traced sketch as your base for your drawing, with your actual drawing over top of it. Essentially, you’re using this time to identify what you DO like about the reference pose and what you DON’T like about it, and changing it!
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See how different it’s looking already? I put my own style over top of it, but I used the pose as a reference because I really liked it!
((EDIT: I JUST REALIZED THAT I GAVE SIRIUS THREE ARMS. I AM SO SORRY, GUYS!!!!))
Side by side comparison for the curious:
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Eventually, a time will come where you can do simple poses like this without the use of a reference. That’s amazing! You will be so proud of yourself! But if you still need to use references for complicated poses or foreshortening, remember not to beat yourself up about it. It is OKAY to use reference poses, and it is OKAY to take advantage of resources that are available to you! Just try to remember to cite your sources, just like we all did in school! :P
Practice Anatomy
Try doing things like figure drawing! Use sites like Quick Poses to give yourself a timed figure drawing session, if you’re up for it! The more you practice bodies and anatomy, the better you will get at drawing them! Don’t focus too much on anything being perfect; remember to say loose and just aim for general shapes and general proportions.
This isn’t the greatest example, because I didn’t do any dynamic poses, but here are some rough figure sketches:
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See how loose I was? See how little I cared about it looking nice? That’s the best way to start a sketch! Just with loose scribbles!
The same thing can apply to faces:
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Learn the rules, and then learn when to break them!
Just like writing, where you have “rules” for writing an essay, in drawing, you have rules for anatomy! But… I don’t always love to follow those rules. It’s important to understand human anatomy (if you plan to draw humans), and then figure out where you want things to be exaggerated in order to create your own style! Here’s an example:
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The same rules apply to musculature! It’s important to understand what muscles go where and how they move in order to properly draw them consistently! However! That is something a bit more complicated that we can go into another time! I don’t think that would be included in my simple break-down of drawing!
And… last but not least…
Have fun!
You’d think this one would go without saying, but I’m going to specify it anyway. If you are NO LONGER enjoying drawing what you’re drawing, STOP. Don’t just draw humans because I told you to practice anatomy! If you’re not having fun, you’re going to grow to resent it, and we don’t want that! Draw whatever it is that you want! If you want to draw the same two men hugging over and over and over and over and over (Case in point: my entire blog), you do that! Ignore everything I said about knowing anatomy and about reference pictures and about anything! Just do exactly what makes you happy, nothing more and nothing less. Practicing should be fun, and the moment it’s no longer fun, you’ll begin to lose your passion. So… move on to something else that’s fun! Tired of drawing Wolfstar? (Pfff, that’s impossible, but okay). Move on to Drarry! Or to Linny! Or to a different fandom! Or to flowers! Or to still life! Or to whatever you think will bring back that spark!
Because that’s what drawing is all about. It’s just another form of expression and another way to have fun!
ANYWAY! I know this was SUPER long! I hope it was at least somewhat helpful! I’m not an expert, not by any means, but I enjoy doing this, and I am still working on improving! If anyone has any more questions, shoot me a message!
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irisadielsart ¡ 4 years ago
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As anyone can attest, 2020 has been a rough year. A punctuated rough year in a string of rough years. My experience has been no different, but as for my personal artistic growth, 2020 has actually been exceptionally good to me. I went from thinking that doing a picture a month was asking way too much, to doing basically a drawing everyday. It’s a bit funny, I’ve been on tumblr since 2012, and i’ve posted some art here and there, but this year is when people finally noticed. I’ve had a couple of people say to me “I didn’t know you did art.” I don’t know how I feel about that, but I’m happy that my art is finally getting notes at least.
January - This is when i’m still in my dark phase. Drawing hurts, but I’m still trying my best to put something, ANYTHING on paper. i’ve spent 2019 drawing lines and squares on paper to just get used to drawing again. I’m trying to do people again. I had an idea that i was going to do a drawing a month for birth month flowers. January was carnation, and i had a sketch for February, but it never made it to completion. I’m still using traditional markers, pen and pencil.
February - This is where I found out that using a reference for art made things %100 percent easier. This is my very old OC Zora, made when i was in middle school. Using references cut out a lot of the initiation process i had when starting a drawing, all I had to do was trace, i didn’t have to think at all and the product was still good. Honestly pretty revelatory.
March - this is when i bought some really neat artists models that i could pose in any number of ways. They have proved their worth over and over again. Still doing traditional, but i did enhance this picture on the computer. 
April - My markers were running really dry and I couldn’t afford to buy a new set, so I dragged out my laptop and drawing tablet to see if i could start drawing digitally. I was never really good at drawing digitally, though I got a little better in my animation classes. Colors aren’t true on the monitor and doing lineart feels odd and hollow. i can’t put it into words. but I downloaded Krita because i also couldn’t afford Photoshop. so on top of learning digital art again, i was learning a whole new program. So this picture was a culmination of a lot of things, and a really good first step for the rest of the year.    
May - Here, this is when quarantine was in full swing, but drawing is no longer painful and i’m actually looking forward to it. Still learning digital again, so I decided to go with my tried and true love of fashion and clothes because that’s what i know best. Backgrounds suck
June - This month i was doing a lot of sketches and little doodle drawings. i decided that i wanted to try something more realistic, just to see how it would turn out. i think it is a bit of a mixed success.
July- July was busy, so i didn’t do a whole lot. This drawing was based off the designs of another artist that i loved a lot. I’m really big into character design, and I go crazy over a really good design.
August - My busiest month! I did so much in August! i wanted to take a break from all the Zelda art I was doing and decided to try doing an Alucard. Yoshitaka Amano is a big inspiration for me, and the way they do Alucard absolutely melts me. Someday i’ll draw Alucard as pretty as Amano does. 
September - I dragged another OC out of the grave and thought to myself “How can i improve on my art?”. It’s amazing that in January i didn’t know if i would still be drawing, but here I am trying to not only draw as much as i can, but also trying to improve. I loved the way this picture came out, but the process that i used to color it took 3 days! I don’t have that kind of time to spend on my art, but maybe someday i’ll do that technique again.
October - This month was a bit of a low point for me. I was getting depressed again and was struggling to draw. I didn’t do a whole lot. But i didn’t want to go back to the way things were at the start of the year, so i just took a break for myself and reminded myself that low points were going to happen, but it didn’t mean that my progress was erased. i went back to trying a more realistic approach because with LOTR characters, i can use actual human models which is great for getting the subtleties of shading.
November - Busy month that i didn’t have a lot of time to draw for. but i did a series that I am very fond of, the picture shown being my favorite of the series.
December - the end of the year! and i’m still drawing. I’m drawing so much! December isn’t over yet, and I’ll have more drawings to show later, but i can’t show them here yet because a lot of them are presents. so, this picture is the one that everyone liked the best, or at least it got the most notes. instead of using my usual ultra saturated color, i went with greys and sad colors. but people liked it a lot, and i don’t know how to feel about that. 
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misssunflowersandsangria ¡ 4 years ago
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Work in Progress Wednesday
Creators: work on or post something from your WIP. This is your weekly reminder to get something down on paper (real or virtual). It’s also a chance to share your progress with your followers and give them a sneak peek of what’s to come!
Fans: leave a comment on an unfinished fic and let the writer know how much you love it. Reblog an artist’s sketch and let them know you can’t wait to see the final product. Send someone an ask cheering them on!
Feel free to repost this image!
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Hello all!  I’ve been feeling...well I’m not too sure honestly.  Writing has been a little weird these last few months weeks so I wanted to use this just as a way to motivate myself a little with what I’ve already come up with and hopefully, it will push me to write/finish some of those WIPs.  Be gentle these are still really rough ... and if I do get around to writing them I might change some stuff around...
There are so many different stories that I’ve started that I might never finish so I wanted them to live somewhere.  
There’s a few ShikaTema, SaiIno and one ChoKarui (also some starts to my Lemonade Series so be aware of titles/notes)
**I’ll update this as new ideas come about.  They will appear first in the post. 
Previews after the cut. 
Knots (Part 3 of “Ties that Bind Series”- ShikaTema, Suna Sibs)
“I’m worried, she’s really sick.”
“Maybe it's like ya know.  That time of the month.”  Kankuro’s voice dropped to a whisper. 
“You idiot.  You absolute moron.”  Temari's voice shot back through the layers of blankets. 
“I think she's okay.”
“Temari, are you okay?”  Gaara asked carefully.  
She nodded her head.  “I’m fine.  Everything is just fine.  Why do you ask?”
“Well you’ve been locked in your room for days now.  You haven’t snapped at anyone or called me stupid.  We’re getting concerned.”
She sighed, taking a deep breath seeing the worry clear in their eyes.
“Shikamaru proposed.”
Their expressions brightened.   “Temari! That’s great, congratulations!”
“We should be celebrating.”  Kankurou stared at his sister curiously.  Gaara was right.  Something was wrong.  “Why isn’t Nara here?”
“I couldn’t say yes.”
Their eyes shot wide open. “Temari?”
“Shikamaru needs to be in Konoha and I couldn’t leave you two and Suna.  Who am I if i’m not Temari of the Desert?”  She knew that she made the right decision.  She couldn’t just leave her brothers and Suna because of something as trivial as love right?  This was the right thing to do.  She assured herself but then why did her heart feel like it was tied up in knots?
*
**
Candles (SaiIno-One Shot)
The concept of birthdays had always been foreign to Sai.  He’d never learned the actual date of his birth and never realized that such days were cause for celebration.  So much of his past and the circumstances by which he’d become part of the Root were shrouded in darkness.  The one person that could tell him when his actual birthday was, was dead.
 There were little events that were celebrated in the Foundation.  Completion of missions, not dying on said missions were the two events in which he could remember “celebrating.”  Other than that there was little else that would be cause for celebration.
Once he started becoming more a part of the village he learned early on that birthdays were actually important milestones.  Whether they were small, intimate gatherings of close family and friends or large, elaborate events, birthdays were something to celebrate.  They were time markers and allowed the celebrant to reflect on all their past experiences and look forward to all the wonderful experiences that lie ahead.  Perhaps that was why birthdays were never celebrated.  No one in the Root had a clear memory of their past.  Each mission could be life or death so it was foolish to believe that there was a future to look forward to.  
Still, as he began to settle actual roots, and the path in which he wanted to walk a birthday seemed like an important element to have.  Everyone had a birthday, he deserved one too.  The actual date though was to be determined.  There were few actual dates that held any value so selecting a random one out of the year was difficult.  It also seemed strange to arbitrarily pick a date as well. 
“Ino?  I have a request.”
“Of course Sai, anything.”
“Would you mind sharing your birthday with me?”
“What?”
“I don’t know when my actual birthday is.  Such things weren’t considered important.  One day I’d like to find out but for now if you don’t mind I’d like to share my birthday with you.  It’s not something that we need to announce or even really recognize but I’d like to have a date, a number that I can put down.  I feel like the day I met you I was reborn in a sense.  That my real life started.  I can  understand if you don’t-”
*
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Stolen (Multi Chap AU ShikaTema ):
Shikamaru watched her closely and saw the shift in her eyes.  Where she’d been terrified initially he noticed a kind of calm and peace.  He released the shadow binds around her wrists but sent more to surround her creating a maze of shadows and lines. 
“Don’t fear the shadows Temari.  Learn to dance amongst them.”
Temari with focused eyes and a determined spirit moved gracefully between the lines.  She landed in pockets of light and moved swiftly before she could become trapped.  He watched on enchanted as she leaped and moved effortlessly avoiding what he threw at her.  It was as though she was floating, gliding in the wind above the darkness.
*
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Runways (Model AU ShikaTema):
Unrestrained raged swirled in Shikamaru’s normally soft brown eyes as he held Temari’s shaking body.  His glare was heavy on the cowering figure trembling on the floor. 
“My family will bury you.  I will make sure that you never work in this industry again.”
Temari was taken aback by the ice in his voice and all she wanted was for this night to be over and for life to return to normal. “Shikamaru...”  Temari’s voice quivered in a frighteningly unfamiliar way and his protective hold tightened.
“I’m sorry-” 
In spite of himself, Shikamaru laughed off the worthless attempt to quell his anger.  “It’s far too late for apologies.  I suggest that you leave now. That you make it so that no one remembers your name or face because by the time that I’m done you will wish that you never crossed a Nara.”
*
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Stalemate (Mafia AU, ShikaTema)
Shikamaru’s midnight eyes surveyed the crash of sweaty bodies moving and pulsating to a heavy beat. He took a long drag of his cigarette overwhelmed by the sheer number of people and heavy bass. It wasn’t often that he made the trek out here often depending on his associates to check on their businesses.  His father told him though that it was important for the king to be seen by his people.  
For a while, his family had to operate in the shadows.  That was no longer the case.  The Naras, Akimichis, and Yamanaka’s ruled this area.  Government officials, police officers anyone who had “power” were all on their payroll.  Very few things happened in this city without them knowing.  Everyone knew who they were and they no longer tried to hide it.  
When he was younger he’d complained constantly that this was a drag. He never wanted to become the head of the Nara crime family.  It wasn’t his choice, it was his destiny.  Still, he grew into the role and had accomplished more than they’d ever dreamed. 
He didn’t delight in the benefits of being an infamous crime boss. The club was far too loud. The women who threw themselves at him were too troublesome. 
His eyes continued to scan the room before they fell upon one person his heart began to beat wildly. From where he stood he could tell she was a striking blonde but there was something different.  Something was drawing him towards her.  He studied her for a while.  Becoming increasingly frustrated as she flirted and smiled at the club patrons.  His hands clutched painfully around the balcony railing as he tried to keep his anger in check. 
He called his security detail over.
“The blonde bartender, bring her to my office.”
“Yes sir.” 
*
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Protective Instincts (Mafia AU, SaiIno, Mafia Princess Ino, Bodyguard Sai *same universe as “Stalemate” ^)
The tension in the back of the SUV was suffocating.  The air heavy, anger rolling off of the man sitting next to her. 
“Sai...I-”  Ino began before being cut off.  
“Don’t, I’m barely holding it together right now.  I just need a minute.”
A beat of silence passed. “Are you mad at me?”  She pouted and despite how angry and upset he was Sai shook his head.  
“No, I could never be mad at you.  I’m mad at your actions and the stupid risks you take but no, never at you.”  
Satisfied with his response and sensing that he was calmer Ino crawled into his lap settling her head against his chest.
He knew that he should push her away.  It wasn’t necessarily appropriate for her to be this familiar with him but she melted so perfectly against him. He felt whole when she was in his arms. 
“I’m sorry Sai, I should have told you.  I just wanted a regular fun, night out.”
“But you’re not a regular person.  You put yourself at risk.”
“Sai, it’s one of our clubs, nothing was going to happen.”
“I can’t take that chance, Princess.  I knew that I shouldn't have taken the night off.  The person on your guard tonight is fucking dead.”
Her eyes widened feeling guilt crash over her.  She still had to learn that her decisions had very real consequences.  “Sai, no.  Please, it’s not his fault.  I snuck out.  I manipulated and orchestrated the whole thing.  Please don’t take it out on him.”
“Ino.”
She forced his gaze to meet hers.  “I’ll deal with my dad if it gets to him. Please.”
“Fuck, fine.  He and I are going to have a talk for sure but that will be all.  I promise.”
Ino sighed in relief knowing that he’d keep his promise.  “Thank you.”
“Why did you take tonight off?  It’s not like you.”
He took a deep breath his fingers pushing back stray hairs away from her eyes.  “I just needed a break, Beautiful.  Clearly, it didn’t last long.  I can’t take my eyes off of you for a second.”
She relaxed into his chest.  “I like your eyes on me.”
*
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Obscura (NSFW SaiIno- Lemonade Series) -Idea courtesy of @ promptmaker 
Sai grinned as Ino moved into the next pose. She was a natural in front of the camera and seeing that smile always made him happy. 
He’d purchased the camera recently as an attempt to explore a new artistic medium. Especially now that he had memories worth capturing. Ino happily volunteered to be his subject. He was thankful that after this he’d have a whole set of photos of his Light. 
“Great job Beautiful these look incredible.” He complimented her drawing her into a kiss. 
“Thank you, Sai.”  She paused for a minute before her eyes lifted back to his a playful look in those baby blues. 
“I have an idea for a for pictures if you don’t mind.” 
He nodded excitedly about the prospect. He enjoyed any time that they shared together.  “Of course not Beautiful, whatever you’d like.  Let me just adjust these lights.” 
When he turned back around he was surprised to see that she’d removed her top and was now leaning forward her breasts heavy and exposed.  A mischievous smile across her lips.  
“Fuck.”  He breathed.  So she wanted those kinds of pictures.
*
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Main Course (NSFW ChoKarui- Lemonade Series -Idea courtesy of @ promptmaker
“I made you all your favorite food and this is what you want to do instead.”  Karui teased Chouji her honey eyes glowing with anticipation.  
Chouji grinned as his mouth descended over her delicate neck.  “I think that you’re mistaken Sweetheart.  You are by far my favorite thing to eat.”  She could feel his grin against her skin.  
“Besides, if you didn’t want this to happen you would know better than to make yourself look so appetizing.”  He countered his hands grazing over the skin that the apron left exposed.
Goosebumps erupted over her skin her breathing coming out in short pants.  “Well, perhaps we should have dessert first.”
*
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So that’s what we’ve got folks.  Actually even just making this post is inspiring me to finish/write!  Are there any that you’re interested in reading?  thank you for getting this far and for supporting me. 
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recentanimenews ¡ 4 years ago
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INTERVIEW: Witch Hat Atelier's Creator on The Legend of Zelda, The Lord of the Rings' Influence
Kamome Shirahama's Witch Hat Atelier has spellbound readers ever since the series started in 2016. With exceptionally detailed art and storytelling, Shirahama has brought an incredible world to life to tell the story of Coco, a young girl who wants to be a witch. The series also earned enough acclaim to recently win the Eisner Award for Best U.S. Edition of International Material—Asia in July. Crunchyroll Germany's Social Media and PR Manager had a chance to speak with Shirahama to talk about just how long it takes to write and draw a chapter, watching a lot of Game of Thrones, their dreams for an anime adaptation and more! 
  Note: The following is translated from the original German. 
 
Your drawings invite the reader to dream. You take them on a journey through fascinating landscapes and show them, beautiful creatures. Where does all your creativity come from? 
  I love to travel and the places I visit and the people I meet inspire me. When drawing I like to combine elements of different places I saw with my own eyes. Each place has its own expression – like where plants grow, how the shadow falls, how the wind blows, how big the sky seems, and so on. It doesn’t matter where on earth I am; everything is interesting and a source of inspiration.  
 

You have mentioned before that the world of Harry Potter has influenced you. Are there any other fantasy works that have played a role in your creative process? 

Of course, there are many works that influenced me. I practically devoured The Lord of the Rings, The Chronicles of Narnia and The Never Ending Story, and watched the corresponding movies as well. During my studies, I also learned about the works of the French comic artist Moebius that knocked me off my feet. And recently I’m downright addicted to Game of Thrones and watch it all the time while working.


As a child, I read many works of Japanese fantasy, like Record of Lodoss War or The Knights of Alfheim. I’ve never been much of a gamer, but worlds like the ones in Tactics Ogre or The Legend of Zelda did put me under their spell. 
  
Image via Kodansha Comics
  We found that in Volumes 4 and 5 of Witch Hat Atelier your series gradually becomes a little darker. Can we expect more storylines with a darker tone in future chapters? 

I’ve been writing Witch Hat Atelier as a serious story from the very beginning, but since Coco has to face more challenges it probably seems like it gets darker now. Even though Coco and her friends now have to go through many trials and serious things are developing — there is more to it. I also want to draw the entertaining cultural aspects of the world and the positive evolving relationships between the characters and hope that the readers enjoy them as much as I do.  
 

Can you tell us about your workflow? How much time do you spend on research, how much on drawing, how much on plotting?
  

I draw one chapter each month. After a briefing with my editor, I need about a week for the scribbles and for the complete manga chapter about ten days to two weeks. 

Would you like Witch Hat to be adapted into an anime? Have there been any approaches by anime studios already?


  I’ve been dreaming of having my own anime since I was a child, so of course, I would be overjoyed. I would love to see Coco and company in movement. 
    【NEWS!!】"Witch Hat Atelier" won the Best U.S. Edition of International Material-Asia at #EisnerAward. This is the same award as "Cat in the Louvre" by Taiyo Matsumoto. This is thanks to everyone who loved and supported my work. Thank you! #WitchHatAtelier #Δ帽子 #ComiConAtHome https://t.co/XtHjuWCVI6
— とんがり帽子のアトリエ7巻発売中????白浜鴎 (@shirahamakamome) July 25, 2020
  For which parts of your work process do you prefer to work in a team? And which things do you prefer doing on your own?
  

After the briefing with my editor, I work on the plot and the scribbles alone. For the final artwork, I have assistants for backgrounds, speed lines, and screentone that support me.  
  
What qualifies an idea to be incorporated into your story? Does it need to excite you or make you think? How do you select the ideas that end up being Witch Hat Atilier?
  
It’s important to me not to support stereotypes. Coco may be a young girl, but I make sure not to dismiss something just because she is a girl or a child. It still happens far too often subconsciously, and I hope to learn from it every day so that I notice these things sooner. 
  
Image via Kodansha Comics
  All of your characters grow through their own effort but also because they discuss and share their challenges with others around them. Is this mode of development something you take from your own experience? 

I studied at a design college where we had to do many group tasks. These experiences left an impact on me: To tackle difficult tasks with a group of people that all have different strengths. If you combine ideas, you can find solutions you never would have figured out on your own. From my own experience, I would say that you achieve better results when you work with others and share ideas than if you fight each other and the only thing that matters is who gets first to the top.   
 You are very active on social media, notably Twitter and Instagram, where you post your sketches of both Atelier and Comics that you love and also travel photos. What does this way of communication mean to you? 

I like it myself to see the work progress and posts of my favorite artists. Therefore, I post things myself and hope that my readers enjoy it as much as I do. Not to mention give me the messages and comments under my post much energy for work. I’m also always overjoyed to see when someone posts fan art or photos of my manga.  

  #Δ帽子 pic.twitter.com/qWXn2jLOu3
— とんがり帽子のアトリエ7巻発売中????白浜鴎 (@shirahamakamome) August 2, 2020
  Do you already have an ending for your story in mind? Or do you prefer to let your stories and characters grow like flowers in a garden instead of planning them out like an architect? 

I have a rough outline in my head, but I cannot tell yet if the story will actually develop like that. Even if you worked out your setting with all its rules, your characters sometimes act in unexpected ways and you have to adjust your story accordingly. I hope my readers are looking forward to upcoming developments.  
 

Do you have a message you would like to send to our readers? 

With the story of Witch Hat Atelier, I want to show that there is magic in everyone, the power to change the world. I hope that all my readers across the globe – even if they maybe haven’t noticed themselves yet that they are wizards – discover that they have this kind of energy inside them. Thank you very much for your support. I hope that you will continue to enjoy the story. 

We would like the German manga publisher Egmont for their cooperation in organizing this interview.
      RenÊ Kayser works as a Social Media and PR Manager for Crunchyroll Germany. He tweets under @kayserlein where he likes to annoy people to read the visual novel of Umineko When They Cry.
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