#these are all females btw

[onenicebugperday]

Pink crab spider aka heather crab spider, Thomisus onustus, Thomisidae

Found throughout Europe and into Asia and northern Africa

Photos 1-2 by macronocturno, 3-4 by alexis_orion, 5-6 by mammal, 7 by blaupfeilda, 8 by dmtrsav, and 9 by iyptala

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[fintrafeatherfall]

these two have flirting competitions once they are close enough n comfortable enough I think. it’s like their races but instead of racing on foot it’s seeing who can get the other flustered the fastesf

[moonyswoony]

Heart of the cleanse

Pairing: five hargreeves x reader

Summary: with the Keepers hot on your tail and the Cleanse raging, you and Five realise some things can’t say hidden forever.

Warning(s): making out, you and five being stupid.

You and Five had always made one hell of a team, your powers complimenting his abilities. While he blinked in and out of space, taking out enemies with surgical precision, you used your telekinesis to clear paths, shield him from objects, and hurl the occasional chunk of concrete at anyone who got too close. It was dangerous, chaotic, and more than a little terrifying, but it was also familiar. This was how it had always been, ever since you’d first met at the Commission all those years ago.

“Could you maybe try not to drop a building on me?” Five called over his shoulder, his voice tinged with sarcasm as he narrowly avoided a collapsing wall.

“Maybe if you didn’t keep blinking in front of the buildings I’m trying to drop on the Keepers,we wouldn’t have this problem!” you shot back, grinning despite the tension.

He rolled his eyes, but you caught the glimmer of amusement in his expression before he teleported away again. The banter was comforting, a slice of normalcy in the middle of the chaos. But even as you fought, you couldn’t ignore the way your heart pounded and the way your breath hitched whenever he was in danger.

The truth was, you’d been holding onto these feelings for years, since your days at the Commission, when you’d been nothing more than coworkers thrown together by circumstance. Back then, you told yourself it was nothing, just the bond forged between two people who had each other’s backs in the worst situations. But now, as the world threatened to end, those feelings were becoming impossible to ignore.

As you blasted another chunk of concrete away with a wave of your hand, you realized that this might be your last chance to say something, If you even survived this. But there was no time for confessions, not yet. The Cleanse was intensifying, and you could feel the energy crackling in the air, making your skin prickle with unease. Five appeared beside you again, his brow furrowed in concentration.

“We need to get to the source of the cleanse,” he said, his voice low and urgent. “Whatever’s causing the Cleanse, it’s at the center of the city. We have to stop it.”

You nodded, the seriousness of the situation pulling you back to the present. “Right. Let’s go.”

The two of you fought your way through the chaos, moving in perfect sync, just as you always had. But as you got closer to the center, you could feel the tension building between you, an unspoken weight that neither of you could ignore for much longer.

Finally, you reached the heart of the city, where the energy was strongest, and the ground was shaking beneath your feet. The air was thick with power, and you could feel the strain in every fiber of your being. Five stood beside you, his eyes scanning the destruction, searching for a way to stop it. But there was something else in his expression too, something that made your heart skip a beat.

He glanced at you, and for a moment, the world seemed to stop. There was no noise, no destruction, just the two of you standing together in the midst of it all, just like you always did. “I can’t lose you,” he said suddenly, his voice rough with emotion. “Not now. Not after everything.”

The words hit you like a punch to the gut, and for a moment, you couldn’t breathe. You’d always known that there was something between you, but hearing him say it out loud made it real in a way you hadn’t expected.

“You won’t,” you whispered, your throat tight with emotion. “I’m not going anywhere, Five. Not without you.”

His jaw clenched, and he took a step closer, his gaze never leaving yours. “You don’t understand,” he said, his voice low and urgent. “I’ve spent my whole life running—through time, from the Commission, from everything. But not from you. Never from you.”

Your breath caught in your throat, and you felt a tear slip down your cheek. “Five…”

Before you could say anything else, he was kissing you.

You kissed him back with everything you had, your arms wrapping around his neck as you pressed your body against his. The world was falling apart around you, but all you could think about was him. His lips, his touch, the way he made you feel like nothing else mattered. The heat between you was overwhelming, like an all consuming fire.

His hands roamed over your body, slipping under your shirt to trace patterns across your skin, leaving a trail of fire behind. You gasped against his mouth, your fingers clutching at his shoulders as you arched into his touch, needing more, wanting everything.

His mouth left yours to trail hot, open-mouthed kisses down your neck, his teeth grazing your skin in a way that made you shiver with desire. Your hands reached the buttons of his shirt, desperate to feel his skin against yours, to lose yourself in him completely.

The kiss grew more intense, more heated, as the world around you faded into oblivion. The only thing that existed was the two of you, tangled together in a desperate, passionate embrace that left you breathless. His hands were everywhere all at once, touching, caressing, exploring every inch of you as if he couldn’t get enough.

You moaned his name, your voice shaky with desire as you pulled him closer, your bodies pressed together so tightly that you could feel the rapid beat of his heart against your chest. He groaned in response, his lips finding yours again in a kiss that was so deep, so intense, that it felt like you were drowning in him.

But even in the midst of the heat and the passion, there was a tenderness to his touch, a carefulness that told you everything you needed to know. This wasn’t just about lust, desperation or fear, this was about love, pure and simple. A love that had been building for years, silent but also loud, unspoken but always there , waiting for the right moment to be unleashed.

And now, as the world threatened to end, that love was the only thing that mattered.

Finally, after what felt like an eternity, you pulled back, both of you panting. His eyes were dark with desire, but there was something else there too, something deeper.

“I love you,” you whispered, your voice shaky but certain. “I love you, Five. I think I always have.”

He closed his eyes, his jaw clenching as if he was trying to hold back his own emotions. When he opened them again, they were filled with a fierce determination that took your breath away. “I love you too,” he said, his voice rough with emotion. “And I’m not going to lose you. Not now, not ever.”

You smiled through your tears, your heart bursting with love for the man standing in front of you. “Then let’s put a stop to this,” you said, your voice steady, filled with a determination. “Together.”

He nodded, his hand squeezing yours one last time before you both turned back to the chaos that awaited you. The world was still falling apart, but you knew that as long as you had each other, you could face anything.

With one last kiss, a promise of everything that was to come, you and Five launched into action, fighting side by side, just as you always had.

[epiphainie]

honestly every time i remember buck is canonically bi and is dating a man now i get so 😳😳😳 about it. like in our fandom sphere it's easy to say he's been bi-coded for years and joke with all the "wbk"s but i genuinely think people are missing what a gamble it was for ABC to pick up a show from another network and go this route with a main character that the majority of the audiences wasn't as percipient about.

buck's case is so singular imo because there are still certain - silent - rules to queer rep in mainstream media. the audiences are almost always clued-in on a character being queer early, for example. it's either shown immediately or mentioned in conversation in those first few scenes/eps the characters are established. if a character is not out, then they are not out to the rest of the characters, not the audience. if a character doesn't know they're queer yet - or ready to accept it - again, the audience knows, the story/foreshadowing is clear about it.

i can't think of a single other example where a main character - who's been nominally straight for multiple seasons - realizes they're queer later in life like this. where it wasn't planned beforehand, wasn't an explicitly or intentionally threaded storyline, wasn't just a one-liner saying "oh yeah ofc he kissed men before" ofc i didn't watch all television ever created in the history of television but i genuinely think this was such a pioneering writing choice mainstream tv hasn't done before. i wish we could all have been more happy with it instead of *gestures* all this.

[queermasculine]

genuinely despise the way straight writers write about butch suffering. it's always some tired dogshit like "she was hurt by a man so now she's cold and bitter and mannish, if only she'd heal, then she'd become her natural feminine self again!" which sucks because i absolutely would love to watch a relatable butch character go through something harrowing and emerge victorious, just not if it was written by someone who seems to have misunderstood the basic nature of my existence

[haharuspex]

shout out to, like, 5 other people in the entire dragon age community who main aeducans + kill their stupid ass brother trian

anyway my floki aeducan :) she's an ass a rogue and a bastard (literally)

[thatoneconfusedartist]

sorry guys he's just too faggot :/

[nonbinarylesbianherb]

ppl who are like "have you ever experienced a close female friendship" to try deny rhaenicent like.. yes bitch i have!!! and thats *exactly* why i can tell theres MORE than just "close friendship" between these two gay bitches!!

[starry-bi-sky]

What would a mother not do for her child What lengths would a mother not go There's a bond that exists between mother and child With no end to how strong it can grow It's a promise for life between mother and child It begins from the moment of birth.

================

She is six years old, and standing on the porch at her Auntie Alicia’s cabin. She is six years old, and holding an old rifle in her hands, standing at the railing and pointing the nozzle at a large target a couple feet away. There’s a pair of old ear muffs covering her ears. Behind her is her daddy and her sister, and Auntie Alicia. She can’t see them. 

Danielle Martha Fenton is six years old, and her momma has her arms wrapped warmly around her, keeping the gun steady for her. It’s heavy and the butt digs into her shoulder uncomfortably, and she feels nothing but determined. And nervous. 

Her momma was teaching her and Jazzy how to shoot, and they’re down in Arkansas to visit Auntie Alicia for her second “Divorce-iversary” as Auntie calls it. She keeps a hunting rifle in her gun safe for the rabbits that like to nibble on her garden. She mostly grows rhubarb, which goes untouched. But her carrots and greens and other veggies like to be tempting snacks for the game. 

Regardless, she is six years old and learning how to shoot. Her momma and her daddy (mostly her daddy) have been banned from every shooting range outside of Amity Park in a hundred mile radius. So Auntie is the best place to learn, or so momma says. 

Danny thinks it's just an excuse to see her sister, not that she's complaining. She loves visiting Auntie.  

She’s already seen Jazzy do this, her momma told her before the muffs went on to shoot when ready. No use trying to fire when you’re not; you can’t afford to miss when shooting ghosts. 

Danny breathes out steady, just like momma taught her, and quells her trembling little fingers. She focuses down the barrel, and pulls the trigger. 

Immediately, the recoil throws her off, the side of the gun that her cheek was resting on knocks against her skin, harsh enough to bruise if it weren’t for her momma’s steady hands holding onto her. The bang of the gun startles her more than she thought it would, and her heart leaps up and runs a jackrabbit through her chest. 

The gun is carefully slipped out of her hands, and Danny lets it go easily, her cheek smarting in pain and her eyes wide and following up to momma. Momma turns the safety on, and with a gentle hand, pushes against her chest. Danny takes a few steps back, and slips the ear muffs off her head. 

Mommy is smiling big at her, something that Danny can’t help but replicate on her own face as her heart swells. “Did I get it, momma?” She asks, watching as she passes the gun off to Auntie Alicia, who steps over to take it.

“I’m going to go see, sweetie, but I think you did.” Momma coos, before planting both her hands on the porch railing and, in a single leap, vaults over the side and onto the grass. She’s dressed all comfortable for the summer heat, with her hair all tied back and in shorts and a tank top and nice boots. Danny’s ribs swell hopefully, and she stands on her tiptoes to watch her walk over.

“I’ll be hard-pressed to believe if you didn’t, Martha Mae,” Auntie tells her, grinning like a cat, “that was a damn good shot.” 

‘Martha Mae Knight’ was Danny’s granny’s name. Auntie Alicia calls her that because of her middle name — and because, by her words, she has her momma’s weird-shaped eyebrows and piercing blue eyes. The kind that could scare a hawk into singing like a robin. It was Danny’s favorite nickname ever.

Daddy laughs brightly, the sound painful on her ears but twice as nice, and despite the distance, Momma whirls her head around to shoot Auntie a glare; “Language, Alicia. Not around my girls.” She warns. Her accent always comes through when they’re around Auntie. It’s Danny’s favorite thing to listen to. 

“Do you think so, auntie?” Danny says, bright-eyed and ever-optimistic. Auntie Alicia nods fiercely as Momma finally reaches the target and searches for the bullet hole. Daddy then comes up behind her, still laughing, and claps a hand onto her shoulder so hard that it makes her knees hurt.

“Of course she did!” Dad boasts, as bright as the sun and twice as warm. He shakes Danny affectionately, wobbling her on her feet and pulling her straight into his side. She goes so willingly with a burble of giggles. “She’s got the eyes of a Fenton! And our family are darn good shots.”

Auntie eyes him up and down, her smile immediately fading off into a pressed line. “I’m sure you mean she’s got the eyes of a Knight. You couldn’t hit the broad side of a barn at twenty paces, Jack Fenton.” 

Jazzy holds back giggles from where she’s standing by the door, her ear muffs in hand, and Danny watches her Daddy’s dark eyes immediately narrow. Just like Auntie’s, his smile tapers off into a frown. 

Before he can say anything, there’s a cheer from the yard, and they all turn to Momma clapping her hands in delight. 

Danny immediately pricks her ears up, and would’ve darn near rushed over to the railing if it weren’t for her Daddy’s hand on her shoulder. She yells instead, excitement thrumming like a hummingbird against her ribs, “Did I hit it, momma?!” 

Momma beams at her with all the pride in the world, “You sure did, Danny!” And she turns to press her finger against the target, right on the inside red ring of the battered old bag. “Right here, sweet girl!” 

There are cheers from all around, and Danny’s heart bursts inside her lungs with shiny, sunshine glee. She puffs her chest out big, and smiles so wide it hurts the cheek where the gun smacked her. Her Daddy shakes again, squeezing her tight against his side in a hug that Danny happily reciprocates. 

“What’d I tell you, Martha Mae?” Auntie tells with a big wink and a wide grin, the gun still gripped tight in her hands as Momma makes her way back over. “You got a Knight’s eye.” 

When Momma makes it back over the railing, she hugs Danny tight and praises her shot. Danny looks her in the eyes and chases the feeling, and asks to shoot again.

[blueskittlesart]

This may be a stupid question but do you ship Zelda x link in every game or in some games you have another ship with like link or Zelda with someone else that’s not zelink?

as a general rule i ship pretty much every zelink yeah! the only exception is twilight princess, where i think zelda is barely enough of a character to be shipped with ANYONE but i'd still choose midna over link. i like certain other ships containing those characters too, but im generally of the mind that they are soulmates who find each other in every incarnation :)

[iheartsteve0704]

I listened to this MCU podcast (that is ran by a group of men) during Loki so I said let me hear their AAA discourse and they decided to start with “I don’t know who asked for this show or who it’s for and I don’t think Agatha needed her own show” and all I can think about is that clip of Rachel Sennott telling border patrol officers that of course bottoms isn’t for them it’s for gay people

[0l-unreliable]

God I’d kill for more fem bunny andreil

What a great day to be a lesbian 🏳️‍🌈🏳️‍🌈🤭

THANK YOU I LOVE YOU WITH ALL OF MY HEART 🥹😭❤️

kill or be killed, good luck

[writeitinsharpie]

ever think about the great sect madams of the generation before?

about madam yu, the violet spider, one of few in her generation to earn a title (even her husband was only ever sect leader. even wen ruohan was never regarded by a title other than sect leader wen). about yu ziyuan, about what she was like before years of jealousy and envy twisted her to only her most bitter parts? about the girl who was the third daughter of a sect leader, and then the wife of another, and yet all of her immense martial power meant nothing to the society around her.

about madam jin, known only by her title and never given a name or a natal sect, who was still somehow the closest friend to yu ziyuan. the mother of the sect heir and yet a wife who can do nothing but stand by as her husband dishonors their marriage over and over again.

about madam lan, the murderess locked up for her crimes, never seeing a trial and dying alone, only allowed to see her children once a month. who was she before she was the wife of the lan sect leader? was there a reason she killed the lan elder? did she want that marriage to qingheng-jun? did she even want the children she was kept from?

about the madams nie and wen, who only exist by implication, by the knowledge that their children exist and therefore so must they. about how so little is even implied about them?

[kaitcake1289]

never ask a horror lesbian her faves bro who the hell are they 😭😭

[paperglader]

it hit me again yesterday- literally as i was about to fall asleep- how stupidly cute it is that marisha as beau randomly burst out "i could be her beacon [that guides her home]" all awkward and earnest about jester, for then one campaign later, finally, laura as imogen come back to her with "you're my tether, laudna. sometimes i feel like i’m about to float away, but as long as you’re there" and i just think that's beautiful and another reminder of how in so many ways CR continues to be endless love letters from the cast to each other.