#there's some characters that I didn't include that I have a lot for

[flootzavut]

Also you can just choose not to watch media that includes sex scenes. Granted, it's not always possible to know for sure in advance, but it often is, especially if you're willing to exercise some patience and not rush out to see something the nanosecond it's released.

I don't like graphic/realistic gore or horror (unless it's pretty brief or very comedic, I'm gonna be struggling), and I don't mean "these things make me uncomfortable", "this is awkward to watch", I mean I saw the second Scream movie in the cinema and didn't sleep properly for a fortnight. I read the summary at the top of the Saw franchise page and felt ill - I didn't even get to the plot parts. I am a full on wimp, and I've come to accept that about myself.

What I do: avoid most horror movies, avoid a lot of action movies, take myself out of conversations that go into too much detail about horror, read a lot of content/parental guides so I can work out in advance whether I can watch a show/movie, whether there are parts I might want to fast forward/not wear my glasses, whether there's nothing that would bother me and I can relax and enjoy this piece of media. Sometimes something becomes easier to deal with on rewatch because I know what to expect (TWN) or because it sounded worse than it was (BtVS).

What I don't do: go "everyone hates that! why is it in movies! movies and TV should never show that!"

Like don't get me wrong, I think a lot of us who have things we just cannot cope with go through a phase of doing that, but eventually you gotta grow up and realise not everything is catered to you, and that's okay. If you won't wanna see sex scenes, don't go to movies that are rom coms with a rating that allows for sex scenes, or wait till it's been out for a while and look up content guides. Also, fast-forward exists. Use it.

Sometimes you won't wanna see a movie or show at all, and that's okay. It wasn't meant for you. This is why I'll never watch GOT, even though the music and the costumes and the stories appeal to me. But it's not catered to me. I'll watch something that is.

(FTR, I am not into gratuitous sex scenes, but sex scenes that are story and/or character rich? GIMME. And yeah I do think some of it is poor sex scenes that mean nothing, but suggesting sex scenes are inherently pointless is pretty silly imo. On a level with that author who claimed it's impossible to write good sex scenes.)

Yeah we should do this for action scenes too. Have Aragorn draw his sword and fade to black and the fellowship have killed all the Uruk Hai.

This is the weird wave of purity culture that I mentioned a day or two ago. If you really are *an adult* then you can decide whether or not to watch films and tv shows with sex scenes.

[bogleech]

Captain bogleech do you have handy references for the faces of mosquitos, fleas, houseflies, and ticks? I'm picking at an idea of a character who is themed around disease, and is strictly a source of disease and not diseased themself so like... Worlds best spreaders. The one I'm most locked on is miss aedes aegypti because of her good taste in stripes. SO in season (I dontactually know if stripes are in season)

Yes! First its good to know how a "normal" insect mouth is set up:

In most insects, like a grasshopper or a cockroach or the majority of beetles, there's a labrum covering the top of the mouth, kind of like a duck bill! The chompy mandibles are under that, then there are the maxilla to either side of each mandible, which include the "palps" it uses like little hands to hold food. The labium is the bottom part, and also has another set of palps! @revretch has gone into lots of detail on this but they put it best by explaining that the insect mouth is like a four sided box, formed by the labrum, maxilla and labium, with the mandibles usually inside the box. It's just that lots of insects do weird things with these parts, and many have big giant mandibles that always stick out.

Mosquitoes have all these parts, but they're all long and thin, and they all fold together to form the proboscis, with some of them bending back as it drills into flesh.

Fleas have similar to mosquitoes, but shorter and more compact. And many species have that AWESOME looking "mustache" of thorns right above the mouth, used for anchoring to furry hosts while they feed :)

In the non-biting flies, the mandibles are GONE, the mouth extends on a flexible hose and the labella is modified into a big flaring two-lobed pad. Digestive enzymes flow down the labrum and into grooves on the pad, so it works like a sponge soaked with acid :)

Ticks are a lot different because they're arachnids rather than insects, and arachnids have fewer mouthparts; normally just one pair of palps and one pair of chelicerae, which are the "fangs" in spiders! Below all that is an arachnid's real mouth, usually just a tiny little hole. In ticks, the palps are fused into two flat flippers, which the tick uses to pinch the skin of its host. The chelicerae are formed into a pair of jagged "scissors," if the blades of scissors were on the outside! These dig in and widen a small hole. Then the mouth is surrounded by a long extension, the hypostome, which is thickly covered in sharp tiny toothlike blades. Look how rad it is:

I say this a lot but the entire part people think of as the "head" of a tick is really just the mouth, because ticks are related to mites, and in mites, the head is fused entirely with the body. So when ticks have eyes, they're here:

It's tragic the world sees ticks as fat blobs with tiny heads, when in fact they are just big heads with legs.

For fun here are some of my Mortasheen monsters that hybridize humans with all the above, though my mosquito is very dated and due for a big overhaul someday; I didn't bother trying to merge real mosquito mouthparts with fleshy human ones and just had the whole mouth spiral together:

I also drew the flea without its "helmet" piece first, and went on to draw several alternate helmets :)

I put the most effort into the tick as you can tell. I also incorporated the fact that they smell with their front legs. :)

[guiltycorp]

Damn i really want to know tf happened in the writing room of arcane s2. Some of the downgrades were inevitable due to the show's corporate limitations (not being able to progress the class war story in a meaningful way, having to tie things back to league of legends in terms of making playable characters more appealing to well, play... rip Mel and Viktor in particular), sure. But i still feel like it's even worse than that? There are so many bad decisions that i couldn't even start listing them all... the characters, plot, pacing, themes, it's just such a mess? Even the dialogue writing, it feels much more mm Marvel at its worst i suppose. What i am most bothered by is probably just the straight up harmful messaging so um... Cycles of violence and abuse can be broken by individual decisions to become a better person! Got nothing to do with systemic oppression, living conditions, mental health issues, you can just conveniently ignore aaall the social context, live laugh love and then things get better automatically yep, oppressors famously stop oppressing you when you show them that you're harmless and won't put up a fight anymore. Literally three out of three suicidal characters dying to redeem themselves? Not even in a tragic/cathartic way but in a bittersweet 'they finally atoned for their mistakes' way? Groundbreaking lmao. Romantic relationship between Vi and Caitlyn including no communication about their biggest fight, just conveniently skipping to sex and getting back together - would have loved that if it was framed as the unhealthy fucked up thing that it is, skipping over Vi's hurt and her background to once again become a cop, her girlfriend's direct underling at that (!) due to her not having any other support systems... But nope that was our cute lesbian romance wrapped up, a good thing all around, not concerning at all. Jayce telling Viktor that what he 'always admired about him' was his disability and his deadly disease (??? from a character who spent the whole s1 and first act of s2 desperately trying to help Viktor find a cure? sure) and that those imperfections don't need fixing, just wtf truly. Magic bullshit was also weird, some implications of 'natural magic is ok, but achieving that power through other means corrupts you into a crazy robot bitch or just wilts your trees i guess', but tbh it was written in such a weird and inconsistent way that we can skip this one... Yeah actually a lot of things were just such a mess that I feel silly pointing to specific moments or lines I didn't like, I mean duh, it barely makes sense as a story at all... I am happy we have s1 which comparatively was a masterpiece, and i also really enjoyed s2 act1, i truly believed it would lead somewhere good at the time, my mind still kind of cuts off the story at that point when i think about it, that WAS the open ending of the show to me (is it possible that there were rewrites? targeting act 2 and 3? idk, wishful thinking perhaps). Despite my extremely negative feelings about this season's conclusion i remain glad that so many people appreciate the show regardless, it is clear that there was STILL a lot of love in the process of its creation (although i'd argue that even some of the visual aspects of the show suffered in quality, once again i have to wonder about behind the scenes mood of it all) and i get very upset when i see creatives online despairing over reception of their projects even when i'm absolutely in the disgruntled crowd hahaha... ...however yeah, this wasn't great In a world that increasingly grows more and more right-wing politically... we really needed something different i think.

[ckret2]

I'd been meaning to do this since I found your account but today I read through the entirety of your Goldielocks fic (or at least, what's available) and all I can say is WOW !!!!!

You're really fucking good at writing these characters, capturing the lighthearted-yet-somehow-serious tone of the show, and the stuff you make up for worldbuilding fits right in with canon stuff. As a lover of making things canon-compliant and in-spirit-of-canon, this fic is like a dream come true. You're an amazing author !

I really look forward to your post-TBOB edits of the eclipse arc and the flatworld arc, I can already kind of guess where you're gonna go with it, but it's still exciting to think about what direction you might take things.

I'm also wondering, are you planning on changing anything about the Death Valley girls, what with the info we got about ciphertology and the like ? Or keeping them relatively the same ?

(I stayed up till almost midnight reading this - I'm so glad I don't have to be anywhere early tomorrow)

Thank you!! I've discussed my TBOB edits of the eclipse arc already, you can see some of them here if you want.

For the flatworld arc, I actually think basically nothing's going to change. Spoilers, but: Bill's world was never gonna be like Flatworld. It was gonna be a big reveal late in the fic ("big" for the characters, not the readers lmao) that Bill's world was actually pretty okay—like yeah, a few flaws, but not "barely-exaggerated satire of Victorian-era ableism/sexism/classism" flaws—and everything the kids read in Flatworld that made them pity Bill was 100% bullshit. It was going to turn out that Bill's world is actually...

... pretty much fucking exactly like Euclydia ended up being in canon—up to and including baby Bill getting medical trauma over having a super-rare cool-ass eye mutation that lets him see the stars of the third dimension.

I was gonna have Bill go "oh yeah, that's why I drove the author insane, I was that pissed at him for making my home world look that bad. I didn't correct you guys because I thought it'd be useful if you pitied me."

I did this because, before TBOB came out, I knew that no matter what I wrote about Bill's home dimension, probably a good 20% of readers would just push it to the side and automatically assume that his dimension was exactly the same as Flatland—like, occasionally readers were making comments about my fic talking about how triangles ***ARE*** oppressed in his home dimension like it was a canonical fact and taking it as a given that I was writing that. For that 20%, it seemed to me like the best way to ensure it got through to them that whoa, this isn't Flatland would be to have the characters assume his dimension is exactly the same as Flatland so that I could say, in story, "no that's totally wrong."

Post-TBOB, a lot fewer readers are gonna make that assumption. But having the characters assume his dimension is a lot worse than it really is is still a part of the story—it ties into the narrative of them slowly growing to expect him to be something more sympathetic/heroic than he actually is, a la Dipper's assumption that the Axolotl poem is a prophecy about how Bill will help save them—so there's no reason for me to take it out.

So yeah, tl;dr: Flatworld doesn't need to change because it was always going to be wrong.

I'm only gonna change the Death Valley girls a little bit. Everything I've currently written about them stays the same; except I'm also gonna mention that, yes, they are a Ciphertology sect, and yes, all the girls in the cult are Cipherwives.

So now I also get to crack jokes about Bill being both flattered and a little creeped out that even after he mostly ditched the cult they just kept inducting new recruits as "cipherwives" whether he showed up or not, like wow, you're just gonna marry him off in absentia to some lady he's never met??? What if he doesn't wanna marry her? What if he doesn't like her haircut?? Every time he shows up he finds out he's got a new wife! He loves the attention, but jeez, girls! At least send him a letter with his new bride's picture and wait for him to mail back an "OK" or something!

[love-takes-work]

Streamily Signing with Jennifer Paz as Lapis Lazuli and Malachite

Jennifer Paz did a signing through Streamily for fans who bought a signed print. Here are just a few highlights of the stream.

She remembers dressing up as "Bob" for a charity purpose.

She does some line reads that Lapis had in the show.

Lapis was not Jen's first voice over work. She did The Angry Beavers back in the 90s. She's done a lot of ADR work for films. However, Lapis was her first recurring character.

Regarding a fusion between Peridot and Lapis, she didn't think much about that, but she thinks they could work together at a nursery in the barn and being a therapist.

She points out that she can't draw "worth shite" when a fan wanted her to draw on the print, so she just wrote her favorite quote ("I just wanna go home").

Responding to "can you do impressions of other Steven Universe character," she did some callbacks from "The New Crystal Gems," doing "the Garnet" and an Amethyst impression.

In response to someone asking if she auditioned for the role of Amethyst, yes she did audition for Amethyst and recorded the pilot episode for it. They just decided she wasn't the right voice for it. She loves Michaela's take on the character.

She loved the Mary Poppins rendition by Lin Manuel Miranda.

She comments that Steven Universe helped her with her mental health.

She thinks Lapis and Peridot were great as an Odd Couple type.

Her plans for the holidays include in-laws coming in next week and her kid gets to hang out with his grandparents. She loves her in-laws who are coming in from Philly. They love to drink and she's not a drinker.

Can Lapis waterbend people's tears? Yes, Jen thinks she can. Ask Rebecca, though. She could've done something to Blue Diamond with that. Jen loves that Lapis said "I've felt worse."

Jen quotes when Lapis said "No" to "Lapis, fly us in!" She loves that Lapis is a "waterbender" but her humor was so dry. She's getting over being traumatized and just wants others to do their stuff.

She gives some advice for handling adulthood: the only way out of difficult things is through it. If you avoid difficulties they will come back somehow.

She thinks Lapis would enjoy flying a kite.

Wouldn't it be funny if Lapis became Bob the Coach and started a Little League? Maybe she'd say "There's no crying in baseball."

Her favorite character from Steven Universe was Greg.

Lapis did a lot of sleeping and reading to recover from her trauma.

Jen's favorite colors are blue and magenta.

Jen used to not know what "ship" meant in a relationship context and had to find out on Urban Dictionary. She has a Gen Alpha kid now and there are phrases she is forbidden from saying them.

One of her favorite lines from "Hit the Diamond" was "This plan sucks."

Her favorite ship was probably Stevonnie.

She thinks if Steven and Lapis fused it'd be because they were playing catch or hanging out--it would be accidental while playing a sports game.

Someone started a goth band called Cult of Lazuli because of Steven Universe and Lapis. Jen loves this!

She can't commit to saying a favorite song. She agrees that Lapis would secretly listen to Taylor Swift.

She would love Steven Universe to come back but she doesn't know if it will. She'll just say yes, in her opinion it will come back.

Her opinion is that Lapis's water powers are somehow related to Blue Diamond's.

She made a joke about how Cult of Lazuli rocks "because we're rocks."

While signing a Malachite print, she said some stuff toxic relationships and how incredible it was that Lapis dragged Jasper into the sea--but for what? She hopes those who have been in toxic relationships are okay now.

She could not sing in Brazilian Portuguese in response to a request, but she took out a shaker and sang some of "That Distant Shore" in English. She thinks it might be fun to learn it in Brazilian Portuguese and loves the singer who did the voice for the Brazilian dub.

She would love if someone could do fanart of Lapis singing "Home" from The Wiz, or "Home" from Beauty and the Beast--all the music about home should be a Lapis playlist.

She answered what kind of car would Lapis have? She would have an electric car, because as a reformed terraformer, she cares about the Earth now. The car would be a VinFast, "because uh, just because." ;)

She was at one time bald due to alopecia during one of the cons that she had met one of the fans at. She remembers L.A. Comic Con. She was wearing a wig that she referred to "a bob wig." (A "Bob" wig? Heehee!) She found it itchy. She asked Kimberly Brooks and Michaela Dietz if they could tell she was wearing a wig. She was stressed out and ended up recovering through the use of addressing vitamin deficiency. She sends a message of support to anyone struggling with alopecia.

She signs some prints with "I'd love to see your color shining through," "Maybe I'm not alone," and "I just wanna go home."

She shared that her mom's name is Aurora (which was somewhat similar to one of the fans getting a print).

She shares that she loves the Muppets and her favorite characters are "the two curmudgeons in the box seats."

She said "Bob" is a favorite for her and she has a few new items in the shop. Some orders were not made in time to get into this signing, so she wants to schedule another one.

[raven-at-the-writing-desk]

Hello, Miss Raven!

I hope you are having a nice day ^^

I was wondering since you don't have a Yuusona, have you ever thought making your own Yuusona like what traits, gender and personality would you have for them?

And how would their relationship be with Miss Raven would they be friends?

Sorry if I'm asking something you don't feel comfortable answering just feel free to ignore it. I'm enjoying your work and I'm new here so I hope I wasn't a bother! Love your work 🫶

I’ve thought about making a Yuu of my own on more than one occasion. However, I’ve never been a fan of the roles designated for self-inserts… It’s hard to commit. Even if I were to make my Yuu less of a Yuusona (ie just Me but in the Twst world) and more of an OC (an entity totally separate from myself), I always lose motivation somewhere along the way.

That’s of course not to disparage anyone who has a Yuu though!! I just personally find it a struggle to design around a somewhat predetermined identity. There’s less freedom in a Yuu because they have to meet certain parameters in order to “make sense” in the story. For example, Yuus are generally from our ordinary world and magicless. I don’t like having those limitations (and though I could go against it, I’d refrain in order to not break canon lore). That’s why my first Twst OC is very far removed and exists as her own thing.

For fun, here’s some of my scraped Yuu concepts, including doodles. They're not really "Yuusonas" though, more like original characters that happen to be filing in for Yuu:

Yuu 1: Mad Scientist Yuu

The earliest iteration.

This Yuu is ~16, male. Considered nonbinary at one point too.

The notes in the image basically describe him. Germaphobe, has lots of band-aids (because he is accident-prone), constantly tired + has dark undereye circles due to excess stress and lack of sleep.

Frequently seen in face mask, lab coat, and latex gloves.

“Don’t bother me” energy. Very curt with people and just wants to be left alone.

Claims to be an egalitarian because he “hates everyone equally”.

As the story went on, he would have learned to lighten up and work with others too. Basically, the same arc the NRC students have.

I didn't think too deeply about what his relationship with Miss Raven would be like... Most likely, he just dislikes and avoids her like he does the rest of the NRC population.

Yuu 2: “Robert Philip the Divorce Lawyer” Yuu

Twisted from the divorce lawyer love interest in Enchanted 😭 YES, I SAID WHAt i SAiD…

This Yuu is 35ish, male.

Has a very girly young daughter back home. She is basically his motivation to return.

His ex-wife left him. (YES I AM KEEPING THIS LORE.) Has sworn off love since then but is dating another woman for practical reasons.

Very anti-romance and anti-fairy tales.

Somewhat grumpy.

Logical, pragmatic. Some would say calculating.

Constantly arguing with Crowley because he knows his rights and how many laws Crowley is violating/j

He wouldn’t have been a student but more like a faculty member and father figure to the NRC students. By being in Twisted Wonderland, he helps to mentor the boys as though they were his own children, and the boys in turn teach him about magic, imagination, and believing even in seemingly impossible things.

Had an idea about him finding true love in Twisted Wonderland too; this would basically be his Giselle. Maybe a kind lady from Foothill Town??

Robert!Yuu was going to be sort of a secondary father figure to Miss Raven. Crowley is her real guardian, but he's usually not fulfilling the typical duties of a guardian so Robert!Yuu has to step up. In a lot of ways, Miss Raven reminds him of an older version of his own daughter so he has a soft spot for her. He also tries his best to advise her on life and boys. I imagine that he and Miss Raven have that Hades and Megara scene where she's gushing about Hercules and Hades goes, "Please. HE'S A GUY!!"

Yuus 3 and 4: Twin Yuus

The bangs they have are borrowed from Robert!Yuu because I liked them and was too lazy to try something new out—

They’re brother and sister, both 17. I wanted to play around with the concept of multiple Yuus in Twisted Wonderland at the same time. Twins because they are supposed to be “a mirror image” of the other.

The theme these two would explore is gender, particularly expectations vs reality.

They come from an old money family; each twin has very traditionally gendered expectations placed on them but their secret is they swap places and pretend to be the other twin so as to get out of their own responsibilities, as the girl is tomboyish and the boy is more feminine.

They continue this act in Twisted Wonderland in order to "protect" one another, but their relationship becomes strained with each OB. For example, the male twin would become increasing protective, feeling like it is his responsibility to keep his sister safe. This would earn him his sister's ire since he never smothered her before. The twins would eventually reconcile and come to reach a middle ground regarding one another's expression of their gender and how that informs their behavior toward one another.

In another variation, only the male-presenting twin would be isekai'd to Twisted Wonderland. It would later be revealed that "he" is actually a "she". The explanation that she provides for acting masculine is to rebel against the expectations of her family (who had arranged a marriage for her prior to her being isekai'd).

... But then there's ANOTHER twist 🤡 and it turns out that her "masculine self" closely resembles her actual twin brother (who is now deceased). The idea is that she partly acts this way as a trauma response and relies a lot on "speaking" with her brother for advice on how to move forward in Twisted Wonderland. Like, she has pretend conversations with him in her head.

Her character arc would have been centered around detaching herself from the expectations placed on her, as well as learning to let her brother go and become her own person.

ASDSBDABSDOSA I feel like Miss Raven would be so confused trying to keep track of the twins and/or the single twin's dramatic backstory. She'd be pretty cordial with them though! Maybe even tries to counsel them when they're fighting or closed off from others.

Yuu 5: Ara Ara Onee-san Yuu (WIP name is Sumire -> Suu -> her variation of “Yuu”, lol)

The best designed one, probably.

The only one with a proper name, too :v

She's 18 and female!

Started off as a joke between me and a friend. We were talking about how we think many of the first year students would be into "onee-san" types.

As you may or may not be able to tell by the design, she's meant to be a caring big sister character. Sweet, patient, and motherly. Even gardens and bakes! The type you know you can always go to when you need advice or comforting.

YEAH I GAVE HER DEAD ANIME MOM HAIR, SO WHAT???? The bangs swooping over one side of her face gives her sort of a mysterious air!

She looks very kind (and that's because she is), but she is also very air-headed. Like she'll pick up a worm and hold it in your face and ask you if you think it's cute.

Has a secret sadistic side. Not malicious and won't go out of her way to cause problems, but she'll gush about how she thinks you being frustrated or struggling with a task is "cute".

The arc Sumire would go on is one revolving around her status as the "older sister" of the group and finding a "pure" way of loving her friends. There's nothing wrong with having that role, but her issue is that she relies on it to be her personality and often gives away too much of herself at the cost of her own mental and emotional wellbeing.

It's like... codependency. She loves you because (whether she knows it or not) because she NEEDS validation from others. And because she wants that validation so much, she forces herself to be someone she's not at her core. Someone agreeable and sweet. That becomes very taxing for her.

If she feels as though someone is going to leave her, she'll either love bomb or have a mental breakdown in private. TO BE CLEAR, this is not healthy behavior and she's supposed to grow out of this obsessiveness over the course of the main story.

By that logic, she's more manipulative and selfish than she seems at a glance. I guess you could describe her true personality as being yandere or even menhara?? But she usually masks it well.

Miss Raven has a history of falling for pretty smiles, so I think she'd also be a victim of this one. She would look up to Sumire as like "the peak lady" and the big sis she's always wanted. REALLY feeding into her secret ego there, Miss Raven... and Sumire, being herself, would just giggle and pat her on the head to keep that toxic relationship going.

[arcane-ish]

Okay, so about Mel

I have a lot of Mel fans on my "following" list, so know I'm on a different place than most of them. I thought I would still sit down as a more casual Mel enjoyer and try to explain why I listed Mel as one of the better things in the last arc and genuinely read her as having one of the better arcs.

First let me say, I think I get some of the disappointment. There apparently was a lot of acrimony in fandom. And there sadly is often always a lot of bitching about being right. It's also one of those really annoying instincts for fannish people to value being right or getting character/ship payoff over quality. The kind of crappy shows or reasons I've seen people defend just because their ship was in it.

And I include myself within that. Two of my favorite ships, Timebomb and Zaundads got some stuff, and that has deeply clouded my perception of the season, even though my more neutral opinion is that season 2 was extremely spotty.

I get that from "I had to fight people in fandom" point of view, Act 3 sucked. I get that from a personal fan engagement point of view, it is always easier to stay excited and produce media if have a ship to hold on to rather than just being the fan of a singular character.

I'm kind of in a special situation, that I've always lowkey not liked Jayce and really only found him tolerable around Mel. I thought the beginning of Act 3 was still reasonably respectful to them. They protect each other, they do a couple fight with each other.

Yes it's weird that Jayce brings up now of all times to complain about the past, but for me that was pretty much wrapped by them fighting together against Viktor. Then we have this moment where Mel explains her situation to Jayce, we have Jayce complimenting her. Honestly, before the last minutes went full on "zomg, looping timeline gifts and zapping into space together", I thought the MelJay was a bit muted, but decent enough in a finale that was generally super busy and where tons of other characters didn't have too deep writing either. But again, I see where characters wound up, completely changed people's perception of how they get there (ie that Mel and Jayce actually had a decent relationship throughout most of the show and that in my opinion both Jayce and Viktor always and Cait and Vi recently had some really spotty writing).

Somethign that is more easy for me to bear, because, like I said, I never liked Jayce that much, so it's easier for me to not care.

Everybody's Arc Was Kind Of Shit And Mel Was One Of The Better Ones

This is my basic premise of season 2. If I think of season 2, if I think of the characters who to me had the better arcs I come up with for example Sevika and Ekko.

They had better arcs because they stayed roughly in characters, formed some new relationships, got some badass moments and ended up in interesting places in the end. However both their arcs BRUTALLY suffered by lack of airtime and often missing from episodes or even arcs like Ekko.

I think Jinx had one of the better arcs, because it was very emotional and poignant, was constantly present, but even if felt choppy and all over the place at times and people are mixed on where it ended up.

I guess Jayce counts as somebody with a really meaty arc with lots of airtime, emotion, ending up in a different place, getting hero moments, saving the day etc. But like I said, I dislike Jayce too much to really think about whether his story was actually good this season.

I count Mel as among the better arcs, because she got at least semi-constent airtime, she imo stayed generally in character, she got to be badass, she ends up in a very interesting situation and they tried to be emotionally poigant with her and Ambessa. (her killing Ambessa giving major Jinx and Silco vibes even if the context was completely different) The pain of Mel's storyline has always been that she was a bit isolated from other characters, so I was happy that she at least got a badass fight together with Caitlyn. [honestly, in retrospect it's noteworthy that Mel got that spot with Caitlyn rather than Caitlyn fighting side by side with either her love Vi or her nemesis Jinx]

Just getting a badass fight isn't the same as actually getting poignant moments and developing a relationship with new characters. So that was definitely missing. People are just prone to not care as much about Mel's relationship with Ambessa, LeBlanc or Kino because from the point of view of the audience those are side or new characters and the audience only cares if the show really puts a ton of work in like in the case of Isha.

Overall the gist of Mel's storyline to me is that it seemed to be very League dictated. It's the origin story of Mel as a badass fighter, it sets up her character premise.

TBSkyen, a well known content creator in the League of Legends space, "reacted" to Arcane and he got quite angry at the finale, exclaiming something along the lines of "I thought this was gonna be a closed story, that the characters would complete their stories. But these stories are not complete, this is a sequel tease".

And that's exactly why Mel's story feels unfinished. She feels like she's part of that sequel tease (together with Cait looking at those strange map, maybe hinting at an alive Jinx).

There's a chance that Mel will get a proper resolution. But to be honest. I can't promise that. Maybe she'll get a badass Noxus based either animated or live action sequel... but we might have to wait 5-10 years for it.

Maybe the "Ambessa" novel is actually 95% about her. Maybe she will get a badass intro trailer like Ambessa. But I'm not gonna lie, even if the next season of League will be heavily Noxus based and they make heavy use of Mel in it. I'm not gonna lie, League's story telling can be very, very spotty. And even when it is decent, not everybody is particularly into collecting their infomation from short stories, splash arts, music vids, in game voice lines.

[thefandomenchantress]

Who Explored with Who in Chapter 1?

This is a question that has plagued my mind for a very long time, so I'm finally making a post about who I think teamed up with who!

There are three categories: Confirmed, probable, and guess. Confirmed means we saw it confirmed in the episode, probable means I think we can say that it probably happened, and guess is me taking a shot in the dark.

Teruko and Charles: Confirmed

Since Teruko is the character we follow, we saw that she explored with Charles the whole time (except when he ran off for a few minutes to make the weapons list). So they're confirmed.

Xander and David: Confirmed

The reason Teruko is forced to explore with Charles in the first place is because Xander confessed he was ditching her to explore with David. So this pairing is confirmed as well.

Arturo and Levi: Confirmed

Teruko and Charles run into these two in the infirmary, and Arturo states they spent their time together while he bandaged Levi's arm because of the injury the spikes caused. They're also confirmed.

Arei and Whit: Confirmed

Teruko and Charles walk in on them having a toilet paper fight exploring the bathroom together during a CG. Since Whit built a whole toilet paper fort, they were probably in there together for a while. So we can also confirm them as a pair.

Veronika and Ace: Probable

I've always been pretty confident about this one, even though it's never shown. Not only did Veronika and Ace's usual chapter 1 counterparts, Arturo and Levi team up, leaving them to instead team up with each other, but their relationship being established now also sets up Veronika forcing Ace into her movie night. After spending so much time exploring with him, she knew how easily scared he was and that he'd be fun to bring.

Min and Eden: Probable

At first, I was going to put Hu and Eden together, since they're friends later, but in the end I decided on these two, and I'm actually pretty confident about it. Eden probably would've put a little more effort into including Hu in the baking activity if they really were already friends, and Min actually does attend the baking activity despite it not being school-related. Min already being friends with or liking Eden makes that more believable, and them having a friendship or spending a lot of time together during chapter 1 makes Eden's guilt over Min's death also make more sense. If they already had a friendly connection and spent time together outside of that one baking scene, of course Eden feels way worse than if she accidentally caused the death of someone she only talked to once or twice.

J and Nico: Guess

I figured J will probably go with who she thinks is the coolest, and Nico's the only one I could justify her thinking might be kinda cool out of who I had left. Hu's too motherly (maybe reminding J of her Mom a little too much), and Rose...well, she might be the second-best pick, but her sleepiness might frustrate J, so I figured Nico was my best bet. They might be kinda socially awkward, but they're blunt in a way I think J would appreciate (and it's not like J's not socially awkward sometimes either). And I think Nico would end up liking J a fair bit, too. So I've decided to think they explored together.

Rose and Hu: Guess

Other than being the only two I had left, I figured they still work pretty well as a pairing. Hu's a lot more patient than some of the other students, so her being the one to put up with Rose constantly falling asleep mid-conversation would make sense. Plus, Hu says that the pairs are a matter of safety and makes Teruko team up with Charles instead of being nice and doing it herself. Maybe that's because she wanted to protect Rose, who she thinks could quite easily fall into a trap, and didn't want to leave her in Teruko's or especially Charles' hands. If she had teamed up with, say, Eden instead, maybe she would've been more comfortable helping Teruko out and going with Charles for her in her pursuit to be useful.

---

Aaaand that's it! If anyone has any other ideas for who paired up with who, I'd love to hear them. I'm actually pretty happy with my guesses, but I guess I'll never know if I'm right.

[zahri-melitor]

So I've read the opening story of Tim Drake: Robin.

The opening issue is solid, highlighting a lot of Meghan Fitzmartin's skills as a writer. She picked up threads neatly from her earlier stories, showed her hand to the audience, and did do a fair amount of subtle character work. If I'd picked it up with no background knowledge of the fandom conversation about the title, I'd have been very excited for where it was going.

I liked the links back to how part of what prompted Tim to move out was Bruce being fussy over Tim having been shot in the throat in Batman #125. That felt realistic and a nice little link between titles.

As far as a story goes: I didn't mind it. Parts of it were very obvious, especially when you clued into the themes - if I'd actually been reading it as it came out and had a month between issues for things to soak in, I probably would have been tapping my toes over the reveal of who Moriarty was disguised as.

I would like to specifically dunk on both Meghan Fitzmartin and Moriarty for the detective novel writer selections, because...hmm. Kinda misogynistic there. Fitzmartin uses 6 writers for this, and 6 specific stories/franchises:-

Edgar Allen Poe – Murders in the Rue Morgue

Mark Twain – The Stolen White Elephant

Arthur Conan Doyle – Sherlock Holmes

Raymond Chandler - Goldfish

James Gelsey – Scooby Doo

Wilkie Collins – The Moonstone

What do you notice about this list, that I immediately noticed? They're all men. Who is an immediate name that comes to mind, who even had public domain stories as of 2022, who probably should be on a list like that and who also has incredible influence over the direction of the genre? Oh, I don't know, maybe Agatha Christie? (Also Dorothy L. Sayers is also right there and available, but skipping Christie?)

And once she'd built up this "it's all the detective stories" premise, Fitzmartin then went for a book code (cool!) from non-existent books (not cool). If you've just spent all this time glorying in how this is all related to Specific Classic Detective Stories, why not...use a real book code and refer to their actual stories? You've already done it for the plots! Commit to the bit!

Also I spent a good chunk of issue #4 staring at the page going "Carol Donovan? You mean Deb Donovan's judge daughter who recently appeared in Mariko Tamaki's 'Tec run? Tim, how are you missing something this straightforward? Also she's dead?" and then it never came to anything. Maybe do a quick check if anyone else has been using the name you just invented for the story.

"I even tried making a new costume for myself. It doesn't fit." - I did find it interesting that Fitzmartin was once again playing with the "is it time to move on" themes for Tim that were popping up around here in various conversations. Especially given she had Tim and Dick relitigate their conversation from Urban Legends #10 and similar themes in DC:YJ. It does suggest to me that she was working her way around to getting Tim into a new identity, but cancellation has once again left that in the 'not happening' basket.

In terms of the art: Riley Rossmo was the wrong pick for the title, but I do see the thought process that led into him getting the nod for the opening story, given the whole claymation villain set. It was very 2D animation style. I don't mind Rossmo (and interestingly he's developing a whole line up of detective stories he's done art for, given he's also had a Martian Manhunter book and got Wesley Dodds, he did one of the Batman/The Shadow crossovers...) but his highly malleable art style loses a lot of background detail or makes what is there harder to parse.

I did very much appreciate the way Rossmo drew Tim's detective work, though. I liked the technique for highlighting details and clues, and it actually very much reminded me of how some computer games present clues (including how it's done in Gotham Knights, in fact).

I know everyone has said this, but Bernard needs to develop a personality AND to commit to whether or not he knows Tim is Robin. Because sort of hinting that he knows, while Tim worries about hiding things from him, but not actually confirming either way is only really acceptable if you actually do build up to a big reveal moment where the whole drama has been paid off.

I did appreciate that MegFitz had clearly taken feedback and returned one of Bernard's two pre-existing personality traits (conspiracy theorist who thinks the Bats are urban legend cryptids), because one of the weaknesses of using Bernard, a side character with 6 preboot appearances, is that at lot of his existing personality was sketched in. He was a conspiracy theorist, and he desperately wanted to be popular but wasn't, so he presented himself as having a Cool Guy's Personality (see: 'your step-mom is hot'). Now, Meghan Fitzmartin wants us to read into that second trait as a facade that Bernard was putting up to deal with the fact he was gay and hiding it, probably even from himself, at the time. Which, fine, it's a perfectly reasonable reading of Bernard (and to her credit, MegFitz has Bernard spell it out a little on page in TD:R), but the problem is...you've just lost one of the two identifiable traits of 'Bernard' and it hasn't been replaced with anything else. And while 2004 in comics was still trying to hold onto the Urban Legends reading for the Bats to an extent (though it was failing), 2022 comics has so long since abandoned it that Bernard having kooky theories about Batman's connection to Mothman or whatever is very...why?

And because both of these pre-existing personality traits are under strain from the context, it really is sort of necessary to give Bernard something else about him for people to latch onto for his personality. And it doesn't really seem to be there yet (as of #6). It's the same complaint that people have about Jon/Jay and a whole host of other partners for recently out superheros: they're generically pleasant, supportive and bland, with about the depth of a mirror. Give me some of the toxic drama the 30 year old lesbians are allowed. Where is my breakup over custody fights with an ex and one of the two getting seduced by a vampire.

[thebookofcarol]

Hi. Thank you for your posts. I used to enjoy seeing your content a while back when I needed positivity to keep me excited for the spinoff. But I saw the recent interview with the showrunner where he said he doesn't think the characters feel romantic. Please can you tell me how you're staying positive after this? I hope that's okay.

it's ok, i don't mind. took me a bit to get to this cause my life has been seriously the most chaotic. for me, it's easy to stay positive cause i do think it's my natural response to caryl. i enjoy Carol and Daryl's relationship for whatever it is that i am watching on screen. i just enjoy them together - the way they talk to each other, the way they care for each other, just them being so totally in sync with each other. it doesn't mean their relationship is perfect, or not without conflict cause y'all should know i love some good angst.

anyway, my most fav thing is to ignore everything that is said in interviews (including Melissa's!! sorry, not sorry!), cause at the end of the day, it doesn't mean much if that's not how you watching it play on screen. i have seen noromos absolutely positive romantic!Caryl is where it's headed after watching season 2. this ain't just the shippers being "delusional." so whatever they done with caryl made nonbelievers believe. 😏

i do understand that's not the most popular approach, but it's how i see things from my own personal perspective. i guess despite fully believing in romantic!Caryl, i have also accepted that it may never ever be canon, and i am fine with that.

the min Carol and Daryl's journey stops giving me joy, i will just pack my bags and leave. right now, i am golden. there's a lot of things i didn't like about The Book of Carol, but there were a lot more i did love. as long as the good outweighs the bad, it's worth it. i also keep my interactions with the fandom to a minimum cause i don't want to taint how i really feel about caryl with all the vitriol going around. life is hard and bitter enough for me. Caryl is my safe place to land.

[mickeysclubhouse]

actual scrapped episodes of clubhouse leaked by a undisclosed disney junior employee:

02x32 "Donald's Aracuan"

➤"One of the episodes that was scrapped that I know of was the original version of "Goofy's Coconutty Monkey" from 2008 which wasn't gonna feature Goofy as the main character or at all Coco. It was originally gonna introduce the character of the Aracuan bird from The Three Caballeros or in the case of Disney TVA, "Mickey Mouse Works". Supposedly, the synopsis I heard was that the Aracuan would appear in the clubhouse because of the silly switch and wanted to find his way home to the jungle. The episode was rejected due to them thinking that the Aracuan would be a bad influence on preschoolers, so it was rewritten to be about Goofy And his monkey Coco."

image from storyboard:

03x unkown number episode "Donald's Nephews"

➤"Another episode that scrapped characters were "Donald's Nephews" which was a big question to rather have them in the show or not. It was around I think early 2009 before Wayne Allwine's passing. And one of the things I heard was that there was gonna be an episode including them. It was gonna be a teamwork episode where the nephews solve a mystery like how "Ducktales" wrote them, but with a mix of mouse works in. I heard this was scrapped because it would be weird to not have Webby or Scrooge with them. So they chucked the idea to make "The Go Getters." I think the nephews were used in "Minnie's Bow Toons" but I don't have the time to look since I'm not on that team."

part of a script from the scrapped episode:

Some episodes didn't even have synopsis and were just brainstorm ideas. There were a lot, But I can only recall around five which were:

"Pete's Boots"

"Daisy's Debut" (not to be confused with the house of mouse episode)

"Donald's Flute"

"Clarabelle's Talent Show"

"Donald's Swimming Lesson"

[carus26]

I also want to comment on some of the *judgments* about him, with which I disagree, and add my own.

Yes, I've been doing *analysis* a lot lately Just give me some time I've been saving all this up since 2013  And I won't rest until I say it all In my personal blog lol

*Sulley cheated at games just for himself, It was a purely selfish act*. No, not just for himself. Because before that he literally defended Mike in front of the dean, and sincerely believed in him, but after her words *do you really think he's scary?* he began to doubt. Yes, he did all this so that everyone could get into the scary program, including Mike. Yes, he did a bad thing (which he already regretted a thousand times), but he did it not only for himself, otherwise the scene between him and the dean would not have existed. If he didn't care, he wouldn't have protected Mike, or tried to train him, he would have just done what he did. *That conversation between Mike and Sulley (lake scene) is meaningless because Sulley doesn't understand him*. He honestly admitted that he doesn't understand him, and honestly responded to Mike's claims that *everything comes easy to monsters like you, no matter what you do, you always win*. As it turns out, no? Everyone needs to try to achieve something, even when you have talent. If Sulley didn't try himself, he would not have achieved anything. And he admitted that everything in his life goes wrong, only because of him, and nothing can just happen if you don't try. So the reproaches about this scene are pointless, they both expressed their point of view and both understood each other. *After fear was replaced by laughter, employees are now working overtime, Sulley is a bad boss*.

I don't really agree. This is not the moment when you get a ready-made business and you just do exactly what was done before you, this is a business from scratch, there is a complete restructuring, and this takes time, besides, no one is forced to work here. Seriously, what can you expect in a situation like this, when you don't have enough workers, and the management demands FAST results. Especially when you were made a boss on someone's whim, and now you have to clean up all the mess. In the future working hours should return to normal. By the way, he also works overtime. And also my personal opinions on why I didn't like some of the scenes from maw related to him: 1. That episode with baseball, I still honestly don't understand why everyone, including Sulley (who suggested it himself), got mad at Tylor, who literally did what he had to do. Some weird childish grievances, he suggested it himself, and he himself got offended. 2. With all due respect to the scene with the *revelation* of Tylor in the eighth episode, it was very strange.... Everyone just went and believed that Tylor did all these crimes, and the company does not even have banal security cameras? Sulley just believed all the accusations and did not even think that they could be false? Considering that he KNOWS Tylor, and they have a good relationship in general. To all this I can only answer one thing, do not blame the character for a lazily written script... Everything happened so conveniently, just so that the script would work out as it should. It's a children's series, no one will ask questions, right? And this applies to ALL the characters in the series, which is why I sincerely hope for a sequel in the form of a full-length film, and not a continuation of the series.

At least with writers who care about how they portray the characters and the franchise.

🔹A few thoughts about Sulley, why i like his character and his relationship with Boo🔹

(personal opinion and views, I can say the most predictable basic things, and yet I want to express my personal feelings, it's corny but it's honest work)

(also a lot of words..and doodles)

I apologize in advance if I expressed myself in some way unclear or incorrectly and for grammatical mistakes, since I am not strong in english ")

Personality and appearances:

All of the Monsters Inc. characters have great designs that complement their personalities perfectly, and Sulley is no exception.

I LOVE how his design perfectly captures his character. He has soft and sharp features, just like he himself can be *soft and sharp* at the same time. He has a gentle nature, but under the right circumstances can become formidable and even dangerous. In other words, I like the fact that while he is calm, you may forget or even not know HOW scary he can be in the moment, that is, exactly until he HIMSELF shows it. A great way to show a character's kind nature without forgetting who they are and what status they have in their world.

I olso like that he is not a *perfect do-everything-right* protagonist. He is impulsive, he listens to himself and his opinion is based on his own considerations, often incorrect or risky. 

People can say that only at Monsters University Sulley is so *rebellious* and only does what he wants (hinting at how calm and humble he is in the first film as opposed to the prequel) and, based on my personal observations, I can say that he is ALWAYS like this, he acts for his own reasons, and yes, he acts from considerations of *do what is right*, but what is *right* everyone understands in their own way.

For example, like when he risked his and his best friend’s life/career for the sake of a human child whom he had known for a couple of days, or when he cheated at games and then goes to save Mike from the human world. Always impulsive decisions based on feelings and one’s own understanding of what is *right* at the moment.

He also thought that it would be right if he was in the company of high-status monsters and behaved the same way as them (because his family and those around him expect this from him, I believe), and he realized that he was wrong only when he understand (and saw) that he could be himself and that he can’t judge everyone by their appearance and *status* (specifically in that scene when Mike secretly brought everyone to the MI in order to show the uniqueness and dissimilarity of each monster) 

What I mean is that his worldview is always changing based on what he sees and feels, and he always acts based on his personal understanding of what is right and don't, which I find actually a very interesting character trait for a protagonist (not that it's super rare, but still).

Also how many different emotions he can express, from joy to rage, I always liked characters with a rich *baggage* of emotions, and who at the same time do not irritate, do not become hysterical with or without reason, and who simply use emotions at the right moments, not going too far, that is, not capricious and not *drama queens*. 

Another small detail I really like is the fact that Sulley is very aware of his physical strength and never brags or uses it unnecessarily. He is VERY strong, and somehow communicates and contacts with the smallest creatures without any problems, and does not even really use his full strength in a fight, only as self-defense or protection of another.

I also see a lot of different opinions about his prequel version, but honestly? I only started to like him more after university. He was shown from a completely different side, as was his development from who he was to who we know from the first movie. Showed what kind of character he is without Boo. What he thinks about, what he worries about, what kind of relationships he builds, his goals, what did it take for him to get to that point in his life that is shown in the first movie. Love how he went through his arc from "worst to best", how he accepted and realized his mistakes, and how he gradually became attached to those who are dear to him.

(the way he expressed himself to Mike at the end? Being the only one who told him the truth, while highlighting his virtues, thereby showing how attentive he is to those around him and how much he values ​​​​those who help him) 

Although I’m not really a big fan of the prequel, and I also think some scenes from there are little...questionable, and how Sulley turned out different from the version from inc, but in GENERAL I can connect these two images together, I can understand why Sulley behaves this way (given his problems with family and self-esteem), and how in fact it fits with him as an adult.

I can also say that in general I like the way he is written in Monsters at work, despite the fact that he and Mike don’t play a special role for the series, I’m just glad that he act's like himself and hasn’t been spoiled, he’s still trying to make the right choices in life, dealing with a situation that he never even thought about or was ever prepared for, and I just like the little funny moments with him.

Of course, you can't do without *questionable scenes* and sins (and animation ")), but overall I'm quite pleased.

(and I noticed that the writers kinda combined his images from mu and mi, big fan of this decision)

Overall, we have an interesting, well-written protagonist, with excellent design, a great movie as a solo film, and even prequel/series as a good bonus.

Why I think his relationship with Boo is so beautifully written:

First of all, I like the way they met for the first time.

Namely, HOW Sulley reacted, because we know that children are not only *toxic* for monsters, they are literally consumables for them, without feelings, without any rights, which means do with them what you want, your conscience will not torture you.

But Sulley never harmed her, although he could have used any means to get rid of her, because at that time he did not perceive her as a *person*, and still acted with caution. Tried to calm her down, cheer her up, and even sang her a song before bed, although he shouldn’t have even tried?

He understands that she is a living being after all.

And he actually care about this *creature*, he himself decided to bring her home, stayed up all night making a costume for her, he even realized that she is a girl and referred to her correctly all the time, and not as a *thing* (even worried that she was in the men's locker room? ")).

I just love the fact that he treats Boo well INITIALLY, he doesn’t hate her, he doesn’t think she’s a burden that needs to be gotten rid of.

He truly begins to worry about her when he finally becomes attached, but even at the very beginning he treats her tenderly as possible. And it’s just very cute to watch how they gradually get closer and Sulley becomes more and more attached to her, which makes him openly ignore all the advices of his best friend, whom he listened to and supported unconditionally before. He begins to worry about her so much that he no longer pays attention to everything that happens around him, he doesn’t just want to get rid of her quickly, but wants to protect her and do everything possible so that she gets home safely, and does not end up in wrong hands. And this attachment became SO strong that he was ready to leave his friend alone in the human world, risk his life saving her, and he no longer cares about HIS position and condition, she became his number one priority, and this is very damn touching honesty.

And, of course, THAT ONE scene, key to Sulley's development as a character, a scene, where he accidentally scares Boo.

A moment, where his whole consciousness is turned upside down, all the experiences that he went through became meaningless, and the work to which he devoted his life turned out to be cruel exploitation, in addition, a huge feeling of guilt, which will be difficult to get rid of for a long time, and everything that was important in his life ceased to have value, everything except the safety of this one *thing*, the *thing* he shouldn't have felt anything for.

I really love this scene, it perfectly conveys the mood of what happened, when you feel pity, compassion and understanding for both sides.

(you'd think that Sulley stop scaring kids just because of this scene, but honestly? I’m more than sure that it would be difficult for him to do this after meeting Boo, after what he experienced with her, it would be difficult to continue working in this direction)

And one of the best details for me is the fact that this event does not remain without a trace for the characters, this experience has consequences, they don't just continue to live as if nothing happened, Sulley realize that people are also living individuals with feelings that should not suffer, as a result of which he not only changes himself, but also changes his environment for the better, considering that the majority simply will not understand him, he considers it his duty to do something to somehow change and influence the situation (even without the fact that the energy of laughter is stronger than scream), and never again connect his life with what he feels guilty about.

The final scene with them is also so touching. 

The way Sulley says goodbye to her, knowing that he will never see her again, everything he had to go through for one single moment.

Betrayal, discovery of a conspiracy, expulsion, a quarrel with a close friend, disappointment in himself and his life, he even almost lost his own life several times, and all this was experienced in order to bring home one little girl.

And I'm just sincerely glad that they didn't end there, all this time I wish I had seen at least a little short with them (because I just have to squeak with joy every time Boo is mentioned in the series :"))

I know that the first movie ended perfectly and there is no need for a sequel, but as a fan I’m too weak :)

Honestly, this is the shortest and most general “essay” I can write about him as a character, if I had my way (and enough strength/knowledge in english) I would describe every key scene with him.

So, that’s all, I'm glad I was able to express my thoughts about a character that is important to me, at least in this format, and if you read to the end, thank you for your attention! 💙💜

(still waiting for a full-fledged sequel from Pixar and hope that it will come out acceptable...)

[probablyaparadox]

Midnight Headcannons for Hiveswap/Friendsim Characters (Part 1)

These may be very well liked, or very controversial idk. If you write a fic (unlikely but who knows) based on any of these then PLEASE lmk. Part 1 because some I may feel uninspired + I don't wanna do all of them in one post. Xefros Tritoh: THE BOY HIMSELF.

He is a semi closeted midwest emo (I mean look at him) and a fully closeted stereotypical emo aesthetic enjoyer.

Ever since he started the Grubbels with Dammek, he's actually gotten quite good at singing, and rapping. (this is based on the line that Dammek passive aggressively hinted that Xefros needed vocals practice, and If I were Xefros my insecure ass would start practicing REGULARLY.)

If he were not plagued by constant anxiety he would sleep a lot, and be a very sleepy person (Sloth lusus). Or rather he requires more sleep than the average troll, and when he gets it he's very energetic. Because of his training with Dammek to "sleep anywhere" this would result in him frequently falling alseep while standing if he didn't get his proper sleep.

I want him to kill Trizza with a baseball bat. Off with their heads and hit a home run. Preferably with a baseball bat covered in nails.

He's trans. That one's not from me I've heard it tho and it's cute as hell imo headcannon immediately accepted.

His crush is a tealblood "reporter" (hobbyist photographer and blogger) who wears rollerskates (manic pixie dream boy.) I say this purely because Idk what traits Idarat and Tegiri have over Tagora besides being more masc and having glasses. And they are both not rat men unlike Tagora (/aff). Anyway because of lack of information I say what I want.

Last one because I genuinely feel like this was in the game but I'm not. Certain. Anyway Xefros looks so generic that so long as he isn't wearing his sign it would be genuinely impossible for any drone to find him based on his face. Dammek:

He got most of the parts for the weapon off of trolls craiglist

he will either instantly obliterate Jude's sense of self and self worth and have to work up from there to realize he needs to be nicer or he'll lose his moirail (he already has) or he will be shockingly ok to Jude and just be closed off and he will have to work up to expressing affection normally instead of survivalist training.

he's a little robotics geek he will get his hands on a cell phone and fucking destroy it when he gets to earth./joking to early. He MAY destroy a tv. I think based on his building skills he would be fascinated by earth technology.

the cameras installed in Xefros' hive have lasers. Xefros does not know this.

He gets his fancy normal disks from mallek (I've also heard this from another person- I would credit but I can't find it at the moment) Mallek:

Has 13 piercings. (IF YOU KNOW YOU KNOW)

he's either a part of the rebellion already, or will be soon enough

He actually knows a mutant which makes him being "cool with mutants" an even weirder more awkward thing to say

he bullies people on 4chan. The homestuck earth equivalent of 4chan. But still earth. he finds it informative and he likes giving their computers the types of bugs that will make them only play slitherio.

His strife specibus is a serrated curved dagger (snake fang like almost)

He has a snake tattoo on his right thigh.

He intends to get sleeve tattoos, he just hasn't perfected the design yet, or found someone he trusts to do it.

Hey you know that character who we've gotten like 1 concept art of. Yea Jerann him. They're boyfriends. Sorry I don't make the rules but he gets a fish nerd boyfriend.

He keeps oblong meat products in his house in case Diemen ever wants to crash.

He's going to give Xefros a piercing when Xefros becomes an emo boy /hj Joey: (I know she should've come first but she's not one of my favouritesss-)

Joey would lose her shit if she saw the barbie movie or Murdoch Mysteries

On a similar note, she would do barbenheimer for/with jude

She has a slight fear of clowns now (reasonable)

when she gets scared while on alternia, she looks up at the sky, and the stars, and thinks of her mom

I think that Joey and Marsti have an excellent opportunity to get along. A vet is just a doctor for a different species after all, and I'm sure just as Joey would be eager to learn Marsti would be eager to teach and get a bit flattered and someone respecting her aspirations and knowledge. Marsti:

Has the nickname Mars

If Marsti could dress up more she would go for a steampunk streamlined vibe.

In the route where Marsti ditches the player at Gahlek's house, she steals a book on her way out

Marsti survives the train crash floating in her bucket.

Marsti wanted to go to Jeevik week because she liked the challenge cleaning up after it might bring.

[whatudottu]

Welcome one and all to my version of the party's loopified designs, featuring my many broken bones and blood stains I especially put into Odile who I tackled second unlike the alphabetical order that I have presented here! I'll have in-depth discussions on each designs and matching practice portraits under the cut but before that-

Siffrin 'barely taller than a preteen' no middle name no last name Loop is still barely taller than a preteen but now that preteen can claim fire to their height!

Alphabetical order GO!

Bonnie, who I've been calling Bonfire (which if that ends up being their name I can imagine Bonnie calling them 'Fire' while they call Bonnie 'Face' to match), was the last of my designs because frankly I knew from the start what their design was going to take influence from and also knew I was going to draw fire :P They were based on bonfires (of course) and also specifically the Burning Man effigies just for a humanoid figure, plus being a chef cooker and a campfire and also a very heated expressive person.

Their flames are hot but not actual wood burning so the Favour Tree (and Mirabelle in the height chart) are not at risk of combusting, they're just incredibly bright-

Isabeau my first design, with influences from @basilpaste 's Lock (with a dressform body) and @nullapophenia 's original version of Husk (the faceless identityless sketch), I have combined them both to make a mannequin it/its loopified design that finally gets to be capital T Tall all for the low low price of being Changed against its will and suffering another bout of body dysphoria that it can't fix anymore :) :) :) When I was referencing mannequins I actually noticed how long their legs actually were let alone how they were perma-stuck in that Barbie-like highheel pose and thought why don't I just curse Isa with something he previously wanted :P

Something something Isabeau actively Changed not only his body but his personality to become someone he wouldn't be ashamed of, yada yada Loopsabeau is back to hating itself and has started to become a person it despises to match (also like a mannequin it's head and arms are technically painlessly removeable :P)

Third in order and third in design is Mirabelle, who technically is the only loopified design with technically hair and clothes, but the hair are the tangled roots of the Favour Tree and the clothes are like the carved hardstone statues of religious figures :P Initially my Idea for Mirabelle was to make her kinda like her statue, with the wonky expression of someone who made it without much mastery over details, not to pit anything against Mira, no, no. Thought about maybe abstract statue design but I couldn't find a version I liked but I did always imagine her statue being weathered in some way, there was a reason why I saved her for third I couldn't pick what I wanted. But then I remembered the broken Change God statues, thought about the 'blessing' that ended up being a curse, and then thought about overgrown weathering and gave her the roots.

I actually looked up Black hairstyles and mostly wondered what specific hair texture Mirabelle had (she wears it in a fro of course, but she has flyaways that aren't coils, but she described her own hair as kinky and :P) so that if I were to mimic hair with tree roots I can get an appropriate matching hairstyle (settled on megatwists). Hah, if Mira has 4C hair, considering how long her hair actually looks, if she to wear her hair in twists she might actually have elbow length hair :P

I spent 8 non-consecutive hours on Odile can you tell? Can you see my hands bleeding my wrist breaking my eyes drooping? Yeah so Odile was again, my second design and it took me a week to recover, and she's a combination of gem and mirror suit with all the little fragments floating around her the 'diamonds' that represent all her family members party plus the ones she originally had in sets of 2. I also put geodes where parts of her body have broken off (inspired by how when the King strikes she can't move, plus also being a glass canon) where when I was actually drawing those geodes that they kinda use the Change symbol?

Circle within a circle within a circle, regardless of how wiggly it is, and at the centre is a cluster of crystals. That was an accidental reference to Odile's mixed heritage but hoo boy what a connection! Her missing pieces are a combination of 'being too old for this' fragility and also 'i didn't want to render more mirrors sue me'

Anyway I am going to put my wrist in a cast and imagine loopified party members with their pre-wish counterparts :P

[adamnablelittledevil]

Not justifying Armand, but you don't get through that amount of physical, sexual, emotional abuse, brainwashing, isolation etc to the point of amnesia and dissociation since you're a human child until you're a centuries old vampire (and vampirism amplifies their traumas and emotions) without accidentally reprogramming your brain in a really messed-up way. Specially when you're stuck in a teenage brain forever. This is not someone that lived a safe and privileged life, not even a remotely decent one, and decided to be evil. In many ways Armand forgot or didn't even get to learn what is meant to be human and have a healthy lifestyle and relationships with people. Obviously, it would take him a long time to catch up with his humanity and even develop a sense of identity (one of his many issues too).

[thegirlwhorideslikeasamurai]

Thank you for sharing your thoughts! <3

To be honest, I don't know. The stories I'm reading and those I have read have a quite consistent audience that writes many (and even quite a lot of detailed) comments while these stories are being updated. But I usually read in other fandoms, so I can't tell if the demographic of these fandoms is generally more supportive of their writers or if these writers just know how to engage their audience. However, when I look at the stats of a couple of stories in the YOI fandom that started around the same time as CYHMH (summer 2022), I'm not so sure that it's just fandom demographics. Back then, there was one new story that had 10 chapters out with like 200 comments and I even saw one that had only 2 chapters out but already 300 comments. So, even back then and a long time before the movie cancellation, it was pretty much still possible to excite readers (For the record: I didn't look around for too long to protect my mental health, so the data I have to base my impression on is very incomplete.) Now that I know that many fans are very vocal about wanting more canon content, including some in-between-the-episodes stuff which CYHMH has in abundance, I'm genuinely puzzled. Having heard about the success of other novelisations and sequels, I doubt that's just about original content.

Interestingly, the movie cancellation didn't impact my stats at all. At that time I had a long-wished for uptick in engagement (supposedly due to the fact that I had resumed posting the improved & beta'ed version, but I'm not sure of that) and that uptick held on until about two months after the cancellation. It made me hopeful that I had finally found a steady audience. Interestingly, shortly after the eros-off ice chapter [about 2 months after the cancellation], comments and hits/chapter dropped massively and basically back to the low level they had been at in 2022.

The story has 477 comments (I'm counting the threads, not the total number), which is about 10 comments/chapter on average. From the outside that looks really good. However, a lot of that is from either readers who discovered the story later and made an effort to comment each chapter plus the success it had during the first half of this year. And don't get me wrong, I'm so happy every time a reader takes their time to comment on chapters that had been posted long ago because many readers seem to think that writers don't care getting feedback for these although most of us crave that. In many cases that finally got me the kind of feedback that I would have desperately needed to keep going in 2022, and if I had gotten that back then, the long break wouldn't have happened. Because no matter how much I appreciate these later readers (they're 3 in total, including you and I love every one of you <3), I also need some support and engagement when I post these chapters to keep staying motivated and not being on the verge of quitting writing again because just sharing them had made me feel so miserable.

Right now, there's still some engagement left. But knowing my experience with writing a series for my last fandom (before AO3), engagement drops with every instalment. So if, at this point, there is already so little excitement for my take on the ending of the show and my take on a continuation, I just know from past experiences that it will go down even further for the sequel. And for me, that really begs the question of whether I want to expose myself to another bout of losing my joy for writing and contemplating quitting it because I've already been there often enough.

At this point, I'm just at a loss about what to do. I feel like I did already everything that I could and it's still nowhere near enough: I did tons of research for this story, especially regarding Japanese culture and figure skating. I conducted a meticulous canon analysis to ensure that the characters are in-character and that everything that I add is a logical extension of canon to make sure that this story "feels" like YOI. I worked with a beta-reader because English is not my first language and in those chapters I've posted in 2022 it really showed. I respond to every comment and thank the commenter. And I post previews with little success, at least here on tumblr (not sure what the people on twitter do with them). There's hardly anything I could still try and it's not working.

Okay, I need to get this out of my system.

I have planned to post the sequel to my YOI novelisation in exactly a month from now. My beta said that the sequel feels like an actual continuation of YOI and a friend is even drawing a cover picture, which is just so amazing. But the more I think about it, the more it seems like I'm bound to regret releasing this story a couple of weeks later.

I won't lie. CYHMH had the total opposite of a dream start. I even paused the story for an entire year to get a beta reader because I failed to keep my audience interested and concluded that it was obviously bad. Or maybe it only did so poorly because it can't compete with other novelisations. I don't know and I don't want to know because if I learned the truth, I would probably shoot myself.

The story has 600+ kudos, but that's not reflected in the hits/chapter at all despite all the improvements I've made. The number of hits/chapter which had skyrocketed for a brief time span earlier this year (aka after I resumed posting the improved version) has decreased by 75% since June and hasn't recovered since. Often, I lose bookmarks and subscriptions within hours after posting a new chapter, which couldn't be a more obvious feedback.

I see this loss in interest also reflected in my chapter announcements and previews (not they had ever been great to begin with). Often, I'm the only person reblogging them because rarely anyone else does. On the other hand, my post that I would postpone the latest chapter due to the US elections was so popular and the contrast to the reactions when I finally posted that chapter was so huge that I wonder if people just want me to shut up and stop posting. To be honest, not posting would save me a lot of time and spoons because, let's be frank: writing for a mostly silent audience is just not it. (I have a little bit more engagement on other socials, but the downwards trend is the same there.)

There are only three chapters of CYHMH left to post. The story is at its climax and seeing the lack of interest and enthusiasm so close to the end is just so fucking disheartening after putting so much work into this story which I call my love letter to YOI. Maybe I don't write the kind of stories that inspire the majority of its readers to gush about it, but a part of me had been hoping for at least some people to be thrilled that the chapter was finally out. Or to be at least excited about the sequel. And I can't decide whether my writing just sucks that much to most people, if you're just silent because you only talk about my stories in some exclusionist fic club, or whether a sequel is just not wanted or needed due to the fandom being already saturated with that kind of story.

Would you guys prefer that I stop posting? If you really want to read my YOI sequel or just anything for that matter, I beg you to tell me and to support me.