#magic aids
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cripplecharacters · 10 hours ago
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Hello, I need some help with my story.
It takes place in a medieval fantasy world and there are lots of different species, including centaurs.
I like to have a lot of disability rep in my story, and since one of the main characters is a centaur, I thought about giving him a prosthetic leg.
The problem is, in real life it's extremely inhumane to give horses wheelchairs or prosthetic legs because it'll cause chronic pain, pressure sores, etc. because they weigh so much.
I know "Magical disability aid that's super amazing and way better than they are in real life" is a problem, but would it be okay in this case to give centaurs some sort of enchanted prosthetic/wheelchair that won't cause injury to them?
Hello,
Yes, that's absolutely okay.
In theory, it is possible to create wheelchairs and prosthetics for horses, it's just not practical. It would take a massive amount of funding, research, trial-and-error, etc, which is all extremely expensive and might not lead to any good results when the simpler solution, currently the most humane option, is to simply euthanize the animal. Because horses also aren't going to understand. Human amputees could willingly participate in the creation, trial, and modification of prosthetics and wheelchairs, they knew what was going on, what they were doing, and what the intended outcomes were. Horses can't understand that and will never be able to. The entire process would be unnecessarily stressful, painful, and distressing for the animal, so it's not humane to try.
But a centaur is sapient, they can understand the creation of mobility aids and prosthetics, consent to being part of the process, and won't be horrifically distressed by the entire situation, so developing prosthetics for them isn't inhumane. A hawk with a broken wing and a horse with a broken leg can't understand what's going on, so treatment is going to be extremely distressing and they can't communicate their needs to their medical care team, and they aren't going to understand temporary disability and physical therapy.
Centaurs, however, are going to understand what's going on, they can communicate their needs and do things to help themselves, as they'll be able to take off prosthetics, get out of wheelchairs, roll over on bed, etc, without help, or will at least be able to tell the team that they need to. They can understand temporary disability and can actively participate in physical therapy. That makes the science of treating centaurs much easier, as there's much less of an ethical dilemma. Plus, sapient creatures are going to get a different class of care. With humans, everything is done to preserve their life and then help them live with the disability because you can't just euthanize a human because they have a survivable injury. It's not ethical. So more effort is going to be put into the science needed to preserve their lives. In theory, the science needed to create good prosthetics and wheelchairs for horses is possible, it just hasn't been explored. If there were real centaurs, the science would be explored (this is also partially why we have bariatric, geriatric, and pediatric mobility aids and prosthetics, the original science didn't work so they created new science to work for them.) And with magic in the mix, it's infinitely easier to find that solution. Magic makes the science of this easier to figure out, because you can use spells or enchantments to prevent pressure sores and make the materials stong enough to support a centaur.
As long as the aid isn't erasing the character's disability (bionic legs that function as well as or better than their biological legs,) it's fine.
Mod Aaron
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mochasucculent · 2 months ago
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Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in
#viktor#arcane#ig my assumption would be that he wears both simultaneously cause in the scene where he injects the shimmer#it seems implied that he just threw off his clothes and kept experimenting#so one might assume he was already wearing the smaller one underneath#tho it is a funny image to think of him just being like 'one sec i gotta go all the way home and grab my other brace to do this'#he can take off the back brace too cause hes not wearing it in the scene where he's in the hospital bed and you can see his shoulder#where the strap would be#but that one seems to make even less sense functionality wise#everything looks like its screwed together#or screwed INTO him#but only the top bolts on his spine are i think#in the close ups of his back brace model it looks like theres cushioning underneath the parts of it that cover the rest of his spine#so he can take it off. but HOW#what parts of it unscrew/detatch to pull open and off#does it not do that at all and he just has to shimmy it off his shoulder and all the way down his legs to get it off like a romper#the shape language of the designs are cool but like. tell me how it wooorrkkksss#forgive me if im just dumb and dont know at all how braces work and theres a very simple practical explanation for all this#any king who wants to infodump about mobility aids at me....the floor is yours#something to be said i suppose about the fact that zaunites have crazy prosthetics with wild augmentations that work flawlessly#and piltover's like. idk heres some fucking uncomfortable ass metal. salo gets wheelchair in non ada compliant place#they havent ever needed to adapt to accommodate disabilities etc etc#or maybe artists were just like 'heres a design' and everybody clapped and didnt give it a second thought#and then they just turned off the visibility on the mesh when they didnt need it knowing thered not be a scene where its taken off#dont even wanna THINK about what that rig would look like#like 40 different controllers#soft body and rigid hard surfaces needing to move together....#a cold chill just shot up my spine#<- guy who is only an animator and doesnt know how to rig#forgive the magic wand tool with zero cleanup. i am lazy
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curapicas · 3 months ago
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Idk I just think it's a crazy thing that on the foreground the magic broom of flying is side by side with Percy's cane, which is way more down-to-earth but no less a reminder of a miracle
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screechingfromthevoid · 3 months ago
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AND ANOTHER THING
Dorian has always been super specific about his love for Orym.
In the threat scene Dorian says "I care about you more than this" which, I thought before I rewatched the scene, I was misremembering. I thought he really said "I care about you all more than this", making it about the collective, not wanting to leave the group. But no. He said he cared about Orym more than he cared about the crown.
Another thing I thought I misremembered was "no debts between us". For whatever reason I thought Dorian said "no debts between friends" but no. He was very specific with his words and inflections. "There are no debts between us"
"my heart aches that I cannot be there to help you" "sending you fairer winds" "I just like to see you happy" "you're the reason I'm here" "let me comfort you for once."
It has always been about Orym. It has been. It always will be.
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marypsue · 1 month ago
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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stars-obsession-pit · 5 months ago
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(Another) Ghost in the Machine
DP x Hellblazer (the original John Constantine comic)
Ritchie Simpson continued to search frantically for the connection out of the computer and back to his body as he begged John to explain what he meant by saying “Goodbye.”
Had John disconnected him? He knew John’s sense of humor wasn’t the lightest, especially after Newcastle drove them all a bit insane, but that felt too far even for him. Nah, he’d probably just gotten himself a bit lost in the wave of energy he’d experienced in the Tongues of Fire network and was accidentally looking for his body in the wrong spot.
He pulled himself back and let his mental connection to the digital world expand outward, probing the rest of the machine for the connection. He knew he was in the right system, so as long as he looked thoroughly he’d definitely fi—
Everything flashed a surge of blinding white and then was replaced by pure darkness. He thought he screamed, but he couldn’t hear his own voice. Couldn’t even feel his own thoughts. Trapped in one single instant that stretched for indeterminable eons. Then, eventually (or was it immediately?), awareness began to trickle back.
He was still in the computer, though it felt… different, somehow. His thoughts still weren’t entirely in order. The first possible hints towards his location he found were the sound voices trickling through from the outside world. Voices he didn’t recognize. Young voices.
“I’m happy to help, Tuck, but I’m not really sure what you expect me to do here. You’re way better than me at this computer stuff than me.”
“By all means, feel free to keep complimenting me, but this has been frying my brain, man. I got this thing secondhand, and the system should be quite powerful, but there’s something using up a ton of its processing and I can’t figure out what. I was hoping you could do your ‘enter into the computer’ thing and see if you see anything.”
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sharkdrawers · 7 months ago
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on a scale of siffrin to melinoe how well can you handle being trapped in a cycle trying to kill time and rescue a home you don't remember
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fishcop · 3 months ago
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MY OC THEIR NAME IS BOBBIN AND ITS DEXTERITY IS SHIT
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sofiaruelle · 1 year ago
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Sooooo the last few days i’ve been seeing stars and suddenly i’m juggling 6 sorcerer boyfriends. Whats a polar bear to do?
Also this is my MC, 🍨✨ Sorbetes ✨🍨.
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Context why my MC is a sentient polar bear.
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The MC doesn't have a set appearance and then there was this dialogue. And the emotes are polar bear themed 😂😂😂 is also literally its own spoiler
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vintagerpg · 3 months ago
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Friends, our time with Mayfair’s Role Aids line of D&D supplements is rapidly coming to an end. It’s been a wild ride! There is some terrible crap and some works of sheer genius (many of the latter are criminally overlooked), and honestly a surprising trend of beating TSR to the punch. It was a good line, all in all, and I will miss it.
This is Arch Magic (1993), one of the very last Role Aids box sets. It is an ambitious product. That’s fucking Dave McKean doing the cover art, a clear acknowledgment of how the ’90s had changed the aesthetics of RPGs. The interiors are all Roger Raup.
There are lots of things inside, which divide into two piles. The first is source material that seeks to push D&D magic far past the standard power levels into the astounding. This box wants ultra high level spells (reaching to 15th level) to inspire awe and I think it mostly works, at least on a conceptual level. The sample spells are suitably muscular. Enslave the Sky, for instance, gives the caster control of the weather, the ability to fly and active surveillance of any creature out under the open sky. There are new wizardly abodes, rules for grimoires and incredibly powerful new artifacts (like the Singularity Engine, which can make anything).
Then there is an adventure that takes players on a whirlwind tour of some of the wildest places I’ve seen laid out for a D&D game this side of Planescape. And on the other side, too. The Macrodome, the City of Bone and the Gibbering Cave maps are all instant favorite RPG maps. Holy crap this stuff is good — a suitably grand swan song.
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oldschoolfrp · 5 months ago
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Wizard’s Aide, 1977, a self-published third-party OD&D supplement by Matt Whalley, with Emmanuel Bautista's illustrations
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cripplecharacters · 7 months ago
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Sorry if this has already been asked before but as a general statement do you feel like the trope of having mobility aids doubling up as weapons in a fantasy story is ok? I’m disabled myself so I have a lot of disabled characters in my story so there’s a wide variety of mobility aids. Since a lot of characters fight in the story because of the genre I was thinking of making mobility aids weapons (cane as a magic staff or like prosthetics with built in powers etc) but I’m not sure if it falls into the category of ‘character is disabled but it’s actually their superpower!!!’ because I want to avoid that trope at all costs. Hope this makes sense to you since communication isn’t a strong point of mine. Love your blog btw:)
Hello! I'm glad you enjoy the blog.
I really feel like it depends. It can be done well and respectfully, but in my experience it usually isn't.
If you're a mobility aid user writing about the aids that you're using, you can do whatever you want. For my deeper thoughts that are too long:
The main issue that I have with the "magic aids as weapons" is that often it feels like the author doesn't actually like the aid because it's "too boring" and thus wants to "improve" it by making a cane into a wizard staff that shoots fireballs or whatever. But I don't feel like that's a good way to go about it at all. Mobility aids are cool in itself. They allow use to be more mobile. Why do they need to be made into something else?
The something else part is also what bothers me a lot around magic aids, aids as weapons, all that. Like the old "replacing a wheelchair with an animal" thing. Why not have a wheelchair? Why not a walking cane instead of a staff? It sometimes feels like the author tries to distance whatever they're writing about from disabled people and our actual experiences because they're "too boring to fit their fantasy story". It could be done effectively, but it usually really isn't.
To finally get to the combat part of the question, it again depends (...sorry). If the character with a cane has to fight using it, then I do find it weird, I guess. "Doing cool explosive stuff" shouldn't be a requirement for a disabled character to be included, especially because a lot of disabled people can't do the things that writers want them to do. Sometimes we are weak and unsteady and fragile. Fighting isn't for everyone, and I feel like that's where some of the annoying fantasy tropes appear.
"Hm, my blind character can't fight because they're blind.. oh they have a superpower that lets them 'see'! solved!"
"Hmm, I don't know how to include a wheelchair user… I'll give them a Magic Mecha Exoskeleton that lets them 'walk'! solved!"
"Hm, real life prosthetics seem inconvenient. I'll just make them Magical so they're just like meat limbs but with a gun! solved!"
...and all these kinds of "solutions" that make one wonder if the author even wants to have a disabled character. It's not even that the disability is a superpower, it's more that it's non-existent. Sometimes the better solution is to have us in other roles and not make us do things that our disabilities prevent us from doing, which fighting can fall under.
If the above isn't what's going on, then I think it comes down to how the whole thing is even supposed to work. Are the in-universe rules for magic centered around the idea that the Body makes magic? In this case, it could be interesting to have a character who uses a mobility aid and considers it a part of their body to be able to use it in a magical way. Because a lot of people do consider their cane or wheelchair an extension of them, so it could be actually interesting to see it validated by the magic system. But if it's like, "anything could be used" and then every character with a mobility aid ends up using their aid for that, that's... somewhat weird. It does feel like reducing the character to their disability if abled character 1 has a spell book, abled character 2 has a magic necklace, but the disabled character has their disability aid as their magic weapon. To use the example that you did, if the character's prosthetic is the only way they can use magic, I do think that's weird, because well. Why… it's both reductive and "disability as a superpower". But if they can use magic through, let's say, both of their legs, and one of them happens to be a prosthetic, then I think that's cool.
I also believe that it depends on what kind of weapon you are talking about at the end of the day - in real life, mobility aids are already treated as potential weapons. I'm under the impression that no one would assume that a walking cane could cast a spell, but people do very much think of a cane as a potential tool to fight with, of a prosthetic as a potential bomb, of a wheelchair as a potential way to smuggle something illegal. I have very much seen and heard of situations where a disabled person wasn't allowed to enter somewhere because their aid was seen as a threat - you don't want to make more people think that this is a reasonable conclusion to come to. If you want to go for it without doing any kind of retrospect on that, I would keep it as a fantasy thing.
I hope this helps. Apologies for the answer length.
mod Sasza
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undeadvinyls · 8 months ago
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oh yeah abt 1970s crk au........heres pure vanilla and white lily in some pretty 70s clothing..... <3
heres a list of all the sources i used for their clothing under the cut! im p passionate abt 70s fashion so it was a joy to research
vintagedancer.com - 1970s dress styles
revivalvintage.co.uk - guide to vintage 1970s
fashionhistory.fitnyc.edu - 1970-1979
ofc there was also a lot of images i got from google images by googling phrases such as "hippie fashion 70s" "70s dress" etc. etc.
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brain-rot-hour · 7 months ago
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Day 2: Moonlight
(Or lack there-of ishdksdksksk)
You ever wonder what WOULD happen if the sun didn’t come up in time?
@inukag-week
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pisshandkerchief · 1 year ago
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why do you mean you have trouble discovering new music. back in my day we got our obscure music recs from the welcome to night vale weather and we fucking liked it
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mtg-cards-hourly · 1 month ago
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Unlikely Aid
"No one will ever ride me again, Gideon. Expect no further favors." —Rakdos
Artist: Viktor Titov TCG Player Link Scryfall Link EDHREC Link
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