#there's no way this would work

[curse-of-dming-strahd]

okay listen I had no interest in having Vasilli von Holtz actually show up in the game but one of my players bought a mirror in the general store for the express purpose of looking for vampires by checking to see if they don't have a reflection

and god now I desperately want to orchestrate a scenario where Mr. Holtz befriends the party, helps them fight monsters, chills in their camp, and then one day the player tries to use their mirror for something and happens to see he doesn't have a reflection

the chances of it actually happening that smoothly are next to none but imagine the looks on their faces if I pulled it off

[mangozic]

my dead goth son and his friendly neighborhood personified concept of insanity

[000bun]

[frigidfries]

happy birthday deltarune. happy late birthday undertale. here's a comic!

cheers to best friends forever & ever & ever & ever & ev

[mollysunder]

What I liked best about Jinx and Sevika's first post-Silco talk was how well it implies why their grief is so pronounced. Every complaint the two lodged at Silco was an admission at how dependent Silco had become on them, how much he LET himself be dependent. Silco didn't NEED to let Jinx give him his eye medicine, he was perfectly capable of doing so in season one's first act. The same could be said about Sevika, because while it wasn't nearly as extreme as with Jinx, he didn't need to give her so much responsibility. Frankly it's dangerous for a kingpin to give their righthand so much power (it's supposed to be spread around), and everyone noticed, even idiots like Finn.

That's why their loss is so pronounced, in all the years they dedicated to Silco, he gave up just as much of himself to them. Silco weakened himself and trusted Sevika and Jinx to make up for it. They filled eachother out, they needed eachother, and without him there's just a hole what they all used to give eachother.

[blueskittlesart]

maryland miku

[calmlb]

“Chuuya wasn’t in Dark Era, why is he in this art??”

wdym, he’s right here 🤨

[hinamie]

I'll give them shelter like you've done for me

[crazysodomite]

playing with my phonetaur

[nadiajustbe]

One of my favorite parts about the writing of Howl's Moving Castle is how easy it is to write off all the things from our world at first as him just being a weird wizard™ (also thanks to bestie @jutenium for spotting this I wouldn't put it like that without you!!/pos). Sure, Sophie uses weird descriptions, but readers have every reason to believe them because of the way Howl is presented as a character. When Sophie says he wrote with a quill that doesn't need an ink, you wouldn't think it was actually a ballpoint pen, you would think Howl had just enchanted his quill so that it wouldn't need ink! When she adds that she can't make out a single word, you think he has matchingly terrible handwriting, but in fact Sophie has simply never seen a pen writing. When she sees the mysterious labels on his books, you think he's keeping a lot of obscure magical literature, but it's really just an encyclopedia and a guide like "Top 10 Rugby Tips." When Sophie notices the bottles in Howl's bathtub, you think they're some kind of magical jars where he keeps girl's hearts, but I'm almost certain that they're just 'Dove' and 'Head and Shoulders' that he's enhanced with his spells and put silly labels on. When you read Calicifer singing a song in a language Sophie doesn't understand, you think it's some kind of ancient cipher or code, but it's actually just a rugby song in Welsh that Howl sings when he's drunk. And finally, when you see the terrifying black door, which is completely shrouded in darkness, you imagine a passage to an eerie, mythical place, similar to what Miyazaki showed us - but it's just fucking Wales.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[starcurtain]

Teyvat's "Most Down Bad" Award Goes to Alhaitham for a Second Year Running

Seeing everyone making fun of Alhaitham for his "stalkerish" tendencies in this event is funny, because I feel like a lot of people missed that "Be literally everywhere Kaveh is" has been Alhaitham's MO from the day Kaveh appeared in the game.

From only grabbing his house keys after Kaveh returned from the desert (he couldn't have had both sets of keys at the end of the Archon Quest unless he went home and got Kaveh's copy) to ditching conversations to get back to his house only after Kaveh came home, to showing up without any warning or explanation in Kaveh's hangout with some ridiculous excuse about hearing his voice through noise-cancelling headphones... Refusing to offer any help in the Temple of Silence story quest other than staying in the library with Kaveh...

Since when does Alhaitham willingly cover anyone else's duties?

But this trend of "Be everywhere Kaveh is" didn't start when they were adults. It was already in place when they were still Akademiya students--and it's a trend that didn't end even when they had their fight.

Even when they weren't speaking, Alhaitham dogged Kaveh's every step through published responses to Kaveh's research articles in academic journals. He insisted on keeping a line of communication between himself and Kaveh open, even if the only way to do that was through very public ideological clashes. Pulling Kaveh's pigtails to get his attention lolol. It's implied that, for at least the few years between their fight and Kaveh moving in, this was the only communication between them--Alhaitham's refusal to allow their connection to entirely fade away. (And the fact that this is revealed in Kaveh's character stories--through his precious journal that records the moments of his life that had the most impact on him--shows just how deeply he values the fact that Alhaitham didn't give up.)

Another relevant side note: Alhaitham never asked Kaveh to give up his half of their house. Knowing half of it belonged to Kaveh, knowing that Kaveh may one day want to reclaim his part of it, knowing that it was listed as theirs, Alhaitham moved into the house and made zero effort to change its ownership. He was completely fine with living in "his and Kaveh's house." The stories suggest it was only months later (or even longer) that Kaveh even noticed he had the house, and he transferred away ownership of his portion without Alhaitham ever asking him (or even seemingly wanting him) to do so.

Please, let that sink in. Alhaitham actively left his grandmother's (presumably comfortable) house to move into "his and Kaveh's house," with no apparent explanation for why, and after doing so, he made no attempt to change that "his and Kaveh's" label. He moved into the house with no promise that Kaveh wouldn't show up on the doorstep the very next day and move in too. It almost feels like another deliberate provocation--I've moved into our house, are you going to come stop me? LBR, if Alhaitham had had his way, Kaveh would have been living there with him from Day 1...

There's also the fact that Kaveh literally can't write on a single message board anywhere in the entire nation of Sumeru without Alhaitham hunting his messages down and responding to them (which absolutely no one else does, by the way).

"NUH-UH!" "UH-HUH." "NUH-UH!"

Alhaitham's own character stories tell us explicitly that one of Alhaitham's defining character traits is "He is never where you need him to be," yet somehow...

Shot, and chaser:

Any time Kaveh is in the slightest bit of need or danger or just wants Alhaitham near, Alhaitham is "coincidentally" exactly where Kaveh needs him to be, whenever Kaveh needs him to be there.

Alhaitham didn't just "happen" to run into Kaveh in Port Ormos, an entirely different city from where he was supposed to be working. He didn't just "happen" to read the same terrible book as Kaveh when we know he otherwise would not waste a moment of his time on poorly-written literature...

He didn't just "happen" to appear when Kaveh was upset and needed a distraction in the House of Daena during Kaveh's hangout. He didn't just "happen" to be sitting around waiting when Kaveh needed answers after the Archon Quest. He didn't just "happen" to find Kaveh's academic publications and every single message board posting and respond to them at length and in public.

Which is exactly what Kaveh's mother told Kaveh he needed.

What level of down bad is "Abusing your powers as an Akademiya employee to keep tabs on your crush's library loans"? Just asking for a friend.

The only person for whom Alhaitham just "happens" to be available is Kaveh, over and over and over again--because he is very deliberately making himself a constant presence in Kaveh's life.

(Like, out of all things, I think people really underestimate the devs deliberately paralleling the romantic relationship between Kaveh's mother and father with Kaveh and Alhaitham's relationship. If you want to point to one thing that says "These two characters are intentionally queer-coded," it doesn't get any more obvious than this.)

Alhaitham, are you not embarrassed to be this transparent??? 🫣

[heartorbit]

happy halloween! 🎃🐈‍⬛👻🐇

[beguilingcorpse]

it drives me crazyyyy that like. palamedes is out at canaan house with tenderness in excelsius for dulcinea. the perfect regency era gentleman. every moment is the pride and prejudice hand flex scene. if the pov character was attracted to men even a little bit the narration would be filled with swooning. he’s lowering her gently into chairs and handing her tea so that their hands brush and looking at her with those big grey eyes of his. and all of it is WASTED because it’s NOT dulcinea it’s CYTHEREA. FUCK

[marciaillust]

almost blown out bsky / twt / ig

[shouyuus]

VI FROM ARCANE WITH PILLOWPRINCESS READER?!?! PLEASEEE ILL TAKE ANYTHING DUDEEE 🙏🙏🙏🙏

send me vi thirsts and i'll give u my hand in marriage

yes bc i feel like she'd love this lowkey midkey AND highkey bc vi's love language is def like 50/50 acts of service and physical touch and she'd love the fact that you trust her so much w/ ur pleasure, the fact that she gets to have this control, and you're always so obedient for her, always asks for permission -- the first time she'd gotten you to the edge and you'd sunk your fingers into her hair, thrashing beneath her, but still forcing yourself to look up at her with your big, watery eyes, asking --

"p-please v-vi -- can -- can i?"

she knew that she was done for like done for, the way she knew if she said no, you'd listen. the thought had made her head feel woozy, so much so that her fingers had almost paused inside you, and you'd keened, thighs squeezing around her wrist bc you were so, so close.

"holy shit -- yeah, sweetness -- fuck, yeah, come for me --"

and it's not like she doesn't know how much you like it when she manhandles you a bit; she likes it too, she likes it alot actually, how she can jerk you down the length of the bed, press your knees up all the way to your shoulders, wrap her fingers around your neck, or just hold you down and kiss you till you're shaking apart beneath her.

she likes too that all she has to do is say the word, and you'd drop to your knees for her, pliant and willing, your lips falling open for her fingers or her cunt, how you'd make these happy little mewling noises when buried between her legs, so long as she got a hand on your head, a thumb rubbing your cheek.

"do you... do you ever wish i'd do more... stuff?" you ask one day, crinkling your nose, frowning absently down at vi's hair as you braid the longer bits into a single plait, only to tug it loose and do it all over again.

vi glances over her shoulder, "more... stuff?"

"yeah like... be more active when we're, y'know --"

vi laughs, tugging you into her lap, "if you're asking if i'm happy with our sex life, sweetness, the answer is yes, very."

you sigh, nodding even as you tuck your nose into her curve of her neck.

"okay. just asking."

she runs her thumbs against your skin, drawing circles into your waist.

"why? are you happy with it?"

you nod so hard that you almost topple out of her arms, but she catches you, grinning. "yeah! of course i am!"

"then, what's the problem, princess?"

"nothing! just..."

"c'mon pretty, spit it out," she takes your chin between a thumb and forefinger, giving your face a tiny shake. your breath hitches; satisfaction unfurls in vi's chest.

"i saw something online about -- how being too passive isn't a good thing and --"

"ooookay, i'm gonna cut you off right there --" she hoists you up, twisting you around so you're straddling her lap, your face now parallel to hers. she loves the way you're so easy to read, loves that you don't hide your attraction to her, how all she has to do is twitch her lips and you're already gasping.

"open your mouth for me, pretty girl," she says, and you do, your mouth dropping open as she swipes a thumb along your bottom lip before pushing it forward till it's resting on your tongue. you whine softly, hips shifting, but you hold still till she nods her head, "go on, suck."

you close your lips immediately, your tongue laving at the pad of her thumb. she lets out a clipped groan, watching. a few seconds later, she pulls it out with a light pop, grinning as she tracks the slick finger down your chin, tracing up the line of your jaw till she's got her hand cupping the back of your neck.

"that feel very passive to you?"

your lashes flutter, confusion gathering in your eyes before you lick your lips, blush, and give your head a tiny shake. she smiles.

"good answer. so? are we good now, princess?"

"yeah. we are."

"good!" she gives you a quick kiss, patting your hip, "what'dyou want for dinner? i'm thinkin'... it's been a while since we've been to jericho's."

you pout, "what about that other place we've been talking about?"

"what on the wharfside docks?"

"yeah...?"

vi rolls her eyes, even as she sits up and motions for you to get up. you jump up with a bright smile. she sighs, folding her arms.

"go get dressed. ugh, passive -- dunno what you were thinkin' when you asked me that princess."