#there's no plot to this it's just pain

[thisisallthehattersfault]

Wei Ying smiles like the sun.

When they were younger, Lan Wangji had felt scorched by it. It had seared into his bones and behind his retinas, ivory-bright and burning, and so, for fear of what would become of him if he looked too long, he had turned away.

Now the clouds have covered the sun, and it shines through so rarely that every glimpse of it is a treasure beyond reason or compare, and so -- even though he knows he should not -- Lan Wangji creeps forward on silent footsteps, peering a little closer, desperate in a wordless, formless, twisting way for even a glimpse, even a glimmer, even a tiny flash of that smile.

The bunny burrows deeper into Wei Ying's robes, and he grins, and it is like Lan Wangji is standing in the sun again after so many weeks of rain.

Then the wind shifts. Lan Wangji's robes, his ribbon, his hair suddenly lift and carry out far enough to catch the corner of Wei Ying's eye, and the clouds return so quickly Lan Wangji feels dizzy with it, feels sick. Wei Ying's back goes perfectly straight, and his face falls into an expression of cold neutrality. Lan Wangji has to clench his jaw to choke back a cry of despair.

His husband turns to face him without actually looking at him. Wei Ying solutes him with formality and grace. Greets him with "Hanguang-Jun."

The sun is gone again.

The sun is gone, and there is nothing Lan Wangji can do to bring it back -- not when he is the cloud that covers it. He should have turned away as soon as he saw Wei Ying in the field. He should not have intruded on this private moment of happiness, not when Wei Ying seems to experience happiness so rarely, now.

Lan Wangji returns the bow, greets his husband. Tells him "I am being sent on a night-hunt. I will depart this evening, and estimate it will take me three days to return."

Wei Ying does not ask to come along. His eyes do not light up in curiosity, he does not bounce on his knees and pester Lan Wangji for information about where he is going or what he is hunting. All Wei Ying does is incline his head and say "Alright."

Come with me, Lan Wangji wants to say, but he knows he hasn't the right. Wei Ying is likely relieved to have Lan Wangji out of his hair for a few days. Maybe, without Lan Wangji there to cast a shadow over him, Wei Ying will allow himself to smile.

I didn't mean to take it from you. I didn't know I could. I didn't realize how much power I had, how much I was hurting you. I would do anything to make you happy here. I wish I could figure out how.

Lan Wangji accepts the dismissal for what it is. He turns, and leaves, and hopes his husband will breathe easier with him gone. Maybe he should start taking more night hunts.

-------------------------

He doesn't know how long Lan Zhan has been standing there, but it's definitely been long enough to see Wei Wuxian rolling around in the dirt with the rabbits like an idiot. He tries to correct his posture, schools his face. Maintain a proper seat. Do not smile for no reason. Excessive displays of emotion are prohibited. Act with decorum.

It isn't enough. By the time he has himself presentable, Lan Zhan is visibly grinding his teeth. Even from here, Wei Wuxian can see the way his jaw flexes when he clenches it. He's expecting to be scolded -- pets aren't allowed in Cloud Recesses, and this clearing technically isn't in the bounds of Cloud Recesses but no Lan has ever cared about technicality when it came to obeying their rules. (Or punishing people for not obeying their rules.)

Still, it isn't Lan Zhan's fault that Wei Wuxian is exactly as much of a terrible husband as Madam Yu always told him he would be, so he salutes exactly as is proper between married spouses and calls Lan Zhan by his title, as respectfully as he can.

Lan Zhan bows back, and doesn't immediately drag Wei Wuxian off to be punished. Huh.

Maybe... maybe he appreciates the attempt?

Wei Wuxian is trying. He's trying so fucking hard. Does Lan Zhan see that? Does he -- does that mean anything to him? Does it matter to him that Wei Wuxian is trying as hard as he can, even though he keeps fucking up?

"I am being sent on a night-hunt. I will depart this evening, and estimate it will take me three days to return."

Ah. He's just in a hurry, then. That makes more sense.

Wei Wuxian nods. Says "Alright," to show he understands. Lan Zhan will probably pass his punishment on to someone else, then, or he'll decide what to do about Wei Wuxian when he gets back.

The stupid, childish part of Wei Wuxian that refuses to fucking learn wants to say be safe or come back to me. Wants to take Lan Zhan's hand in his and kiss the backs of his knuckles as a goodbye. Wants to help him pack, and see him off at the gates. Wei Wuxian has accepted that he'll never step foot outside the Cloud Recesses again, so going with Lan Zhan isn't an option for him, but at least a proper goodbye, at least something --

He crushes that stupid, childish part of himself as ruthlessly as he can. He has bothered Lan Zhan more than enough. The poor man is literally trapped with him now, and Wei Wuxian still can't be a decent husband for him. Lan Zhan deserves a few days to himself.

He knots his hands in the skirt of his robes, and bites his tongue hard enough to hurt, and doesn't move, and doesn't speak, and doesn't lift his eyes from the fluffy back of the little white rabbit until his husband's footsteps have vanished down the path, and Wei Wuxian is alone again.

[rae-butter]

Honestly, I love it when characters relapse. When someone who’s gotten over their anger issues falls into a situation so out of their depth they fall back on their old habits. When someone who’s learned to open up becomes a recluse again in order to cope with something outside their control.

There’s just something so horrible, so toxic, about watching a character grow and then slip back into their old selves in order to cope, bc you know they still care, that they’re the same inside, but watching them hurt so hard they don’t know what else to do brings a sense of catharsis.

[mabbbish]

rewatching again, bring back horrific timelines but only at Kai’s expense

[delicioustarong]

My interpretation of Ford's death and how Mr Bill Pines handled it. (Spoiler alert! He handled it very well/lying)

Creator: @honeqq

(2/7)

Pt 1 | Pt 2 | Pt 3 | Pt 4 |

[lhopppe]

so, we can forget for the reveal for another 5 years

[alexxuun]

I need to know if other artists also experience this. Every time I tried, I have to hide my face and take +2 psychic damage.

[plagalkey]

Your Lie in April AU (by extraentropy)

i, oikawa tooru, told a single lie

and it brought you to me.

[cspcrashing]

AU !

meet archivist alhaitham and detective cyno from my supernatural archivist AU (that i'm turning into a visual novel… or something) 👀

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[alt-ernativewonderland]

Niko and Edwin talking about the Cat King

[cent-scratchnsniff]

something bad did indeed happen to that man. spent abt 25 minutes trying to find a better picture of that one (1) offical piece with his eyes open that wasnt compressed or tiny

[melljam]

524 vs 514

[pain-is-too-tired]

Michael,panicking cause he can't find Will:Has anyone seen my brother???

Michael:Oh gods- Will!!

Lee,also panicking: That mother's adrenaline is kicking in-

Michael:WILL!!

Lee,still in panic:I can see every equation-

Michael, talking to one of the other head counselors:Excuse me, ma'am, have you seen my brother?? He's about this tall, clearly Bi but we hadn't had the talk-

Lee, looking in one of the storage rooms and falling over everything :Will ARE YOU IN THERE???

[ugghouly]

realizing that despite how old she my be, marcille will be younger than falin very quickly. Marcille will have walked the earth for many decades to be a young adult, but only in a few heartbeats will falin look at her with an infinitely more worldly glance. Falin's face marked with wrinkles and her mind filled with the wisdom only approaching death can bring you, marcille will be unable to understand her. Marcille will be too immature, too naive, and too many worlds apart for them too love each other the way they used to. Marcille's body and mind were never meant to change so quickly and by the time she catches up to where falin is in life and can finally understand falin will be long gone.

[kiynania]

Let me just.

AU where LBD twists and manipulates Macaque's mind after resurrecting him

Here he's completely on LBD's side and helps her willingly(at least that's what he thinks) to create a world without pain

LBD's ability to twist his mind gets stronger as her power grows

When she first resurrects Macaque, she's really only able to heavily influence his emotions since she's locked away. After she's freed and releases her mech, she's actually able to erase and add fake memories in Macaque's mind, along with his emotions. By the time LBD(somewhat) possesses Wukong, she can completely erase who Macaque is and import a whole new person into him, and in a way, 'break Wukong's hold over him'

The process of this is actually really painful for Macaque, so to keep him calm, LBD hums a lullaby that Wukong also hummed to Macaque back then(she knows it as it was the same lullaby she heard Macaque humming back in the Diyu)

Macaque eventually grows more and more confused as to what's really happening to him, but it really doesn't matter as the mayor's there to keep him in line

No one besides LBD and the mayor is aware of this until much later on

If you wanna know more, asks are open :3

[cringefail-clown]

you werent supposted to be here