#there's loads more talking

[partfae]

Sauron, Galadriel, & Tolkien's Theology of Repentance - Part One

Summary: Character meta analysis on Sauron (and Galadriel, through the lens of Sauron). Based on both Silmarillion & RoP canon. 3.5k words. Discussion of Catholic theology involved. Blanket TW for discussion of violence, manipulation, etc., because Sauron. Spoilers for S1 & S2 and the Silmarillion, of course. The tragedy of Sauron is that he gets offered so many legitimate chances at redemption and forgiveness, and he denies them every single time. But we know he wants absolution, because that’s what he sees Galadriel as: his chance to bind himself back to the light, to be Mairon again, to heal the pain that he caused and that was caused to him under Morgoth. But because he has such a warped view of himself and his actions, he dismisses genuine extensions of compassion, forgiveness, and care as simultaneously beneath him and too good for him. And yet, he still pursues redemption, but through none of the channels offered to him.

In The Rings of Power, he’s given the explicit instruction to change for the good in the village after he’s reborn. He’s given the chance leave his past behind and work meaningfully in Númenor. He’s given the chance to redeem himself by Galadriel's offer of friendship (or love, depending on your interpretation). In the Silmarillion, he's even given the chance by Eönwë himself, and comes close to leaving Morgoth behind completely!

Let's look at this passage from Of the Rings of Power and the Third Age (emphasis mine):

When Thangorodrim was broken and Morgoth overthrown, Sauron put on his fair hue again and did obeisance to Eönwë the herald of Manwë, and abjured all his evil deeds. And some hold that this was not at first falsely done, but that Sauron in truth repented, if only out of fear, being dismayed by the fall of Morgoth and the great wrath of the Lords of the West. But it was not in the power of Eönwë to pardon those of his own order, and he commanded Sauron to return to Aman and there receive the judgement of Manwë. Then Sauron was ashamed, and he was unwilling to return in humiliation to receive from the Valar a sentence, it might be, of long servitude in proof of his good faith; for under Morgoth his power had been great. Therefore when Eönwë departed he hid himself in Middle-earth; and he fell back into evil, for the bonds that Morgoth had laid upon him were very strong.

This passage is clear that Eönwë is willing to pardon Sauron--he simply did not posses the power to do so. But when Sauron was told he must appeal directly Manwë, he gave up entirely and skulked back to Middle-earth. There are a few ways to read this:

1. He was not wholly repentant

Sauron simply wanted the protection of a new master in the absence of Melkor. i.e., he was rather fickle and simply wanted to be on whatever the "winning" side was. This is supported by the text literally saying that at least some of his obeisance was completely false, and that he only made a point of feeling bad about anything once his master had been chucked into the Void and his armies and strongholds were being destroyed (Thangorodrim). In this reading, perhaps Eönwë saw Sauron's treachery and referred him to Manwë knowing that it would be a test of his true intent. However, while a valid interpretation, I believe this to be the less holistic of the two.

2. He was truly repentant

Sauron did truly feel badly and "abjured all his evil deeds," but he was unwilling/unable to humble himself after being so fundamentally broken by Melkor and developing an insatiable power lust (hey, he isn't defined in the narrative by lust and pride for nothing).

Earlier in this same chapter, Tolkien wrote that Sauron could "...deceive all but the most wary." This is in the specific context of his physical shapeshifting. But, I would argue that this can also be tied to his lies. Tolkien has a specific ethic of beauty, where physical perfection is equated with moral goodness. Sauron completely inverts what is otherwise a hard and fast rule within Tolkien's writings by being the character most frequently described as "fair"--seven times to Lúthien's six, and she was the most beautiful woman to have ever lived!

(Side note: I have another post on Tolkien & beauty in the works where I'll get more into this idea)

Why does this matter? Even though this interaction with Eönwë takes place in the First Age, Sauron could at this point be in the demonic form Mirdania describes in the forge. And, I am inclined to believe that Eönwë, as the head Maiar and herald of Manwë, would be a pretty wary guy, and thus able to sense any of Sauron's trickery. I read this to mean that Eönwë looked at Sauron and saw his potential to be Mairon again, either in absence of his evil form or in spite of it.

Because Sauron is incredibly beautiful. And even if it is a disguise of the true, depreciated form of his spiritual essence, he presented himself to Eönwë at his most beautiful. He wanted, even in his act of repentance, to make himself more favorable in Eönwë's eyes. To show up as Mairon (who was likely close friends with Eönwë before everything went down, since they are considered to be two of the most powerful Maia and would have worked closely together).

But I don't think this was all manipulation on Sauron's end. I agree with the scholars mentioned in the text who believed that Sauron was truly repentant--which is why Eönwë even bothered referring him to Manwë instead of kicking him into the Void with Melkor.

And this is the tragedy: Sauron is told exactly how to repent, and believes fundamentally that it is an impossible path for him. And yet, he still longs so intrinsically for it! He was, under Aulë, a Maia of precision, perfection, and order. Under Morgoth, he feels disordered, dis-regulated. He needs to correct the fundamental imbalance within him, so why does he flee Eönwë?

It comes back to Sauron's pride.

If he follows through with this path of reconciliation, there is no way he can hide or pretend his actions away. If he cannot trick his fellow Maiar, he certainly cannot trick the Valar. And he cannot stand the idea of submitting himself back under their rule, especially now that he has tasted power. This is a pride wound; it is why the idea of confessing to Manwë would be humiliating to him as opposed to just upsetting/uncomfortable.

Again, the pivotal moment: he is told how to make amends for crimes and determines that he cannot do it. So he returns to Middle-earth and stews in his own self-hated and self-pity for a few years. In that time, he consciously or subconsciously latches onto Eönwë's offer--forgiveness from penance. It is the way forward. And if he cannot earn penance at Manwë's hand, he will do it on his own.

The Prodigal Son

This is where we have to talk about the Catholic roots of Tolkien's work for a moment. The scene where Sauron approaches Eönwë mirrors the biblical parable of the prodigal son. In this story, a man abandons his family, spends all his money, and falls into ruin. But when he recognizes his failings and returns to his father to get help, he is welcomed back into the family without question--in other words, he is forgiven and restored to his former position.

17 But when he [the prodigal son] came to himself he said, “How many of my father’s hired hands have bread enough and to spare, but here I am dying of hunger! 18 I will get up and go to my father, and I will say to him, ‘Father, I have sinned against heaven and before you; 19 I am no longer worthy to be called your son; treat me like one of your hired hands.’” 20 So he set off and went to his father. But while he was still far off, his father saw him and was filled with compassion; he ran and put his arms around him and kissed him. - Luke 15:11-32, NRSV CE (emphasis mine)

The parallel is clear; Mairon, the repentant Maia, returns home with hopes of reconciliation. He is prescribed the same task that the prodigal son offered to his father: he must be bound in servitude to his father/creator in order to pay off his debts. This is a deliberate allusion from Tolkien. The story of the prodigal son models the path of reconciliation that Eönwë describes. Tolkien seems to be drawing a line in the sand with this: Sauron is unwilling to do the work required by the Valar for repentance, so he is unable to receive the grace of a warm welcome back into the fold of the Ainur. Since he did not humble himself, he has to be told to do it. And he does not want to! He wants to be loved, but he also wants his power--evidence, in a way, of how his character was fundamentally altered in his time with Morgoth.

His pride--and his fear--cut him off from the potential of grace. He does not know for certain that Manwë would subject him to servitude (though I would argue that it's textually evident that it is a custom), but this assumption leads him to flee, which allows him to slip back into his old ways.

He wants to be Mairon (admirable) again, not Sauron (abhorrent). He wants to be accepted and loved, but not punished. He wants the benefits of reconciliation without the work he would have to do to earn it or the shame he would feel as he did. It's pride, but it's also deep shame--the flip side of his extreme ego is an implicit self-hatred, one that we can see in the subtext of how he speaks about himself and about his time with Morgoth.

Even the language Tolkien uses is heavily shame-coded, especially in a Catholic context; Mairon did not go willingly, he was "seduced." He admits to Celebrimbor that he was "tortured by a god". It becomes exceedingly clear through both text and on-screen canon that Sauron was routinely broken and abused for centuries. This has fundamentally damaged his self-perception, which is ultimately what leads him to "[fall] back into evil"--whether due to pride or shame, he hides, perhaps because he consciously or subconsciously does not believe that he deserves forgiveness, no matter how much he craves it.

Naked in the Garden

His flight back to Middle-earth after meeting Eönwë is reminiscent of another biblical scene, where Adam and Eve, after committing the first sin, hide from God in shame and fear (emphasis mine):

7 Then the eyes of both were opened, and they knew that they were naked...9 But the Lord God called to the man, and said to him, “Where are you?” 10 He said, “I heard the sound of you in the garden, and I was afraid, because I was naked; and I hid myself.” -Genesis 7-10, NRSV CE

The image of nakedness is, here, one of vulnerability, and Tolkien establishes that Sauron fears that which he cannot control. He needs the Rings under his power. He needs his armies and his enemies under his watchful eye. He is petrified of letting his power slip away (possibly due to never wanting to feel powerless in the hands of a Vala, fallen or not, again).

The biblical allusion here hearkens back to the fear Tolkien describes Sauron as feeling regarding his return to the Ainur. In the religious system Tolkien has established, which is likely inspired by his own religious beliefs, Sauron has sinned, and must make penance. But he is afraid of God/Manwë, and does not want to "let go" of his sin. In other words, he is not truly repentant. This reflects the Catholic sacrament of confession, which requires self-reflection and resolve to never commit the sin again.

Instead of shame driving him to contrition, it drives him to isolation.

But he still wants forgiveness. So, in his years of hiding in Middle-earth, he decides to earn it himself. His own way.

Enter the Rings.

Sauron wants to perfect the wrong he wreaked so that he can both earn his way back into the Ainur and keep his power. But what he does not realize is that this does not work. Eönwë is clear that he must forsake his true temptation--absolute power--through penance by submission. Yet Sauron in his pride thinks he can have it all. Sauron is a very carefully controlled villain, and the only times he snaps or makes significant mistakes are when his inflated self-perception is challenged, revealing the self-loathing and/or self-pity underneath. The best example of this is when he kills Celebrimbor prematurely, and cries afterwards. Why? Because Celebrimbor was right about him, and he hates it. He hates knowing that he is nothing more than the Morgoth's shadow, because Morgoth was his master as much as he was his tormentor. As Sauron puts it, his relationship with Morgoth was often defined by pain as a test to see "whose will was the mightier":

This image carries more shame, both in its implicit sexual connotations and in the simple power dynamic of it. Sauron, even though misguided, is rallying against Morgoth. He wants to break what Morgoth has created and build something new, something better, something apart from his old master entirely. But Celebrimbor confronts him with reality: he has not created something new, and perfect, and special, as he so wanted to--he can only act in imitation, not in generation. And when he got close with the Rings, it cost him everything. It's almost like he wants the power of a Vala, and loathes that he cannot attain it.

And this is why he becomes so singularly obsessed with Galadriel.

She’s his foil. They both crave power and adoration, but in the end of things, she does not fold under his temptation. She turns down everything she has ever wanted for the greater good and for the sake of her own soul. Sauron looks at Galadriel and perceives that she would have succeeded at Eönwë's test because she is willing and able to humble herself. This maddens him to the point of both desiring her and desiring to break her.

She learns that she is easily tempted and becomes strong enough to handle it (through a lot of tough love from Elrond & co.). She has to learn how to do it, but she is able to.

She grows from someone who resisted and rejected authority to someone who is trusted as an authority because of her ability to wield it wisely (see: Gil-galad allowing her to answer for him in 2x08).

In other words, she earns the trust, love, and support of her community. Sauron has to force his to comply—it is an illusion of love.

His possessive obsession with her also stems from her fairness. She was the object of her uncle Fëanor's obsessive desire for creation as well. Her hair was the inspiration of the Silmarils (see: The History of Galadriel and Celeborn; The Shibboleth of Fëanor - source with page #s here), which Morgoth desired more than anything to possess.

Sauron, wanting to spite his master, wants one better--to own that which inspired the Silmarils, to own the image of fairness (and thus of moral good) completely. This is why he wants to bind himself to her. This is why he needs her. He sees Galadriel as his mechanism of repentance, and his last triumph over Morgoth. Winning her is his salvation as much as it is proving that his will is the mightier. It is his way of dominating Morgoth. This starts, I think, as a genuine effort at proving himself to the Valar, but quickly consumes him entirely. He is overcome with the desire for revenge, just as Galadriel was at the beginning of the First Age.

And he sees this in her. Sees their similarities. Sees that she, too, is angry and lonely and so afraid of losing her power. And he leverages that to befriend her. This is where it gets ambiguous and you can read RoP as either painting the image of Sauron being earnest but completely misguided in his proposal, or you can see it as him being entirely manipulative.

I think the truth of that scene probably falls somewhere in the middle; just like when he presents himself to Eönwë, he is sincere in his desire, but only knows how to present it in an inherently contriving way. He does want to bind her to him, so he tries to only reveal to her the good aspect of that desire (and also of his desire for power, which he allows her to see because he believes that it is good and also because she understands it), and not the ugly underside of his internal struggle against Morgoth, the Valar, and himself.

And I do think, in his own way, he cared about her. Galadriel consistently shows kindness and compassion to him. In S1, they grow to know each other's minds and souls, and she considers him a close friend. He finds comfort in this, that someone could see the blackness of his heart and care for him anyway. He thought, in his isolation, that he lost that chance when he fled back to Middle-earth. And here is the very picture of the light itself telling him that she supports him, that she sees the good in him, that she wants to help him set the world to rights! Of course he is infatuated by this. Of course he also wants to use it. He is Sauron.

But Galadriel succeeds where he fails, so he stops playing nice and tries to forcibly drag her down with him. First, by baiting her with the image of the man she cared deeply for:

Then, by reminding her of all she is losing by rejecting him:

And she is still strong enough to say no. And not just to say no, but to shut the door completely. To look in the face of everything she has desired for centuries and turn it down, understanding that it will ruin her. Yes, she hesitates. Yes, she still wants it (wants him). But she wins the day by holding fast to the light that Sauron wishes so badly to bind himself to.

Because she has lost everything--her brother, her husband, the station as commander, the trust of her high king and best friend--and earns it back only through her resistance of her greatest temptation. It is a struggle, it is painful, it nearly kills her--but she does it. She wins the test that Sauron could not even bear to face.

In their headlong, self-sacrificial tendencies, they are the same. Both view themselves as fundamentally stronger/better than their peers while also being deeply lonely due to their self-imposed isolation (Galadriel's laser-focused hunt for revenge, Sauron's exile in Middle-earth). But to Galadriel, the light is more important than her pride.

For Sauron, the light is his source of pride. He desires it more than anything, but condemns himself to never being able to touch it due to his rejection of Eönwë's offer. Paradoxically, he tries to grasp at it through Galadriel, the living silmaril, and succeeds only in darkening her. We learn from Gil-galad in 2x08 that his crown piercing her flesh in an act of brutal domination nearly strips her soul from her and pitches it into the unseen world. In this, Sauron is saying: If I cannot have you, I will force you to need me. I will break you into loving me.

He says this to Celebrimbor as well. He no longer knows how to love properly. He only knows how to inflict pain until this object of his obessive desire needs him--just like how his immortal spirit was broken into submission by Morgoth. And isn't this revealing of his own sense of self? He refuses to suffer the path of light, but willingly suffers the maddening path of darkness because it is a comfortable, familiar suffering. One, he tells Celebrimbor, he even grew to enjoy (2x08). As the path of the Rings drive him madder and madder, his desire for the light (Galadriel) and the return of his power (Celebrimbor) become further disordered and corrupted until they culminate in him destroying them--and his chance at earning/owning them--entirely.

And this is Sauron's ultimate point of no return (which we will hopefully see in S3 🤞). The razing of Eregion and slaying of Celebrimbor were acts of petty rage he committed when his pride was injured. This was the final nail in the coffin. Galadriel, in her rejection of him, ruins what he sees as his true chance for redemption.

Galadriel, now stepping into the role of Eönwë, re-opens the invitation: "Heal yourself!" (2x08). But in rage and shame and stubborn pride, he turns it down again. I believe this is where his desire to heal Middle-earth shifts fundamentally into desire to dominate Middle-earth. He always wanted to rule, but now he wants to own.

[goldkirk]

I don’t know how to explain any more clearly that it doesn’t MATTER if it seems legitimate to you. You have got to fact check every single headline and post and claim on the left just like you need to do on the right.

The left is NOT immune to misinformation and rushed reporting. And the more emotionally polarizing or shocking the talking points, sound bytes, and headlines are, the worse it is and more frequently it happens.

Learn to verify through multiple independent sources. If you can’t do that, you can’t trust it.

If you have to wait extra hours for the real information to come through vetted channels—NOT just one individual somewhere everyone links to, and not just one single media source either, EVEN if it’s a major news network—thats just how it has to be. What news outside of genuine local disasters near you TRULY needs your outrage and post-sharing in the next hour specifically?

Misinformation works best by not seeming like misinformation and by fitting in with the rest of what you already expect to see. It doesn’t help anyone to not be able to recognize and avoid the stuff.

[cinnamon-flame]

Viva Piñata art dump

Viva Piñata was my favorite game when I was younger and it influenced my style heavily throughout the years but I've noticed it's like really niche? I haven't seen a lot of people talking about it which is a shame since the whole series is absolutely adorable. So I'm spreading the word myself with some funky doodles

[haunted-xander]

Do you think Saix' emotional co-dependence started as a Nobody or did it start as human Isa and just grew to an unhealthy degree?

[alasarys]

Sorry, what?

[caraphernellie]

people should write more about ellie being rly goofy in the middle of sex idk... she just would be very goofy i think... i don't think she takes herself that seriously... that idiot is going to laugh at everything. and that makes it fun !! no use being embarrassed by upsetting sounds (like queefs) or accidental farts or anything. she prob calls u some name like queef queen after

[carnivalcarriondiscarded]

helloooo have a messy scribble page of oc concepts. unfortunately, im in love and will now proceed to ramble At Length

but before that! rudimentary height chart!

all i know rn is Mairy - the cow - is about the same height as Howdy/Barnaby/Poppy (around 8ft), Hettie & Daisy are in the Wally/Julie/Sally category (around 3ft), and Jesterly is more Frank/Eddie (around 4ft). Derry Drake is fuckoff huge, and Casey is... idk really. tall but not That tall

so. rambles. i... have those, yeah

Mairy Love - she/her - lesbian a gorgeous white/blue cow! originally she was gonna be pink/white, but blue/white is my favorite color combo and honestly? it's dairy colors to me. she's big! she's strong! she's very gentle and sweet but also takes shit from no one, even though she doesn't like confrontation much (unless its playful roughhousing! jokes fly completely over her head! i'm thinking she tends to a lovely orchard of various fruit trees, and probably cultivates some crops for fun as well. maybe seasonal ones? pumpkins for the spooky season, fir trees for those snowy days, etc.

Casey J. Mittens - he/him - aro this orange fella is scaredy cat central! unfortunately for him, he's also curious to a fault! curiosity killed the cat, and he fears the day that rings true for him! he'd rather curl up at home or in a cozy tree, crocheting something cute from one of his many balls of yarn than do anything else. he tries to be a voice of reason, but is too easily convinced otherwise. he's that friend who says "we shouldn't be doing this" as he wholeheartedly assists in the shenanigan in question.

Hettie (currently undecided) - she/her - bi true to her honeybee heritage, Hettie is a florist! she boasts an impressive array of flowers that she tends to like her life depends on it. she's always running around to make sure they're all getting the best care - and she's always checking in on her pals to make sure they're taken care of, too. she's a busy bee who wouldn't know a day's rest if it stung her on the ass! It takes a lot to make her mad, but everybody better watch out when her wings start buzzing

Daisy Hop - she/him - pan i actually created Daisy as a supplementary character for a certain au, but realized i could find a place for her in this little group. i'm thinking he runs a little shop - a roadside stall, more like - where she can both sell her own homemade candy & his friends' stuff! she's the only one in the group that can keep up with Hettie's energy, and even surpass it at times. though unlike Hettie, Daisy knows how to take (and appreciate) a break!

Jesterly - whatever/is/funniest - Derry a menace. they love pranks above all else, oftentimes at the expense of others. he's always up to something and is never not scheming something! there's always Someone to bother! in all honesty she's more like an annoying stray cat that no one can get rid of... and they better not try, or they'll face the wrath of this fool's Very large partner! The jester's cap never comes off, and neither does the mask!

Derry Drake - they/them - Jesterly there's no sugarcoating it - Derry is a big lazy grump! it's almost impossible to get them out of their cave, or off of any place they decide to nap. the only thing that can reliably get them moving is the promise - or prospect - of food. it's a wonder how they've accumulated such a hoard of random things in the back of their cave, seeing as they rarely get up at all. they're incredibly nearsighted and bite first, ask questions later - after all, who knows if the colorful blob in front of them is food or not! better to be safe than hungry!

currently in my mind they have their own little community deep in the woods. Daisy lives in a modified burrow, Maisy has a cute farmhouse, Casey lives in a cozy treehouse, Hettie has a small cottage, and Derry & Jesterly live in a cave. within their community, they share practically everything. want a snack? pluck something from the orchard. need a new pair of mittens? ask Casey! i suppose you could say they're communists <3 (except for Daisy. she won't charge his friends, but anyone else is free game)

Mairy and Hettie have romantic tension, Daisy and Derry are the only ones who can tolerate Jes, Mairy wants Jes dead, Casey is terrified of Derry, Daisy's rapid-fire speech confuses everyone but Hettie, etc. i should make a chart for funsies...

[jakeperalta]

I get why people complain about the overexposure of celebrities..... I'M sick of hearing about taylor and I'm a fan :/

[nowheregeneration]

The word "Revolution" gets thrown a lot these days by a lot of different people, and I'm not here to tell you what it is but I'll tell you what it isn't. There is no racism in revolution. There is no sexism in revolution. There is no homophobia in revolution. There is no xenophobia, there is no nationalism in revolution. And if you find yourselves under the umbrella of something calling itself a revolution, and one or more of these elements are present, then you, my friends, are in the wrong fucking revolution!

Rise Against Live at Hurricane Festival 2022

[modwyr]

these are picked from ones i like or boss fights that i felt i couldn't leave out. this is entirely about how fun they are in terms of combat i don't care about narrative that's for another poll or whatever.

[scentofpines]

have you ever considered...that identifying out of woman/girlhood because you don't relate to the societal implications, expectations, etc... contributes to making womanhood (feel) even more restrictive? maybe you feel better when thinking of yourself as anything but a girl/woman because you do not feel like a woman (what does that even mean?) but in my opinion you just added another brick into the prisonwall that is gender.

[napoleondodofan]

ok i am no longer filled with rage

[moonchild-in-blue]

I think it's funny how most of us here went from Sad™ and Depressed™ as children/teens, only to end up ✨Sad and Depressed✨ adults.

Funny in the way that, we thought things would never get better, and they did. And funny in the way that they actually never DID get better - we just learned how to cope.

Except that we actually *didn't* learn how to cope, we just got used to it. Which really means, we didn't got used to it - we are just too tired to care.

Going through my worse depressive bouts before felt like fighting teeth and nail for a way out. It was hell, and it burned, and I cared. Now I simply shrug and be thankful there's fire to make some coffee. Does this make sense?

It was so loud and shrieking before, and now is more of a constant heavy hum, always there just out of reach, clinging to my legs and feet, dragging itself on the floor like a old dying beast. Once in a while it remembers it's alive and rips by flesh with its teeth, without any warning. Then back to playing dead. It bites less frequently now but my God, does it hurt.

I'm glad to not have to constantly fight for my life anymore, but I miss the days when that was something I wanted. I'm afraid I tipped the nihilistic scale too far and now I'm just sort of drifting away, little by little.

It's too quiet now and I don't like it.

[ahhhsami]

People are sleeping on this queer representation + show in general

As a queer Asian American I feel an obligation to get more people to know about Warrior (2019) which is streaming on MAX (HBO), but had originally aired on Cinemax.

This show is based on an original concept and writings of Bruce Lee and is executive-produced by his daughter, Shannon Lee. It is set in 1870 San Francisco and bases a lot of the story and characters on historical figures during/around the Tong Wars. It's a riveting, action packed series that's sure to please anyone who enjoys old school martial arts films, westerns, dramas, and more.

But that's not it. The show has an interracial queer relationship that too many people don't know about. This will now go into spoiler territory. So if this post has already convinced you to go watch it just from the first image, then don't read on.

You first get to see Ah Toy and Nellie Davenport interact at the beginning of season 2. Ah Toy, from season 1 is already canonically bisexual. From the get go it is evident that they are enemies as Ah Toy is an influential madame in Chinatown who runs a brothel. While on the other hand Nellie is a rich widow who has aided the police force in raids throughout Chinatown to shut down crib brothels. In time you'll learn that they're both badass motherfuckers, but I don't want to spoil that for you!

As the season progresses, they find that they aren't as different as they originally thought. Falling straight into the enemies to lovers story path. So here's a still from season 3 of these wonderful bi women to encourage you all to check out Warrior.

Still not convinced? Look at them!

Not enough? How about now?

No? How about now?

Well then here's my last try...

I have now done my duty to try and get more people to watch this show and support these women. It is out of my hands now.

PS: If you do watch it, come spam my inbox cause I wanna talk about it! Also if you like fanfic, then subscribe to my AO3 cause I'm already working on some fics for them :D

PSS: There's also straight interracial relationships and gay representation too.

[ummyesisthisjasongrace]

Did I ask for Bagginshield in my life? No.

Do I need Bagginshield in my life? Absolutely.

[buttercupshands]

welcome back, Todoroki family arc! in both anime AND manga