#there's a prominent dragon character i did this with once and i ended up making a whole story about it lol
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bambiraptorx · 8 months ago
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i think the funny thing about the early days of my art journey is that my equivalent of the "drawing character with hair over one eye so i don't have to draw the other eye" thing was that sometimes i would do stuff like "i don't wanna draw this character's other hand so they're an amputee now :)"
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hyperions-light · 4 days ago
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The Poison Fruit Ripens
#defendingtheending here we go
First of all mega super ultra spoilers for the ending teaser that Steam says like… 6% ? Of players have seen? So you’ve been warned. No cuts baby, it’s Miyazaki style
Okay, so it’s the Executors, and they’re probably coming across the sea in the next game (if EA doesn’t nuke BW), from what I can gather. I mean, this is fine from a lore perspective. All we knew about those people before is that 1) they are mysterious 2) they are from over there, across the ocean
And now they’re maybe connected to the revealed Qunari lore, which I am ! So excited to have! We already knew that the Qunari fled across the ocean for unspecified reasons, and that going back there was Not A Thing. But now we know that they left because of the (probably metaphorical?) Devouring Storm, which could be connected to the Executors. What are the odds that there are two separate Huge Bad Things Over There that both want to destroy Thedas? Probably is just one big thing— also the title Executor implies they are doing the bidding of someone else, so whatever the Qunari were talking about could be it. (They also talked about being agents of someone else’s will in the Inquisition War Table quest).
So the cinematic shows a bunch of our prominent villains from the previous games being influenced in some way by the Executors. Which I think people are upset about, but I think it’s fine because:
- They did not really specify the manner of influence. I would be annoyed if they retconned Loghain’s decision to leave Cailan on the battlefield because it makes him interesting, but they didn’t say that. They just said they influenced his decisions. They could have done that by stoking his paranoia about Orlais, or by planting Arl Howe to influence him after the battle. He did a lot of OOC stuff while he was King Regent, and this could be a chance to explain what didn’t make sense for his previously established character and was just put in there to make him seem Very Evil.
- They also were around some people doing a blood magic ritual… there weren’t enough of them to be the Magisters, technically, but that is usually what it looks like when we see them in DA art so I’m going to assume that’s them for now. I mean that’s wild if that’s what it is bc that was such a long time ago? Thee guys have really been playing the long game I guess
- The other person they directly influenced seems to be Bartrand, which is really easy because who the fuck gave him that damn map? We NEVER found out who pointed Bartrand to the Thaig! Someone did it, and they probably did it on purpose! It may as well be these guys
- the rest of the villains don’t get guys whispering to them, so I have to assume they mean to imply that they just set up the circumstances that would lead to these people gaining power. I mean someone sent the Carta to the Vimmark mountains, right? And there was like some weird demon there, too.
-So basically they’re just implying that these people have been manipulating events to make sure that shit in Thedas is hitting the fan all at once, which does kind of explain the frankly improbable number of world-ending events that have happened during the Dragon Age. I mean, three Blights, two Magisters, two Evanuris, Antaam invasion, major mage rebellion, Templar schism, and the death of the Southern Divine? It’s only been like 50 years!!! Before the Dragon Age there had only been four Blights since the Ancient Age! Shit does not normally happen this fast in Thedas
I think the phrase itself is pretty direct (also giving Southern Reach vibes). All this chaos they helped sew is reaching its culmination, and now they’re getting ready to cash in the chips. They’re coming to Thedas at the moment that all the great powers are at their weakest, when there’s basically no one to oppose them. Tevinter? Fucked. Qunari? No military anymore. Antiva? Haha! lol, even. Fereldan? Basically gone. Orlais? In shambles. Free Marches? Decimated. Anderfels? There’s like 100 Wardens left in a swamp. Nevarra? I actually don’t know, maybe the lichlords can do something. Maybe Rivain could field some token resistance if they didn’t get hit by the Antaam too badly, but that’s kind of it IMO. This is THE time to come in and conquer(?) the land, or whatever they’re trying to do. Kill everybody?? Turn them into Darkspawn? Who knows!
Some speculation about what could be done to repel invasion:
- shit ton of blood magic
- fix titans, wake them up??? But idk if they’d be into it
- adaari, but idk if there are that many
- people with dragon blood, like the Theirins, are maybe super special and can do things?
- pirates, baby!!! Woooooo!
- I guess Mythal could know something? She can see the future a bit
- dragon army! Dragon army!!
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blueskittlesart · 1 year ago
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Do you have any theories/thoughts on why the last dragon tear is on the Rist Peninsula? Like..lore reason wise? Or did they just pick that spot cause it has a fancy spiral? This thought hasn't left my brain for weeks.
this question got me thinking, because there are quite a few spots on the totk map that are significant lore-wise in that they mention locations in other games and/or were significant in botw, but rist penninsula isn't one of them. of the locations that the geoglyphs and tears fall on, a few of their names appear to reference characters and locations in other games, which is a common theme among minor location names on the botw/totk map. aside from the naming conventions, though, none of these places share distinguishing features with any map locations in other games. there ARE certain locations on the botw/totk map that are very clearly meant to correspond to the maps of other games/cycles, but those locations will almost always have both a specific name referencing the other map's location AND distinguishing features which mirror the features of the other map very closely if not identically. the geoglyph locations pretty clearly aren't that, so the names are likely just easter eggs. these locations also don't have any significance on the BOTW map from what I can tell, aside from the occasional shrine location, which is less important to the point i'm trying to make here but this is already full of useless information bc i did the research so i might as well give you all of it. the important point here is that none of the dragon tear locations are present in any other map of hyrule aside from the botw/totk iteration.
why is this significant? because it means that botw/totk era-hyrule is the ONLY hyrule in which these locations exist. this fact, combined with the fact that certain locations seem almost designed with their respective geoglyphs in mind (the most prominent example is cape cresia's shape being perfectly fitted to the scimitar glyph, but to a lesser extent the tabantha snowfield ganondorf glyph and the NW eldin mountains master sword glyph both finding large, flat spaces suited to their respective shapes, and, of course, the final tear dropping perfectly in the center of rist penninsula's spiral, suggests that these geoglyphs and these memories were tied specifically to the version of hyrule that we see in botw/totk. Whether this has greater implications as to how the timeline of totk plays out or if it's just an indication that zelda was holding on to her memories of the version of hyrule she grew up in is up to you.
that's all i've got in terms of concrete lore, but on a more artistic level i think there is definitely a reason the last tear falls in the center of that spiral. totk continuously uses an ouroboros motif--a snakelike dragon eating itself in a continuous circle. the four dragons circle the map in continuous loops, repeating the same route endlessly, likely for thousands upon thousands of years. the spiral of rist is somewhat reminiscent of that repetition to me, but with one key difference--it ends. there is a concrete end point at the center of the spiral. once you go around it a certain number of times, the circular motion stops. you're free of the cycle. the final tear, in which zelda begs link to come to her, to find her, to SAVE her, falls at the center of that spiral, at the end of a repeating pattern of circular motions. zelda, like the other dragons, has been trapped in an ouroboros cycle for thousands of years. unable to speak, unable to remember, unable to do anything but follow her same circular path through the sky. but zelda's fate is not actually so bleak and unchangable--she's not in an ouroboros, she's in a SPIRAL. all she has to do is make it to the "center"--to wait it out until link can find her and save her, and she will be human again, and that circular motion will finally stop, and she'll be free to live her life again, to truly move forward. the act of journeying to the center of the spiral to get the last tear is forcing the player to adopt that same circular motion that zelda has been experiencing all these years, and to find the relief at the end--a microdose of the bigger battle zelda has been fighting, and which they will soon have to fight, to get her back once and for all.
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bat-gwuck · 6 months ago
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lmao so these two games have like nothing in common other than they’re both in my top 5 re-occurring hyperfixations but idc I’m having fun 😼👍
ong rdr2 and dragon age (esp origins) are my two all time FAVOURITE games so I thought ykw fuck it im gonna make a crossover AU - never done an AU before so NGL there’s a lot of kinks to iron out but I’m kinda digging it
started off with a lil’ character sheet for Arthur - I flip flopped between what I would make him (Templar, warden, keep him as a street thief/outlaw etc.) before finally settling on a mix of both warden and street thief/outlaw!! idk Arthur just gives me really strong Grey Warden vibes - a tragic hero (sometimes on a path of redemption depending on the origin/how they played it) who also has smth in them that will eventually kill them, despite having some weird benefits (in Arthur’s case, mentally)?? they’re twinning fr
I also just fucking LOVE the grey wardens so…
so it starts off relatively similar to normal: Arthur joins up with the gang at a young age, becomes a thief yada yada, and after a disastrous robbery, they end up camping in Ferelden, just before the Blight starts (unlucky)
for the purposes of this fic, the gang is only comprised of the camp girls (minus Sadie, for now), Dutch, Hosea, Arthur, John, Jack, Swanson, Pearson, Micah, Bill, Sean, Lenny and Javier - Sadie and Charles appear a bit later!!
shit goes down as normal but for story purposes, a heck of a lot faster, and the gang starts to fracture
seeing this, and wanting better for everyone, especially in the midst of the now upcoming Blight, which Dutch, for whatever reasons, does not acknowledge the danger of, Hosea (WHO LIVES IN THIS SCREW YOU ROCKSTAR) gathers as many people as will listen to him (everyone minus Dutch, Micah, Bill, Javier) with him and splits from the gang and heads towards Denerim in hopes of finding safety/starting anew
during their travels however, the group ends up getting caught up in a battle between a group of grey wardens and dark spawn - in which, because he has the worst luck, Arthur is nicked by a darkspawn which only means one thing: death.
(Literally just realising this is basically carver in the deep roads)
Luckily, or unluckily, depending on how you view it, the grey wardens offer to take Arthur back to Ostagar with them, they were impressed by his fighting skills, and arguing that the only way for him to live was to become a grey warden
after a lot of hesitation, and a bit of arguing, as he doesn’t want to leave his family behind, Arthur agrees to go with them and parts ways with the remains of the gang, promising that, once this was all over, they’d find each other again
SO I feel like this is enough for now! I definitely have more to write on this and NGL I might even write a full blown fanfic of this BC ITS SO MUCH FUN??
if anyone is wondering, Arthur will meet Sadie n Charles at Ostagar
I’m not entirely sure if I want Arthur to be the HoF in this AU?? I am very much planning on him being a prominent figure in the fight against the Blight and the Archdemon but idk?? ALSO there will be characters from both games in this AU bc I love some of them too much to leave out (I’m looking at you Morrigan and Shale…)
I did kind of want him to be a Blackwall type figure but like if Blackwall acc became a Grey Warden 💀
I hope you liked this and if anyone has any ideas for this AU PLEASE let me know I’m so lost 😭
I’ll be doing some more of these character sheets so keep an eye out for them!!
also Arthur absolutely nicked the fur collar off a rich noble
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felassan · 2 years ago
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Dragon Age: Absolution Episode 3
some random bits and pieces on Episode 3. under a cut due to length
Episode 1 post, Ep 2
the episode title is clever, The Serpent's Coil. it's like, they're going further into danger/the lion's den, only with serpent Tevinter imagery instead, it's dangerous, etc, but also like, as Miriam meets Rezaren again for the first time since her escape at the end of the episode, that's her ensnared once again in this treacherous snake's clutches
"Emergency grenades" reminded me of "Emergency - induction - port"
Between three stories and five Lords of Fortune, the LoFs felt quite prominent in Tevinter Nights. Interestingly here they are once again front n center with Lacklon's character. LoFs are known for wearing trinkets and their treasure - I wonder if that's what the various gold items Lacklon wears is (earrings, bracelets, the belt etc). If so that means he survived as a LoF for more than a year or two, which entitles a LoF to do so
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^ hh Lacklon's face in these scenes.. he never had a chance did he
hhh "nug-humping" takes me back to "BARTRAND! You nug-humping bastard!". this insult always feels like the dwarf equivalent of "sheep-shagger"
Building on what we learned in episode 2, which stated that the palace's security system is designed to kill everyone in the palace in order to stop a full-scale coup, in this episode we learn that "full-scale coup" more specifically means a full scale slave revolt/rebellion. designing a security system to brutally put down a slave rebellion using the bodies of dead slaves as walking corpse fighters to kill said slaves is.. grim
Tassia is really badass, strong and stalwart, a tank, protective of her men and refusing to put a magical macguffin above the lives of her men
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^ from the fact that they're walking corpses who appeared from the palace, I guess these are the bodies of the dead slaves that Marconius IV put in the walls
in DA:I the Necromancy skill tree color is all purpley, I guess that's why when the walking corpses are felled they burst into that purpley-colored cloud
aaaaa but the fight scenes in this show just make me really excited and hyped for combat in DA:D
I appreciate that Mr Lacklon is sometimes shown out of breath or sweating after physical exertion such as walking long distances uphill or a fight. not everyone ever is a high-stamina, chiselled athlete, but they can still be badass, cool and fight :) u know?
"Rolls" 🥺🥺..
another thing I appreciate about the show, even with the moments of light-heartedness and the animation style etc, is that the characters get to swear
battle boyfriends!! Σd(゚∀゚)
when Hira is stuck in the vault, if they were to blast it open, wouldn't Hira be able to stay in one piece if she just.. moved away from and back from the entrance/blast zone?
when Hira asks "You have the Circulum?" she is channelling Gollum there a lil for a min there
when Hira says "Not if you want me to stay in one piece too" she looks down, looks sad, shuts her eyes and touches her necklace. it feels like a moment of apology to the dead father she won't avenge and a moment of resignation that she won't be able to personally carry out her plan
'Take it to my own contact in Kirkwall, at a place called the Hanged Man' - so this was basically a fake story from Hira, right, or there is a Red Templar remnant contact that she really would have met in the Hanged Man to on-pass the Circulum. on the first watch I believed Hira's story here at face-value, I was led by the suggestion of the familiar and wondered if perhaps the so-called contact was Varric Tethras. smart, a good misleading/twist. like, that would have made a lot of sense if it was true, Varric's still doing Inquisition remnant stuff e.g. the report of the Genitivi expedition in Tevinter Nights being sent to Varric, Gatt in Half Up Front basically telling Irian and Vadis "go talk to Varric Tethras" etc. showrunners, I see what you did there!!
minor lore: two of Tassia's men are called Kal and Rankin
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^ just Tassia being badass, once again my weakness for tall, heavily armed and armored, warrior women has got me by the throat
Qwydion is brave 🥺 she's scared, and the exit and salvation was right there shining bright and within touching distance, but despite all she'd seen and her fear she went back to help those less capable than she 🥺.. it's harder to be brave and do the right thing when you're afraid. a good egg
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^ Mustache elf!! Beard elf!! The elven facial hair lore ?¿? continues. in DA:O, Sarel the Dalish elf has a beard/stubble, then in Dragon Age: Redemption Yevven has facial hair. meanwhile Fenris tells Varric elves can't grow beards
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^ are those bangs? shades have bangs? emo bangs? I always thought they were just flaps on their lil shade hats
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^ Arcane grenades are pretty :) sera would like these
Ooh, Qwydion used that metal pole she took from one of the elves as a lightning rod for Chain Lightning! very cool. also I like how some of the spells in the show are clearly identifiable as in-game spells, like Chain Lightning or Wall of Fire. it makes it feel like Dragon Age and shows the show creators played the games and tried to incorporate small details like this
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^ a superhero landing here from Tassia
is the right trope Stepford Smiler? Rezaren is a bit of a Stepford Smiler
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bardkin · 2 years ago
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while my dracionity turned out different in the end, this was still an important post for me to write!
<:::::::::::::::::::::::::::::{[xxx()o
when I see my draconic self in my mind’s eye, or become more aware of my phantom parts (because they're always present to a degree), there’s a consistent, distinct shape.
o()xxx[{:::::::::::::::::::::::::::::>
- a long-ish mammalian muzzle, full of sharp teeth & fangs. also has a feline- or mustelidae-like nose-pad. (“padded nose”? idk the exact term for these types of critter snoots.) - brown fur of short-to-medium length. - unsure if i have scales or protective plating anywhere? might have some on the lower sections of my legs. - body is pine-marten-y in shape & length. - tail is also quite long. sleek, thick-ish, and is capable of corkscrewing around itself at least once. tapers off into a (albeit large) lion-like “tuft” at the end; like a traditional unicorn’s tail. (may be longer, and i’m just experiencing a length that’s relative to my human body???) - paws with five digits, paw-pads, & claws. unsure if said claws are retractable at all. overall very marten-esk. - ears are always in a “back facing” position, which seems to be their natural/neutral positioning. ears are large, almost fennec-like, and fuzzy inside & out like a donkey’s. - set of small nub-horns, teal in color, positioned like a goat’s or deer’s. - one of the closest placement matches i’ve seen are Trico’s (beast from The Last Guardian), but mine grow the opposite direction (i.e, toward my back).
- i do not have wings, and notably feel like i’d be incapable of (natural/non-magical) flight.
- i believe my species lived in, or at least frequented, a temperate forest environment of sorts. and/or potentially somewhere that feels like a mix of Alaska & California's wilderness? it's a jumble of fuzzy noemata that i'm still sorting through.
all this got me wondering; is there any example of this sort of dragon in wider media? in any known mythos or folklore? thus far, the closest examples i've found in these sources are Chinese & Japanese Dragons, such as the character of Haku from Spirited Away; but these aren't exacts. when i look up images & read about them in mythology texts (historical & fictional alike), i always think to myself "Kind of close, but... not it."
one fictional type i've found that sort of matches me is Imperial dragons, from Flight Rising.
however, many details just don't ring as "me." i lack wings, those prominent whiskers, full scales, or any kind of beard, my horns are much, much shorter, i could go on. bottom line, i'm not an Imperial dragon. so, i'm left with the same feeling: "Close, but nowhere near exact."
the absolute closest body-type/shape i’ve found (outside of drawing something myself) is from various original characters. there's a consistent handful of design tropes that make these characters distinctly this type of "fuzzy noodle dragon" — like a mosh-pit mix of almost "off-brand" depictions of eastern dragons. if you're in character/adoptable design circles, you may know what i'm talking about. you may even own a character like this, or be in the same boat as me.
i did briefly consider the idea i might be OC-kin, but... similarly to historical depictions & Imperial dragons, these designs feel like they’re just that; designs. not part of my identity.
"Close. Nothing more."
even this fursona/character concept i whipped up a few years ago, which has pretty much every visual aspect i described, doesn’t feel like me. that character still feels like just a for-fun-mascot or character; not a self-portrait, idealized or true-to-form.
which brings me to a label i've been ruminating over: Folcinteric (Nonhumanity).
i feel @who-is-page’s label of folcintera might really fit me, especially with the specific type of dragon i’ve described here. problem is, (and this is most likely just the imposter syndrome talking) i'm not even sure i have any mythos to begin with.
well. maybe i do. in a slightly more abstract sense.
as i said, this kind of design is not that uncommon; i'd even dare to say it's popular. popular enough that a lot of people will understand and have a fairly distinct image in their mind when you say “furry noodle dragon.” (i'm extremely curious about the origins of this design trend, and who might've kicked it off, or if this concept is a conclusion that multiple artists came to when making a lung dragon inspired design.)
so, perhaps my larger “mythology” — to potentially stretch the definition a bit — is from a subset of the dragon art & character design communities. something in me says that could count as a "lived mythology" of sorts.
and, i am still a type of dragon, one that varies in imagery/details and person-to-person lore, at the end of the day. one that is also very tied to my own personal understanding of "dragon."
dragons, in the larger scope of folklore, are typically an allegory for the wealthy, or the concept of "evil," or are simply more "neutral" symbols of power, wisdom, strength, and/or magic.
dragons were never something i feared / saw as universally "villainous," or even as strictly symbolic of any of the previously listed symbolism. my first exposure to dragons was within the Eragon/Inheritance Cycle series. due to the dragon and rider bond i saw there, "dragon" was cemented in my brain as a companion; protector, friend, but also animal. a fearsome one, yes, but not cruel or "evil by nature." not greedy, just naturally curious and drawn to "shiny" objects in the way any corvid is. sapient as any human or humanoid folk, but still as much of a beast as any wolf or bear.
publicly, i'll most likely just say "I'm a [species of] dragon," and leave it at that. the details of my identity are for me alone, and thus any further explanations or descriptions will be given voluntarily.
but even the things i keep private, i like to put names to. this is one such thing!
"theriomythic" felt somewhat like a hasty choice, though i don't mean that as a bad thing, at least for me. a bit of "my experiences fit here [within the therian label], but the species and my understanding of it doesn't [fit the definition of "only" earthen/nonfictional animals]... so i'll go with something that's close enough."
i do quite like the terms "draconity" & "dragonkind," since they're both very all-encompassing; but... i'm not sure how to articulate how that also feels like the problem (though i use the term loosely) that my brain has with them. "dragonkind," from my understanding, is more-so a label for the community itself rather than the individual. (it can be for personal use, i.e "I am dragonkind," but i don't know if it's widely used as such.) and "draconity" doesn't... quite ring the way i feel it should. it feels more like a general descriptor to preface my experiences and identity.
i could come up with my own term(s), and who knows, i might end up doing so. but at the same time, i don't want to reinvent where i don't need to. to me, the idea currently feels like calling that particular shade of lavender purple by another name, just because i can.
so maybe my flavor of dragon does fit the definitions for being folcintera. the term is supposed to be pretty much limitless within "lived mythos."
all that to say, i'm going to be trying out folcintera for myself. worst that happens is it doesn't end up fitting lol if that becomes the case, i'll find or make something new~
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allthelittlecreepycrawlies · 9 months ago
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Time for stupidly indulgent ideas because this is the stupidly indulgent idea blog.
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Meet a-Yao (mesmer -> chronomancer, because i said so) and Sang-er (ranger -> soulbeast, because ditto) as they show up in GW2
Meng Yao grew up in the Risen-infested lower wards of New Kaineng City. His mother was once a singer of some prominence until it got out that her boyfriend was in fact a married man, and a high-ranking Minister at that! It barely made a blip on his career, but completely ruined hers, getting her banned from most of the clubs and teahouses frequented by the elite.
As a child, Meng Yao was forced to develop his talent as a mesmer almost entirely on his own by dodging undead and scaring off city guards who would have taken advantage of his mother.
When the Aetherblade fleet crashes down on Shing Jea Island, re-awakening Cantha to the rest of the outside world, Meng Yao finds an opportunity for lucrative work when he comes across a group of extremely strange-looking (Cat people? Plant people? Giants?) outsiders putting down Risen. They're following someone they call Commander into the Echovald Forest to continue getting rid of Aetherblades, but had to pause to fight. They may or may not actually need a translator (their accents are atrocious, but they can somewhat speak Canthan, and it's been hundreds of years, so he can't really fault any language changes) but if he wants the job, he can have it.
For the money they're offering, he jumps at the chance.
Meanwhile, Nie Huaisang grew up in the Echovald, dodging gangs and cultists and big hungry beasts his whole life. The Nies were once a prominent family, but had supposedly died out even before the Ministry of Purity began its purges, and the few members left are perfectly fine with that reputation because it gives them more freedom to move about if people think they don't exist.
His magic as a ranger makes it easier for him than most, since he can charm most things that would try to eat him with no problems. Unfortunately it also makes him a desireable asset to the Speakers and an annoyance to the Jade Brotherhood, who both target him with frequency.
And then the fucking sky pirates and their undead and those creepy shadow monster things showed up and so did the weirdos chasing them all.
Nie Huaisang and Meng Yao end up almost literally crashing into each other when things start getting truly chaotic, and Huaisang winds up more or less accidentally swept into the group of explorers Meng Yao was traveling with.
Which winds up with both of them caught in the middle of what could be the end of the world.
They're ordered to help get miners and civilians away from the battlefield, but as the battlefield keeps growing and reality falls apart around it, they quickly realize that if the strange outsiders don't win, there's not gonna be anywhere to run to.
And then the end of the world stops.
And the last of the original elder dragons dies.
And... damn, what do they do now?
"Want to go get dinner?" Huaisang asks, which is as good an option as any, really, since they were only side characters in this whole story.
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luckyshotwrites · 2 years ago
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Potential trauma and angst aside, what was Lynette like as a kid? Was she the shy little kid who mostly hid behind their parent or the one screaming and shouting gleefully while running circles around the house at the family reunion? XD
I’d also be interested in knowing what the rest of the maincast were like as kids but with monster culture and whatnot that might be spoilery Idk lol
Sorry if it’s random I was just thinking about childhood stuff with my own characters and yeah—
NO No, I love this! This is great! (Spoiler free as possible, so some of their past is clipped or generalized. AND I ADDED A LITTLE TO MUCH with other details, I'M SO SORRY!)
Lynette as a kid: she was very gullible and positive. Pretty bubbly and always trying to make someone laugh. Instead of hiding, her dad and mom had to constantly watch her as she'd almost walk off with strangers a lot. She'd talk their ear off about the latest nonsense she liked. (Some stuff happened later along the line to change this, especially the constant moving).
Alexander: Besides having a lot of issues getting sick, he'd get himself into trouble a lot. He couldn't hang out with many kids because of his afflictions, so he was a big people pleaser when he went to school. He did pretty much anything that anyone asked of him to get them to like him. It all went sour once he ended up eating someone though. And after that...it was a lot harder for pretty much both sides.
Drake: Kid Drake, huh, so Vampires are a little weird in this department as they mature quicker than most species. BUT, Drake was a big liar and fighter. A little punk, ready to throw fists with anyone who insulted him. Him and Alexander actually fought A LOT as kids. Until a certain event.
(spoiler for his species) Lev: Dragons have the opposite problem, they mature very slowly, so Lev's kids years were prolonged. As a yexodele born Underkin, he was held to a high standards. He worked tirelessly for hundreds of years to study, fight, and one day lead. As an Underkin, they are reapers. They kill off Dragons that have reached older ages. As Dragons get older they tend to lose their minds and go completely feral. Mostly under extreme injury, or trauma. Though most dragons seclude themselves for this reason, Underkin stayed in close knit groups, watching one another. Relatively close and very touchy, friendly.
Zilla: She had always been soft spoken and to herself, while her brother Zane spoke for her most of the time. Naga's are a relative of Dragons, specifically Seizana, a species at which dwelled deep within mucky waters. So most Naga's find themselves enjoying dark, moist areas. Much like where Zilla grew up. Naga's usually do not live in groups, they split apart as they tend to get very territorial and sometimes possessive once something or someone enters that land. Though, being mixed as Zilla didn't have these traits prominently and ended up feeling like she needed to blend in, as mimic's tend to want to change to do so constantly. In all, she had a very odd childhood.
Claudia: Growing up, she rarely talked unless it was to beasts and creatures of the forests near her home or her 'father'. Claudia did not talk to many in her coven. She rarely met people outside of that until she ended up with her 'family'.
HAVE A WONDERFUL DAY AND I LOVE THIS QUESTION THANK You!!
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soaringonblackwings · 8 months ago
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Title: Wind Underneath Your Wings
Fandom: Yu-Gi-Oh 5D's
External: AO3 / SquidgeWorld / FF.net
Summary: It's time for the WRPG and unfortunately Crow has an accident that puts him on the bench. With a broken shoulder he spends his free time coaching a team of girls at the local community center.
A re-write of the team Catastrophe duel.
Notes: Here is the next part of my fix-it series. I hope everyone enjoys this. I did not think I would make it this far. I had so much fun writing this even if this was the most difficult part to write. I took 5 re-writes to get here. And nothing from the original draft carried over.
You all remember that Crow became a coach in his epilogue, and we just never see that during the course of the show. It fits with his character so well too. So, I decided to write about it.
Comments are much appreciated.
It all happened in a flash, just yesterday he promised the kids that he would participate in the WRPG. And now he was being sent flying across the road to his doom. The wheel on Blackbird had locked up, making Crow lose control of the dual runner.
His shoulder was in pain, and he could not lift his arm. He had to wait for help as his injury made it impossible for him to drive on his own.
‘This can’t be happening.’
Crow had a fractured shoulder. There was no feasible way for him to partake in the tournament his arm would not heal in time. Saying he was upset was an understatement. In a fit of frustration he runs away from his teammates.
Once he calms down, he times Akiza before the match. Passing along his and the children’s hopes.
The battle against team Unicorn was a tough one. Turns out them running into Crow and challenging Yusei to a duel during the practice was all a part of their plan. Andre used a different deck that time in hopes that team 5D’s planed around that. Jack was completely dumbstruck when Andre used a new deck strategy that hard countered Jack’s playstyle. He did play his best it wasn’t enough. Jack lost and passed the baton to Akiza.
She managed to put Stardust dragon on the field for Yusei, but in the end, Andre defeated her. Akiza took the lose pretty hard. After getting the acceptance she wanted, she ended up losing.
“I couldn’t don anything.” She whispered. “I talked a big game to join the team, but I learned just how inexperienced I am as a D-Wheeler.”
“No ones perfect.” Crow says. “Dueling is fun because we inexperienced and help each other.”
They heard a commotion and looked towards the track.
“Let’s go cheer for Yusei.” Crow said.
Yusei defeated all of the members of team Unicorn. They passed their first hurdle of the WRPG.
-
There was time before their next match. Off the circuit life continued on as usual. Crow had to figure out how to do his deliveries or else he would make less money. His go to idea was to ask Yusei for help with the big deliveries while crow handled the smaller ones. Crow could easily do deliveries that did not require him to drive. That was the idea he settled on. There were smaller packages that needed to be delivered. He picked out certain small packages that could be delivered on foot and fit them into his bright yellow messenger bag and put on his jacket before heading out. This would be a first that he delivered the mail on foot. He felt like a young delivery boy from stories that took place before technology was prominent. Unfortunately, no duel runner meant that his task would take longer.
His job had taken him to a place that should have been Crow’s radar a long time ago. His travels brought him to the community center in the city. It was close by Poppo Time and Crow had never been aware of this building. From inside he could hear cheers. It caught his attention enough for him to forget about putting the mail in the Dropbox and go inside.
There was a plethora of people inside of the building. He could still hear the noise of cheers roaring in the air. He followed the sound to a duel arena where a duel was taking place.
"Hello." Standing next to Crow was a women dressed in a prim and proper dark blue suit with a skirt. She had on stockings with a skull and cross-bone patterns all over it. Her red hair was split into two ponytails. Hair hat and messenger bag also adorned the skull and cross-bone design, along with the broach on her chest. "Is there anything I can help you with? Are you dropping off something."
It took Crow some time to realize that he still had the mail in his hand. "Oh um I came to drop this off."
The woman took the mail eyeing Crow carefully before tilting her head. "Are you here to watch the tournament?"
"What is this?" Crow asks.
"This is the Little League Grand Prix. It basically a tournament for the younger duelists of the city." She replies. "Me and my sisters set it up so the kids could have some fun. With all the buzz around the WRPG we figured it would be exciting."
Crow liked this idea. Most kids love dueling but just were not old enough to participate in any major tournaments.
"Are you a duelist? Would you be interested in being a duel coach for the community center?" She asks.
Crow should have declined. He was unsure of how this spontaneous offer would affect his schedule. His mind went to his time with Pearson and how he had taught the kids back then. He remembered how much he enjoyed teaching the kids even if he was only repeating what Pearson had told him. Maybe now is a chance for him to find his own footing when it comes to teaching.
"Sure! I'll be a coach." He took the offer.
"Great!" Ryoko quickly took him away to the office to get him registered as a volunteer. It did not take here long to show Crow around the community center. The outside had a few picnic tables. Complete with a park area for kids. Crow lamented on how he would love to bring the orphans her to play one day. There was a room with desks lined up and a chalkboard. This room was the used for pretty much everything, it was known as the miscellaneous room. The tour came to a quick end.
"That is it. Whenever you want to volunteer just come by and sign in. I am looking forward to having you." Ryoko said before walking back to the office.
Just like that he was the newest member of the community center. Back at Poppo Time, Crow had explained his day's activities.
"What!" Jack's voice roared. "You signed up to tutor brats when you already have a commitment to the team!"
"I thought it would be a good opportunity for me." Crow knew this was going to be the outcome when he told his friends. Well at least when it came to Jack. It wasn't like he was going to abandon his teammates. "I can find a balance. I plan on going on our off days."
"If Crow says he can do both I believe in him." Yusei said.
"Thanks, Yus." It was great to have some kind of encouragement.
"We don't need anyone who's attention is divided." Jack grumbles.
“I am focused one hundred percent. It is not like I can do much with a broken shoulder.” Crow gesture to his shoulder.
Crow excused himself to his room. Not because he didn’t want to deal with Jack, though that was part of it, he had to figure out what to do for his coaching gig. He had no formal training at all. Sure, he taught the orphans back on Satellite, but this was a completely different ballpark. He was sure that coach’s made plans on what to teach. At least that was what Pearson did with them.
He had to pull himself together. He agreed to this position, and he was going to give it his all. As long as it was for a kid, he will make a miracle happen.
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semi-imaginary-place · 1 year ago
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ffxiv on to shadowbringers full spoilers
i joined ffxiv right around 5.2-5.3 so i actually got super spoiled on shb
really they're putting the gate at the lake and not in the special crystal tower zone where the raids were.
... are those unique animations? that wasn't the default run. wow you can really see how the funding has improved since arr.
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oof that bloom effect my eyes are suffering for making a pale ass character dressed in white. the one time in videogaming history where the bloom is narratively appropriate.
so ardbert in shadow. uh i don't recognize the narrator voice. oh hey minfilia haven't seen you in forever. so why did player character get whole body teleported when all the other scions left their bodies behind. (or is the pc secretly collapsed on the source)
now i could go for the map marker.... ooooor i could run around the entire map. boooo the devs thought ahead and blocked me off.
they killed off the brenon clone immediately D:
i can't tell if it's lore significant or not but the crystal exarch's arm doesn't have the lighting effects crystal usually has. like most of the crystal in ffxiv is kinda glowy and a little translucent but the arm is matte like paint. maybe it's a graphics limitation thing idk.
is it me or does the crystal tower look different. i don't remember those basalt looking formations. there's fluffy amaljaa! was initially confused because underground is the WORST place for an herbarium but if the problem is too much light i guess it makes sense. having giant grates in the library seems like a bad idea. hmm the naming scheme seems sharlayan. why is the marketplace called universal music? its a good thing i know most of these terms from other ff games and shab spoilers otherwise if you threw like 7 new race names at me i'd cry. once again the lack of guard rails is concerning. why are the hortorium and sweetsieve no next to each other. a lot of wroght iron and glass.. art noveau? is this entire city built over silvertear lake?
great now the writers have a precedent for timetravel
exarch described feo ul as "kanojo"
ghostbert angst. i joke but i do find this sort of stuff compelling. oh that clears it up, so his title changed. because i just heard that the warriors of light killed the shadowkeeper and caused the Flood but arbert was also going around calling himself the warrior of darkness, and i didn't connect it until now but it was all them. hey this is that melody that plays whenever the pc does something heroic, played prominently in the ultima and around the end of 2.0 but here its real slow and sad.
did the faeries take over ishgard???? especially curious is the faeries are the equivalent to the sylphs. and rak'tika is the shroud equivalent. limsa was gentrified lol. what im curious about is the habitable part of novrant is shown as both an oval and a circle and i don't know which map is right.
exploring lakeland and uh is that a giant lake monster? yeh that's a giatn lake monster. why's there a road at the bottom of the lake. you guys have extremely nice outdoor furniture. like damn going to spend the budget on nice furniture instead of having a roof.
Crystarium architecturally reminds me of my highschool pet worldbuilding project about a magic crystal floating city filled with telepathic shapeshifting immortals.
shb could have been its own game. Post apocalyptic fantasy about civilization on the brink feels like a pretty standard premises minus the light and dark swap. Writers went wild with the worldbuilding. So glad i watched ffxii and xenoblade so i know what a hume is
Theres also how the crystarium is built over silvertear lake the center of all magic. Although middy isnt on the first, then why are there dragons dragonish things around. I wonder how much shared history there is between the source and the first since right around silvertear actually is the elezen homeland and thats where the elf bandits on the first are hanging out trying to reclaim their homeland.
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riddlecrux · 4 years ago
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Why rejection leads to the endgame: Rowaelin and Elriel comparison.
This meta is based solely on textual pieces of evidence that can be found through the whole ACTOAR and TOG series written by SJM. My observations come from the text and what was given to us, the audience, by the author of the book. This post is going to be about two very prominent scenes that occur to the main characters and how they are played in the books, setting-wise but also plot-wise. Of course, a small warning: this is strictly pro-Elriel meta, so if it isn't your cup of tea you are in the wrong place. Also: SPOILERS FOR TOG!
I would like to start this meta with a short preface about how I am going to approach the subject. The things I will be looking into are setting, wording, and emotional attachments. (With a sprinkle of speculations).
We will begin with Rowaelin and how the rejection scene developed. The plotline setting is after a very tense situation, which was confronting Arobynn.
Queen of Shadows, pg. 321
Rowan was done waiting. (...) The lamplight glinted off the combs in her hair and along the golden dragon on the dress.
Emphasis on: - hair - light, and how it glides across combs of Aelin hair - "glinted"
Also worth mentioning is how Rowan finally overcame his inner battle. He became impatient.
Azriel POV, pg. 1
Azriel couldn't stop it. (...) he found himself leaving the room. Entering the foyer. (...) and there she was. The faelights gilded Elain's unbound hair, making her glow like the sun at dawn.
Emphasis on: - hair - light, and how it lightens Elain hair - "gilded"
Again, we have a male who is questioning his inner feelings and after an imminent mind battle, he decides to move and goes towards a place when he meets up with a female.
Queen Of Shadows, pg. 321-322
She half turned toward him. (...) The look in her eyes—guilt, anger, agony—hit him like a blow to the gut.
(...) and though she tried to hide it, he could see the fear in her gaze, and the guilt.
Rowan can read Aelin without words. Just one look and he knows exactly what she feels or what hides behind her words - which often are laced with lies. Yet, he, Rowan was able to always see beneath the false facade - even before they were told about them being true mates.
Azriel POV, pg. 2
Lie. Well, the second part was a lie. He didn't need his shadows to read her tone, the slight tightening of her face.
Elain's large brown eyes flickered, well aware of all that. Just as he knew she was well aware of why Azriel so rarely came to family dinners these days.
Azriel, just as Rowan can easily deduct lies underneath Elain's words. Him being a shadowsinger and spymaster could help him in knowing the truth, yet we have an emphasis on the fact that he didn't need his powers to realize and catch Elain's lie based on her tone and facial expressions.
Queen Of Shadows, pg. 322
He watched her throat bob as she swallowed.
Azriel POV, pg. 2
He watched her swallow.
The same imagery, similar wording. Both males are focused on the females' emotions and their nervousness/trepidation.
Queen Of Shadows, pg. 322
She rested her head against his chest, the tips of the bat-wing combs digging into him enough that he eased them one at a time from her hair. The gold was slick and cold in his hands (...)
Emphasis on: - Aelin initiating physical contact - piece of jewelry - golden color - Aelin's hair
Azriel POV, pg. 2-3
"Put it on me?" His head went quiet. But he took the necklace, opening the clasp as she exposed her back, sweeping her hair up in one hand to bare her long, creamy neck.
The golden necklace seemed ordinary -- its chain unremarkable.
Emphasis on: - Elain initiating physical contact - piece of jewelry - golden color - Elain's hair
Queen Of Shadows, pg. 323
She huffed a laugh that might have been a sob and wrapped her arms around his waist as if trying to steal his warmth.
He flattened his hand against her waist, his fingers contracting once as if debating letting her go.
We have Aelin seeking Rowan's touch, she is the one who pushes on the physical line between them. It's important to note that it's her constantly assessing Rowan, trying to close the distance between them. She's acting on her feelings and a need for closure.
Emphasis on the wording used by SJM: - "flattened his hand (...)"
Azriel POV pg. 3
Elain shivered, and he took a damn long time fastening the clasp.
Slowly, Elain pivoted into his touch. Until his palm lay flat against her neck.
Emphasis on: - "until his palm lay flat (...)"
In this setting, we have Elain who, once again, closes on the distance between her and Azriel. Just like Aelin she chooses to move along her feelings - which are obstructed from the reader's point of view due to the text being singular POV. It is her who slowly builds up the courage and makes Azriel touch her. Settle on her skin.
Queen Of Shadows, pg. 323
She waited for him to pull back, but he just stared at her—stared into her in that way he always did. Friends, but more. So much more, and she’d known it longer than she wanted to admit.
Carefully, she stroked her thumb across his cheekbone, his face slick with the rain.
Aelin realizes her feelings. She comes with the terms of their friendship and its possible development - both she and Rowan started out on the wrong foot, yet they formed an amazing friendship. They built their relation slowly, surely with many heartful moments that bordered on the line of friendship and something more.
Emphasis on: - Aelin "stroking" Rowan's face
Azriel POV pg. 3
It had never gone this far. They'd exchanged looks, the occasional brush of their fingers, but never this. Never blatant, unrestricted touching.
Azriel's fingers lingered at her nape, atop the first knob of her spine.
Letting them brush the side of her throat, savoring the velvet-soft texture.
As in the Rowaelin case, Elain and Azriel also built their relationship from a friendship. It was formed during the very dark period of time on Elain's behalf - just like it was for Aelin's. Both Azriel and Elain found comfort with each other, they both started to enjoy the company of the other - sitting in comfortable silence. Yet, we have an idea that this friendship slowly started to bloom into something riskier, more emotional. Both, Azriel and Elain already had their first love ripped away, never fulfilled, and ending in a painful manner. And for the first time when we are inside Azriel POV, it confirms that they balanced on this thin line for a while.
Emphasis on: - Azriel "brushing" Elain's throat and nape
Queen Of Shadows, pg. 323
It hit her like a stone—the wanting. She was a fool to have dodged it, denied it, even when a part of her had screamed it every morning that she’d blindly reached for the empty half of the bed.
Emphasis on: - realization of desire - mornings in the bed - desperate search for Rowan in the sheets
Azriel POV, pg. 2-3
Prayed she didn't understand the shift in his scent. He had only allowed himself these thoughts in the dead of night.
(...) a headache powder he kept on his nightstand at the House of Wind. Not to use, but just to look at. Which he'd done every night he’d slept there. Or attempted to sleep there.
Emphasis on: - desire - night and bed - looking at the gift from Elain on his nightstand
Both scenes and paragraphs signalize that both Aelin and Azriel fought with their newfound feelings. They were realizing that the friendship was slowly turning into something more - a feeling of desire to not only be close to the other person but also a desire to close the distance between friends and lovers.
Queen Of Shadows, pg. 324
She lifted her other hand to his face and his eyes locked onto hers, his breathing ragged as she traced the lines of the tattoo along his temple.
His hands tightened slightly on her waist, his thumbs grazing the bottom of her ribcage. It was an effort not to arch into his touch.
Azriel POV, pg. 3
(...) his thumb sweeping in long strokes along the side of her throat.
But Azriel just stroked her neck again. Elain shuddered, drifting closer.
Emphasis on: - constant engaging in physical contact - touching vulnerable parts of the other person - answering to the touch
Queen Of Shadows, pg. 324
“Rowan,” she breathed, his name a plea and a prayer. She slid her fingers down the side of his tattooed cheek, and—
Azriel POV pg. 4
“Yes" Elain breathed, like she read the decision. Just this taste in the dead of the longest night of the year, where only the Mother might witness them.
Emphasis on: - how the last word before the almost kiss is breathed - "religious" themes such as comparison to Rowan's name to the prayer - Mother (a "religious" figure) being present during this intimate scene between Elain and Azriel
Queen Of Shadows, pg. 324
Faster than she could see, he grabbed one wrist and then the other, yanking them away from his face and snarling softly. The world yawned open around her, cold and still.
He dropped her hands as if they were on fire, stepping away, those green eyes flat and dull in a way she hadn’t seen for some time now. Her throat closed up even before he said, “Don’t do that. Don’t—touch me like that.”
Rowan rejected Aelin in a brusque manner - and it wasn't necessarily because he didn't want to engage in expanding their relationship past the friendship. Rowan at this moment still lacks self-reassurance about how he should feel after Lyria. He is scared. It is something different than the feelings that restrained him from the kiss.
Azriel POV, pg. 4
Rhys's voice thundered through him, halting him mere inches from Elain's sweet mouth.
His stomach twisted as he pulled his hand from her hair and stepped back. Forced himself to say, "This was a mistake.”
We have Azriel who rejects the kiss because of Rhysand. It was not on his own terms. It was an order of his High Lord that involuntarily stopped him from kissing Elain.
Queen Of Shadows, pg. 324
There was a roaring in her ears, a burning in her face, and she swallowed hard. “I’m sorry.”
“I didn’t mean—” She backed away a step, toward the door on the other side of the roof. “I’m sorry,” she repeated. “It was nothing.”
Azriel POV pg. 4
She opened her eyes, hurt and confusion warring there before she whispered, "I’m sorry."
He shook his head, unable to stand the bleakness he'd brought to her expression.
In both scenes, it's the female that apologizes. The one who initiated physical contact. Aelin apologizes twice, meanwhile, Elain is rendered speechless and hurt - and it's Azriel who assures her that it is she doesn't need to apologize. However, Elain is left alone without an explanation and Azriel can't stand seeing her like that.
Both scenes are built in a similar manner - we have friendships border lining on a thin line of something more. Both Elain and Aelin are the ones who initiate physical contact and are the ones who are "rejected", left hurt, and confused. Rowan and Azriel are battling their self-hatred and feeling of unworthiness that is very sound in both of their POVS. There is a lot of things that contribute to the rejection - especially their feelings. Rowan and Azriel feel the romantic pull towards their loved ones - they know that desire and their feelings are reciprocated. Yet, their inner struggles are in the way of fully accepting the fact that the female they yearn for is able to accept them.
More parallels:
Queen Of Shadows, pg. 322
He’d almost fallen to his knees when he’d first seen her earlier tonight.
Azriel POV, pg. 3
He'd beg on his knees for a chance to taste it.
Both males are on the verge of falling to their knees in front of Aelin/Elain. They are ready to submit to their loved ones.
Queen Of Shadows, pg. 324
(...) understood that though she’d seen his eyes shine with hunger—hunger for her—it didn’t mean he wanted to act on it. Didn’t mean he might not hate himself for it.
In this chapter in Queen Of Shadows, we are presented with dual POV, both from Rowan and Aelin so it's easier to see what Aelin had felt when she was rejected. She tells the audience that she was aware of the fact that Rowan exhibited a desire for her. Furthermore, we have another instance of Aelin being able to understand Rowan without words. She knows that Rowan feeling lust for her might have resulted in him hating himself for that because of what had happened with Lyria.
Azriel POV, pg. 2
Just as he knew she was well aware of why Azriel so rarely came to family dinners these days.
We are obstructed from Elain's point of view and her understanding is explained by Azriel. He knows that Elain understands him. It's an important thing to remember since their friendship was built on the comfortable silence in which both of them bask. Elain and Azriel, just like Aelin and Rowan understand each other without words.
Queen Of Shadows, pg. 337
He hated it. Hated that he couldn’t reach her when she was that person. Hated that he’d snapped at her last night, had panicked at the touch of her hands. Now she’d shut him out entirely. This person she’d become today had no kindness, no joy.
Azriel POV, pg. 2-4
(...) Azriel had needed to stay by the door the whole time because he couldn't stand the sight of it, the scent of their mating bond, and needed to have the option of leaving if it became too much.
He shook his head, unable to stand the bleakness he'd brought to her expression.
Both Rowan and Azriel don't want to hurt their significant other. They battle their inner demons, their inner self-worth problems while trying not to put the weight of it on Aelin and Elain. Rowan has his mind troubled because he, at this moment in the books, is still burdened with what had happened to his "mate". On the other hand, we have Azriel who can't bring himself to be in the same room as Elain and Lucien due to their bond. A mate that Elain doesn't want. Azriel's reaction to the mating bond is also very strange - he can see it and scent it. Which I believe should be very telling if we're taking true mate/second mate theories into consideration. So, overall the problem of both males stems from the notion of "mate".
Queen Of Shadows, pg. 345
Even now, he honestly couldn’t decide if he was amused or enraged by Rowan’s words—Don’t touch me like that—when it was obvious the warrior-prince felt quite the opposite.
Azriel POV, pg. 3
He needed to know what the skin of her neck tasted like. What those perfect lips tasted like. Her breasts. Her sex. He needed her coming on his tongue --
Rowan and Azriel want to indulge in their desire for Aelin and Elain. Both of them weren't able to do so because of the "rejection", yet we are presented with the fact that even the rejection doesn't mean anything as long as both males feel completely opposite to what they had told during the refusal scenes.
Queen Of Shadows, pg. 348
Her scent hit him as she unbound her hair and nestled into the pile of pillows. That scent had always struck him, had always been a call and a challenge. It had shaken him so thoroughly from centuries encased in ice that he’d hated her at first. And now … now that scent drove him out of his mind.
Azriel POV, pg. 3
Her arousal drifted up to him, and his eyes nearly rolled back in his head at the sweet scent. He'd beg on his knees for a chance to taste it.
Emphasis on: - the scent - how it affects the male
Queen Of Shadows, pg. 348
They were both really damn lucky that she currently couldn’t shift into her Fae form and smell what was pounding through his blood. It had been hard enough to conceal it from her until now.
Azriel POV, pg. 3
Azriel's cock strained behind his pants, aching so fiercely he could hardly think. He prayed she didn't peer down. Prayed she didn't understand the shift in his scent.
Both males explain to the audience that their desire and lust were and are something they are battling as well. Rowan and Azriel are anxious because of their own problems with self-worth that they are struggling to keep as a secret.
Queen Of Shadows, pg. 348
He’d seen her naked before—a few times. And gods, yes, there had been moments when he’d considered it, but he’d mastered himself. He’d learned to keep those useless thoughts on a short, short leash. Like that time she’d moaned at the breeze he sent her way on Beltane—the arch of her neck, the parting of that mouth of hers, the sound that came out of her—
Azriel POV, pg. 3
He had only allowed himself these thoughts in the dead of night. Had only allowed his hand to fist his cock and think about her then, when even his shadows had gone to sleep. How that beautiful face might appear as he entered her, what sounds she'd make.
Emphasis on: - keeping the desire to himself - imagery of the female body - the sounds/moans
Queen Of Shadows, pg. 348
She was now lying on her side, her back to him. “About last night,” he said through his teeth. “It’s fine. It was a mistake.”
Azriel POV, pg. 4
His stomach twisted as he pulled his hand from her hair and stepped back. Forced himself to say, "This was a mistake.”
I think this is self-explanatory. The same words, similar situation. Rejection followed by a declaration of it being a mistake when the truth is that both couples are yearning for each other and want to be with one another.
Queen Of Shadows, pg. 349
The desire hadn’t been what shook him at all. It was just … Aelin had driven him insane these past few weeks, and yet he hadn’t considered what it would be like to have her look at him with interest.
Azriel POV, pg. 3
Her arousal drifted up to him, and his eyes nearly rolled back in his head at the sweet scent.
So close one deep breath would brush her breasts against his chest. She looked up at him, her face so trusting and hopeful and open (...)
Rowan and Azriel didn't even think about the fact that their desire could be reciprocated- and more than lust they were shocked that Aelin/Elain would look at them with interest, longing, hope. They weren't ready to acknowledge the fact that they weren't alone in this spiral of emotions and feelings.
Moving forward we have the acceptance stage and romantic moments for Rowaelin in Queen Of Shadows. Of course in the case of Elriel we are limited to an extra chapter, however, there are still very prominent similarities in setting and wording.
Queen Of Shadows, pg. 378
“Aelin,” he breathed. Not in reprimand or warning, but … a plea. It sounded like a plea. He lowered his head to her exposed neck and hovered a hair’s breadth away. She arched her neck farther, a silent invitation. Rowan let out a soft groan and grazed his teeth against her skin.
He let out another low groan, answer and confirmation and request, and the rumble echoed inside her
Azriel POV, pg. 4
“Yes" Elain breathed, like she read the decision.
Azriel's hand slid up her neck, burying in her thick hair. Tilting her face the way he wanted it. Elain's mouth parted slightly, her eyes scanning his before fluttering shut. Offer and permission. He nearly groaned with relief and need as he lowered his head toward hers.
Both couples operate without words. In the case of Rowaelin we have: - a plea - a silent invitation - an answer - a confirmation - a request
In the case of Elriel we have: - an offer - a permission - a decision - a relief - a need
The same setting, very similar description, and usage of words. As I was saying, in the case of Elain and Azriel relationship we are obstructed from Elain's point of view due to the content being a bonus chapter. Yet, we can draw a comparison between both couples. Why? Because SJM structured both rejections in the same way. Rowaeiln's rejection leads to a relationship, later to a discovery of being true mates. Is it a coincidence? From a writer's point of view and an avid reader - I don't believe so. She structured both rejections, in the same manner, using very similar vocabulary and even the familiar setting. In the case of Elriel - Azriel's "rejection" is what essentially builds a start for their relationship in the next book. We also have to remember that in Elain and Azriel situation we have:
- a mate - political background - forbidden romance - compatible powers - blood duel - connection to Koschei SJM gave us a setup for the premise of the next book which we know is Elain's. Azriel and Feyre's POV focus on her, but we know that it's one couple per book. Which perfectly aligns with Elriel and their rejection and pining. In SJM universe such rejections as the ones presented are used to further develop a couple, not to bring it down. The parallels are evident and if you are thinking that she doesn't use foreshadowing and she doesn't focus on details I would recommend rereading both series and see that SJM is an expert in foreshadowing - even the tiniest bits of it come out through the series.
That's why in the cases of her HEA couples rejection means endgame.
Queen Of Shadows, pg. 379
“This changes things,” she said, hardly able to get the words out. “Things have been changing for a while already. We’ll deal with it.”
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parachutingkitten · 4 years ago
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Y'all suck at dissecting Kai's character, so I guess I have to do it.
And I'm not even a Kai stan. He's a bottom tier ninja for me, which I guess means you can trust me, cuz I'm not biased, but also why am I the one doing this? I don't know about y'all, but recently on my dash, the method by which Kai fans try to make him sound good is... saying the writers hate him, ignore him, and that he isn't written well? Which... I mean there is a little bit of truth to, but like yikes guys, is this the best you got? Kai is a wonderful character with plenty of attention from the writers, a meaningful piece of the cast when put in secondary rolls, fairly consistent character writing with actual progression and valuable qualities that help the team without having to be the smart one- despite what some posts might tell you.
Let's get one thing cleared up: Ninjago isn't the best written show. By high level Hollywood standards, most the character arcs are kinda weak or too heavy handed, character consistency can be iffy, and most things serve the plot rather than the characters. There is no character you can point to and say "wow, this character is written so well! No complaints!" Nya and Jay were butchered by their weird love plot, Cole's one season doesn't actually give him an arc, Zane's been nothing but the robot numbers guy for like 10 seasons now, and Lloyd seems to be incapable of doing anything but relive the same one piece of dad angst for depth. Sorry, it's true. All the characters suck when you look at it from a large scale writing perspective. So when I say Kai is well written, I mean by ninjago kids show standards- cuz that's the scale we're working on. No, you couldn't drop Kai into a well written drama, but as far as ninjago goes... he's got a lot going for him, and by no means is he the biggest victim of poor writing.
(fair warning, wall of text below)
The title is a bit disingenuous. There are plenty of good Kai character break downs. What I am presenting here is a more positive perspective. On the whole, I will tend to give the writers the benefit of the doubt, and credit for what they do right writing is hard guys. That's what I'm doing here. I don't see much sense in getting mad the writers on behalf of Kai, or any other character. Ninjago is a simplistic ensemble show that works because of the identifiable simplicity of its main characters with some deeper layers hidden underneath if you keep watching. They've given us a damn good show with some damn enjoyable characters, so here are some criticisms I feel are a little flawed:
First, let's get the 'focus' thing out of the way. Apparently there are people saying Kai doesn't have a season yet? Which... what? I mean, I get that the pilots aren't a full season, the first two seasons, though he is the central protagonist, aren't "Kai seasons" as we've come to define ninja focus seasons, season 7, though he gets majority focus, he shares with his sister. But like... did y'all just forget about season 4? You know, the season where he had the title card, was on the box sets, got the love interest, and the majority of the A-plot? not to mention it's the best season don't @ me Like... if season 4 isn't a Kai season, I can make a damn good argument that season 3 isn't a Zane season, and I doubt anyone wants to go down that rabbit hole. I really can't wrap my head around this one. And I get that the fandom hates season 11 for some reason, but like you can't just pretend it doesn't exist. Kai has a consistent arc across 30 episodes in which he takes his powers for granted, loses them, and learns that, not only does he have value within the team without them, but that his element is intrinsically a part of him that he reclaims, bringing them back more powerful than ever, and with new respect for them. That's one of the most solid arcs in the whole series- the location is even thematically connected to his element. That's some good stuff right there! (Quick plug for season 11 if you haven't watched it in a while. Give it a rewatch, you might be pleasantly surprised)
Not to mention the writers give him fun side stuff all the time. Lots of fears of tech and water to overcome, a deep protective streak with Lloyd, becoming a chancellor, having a true potential actually relevant to the plot as a whole, blacksmith responsibilities, befriending dragons, hanging out with his dad. Not to mention actual focus stuff we haven't talked about yet, like his whole "my dad is evil" phase, and his "I might be evil" phase with him and Skylor. And on top of that, even when he doesn't have an explicit side plot, he's always just a fun and dynamic side character to make jokes or give exposition.
Now, into character stuff. Let's start with Kai's hot headed-ness. Some people say he's been loosing this quality, and I will admit, that's true! But those that claim this makes him inconsistent... I strongly disagree. In early seasons, Kai's temper would lead him to snap at his friends or make stupid decisions that set the team back (see episode 2 Zane freak out)- these are bad things. These are character flaws, yes? Now, in newer seasons, people say that he's inconsistent, cuz sometimes he'll be hot headed, and sometimes he won't. I'd say, this is exactly how being hot headed... works? It flares up without warning, and as an individual gets control of it, it'll pop up less and less often because they're channeling it into productive things - like say directing the anger towards an enemy (see season 11 end freak out). Kai has gained control of a character flaw, and though it still pops up on occasion, the fact that it's a once in a while kind of thing speaks to his growth. I have a little brother who has this exact personality, and watching him grow up, I can tell you, this is how it is. He used to snap all the time, and he still does sometimes, but much less frequently, because he's a more mature person with better control of his emotions. This is a good thing. This is overcoming personal flaws. This is progression we're seeing.
And while you're hyper focused on this one aspect of him, things like his cocky confidence haven't changed a bit. I mean, that season 3 bit between him and Pixal, and his season 11 "fire maker" streak have the exact same energy. You can not convince me otherwise.
Another adjacent quality that hasn't been dampened is Kai's impulsiveness. This can be a good quality of his, he'll get into a fight without thinking, getting the jump on the enemy. Good stuff. But, this has become such a well defined trait of Kai's that it has been used in a comedic capacity. This is what happens when a character is extremely consistent to the extent that both the audience and the characters in universe would be able to predict their actions. Kai's impulsivity used to be a more serious quality that put himself and others at risk, and was a big power move whenever he did something rash, but it's become such a staple of the show that it's now being used for comedy. That isn't Kai's impulsivity going away, that's Kai's impulsivity being recontextualized for the sake of the show. The season 9 "Who's stupid enough to jump on that thing" isn't a joke at the expense of Kai just for being dumb, it's a joke at Kai's being so predictably impulsive that everyone already knows he'll be the one to put himself in an insane amount of danger without thinking twice (you know, something stupid that might get him killed). But because in this instance, the danger is warranted, this is bravery. It's a complement to his character- it's what ends up defeating the colossus. Why are some people so bothered by this joke?
Oh right, cuz for some reason people want to peg Kai as the smart one? Look, Kai isn't stupid, none of the ninja are. All of them have smart moments (all of them have dumb ones too) and Kai can certainly handle himself, but "smart" is definitely not one of his defining characteristics- I think some people are confusing smart for his actual strength. Connected to his impulsivity, Kai has very good simplistic instincts. He sees the big picture and looks at the most surface level solution- which when the situation calls for it, that does indeed make him smart. But the same logic that led him to think "This snake has a glowing target on its head, lets hit it" also led him to think "I'm in a video game, therefore I am immortal." Are you really going to look at me and say he figured out Lloyd was the green ninja through logical deduction and a careful consideration of the facts? No. He had a gut feeling, and he trusted it. Instincts- instincts paired with his impulsive following of said instincts is what leads him to solve problems- and sometimes, that can be extremely effective. This goes for other ninja too. Jay isn't the smartest ninja- I would really only classify Zane and Nya as having intelligence define them (hence their ship name). But Jay is extremely creative and crafty. He also knows his was around mechanics, and as such, this will lead him to come up with creative tech based solutions which are smart. But, idk about you, if I had to point to another ninja as being 'dumb' it would 100% be Jay. Kai is a lot of things. He's passionate and determined and confident and persistent. He's a good improvisor, he's powerful and he's charming! These are all wonderful qualities, he doesn't also have to be the smart one. I am the worlds biggest Pixal stan, and she's a smart, sassy, powerful character, but I'm not gonna sit here and tell you she's also hilarious and adaptable and strong willed. She's a straight man to all the ninja's antics, extremely tied to her samurai x suit, and lets people push her around all the time. That doesn't mean she can't be funny, or self interested, but when she does act these ways, it stems from her other more prominent qualities. That make sense?
And while we're clearing up what Kai isn't, please stop characterizing Kai as an overly protective brother - especially romantically. The only two times he's been romantically protective to Nya are in Wu's Teas which I mean, come on and in the pilots when Jay is literally a stranger. For crying out loud, by the end of the pilot, he's smiling when Jay and Nya hug. That's not overly protective, that's just normal, any reasonable person would react this way, protective. And it's such a great stereotype break for a kids show like ninjago, having an older brother who actually trusts his younger sister to be her own independent person who can make her own decisions. I mean, I guess it's fine if you HC differently but like... idk, I don't buy it.
Now, is there still room to criticize the writers? Yes. Hell yes. But not to an extent greater than any other character. Could he have had more of a defined reaction to events of the most recent season that I won't name for the sake of spoilers? Yes. But could Zane have reacted for more than .5 seconds at being an evil war lord for apparently 60 years? Yeah. Has Kai taken a back seat in the past 4 seasons? Yeah. But so has Lloyd- and he's literally the main character of the show. Not to mention two of those seasons have gone to people who had to wait over ten seasons to get one to themselves, and one of them is a 40 minute special. Kai's doing just fine.
Anyway. Kai is great. He's a fun, stereotype breaking, impulsively driven, ball of energy and confidence who gets a good amount of screen time and some fun side plots.
One last thing to clear up: no hate to anyone. This isn't targeted at anyone specific, this post has been a long time coming, I've just seen some weird overblown claims on various platforms over the past few months and I finally sat down to write about it.
I like the Kai content we have. After all, if the writers were really that bad at writing him, then no one would like him.
Wow this was so much longer than I thought it would be. Um... if you have other long winded rants you'd like to see from me... let me know I guess?
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asexualone · 3 years ago
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(pls take the time to read)
Signs I should have known I was aro: Disney edition
I think this topic has been stressed a lot already. But here is my take, anyway.
Of course, romantic love had been, is and will always be one of the main themes in kids' movies. Why, I can never fully understand. I'll explain below how I like other themes more.
Some time ago, I did a post on the kiss/hug scenes in Rapunzel which depicts how much more I value acts of showing love that don't include kissing.
Not only those two. I have a history of hating Disney on-screen smooches. As a kid, I thought, "Well, maybe, I don't like seeing these characters kiss because it's a grownup thing."
Could you blame me? When my parents were in the room and a kissing scene appeared on the screen, they changed the channel. So my toddler brain concluded that the reason I didn't like watching kisses was because I wasn't of age to like it. Or something.
At the time, I had no idea that I was hand-picking my favorite movies by the level of romance they had in. Or lack thereof. And I was a very judgemental kid. Let's go through my original thoughts on some Disney classics.
Snow White — No. Just no. She's a child, fourteen. Marrying an older guy she doesn't even know. After he kisses her corpse. NO.
Cinderella — The age difference is a little better, I guess. So is the age of consent. But they only talked one (1) night and he relied on that slipper to find her instead of asking to meet all women and see for himself. Fairytale logic I guess. I didn't like how she called it love immediately and kissed the prince at least once that same night. Or how they got married immediately.
The Sleeping Beauty — Must I even explain? Aurora didn't even know Philip that much, had only met him once (if you exclude the "dreams"). And yet, he's her true love, the only one who can revive her corpse. Ridiculous. And yes, kissing a comatose body, ew. Also, the arranged marriage trope pisses me off, royalty or not. Aurora was engaged as a newborn baby, come on.
Mulan — Cinematic gold. I didn't know it back then, but the fact that romantic love is such a pushed-aside aspect in this movie gives me life. The songs give me life. Especially when the trio dresses as concubines and "Be a Man" plays in the background. An absolute gem, lmao. The sequel however ruined the story somewhat for me, too much lovey-dovey stuff. I like Mulan more when she's fighting than when she's acting all sappy towards Shang, sorry not sorry.
Peter Pan — Loved it, still do. But I did dislike the mermaids, the image of fangirls who are petty towards other girls. And Pan's brief "relationship" with Tiger Lily was nauseating to me. I couldn't explain it but when Pan blushed at her nose-nuzzling thing, I always pulled a face.
The Princess and the Frog — In my opinion, (remember, always my opinion): Tiana, this hard-working girl who doesn't belong to anyone, was lost to love. Well, not lost. But falling for Naveen in the course of three days? Unrealistic and kinda unnecessary. Sweet, but still. I adored the "relationship" between Ray and Evangeline more. Either way, it's a movie that I enjoyed when love wasn't that prominent on screen.
Aladdin — I love this movie because of the Genie. The relationship between Jasmine and Aladdin is meh. She forgot his face and didn't recognize him until later. Their coming together is a lot like that trope "first guy who treats her right sets the expectations and wins her heart". Usually that's a thing, not only in Disney movies but media in general. The female lead settles for the first guy that treats her right because the bar is that low. A good movie, all in all. Love how Jasmine stands up for herself at least. Not a lot of princesses fight against the objectification of women.
Pocahontas — I used to hate this movie. I didn't sit right with me: the racism in it, the manipulation, the murders. And the romance, yes. Pocahontas fell for the strange man who tickled her curiosity in the span of two days. I also hated how her father just sold her to marry Kocoum like that. I know it's tradition. Heck, that's a tradition that still goes on in my country. Maybe that's why I didn't like seeing it on screen. And Pocahontas doesn't even end up with John Smith. The second movie definitely ruined the story. So yes, she's the first princess who fell for a man in three days, TWICE. Needless to say, only the songs kept me from blacklisting the movie entirely.
The Little Mermaid — I actually loved this movie for some reason. I can't explain why, maybe it was my obsession with mermaids. Yeah, that was probably it. But I was pissed when Ariel exchanged her tail for legs. Not to mention human periods and overall, all the bad in the world, for a man she'd only seen once. As I grew up I realized just how f*cked up that story was: Ariel giving her entire lifestyle, family and identity up for a guy she hadn't even spoken to. I don't know why I loved that movie, alright? Hell I still do a little. The sequel too. Say what you want.
Brave — (I know this is technically Pixar, shut up) Much like the paradox with Ariel, I didn't like this movie. I can't explain it. Maybe because Merida wasn't the typical Disney princess I had been used to seeing. Now though, I ADORE that story. No, it's not because Merida knows archery... Okay, yes maybe a little. I love the aro-arrow word play, alright? Anyway, the way Merida fights against being shipped to a husband like the "tradition" I aforementioned asks her to, has always had my heart, even when I didn't like the movie. The focus on the mother-daughter relationship is special, I love it. Stellar movie.
Tangled — One of my favorite Disney movies, my favorite princess. But her relationship with Eugene.... Well. Again, three days. That's all it takes to fall in love. Classic of Disney. Not only that, but Eugene is literally the first man person Raps has ever since, besides Gothel. The bar is nonexistent for her, she would have fallen for anyone. He lied to her and she still... Well, I won't stress that any longer. Their relationship in the end is sweet, one of the few cases where we are actually shown that they would risk their lives to save each other. Respect that. Mostly, I love her magical hair and Pascal. And the guys of Snuggly Duckling.
Moana — EPIC MOVIE. The story, the culture, the character growth, the plot twist, everything! Loved it at first sight, at second and forever. Even more when I became aware that there's no romance in it. I don't think I need to say more.
Frozen — My opinions on this movie have always been changing, accompanied by mixed feelings. So the relationship between sisters was cute, but Lilo and Stitch made that more realistic. Anna's relationship with Hans, ugh. I think that for a long time I used the fact that he was the antagonist to justify my absolute hate for the way Anna "fell" for him in one evening. Again, Anna sweetheart. This is the first man you've met. The bar is nonexistent for you too. God bless Elsa for forbidding her to marry Hans. And while it's cute to think Elsa as a lesbian, she has aromantic vibes. Sorry not sorry, but she's also a God by the end of Frozen 2. Gods are beyond attraction, I said what I said.
Raya and the Last Dragon — Loved it, still do. Say what you will about "dragon Elsa". Sisu is her own character, and I adore her. And yes, I love the lack of romance in the movie. Make no mistake, I shipped Raya and Namaari from the first moment they smiled at each other. I swear on my name that I paused the movie and screamed, GAYYYY, at the top of my lungs. Luckily, I was home alone. If only Disney directors would do the right fcking thing and give me a queer main couple!! I swear I wouldn't mind the lovey-dovey romance one bit.
Of course, I've left dozens of movies out. This post is already way longer than I wanted it to be. But I think that was enough to make a point.
While I'm not romance-repulsed, seeing animated kisses (and unnecessary relationships) on screen makes me uncomfortable. As a child and as a grownup. It just doesn't sit right with me. Not to mention all these princesses who identify with their princes and specifically their relationships with said princes when they're perfect on their. Wreck it Ralph 2 made them a favor, I think, by making them work together and showing their strengths. Another movie I love.
Friendship just makes an overall better theme to apply to kids shows, my opinion. Family, work, self-discovery, mental health, happiness. These are all better themes to portray in media dedicated for children. Which is, again, my opinion.
And yes, Disney has been getting better. They've fixed the age difference and the age of consent. The female characters no longer depend on the male ones, at least not as often. They understand the assignment, alright. There are still many questionable things about Disney's reputation though, things we all choose to overlook for the sake of the good movies. But who knows? They might change. Hopefully soon we'll also have an obviously queer couple in a movie. Hope dies last.
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malaismere · 3 years ago
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Campaign 3 Predictions - Compiled
So, as a fan of compiling statistics, I've been keeping track of race/class predictions for campaign 3 for the past...at least a year, from tumblr, reddit, and twitter. with EXU over, and my spreadsheet hitting 400 (?!), I figured I'd share the fandom's current predictions
Travis
Human (30), Dwarf (29), Elf, Shifter (11), Half-Elf (10)
Cleric (103), Bloodhunter (63), Wizard (50), Fighter (49), Druid (46)
Lycan bloodhunter (41), Forge cleric (26), War cleric (16), Eldritch Knight fighter, Bladesinger wizard (14)
Marisha
Elf (16), Genasi, Tiefling (14), Dwarf (13), Dragonborn (11)
Paladin (112), Rogue (53), Fighter (43), Cleric (40), Warlock (37)
Eldritch Knight fighter, Glory paladin (14), Artillerist and Armorer artificer, Battlemaster Fighter (8)
Liam
Dwarf (25), Halfling (18), Tiefling (13), Elf (12), Warforged (11)
Druid (77), Cleric (72), Bard (71), Fighter (59)
Stars druid (16), Dreams druid (10), Eloquence bard (8), Alchemist artificer, Whispers bard, Twilight cleric (7)
Sam
Dwarf (34), Kobold (24), Goliath (17), Warforged (15), Kenku (13)
Sorcerer (106), Cleric (98), Druid (63), Wizard (47)
Wild Magic sorcerer (61), Wild Soul barbarian (14), Twilight cleric (8), Life and Forge cleric, Wildfire druid, Divination wizard (7)
Laura
Elf (21), Human, Tabaxi (19), Genasi (15), Gnome, Aasimar (10)
Barbarian (75), Sorcerer (74), Bard (64), Warlock (60)
Wild Soul barbarian (14), Wild Magic sorcerer (12), Glamour bard (10), Shadow monk (9)
Taliesin
Warforged (16), Elf, Changeling (14), Gnome, Genasi, Tabaxi (8)
Sorcerer (68), Rogue (65), Warlock (55), Bard (45), Wizard (43)
Aberrant Mind sorcerer (18), Whispers bard, Phantom rogue, Soulknife rogue (11), Mastermind rogue, Clockwork sorcerer (9)
Ashley
Elf (26), Human (18), Tiefling (17), Half-Elf (12), Dwarf (11)
Rogue (95), Bard (91), Monk (43), Ranger (41), Warlock (38)
Swashbuckler rogue (21), Glamour bard (13), Mercy monk (9), Drunken monk, Wild Magic sorcerer (8)
I also (although less consistently) collected continent/setting predictions. Marquet was the top (49), then Issylra (29) and the Shattered Teeth (22). For non-continent settings, some form of Spelljammer was the top (19), followed by the Age of Arcanum (17), and Planescape/Planehopping (15). Underdark, Ravenloft, Blightshore, and a return to Tal'Dorei were also suggested multiple times.
Much longer and rambly discussion (and my own predictions) under the break.
Top predicted races were Dwarf, Elf, and Human (~100). Dwarf and Elf haven't been played before, so that tracks, and I don't think it's out there to assume we'll get at least one human again. Also, post the whole thing with Essek and long rests, people really started jumping on Elves (which, fair). Warforged, Dragonborn, Tabaxi, Genasi, Tieflings, and Changelings all are pretty prominent (~50).
Of the races not yet established as existing in Exandria, Warforged and Changeling were the most popular (Warforged now dubiously canon post-Aeor, and Changelings dubiously canon with the LoVM bartender), followed by Shifters, Leonin, Kalashtar, Fairies, Grung, Ravnica races (Loxodon, Simic Hybrid, Vedalken), Van Richten's Races (Dhampir, Reborn, Hexblood). Locathah and the other Feywild/Strixhaven races are the only officially published races at 0 suggestions. The lowest previously seen race is Gobins at 2, one of which was for Sam again, and the lowest PHB race was Half-Orc at 17.
Class wise, Sorcerer was actually the most predicted class (which kind of tracks, as it's the one that hasn't shown up even as multiclass), followed by Cleric (generally assumed as compulsory), Paladin (only as a multiclass), and Rogue (also assumed as compulsory, but way less so. Not surprisingly, Bloodhunter, Ranger, and Artificer were the lowest.
Wild Magic Sorcerer was far and away the most suggested subclass, the only one to break 50, although it hasn't hit 100 quite yet (I think it will by the time the final characters are announced though). EK Fighter, Lycan Blooodhunter, Forge Cleric, Swashbuckler Rogue, Wild Soul Barbarian, Stars Druid, Glamour Bard, Bladesinger Wizard, Eloquence Bard, and Echo Knight Fighter are the other top subclasses.
Every official subclass has been suggested except for Berserker Barbarian, Grave Cleric, and Transmutation Wizard (previously played), Battlerager Barbarian and Banneret/Purple Dragon Knight (SCAG subclasses, which are widely unpopular), and the dubiously-official Planeshift subclasses. Open Seas Paladin is the only Matt homebrew to not be suggested at least once. For dead UA, Satire Bard, Brute Fighter, Giant Soul and Stone Sorcerer, and Raven Queen Warlock have all been suggested, usually only once, although many of the suggestions were collected while classes were in UA for Tasha's, Van Richten's, and Fizban's which is technically still UA but announced so...
With Travis, the predictions bounce between two main ideas - a melee spellcaster (Forge/War/Tempest cleric, Bladesinger/War wizard), or going back to a melee class (Bloodhunter, Fighter) but with a bit more mechanical interest (Lycan, EK/Echo/Rune/Battlemaster). I think those are both solid predictions, and while I really, really doubt we'll see a Lycan bloodhunter or a Forge cleric, I think the general vibe is probably spot on.
My own prediction is one of the more out there, but still in line with the general thinking - Artillerist Artificer. Travis is definitely a very tactical player, and it would be cool to see him get a turret for the battlefield, plus all the general utility/versatility of the artificer. Alternatively, I really could see a rogue, although more like what Mastermind or Inquisitive is trying for as opposed to how they actually turned out, if that makes sense.
Race wise, the top guesses are fairly plain, outside of shifter (which is mostly tied into the "werewolf" vibe). None of them would shock me, but I don't have any predictions.
I think that everyone's right on the money with Marisha as a paladin. Her next character being high charisma seems spot on, and I think moving to a half-caster also tracks. EK/Echo/Rune/Psi fighters would also fit, although they don't lean towards high charisma, or a warlock, maybe a more melee one.
Rogue seems unlikely purely due to the fact she's played one before, kind of. Matt and Marisha have both talked some, but her first game wasn't Vox Machina, but a previous game Matt had run where she'd played an assassin. You can do non-assassiny rogues, but still.
(Other fun facts about this game because it's wild: apparently the session she sat in on before playing involved half the party getting eaten by ghouls. the party joined up with another half-tpk'd party (marisha and the replacement characters) to get the raven queen to bring their dead friends back, and a fate-touched rogue swore service to the Raven Queen in order to bring the last party member back.)
My prediction for Marisha is also paladin, although I don't have any thoughts on the subclass, with genie warlock as a second because they are fun. No real thoughts on race other than I too would love to see tiefling Marisha.
Most people are going with a support caster for Liam, which I totally buy. Caleb definitely leaned towards support caster, even if he usually did end up played as DPS. Druid has taken the top given the polymorph->wildshape vibe, although it's still very yclose with Bard and Cleric. Suggestions for fighter dropped after EXU, and while Liam does play a lot of fighters, I doubt we'll see it for C3.
Honestly, Liam is the one I have no predictions for outside of 'support caster'. I'd lean away from Cleric and towards Druid or Bard, but it's hard to say. I also think Artificer deserves to be in the running, as it seems like something Liam would really enjoy, but also...might not want to go Int-caster to Int-caster. My only real thought on race is that I want to see whether Marisha and Liam choose the same again.
Top guesses for Sam is, far and away, Wild Magic Sorcerer. This was also the top guess for C2. I do not think Sam will play a Wild Magic Sorcerer. In general, though, the vibe is going back to fullcaster - Sorcerer, Cleric, Druid, Wizard. I think full caster is probably right.
Sam is so hard to predict because it isn't what he'd choose, but what Liam chose for him. I think it's either something really standard or something really out there, and since I can't guess the really out there, I'll go for the standard - Elf Wizard or Dwarf Cleric, leaning towards Dwarf Cleric, due to the support class and the fact that Sam's mentioned never playing a religious character.
The main vibe for Laura is definitely "DPS" which is understandable. I don't know if I agree with it, but I understand it. Aside from Barbarian, the rest of the vibe is spellcaster - and I don't think we'll see a completely no magic character from her either.
Prediction wise...I understand barbarian, but I'd actually go with Ancestor or Beast over Wild Soul. I could actually see a Bloodhunter from her too, although leaning away from Vex vibes. I think I'd want to go with Wizard, though I'm not certain on that. I would bet Tabaxi but idk, I could see her avoiding that for Travis' sake.
Everyone always names Taliesin as the hardest to predict (he had the lowest count at 354, under even Ashley at 365, to everyone else's ~380/400) but I don't think he's harder to predict than Sam. The thing that makes him hard to predict is that he likes to build characters to fit the party, which he (probably) won't be doing, same as with Molly. The other main thing he tends towards is mechanical complexity in a way that suits his characters.
The main driving influence in the top suggestions is Eldritch Weirdness. Aberrant Sorc, Whispers Bard, Phantom Rogue, Warlock in general. I don't disagree with any of the subclasses, but I really don't think he'd go eldritch for eldritch sake, if for at the very least being...he has always been this weird and it's yet to be a driving force behind any of his characters before. Like the Taliesin-is-an-elder-god thing, I think this is mostly people who don't hang out around occultists. Look, I've had multiple people sell me their actual souls, and you don't see all my characters being warlocks.
That being said, I don't think I disagree with the top classes, just the subclasses. I definitely agree with Sorcerer as a good choice for him, although I'd actually go Clockwork, as I think it has a fuck-with-the-DM vibe. Taliesin is the most heavily suggested for dunamancy subclasses, which wouldn't surprise me, but I think he might avoid on the sole point of not wanting something too tied with the last campaign. A lot of people also name the psionic subclasses, which I'd be more likely to second if they had kept the weird mechanic from the UA, but don't disagree with, excepting my issue with Aberrant Mind.
My out there guess is that he's going to choose a multiclass build. He definitely enjoys playing around with weird builds (Owlbear, he did a non-CR oneshot as a monk/stars druid). On the one hand, a lot of these builds work best for oneshots or starting at higher levels, as they can take a bit of time to come online, but with such a large party, I think it will still function.
(my actual prediction for Taliesin is that his character is weirdly reminiscent of either the aasimar echo knight or the elf blood cleric from the exandria game I'm running.)
Ashley is being predicted as a Dex/Cha build, and I'm totally here for it. Pre-Fearne, I was leaning Ranger, especially Fey Wanderer for a fey build, but post-Fearne, I'm going Rogue, especially Swashbuckler. I agree that seeing a high Cha Ashley would be great, especially to let her be more center-focused than Yasha had been, and swashbucklers are just...really fun. Also, the whole Aeor arc really left me wanting to see Ashley as the go-ahead-and-scout character, just to watch her push buttons.
For continents...I understand why people are guessing Marquet, since it's currently the most explored. I think that if they're going to do Marquet, then Matt will sit down with a cultural consultant. I say will over should, because I won't make any value judgements, but I think it's in line with what Matt and CR would do in that situation.
I can't really tell whether this is a prediction or what I'd like to see (the two are distinct but often difficult to untangle) but I'd actually go with Issylra, and specifically playing up the (at least initial) set up of explorers and adventurers heading out into the wilds. I will also place my bets on them having some sort of more steady home base, and my hopes on that they get an airship. My wildest out there guess is that the plot will move towards either planescape/spelljammer in the upper levels, tying into some of the seeds from the end of C2.
I have seen a handful of people predicting table seating order, which is both very minor and also the thing that I may be most interested in. A while back, someone made a post pointing out that the main romantic relationships were all cross-table, while the strongest platonic relationships were same-table or side by side. Because I am the sort of person that I am, I did statistical analysis on ao3 fics....and it's statistically significant. So I am trying to see whether or not, based purely on C3E1, I'll be able to predict what the top ships for the campaign will be.
This rambling has mostly gotten out of hand because I don't have much opportunity to talk about this, but, you know. If you send me predictions I will give you the current odds gambling style, so that you'd know how much you'd win if you'd place a bet, because I did the tables up as a joke for something else and now I kind of want them to be used for something.
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what-the--curtains · 4 years ago
Text
There Are No Wolves In the Desert
( Oberyn Martell x f!reader, Robb Stark x f!reader)
Part 1 - The Wolf and The Outsider
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Summary: The series of events that have lead to you being in Dorne and why you can never return home.
Authors notes: Oberyn is not in this chapter but he will be in all subsequent chapters! This part is mainly context corner to build up the character! The reader is a distant relative of the Targaryens but I only mention hair colour and eye colour everything else will remain non- descript! Let me know if you want to be tagged (or untagged) in this story 😊😊
Tw: Swearing, violence, mentions of and allusion to sex (none depicted), war, murder the usual GOT stuff, major character death (I wonder who it could be👀👀)
Word count: 5.7k
Tagged: @evyiione
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Kings landing
Cersei tilts her head, eyes thinning as she gazes out over kings landing, the moon illuminating the gold plated roofs of the upper class, the stench of the poor unable to reach her here. Jamie sits on the bed she had shared with her late husband, slowly re-donning the white armour of the king's guard. He turns watching as the summer breeze blows the ends of her golden hair. His shin guard is clipped into place just as three short knocks sound out against the wooden door, filling the quiet air of the night. Sighing loudly Jamie stands up to answer the door, a smile forming on Cersei’s lips as she trunks to greet the visitor.
“Littlefinger, to what do we owe the displeasure,” Jamie asks, sarcasm dripping off every word.
“Funny… I thought knights usually waited outside the bedchamber of those they swore a sacred oath to protect,” he queries smiling, the candlelight illuminating his prominent front teeth.
“Is it done,” Cersei asks through her teeth, tiring of the man’s desperate attempts to hold some semblance of power.
“Yes. Not a soul left alive that isn’t loyal to house Baratheon... or is Lannister perhaps more apt. The north is ours for the taking now the young wolf has fallen, and Sansa is under control here.”
“What of his wife?” she asks, walking towards a nearby table, decanting wine into a goblet turning with eyebrows raised. Littlefinger was not the only one in Kings landing with ears everywhere. She had heard a rumour, one she wished to squash as soon as she can.
“His widow, you mean,” Jamie states from the door frame, dissatisfied at being left out of the conversation.
“Gone, left in the wee hours of the morning from what I heard,” Cersei says, eyes staring into Littlefinger’s, locked in a strategic game of mental chess.
“So she’s alive, ” Jamie adds, despite his previous statement being ignored.
“Not for long,” Littlefinger states , brushing him off.
“Who saw her leave?” Cersei demands, a hint of concern slipping through as she swirls her wine around in the glass.
“No one left alive,” Littlefinger reassures
“So she's...” Cersei begins,
“She’s set to land in Dorne two days from now, she will be dealt with when she arrives. She is…inconsequential.” Littlefinger finishes.
“And so ends the reign of the wolves,” Jamie remarks, as Cersei raises her glass toasting the gods.
Dorne (2 days later)
You watch the docks appear along the horizon as the ship begins to reduce its speed. The sea spray from the trip spattered across your skin was yet to dry, cooling you off, as the southern sun bares down onto you. You lick your lips, the salty taste leaves you parched in a heat the likes of which you’d never known. You’d never been to Dorne, though you’d heard stories of it’s fair weather, people and architecture, and you were eager to see if they held true. You’d heard the wine here was the sweetest the world had to offer, you planned on returning home with some, even if Dorne was merely a stopover. It was not a honeymoon you were here for, no you were here to complete a task of utmost importance. You came in search of the so-called dragon queen at the behest of your husband. He wanted to see if the rumours were true and if they were he hoped to make an ally of her. He had sent you in hopes that your shared lineage, though distant, would work in his favour. The Targaryens held family in high regard, especially with so few of them remaining. You smile as the shore comes into view, the birds above singing to your arrival. The golden hues of the late afternoon sun paint the tents of the markets in the docks. A sense of bliss rolls over you as the crew ties the ship to the dock. It would be one of the last moments of peace you would know for some time. Your feet make contact with the ground, legs wobbling slightly at being back on solid ground. You stumble slightly and a man with a blue beard catches your elbow.
“Winter is coming,” he whispers and you look up as he discreetly passes you a note. You open it. The letter is long and the script rushed, but seven words stand out ‘the King in the North has fallen’ the sheet slips from your fingers and you drop to your knees. “Quick, we haven’t much time,” he says dragging you up, as the first arrow pierces the sky, hitting the captain of your ship in the neck.
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Winterfell, 7 years prior (age 17)
You had always stood out in the north, a caveat of the family you were born into, all of you were outsiders here. Your grandfather was a Targaryen, second cousin to the mad king and when war broke out he led a small rebellion that tried to push back the Baratheon troops storming the capitol, but to no avail. Your father and his brothers were there that day, fighting alongside him, but they were outnumbered, and no amount of skill would keep the combined Starks and the Baratheon forces at bay. After the capitol was taken, your grandfather was hanged and your grandmother took your father and his brother and feld while Robert butchered any descendents of the Targaryen line that would weaken his claim to the throne. Your father had split from his family opting to head north, while they trekked south. He never saw them again. Upon his arrival in Winterfell he built a small homestead outside the city walls and sought work, thankfully the distinctive hair and eye colour had skipped him and he could blend in with the northerners. He found work as a stone mason, crafting formidable architecture admired and paid for by the nobility. The payments allowed him to move up the social ladder and while he remained in the forest he had gained the respect of the elite and was accepted as one of them. His hands soon grew tired of creating. They craved the weight of a sword and so he gave up masonry and offered his services to Ned Stark. Your father became a confidant to the King in the North as he moved up through the ranks. He ended up training many of the soldiers, and for a while, even Ned’s own sons. His proximity to the crown brought him into the path of your mother.
A ball was held in celebration of their eldest child's first name day and your mother was in attendance representing the Tyrells. He spotted her across the room, and to this day he swears the sun shone down on her despite being inside a hall. He approached her that night and they married during the long summer, your brother Illirion was born a year later, then a year after that it was your turn. Their final child, your youngest brother Rhaevar was born two years after you, thus completing your family unit. While the honeyed eyes and dark toned hair of the Tyrells presented well with your brothers, the Targaryen traits that had initially skipped your father came through in your genetic composition. Your hair was as white as the snow that came to the north during the winter, and your eyes a lilac similar to the foxgloves that grew in the spring. You attended a local school until you reached the age where girls were no longer allowed to study. Whilst there you heard whispers from the other children. Every now and then a comment of “murderer” or “traitor” would be shot your way, much to your confusion. It wouldn’t be until years later than your parents would tell you why such comments were made. After school ended officially you continued your education at home and studied the methods of healing that your mother had been trained in while in Highgarden.
Your father insisted all his children learn how to defend themselves, the north was a dangerous place after all, and the threat of war loomed large. The stability between kingdoms was teetering, it had been peaceful for too long, a storm was coming. You’d proven to be of high talent, had it not been for your eldest brother's size you would have been the strongest fighter in the family. Illirion married at 18 to a noble girl of high status, and it wasn't long after that you lost many of your friends to marriage. Some of the pairing were good, some bad and some even for love. Despite being propositioned a few times, you had no interest in being a bride.Your parents did not mind now that your brother had secured a wife and would be able to care for you once they passed. Your father also had it on good authority that you all were to be cared for so long as a Stark sat at Winterfell.
You were acquainted with the family since childhood, though outside of parties you rarely saw them. During the gatherings you and Sansa often gossiped together and Arya would sneak you into the courtyard and beg you to train her. The time spent with them was greatly cherished. Their brothers were often gone during such events, off showcasing their prowess to girls of higher status than you, women who would one day be their wives. Little did you know, Jon and Robb had been told to stay away from you so as not to ruin your reputation. That rule had been followed until one day when a particularly cruel comment from a noble girl sent Arya running directly into your path.
You were out tracking a wolf that had killed one of your family's horses. It wasn’t revenge you sought, but its attack on your homestead meant it was getting closer to town, and growing far too bold for your liking. You’d stopped your trek once you realized it was headed back towards the wall. Approaching your house you see Arya sitting on a log outside your house near the fire pit. Her feet swinging, intermittently kicking at the dirt below.
“Arya?” you question placing your gear down on the ground as she turns to face you, her nose running, eye slightly red.
“Is Rhaevar around? I wish to play” she demands, her childlike nature apparent now more than ever.
“I’m afraid he’s gone off in search of the children of the forest, but perhaps we can find something to do together?” you offer sitting beside her, she was upset, evidently so.
“I have no want to stitch,” she huffs, causing you to laugh at her attempt to insult you.
“Good neither do I. I’m no good at it anyways,” you admit and she looks up at you “Well what do you wish, Arya? Perhaps I can be of assistance.”
“I wish to know how to shoot my arrow so it hits the target every time. I don’t care what Robb says, Jon thinks I can do it so I want to try.”
“Well, I can help with that, come I’ll show you a trick. You’ll hit it every time. Prove your eldest brother wrong,” your comment earns a rare grin from the youngest Stark daughter. After a few goes she gets the hang of it, hitting your practice targets one after the other.
“By the gods,” you chuckle, you’d never seen such natural talents before. Caught up in your admiration of her gift you fail to catch her turning to aim at a farther target still. The arrow soars through the air as two horses approach your homestead, the arrow only just missing them.
“Arya!” you shout, grabbing her arm “You must be careful!” you exasperate as she looks up to you her mouth ajar. The sound of the horses fast approaching.
“Get behind me,” you murmur, pushing in front of her and aiming the bow true.
“It’s Robb!” she shouts, pushing against you attempting to make a run for it. Despite her efforts to throw you off balance you manage to grab her arm, dropping your weapons in the process.
“Why are you running?” you ask, not releasing your grip on her scrawny arm.
“Because I don’t fit in!” she finally admits.
“Well a secret Arya, no one fits in, we're all different, it's what keeps life interesting and what will keep you alive in your years to come,” you say watching as she stops struggling a softness suddenly coming over her features.
“She said I had a face like a dog,” she whispers, chewing on her lip, eyes down. The cruelty of children was always surprising to you.
“Well I’d find it hard to find someone who does not see the tenderness of a pup, or the strength and beauty of a dire wolf. Either way, You have talents, beyond what beauty can measure, ones that will never abandon you,” you reassure. She sniffs and looks up at you offering a rare smile. You see her shift back into her tough persona, the scowl returning to her face as she runs towards the horses belonging to her brother and who you assumed must be his ward Theon. You watch the eldest Stark, now two years your senior drop down allowing Theon to help Arya, as he strides towards you.
“We’d be lucky to have you in our ranks, if you can teach her to nearly take my head off from a mile away,” he laughs, easing your nervousness slightly, his northern accent heavier than you had remembered.
“I did remind your sister to be more careful lest she be tried for treason, or worse yet, get me tried for treason. As for my services, they are always at the will of the Starks, if you wish me to join the army who am I to refuse,” you say, tilting your head and offering him a smile.
“Women are not allowed in our ranks, lest of all those who look like you,” he charms, an unexpected compliment from a man you rarely got the opportunity to speak with.
“Not yet, but rules are meant to be broken after all my Lord.” You retort, eyes meeting his steel grey gaze causing an unexpected chill to run down your spine.
“Are they?” he laughs, the warmth of it causing a sudden heat to rise within you, counteracting his gaze.
“You should remind your mother of that when you return Arya to her,” you offer, as he hands you the arrow that almost took off his head.
“Thank you for returning my sister, wolves have been prowling about, heaven forbid they got to her before us,” he says, concern etched in his face.
“The wolves have moved north, I do not believe they will return this way, and Arya is stronger than you give her credit for,” you assure, his brows raising at your competence.
“I know, and I think she does too, I fear she’ll outlive us all,” he offers, rubbing the back of his neck, the two of you standing there for a moment, the smirk that usually danced replaced by a nervous grin. His head dips down before turning back to the horse, but he stops one last time swivelling round to face you.
“My lady,” he calls after you.
“Yes my lord,” you say, turning back to face him.
“I look forward to our next meeting,” he offers sincerely.
“As do I,” you say curtseying in such a way to make him smile before you both head back towards your respective homes.
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2 years later (age 19)
“What is it?” you ask your father as you lay down your quiver and the pair of small pheasants you’d brought home for dinner. He takes a long drag of his pipe, gaze glued to the treeline. “Father tell me?” you stress, knowing he only ever smoked when bad news had arrived.
“Illirion, he’s...” He stammers and drops his head letting out a strangled sob. You shake your head at the suggestion. Your brother had gone down to kings landing a week ago to serve as a bodyguard to Ned Stark who had been summoned at the behest of King Robert Baratheon. Arya and Sansa had gone with them, leaving Catelyn and the boys in Winterfell, Robb currently ruling in his place.
“Ned Stark would never allow…” you begin, sure your father had once again fallen trap to the rumour mill.
“He’s dead, they’re all dead, all of them...” he whispers, dropping his head to his hands.
“What happened tell me everything,” you stress, pushing your own sentiments aside for the moment.
“Beheaded, Ned for treason, for the murder of Robert Baratheon, his greatest friend, unlikely story. They killed your brother as Ned’s head fell. Arya, is missing, presumed dead, Sansa is a prisoner, to be wedded to that horrible snot nosed inbred Joffrey.” He continues in fragmented sentences.
“Mother?” you question.
“She’s in bed still, hasn’t left, I dare not tell her the worst of it,” he admits tear streaked eyes meeting yours.
“What the worst of it?” you ask, unable to think what could possibly be worse. “Lean on me father, there is no else left for you to confide in, lend me some of the burden,” you stress rubbing his arm in encouragement.
“War is upon us and each family must provide a soldier. Since my knee… I am no longer able to fight, the Starks know this. So your youngest brother…” he starts, but a sob catches in his throat stopping him.
“He can’t go, he’s too…” you begin, swallowing as you try to think of the right word.
“Soft” your father offers.
“No, he’s just not skilled enough, at least not in the ways of the sword. Skilled as he is as a mason he wouldn’t last a minute on the battlefield,” you pause, only one path was clear to you “Let me go in his place,” You say, before you have time to process what you had just offered to do.
“No,” your father says without hesitation.
“Let me go and you may end this life with two of three children. If he goes, I will be the only one left and I could not bear it,” you say pushing back tears at the thought of losing another brother.
“Your mother...” he begins
“Knows I was the best fighter. I had the best teacher in all the seven kingdoms after all,” you say nudging him with your elbow. He places a reassuring hand on your shoulder, before pulling you into a tight embrace.
“When do I leave?” you ask.
“Tonight. It’s a good thing your brother isn’t tall, his armour will fit you, take this helmet. Do not remove it, keep your hood up, any trouble and cut off their cocks, or else I will.”
“I'll see you again, I swear it,” you state, with every intent of keeping your promise.
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The battle rages forward, men fall around you, but you refuse to meet a similar fate today. Your sword penetrates through the opening of a Lannister’s armour turning quickly to slice the backs of the knees of another soldier, both falling in tandem. You hear a horse whinny on your left and you turn to see Robb Stark fall from his horse becoming trapped beneath the dying creature. You weave throughout the battle towards him. Your blade intercepts the longsword of an enemy soldier just as it’s about to penetrate Robbs armour. You drop your shield to Robb and you push up against the attacker. Releasing your force he falls forward and Robb pushes the shield up hitting the man’s face swinging his head back. Grabbing the man by his hair you slit his throat. You drop your sword and pull Robb out from beneath the horse. He grabs your shoulders giving you nod before returning to the forefront of the battle. As the horn of retreat sounds you celebrate the victory with those around you, surviving the first of many attacks.
You're walking back to the tents when you hear a familiar voice call out to you.
“You, wait,” Robb demands, chuckling with those around him. You continue on your path hoping he was talking to someone else. “It is not wise to disobey your king.” He sounds out again, forcing you to turn towards him.
“Come now friend, we mean no harm. I wish to look upon the face of the man who saved me and invite him to ride alongside me.” he states.
“Perhaps he is too ugly to show his face, my lord,” one of his lieutenants states causing a laugh to erupt from the surrounding crowd of men except for Robb. Though a slight smile pulls at the corner of his mouth breaking the cold façade he’d donned since his father’s death. A moment passes then another until the silence is so prolonged you have no other option but to obey. Slowly you lift your helmet up your eyes meeting his for the first time in a year.
“A prize for the army, my lord?” one of the men questions, hungrily eyeing you up as he fervently steps towards you. Robb's arm stops him in his tracks and you draw your blade.
“Touch me and risk losing more than just your hand, I have fought alongside you. I am your equal. You will treat me as such,” you demand, your voice unwavering despite the uneasiness in your stomach.
“You have a cunt, you are not our equal, though perhaps in bed…” another from the crowd offers.
“Stop! Leave us” Robb orders, and the men retreat back towards the camp ground the sound of laughter and whistles picking up once out of range.
“I did tell you rules were meant to be broken,” you say, watching as he tries to suppress a smile.
“Well they certainly have been now” he chuckles, shaking his head in disbelief.
“Are you going to hang me, my lord? Or is it my King now?” you question, a bolder move than you should have felt comfortable making.
“To you it's Robb and no I am not going to hang you, but you are going to come with me,” he says offering you his arm which you brush by looking back at him to follow.
“How have you come to be here? Does your father know?” Catelyn stresses,eyes growing wide as she scans over you assessing the damage.
“My lady, yes, he does. You see when the war was announced and after my brother’s death, we knew someone from our family would have to fight. My father’s leg as you know isn’t... as it used to be, and my younger brother while talented in many ways, cannot hold a blade to save his life. My mother’s grief was already far too much for her to lose another child.” You say, eyes risking tears as she meets her gaze.
“So they sent you?” she explains to herself.
“Yes my lady I was the best fighter in the family, or the most skilled at least.”
“Well, we will not make your brother come to fight, but you cannot stay in the army,” she explains softly, hand running up and down your arms in reassurance.
“She saved my life today,” Robb interjects and Cat looks at you as you look at him.
“Then I am indebted to you.” She expresses.
“As am I,” Robb states the two of you not having dropped eye contact, much to the notice of Cat.
“Lady Catelyn, I am a capable fighter, but if you will not allow me to so, at least allow me to tend to the wounded or to serve you in some other manner. I am here after all, put me to use.” you say and she lets out a sigh.
“Well, if you believe yourself able to defend yourself, and if what my son says is true then I would be remiss to send you home, though you will not sleep out with the rest of the army, you will stay with me.” she says.
“And during the battle you will remain close to me,” Robb stresses “not for your protection, but for mine”
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1 year later (Age 20)
Robb watches as you kill another soldier, the sight never failing to impress him. You had remained close over the past year, both in and out of the battlefield. He kept you close at all costs, your company bringing him some semblance of joy, even in his darkest moments. Rumours swirled amongst the men and the other kingdoms, though nothing between the two of you had come to fruition. Due to the colour of your hair, the enemy soldiers had dubbed you the white wolf, in an attempt to link the Starks with the treacherous Targaryens. While the insinuations at your extracurricular activities with Robb pushed the narrative that he was impure, that northerners were savages, who did not abide by the values of the seven kingdoms.
As you wipe the blood from your eyes, an arrow catches you in the shoulder, the force knowing you back into a tree. Robb is at your side in record time, his hand stopping yours from pulling the weapon out.
“Medic!” he shouts, eyes not leaving yours.
“Go! you need to lead your people, I will be fine,” you emphasize and he shakes his head “Robb, it is a shoulder, nothing of importance lives there.”
“No but it is attached to something of the utmost importance.”
“Go you have a war to win,” you state as the medic helps you to your feet and brings you back across the line.
You sit in Robbs tent, despite your insistence at being treated in the same manner as the other soldiers, he had demanded you be brought there instead. A skilled nurse had removed the arrow from your shoulder just as you heard the rambunctious cheers of the men outside, victory had been secured. Unsurprising considering Robbs keen strategic mind, he was smarter than you'd have accredited him for in your youth. He enters the tent blood spatter still on his face, seeing you alive and fine he takes the moment to remove his armour. He pulls his undershirt off and walks to the water basin wiping himself clean of the sweat and grim coating his skin. Your eyes watch his bare skin intently, studying every scar, every freckle. He grabs a fresh cloth dunking it the basin and wringing it out before heading over to you. He kneels before you, staring up at you eyes telling you to drop the blood soaked rag currently held to your wound, and you oblige.
“I must confess I long hoped to share an intimate moment with you, though these circumstances are not as I imagined,” he says, gently dabbing at your wound, you smile at his concentration.
“And under what circumstances would you have hoped to be intimate with me, my king? At one of your fancy parties, in the secrecy of a barn, somewhere no one would know you had been with a Targaryen girl.” You ask trying to keep your eyes forwards and not at his muscular physique.
“Every man in Winterfell had dreamed of sharing a moment like that with you, though none have found any luck,” he says, standing up and walking back over to the basin.
“I have no need for a husband nor do I have the want to be wife,” you say, watching the muscles of his arm flex as he wrigns out the rag.
“and what about a queen?” he queries, as his hand braces against your thigh, continuing to clean your wound, his eyes still focused on the gash.
“Do you ask all your foot soldiers such bold questions,” you quip, laughing at the sheer absurdity of the situation.
“Only the ones naked in my chambers,” he retorts, eyes darting up a grin plastered to his face.
“A bare shoulder is hardly naked in your chambers,” you state, and he raises his eyebrows mischievously.
“My fondness for you was never allowed,” he admits, dabbing the cloth into a salve and applying it to the wound.
“Oh wasn’t it,” you ask as he looks up to you
“No, my mother feared one of us would ruin you,”
“A Targaryen In the north, perhaps it was fear of you boys being ruined.” you laugh, but when you look at him the tone has shifted.
‘When that arrow hit you, my feelings were confirmed, I no longer wish to be more than a few feet from you at any given moment. I wish to marry you. If you'll allow me”
“Don’t be stupid my king, you’re to be married to a princess from what I understand.”
“I'll be married to whom I please” he assures.
“Robb is that wise?” you question, unfamiliar with the high stakes games played with marriage.
“The Frey’s will recover besides, we’ve crossed their bridge already, and I have no love for anyone but you.”
“Love? We barely know each other,” you say.
“Only our whole lives,” he reminds you.
“I fear you’ll wake up tomorrow and regret your words, so I will not answer you tonight.”
“Then I will return to these chambers tomorrow morning and restate my intentions to make you my wife.”
“What will they say if you allow me to take your bed for the night?” you ponder aloud.
“I guess we shall see” he states, slinging his bloodied shirt over his shoulder.
“Goodnight my King” you offer, watching in amusement as he attempts to find the tents exit without turning around.
“It’s Robb. For you, it's always just Robb”
True to his word he returned the next day and asked again, and this time you accepted. You married a few days later under an old willow tree, with Catelyn and a few others standing witness. The morning after your wedding you awake in his chambers, the sun yet to rise. Robb snores faintly beneath you, the warmth of the fire sending a chill up your skin that had become exposed in the night. You scan over his features, a peacefulness you hadn’t before on his face. You reach over brushing the white patch of hair amongst the mass of soft brown curls on his head. As you do his eyes open looking over to you propping himself up on his elbow and learning over to kiss your forehead.
“What is it my love?” you ask, kissing his cheek, then his lips .
“I need you to do something,” he says, serious as always.
“What we just did wasn't enough, my king? How else may I please you tonight,” you offer hands dancing across his chest, he grins shaking his head slightly.
“You have pleased me in every way imaginable for the past year, and even more tonight. This favour isn't a pleasure of the flesh however, I need you to complete a task. You’re the only one I can trust,” he states.
“You shift up to face him, the furs falling off you slightly, “find the Targaryen girl. I wish to make an ally of her, to destroy the Lannister once and for all. You are likely the only family she has left, she may listen to you.”
“I'll do what I can, and I'll do it fast, I do not wish to be parted from you for long.” you admit as his hand traces over your back.
“Take this with you, that way i'll be protecting you even while we are apart,” he leans over grabbing his dagger, the one made for him by his father, offering it to you.
“Robb I…” you begin.
“Will return it to me a fortnight from now when you come back. I suggest we make the most of tonight, so you have another reason to return to me,” he states
“I'll always return to you, even in death,” you reassure and he wraps the blanket back over you pulling you tightly to his chest. And so as Robb took his seat in the halls of Walder Frey to watch his supposed bride marry another man, you were catching a boat destined for Dorne.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Present day (Age 21)
“Come with me now Lady Stark, your life depends on it,” the stranger says, pulling you to your feet and shuffling you into a nearby tavern ushering you quickly up the stairs. You see a pile of clothes laid out on the bed and immediately strip, all notions of decency erased in favour of time.
“You must disappear, make them think you are dead,” he says, averting his eyes as you change into clothes typical of local mercenaries.
“Who killed him, what happened?” you ask, needing some kind of answers.
“There is no time, and it's safer if you do not know.” He says eyes darting from you to the door.
“I have a right to..”
“The Freys betrayed you, everyone at the wedding is dead, you have no claim to Winterfell. The Lannisters have taken the North”
“Everyone at the wedding..” you echo, sitting on the bed
“Stay here..” the blue bearded stranger says, returning a few moments later with a cloak, sword and black dye in hand, placing them down and grabbing for the clothes and the dagger on the floor, Robbs dagger.
“That stays” you stress grabbingthe dagger from his reach.
“It’s too…” he starts
“It stays, it's all I have left of him,” you whisper harsher than intended, fighting back tears. He nods and you take it from him. You grab the dye from his hand and rub it through your hair, staining it a deep ember.
“Keep your eyes down, they're the only thing we can’t disguise,” he states
“Who are you, why are you helping me?” you question memorizing the man's face.
“You share a common enemy with powerful people. You have allies here. Goodbye Lady Stark I hope we meet again,” he says, and with a swift turn he exits the tavern leaving you alone with your thoughts. You wait a moment before donning the cloak and pulling up your hood. You walk out the tavern, putting as much distance between you and the docks as possible. Keeping your eyes down as men scoured the streets for the person you once were
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peachscribe · 3 years ago
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peach’s summer book list
i had a lot of fun compiling the list of books i read during the 20-21 winter, so i decided i would do a summer one as well! i still have a lot of books i own but haven’t read, so im definitely not lacking in material
if you didn’t see my winter list, how my book list works is basically like this: i read a book that i own but have not previously read, write a short summary immediately after finishing the book, write down my thoughts on the book, and then provide a rating for the book. i also might include background info on why i read this particular book/feelings about the author, but that depends on the book. that’s how each entry works
without further ado, let’s get started!
1. Grasshopper Jungle by Andrew Smith
okay so i absolutely adore another book by andrew smith (written after grasshopper jungle) called the alex crow. it’s one of my favorite books of all time, so naturally i wanted to see if grasshopper jungle would make me feel similarly. just like the alex crow, grasshopper jungle’s plot is. so fucking weird. it stars austin szerba, a teenage polish kid who lives in ealing, iowa, and is often sexually confused regarding his girlfriend shann and his best friend robby. and in ealing, iowa, austin and robby accidentally and unknowingly unleash an unstoppable army of huge six-foot-tall praying mantis bugs that only want to do two things: fuck and eat. and i just have to say: andrew smith’s got an absolutely dynamo writing style. alex crow is similar, where it’s a book about kind of everything all at once, framed in a moment centering around teenage boys. it’s fantastic, and it’s more than a little gross, and i love it. this book made me feel so many things, and i thought austin was such an amazing narrator and main character to identify with. this book has it all: shitty teenage boy humor, fucked up science experiments, and poetic imagery that will make you want to cry. and explicit lgbt characters.
412/10 andrew smith what do you put in your water i just want to know
2. Burn by Patrick Ness
patrick ness has written a plethora of some of my favorite books (such as a monster calls, the chaos walking trilogy, and the rest of us just live here) so when i saw this one in the store i knew it would be a great one. burn is an alternate history fantasy that takes place in 1957 frome, washington, during the height of the cold war, and it begins with a girl named sarah and her father hiring a dragon to help out on their farm. but there’s not just dragons, farm living, and cold war tensions; there’s also a really shitty small town cop, a cult of dragon worshippers and their deadly teenage assassin, a pair of fbi agents, and a prophecy that sarah’s newly hired dragon claims she’s a part of. i think eoin colfer’s highfire was on my winter list, which also featured a story that included dragons and shitty cops, so when i first began burn i thought it was funny to have two books that had both things. you know, if you had a nickel etc etc. but that’s really where the similarities end because burn is entirely it’s own monster (dragon). burn is entirely invested in its world, and its fascinating. not only that, i had no clue where the book would take me next. there were so many surprises and amazing twists that honestly just blew me away. this book also includes beautifully written complicated discussions on family, race, and love - it features interracial and queer romances as the two most prominent romance plots which was such a nice surprise from a book i wasn’t expecting to have that kind of representation. this book is witty, fast-paced, and a very heartening read - i absolutely adored it.
9/10 dragons and becoming motivated by the power of love and friendship are so fucking cool
3. As Meat Loves Salt by Maria McCann
i hate this book! as meat loves salt is a historical fiction novel which takes place in seventeenth century england, which is going through a grisly civil war. the protagonist, jacob cullen, is a servant for a wealthy household and is engaged to another servant in the house. but due to certain events that are almost entirely jacob’s fault, he flees the house and is separated from his wife. from there, he joins the royal army and meets a kind soldier, ferris, and the two become fast friends. jacob and ferris’s relationship begins to bridge past friendly, and jacob struggles with his homoerotic feelings as well as the growing obsession and violence inside him. also, they try to start a colony. listen, i don’t know how to describe the book because so much happens, but it basically just follows jacob and all the terrible decisions he makes because he is, truly, a terrible person. ferris is kind and good, and jacob is scum of the earth. he sucks so bad. the entire time i was reading this book (which took absolutely so long), all i wanted was for jacob to just get his ass handed to him. i wanted to see him suffer. and it’s not like i just personally don’t like him - i believe the book purposefully depicts him as unsympathetic even though he is the narrator. i did enjoy the very in depth and accurate portrayal of what life would’ve been like in seventeenth century england, and i think it was interesting to read a character that is just the absolute worst person you’ve ever encountered and see him try and justify his actions, so if you enjoy that kind of thorough writing, then this book would be perfect for you. however, i did not see that bitch ass motherfucker jacob cullen suffer enough. i’d kill him with my bare hands.
2/10 diversity win! the worst man on earth is mlm!
4. This Savage Song by Victoria Schwab
i know ive had a friend tell me how great one of schwab’s other book series is, but truthfully i bought this book because the cover is sick as hell and it was on a table in the store that advertised for buy two get one free, i think. something like that. anyway, this savage song takes place in a future in which monsters, for whatever reason, suddenly became real and out for blood in a mysterious event nicknamed the phenomenon. august flynn is one of these monsters, but he takes no pride in that fact and only wants to feel human. kate harker is the daughter of a ruthless man and is trying her hardest to be ruthless, too, but deep down she knows it’s just an act. their city, verity, stands divided, and kate and august stand on either side - but when august is sent on a mission to befriend kate in the hopes of stopping an all out war, the lines begin to blur. this book rules. august and kate are such interesting and dynamic characters, and the narrative is familiar while still being capable of twisting the story around and taking the feet out from under you in really compelling ways. this savage song is part of the monsters of verity duology, and i can’t wait to dive into how the story continues and finishes.
11/10 sometimes you can judge a book by it’s cover
4a. Our Dark Duet by Victorian Schwab
this is the sequel and finale for this savage song and i’d figure i’d update everyone: fantastic ending, beautiful, showstopping, painful.
12/10 loved it and will definitely be keeping an eye out for schwab’s other books
5. White is for Witching by Helen Oyeyemi
oh boy. okay. white is for witching is about a house, and it is about the women who have lived inside of it. when her mother dies abroad, miranda silver begins to act strangely, and there’s nothing her father or her twin brother seem to be able to do about it. she develops an eating disorder and begins to hear voices in the silver family house, converted to a bed and breakfast by miranda’s dad; and she begins to lose herself in the house and the persistent presence of her family legacy. white is for witching switches perspective dizzingly and disorientingly between miranda, her twin eliot, miranda’s friend from school named ore, and the house itself. this story is a horror story as much as it as a tragedy as much as it is a romance as much as it is a bunch of other things. oyeyemi brings race, sexuality, nationality, and family into this story and forces you not to look away. this book is poetry.
(like i mentioned briefly, this book heavily deals with topics of race and closely follows miranda’s eating disorder. read responsibly, and take care of yourselves)
15/10 this book consumed me and i think i’ll have to read it another 10 more times to feel it properly
6. These Violent Delights by Chloe Gong
okay. okay. strap in for a ride. these violent delights is a romeo and juliet style story, taking place in glittering 1920’s shanghai. the city stands divided - not only between the foreign powers encroaching on chinese land, but also between the scarlet gang and the white flowers, who are at the height of a generations-long blood feud. juliette cai, heir to the scarlets, has recently returned from four years abroad and is determined to prove herself ruthless enough to lead. roma montagov, heir to the white flowers, is standing strenuously on his place as next in line due to a slip up four years prior and is desperate to keep hold of his title. and in the midst of juliette and roma’s burning history with each other threatening to combust, an unnatural monster lurks in the waters of shanghai, loosing a madness on scarlets and white flowers alike. this book has it all - scorned ex lovers, political intrigue, deadly monsters, and all set on a glamorous backdrop of the roaring twenties. i absolutely was enraptured by this book and the way it plays around the story of romeo and juliet so well that it easily became it’s own monster, but with the punches and embraces of something classically shakespearan. gong does just an absolutely breathtaking job of fitting this fantastical story amid the larger world of shanghai and the real life historical events that had shaken the city to its core. completely immersive and outstandingly heart racing.
17/10 i was chewing on my fingernails for the last thirty pages and will continue to do so until the sequel is released (our violent ends, 16 nov 21)
7. The Antiques by Kris D’Agostino
you ever heard of the american dysfunctional family story? this is most definitely that. at the same time george westfall’s cancer takes a turn for the worse, a hurricane hits the east coast, and suddenly all at once the issues of his health, the hurricane, and all three of his children’s achingly dysfunctional adult lives are crashing into each other. reunited by george’s death, the westfall siblings have to face their grief, each other, and the problems in their own lives they attempted to put on hold while planning their father’s memorial. this is a nice story about grief and loss and love and somehow finding the humor amidst it all.
(this book does include a depiction of an autistic child who does experience several pretty bad meltdowns due to ignorant people around him not understanding how to cater to his needs. im not an authority on what depictions are or are not harmful, but i do believe this depiction is ultimately loving and well-intended.)
7/10 it made me laugh and cry and was generally one of those books that somehow hit you close to home
8. Fierce Fairytales by Nikita Gill
fierce fairytales is a poetry anthology that reimagines classic fairytales from a modern, feminist viewpoint, acknowledging that the line between hero and villain, monster and damsel, are not as clear cut as the classics try to make you believe. this book also includes illustrations done by the author herself, which i think is really cool. my personal favorite story reimagining was the story of peter pan and captain hook, called ‘boy lost’ which looked at how peter and hook’s relationship began and rotted. all in all, i think this collection of stories had a lot of important things to say and said them in frank, easy to understand poetry and prose.
7/10 beautiful message and pretty prose, but at times a little cliche
and that’s all from the summer! my fall semester starts tomorrow, and overall i feel very good about all the reading i did this summer. i even read four other books not on this list for work! so i definitely feel like i made the most out of my time, and im really glad i was able to read so many stories that made me feel a variety of different things
thanks so much for reading this list, and let me know if you read or have read any of these books and tell me what you think of them!
happy reading<3
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