#there's a lot of fun things to imagine

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[beeduoo]

exile

[habken]

kung fu panda x bnha crossover doodles

+ panda!deku cause I couldn’t decide what I wanted him to be

[xxplastic-cubexx]

Chat have we discussed drunk chess with cherik cause i just think. That would be the darnedest silliest thing they could do

[carnivalcarriondiscarded]

come get yer Laughin'stock! get it hot off the press! free Laughin'stock right here!

[welcometogrouchland]

(ID in alt) I literally said I was gonna post this month's ago and then never had the wherewithal to describe it and so I didn't Lmao (said with pain). But since I'm thinking of opening my commissions I figured I should remind ppl that I. Yknow. Can draw.

Lots of Steph here (I had major art block making all of these and my brain worms for her kept me going) + some sprinkles of stephcass for Cass nation to enjoy!

[bacchuschucklefuck]

species medley ft. gorgug and riz

[magicpiano]

I have seen a few DCxMarvel dimension travel fics, and quite a few of them are of them are Peter Parker post-blip. Which gives me a crack fic idea: everyone who got snapped ended up in the DC universe. Yes, all of them.

The current world population is around eight billion, so half of that would be 4 billion... Yeah that would cause so so so many problems. But the DC universe is used to crazy shit.

Obviously there would be a sudden influx of "new" heroes and villains but with absolutely no context it is hard to figure out who is who.

Batman immediately trying to make contingency plans for all these new heroes and villains as well as figure out their civilian identities but this is very difficult because literally no records exist yet.

Magic users from both worlds team up, but I think they were still unable to fix it, the infinity stones were just too powerful. Also I think Dr. Strange and Constantine can't stand each other.

While I am at it, Wonder Woman and Loki would probably hate each other too. DC is more Greek but it has had their own version of Norse mythology, so maybe they are the same and have beef?

They would struggle to feed and house that many new people, but getting them jobs and integrating them into society would be hard too. And good luck proving anything anyone says. "You swear you have a law degree from Harvard? Okay I guess."

Do doubles exist? Yeah a lot of people probably don't have an alternate universe double, but it stands to reason some do. How do you deal with having a new kind-of twin? Or a dead friend or relative coming back, but different? Or even someone you never knew/doesn't exist in this world insisting they are family.

Some au double ideas I have seen people toss around are: Dick Grayson as Richard Parker, Kara Danvers as Carol Danvers, Steve Trevor as Steve Rogers, and Slade Wilson as/being somehow related to Wade Wilson, but I am sure there are other fun ideas out there too.

The snap didn't just affect humans/earth! So other planets are having the same problems.

Then randomly, five years later, just when people were getting used to the change, they all disappear again without warning. This causes as many problems as the original appearance did.

[gale-force-storm]

Ok, new headcanon I've been playing around with for a bit, and I like it so I figured I'd share. The gist is this:

Morena Dekarios: Bard

Gale's always felt like he has some theatre kid energy to me. He's dramatic, grandiose, expressive, he quotes Shakespeare, he writes poetry, he loves telling stories, he comes up with a little rhyme on the spot if you cheat at that chess puzzle, he's just got That Vibe. Now, he could have come by this energy naturally. Some people are just Like That. However, please join me in imagining little Gale, listening with rapt attention as his mother performs a ballad, or tells a story with such skill that the entire room is enthralled. Imagine her trying to keep baby Gale entertained with some dancing lights, only for him to swiftly pick up the spell himself. Maybe one of the reasons he likens magic to art is because, well, that's what it was to him, when he was young.

Maybe Morena was an up-and-coming bard, travelling around the Sword Coast. Maybe she started a fling, as bards often do, with some handsome adventurer, and they traveled together for a bit. Maybe they found out she'd accidentally become pregnant, and after some discussion her partner agreed to return to Waterdeep with her, because, Morena insisted, the road was no place to raise a child, and she'd rather have her family nearby for support. So they went and found a house to settle in, and things were ok for a time. A bit bumpy, but they made it work, her partner taking odd jobs around the city and her taking gigs in taverns and inns and feast halls for as long as she was able. Even the first year or two of Gale's life things went relatively smoothly. But then his magic tendencies started really manifesting, and while Morena was initially excited, the chaos that quickly followed threw her relationship even further onto the rocks. They kept trying for a few years, but eventually, when Gale was 4 or 5, the partner decided enough was enough. He never wanted a kid to begin with, and all this? It was too much. He was out, and Morena and Gale never heard from him again.

Morena still did her best after that, of course. She was still proud of her brilliant son, despite the chaos and what anyone else might say, his father included. He was with her constantly, including often sitting by and watching her performances when no one else was able or willing to watch him. Luckily he always loved watching her play and sing and tell stories, so he caused relatively little trouble when he came along. She even started teaching him to cook, and to play a few instruments, which he picked up as quickly as everything else, though the piano seemed to be his favorite. She considered getting him into bard college in the future, following in her footsteps, but then Elminster came along. And while she'd been doing her best to help Gale with his magic, it was a bit of a relief to have someone so skilled, so practiced and renowned, be willing to help. A relief too, to have someone who saw Gale like she did (or so she thought): as a gift. Someone special, rather than a nuisance or possible danger. She adored Gale, doted on him, taught him as much as she could, but she could admit that she was a bit out of her depth with him.

By the time she started questioning the wisdom of having him go to Blackstaff at such a young age, started questioning the messages he might be getting, Gale was old enough and had inherited enough of her willfulness that there was no stopping him from diving headfirst into whatever he wanted to do, including more formal wizard training. She was still proud, of course, but she did worry about him. She was glad that he at least had Tara around to keep an eye on him, and that Tara was willing to report back to her. As long as Gale was happy, Morena resolved, that's what mattered. Her little storm. Her darling son with the mind of a wizard and the heart of a poet. A heart like her own.

[fereldanwench]

🍿 NOW PLAYING 🍿 Immortal in the Code: A Cyberpunk 2077 Series

Compelled by a desperation that only Night City can incite, two Arasaka veterans become unlikely partners in a quest for atonement and salvation. Just renewed for a fourth season!

[created with this template by @seungnm ♡]

[st4rstudent]

i'll bring these out to the public actually

[teplejtrouba]

a detective who has a partner🔍 and a partner💕 who are friends so the three of them end up doing a lof things together and the detective refers to them as "my partners" and doesn't realise this makes everyone think they're polyamorous (they do end up polyamorous by the end of the story)

[notmoreflippingelves]

[that-butch-archivist]

Making a birthday cake for a friend tonight (something I haven't done for a while), and I forgot how much I love baking & cake decorating. I'll post pics when I'm done, I'm very excited. 🥰

[joons]

This may be a prickly subject, and I'm sorry if so. But I'm trying to learn more about Elvis, and every time I bring him up to people I know, they try to tell me he was this terrible person, and point me toward Priscilla's book, the movie made on it, and the discourse. Idk if you've talked about it on here (I tried searching your blog but couldn't find anything on it). If you're willing, I'd love to hear your take on it so I can see a more nuanced view.

The film Priscilla was greenlit roughly a month after Priscilla herself was informed that she was close to becoming financially insolvent in 2022. With a business partner, Brigitte Kruse, who allegedly helped broker the film deal, she established a limited liability company called Priscilla Presley Partners that was supposed to use her image and likeness to create several lines of merchandise to coincide with the film's release. That business partner is now suing Priscilla because she did not have the rights to her image or likeness, or any ability to use the Presley name, because she had already sold all of those rights and was no longer considered in good standing with Graceland or Elvis Presley Enterprises. The entire business deal, then, according to the lawsuit, was built on her misrepresentation of how much her image was worth.

The deal between the two of them fell apart after Riley Keough, Lisa Marie's daughter and Priscilla's granddaughter, settled with Priscilla to give her a lump sum of $1 million from Lisa Marie's estate and yearly amounts of $100,000. Priscilla sued very shortly after Lisa Marie's death because she thought Lisa Marie's signature on a will had been forged because Priscilla was not included in it. All of the assets were supposed to go directly to Lisa Marie's son, Benjamin Keough, who died in 2020, and her three daughters, two of whom are still teenagers. Now, part of those assets have been claimed by Priscilla and her other son, Navarone, who has no connection to the Presley family and has stated he is glad Lisa died.

Four months before Lisa's death, Lisa wrote to Sofia Coppola and made it clear she had strong concerns about the Priscilla film and was suspicious of the intentions behind it:

"As his daughter, I don’t read this and see any of my father in this character. I don’t read this and see my mother’s perspective of my father. ... I will be forced to be in a position where I will have to openly say how I feel about the film and go against you, my mother and this film publicly."

Lisa was enormously grateful for efforts put into 2022's Elvis to find her father's soul and to restore his dignity in a world that often turns him and his family into a joke:

"You can feel and witness Baz’s pure love, care, and respect for my father throughout this beautiful film, and it is finally something that myself and my children and their children can be proud of forever."

It is such a strong and powerful statement, to see how much Lisa valued family, not just her father but her own children and their legacy, and how willing she was to speak up no matter what was going on in her personal life to say what was right. On this and many other things, Lisa and Priscilla's values have rarely been in alignment. A friend and EPE business associate, Joel Weinshanker, said of her, "Lisa couldn't be bought, she couldn't be pushed. If she felt that something wasn't in Elvis' best interest, it was never about money. And she really is the only Presley that you could say that about."

Priscilla, though, has adjusted her stories about her time with Elvis almost every time she discusses it. For a quick example, she said in her book, which was released in 1985, that Elvis insisted she do her hair and makeup a certain way, that he had control over her look and would get upset if she didn't dress how he wanted. But in an interview with Ladies' Home Journal in 1973, she said that she made a deliberate choice to attend makeup school so that she could learn how to style herself, and that it was her idea to wear big, black hair and big, black eyeliner. She said she was embarrassed for going overboard. She said, "I wish that Elvis had said something, but he must have liked it because he never commented." This lines up with recollections from Patti Parry, a platonic friend of Elvis' and a hairstylist, who said Priscilla always wanted Patti to do her hair in a "big boombah," but that Priscilla would then get upset when Elvis didn't notice or didn't like it.

These changes are impossible not to notice if you follow her for any length of time. At the film premiere, she said it felt just like watching her life and said she was consulted on everything, since she was an executive producer. After the film came out, she said she couldn't understand why Coppola had changed so much about the story and misrepresented events. In the '70s, she said she and Elvis lived almost totally separate lives, that she came and went as she pleased, and that she loved this freedom. Later, she said she felt completely stifled and trapped and never left the house, even though she had friends she went out with all the time. In 2019, she tweeted a forceful denial about a National Enquirer story: "This is the Enquirer folks... please don't believe everything you read. ... Never planned on being buried next to Elvis. What will they come up with next?" But part of her settlement demands in her lawsuit against Riley in 2023 asked "to be buried next to Elvis." This year, she said in two separate interviews that Lisa was with her when Elvis died and that Priscilla had to break the news to her, despite the fact that Lisa was at Graceland when it happened. She has said she gave Elvis the idea to wear belts on his jumpsuits, to have a lightning bolt as his logo, to sing "An American Trilogy," though none of that is true. She retells the story about forcing Elvis to burn all of his spiritual books to prove he loved her as an almost funny anecdote about debrainwashing him, while Elvis later said it was the worst thing he ever agreed to, a desperate attempt to make her happy by giving up the things he valued the most. (For the record, this is my opinion about their relationship on both sides: thinking they could change themselves and each other to make it work. It never did.)

Every secondhand Elvis account has to be treated lightly and only valued for its consistency with known facts and other witnesses. I try to give enormous benefit of the doubt to anyone in the Elvis world because they often only have partial knowledge of what Elvis may have been thinking at any given time, and there are numerous examples of people who were taken advantage of by unscrupulous journalists who changed the story they wanted to tell. But Priscilla's stories sometimes are not even consistent with her own statements, which makes them very poor options indeed to base anything on. However careful we are about noting potential biases and inaccuracies in other memoirs, we have to be triply, quadruply careful with anything in which Priscilla involves herself because she has a vested interest in generating discourse today in order to make money. Unfortunately, Priscilla has a habit of stifling other accounts or making sensationalized statements each time there is a possibility that she will lose some of the cachet that comes with being an Elvis Source—after Elvis' death, when she believed she was going to inherit his airplane and disinvited everyone that Vernon said could fly in it to his funeral; when she sued the parents of one of Elvis' ex-girlfriends after he died because he had allowed them to live rent-free in a house he bought for them; when she claimed that Elvis wanted to reunite with her before his death, despite the fact that he was engaged to someone else and told many people he couldn't see a reunion ever happening with her; before Vernon's death, when she convinced him to make her an executor of the Presley estate until Lisa came of age; after Lisa came of age, when she convinced Lisa to let her stay on as partner; when Lisa accused Priscilla of misspending Lisa's money, during which time anonymous sources cropped up to say Lisa was in debt and drug-addled; when Priscilla was removed from her position as an EPE spokesperson but kept collecting $900,000 a year from the company; when Lisa died, and Priscilla sued once she learned she wasn't in the will; when Priscilla was no longer associated with EPE and decided to do another adaptation of a book that she has since recanted parts of and has contradicted before and after its release.

When Priscilla thinks there is a threat to her image and position, she does new interviews and projects to muddy the waters and stir public interest, whether it is true or false, positive or negative, laudatory or defamatory. She gets corrected by Elvis' surviving family members, girlfriends, friends, and fans, but these stories do not get the same reach no matter how much they are backed by contemporaneous documents and witnesses, or how many resources there are to educate the public on how Elvis' and Priscilla's attitudes about marriage and relationships changed—along with the rest of society—between 1960 and 1970.

I think almost any single-source project is not going to advance our understanding of Elvis in any way because no one individual can speak for him, and we are kind of obligated to include all the context we can in order to appreciate his character, his successes and failures, flaws and virtues—and to treat both himself and those around him as fully three-dimensional people who have their own blind spots. Priscilla is far too aware of her own image, and far too willing to change it to suit the audience, to be particularly valuable here.

She is next scheduled to appear at the Lexington (Kentucky) Comic & Toy Con.