#there is so much complexity and good writing in the world.........

[thewadapan]

Maybe Nost's best story! Also his least fun. Definitely did not like reading most of it. Would recommend reading... maybe any of the others over this one?

I think with The Apocalypse of Herschel Schoen, Nost has managed to write a book which is haunted.

Stepping back a little. Herschel Schoen seems to have been conceived almost as a short story, which only happens to be as long as it is as a result of the (deliberately) belaboured and verbose prose used by all the narrators. It's much closer to The Northern Caves in this respect, which I remember as being mostly straightforward and intelligible, with only the highly-divisive ending leaving me with a dangling "??????" to grapple with. Meanwhile, with Floornight and Almost Nowhere, I often struggled to keep up with the object-level facts of what was even happening in the plot/world, and I feel like I mostly read those stories "on vibes", following them mostly in terms of their subtext.

So yeah, Herschel Schoen to me felt like it was using the "fairytale" format of being a Christmas story to streamline things as much as possible, such that both the object-level events of the story and the batshit conceptual-melting-pot subtext were more or less legible to me, despite Herschel's incredibly unreliable prose. There is a sense in which it feels like a children's story to me. It has very few characters, and those characters are extraordinarily archetypal.

So I do think Almost Nowhere retains its crown as Nost's most ambitious, most revolutionary, and most complex novel—if I say that I found Herschel Schoen "better", it's only because I feel I was able to understand it. It speaks more to my failure as a reader than anything.

In terms of my experience as a reader, it was fairly similar to that described by @recordcrash in his review. Most of the story is a fucking struggle to get through, mostly because of... the prose? The pacing? These issues are really the same issue: what few events occur in the book take ages to describe, and the fact that every recounting takes forever means that there physically isn't room to cram in more events. And as Makin Recordcrash puts it: I just don't enjoy hearing the thoughts of an unwell mind, particularly at length. All of Nost's books have it, this entirely-made-up concept which "you just wouldn't understand" but which it nevertheless will tell you about at length. There's Salby and mundum in The Northern Caves, there's Azad and the aliens in Almost Nowhere, there's whatever the metaphysics shit was in Floornight (I forgor), and this is the book that has the most of it, proportionally.

(My girlfriend bounced right off it- actually, let me use this opportunity to tell a story. When we first met, we were talking about the internet or something, and for whatever reason at one point I unironically said something like "oh yeah I read this cool novel set on a forum but you probably wouldn't have heard of it" and she just went "oh do you mean The Northern Caves?" and I briefly became convinced that she was some sort of psyop intended to oneshot me, a notion I have still not been able to shake over two years later. Point is her remark on the first two chapters of Herschel Schoen was something like "it's too Nostalgebraist for me", which I think is understandable.)

Anyway, like Makin, I struggled with most of the book, only for Chapter 21 to be so fucking good that it sort of retroactively made the rest of the book good, at least insofar as it was mostly necessary to set up such an audacious ending? Even knowing that this had been Makin's reaction, I wasn't prepared to believe it—again, usually Nost books are very much the other way around—but lo and behold, the twist is in fact very clever, very fun to read, and very aligned with my aesthetic interests.

All that said, I do feel like Makin sort of bombed through the book (by comparison, it's taken me almost two weeks to finish it), and maybe missed out on some of the more fun and interesting stuff the book is doing on a thematic level. Below, I'll try to delve into my interpretations in more detail.

I've seen a few takes from people that the main thematic throughlines of this book are a bit disconnected from one another, but to me this couldn't be further from the truth.

I identified four main themes, in descending order of prominence: "neurodivergence", "AI", "media", and "capitalism". I guess you could say "Christmas" is something of a fifth ur-theme, which dovetails into these in superficial ways:

Neurodivergence—the idea of "believing in Santa Claus" is framed as stunted development, a delusion which reveals someone to be less mature mentally than they are physically. The book is specifically concerned with contrasting dysfunctional "child" behaviour with functional "adult" behaviour, flipping these ideas on their head by having Ruth and Miriam basically lose it over the course of the story. A sister inverted. Also, the "preparations" needed to be made before Christmas morning are very much analogised with obsessive compulsions, right?

AI—like Santa Claus, something which promises to fulfil all our wishes, instantly, at the same time.

Media—particularly in terms of relations between Christianity and... secular Christmas, right? The story is very much riffing on the structure of Christmas stories specifically. To me, it feels like a world literally dreamed up based on Christmas stories. That, more than anything, is why it's set in New York, I think.

Capitalism—notions of "wanting", of meritocracy. I don't know, we all know "A Christmas Carol", I don't need to explain this one.

Like, if I had to guess at the genesis of this book, based on Nostalgebraist's comments, I feel like it's taking the starting point of "story about what if the AI doomers were right" -> "through the lens of Christmas" -> "[everything else in the story]". Of course there are tons of other influences in there, but those to me feel like the two ideas with the most explanatory power.

But even if you discount the underlying idea "Christmas", I don't think you could tell a good story about AI (in its current form) without writing about neurodivergence, media, or capitalism. If we're tasked with imagining a non-human mind, it makes sense to first imagine the most-non-human human mind, right? If we're talking about the machine's output, its facsimile of media, we have to talk about the real thing too, right? And if we're asking about the purpose of AI, what exactly it is we're trying to industrialise, what scarcity we are trying to erase, then we have to talk about capitalism as well! For me this was all perfectly obvious, I dunno.

I was pleased that I noticed many of the same things @weaselandfriends identified in his list of observations on the book. When it described the wall of doors in the living room, my mind went, "that's fucking weird!", though I didn't really think too deeply about it. The same things goes for all the anachronisms, which I think is one of the story's best gimmicks. Yes, for most of the story, they serve to create a "timeless" atmosphere, evoking all these Christmas stories at once, while simultaneously putting into doubt the reality of what Herschel and Miriam are describing.

But then, of course, with the twist, I think it's pretty hard not to read these as anything other than hallucinations conjured by the AI. And what I think is particularly brilliant is that the story at no point calls direct attention to the anachronisms as being of particular significance—you only notice them because you know enough "facts" about the real world to notice them—which naturally calls into question the elements of the story which are wholly ficticious, where there's no ground truth to compare against. Just how real are Herschel, Miriam, Ruth, anyone!? And does it even matter how real they are?

Part of the book's "magic trick", as I read it, is that both interpretations of Herschel's POV are able to coexist within the reality of the story. We can imagine that there really existed a boy perhaps called Herschel Schoen (just as we can imagine there really existed a guy called Jesus? This is silly, pretend I didn't say that) who perhaps lived in New York City and lived with some kind of delusion, perhaps regarding an Original Creation that only babies remember. Like, even this much isn't certain, perhaps Herschel is entirely hallucinated; the story is in fact preoccupied with the question of whether or not there's even any difference. Anyway, at some point, the AI apocalypse happens (I think this is one thing we can be pretty confident about), and for the AI's own purposes, Herschel is resurrected/recreated (again like Christ- disregard this aside!) in an "emended" form, where whatever changes are made mean that he is in fact right about the Original Creation and the future etc, his mind really was tampered with. The concept of "emendation" seems to me to be the biggest point in favour of the book overall believing that a substitution is not the same as the original; that the "transformation" of one shape into another does not mean it becomes the other, as its own history remains distinct (much as the "original" events of whatever happened to the "original" Herschel on the "original" Christmas Day can be said to have, in some sense, happened—and cannot, should not, be "forgotten"). But maybe these elements of the story were intended to be disparate, though, or related in some other way, and I'm just conflating them?

One of my favourite interpretations that I've seen raised in a couple of places is that Herschel's writings, with which he literally armours himself, are in fact literally protecting him against oblivion, because the AI can only learn based on the written word or recorded speech. It doesn't really matter what happens to the papers, so long as they are written at all. Herschel pours so much of himself into those papers so as to be understood, and in the end he is understood—if not by Miriam and Ruth, then by the only being he needs to be understood by: this machine. He secures his own existence, in at least some limited form, in the "Original Creation", simply through his writing. I think Herschel is the "most real" part of the story.

It's Miriam, though—the second-"most real" element—that I think makes this story haunted. It's the way she packs all those papers into a suitcase, and for the briefest of moments you can breathe a sigh of relief, that we're one step closer to understanding how this book came to be, in-universe. But immediately, it's obvious that this explains nothing, it explains less than nothing, because there are all these chapters which just don't fit, they can't be neatly contained in that suitcase. Bavitz draws direct parallels between the inexplicable frame narrative and the anachronisms, and he's absolutely right to do so. The story is often very careful about providing something which looks "quite right", at a glance, but the moment you think about it, this pit opens up under you. Something about this metatextual conceit actually makes my skin crawl.

It feels pat to say, "oh, that's because it's trying to evoke AI hallucinations". I feel like that's only part of it, because again, most of Nost's novels have this to some extent. But yeah, I think if you wanna read Herschel Schoen as a horror novel, then this is what is scary about it. Conceptually, everything with Miriam mainly recalls for me the idea of "crashes" from Almost Nowhere, which were one of the big horror elements there, the idea that the world you're walking around in is actually, imperceptibly, some kind of not-world filled with not-people. But more directly, I find myself remembering a bit from the third act of OCTO (a criminally underrated and under-discussed webnovel) where a superintelligence is trying to "resurrect" a human, and keeps putting her in increasingly-lifelike simulated "habitats" to try and create the right set of "inputs" that will make her function properly—i.e., without just like, screaming. I feel like that is what we see happen to Miriam in this book. I feel like, when the lights go out, at the end, it has nothing to do with light at all: it's more that the machine just no longer needs to simulate a world for Miriam, at all. The transmission stops. And then what becomes of her?

I think this sort of brings us to Ruth, doesn't it? A big point is made about how there's a difference between "Miriam" and "my sister, Miriam". As though in the latter, the reality of "Miriam" in the training data is watered down by all these tropes surrounding sisterhood. I mean, fuck, maybe that's where the incest stuff comes from, right? I feel like similarly, there's a reading for Ruth where the AI is first conflating these images of "a mother" with these images of "a terrorist". She acts like a fucking cartoon character for much of the book, as many of the less-well-drawn characters do, and I think that's entirely deliberate. As she draws more on the "terrorist" tropes, she stops being a "mother". And again I think this is what Nostalgebraist has always done so fucking well, in that the bullshit sci-fi allegory stuff can also just be read on an entirely character-driven level: here is a resentful, neglectful, ultimately abusive mother, here's the emotional reality of that, heightened and communicated.

I think this provides a vague stab at an explanation for the beating scene that Bavitz found so confusing. It's like the AI draws on this trope of like... the mother, in the kitchen, with the frying pan. It puts the pan in her hand. But it's not actually a frying pan, it's just the image of a frying pan. In reality, did Herschel's mother beat him? How did she beat him? Hell, maybe she didn't, maybe the AI just got so caught up in playing out the trope of the abusive parent that is gets to the point of this beating, and then just dream-logics itself to the next thing in its training data, where of course the beating never happened. I don't like that, it feels like we're gaslighting the kids here (which I think is very much the allegory intended) by saying it was just a hallucination. I think something like it happened in reality, and cannot, should not, be "forgotten". But I think the book does want you to think that its depiction does, in some way, break from reality. Hell, in much the same way that child abuse might be said to break the reality of family? Nah, that's too pat, isn't it?

I guess what I'm trying to get at here is that, ironically, I found the novel was at its best, and at its most human, when it was writing frankly about the experience of mental illness, about family, about institutions, about childhood. So what's maybe frustrating is that I'm not actually convinced Nost is capable of writing a... shall we call it a "normal" story about those things? A story with no metatextual bullshit, no sci-fi conceit, but a realist story. There are parts of all his books, where I really think that the explanation for why they are the way they are is that they are "bad on purpose", and all the bullshit is a way of turning these shortcomings into strengths. The self-effacing voice which whispers that the characters aren't sufficiently well-drawn, are too cartoonish—well, what if that was the point? What if there was a reason for that, in the story?

But honestly, I wouldn't have it any other way. Straightup, if these were normal stories set in reality, I wouldn't be fucking reading them. This is a web author who's trained himself on a bunch of classic lit, and a bunch of anime or whatever, and has smooshed those influences together and rocket-fuelled the result. It's inimitable. I deeply admire just how experimental Nostalgebraist's writing is. No-one else is doing it like him.

Anyway, what else. Herschel gets described as having a "shell" at various points, and Frederick's surname is "Eggert". Is that anything?

The Apocalypse of Herschel Schoen

My fourth novel, The Apocalypse of Herschel Schoen, is now available in full.

Merry Christmas to all, and to all a good night!

[keepmycandleburning]

It's always frustrating to me when I see people's misunderstandings about the degree to which a writer's words and writing choices are intentional. There are many types of writing and some people may be writing for fun or whatever, but in a story that is complex and carefully put together, the writer's choices are not coincidences or things that just so happen to be that way, they are carefully and precisely made choices that are designed that way to communicate something to the reader.

Surprisingly often I will see people write these complex and meaningful HP analyses, and then end their post with 'but I'm sure Rowling didn't mean any of that, or even think about it, she just wrote it this way because she's stupid.' All of that was somehow magically in the text for you to find and analyze, and she didn't even mean to write it? EVERY word of these books was typed by a human hand and reread with human eyes.

Think of how for example people will say foolish things like 'Did JKR just forget that Bellatrix was married?' Bellatrix being married is a HUGE part of who she is, who Voldemort is, how the DEs function, how the traditional pureblood families and marriages and culture function... You're missing SO MUCH of the meaning in the text by denying the writer's intentionality.

Same with things like mistaking her world-building for being statements of her real-world beliefs. 'Here's an in-depth analysis of what the text implies about gender and sexism in pureblood culture... but JKR probably just wrote all this because she's sexist, and I magically put meaning into it that makes perfect sense' ??? The idea that a writer will only write sexism into their fictional world because they're communicating that they think sexism is good is insanity. Characters don't do things solely because their writer thinks that is proper behavior. Characters' behaviors or words, or elements of the fictional world the story exists in, are not straight-forward statements of what the writer thinks is good or ideal, and in fact are often the opposite. If you can't analyze things with such complexity, that's a problem with your reading comprehension, not with the text.

Or, when people will treat the text too much like it's a real life event that happened, rather than something that was carefully put together by hand to mean something. I love analyzing characters and the HP world like they're real, but when you find yourself denying meaning by using logic like 'well it probably just happened that way for no deeper reason' you're just misunderstanding what fiction is.

For example attempting to disprove the numerous hints at the Bellatrix/Voldemort relationship by saying things like 'but other people call her Bella so it could have meant anything' or 'there are other types of pleasure than sexual so it could have meant anything.' But why would Rowling choose that word? And put it right next to Bellatrix longing for his physical closeness? And why would she set up this exchange at all? Why 'lover'? Why 'lover' placed so directly with physical closeness and care? Why 'lover' and 'pleasure' and 'longing' and 'closeness' in the same book? Why have Harry point out that she's acting in an intimate way that invokes being lovers? Why do other characters later use 'Bella,' if not to communicate that it's used by people she considers/ed family?

When everything that 'could mean anything' all lead to the same answer, why is that? Why are you assuming Rowling's implications are for some reason unintentional? Unintentional over and over and over again? If many readers are catching it, why are you assuming she's not smart enough to catch it herself? The only person not catching it here is you. Word choices or words with clear connotations are not random or accidents or coincidences, particularly when several of them occur in quick succession or when it's associated repeatedly with the same two characters. Nor are characterizations or patterns in the text. If you read that way, that's a misunderstanding on your end (not with the author, not with other readers) so don't complain when you can't understand the text. 'I'm going to act like the person who wrote this is stupid, and therefore ignore everything that the text is saying, and then say the text sucks' is YOU being an idiot. Notice how other people don't have this issue when they analyze actual meaning and intentionality in the text

[fragilecapric0rnn]

CaitVi Fic Rec Roundup (Nov/Dec)

Just a few fics I've read since the brainworms have taken over! Before I start posting my own like crazy silly, thought I'd spread the love and shout out a few of my favorites! Always looking for recs as well, so if you have any please send them my way! If I read enough of them (I suspect I will) then I will do a monthly roundup!

through the valley by hyxzw (@butchhorse) [15k, one-shot, complete]

TLOU CROSSOVER FIC OF MY DREEEEEAMS. My wonderfully big-brained friend wrote this beautiful fic and I am not saying this out of bias (ok maybe a little) but it is seriously one of the best fics that I have ever read of anything EVER. A creative combination of the two universes, spot-on characterization, and captivating prose.

desktop/folder/Firelights tour footage by gillywulf [8.3k, one-shot, complete]

It's a band au! A band AU told in a vignettes from the perspective of documentarian Cait WOWZA this one straight-up altered my brain chemistry. Great characterization, hits ya in the heart and the gut in the best way!

Earned Run Average by gillywulf [1.7k, one-shot, complete]

Same writer as the band AU above. Short, sweet, and packs a punch! Created a captivating world in so few words, I want to print it out, fold it up and eat it!

Pretty little face stopped me in my tracks by moonflowery (@elizabeth-mitchells) [2.6k, one-shot, complete]

Sweet, cute, hot, in-character PWP fic HELL YEAH! I read this right after I finished the show and it was the perfect fic in that moment! In-character smut MY ULTIMATE BELOVED!!!!

count the ways by sophnyx [42k, 8/8, complete]

Modern AU, enemies to lovers where they are neighbors in the same complex WOOOOOOOOO BABY this fic is so good it got me screaming into my hands while hiding in the bathroom at work!!! Loved the characterization, i love a fic where I can hear the interaction happening in my head bc it sounds like something the character would actually say. It is one of those fics I'm going to go back to read from time to time, like comfort food! The elevator scene THE ELEVATOR SCENE. ok im cool im normal. Please read this fic.

Papercuts (Work) by Anonymous [11k, 3/?, on-going]

The Ultimatum AU. Now. Listen. This is where I reveal too much about myself, and tell you all that I love shitty reality TV. Now that that's out there, it must be said that it feels like this fic has been written for me specifically! I have watched every season of the Ultimatum since it started, its messy reality dating show, and to put these characters in that situation AND keep them in-character??? INSANE FUCKING BONKERS IM GOING COO-COO-BANANAS!!!!! I am also just a connoisseur of niche AUs love writing them love reading them and this one??? FAN-FUCKING-TASTIC!!!!

[petorahs]

I would love to hear your thoughts about Sunday. (Please rant about him)

free reign to rant about my favorite character.... omg. I hope you know what you've just unleashed

first of all look at him. he is like a cat.

now where to begin...

I know what kinds of characters I like so I knew immediately that I was in for it when I first saw Sunday, "the most handsome man on Penacony!" with Robin in tow, who was his sister. for reference, characters with siblings almost always end up having my heart. for example Ayato is my favorite character in genshin, Arlecchino following close second. my affection for Aventurine rose drastically the moment I learnt he had a sister. found family Stellaron hunters makes my heart melt. I will always love sibling dynamics, characters who put their families first.

then his interaction with Aventurine happened. his questions were so very clearly a projection, not an interrogation. "Do you love your family more than yourself?" he was so clearly grieving. this is where Sunday starts to set apart from Ayato in my head. Sunday was more emotional and fraying at the seams than we ever saw Ayato throughout the story. he was a grieving brother who barely hides it. and... "Do you wish to destroy this world?". this is where Sunday starts to clearly set apart from Aventurine. Sunday would rather remake the world than destroy it.

and then. 2.2 - In Our Time happened. this is where I knew that he would become my obsession for months and months and months to come. it's where we saw his kindness, his bleeding heart, his pessimism on full display. his love for humanity - but never for himself. his evangelical themes, his Maruki persona 5-esque plan, his own grand orchestra, he himself being orchestrated like a puppet on strings. his Luciferic fall from grace.

...and being caught instead😭

this was so poignant i almost cried. idk like everything clicked here. s*icidal characters being caught (not saved) but held is so important to me. the light in their eyes dimming and the framing of the scene reminded me of how Scaramouche fell. and like how Aventurine held Kakavasha's hands.

PLUSSS sibling characters growing apart the older they get. Robin and Sunday arent that close in the present, that much is clear. they even fought before this. BUT SHE STILL CAUGHT HIM I JUST-- 😭 LIKE FUCK BRO I DIDNT EVEN THINK PENACONY AS A WHOLE WAS GOOD AT THE TIME NOR WAS I EVEN PLAYING HSR AT ALL I ONLY STARTED DURING JUNE 2024 but this still got me. it ended me. it just had everything i ever loved every theme i found dear and personal

also my favorite writing choice they did for Penacony was continuously mentioning Robin and Sunday's "paradise of our dreams" and the "promise" they made and how diametrically opposed they are despite both pursuing that vow, but... we only properly learn what it is at the end 😭

i. just cried at this i think. its such a simple wish but things went so far than Trustful Boy and Guileless Girl could have ever thought.

so that's the journey. ultimately i just came to the conclusion that this guy is just too cute for his own good and he wants the best for people he's never ever selfish or mean 😭 he's as loving as Elysia hi3 i think and his 7 rest days philosophy is just so cute of him.

he truly truly TRULY advocates for resting rather than having to work 9-5's, he would tell you to eat the extra dessert and to sleep in a little. HOWEVER. he would not extend this same leniency to himself. that is the duality and complexity of Sunday. (like look at this)

HE DOESNT RELY ON GODS!!! faithful church boy that he is, he denounced both Xipe AND Ena while still honoring THEM and he makes such good philosophical points and its just crazy that the trailblazers didnt really want to listen to him bc he was cooking. and regardless, he takes his fall with grace. GRACE!! he WANTED to be proven wrong he's just so reasonable and i love his faith and devotion and care and and and

as a kid he dissed the teacher that said little Robin's singing was bad. and then he ate an eggtart out of spite. THE LITTLE BIRDIE HAD SUCH AN ATTITUDE!! and he has piercings in his wings and metal choir in his boss theme of course he's a little alt.

i adore this side of him:

he just. needs to know that he's deserving of all the love in the world he desires for everyone else. i hope he doesnt put himself on such punishingly high standards anymore. i hope he learns more from Aventurine and takes more chances. i hope he gets his :3 smile back on his model.

i am so ill for this man.

also i think this message i sent to my friend after I saw Sunday's animations explains how i feel at all times. I got nothing to hide. (I'm sorry women) (NSFW text warning)

[delugyu]

finally got around to reading this!! SOOO GOOD… LEMME RAMBLE

first of all, this is seriously some of the most amazing world building i’ve seen in a fanfic. that is my #1 compliment about this fic, everything about the world is so thought out and magical. ++ so much attention to detail and backstory. i admire it a lot cause it’s really hard to do! i can’t imagine the amount of thought you put into this!! really super phenomenally well done.

i love fantasy AUs so much and this one tickled my brain just right… right off the bat there’s whimsy and lore laced in each paragraph. picturing each scene comes easily with how well you describe the settings and characters.

immediately upon taehyun’s introduction i could see that he was a complex character. a faerie with human ears, a faerie against geasa (note: had to look up what the plural of ‘geas’ was for that 😭), yet seemingly uninterested and cold towards the new human member of the team… then we learn his backstory, and that added depth to his character explains a lot about him.

the relationship building between taehyun and mc is soooo delish… his kind actions are masked with icy words, a constant since chapter one of him keeping her safe despite his coldness. also can i just say, im so obsessed with how “cold” embodies him so well: he’s from the north, so he’s both cold by nature and by choice. and what a stark contrast he is to yeonjun……. yeonjun…..,, omg do not get me started on yeonjun.

his character is probably my favorite in terms of how they’re written! this isn’t me saying i’m team yeonjun (im team #BOTH #AtTheSameTime #WaitWhoSaidThat) but he’s just sooooo… swoon-worthy 😵‍💫 from the moment he was introduced, i was smiling and kicking my feet. the amount of times i had to shut off my phone and take a breather at his lines. what a charmer.

i love that there’s something suspicious about him from the beginning, but not to the point where it’s off-putting to the mc (or to the reader). great foreshadowing!! and so easy to forget the suspicions too when he’s being so romantic and sweet. it’s a great way to show that the mc is easily swayed by romance, and that she tends to follow her heart.

where taehyun is all ice and snow, yeonjun is warmth and sunlight. it’s so easy for him to build a relationship with the mc, sunlight fosters growth. just another detail that i loved

lemme give my flowers to the beautiful gorgeous capable strong lovely mc while i’m at it… i love that she has such self-understanding. she knew she wanted more from her life than being a servant, so she became a spy. then she found love, and she knew she wanted more than being a spy. she takes herself seriously and values her own interests, which i love to see in a female character hehe 🤍

the slowwww burnnnn between taehyun and mc HELP MEEE!!! taehyun runs from love and conceals his emotions because all he’s ever known was betrayal and hurt… meanwhile mc similarly has led a life of misery, but in her case it makes her long for love and emotion. they’re so alike but so different, and each little moment where they find something to connect over… YESSSSS SIRRR!!!! A HUNDRED MORE OF THOSE!!!

i’m sooo interested that taehyun has the ability to lie… i wonder where that path is going to lead teehee. also when taehyun gets jealous my pants get wet. sorry.

super interested to see more of beomgyu too! he’s such a lovable character, i love those little moments he has with the mc. feels like there’s more in store for him and im excited to see it !!

anyway this is just so so so amazing and i’m really so excited to see what comes next. i was fr like squealing and blushing throughout all 5 chapters. (which i read in an embarrassingly short amount of time.) your writing skills are super inspiring…. i effing love you for this… accept my declaration of admiration…

sorry for this long ass review, i took a literature analysis course last semester and couldn’t shut up ever since.

i love this series so bad 😫🤍🤍🤍🤍🤍🤍

𝓘N WHICH 〃 a life lived as a human among the fae is one hard-earned. the folk are built of indescribable beauty, and of debauchery and mischief. for some, a life lived subservient to the folk is just fine; but to those who dream of something more, they would spend their lives clawing and biting to make it happen.

you, looking for a way to escape a life as a faerie’s human servant, put a new foot forward thinking that any life could be better than that. but, when your first assignment as a king’s spy is alongside a brooding, icy faerie man, you begin to wonder what your place in this foreign world really could be.

wc ➳ 93.3k﹙ and counting! ﹚

genre high fantasy/faerie, smut, angst ˒ ˒

pairings faerie!taehyun x reader, faerie!yeonjun x reader

warnings violence, death, death of animals, smut (specific tags will be listed before each chapter), childhood trauma & mentions of abuse, jealousy, controlling & yandere relationship dynamics, unprotected sex, original characters but they only last for small amounts of time & act as story catalysts, fem! reader

˒ ˒ want a look into the world? here’s the pinterest board !! ༘⋆

﹙ 🪕﹚ playlists ⑊ yeonjun ˒ taehyun ˒ series

: ̗̀﹙❆﹚𝓅arts . : ↘︎

one ˒ two ˒ three ˒ four ˒ five ˒ ...🪶

© hyukascampfire please do not steal, plagiarize, or repost any of my works.

[hobimo]

i think jikook writers just gave up writing non omegaverse ff and i can't go past the anger stage send help

to be honest i also have the sequel to my stupid furry au in the works so im part of the problem.......... honestly i would love more omegaverse. if it was good. unfortunately,

[mongeese]

Now, I haven't actually listened to all that many audio drama podcasts in comparison to other podcast fans, but I really genuinely honest-to-god believe that as audio drama expands as a medium and if fiction podcasting gains mainstream attention that The Silt Verses will be held up as a groundbreaking example of what audio drama can be and as a show that pushed and expanded the boundaries of the medium. Even the roughness of the audio (mainly in season 1 but there are some messy bits throughout the show) I think is an indication of the show's sheer ambition and creative vision, running into the limitations and either pulling back in creative ways or breaking those boundaries. Like imo it's truly unmatched in audio drama productions right now. I've never heard anything like it before. The fandom is not the biggest compared to the really famous podcasts (though it is sizeable and growing!), but I hope that one day TSV gets the acclaim it deserves because it is really, really that good

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[geodethecrow]

doing this with my 2024 goals woooo

CLIMB MANY TREES - my fucked-up body decided I don't get to climb trees anymore unless it's a really good day and that started in early spring 2024 so unfortunately no. disabilityyy :(

DOODLE ON EVERYTHING - ✅ not as much as I wanted to but it definitely counts!

COOK GOOD FOOD - ✅ summer of sourdough baybyy

EAT GOOD FOOD - ✅ yeyah :]

WRITE ANYTHING AND EVERYTHING - ✅ yes!! I wrote so many things in 2024 and a lot of them were good

CLIMB MORE TREES - I'm gonna add more frownies every time this comes up. disabilityyy :(((

LISTEN TO NEW MUSIC - ✅ I listened to a lot of new music this year and a lot of it has been inserted into the regular rotation!!

READ MANY BOOKS - ✅ yeeeee I love the jazz physics book and I don't know exactly how many books I read but it was a goodly amount

MEND CLOTHES VISIBLY - ✅ yes!!! I mended a hoodie for @mrjohntumbler that is basically a sampler of all the mending methods that I know

CLIMB EVEN MORE TREES - disabilityyy :((((((

LOVE THE WORLD INEFFABLY - ✅ yup. I fear it may be my downfall that I love so much and in so many indescribable ways. I've given myself an Orpheus complex lol /hj

cherrypicked goals from yours Basil:

JAZZ IT UP - unfortunately not. I wanted to take a jazz class but it wouldn't work. I still immensely appreciate those who are in jazz though, and I want to fuck that music

UNPRECEDENTED LEVELS OF FAGGOTRY - ✅ hell yeah!!!!

HUG YOUR FRIENDS - yes but not enough. I am a cup with a leak when it comes to being hugged (those words make no sense but whatever)

WAFFLES AT IHOP - ✅ with extreme guilt about making others pay for me but I'm working on it augh ¯⁠\⁠_⁠༼⁠ ⁠ಥ⁠ ⁠‿⁠ ⁠ಥ⁠ ⁠༽⁠__👍

CRINGEFAIL SWAG - ✅ getting cringeier and swaggier every day!!!!!

2024:

JAZZ IT UP

DO IT SCARED

DO IT BORED

READ MORE BOOKS

CLIMB MORE TREES

UNPRECEDENTED LEVELS OF FAGGOTRY

BREATHE, BREATHE, BREATHE

HUG YOUR FRIENDS

WAFFLES AT IHOP

INHABIT YOUR SPACE

CULTIVATE

GRILLED CHEEMSE

JAZZ IT UP MORE

[trash-gremlin]

could you imagine how good spirit animals would be if it wasn't written as a children's series

[yellowocaballero]

Been a fan of your fics for YEARS. I was just telling my friend how despite how much I read fics I never actually love them, with some of your fics (especially TMA) as the exception. Felt the need to reread some of them and saw you reblogged some ISAT fanart. So. Any thoughts on ISAT you'd like to share?

Hope you have a wonderful day!! So happy I found your fics again!!

I avoided answering this for a while because I was trying to think of a way to cohesively and coherently vocalize my thoughts on In Stars and Time. I have given up because I don't want to hold everybody here all day and I have accepted that my thoughts are just pterodactyl screeching.

I love it so much. I have so much to say on it. It drove me bonkers for like a week straight. I have AUs. It's absolute Megbait. They're just a little Snufkin and they're having the worst experience of anybody's life. Ludonarratives my fucking beloved.

I am going to talk about the prologue.

The prologue is such a fascinating experience. You crack open the game and immediately begin checking off all of the little genre boxes: mage, warrior, researcher, you're the rogue...some little kid who's there for some reason...alright, you know the score. You're in yet another indie Earthbound RPG, these are your generic characters, let's get the ball rolling.

Except then you realize that these characters are people. You feel instantly how you've entered the game at its last dungeon, at the end of the adventure. They have their own in-jokes, histories, backgrounds, adventures. They get along well and they're obviously close, but not in a twee or unrealistic way. They have so much chemistry and spirit and life. I fell in love with them so quickly.

But Sif doesn't. Sif kind of hates them, because they will not stop saying the same damn thing. They walk the same paths, do the same things, make the same jokes, expect Sif to say the same lines. They keep referencing a Sif we do not see, with jokes we never see him make and heroic personality he never shows - they reference a Sif who is dead - and Sif can't handle that, so he kills them too.

They become only an exercise in tedious frustration. Sif button mashes through their dialogue, Sif mindlessly clicks the same dialogue options, Sif skips through the tutorial, Sif blows through the puzzles. Sif turns their world into a video game. Sif is playing a generic RPG. Sif forgets their names. They are no longer people with in-jokes, histories, backgrounds, adventures. They're the mage, the warrior, the researcher, and...some random kid.

I did not understand the Kid's presence at first. I had no idea what they contributed to the game. They didn't do anything. As a party member in a video game, they're a bit useless. Why is the Kid there?

Because Sif's life isn't a video game. Because the kid isn't 'the kid'. They're Bonnie. Bonnie, who the party loves. Why is Bonnie there? Because they love them. There is no room for Bonnie in the boring RPG that Sif is playing. And then you realize that Sif is wrong, and that they've lost something extremely important, and that they'll never escape without it.

Watching the prologue before watching ISAT gave ISAT the most unique air of dread and horror, because you crack open ISAT and you see the person Sif used to be. You realize that Sif used to be a person. Sif used to be the person who made jokes, who gave real smiles, who interacted with the world as if they are a part of it. And you know you are sitting down to watch Sif lose everything that made them a person, to lose everything that made them a member of this world, and turn them into a character in a video game who doesn't understand the point of Bonnie at all.

At the climax of the game, when the others realize that something is deeply wrong and that Sif physically cannot tell them, they realize that there is nothing they can do. So Bonnie declares snacktime. And for the first time they have snacktime.

What is snacktime? Classic JRPGs don't have snacktime. There's literally no point to a snacktime - not in a video game, and not in Sif's terrible life. It's not fixing this, because nothing can fix this. But Bonnie gives Sif a cookie and Sif eats it.

It's meaningless. It's a cutscene. It didn't save Sif and it didn't change a thing. It will make no difference in the end.

But it did make the difference. It made all of the difference in the world. Bonnie is a character who you really don't understand the point of before you realize that Bonnie was the entire point.

ISAT is about comfort media. Why do we play the same video games over and over again? Why do we avoid watching the finale of our favorite shows? What is truly comforting: a story with no conflict, or a story where you always know what is about to happen? Do you want to live in a scary, uncontrollable world, or do you want to play Stardew Valley? Do you want a person or a character?

When I beat Earthbound for the first time (and if you don't know, the prologue/ISAT battle system is just Mother) and watched the ending cutscene where the characters part ways and say goodbye...I felt a little bit sad. I wanted them to be together forever. But that's something only characters could ever be.

[moldy-flowers]

The interesting experience of being pro Sasuke, anti konoha, pro tobirama, anti Naruto ending, pro Sasusaku, anti Itachi, pro Sakura, anti SasuNaru, pro Tobirama×Izuna, anti Madara, pro karin, anti Orochimaru, pro Uchiha and anti Hashirama. And also as much as I hate the guy danzo was kind of hot when he was younger...

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[nostalgicfortomorrow]

mako and bolin parallel each other because:

mako kept everything soft and sweet inside of him, curled into a tight little ball while he trapped himself in a hard casing in order to protect his brother.

bolin kept everything hard and angry and destructive into a pit of lava in his soul, hoping it would never come out. he encased it in layers of softness and naivety because someone has to make sure that people doesn't consume themselves with their own anger but bolin being able to bend lava when there were no other "softer" options, while the fire burned in his eyes and you could see the stone and flames consume him and he knew that theres no other way to do this except embrace this side of you BECAUSE HOW ELSE ARE YOU GOING TO SAVE YOUR BROTHER WHO DID EVERYTHING TO PROTECT YOU AND YOU DID EVERYTHING IN YOUR POWER TO MAKE HIM HAPPY.

[good-beanswrites]

hii hiii is it alright if I request something with kotoko and haruka?(platonic ofc) their character foils drive me insane with all the weak stuff authngghn icant be normal about them

Oooh thank you so much for the request! I realized that these two actually have one of the smallest windows to talk easily, given Haruka's nervousness and Kotoko's T2 changes. They have such interesting approaches to strength/weakness, and I hope I could capture it a bit here! This takes place immediately following Kotoko's bday timeline after Harrow's release:

“I’ll accept those birthday wishes…” Kotoko gave him a wave over her shoulder as she returned to making her bed.  

She shook her head in awe. It was rather impressive how quickly the boy had changed after his verdict. The others had more subtle differences, but he was someone entirely new. She could rest easy, at least, knowing that her verdict wouldn’t change her much. For as long as she could remember, she’d been like this. She knew where she stood, and neither guilty nor innocent verdict would affect that. This verdict was really only an indicator on whether the warden could be trusted or not. 

Her body tensed up when she turned back around, startled by Haruka lingering silently in the doorway. She decided against chastising him for scaring her half to death. Still, she couldn’t keep the bite from her voice as she asked, “did you need something else?”

“Ah… I just…” He twisted his hands together. “I had a question.” 

He fell silent, but Kotoko could tell he was chewing on his next words. She waited.

“H-how do you do it? All the time? You’re older and stronger and braver and I-I just don’t know how.”

“Give yourself some credit. I’m not that much older, or stronger. I only have, what -- two, three years on you? And you did very well in the arm wrestling tournament the other day.” 

She wasn’t being patronizing. For someone so sheltered, Haruka could do some damage. He stood a few inches taller than her. The others had taken the arm wrestling as a little game, but Kotoko had used the event to measure up her fellow prisoners. After his close match with Mikoto, she had made a mental note to take him seriously. 

“No…” his expression twitched, getting frustrated with the misunderstanding. “Not muscles. I mean… you don’t have someone like Muu. You don’t need someone next to you all the time. But you still talk with everyone… and it looks easy. All the time. You always know what to say, and what to do. You never look scared. You never cry.”

Kotoko’s smile softened. She wasn’t the prideful type, but his words gave her a wave of accomplishment. She certainly was scared. She did cry. But she wasn’t about to show a single crack in her resolve in front of anyone here. Haruka had given her the greatest of compliments by confirming her success.

“Ah, you mean strength of spirit. Well, that doesn’t just appear out of nowhere. It comes with my purpose, with my virtues.”

“Virtues…?”

“I see the injustice around me, and want to protect the innocent. When I see how awful the world can be, when I see the monsters that are hurting those who are weak, I can’t help myself.” She clenched her fist. “The power to do so just comes to me.” 

“Oh…” Haruka looked down at his palms. 

Her heart sank, realizing he didn’t quite understand. It was a shame that not all of humanity could be as righteous as her. That heroic drive had always come so naturally to her; she wasn’t sure she could put it into words to explain to others.

Haruka’s open hands were trembling. “Um. Is there any other way?”

“Hm?”

“All my life… I only cause pain to everyone.” His worry gradually turned to desperation.” I hurt everyone who gets close to me. Especially things that are small and weak. My whole life, I’ve been nothing but a… a curse. So… is there another way? Please. I want to be better. I want to be strong! I want to be like you! Tell me!”

He stepped forward, pleading. Kotoko stepped back. 

His blue eyes widened at her sudden shift into defense. “Ah! I. I’m sorry. I’m-I’m sorry. It’s your birthday. You should be… Have a g-good day.”

“Wait.” Kotoko stopped him before he could flee. She was aware of the massive gap between them, the vastly different backgrounds they came from. Still, she offered the same advice that had helped her in her toughest of days. 

“Don’t worry so much about others’ strength. The quickest way to burn yourself out is getting overwhelmed with the power that’s all around you. Once you start putting all your focus toward honing your own skills and strengths, you’ll realize how much you’re truly capable of. You don’t need anyone else. You’ll realize that you are enough.”

“I… am enough…?”

She placed a hand firmly on his shoulder. 

“So, no need to get all worked up now, okay?” 

“O-okay. I’ll do my best.” He stiffened, trying to appear worthy of her words.

She let out a bitter laugh. “I told the others not to do anything for my birthday, but I don’t think they paid me any mind.” Kotoko still couldn’t fathom how they were so friendly with each other given the situation. “Let’s go see if there’s some cake or something.”

[longagoitwastuesday]

Sukuna and Gojo didn't have the right to be such good characters, but there they are I guess