#there is so much complexity and good writing in the world.........

[hobimo]

i think jikook writers just gave up writing non omegaverse ff and i can't go past the anger stage send help

to be honest i also have the sequel to my stupid furry au in the works so im part of the problem.......... honestly i would love more omegaverse. if it was good. unfortunately,

[miusato]

Honestly the main attraction for Shinjiham is how contrast their personality is and it is always funny for me to think about how people around them would react if they found out they're dating in this AU lol

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[trash-gremlin]

could you imagine how good spirit animals would be if it wasn't written as a children's series

[yellowocaballero]

Been a fan of your fics for YEARS. I was just telling my friend how despite how much I read fics I never actually love them, with some of your fics (especially TMA) as the exception. Felt the need to reread some of them and saw you reblogged some ISAT fanart. So. Any thoughts on ISAT you'd like to share?

Hope you have a wonderful day!! So happy I found your fics again!!

I avoided answering this for a while because I was trying to think of a way to cohesively and coherently vocalize my thoughts on In Stars and Time. I have given up because I don't want to hold everybody here all day and I have accepted that my thoughts are just pterodactyl screeching.

I love it so much. I have so much to say on it. It drove me bonkers for like a week straight. I have AUs. It's absolute Megbait. They're just a little Snufkin and they're having the worst experience of anybody's life. Ludonarratives my fucking beloved.

I am going to talk about the prologue.

The prologue is such a fascinating experience. You crack open the game and immediately begin checking off all of the little genre boxes: mage, warrior, researcher, you're the rogue...some little kid who's there for some reason...alright, you know the score. You're in yet another indie Earthbound RPG, these are your generic characters, let's get the ball rolling.

Except then you realize that these characters are people. You feel instantly how you've entered the game at its last dungeon, at the end of the adventure. They have their own in-jokes, histories, backgrounds, adventures. They get along well and they're obviously close, but not in a twee or unrealistic way. They have so much chemistry and spirit and life. I fell in love with them so quickly.

But Sif doesn't. Sif kind of hates them, because they will not stop saying the same damn thing. They walk the same paths, do the same things, make the same jokes, expect Sif to say the same lines. They keep referencing a Sif we do not see, with jokes we never see him make and heroic personality he never shows - they reference a Sif who is dead - and Sif can't handle that, so he kills them too.

They become only an exercise in tedious frustration. Sif button mashes through their dialogue, Sif mindlessly clicks the same dialogue options, Sif skips through the tutorial, Sif blows through the puzzles. Sif turns their world into a video game. Sif is playing a generic RPG. Sif forgets their names. They are no longer people with in-jokes, histories, backgrounds, adventures. They're the mage, the warrior, the researcher, and...some random kid.

I did not understand the Kid's presence at first. I had no idea what they contributed to the game. They didn't do anything. As a party member in a video game, they're a bit useless. Why is the Kid there?

Because Sif's life isn't a video game. Because the kid isn't 'the kid'. They're Bonnie. Bonnie, who the party loves. Why is Bonnie there? Because they love them. There is no room for Bonnie in the boring RPG that Sif is playing. And then you realize that Sif is wrong, and that they've lost something extremely important, and that they'll never escape without it.

Watching the prologue before watching ISAT gave ISAT the most unique air of dread and horror, because you crack open ISAT and you see the person Sif used to be. You realize that Sif used to be a person. Sif used to be the person who made jokes, who gave real smiles, who interacted with the world as if they are a part of it. And you know you are sitting down to watch Sif lose everything that made them a person, to lose everything that made them a member of this world, and turn them into a character in a video game who doesn't understand the point of Bonnie at all.

At the climax of the game, when the others realize that something is deeply wrong and that Sif physically cannot tell them, they realize that there is nothing they can do. So Bonnie declares snacktime. And for the first time they have snacktime.

What is snacktime? Classic JRPGs don't have snacktime. There's literally no point to a snacktime - not in a video game, and not in Sif's terrible life. It's not fixing this, because nothing can fix this. But Bonnie gives Sif a cookie and Sif eats it.

It's meaningless. It's a cutscene. It didn't save Sif and it didn't change a thing. It will make no difference in the end.

But it did make the difference. It made all of the difference in the world. Bonnie is a character who you really don't understand the point of before you realize that Bonnie was the entire point.

ISAT is about comfort media. Why do we play the same video games over and over again? Why do we avoid watching the finale of our favorite shows? What is truly comforting: a story with no conflict, or a story where you always know what is about to happen? Do you want to live in a scary, uncontrollable world, or do you want to play Stardew Valley? Do you want a person or a character?

When I beat Earthbound for the first time (and if you don't know, the prologue/ISAT battle system is just Mother) and watched the ending cutscene where the characters part ways and say goodbye...I felt a little bit sad. I wanted them to be together forever. But that's something only characters could ever be.

[moldy-flowers]

The interesting experience of being pro Sasuke, anti konoha, pro tobirama, anti Naruto ending, pro Sasusaku, anti Itachi, pro Sakura, anti SasuNaru, pro Tobirama×Izuna, anti Madara, pro karin, anti Orochimaru, pro Uchiha and anti Hashirama. And also as much as I hate the guy danzo was kind of hot when he was younger...

[good-beanswrites]

hii hiii is it alright if I request something with kotoko and haruka?(platonic ofc) their character foils drive me insane with all the weak stuff authngghn icant be normal about them

Oooh thank you so much for the request! I realized that these two actually have one of the smallest windows to talk easily, given Haruka's nervousness and Kotoko's T2 changes. They have such interesting approaches to strength/weakness, and I hope I could capture it a bit here! This takes place immediately following Kotoko's bday timeline after Harrow's release:

“I’ll accept those birthday wishes…” Kotoko gave him a wave over her shoulder as she returned to making her bed.  

She shook her head in awe. It was rather impressive how quickly the boy had changed after his verdict. The others had more subtle differences, but he was someone entirely new. She could rest easy, at least, knowing that her verdict wouldn’t change her much. For as long as she could remember, she’d been like this. She knew where she stood, and neither guilty nor innocent verdict would affect that. This verdict was really only an indicator on whether the warden could be trusted or not. 

Her body tensed up when she turned back around, startled by Haruka lingering silently in the doorway. She decided against chastising him for scaring her half to death. Still, she couldn’t keep the bite from her voice as she asked, “did you need something else?”

“Ah… I just…” He twisted his hands together. “I had a question.” 

He fell silent, but Kotoko could tell he was chewing on his next words. She waited.

“H-how do you do it? All the time? You’re older and stronger and braver and I-I just don’t know how.”

“Give yourself some credit. I’m not that much older, or stronger. I only have, what -- two, three years on you? And you did very well in the arm wrestling tournament the other day.” 

She wasn’t being patronizing. For someone so sheltered, Haruka could do some damage. He stood a few inches taller than her. The others had taken the arm wrestling as a little game, but Kotoko had used the event to measure up her fellow prisoners. After his close match with Mikoto, she had made a mental note to take him seriously. 

“No…” his expression twitched, getting frustrated with the misunderstanding. “Not muscles. I mean… you don’t have someone like Muu. You don’t need someone next to you all the time. But you still talk with everyone… and it looks easy. All the time. You always know what to say, and what to do. You never look scared. You never cry.”

Kotoko’s smile softened. She wasn’t the prideful type, but his words gave her a wave of accomplishment. She certainly was scared. She did cry. But she wasn’t about to show a single crack in her resolve in front of anyone here. Haruka had given her the greatest of compliments by confirming her success.

“Ah, you mean strength of spirit. Well, that doesn’t just appear out of nowhere. It comes with my purpose, with my virtues.”

“Virtues…?”

“I see the injustice around me, and want to protect the innocent. When I see how awful the world can be, when I see the monsters that are hurting those who are weak, I can’t help myself.” She clenched her fist. “The power to do so just comes to me.” 

“Oh…” Haruka looked down at his palms. 

Her heart sank, realizing he didn’t quite understand. It was a shame that not all of humanity could be as righteous as her. That heroic drive had always come so naturally to her; she wasn’t sure she could put it into words to explain to others.

Haruka’s open hands were trembling. “Um. Is there any other way?”

“Hm?”

“All my life… I only cause pain to everyone.” His worry gradually turned to desperation.” I hurt everyone who gets close to me. Especially things that are small and weak. My whole life, I’ve been nothing but a… a curse. So… is there another way? Please. I want to be better. I want to be strong! I want to be like you! Tell me!”

He stepped forward, pleading. Kotoko stepped back. 

His blue eyes widened at her sudden shift into defense. “Ah! I. I’m sorry. I’m-I’m sorry. It’s your birthday. You should be… Have a g-good day.”

“Wait.” Kotoko stopped him before he could flee. She was aware of the massive gap between them, the vastly different backgrounds they came from. Still, she offered the same advice that had helped her in her toughest of days. 

“Don’t worry so much about others’ strength. The quickest way to burn yourself out is getting overwhelmed with the power that’s all around you. Once you start putting all your focus toward honing your own skills and strengths, you’ll realize how much you’re truly capable of. You don’t need anyone else. You’ll realize that you are enough.”

“I… am enough…?”

She placed a hand firmly on his shoulder. 

“So, no need to get all worked up now, okay?” 

“O-okay. I’ll do my best.” He stiffened, trying to appear worthy of her words.

She let out a bitter laugh. “I told the others not to do anything for my birthday, but I don’t think they paid me any mind.” Kotoko still couldn’t fathom how they were so friendly with each other given the situation. “Let’s go see if there’s some cake or something.”

[hella1975]

ive just rediscovered an old wip of mine and im having so much fun right now. like i havent opened the document since early 2020 and genuinely forgot it existed yet there's 90k words and so much lore and elements of basic concepts that made it to my present writing in far cooler and more complex ways and the writing isn't great but there's potential to it and idk. it's been a while since i wrote something privately and while i hugely prefer the way i do it now where i actually have a community with it and dont hole myself away and act like it's a huge shame thing, there's still something hugely reasuring about knowing this is something ive always done and that actually i was always drawn to it and had potential and that's something to remember for when my writing block gets bad or i convince myself Everything Ive Ever Done Is Awful

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[nostalgicfortomorrow]

mako and bolin parallel each other because:

mako kept everything soft and sweet inside of him, curled into a tight little ball while he trapped himself in a hard casing in order to protect his brother.

bolin kept everything hard and angry and destructive into a pit of lava in his soul, hoping it would never come out. he encased it in layers of softness and naivety because someone has to make sure that people doesn't consume themselves with their own anger but bolin being able to bend lava when there were no other "softer" options, while the fire burned in his eyes and you could see the stone and flames consume him and he knew that theres no other way to do this except embrace this side of you BECAUSE HOW ELSE ARE YOU GOING TO SAVE YOUR BROTHER WHO DID EVERYTHING TO PROTECT YOU AND YOU DID EVERYTHING IN YOUR POWER TO MAKE HIM HAPPY.

[zorosdimples]

i completely understand why people write fics with yuuji and sukuna where reader ends up with sukuna (we love and support monsterfucking here). but sweet yuuji boy deserves some love, too 💔

[philosophiums]

hi sam!! so i was skimming through the jjk official character guide and gege says he enjoys drawing people in a clash of opinions—he’s so good at that. it got me thinking, do you have any specific thing you lean toward when writing character dynamics?

hi mariam!!!! <3

ooooo god what a thought provoking question let me put some effort into this

i'm sure the most obvious thing that i love is a sort of like. attack dog/handler situation. it doesn't even have to be romantic, and it can also extend to blade/scabbard or gun/bullet. anyway. it's very explicit with chuuya and umbrius, but it also exists with two other pairings in their universe (though, granted, the universe really allows for it given.... everything). but it is something that i really love. the blind faith/loyalty, the inherent violence, the care and keeping, deep levels of protectiveness from both parties. god you just can't beat it it's so fucking good

but i also really love a situation where characters are talking past each other. they're saying the same things, they're agreeing with each other, but both of them are so wound up for an argument that they're still arguing even though they're on the same page. it feels very real to me, where intellectually you understand that you are agreeing with each other, but you're not saying it exactly the same way, and you were both kind of hoping for a fight but you're not getting it, so you make it one anyway. in the right scene with the right characters with the right amount of stakes happening Anywhere Outside Of The Conversation i think it can have good emotional payoff for the characters and the readers. it's not miscommunication but it's toeing the line and i think that's fun

also i think my years in the aftg fandom/writing andreil fic (and reading tgcf later didn't help either) show through with this one but i love characters (romantic relationship especially but i have it in some friendships too) where they just Get each other. not to the point of reading each other's minds or making predictions but just like. "yeah i know you're stressed because of the way you're doing xyz right now so i'm going to suggest we go have a cigarette" or "well it's 2pm and they're not Here so they have to be There. no i don't need to call them where the fuck else would they be" or "i'm going to say this thing and i know you're going to disagree with me but you need to hear it bc i know what you need right now and it's not coddling." like just... characters who tick to the same rhythm and are able to rotate unobstructed inside of each other's orbits

[rawliverandgoronspice]

hey sorry everyone I'll reply the asks and everything (<3 thank youu they are all so good and I love them and I feel so blessed) I just... I need to be serious and focus on work for a solid minute. :((

BUT I played a little more of TotK and, yeah, I'm actually pretty baffled people are impressed by this story and considering it a step above BotW, when to me we are clearly below in almost every single way. Again: the game is super fun and I love the little touches and everything, but beyond The Issues there's a lot that's just... incompetent at a very basic level honestly, and I find little excuse for the amount of slack in the way informations are conveyed and, just, how nonsensical and disjointed I find the plot and the world to be overall

(I have a Post in my heart about how I think a single* fix would have done so much good to the story and actually led to a theme and to stakes and tension and characters arcs and everything this game is cruelly lacking in the narrative department)

((*it would imply a number of other cascading fixes, but the framework could roughly stay the same))

[sparky-is-spiders]

Hi! I’m here suffering from lack of good Archivist!Sasha content as well 😭 On that note, do you have any fic on that topic you would recommend? Or just good Sasha fics in general, (or Jonsasha, if that’s your cup of tea)? Thank you in advance 😊

Tragically, I think there is a general dearth of good Archivist!Sasha content (and just about none of it Jonsasha content, as far as I can tell (and not only is Jonsasha my cup of tea, but the ONLY thing standing between it and the #1 OTP spot (currently occupied by JE) is the fact that the Jonsasha that I desperately crave exists in my brain and nowhere else)). Admittedly, I haven't looked very far into her tag yet (I should rectify that at some point tbh) but I've dug around the Jonsasha tag when I first got into it, and I know at least one fic where Sasha drifts towards Beholding through an interest in office gossip.

In terms of Jonsasha Ao3 has:

This very good Sasha lives fic where Jon shows up to Georgie's with an unconscious Sasha and everyone involved is very confused.

These two fics are cute also. The former is by @/suttttton and is them getting together, the latter is established Jonsasha from @/dickwheelie.

Eyevatar Sasha might actually be thinner on the ground (outside of fix-its where she solves everything and her canon reckless curiosity is completely ignored). Ao3 has:

This fic, which is Jongerry with outsider PoV Sasha. Just barely has the implication that she might be shifting towards the Eye (via prying into the lives of her coworkers) but gets a mention through sheer force of Excellent Sasha Characterization. I read this and I feel like I'm reading a fic from a Sasha Understander.

There's also this fic, which looks very promising but which I haven't actually gotten the chance to read yet, so I can't speak to its quality.

Unfortunately I've only gotten into Sasha fairly recently (especially as compared to Jon, who my brain latched onto in a deathgrip from the start), so I haven't gone through her tag yet. A scroll through the Archivist!Sasha or Beholding Avatar!Sasha tags pulls up a lot of fix-it and J//mart, which isn't really what I'm looking for from the concept. I'm sure there's more out there, and if/when I find them I'll come back to this ask probably, but I lucked into Reverse Nighthawks (I was on a Jongerry kick).

But god every day I wish that I could write romance and/or longfic, because about a year ago I read a Jonmichael fic that, when discussing alternate universes (where Jon ended the world) it's revealed that he once did an apocalypse out of love for his Archivist, Sasha James. And it was one (1) single line, but it struck me so hard because god. A perfect concept I think. The potential dynamics of Archivist!Sasha/Assistant!Jon are enthralling to me. Jon destroying the world (or helping her destroy the world? Cute date night I think: bringing about armageddon with your eldritch monster partner) for Sasha... anyway mostly I mentioned that one because My God if I have to live with that tantalizing AU rotating in the background of my mind 24/7 so do the rest of you.

[mapleandgingeroatmeal]

Finally getting to the new tsv…this beginning slaps so hard. The ceremony of it all. I love how the use of The Drowning Song draws the mind back to early season one Faulkner and then his internal narration reminds you of just how much he’s changed. He was so young and idealistic at the start, and now he’s got all he ever wanted but he had to give his naïveté up and found it all on the same lies and compromises he detested then. It’s brilliant writing and also absolutely devastating.

[gamerhamlet]

guhhhhh I love my solo bg3 run and character v much but my multiplayer campaign is so special to meeeee 💕 like tldr but it soothes a lot of the problems I have w dnd/forgotten realm’s writing to talk them out w others instead of slogging through them alone while writing revisions in my head