#there is no target audience for this besides me

[swingthesameway]

I wanted to make Byler fanart but I'm incapable of drawing human beings. In fact, the only thing I do draw is sea slugs. So here's. Here's Byler as sea slugs.

Will's slug is a Goniobranchus coi, chosen because it looks very painterly; like a living piece of art!

Mike's slug is a Chromodoris Willani, chosen because he is soooooo baby blue with black stripes.

[pinkeoni]

GOD we need the Byers family back

[bromcommie]

Oh boy, I'm gonna lose it. This is the third ad like this I'm seeing today. I don't know if that's actually indicative of just how widespread these are becoming or if the marketing is just very aggressive, but going off of the things I've seen people say both on here and other forums, I think it's fair to say that they're definitely a trend at this point. Pardon the incoming rant, but I am just deeply unsettled by it.

Guys. For the love of god. Talk to real people. Talk to friends. Talk to family members. I get that it's hard if those are currently not an option, but there's always acquaintances, neighbors, colleagues, classmates, people at sports events or hobby clubs or community getogethers, people in your congregation, servers, cashiers, doormen, cabbies, people you see every day walking their dog in your neighborhood, people at a party, people at the local coffee shop/bar/bookstore, the guys cleaning your street, anybody, literally anybody who is a living breathing human. You need to force yourself to maintain regular human interactions. This might seem like an overreaction in regards to the topic at hand, but I am so dead fucking serious right now.

Loneliness is a scary scourge, especially if you suffer from mental health issues. Yes, meeting new people and making new friends or maintaining human connection can be extremely hard. Yes, trying to be funny annd lovable and be understood can fucking suck, I know, trust me, but I promise it's not that scary, it's really not. The more you do it it becomes less so, and the effort of breaking through that discomfort and coming to terms and making peace with the fact that conversation with folks will not and should not be perfect and predictable and safe a lot of the time but is STILL good and fulfilling and essential is part of the reward. And the fact of the matter is you don't even need to be besties with everyone. You just need regular human interaction in different forms, even if it's sometimes stilted or superficial or uncomfortable or just plain bad.

And, because this seems to be a lot of the why people flock to these chatbot things—if you're just looking for someone to sling ideas at or talk to about media or special interests or fanfiction or whatever else while staying anonymous, the whole wide internet is right there! Millions upon millions of users! And many, many of them decent people and likely to be open to you reaching out or interested in talking about the same thing you want to talk about, or roleplaying, or whatever else, no matter how weird or niche you think it is. Because here's the thing, and I mean this in the nicest way possible: you are not unique. It has been done before. There is nothing new under the sun, and that should feel like a comfort, not a curse. Generations of anxious, awkward people have found ways to make connections with each other over the (subjectively, and sometimes objectively) stupidest and/or weirdest shit. Sometimes you might even make an actual friend, or find someone who shares your experiences or your views, and you might feel that tiny bit better. Sometimes you'll just write kinky self-insert romance with a stranger on the internet for a couple of hours or whatever, and that's great too.

And if you're just looking for a way to live out fantasies, or get out of your own head, and you are just THAT embarrassed about sharing that with someone else (which, by the way: shame is a normal feeling but one that is once again ultimately necessary and healthy to get over or figure out how to deal with in the long run)—your imagination is enough, and it's fucking good for you. I can't believe I have to say this, but just sitting in your room thinking for yourself and imagining things is good for you, even if it is a form of escapism. Putting that to words or images or whatever else, by yourself for yourself, is good for you. Or at the very least, it's better than asking a preprogrammed intellectual property theft machine to regurgitate a reductive version of your wants and needs back to you at the cost of pouring the equivalent of a ten million gallon canister of gasoline on the environment and also on your own social skills and needs.

This shit, and I cannot stress this enough, is not sustainable. I don't even mean in the grand scheme of things. I am not trying to guilt anyone or prophesize about the "doom days" of AI, I really am not. I literally just mean it is not sustainable for people, individually, to get addicted to and reliant on faux-communication with a program. The dopamine hit it gives you WILL wear off, and it WILL start to not be enough, and the creators WILL start charging you more money or asking for personal information or whatever, and your social and/or creative needs still won't be fulfilled and you'll just be left in the same place you started in, if not sadder, if not worse.

Just. Talk to people. I am BEGGING at this point. I promise the relative discomfort of that versus the long-term consequences relying on whatever the hell these chatbots are supposed to be could have on your actual emotional and mental health is much less scary, and much more worth it and rewarding in the long run.

[doumekiss]

I don't know if this will make much sense but Cithis and Pattadol give me similar vibes to Jim and Dwight in the earlier seasons of the office. Like the weird borderline homoerotic antagonism, Cithis' teasing, the mutual annoyance, and there is something about Pattadol that really screams assistant regional manager to me.

I can totally imagine Cithis pranking her and Pattadol screaming for Mithrun to come and punish her (and in true earlier seasons Michael Scott fashion Mithrun won't give a fuck)

[pureheartpillar]

another thing that i think is a lost art: AMVs. Nowadays people favor short quick edits instead of full blown music videos. Don't get me wrong tho i LOVE edits, a lot of them are crazy impressive! This is kinda double edged sword tbh because now I feel like there's this expectation that every edit has to be this thing with super impressive and advanced editing. Editing clips together is still hard don't get me wrong but I feel like standards nowadays are much higher. I miss the simplicity of adding anime clips to your favorite songs without any crazy editing and just calling it a day. We should bring it back.

ALSO even with this rise in edits i feel ike people don't even do MEPs anymore and I think that's kinda sad. Since people mostly post their edits on platforms like instagram and tiktok which are made short form videos MEPs kinda fell off anymore. It's a truly a shame because I used to eat them UP. I know that tiktok now let's you upload longer videos so maybe there's potential for MEPs to make a comeback. Though I'm not sure if file size would be an issue whoops.

[astranauticus]

the rwd season 4 qna inspired me to start thinking about college au headcanons except a lot of these are gonna be really specific to my school and y'all are just gonna have to deal with that <3

Kyana feeds some of the school cats. she would feed all of them if she could

Dani smuggled Plug (the scrawniest black cat you've ever seen) into her dorm room illegally and somehow management hasn't caught her yet (based on a true story) (Kyana visits to see Plug all the time)

Finbar keeps an updated tier list of every canteen in the school with breakdowns of the best stalls/dishes for each

A senior from the school of engineering once said to me 'all the engineering people dress like rats cuz our classrooms don't have aircon' (context: tropics) anyway that's Dani

Kyana would probably be involved in a lot of freshman orientation events from second year onwards. she just likes talking to the new kids and giving them advice like she would be the kind of orientation group leader who'd get messages from her freshies asking about all kinds of random nonsense because she's made sure they know they can always contact her with questions

VR-LA is The Guy you go to for textbook pirating resources

(this is more of a 'wouldn't that be funny' but VR-LA is just Veerle's discord handle)

Docent is the name of VR-LA's old laptop that broke down so he gave it to Cassimere (computer engineering major he met once at a networking event) to fix except Cassimere got everything off the hard drive and then somehow managed to fuck it up Even More so he had to get a new laptop (and named it Emi)

Roy has gotten food poisoning from his dorm meal plan at least once (based on at least one true story)

The heap trio + Mandy would be those friends constantly playing majong in the dorm lounge and if all the majong tables are taken they just play in one of their dorm rooms on a towel to dampen the tile shuffling noises (it was Mandy's idea)

Every morning Dani goes to the drinks stall at her faculty and orders one iced coffee to the point where the stall owner starts preparing an iced coffee whenever they see her approach (based on my true story)

Roy would be one of those people who goes clubbing every other week and every time he tries to drag the rest of the heap trio and Egan almost always goes and Dani would go if she didn't have a good excuse but always begrudgingly. anyway Roy would always be the only one having a good time until Egan gets drunk enough to start having fun

Finbar actually uses the dorm kitchens instead of just buying canteen food and it always makes the hallways smell really good

Vhas also uses the dorm kitchen sometimes but like. one time i walked into the pantry on my floor and someone had left cut sweet potatoes and 2 eggs in an inch of water in a pan on the stove. that's Vhas

Kyana's constantly applying for overseas exchanges and international summer/winter school programmes. the world is large and she wants to see it!

Maxim's the definition of a hall phantom. you know he lives on your dorm floor because you pass him by in the hallways sometimes and literally nowhere else. sometimes you're not convinced that he actually exists

VR-LA and Maxim's friendship stems from them being from wildly different faculties (VR-LA's in STEM, Maxim's doing anthropology so arts/social sciences) but also having lots of weird interests they cant really bug anyone in their home faculties about

Elyse is in student government and every once in a while Finbar receives a series of angry texts about the newest idiocy she's had to put up with

MR-SN and AS-TR start a stargazing club together. other notable members include AS-TR's girlfriend E-DN, MR-SN's friend C-RA (the one who always volunteers to carry the heavy ass telescopes) and MR-SN's friend K-LB who he pestered into coming to fix one of the wonky scopes even though K-LB's actually in electrical engineering but he's the only engineering person MR-SN (an arts student) knows

oh and of course VR-LA joins because he genuinely just likes space (developing a crush on his club chairperson was not on his bingo card)

Kyana and E-DN were MMA sparring buddies at one point which is how she found out about the stargazing and joined immediately

honestly i can probably think of more but this post is fuckin long LMAO

[set-wingedwarrior]

People really be talking about peace and love and understanding of others and social justice, then the moment a villain in a children cartoon sees the errors of their way and gets redeemed through love and understanding they yell outraged that they didn't use a guillotine

[cocolacola]

it's only a good headcanon if it makes zero sense.

mysterious parents and memory loss will do that i guess.

[maggyoutthere]

Was questioning posting or scheduling this, but this is dependent on another piece that's scheduled soooooo u get a sneak peek until the full piece drops on May 12th.

[toki-pona]

toki a. btw. nimi sina li wawa mute.

toki pona li lon li mi li lukin e sina a! :P toki a! sina pona mute. nimi sina li lon li pona mute tawa mi :) mi kama jo e nimi ni lon tenpo pi pini lili la, mi pilin e ni: ken mute la jan ante li jo e nimi toki-pona a! taso jan ala li ni, la mi pilin pona mute. kin pona la, jan ante pi toki pona lon kulupu Tumblr li kama tawa lipu mi tan nimi mi ;) --- toki pona is alive and is me and has seen you! :P hello! thank you, I like your name too (and I agree, the sewi is suwi!) :) when I switched to this url a little while ago I was completely expecting it to be taken already, very happy I got it. and a handful of toki pona related blogs have followed me out of nowhere since I chose it which is an added bonus ;)

[mist-the-wannabe-linguist]

Hot take

Night furies are actually perfectly evolved for hunting and killing other dragons and the only reason they aren't a dragon-hunting species like the death song or deathgrippers are is because DreamWorks couldn't have their adorable main character dragon be a "cannibal"

(below I'm gonna try to summarize what we've figured out in a convo with friends on discord)

(also tw animal death via predator)

First of all yes I'm aware that pretty much every decision made about their design was with consideration of the effect it would make on human audiences but hear me out

Night furies are most iconically known as dive-bombers. They are built for speed, high maneuverability, night-time camouflage and for striking targets from above. If we remove human settlements out of the equation (which would not have existed long enough to actually influence night fury evolution, come on), what does that leave us with?

They aren't built for catching fish for sure, they aren't very hydrodynamic and their head is round, wide, and their teeth are dull. Honestly, the monstrous nightmare is much better suited for catching fish, with its long neck, almost pelican-like jaw and rhamphorhynchus teeth

Compare to

Yeah the jaws look kinda like a porpoise of some sort but for that the whole body would have to be a lot more aquatic imo. The light fury looks a lot closer to an aquatic diver, it has a sleeker body, rounded fins instead of spikes, and a long neck.

I don't really see them hunting land animals either, they just don't look like they're adapted for that minus the resemblance with large felines and even then, they're too large to effectively hunt in forests.

The one thing I can kinda imagine them hunting is large mainland megafauna, but we're working with a setting that takes place pretty much exclusively on islands. And overall, dragons are the only abundant species there with the exception of fish and human-bred sheep and chickens.

In general, night furies have duller teeth, smaller claws and are smaller than most dragons. Disregarding the movies making Toothless weirdly OP, a night fury would be disadvantaged against most dragons in a 1v1 fight and besides, it has four huge weak spots that would highly discourage it from a direct physical fight - the primary and secondary tail fins. One unlucky rip in the membrane and the night fury is fucked.

The night fury however noticeably resembles falcons, given their dive-bombing ability and high maneuverability.

Falcons too have smaller beaks and weaker claws compared to most birds of prey, and for that they compensate by simply picking up speed, balling up their talons and Punching. Really. Hard.

And they use that ability to kill other birds, even much larger ones, by knocking them right from the sky.

Here, the night fury's plasma blast works the same way as a falcon's punch. Dragons are fire-resistant, so what the plasma blast does is really just a densely packed bolt of energy that has the effect of either stunning or outright killing prey by damaging its spine. And what the plasma bolt doesn't do, rapid contact with the ground would finish. And if even that doesn't do it, the night fury's wide jaws and dull teeth are just fine for simply clamping around the unlucky dragon's neck and strangling it, like a lion or a pitbull.

The night-time camouflage allows the night fury to soar for extended periods of time perfectly unnoticed in the night sky, and by the time it strikes, the dragon wouldn't even know what's coming.

Unless

Say the hunting night fury is aware of other dragons sleeping under the trees, as most dragons probably would at night (village raids aside, most dragons seem to be diurnal), so how does the night fury get them in position where it can use its signature attack? Well, there's That Iconic Screech Of Death. Since in the movies it tends to appear not just during dive-bombings but also when charging up a blast, I imagine it's something the night fury is able to control to some degree. So by simply fake-diving in close proximity to sleeping dragons, it can effectively terrify them into leaving their hideout and fly out into the open where it can easily take them out.

I dunno, the possibility of night furies as predators to other dragons just makes so much sense to me, I really don't know what other reasons there would be for them to evolve these particular adaptations.

And one more little headcanon to add to this whole rant - since night furies are significantly smaller and less equipped for dragon vs dragon fights and are primarily speed-based predators, I imagine there is this very likely scenario:

There is one dragon who resembles a hyena, a lil bit

Ok, rant over

[child-of-the-danube]

Agatha All Along in general but especially Agatha and Rio are so fucking special to me and I cannot be normal about this...

We are finally not being queer-baited. Whether they seal it with a kiss or a flashback scene or a happy ending it doesn't matter. We have confirmation that those two women were and still are deeply in love.

It's two mature women. No weird age gap, no mentor-pupil dynamic, no disproportionate power play. I find coming out and setting into your queerness stories incredibly important but it is so refreshing to see a story where the discovery and accepting that you're queer isn't the focal point. They just are who they are and neither them nor the people around them had a big dramatic reaction to it like it's something strange or unexpected. They just ARE and my god is that beautiful to witness ❤️

Their softness, connection and care for eachother is so heartbreaking. Agatha smiling and leaning into Rio when talking about her scar cause Rio already knows, Agatha melting just by having her hair played with, Rio refusing the kiss cause that would be taking advantage of Agatha's weak moment, making sure she knows that Teen isn't her son, Rio regretting what she had to do for centuries. I am losing my mind over here

The whole cast is mature women (well, + Joe haha) which again, refreshing as hell to see. And I love how the focus isn't just completely on Agatha. We get constant glimpses into everyone. Jen saved the day twice already. Alice had her beautiful moment in e4, Teen is basically their spirit guide with his spell book. Adore that lil funky boy Agatha technically kidnapped but whom she very obviously cares for more than she would like to. Lilia is my favourite of this new found coven family. Her and Agatha are the oldest and have seen the most and suffered through so much. I think that's why she softened up to Agatha and vice versa. Beside Teen, Agatha seems to be the softest towards Lilia like when she had her hallucinations and she didn't mock her but reassured her it's ok and Lilia's constant blurting out of prophecies like "Protect Agatha" 😭😭. I could go on for ages about all of their dynamics.

And everything about the production and the actors themselves being SOOO invested into the story and clearly loving what they do.

I don't give a shit about Marvel in general but damn, they got me with this one. Canonically gay witches, Kathryn Hahn and Aubrey Plaza, musical numbers and then they throw in miss icon legend mother Patti Lupone on top of it all. I am in every possible way the target audience

The talk about how witches, monsters and in general creatures feared by the wider population are so very deeply queer coded is for another day but AAAAAAAAAAA I love everything about this show so much I might just explode

[hotvintagepoll]

Trying to get more into old movies because of this blog (I only know about half of these people and feel like a poser) do you have good recommendations on where to start or is it just a situation where you watch stuff and find what you like as you go?

you are not a poser <3 i myself am just here for the hotties.

here is my quick and dirty list of fun films to start with if you're new to old movies. and of course if you like one of these, do try to find more stuff as you go! there's no bad way to try out old movies.

(this list is not official and is SUPER quick. i'm tagging for content warnings where I can, but if I forgot something let me know.)

"I want to watch something SILLY!"

The Court Jester (Danny Kaye, Angela Lansbury, Glynis Johns, Basil Rathbone)—everyone in this movie is hot. everyone is in fancy medieval dress, which makes them hotter. everyone here is very silly. You can stream this on Hoopla, last time i checked, so you might be able to stream it through your library!

Chitty-Chitty Bang-Bang (Dick Van Dyke, Sally Ann Howes, Lionel Jeffries, Gert Frobe)—some people hate this movie and to them I say What Is Wrong With You. dick van dyke is a hot absent minded inventor who lives in a windmill with his two adorable children, his gorgeous sheepdog, and a grandfather who is categorically useless. it feels like the two films mary poppins (1964) and willy wonka (1971) had a baby and that baby was born on roller skates singing an old broadway showtune. this one has been showing up in some odd places lately—I think you can catch it on Tubi or Hoopla? It's definitely around.

Seven Brides for Seven Brothers (Jane Powell, Julie Newmar, Howard Keel, Russ Tamblyn)—my problematic fave. everytime i watch this i change my mind whether it's a sexist pile of garbage or a feminist paean, and fellas, today we're on the feminist paean bandwagon!! jane powell's millie is truly the star of the movie, she is the hero she drives the plot the narrative is on her side, and besides all that there are seven very hot men dancing next to her and six beautiful ladies making me bisexual. (on Tubi last I checked.)

The Duke Is Tops (Lena Horne, Laurence Criner)—I get a huge kick out of watching Laurence Criner and Ralph Cooper swindle everybody while also trying to put on a show; there's just something silly and sincere here, plus you get a ~musical extravaganza~ at the end when all is right as rain again. Free on YouTube I think?

"I want to watch something DRAMATIC that may make me FEEL SOMETHING."

Witness for the Prosecution (Marlene Dietrich, Tyrone Power, Elsa Lanchester)—I love a campy twisty turny mystery, don't you? :) I'm not going to talk about this one much because it's better to go in blind, but if you like Agatha Christie stories you'll probably like this.

To Be Or Not To Be (Carole Lombard, Jack Benny)—always relevant, always makes me laugh, also makes me cry. this takes place in poland during wwii so big tw for nazi imagery and mentions. (don't worry. this movie fucking hates nazis.)

Seven Samurai (Toshiro Mifune)—this one is Great Cinema™™™™™™™™™™™ for a goddamned reason

"I want to watch some stuff with the scrungles in it!"

Mr. Washington Goes to Town (Mantan Moreland)—I've been checking out more of Mantan Moreland's stuff because every time I see him in something I think he's delightful, and I really enjoyed this silly-spooky comedy. Does this story have a brain cell? No. Are the special effects and goofy slapstick fun? Yes. This is a fun example of an all-Black cast in a film that was made for Black audiences, and is a striking counterpoint to the stereotypical representation Black actors were given in white-targeted films, showing the enormous amount of talent and artistry the racist studios missed out on by excluding these actors. This is not A Great Film™ but it's still A Fun Time,™ with a goofy Laurel and Hardy type vibe. (It's free on Youtube.)

The Red Shoes (Robert Helpmann, Leonide Massine, Marius Goring)—hey kid, you wanna watch something fucked up? This movie is so fucked up. It's about ballet, it's about art, it's about technicolor, it's about dance and toxic relationships and making theatre and nightmares and ambition and death. A lot of these recs tend on the silly side (because I tend on the silly side) but this one is actually Serious Film and will definitely help you chat up Martin Scorsese should you ever meet him. Big content warning if you can't handle dark themes right now—this movie's pretty dark, not in the gore way but in the Haunting Creepy Image way. (it's also free on Tubi and Kanopy most of the time.)

The Invisible Man (Claude Rains)—my favorite of the vintage horror flicks and a great introduction to Most Dunked On Hot Vintage Man of All Time, Claude Rains. (it helps that you barely ever see him!) Very very silly but the special effects are just plain fun. (I think this is on Internet Archive in full?)

"Can I just get more hot people please?"

Flower Drum Song (James Shigeta, Nancy Kwan, Miyoshi Umeki, Jack Soo)—there are so many unbelievably hot people in this movie which is somehow very good (thanks to its cast) and also incredibly, horrifically bad (thanks to its white team of writers, directors, and producers). on the one hand, it's a mostly Asian cast in a big budget, beautifully designed MGM style musical! there's dream sequences, lots of fun dancing, crooning Rogers & Hammerstein cabaret moments, and just charm galore. it is also freighted with so. many orientalist assumptions and stereotypes, absolutely ridiculous shit that the writers ABSOLUTELY should have known better about in the 60s and nonetheless carried into this. this is a hard one to recommend because I loved this cast, and I loved seeing them in a context beyond the usual stereotypical bit parts so many of them frequently were limited to—yet the movie itself perpetuates so many stereotypes on its own it can be a hard one to watch, and I totally understand if it does not work for most people. tl;dr watch for Shigeta, Kwan, Umeki, and the others, but content warnings galore for one (really bad) case of yellowface casting, orientalist tropes, extremely stereotypical character types, etc. (On Tubi/Kanopy last I checked.)

Charade (Cary Grant, Audrey Hepburn, James Coburn)—this movie feels like a Hitchcock movie except I had a ton of fun watching it, which I can't always say for a Hitch film. (I told you my taste was bad.) This one is free on YouTube and thank god because Audrey wears a lot of Givenchy, Cary Grant wears spectacles and keeps almost dying, it's very exciting and thrilling and funny and sexy. I don't think there are any content warnings but it's been a minute since I watched it. (I should go watch it right now.)

The Big Sleep (Humphrey Bogart, Lauren Bacall)—they're so hot askjdljhjghladkghjksahkhgslkahgshskjhgsalhgsahgjh. i like this one a lot :)

[this is NOT A FULL LIST of all the hot vintage movies to start with but it might give you some starting places! i banged this out as quick as I could at 2 am, so apologies that it's sloppy and not perfect.]

[bonbonly]

now that you mention it... how about some sugar daddy!nico thoughts when you have time?

he seems like he'd take you to a fancy restaurant and then make you sit in his lap and cockwarm him in public!!

back on my computer for like an hour or two so you bet im writing this 😭 also my queen every time i write something nico related YOU are my target audience i hope you know that LMFAO

bon's thoughts (18+)

sugar daddy!nico rosberg is definitely the type of person to take you to the fanciest of places. i had this idea that he might take you to those vintage old-age plays in those grand theaters, booking a balcony seat at the very front so you can see the stage up close. the only catch is that you're warming his cock, the dimly lit theater an advantage to what he has planned for you for the night. you're probably squirming on his laps, whispering if you could please just move a bit, just a tiny bit that's all! and he leans in close to whisper into your ear, "hase, you've been doing so good for me just a few more minutes, hm? just a few more, don't worry! sit tight and i'll reward you well after..."

he's bringing your hand to his lips, kissing each of your fingers and letting his mouth ghost over your shoulder before nipping gently. the entire time you're trying to hold back your whines, especially when you glance back to him and he's guiding your face back to the stage, chuckling into your ear, "you wanted to see this play, right? go watch the play, i'm right here..." he loves to see you begging, begging for him to let you roll your hips. your whimpers are masked by the thunderous applause from the crowd below as the second act comes to a close.

even when you're not warming his cock, i assume he'd have you just sit on his lap for fun, an arm draped around his neck as he's sipping some wine and glancing to you with all hearts in his eyes. he's definitely super sweet, doting on you and praising you no matter what you do. you're his good little bunny, he loves you to death! but.... but if you were acting out? oh, complete switch of personality, this man isn't afraid of anything or anyone. you wanted to be a brat and make a scene in front of his colleagues? he'll turn to his friend and out loud say, "she's a dumb whore, she'll snap right back don't worry" and while that stuns them, he can see you slowly start to quiet down. oh, and if you're across the room? loudly talking about how nico could do much better than the trips he has planned for you, he's sending you a glare. all he has to do is give you that look of disdain, and you're already crawling back to him, standing besides him with a pout on your lips, asking if he could take you back to the hotel.

in the hotel room, he's not even going to acknowledge you. no like hear me out on this, you're on your knees showing him how sorry you are, but his eyes are elsewhere - on the phone, newspaper, maybe looking right above your head, not directly at you. you're doing everything you can to please him: kitten licks on the tip of his cock, mouth gliding up his shaft, taking him as far your cute throat can take you. you even push yourself some more to gag, tears pricking at your eyes not just because of the stretch, but because you want him to give you some conformation that he forgives you. if he's feeling forgiving, he'll take you up in his arms and pepper your face with kisses, telling you that what you did was wrong. and if he isn't? you better get on that damn bed and spread your legs, your fingers deep in your cunt because the only way he'll turn to look at you is if he hears the squelching of your juices, tempting him to come drink what's rightfully his.

[cy-cyborg]

The Untrustworthy Fake: Disability Tropes

[ID: A screenshot of Willy Wonka from Charlie and the Chocolate Factory as he limps towards a crowd using a cane. In the picture, he has a brown top hat in his hand, and he's wearing a suit with a purple jacket, multicoloured bow tie and cream coloured pants. Beside him is text that reads: "Disability Tropes, The untrustworthy Fake" /End ID]

Tell me if this sounds familiar: A new character is introduced into a story with some kind of disability - usually visible but not always. Maybe they're a seemingly harmless person in a wheelchair, maybe they're a one-legged beggar on the street, or maybe they're an elderly person with a cane and a slow, heavy limp. But at some point, it's revealed it's all a ruse! The old man with a cane "falls" forward and does a flawless summersault before energetically springing back up to his feet, the wheelchair user gets to their feet as soon as they think the other character's backs are turned, the one legged beggar's crutch is knocked out of his hand, only to have his other leg pop out of his loose-fitting tunic to catch him.

All of these are real examples. Maya and The Three introduces one of it's main protagonists, Ricco, by having him pretend to be missing a leg in order to con people (something that works on the protagonist, at least at first), Buffy The Vampire Slayer had the character Spike, pretend to be in a wheelchair, until the other characters leave and he gets up, revealing it's all a ruse and Charlie and the Chocolate Factory introduces Wonka by having him slowly limp out into the courtyard of the factory, only for his cane to get stuck, causing him to "fall" and jump back up, revealing that he's actually perfectly fine. Virtually every single major crime show in the past few decades has used this trope too, from CSI to The Mentalist, Castle, Law and Order and Monk all having at least one episode featuring it in some way. Even the kids media I grew up with isn't free from it; The Suite Life of Zack & Cody sees Zach faking being dyslexic after meeting someone who actually has the condition in the episode Smarter and Smarter and the SpongeBob SquarePants episode Krabs vs Plankton has Plankton fake needing a wheelchair (among other injuries) after falling in the Krusty Krab as a ploy to sue Mr Krabs and trick the court into giving him the Kraby Patty Formula.

No matter the genre or target audience though, one thing is consistent: this trope is used as a way to show someone is dishonest and not to be trusted. When the trope is used later in the story, it's often meant to be a big reveal, to shock the audience and make them mad that they've been duped, to show the characters and us what this person (usually a villain) is willing to stoop to. Revealing the ruse early on though is very often used to establish how sleazy or even how dangerous a character is and to tell the audience that they shouldn't trust them from the get go. Gene Wilde (The actor who first played Willy Wonka) even said in several interviews that this was his intent for Wonka's character. He even went so far as to tell the director of Charlie and the Chocolate Factory that he wouldn't do the film without that scene because of how strongly he felt this trope was needed to lay the foundations for Wonka's questionable intentions and motivations. His exact words are: "...but I wouldn't have done the film if they didn't let me come out walking as a cripple and then getting my cane stuck into a cobble stone, doing a forward somersault and then bouncing up... the director said, well what do you want to do that for? and I said because from that point on, no one will know whether I'm telling the truth or lying."

There's... a lot of problems with this trope, but that quote encapsulates one of the biggest ones. whether intentionally or not, this trope ends up framing a lot of actual disabled people as deceitful, dishonest liars. Now I can already hear you all typing, What?! Cy that's ridiculous! No one is saying real disabled people are untrustworthy or lying about their disabilities, just people who are faking!

but the thing is, the things often used in this trope as "evidence" of someone faking a disability are things real disabled people do. A person standing up from their wheelchair or having scuff-marks on their shoes, like in the episode Miss Red  from The Mentalist isn't a sign they're faking, a lot of wheelchair users can stand and even walk! They're called ambulatory wheelchair users, and they might use a wheelchair because they can't walk far, they might not feel safe walking on all terrains, they might have unstable joints that makes standing for too long risky, they might have a heart condition like POTS that has a bigger impact when they stand up or any number of other reasons. Also even non-ambulatory wheelchair users will still have scuff marks from things like transferring and bumping into things (rather hilariously, even TV Tropes calls this episode out as being "BS" in it's listing for this trope, which it refers to as Obfuscating Disability). A blind beggar flinching or getting scared when you pull a gun on them isn't a sign they're faking their blindness like it is in Red Dead Redemption 2. Plenty of blind people can still see a little bit, it might only be a general sense of light and darkness, it might be exceptionally blurry or just the fuzzy outlines of shapes, or they might only be able to see something directly in front of them, all of which might still be enough to cue the person into what's happening in a situation like that. Even if it's not, the sound of you pulling your gun out or other people nearby freaking out and making noise probably would tip them off. A person needing a cane or similar mobility aid sometimes, but being able to go without briefly or do even "big movements" like Wonka's rolling somersault, doesn't mean they don't need it at all. Just like with wheelchairs, there's a lot of disabilities that require canes and similar aids some days, and not others. Some disabilities even allow people those big, often straining movements on occasion, or allow them to move without the aid for short periods of time, but not for long. Some people's disability's might even require a mobility aid like a cane as a backup, just in case something goes wrong, but that still means you need to carry it around with you, and unless it can fold down, it's easier to just use it.

Disability is a spectrum, and a lot of disabilities vary in severity and what is required of the people who have them day to day. This trope, however, helps to perpetuate the idea that someone who does any of these things (and many others) is faking, which can actively make the lives of disabled people harder and can even put them in very real danger, physically, mentally and even financially.

Just ask any ambulatory wheelchair user about how many times they've been yelled at for using accommodations they need, like disabled toilets or parking spaces. How many times they've been accused of faking and even filmed without their consent because they stood up in public, even if it was to do something like get their wheelchair unstuck or as simple as them standing to briefly reach something on a high shelf. I've caught multiple people filming me before, so have my friends and family, and it's honestly scary not knowing where those images have ended up. This doesn't just impact the person either, a friend of mine was filmed while standing up to get his daughter (who was about 4 at the time) out of the car. He was lucky to have stumbled across the video a few days later on facebook and contacted the group admins where it was posted to get it taken down, but had he not stumbled across it by chance, pictures with his home address and his car's number plate, his child's face and his face all visible would have just been floating around, all because a woman saw him stand briefly to pick up his daughter.

Many people don't stop at just saying a nasty comment or taking a photo though, a lot of people, when they suspect people are faking, will get violent. I have many friends who have been pushed, slapped in the face, spat on or had their mobility devices kicked out from under them. I've even been in a few situations myself where, had I not had people with me, I think the situation would have turned violent.

There's even been cases where those photos and videos I've mentioned before have been used against real disabled people and they've been reported to their country's welfare system as committing disability fraud. While cases like this are usually resolved *relatively* quickly, in many parts of the world, their payment will be halted while the investigation is in process, meaning they may be without any income at all because of someone else's ignorance. If you're already struggling to make ends meet (which, if you're only living off one of those payments, you probably will be), a few weeks without pay can mean the difference between having a home and being on the streets.

Not to mention that when there's so many stories about people faking a disability in the media, especially when the character is doing it to get some kind of "advantage", such as getting accommodations or some kind of disability benefit, it perpetuates the idea that people are rorting the systems put in place to help disabled people. If this idea becomes prevalent enough, the people in charge start making it harder for the people who need them to access those systems, which more often than not results in disabled people not even being able to access the very systems that are supposed to be helping them. A very, very common example of this is in education where accommodations for things like learning disabilities require you to jump through a ridiculous number of hoops, especially at higher levels, only to have some teachers and professors refuse to adhere to the adaptations anyway because they're convinced the student (and usually disabled students as a whole) is faking.

Yes, the "untrustworthy faker" is a fictional trope, and yes, it does occasionally happen in real life, but not as often as media (including things like news outlets) would have you believe. However, when the media we consume is priming people to look for signs that a disabled person is faking, it has a real impact on real disabled people's lives. "Fake-claiming" is a massive problem for people in pretty much all parts of the disabled community, and it ranges from being just annoying (e.g. such as people spamming and fake-claiming blind people online with "if you were really blind, how do you see the screen" comments) to the more serious cases I mentioned above. It's for this reason a lot of folks in the disabled community ask that people leave this trope out of their works.

[boringbones]

A Letter to Talented Creators

I've been part of this community for 20 years, watching artists rise, fall, leave for new journeys, or simply stop playing or creating. We've received amazing content, but we've also missed out on much.

I wonder how many of these artists could still be creating extraordinary content if they had the support of their communities. It’s common to encounter cliques of creators who vilify anyone considering making a living doing what they love. They’ll use every trick to convince you that not only do you NOT deserve it, but that pursuing it somehow taints you.

With every new friend and artist I meet, my first advice is always: FIND a way to monetize what you do. I believe that if you have the chance to make a living doing what you love, you gain MORE TIME to do what you're great at and, especially, what others love.

Besides, you don’t need everyone’s support—just those who, like me and many other players, are willing to contribute to ensure you have the time you need to keep producing and delivering something only you can create. There are ideas that haven’t been thought of and projects that haven’t been started. Life brings unexpected situations, and we never truly know what goes on behind the scenes for each person who shares their art with the world.

Let me tell you, people are willing to support you. In reality, there are more people willing to support a creator than those who aren't. The difference is that those who are willing don’t make as much noise, but they genuinely enjoy helping an artist who continually exceeds expectations.

I know some people think, “If I make money from this, I’ll have to commit to a level I’m not willing to.” And if that’s the case, that’s fine. You don’t have to if you don’t want to. However, I see this commitment as something positive, but I respect those who disagree. As an artist, you want a certain level of "healthy" pressure. After all, art requires it—not too much pressure, but not too little, either.

Criquette, for instance, is one of the best creators for The Sims 2 in my view. He made incredible things that nearly every player has used. He was ambitious on a level I’ve rarely seen. But he’s been inactive for years. I wonder how much more he could have created if he’d been able to monetize his work—cover household bills, put food in the fridge, or handle basic expenses. How much more time he might have had to create and share? How many brilliant things we could have today in The Sims if he were still here? But he wasn’t monetized, and maybe he was never interested in it, and that’s okay!

For every artist who monetizes, there are many who prefer to do it as a hobby. And that’s wonderful. There are many runners who do it for well-being, pleasure, social connections, or the benefits it brings to life. However, there are those who run professionally. They commit to a level an “amateur” NEVER would. They undergo training that a casual or hobbyist runner would NEVER endure. They maintain diets that others would NEVER tolerate. But the fact that some monetize running and turn it into a career doesn’t prevent others from running for love, fun, or enjoyment.

So, what I’m trying to say is: it’s all okay. If you believe monetizing your talent would give you more QUALITY time to sit and produce what you love, give you the chance to take someone you love to a special restaurant simply because you can, or allow you to be BETTER at what you do because it frees you from worrying about adult responsibilities—then do it!

Be prepared for the noise others will make, but remember that those people aren’t your target audience. Even if they make noise, they don’t consume what you produce. And if they do, they might do so in secret—because attacking a creator and consuming that creator’s work is contradictory. But believe me, there’s often more inconsistency than consistency in this world. And that’s okay!

Remember that on the other side, there are many kind people who don’t mind contributing a small, medium, or even significant amount to support a creator they love, appreciate, and benefit from. Keep this in mind when considering monetization, no matter which version of The Sims you create for. If there’s even one person willing to support you, that’s all you need to start.

I am sure that with this, you’ll have more time, more quality of life, more joy, and a healthy commitment to push yourself in a positive way to give back to your audience for the support and love they have for what you create.

If I have time to create and contribute today, it’s because of these people. They’ve changed my life, shown me that I have the chance to live the life I genuinely want for myself rather than the life circumstances might have dictated. They show me daily that I can LOVE what I do and make a living from it, and that monetizing it doesn’t take away my love for it—instead, it enhances it. I hope you consider my words.

In the end, remember this phrase: “Beyond daily life and what others think of you, what do you think of yourself?” Your value is something only you define. People will respect you to the extent that you respect yourself. If anyone says you don’t have a place “here,” remember, we’re always speaking about ourselves.

We can only give to others what we have, what we are. Trust in your talent and find a way to monetize it, whatever it may be—whether it’s making jarred cakes, selling pudding door-to-door, or creating content for The Sims. I’ve done all these things, and if I’ve learned one thing, it’s that our circumstances change according to our sense of worth. When we recognize that every job has value and that there’s nothing wrong with making a living if you’re providing benefits to others with what you have to offer... So follow your heart. Take risks, give it your all, and be the artist you want to be, because there are people ready to support you. You deserve it, and you will succeed. I hope this letter reminds you of your worth.

Never forget that each of your creations is a unique expression, something only you can bring to the world. May that value and uniqueness always guide you and give you the confidence to keep doing what you love.