#there is no explanation for this more than i wanted to have fun

[hitomisuzuya]

Hey hey Suzuuuu

I hope you can see this request..

It’s a nsfw

I would like to request Wanderer x shy fem reader at Sumeru Akademiya, a new student came in and its reader who is shy to introduce herself. And the teacher told the new student to sit next to Wanderer and Wanderer finds it annoying when he preferred to be alone.

At some time, Wanderer becomes like a bully when he likes to tease and make fun of fem reader only to see her reactions, and it makes him like want to corrupt her innocence.

wanderer (scaramouche) x fem!reader. smut corruption. fingering. bullying. minor degradation.

i want to sincerely thank everyone for letting me take my time and go through requests at my own pace 😭🥺 i feel bad, though.

wanderer only went to class that day because nahida insisted on walking him there. if she hadn't, he would gone right out into the forest to hide and maybe nap in a tree for awhile. a more valuable use of his time, in his opinion, but nahida insisted that the akademiya would be good for him.

he could practically taste your innocence the moment you walked through the lecture hall door. it was pure in a way he hadn't considered still existed. through his sheer annoyance at you being seated next to him (his table was the only empty seat. he could totally see why), he shot you a glare that sent an unexpected shiver up your spine.

"don't think we are going to be friends because you are sitting next to me," he wanted to level with you right here and now. "99% of the time, i won't even be here."

"oh, that's fine," you replied, organizing your books and tucking some hair behind your ear. "i'm not here to make friends. i am here to learn," you pursed your lips, and offered him a soft smile, "my family also has high expectations of me."

"i didn't ask," wanderer replied, crossing his arms and finding a spot to fixate on and stare at for the rest of the class. chances are he knew more things politically than the professor. the asshole who wrote that essay about what he thought happened on tatarasuna sure thought he knew everything.

still though, as much as he hates it, he kept looking at you from the corner of his eye. it was easy for him to tell what kind of girl you are in these moments. you certainly had no issue sitting there, looking pretty while you listened with such foolish intent. you even took notes on the smallest, most useless things.

did you think this knowledge may come in use later?

judging from your explanation earlier, wanderer knew exactly what to capitalize on and take advantage of.

he didn't expect you to have the most interesting reactions when he bullied you.

"it must be so hard for you," wanderer cooed condescendingly, watching you survey the mess he made by knocking all your books out of your hands. "always being a goody goody. doing your homework on time, never missing class," sighing, he kicked one of notebooks out of the way as you reached down to pick it up. "you have be getting crushed under the weight."

"i..i am just so clumsy," you stumbled over your words a little, clearly flustered. wanderer licked his lips. you are just so interesting. he'd just been so mean to you. anyone should've snapped or fought back. but not you. you had the shyest flush on your cheeks. were you enjoying this?

as for you, you are. the more interactions you have with wanderer bullying you, with his enchanting electric eyes and condescending purr to his voice, the wetter you got. it was embarrassing to you. a fact that you had a hard time coming to terms with. at first.

he even used a small gust of anemo to knock your water bottle out of your hand one day, tossing water all over your shirt (it was to see your nipples harden in your bra from cold the water was), but you only looked at him with further adoration.

but his bullying just felt so good. you couldn't possibly tell him that you often fingered yourself until you were a wet, twitching mess at night after classes.

in wanderer's still very twisted mind, corrupting you would be helping you. he didn't even know when he started coming to class everyday, but you were starting to look like you weren't sleeping well. your hands shook while you took tests.

the moment you felt wanderer's hand dip into your panties for the first time, parting your folds and grazing your clit, your hips immediately jerked up to grind on his fingers. fingers that you always thought are so ungodly beautiful it should be considered a crime.

a moan you didn't even mean to let out sounded from you. the more those beautiful fingers stroked your pussy, the more it throbbed and clenched. your eyes widened in an aroused desperation, your hole clenching around the tips of his fingers as he prodded them teasingly at your entrance.

"you poor thing," wanderer cooed, "this is probably the best you have felt ever," he slowly wagged the pads of his fingers on your clit, tearing mewls from you as he just as teasingly pinched your clit. "you are so fucking wet, your cunt will suck my fingers in."

your clit throbbed, feeling shamelessly compelled to rub your soaking pussy on his fingers. "i thought you had to get to class?" he continued. your eyes widened as he started to take his hand out of your panties. "do you know how foolish it is to try and please everyone all the time?"

your hand shot out to grasp his wrist. "no, please. i don't want to go anywhere. i want to stay right here with you," you urged his hand between your legs again. "please," your eyes watered in desperation.

wanderer chuckled. did you have an idea how much of a turn on you are in general? you, the good and innocent girl was begging to skip class and stay with him with your legs spread on his bed. fuck, you deserve to have your pretty pussy stuffed full with his fingers. "who knew you are really such a slut?"

you are breaking so well under the weight of his corruption. you couldn't think about anything other than the need to feel his fingers fucking into you. thoughts you'd never had before about anyone. until wanderer.

"good girl," he tuggedyour panties off, his cock straining from watching the soaked material peel off your pussy. "moan for me while i break you. it's what you want the most, no?" he pushed two fingers inside of you, stretching you apart and hooking them to the knuckle into your sweet spot.

you nodded, jolts of pleasure crackling through you. your eyes nearly rolled closed in pleasure as he started pumping his fingers. they would've had he not put a hand on your jaw. "no, no, kitten. i wanna see those pretty eyes of yours while i make you cum," he gently squeezed your jaw to remind you of your place.

it is erotic to him how some of your moans even had a tinge of shock in them. you are coming apart so fast, your body only relaxing and submitting to him. he was devouring you, and nothing has ever felt better in your whole life.

the pumps of his fingers grew more aggressive with your consistent moans. he stretched your pussy apart so perfectly, sussing out every sensitive spot between your walls effortlessly. "a third finger, please," you moan, rocking your hips up extra to convey your plea.

wanderer was more than happy to oblige you. he abruptly added a third finger, bullying it against your sweet spot. a near scream of pleasure tore from your throat. "are you feeling good, slut?" his cock pulsed as your walls snapped tighter around his fingers. you obviously enjoy being degraded. "you'll tend to my cock next, yes?"

you struggled to even nod, your cheeks flushed with adoration. "yes! i want to more than anything!" you cried out, stroking his wrist in appreciation as your orgasm curled tighter, your juices frothing and gathering on the insides of your thighs.

"oh? more than going to class or pleasing your family?" wanderer couldn't wait for your inevitable response. a response that would no doubt make him want to impale you on his cock even more. he couldn't break you too fast.

could he?

"yes, yes please! so much more than..than.." your words fell away, the knot of your orgasm building and tightening to an almost overwhelming degree. "anything!" you barely managed to cry out, twitching and writhing as you scrambled to chase the wonderful high unlike any other that he was providing.

wanderer couldn't help but laugh shakily, slowly stroking his cock. you look more beautiful breaking than he imagined. he knew he didn't have to keep his hand on your chin anymore. you couldn't and wouldn't dream of taking your eyes off. not when he'd demanded you to keep looking at him while you cum.

[whinlatter]

sorry if you've discussed this before, but do you think ginny's quidditch talent came out of nowhere? it's a common criticism I see about her but I feel like that kind of overstates how much of a quidditch "star" she was at the beginning, like she was consistently described as good but not great until partway into hbp and I also think it makes sense she'd keep it a secret from her teasing brothers. but maybe they're right and I'm just biased towards defending ginny

thank you for the question, anon!

the short answer is - no, i think it's (just about) plausibly rendered in the books. i think the series gets away with it because:

the story is told from the perspective of a teenage boy aka peak obliviousness in corporeal form, so we see what harry sees (and harry notices big fat nothing)

there is an entirely adequate narrative explanation for ginny's sporting skills that most readers not operating in bad faith* can put together, as you suggest: ginny comes from a sporty family who are all good at quidditch; she is of middling-to-good seeking ability when she first joins the team in ootp; she then has a good few months flying several times a week where she would necessarily grow in confidence and experience, leaving her perfectly able to blossom in hbp in a high school sport where she is competing against other children. fine and dandy in my book.

also quidditch is a broadly dumb and pointless plot so ginny being good at it is just a fun extra that we don't need to deep too much because - let's be real - quidditch is a waste of page space.

*i say this because, most of the time, these takes come from those who don't like hinny as a pairing. which is entirely their right and prerogative! it personally doesn't float my boat to spend my days doing worst faith readings of the text in order to make the case against canon ships i don't like, but as this is a race to the bottom - we are all adults dissecting children's books written by a nasty spiteful woman rotting in her mouldy castle spouting slurs, after all - who am i to judge.

(i also suspect the 'ginny is good at quidditch out of nowhere' takes have enjoyed such a long shelf-life on eg. reddit because the films are still most people's primary reference for HP takes so complaints about them then get cast back on the books - and, in the films, ginny does in fact rock up in film 6 like she's mbappé, if mbappé had the charisma of an extraordinarily soggy bath mat.)

with that said... could it have done with a bit more foreshadowing? yes, probably. people who don't like hinny as a pairing and prefer another are never going to be convinced - that's fine! but here i am, a paid-up hinny supporter, and even i think ginny's character development is sometimes wanting, to a frustrating and problematic extent. good writing (usually) means showing not telling, and it's weird and lazy of jkr to be so slapdash about revealing this and other character details about ginny and other (often female) characters. i think it's particularly striking that jkr underserves characters (again, usually women) who exist to serve the emotional development of characters (usually men), rather than the mystery plot(s) that drive hp as a series. (wanted! tonks' personality! last seen making fake pig noses and being the only auror mad eye moody mentored as his successor, for no plot reason!)

while i'm not a die-hard adherent to the chekhov's gun principle, i think one of the strengths of many novels du jour - especially the nothing really happens postmodern novel that crowds the bookshop shelves these days - is that their conventions allow authors to add colour to characters without each tiny detail being pregnant with meaning and in service of a driving plot that must be marched forward at all times. that can be really nice! as readers, we like to get a sense of characters as well-rounded living breathing people who go for a wee and take the bins out and stick on an album because it slaps every now and then; in these novels, we're also happier with the idea that things can happen to characters beyond the protagonist that don't directly impact the plot or demand the protagonist knows more than their own very limited vantage point. you have more room to play with character as a result.

jkr, ofc, isn't that kind of author. jkr is in fact an author for whom everything about her characters serves the plot. this, after all, is the brain that brought you 'remus lupin' the werewolf, and named the bad-guy-turned-good-guy in a book using a big black dog as a red herring omen of death 'sirius black'. jkr wants her audience to notice clues and remember little details about characters because they might be significant later on. this is entirely her wont and - lupin and sirius aside - she's often very good at it. the hp books are all standalone mysteries, and, when they land, those mysteries slap. ginny being the culprit in CoS is a genuinely satisfying resolution to the whodunit plot: this was reflected in critical reception at the time and was part of the reason why hp was able to be marketed as a children's book adults would also enjoy thereafter. there are also very satisfying foreshadowing and mystery plots that straddle the entire series and that reward the reader with reasonably good pay-off at the series end. (my favourite is the foreshadow within the foreshadow - e.g. regulus black barrelling back from ootp in DH, but then regulus' plot turning out to ultimately exist to foreshadow snape's own double agent status... delicious).

for my part, it's also what i want out of the fiction i read and the stories i try to write. i want everything to mean something. i want the weather, clothing, setting, body language etc to all do heavy lifting. i want character work to do work. it makes it fun for me to write and (i hope) it can it a bit more fun for the reader.

the problem is that while jkr is good setting up some mysteries, she is bad at others, and the romantic plot is one she falls down (a bit) on. she sets herself up for this: she wants to be a plot-centred mystery writer, so she does have an obligation to do better in how she deploys character details. jkr does to try to write the harry/ginny romance like a mystery, with little hints throughout the series up to the reveal of harry's feelings for ginny in HBP. (even ginny's full name is nominative determinism, finally revealed in DH once the reader has been told her place in the plot - ginevra, so guinnevre, the hero's queen). and while i will never not tire of pointing out to all of reddit that harry/ginny didn't come out of nowhere, and there is some satisfying foreshadowing knocking about here and there, i think it's fair to say that the harry/ginny build-up is not as satisfying as it could have been because jkr is basically lazier about the clues that ginny is the character harry will ultimately fall for, while she is much better at dropping clues for the series' central plot. that ginny ends the series with no real resolution of the primary tensions that motivate her other than her love of harry is probably the most acute example of this. but there's lots about her character where jkr phones it in a bit in fleshing her out or taking it to any logical conclusions or interesting plot directions. a smattering of examples:

ginny is the character who spends the entire series demanding to be included and not underestimated ends the series... with no real major role in the battle other than causing harry panic, while all other central characters receive a satisfying narrative arc that speaks to their central motivators across the series as a whole. (for an interesting discussion of what should have happened with ginny and the horcruxes, see here. i didn't even pay @saintsenara to write this!)

there are lots of shades of colour to ginny's character that are introduced pointlessly. i have previously talked about my beef with arnold the pygmy puff. we know ginny is popular but we know nothing of her friends who are all faceless plotless nobodies. we know ginny supports the all-womens quidditch team in a way that implies a nascent feminist politics after a childhood being excluded from playing a sport she loves by her brothers - yet we know nothing of it. we know ginny loves the one wizarding band that seems to exist because she has a poster of them on her wall and it just.... is something we just get told about her. now, all of these suggest ginny is a good time gal and a right laugh at the pub. and that's nice! i too am fun at the pub! but why does it matter? it wouldn't, in another series. but in a series where Everything Matters, it really stands out.

now..... i don't think all of this is an unsolveable problem for those of us writing fanfiction about ginny or harry and ginny as a couple. i don't think this makes ginny an inherently bad character. i hope the amount of life i have wasted thinking about this character is testament to this (...) and i personally find trying to cook up some fleshed-out characterisation and a satisfying arc for ginny, and for female characters more generally, from the crumbs of the original source material to be a very rewarding way to pass the time and a fuck you to a woman who thinks she can gatekeep womanhood while writing some astonishingly antifeminist fiction. i think harry and ginny are a deeply compelling and eminently plausible couple, and i think i return to writing about them as much as i do because i think they have a ton of potential as narrative mirrors and as characters with a rich well of tension but also devotion between them. as i say a lot, i think one of the things the harry/ginny pairing does refreshingly well compared to other romantic lead couples in YA fiction is show a couple that, at heart, genuinely get on very well, have a laugh together and enjoy each other's company in completely mundane lovely day-to-day ways (laundry and taxes u know). i think that's a striking and refreshing dynamic that i like to spend time fleshing out and playing with and writing about. but i can also see that there is an inconsistency in jkr's character work here, particularly her character work writing female characters, of which ginny is among the most acute examples.

[vigilskeep]

You mentioned Sol & Minerva interacting in the tags of a post and now I’m curious what you think the dynamic would be like between Sol and your other protagonists

sol’s family fled ferelden when they were a kid because of the blight, so they have an extremely weird relationship with the concept of the Hero Of Ferelden and would be a little nervous to meet her in a deeply uncharacteristic way. meanwhile, minerva would recruit sol to the wardens faster than you can blink. oh a world-class darkspawn slayer who’s, yeah, impulsive, but also fearless, charismatic, and adaptable, and has even thought about joining up because they want out of their current life situation which happens to be a faction minerva has beef with? Hers Now. i actually had them interact in that post in a theoretical situation where sol is pregnant because that’s the only thing i can think of that would slow her down. legendary minerva viago custody battle let’s go

varric picked sol out partly because they are (in his eyes) keir if he was funny and likeable. (scrappy sword and board human warrior fereldan blight refugee who cares a lot about a sibling figure.) keir would IMMEDIATELY clock this and sigh internally. even today he has to endure whatever the fuck varric’s issue was and now he has to grieve about it too. sol when dealing with keir would probably poke the bear a lot so to speak because they’re very good at noticing when someone is actually all bark no bite and they would think he’s funny when he gets snappy. they don’t respect him and only think of him as varric’s old friend rather than a Great Hero of Thedas or whatever. i think he would find their particular mixture of high energy and pessimistic beliefs irritating. keir loves people who are passionate about things; sol is easily bored, they usually don’t want to hear or give lengthy explanations, their mind skips from one thing to the other. he would probably also be the one to notice the real way in which sol is dangerous: not just that they’re an impulsive live wire, but also the other thing he and they have in common, which is their intensely specific priorities. they would both let the world burn if like 5-10 specific people didn’t need it to live on. and he would, rightly or not, consider their set of 5-10 people—well, mostly the central antivan crows—to lead in more questionable directions than his set

toramar cadash would think of sol as a kid who’s been through a lot. he sees them and is immediately not happy with varric’s choice; this weight should have landed on the sturdier, more experienced shoulders of someone who could actually handle it and, ideally, not come out broken the other side. and someone who isn’t visibly the absolute worst shot at getting solas to hear them out! but he can’t change things now so all he can do is show confidence. sol is sharp enough to pick up on that but shrugs it off. one major thing which is continually hysterical to me: sol is andrastian, and used to listen to varric. resulting in the fact that there is a non-zero possibility to them that toram is legitimately andraste’s herald. because they are also an objectively funny person whose mind somehow moves on quickly from this kind of world-shaking concept—got things to do and places to be!—this doesn’t massively affect how they talk to him. but it is present and they do give his opinions more respect than they would most people’s. interpersonally toram quite likes sol. they’re fun and a breath of fresh air; most of the people he talks to these days are just so squeamish about lines of work like the ones they come from. they remind him of sera a little bit and sera was a massive favourite of his. this makes him go back around again to feeling worse about their involvement lmao

[sticks-stones-sonic-insanity]

Ok idk how plausible this is but like. Just considering the possibility. Let's think about it for a second.

Shadow has Chaos Island on his register for Shadow Generations. In a more meta explanation, we know its because Chaos Island was the least utilised location in Sonic Frontiers: most of its platforming was 2D, and the more interesting locations that players wanted to travel to were either unreachable or off in the distance as set design. Among other things. Shadow himself hadn't actually been there, but he hadn't clocked that since the game's story took place at the same time as 2011 Generations did.

Gerald's explanation for its, as well as that of Sunset Heights' existence in white space was that the Time Eater (or Black Doom?? Idk they don't really make it clear who's controlling what) was pulling from locations in Shadow's FUTURE as well as his past, so some locations that were present were for a future Shadow to experience instead.

Is it at all possible... that maybe we haven't seen that version of Shadow either? Is it possible that Shadow is among a cast who return to Starfall Islands in a Sonic game further into the future than what we know about?

I don't have much to back this, and I'm cool with that. It's just an interesting idea to think about.

The plot of Sonic Frontiers is fairly linear, but the primary story beats within the characters held a very clear message about change. Change, progression, and wanting to move on to become something more than what they believed themselves to be. Amy wants to explore the world and find more places to share her passion and love with others. Knuckles wants to push himself to leave Angel Island and have a life outside of his role as the Guardian of the Master Emerald. Tails wants to be more independent, and spend time honing his skills without Sonic to fall back on when he's in trouble. Sonic is notably excluded from this common desire to change, but they don't touch much on his reaction to this information and he's primarily there to spurr on their motivation anyways. I have my own feelings about Sonic himself in Frontiers, but it's not super important to go into here. Point is, the characters here are looking for growth. An opportunity to give to themselves room for change.

Shadow did much of the same in Shadow Generations, but Gerald's dialogue about his motivation in life being stagnant after he and Maria move on is a nod to the idea that Shadow is very much not done on the development front.

He's let go of his past, and has a drive to keep moving forward in honour of it.

Now what?

I'm not sure how, or when, or if it could happen, but I think it would be interesting for Shadow to find that same kind of time for introspection as (three of) the core 4 did on the Starfall Islands. Frontiers had that softer, more serious tone to it that Shadow's change in attitude would benefit from. His half of generations was able to match that tone, since he made most of the journey on his own. Anyone who interacted with him brought an atmosphere that fit the individual cutscene.

What kind of conclusion could he come to, given the time to think about it? Who would be at his side to help him voice his thoughts?

Does Shadow know what he wants in his life? If not to Maria, where will he look to find the answer to that question?

All of this speculation is mostly shot down by the fact that this game occurs that little bit too far back in the timeline for these things to line up, but I still wanted to consider it. Its interesting to think about, and I've been having fun trying to guess what Sega has in store for these little guys. Whatever comes next, I hope it's got the same love and care in it that went into Shadow Generations, because that way we know we'll be in for something good. Lmk what you think!

[inventors-fair]

Substantial: One-Word Runners-Up ~

Our runners-up this week are @arixordragc, @bergdg, and @helloijustreadyourpost!

@arixordragc — Buck

We live in a funny world where this card does exactly what it says on the tin, and it's a common that does something strangely unique in the world of bite spells. I don't have to talk about what this card is doing for limited or whatever, and I don't have to talk about the intended flavor. Everyone agreed that this card was solid enough to be commendable. The reason I'm putting it here first is because a) we do things alphabetically, and b) it's missing that one final aspect that I want to talk about during commentary. If there was a specific reason not to add flavor text here, I'm curious what it was. Regardless of that choice, I'll stand firm that it was detrimental not to add it.

Here's the problem: does that take away from the mechanics of this card? No, not at all. Does it add anything to a designer's repertoire to be able to write flavor text? Personally, I think so. I also think we're in a niche in the custom design sphere where we're jacks of all trades—and at this point I'm getting a little niche philosophical, so I'll try to cut to the chase with what matters. Every part of a card's presentation for these contests needs to be available at a first glance, not because it would be expected of someone in a professional design setting, but because custom design demands that all aspects be accounted for. This is a general waxing and I hope you don't take it as a lambasting of anything; this card rocks and we on the team were surprised it hadn't been done before. I find it fun and clever and slapsticky and perfectly befitting of the setting. I just wish there was that last little push to make these sensations gallop to life.

@bergdg — Liquidate

I remember when these weird hybrid combos were introduced in Strixhaven, and as someone who had been playing (badly) with hybrid since my first designs in high school, I was pleased as punch to see them back in action. With this card, I think there's no reason to ding it for the mid-hybrid split, and if I was super generous I'd say that the split and the art go together quite well! Even if there was more in-line themed art direction, I think that seeing someone's brain dribbling out as they split apart their mind from Ashiok's whispers... Highly impactful. Great Ashiok callback with both the flavor and the effect.

Dissolution, as it relates to liquidation, isn't as common a definition as one might expect, but you're not the only person to have used it for this contest. And the creature/planeswalker is definitely being turned into liquid here. As a rare it's a perfectly reasonable killspell, and while it might not be the absolute eye-popping card to open from a pack, I'd be happy to run it in a control draft shell. Blue's milling and black's destruction meld together quite nicely here—a liquid blending of effects. Could it have been uncommon? That's a big maybe, but I don't mind it as a rare and especially not as a control sideboard card. "I'm gonna Liquidate your dragon." That tracks, heh. I'm a fan.

@helloijustreadyourpost — Draw!

OW, my ORGANS. You shot me right in the organs! Well, anyway. Red being secondary in fighting is underutilized, I feel. And for moments like this, you have that real competitive sense that feels pretty solidly in-color for it. As the flavor goes we did have the card Quick Draw from OTJ, but this one is a far more in-situational card rather than an explanation of whatever "wild magic" is. Frankly, I wished that OTJ had had something comprehensive going into it, and I know I'm not alone there. The flavor text is by far one of my favorites from you so far. It's punchy with a drawl. It's demonstrably about the situation you're creating, distant from a story but at the same time defining the moment. You are the sharpshooter here in control. I really love it.

I also feel that the grokability of the rules text makes sense. To me. It's a little heavy-handed, I gotta admit, or at least it's a lot of text to do something that only that much text can do. I'm sure that I'm overthinking it more than I am analyzing it at this point, and considering the bar for commons these days, I'm sure it would be fine. That sort of replacement effect that relies on a timing effect is still a little wonky, though, or at least it might be in the brains of newer players. That said, there are other ways that these fight-to-bite effects could be seen on other worlds, and I'm really curious about what could be opened up with this. Maybe it could replace with other triggers, or for types, or whether or not a creature is equipped/enchanted... Lots of options for the mechanical side here! But it starts with this card, with two cowpokes and two thunder pistols. Man, I just think it's awesome. I can picture the wounds already.

Small note on general commentary! I thought I'd get ahead of myself this week and do some commentary in advance. Hooray! Around 40% of them are done, but there are still the remaining 14 cards to write up.

This was a surprisingly popular contest, and the more popular contests get the harder it is to finish commentary on time, what with working Saturdays. I'm just letting y'all know in advance about that, since keeping you informed is important.

Be good, folks! @abelzumi

[ee3y]

"I met an Elysian. A real orbit pixie!"

[blackkatdraws2]

There are more things in the Parable than Stanley knows about. [Blank Scripts AU]

[dynamitekansai]

THE USOS REUNITE WWE SMACKDOWN (OCTOBER 25, 2024)

[13eyond13]

love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world

[sonknuxadow]

you know i do wonder how many sonic characters actually have living parents. like knuckles is the last of his kind so obviously his parents arent around anymore. both guys who could be considered shadows dads are 100 percent confirmed dead. sonic is canonically an orphan im pretty sure. and on the other side of the coin cream is like the only character in the game cast who has a living parent we actually see onscreen. but what about everyone else i dont think theres a straight answer for any other character. other than rouge's mom being mentioned a couple times i Guess but we dont even know anything about her or if shes still alive just that she existed at some point. are these kids constantly putting themselves in danger because they dont have parents around to stop them or because their parents just dont care

[sysig]

Dr. “Has to get a good grade in therapy” Doran (Patreon)

[memento-morri-writes]

I've been thinking a lot about how Rook's reunion with his former mentor, Zara, is going to go, and since I can't predict what the DM is going to have her do or say, I can only dwell on what I know is going to happen. Which happens to include taking off the illusion ring that's been hiding his injuries from her. So have a snippet of the description I have planned for that moment:

tw for description of (mostly healed) injuries

He hesitates, twisting a ring on his finger. Looking at it more closely, she can tell it’s very finely crafted, and must have been very expensive. A large emerald is set into the band. Rook sighs, and pulls the ring off his finger in one quick motion.  Immediately she’s struck by the difference in his appearance as the illusion melts away. He looks awful. His warm, healthy skin fades to a dull and sickly grey. There’s huge bags under his deeply sunken eyes, and his cheeks are hollowed, as though they have been carved out by an overeager sculptor. He looks like he’s recently risen from the grave.  While he was thin before, now she can see his ribs under the skin, and his collarbones are exaggeratedly pronounce. Thin white lines left by dozens upon dozens of recently healed cuts are scattered across his body. On top of that, faded bruises cover most of his visible skin, a mottled mosaic of purple and yellow. They’re clearly days, maybe weeks old, and she can only begin to imagine what they must have looked like when fresh. Bandages are barely visible under his shirt, wrapping around his back, hinting at even more injuries.

[daisybell-on-a-carousel]

Thought about making a ghost town au jason design but kinda bluescreened when I realized he wouldn't be a doll tbh

[mokeonn]

I'm playing bg3 again and trying out the honor mode (which as it turns out, might be a bad idea if you never beat the game in general, much less beat it in tactician mode) and I have been confronted with the fact that I absolutely have dnd race favoritism and it absolutely is contributing to my need for many many bg3 saves because I constantly think "hmmm I want to try playing as a deep gnome to see if I get special dialog with Barcus Wroot, the Iron hands, and the underdark" before picking Drow for the 4th time.

[lolo3h]

So I was thinking about the other grass type tierlist I made based on what plant families grass type pokemon were based on and made another list categorizing the uses the plants the pokemon are based on

[insertcoolnameherethanks]

My friends complaining about Gemma having "zero emotional capacity" my man, she has emotional capacity she's just neurodivergent stfu