#there is a point where the reviews are interesting or useful and then there comes a glut of them

[bumbled-bees]

Lily's Lack of Media Literacy

Lily’s video essays are rarely about the media she covers—rather, they’re vehicles for her to push whatever narrative she wants, whether that be a political take she only half understands or a passive-aggressive jab at her critics. Instead of engaging with media in good faith, she cherry-picks elements that support her predetermined conclusions and disregards anything that contradicts them.

This is why her critiques often feel shallow, reductive, or outright incorrect. She isn’t analyzing media to understand it—she’s filtering it through whatever argument she’s trying to make. If a piece of media happens to align with her worldview, she’ll champion it as a masterpiece. If it challenges her perspective or doesn’t fit neatly into her talking points, she’ll misrepresent it, ignore its themes, or insist it’s badly written. This results in blatantly inaccurate interpretations and a tendency to talk down to her audience as if they’re too stupid to realize she’s misrepresenting the very media she’s reviewing.

Then there’s her habit of using videos as thinly veiled subtweets. Many of her video topics seem suspiciously well-timed with whatever drama she’s currently involved in, and it’s not subtle. When a critic calls her out, suddenly there’s a video about “bad faith criticism.” When someone questions her behavior, here comes a rant about how “toxic” the internet is. If she’s losing favor with her audience, she pivots to preaching about “loyalty” and “how to spot fake friends.” She rarely, if ever, addresses drama head-on, instead choosing to air her grievances through her content under the guise of “analysis.”

This pattern makes her critiques wildly inconsistent. One day she’ll argue that a character or trope is inherently bad, only to contradict herself in another video when it suits her. The Dragon Age playthrough is a perfect example—more on that below—she clearly didn’t care about the games, but because they were associated with a critic, she forced herself through them purely out of spite, skipping dialogue and misrepresenting the story as she went.

At its core, Lily’s content isn’t about media literacy or thoughtful analysis. It’s about control. She uses her platform to shape narratives, settle personal scores, and reinforce her own biases. Whether it’s politics, fandom discourse, or drama, her goal is never to understand—it’s to win.

The Dragon Age Series

Lily’s Dragon Age playthrough is a textbook example of her lack of media literacy and how personal grudges guide her content to the point of self-sabotage. She didn’t play Dragon Age because she was interested in it, nor because she had anything insightful to say about it. She played it because Sai, one of her most prominent critics, is a huge fan of the series. Rather than approaching the game with curiosity or respect for its storytelling, Lily brute-forced her way through it with no regard for its themes, character arcs, or world-building.

Her button-mashing through dialogue is the biggest indicator of this. Dragon Age is an RPG where player choices significantly impact the narrative, and its story is delivered primarily through conversations, codex entries, and lore-building. Skipping dialogue in a Dragon Age game is akin to fast-forwarding through a movie and then complaining that the plot doesn’t make sense. When Lily inevitably misinterpreted key events or made uninformed takes about the story, it wasn’t because Dragon Age was poorly written—it was because she actively avoided engaging with it.

This ties into a larger pattern in her media analysis. Lily frequently presents herself as an authoritative voice on storytelling and character writing, yet she consistently demonstrates a shallow or even outright incorrect understanding of the media she critiques. She often ignores context, misrepresents character motivations, or oversimplifies themes to fit her own narrative. Instead of analyzing stories on their own terms, she reduces them to whatever point she’s trying to make, even if that means cherry-picking details or outright contradicting canon.

Her Dragon Age videos fit right into this habit. Because she skipped through crucial dialogue and refused to engage with the story properly, she ended up making numerous errors in her analysis. This mirrors past instances where she confidently misinterpreted media—whether it was claiming a show had a “bad message” while ignoring context or insisting a character was poorly written while disregarding their development. The Dragon Age series, however, exposed this flaw in a way that was impossible to ignore. It’s a franchise with an invested fanbase that knows its lore inside and out. People immediately picked up on how badly Lily was fumbling, and instead of making Sai or her critics look bad, she only discredited herself.

The irony is that this whole endeavor was likely an attempt at some weird flex against Sai. She didn’t just pick a random game to play—she specifically chose Dragon Age because of its connection to one of her detractors. It was meant to be a smug dismissal of something Sai loves, but in the end, it only made Lily look ignorant. Instead of proving anything, she just reinforced the idea that she doesn’t actually care about the media she talks about—she only cares about how she can weaponize it.

[sweetfirebird]

The 'reviewers getting hits on youtube by critically reviewing very popular books they didn't like and thus promoting those books and ensuring those books stay popular and get sequels thus giving those reviewers even more content to get more hits' industrial complex.

[mrchoppedslefthand]

[SPOILERS] Homicipher Is Actually Romantic, Convince Me Otherwise [Analysis/Opinion] [SFW]

Word count: 3,332

Edit: 11/7/2024

[Feel free to skip to the last objective "Individual route discussion + what made it romantic" if you want to get straight to the point]

Homicipher is truthfully a romantic (or platonic) game. It is a game that has to be looked at from a different perspective when it comes to love/romance. A game where you have to take in consideration of the characters and the nature of their 'other world'. Today's post will discuss into what I believe made Homicipher an oddly, but romantic game, despite its shortcoming and abrupt ends.

⚠️[MAJOR LORE/CHARACTER ROUTE SPOILERS] ⚠️

Discussion Objectives:

Definition of Love & how it plays into Homicipher

The nature of the 'other world' and ghosts

Individual route discussion + what made it romantic (thoughts)

What Is Love & How Does It Play Into Homicipher?

Love has many layers of definition and associations. Maybe, that is why some may deem Homicipher to be "unromantic" and some disagree on that thought. It also varies based on the type of content/exposure you had consume in the category of love [whether romantic or platonic]. Socially, from a common standpoint, love is a strong attachment or affection for someone. Often from a social standpoint associated with dates, affection, and intimacy. However, love is always changing, since it is a social script on what its suppose to be, and changes as society progresses. Some notions stay the same but some begin to change (just like how language and certain concepts begin to change in the other world, a different society from our own). For the sake of a "true" definition of love. I will be using the definition offered by the Oxford Language Dictionary. So, what is love?

Love as a noun is...

"An intense feeling of deep affection"

"A great interest and pleasure in something"

"A person or thing that one loves"

Love as a verb is...

"Feel deep affection for (someone)"

"Like or enjoy very much"

Not long after its release there had been a fair number of comments/reviews criticizing Homicipher for its lack of romance. This claim is NOT entirely wrong. From the expectations of a "normal" Otome/dating sim it doesn't necessarily meet the requirements because of its lack of intimacy, affection and interest from a HUMAN/SOCIETAL perspective. We must remember that romance/love does not necessarily equate to kissing, hand holding, and intimacy especially considering that these are the HUMAN (societal) views on what romance/love is. A concept that had become lost in the 'other world'. So how can we call Homicipher romantic if we have to cross out the influence of our society? The answer is that we can't fully avoid it, HOWEVER, we must be open to a different perspective of what 'their' version of love is (platonic love/or romantic). No matter how lacking, dense, twisted and grotesque the moments we have spent with these ghosts are. In some shape and form it CAN equate itself to love (platonic/ or romantic). I think a lot of people forget that time itself can be equate to some complicated level of love. The fact you spend time with someone, and it develops to something further for worse or better, something that even love may not be able to name, is what this game demonstrates.

Homicipher has a consistent theme, the loss of truth, the acceptance of ignorance and the concept of eternity. Which shockingly is where the romance comes from. When we allow ourselves to rot in that world. When we ignore the exit and choose to stay, is where the romance comes through. Love is complicated. What can I say?

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

The Nature of the 'Other World' & Ghosts

Alot of the ghosts we encounter can be friendly, but also just as deadly. We hear it from almost all of the casts warning or discussing about how dangerous a lot of the ghosts (including themselves) roam in this world, and in different endings, succumb to this danger ourselves. The longer we stay in this world, we soon start to become no different. As we, a human, begin to slowly transform into a different entity. We begin to react more violently (though it can be argued that since our MC is a serial killer, she might have just been violent and cruel in general). When angered, or things start not to go her way, she gets filled with bloodlust and takes it out on who she's with. Killing is a common thing to do in this world, especially when experiencing anger, sadness and even boredom. The concept of death is a little complicated as they can easily regenerate themselves back to "life". As the game progresses, we learn that some of these ghosts cannot grasp certain concepts (such as love), remember their own name and self, and don't have exact words (sometimes none) for items.

When sometimes even confessing that you like some of the ghosts they question you, and state that they cannot understand you or that feeling (platonic/ or romantic). We are in a setting that is beyond the mortal realm, there aren't any exactly "ideal" dates in a place different from the moral realm... so you're going to be stuck in a scary place, having a scary "date".

However just because they cannot understand the concept of love, doesn't meant that they can't feel it. It is something that the body may still feel, and the mind not being able to put an identity to that feeling or even situation, since meanings and concepts get lost within this realm. The fact that we are allowed to spend an eternity in this realm, with our handsome casts of ghosts. Is oddly and sadly romantic. For Mr. Crawling it is his devotion and loyalty to you, it is how he worries and cares for you, it is his affection and attempts to soothe you. For Mr. Silvair it is his care for you (as research of course lol), your usefulness (which is why he is attracted to you), but even then, one of his endings he keeps you as a head, when you had become useless to him. For Mr. Gap he finds you intriguing, he wants to play and follow you around, always asking for parts of you with consent, loves to brag about himself to you. For Mr. Chopped it is his want to rely on you, to feel safe with you, to protect him, to spend time with him. For Mr. Hood it his willingness to help you for an eternity, to roam with you forever, keeping you away from danger. For Mr. Machete it is the fact you both spend an eternity searching for a home together, to suffer boredom together, to suffer within each other's presence. For Mr. Scarletella it is his obsession for you and his willingness to spend an eternity with you.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Individual Routes + What Made Them Romantic

[Not in any particular order]

Mr. Crawling

If I had to rank who had the most "romantic" route overall, it would be Mr. Crawling. With the definition usage of love from the Oxford dictionary, verb and noun he checks all the list. Not only that, but we spend time with him the most out of all the other casts. He was the very first ghost we meet (briefly in the beginning) and got stuck with. We are like a baby bird imprinting on him because we saw him first and spent time with him the most, so of course we might feel the most attached to him compared to the others. As the game progresses Mr. Crawling doesn't fail to let us know that he cares for us and our safety warning us of the dangers that come and explaining how to navigate our way around danger. He expresses his worries when we disappeared. He seems to have some concept of love (platonic/ or romantic) as he admittedly tells us that he likes us and ask us if we like him. He expresses how he wants to follow and protect us. He also has so many cute scenes! Scenes where he pats our head, scenes where we lay together, chat a lot together. He is devoted and loyal to us, never harming us even once.

We even get a scene where he gets jealous when we called Mr. Chopped cute with the cat headband! So, he also makes an attempt to be cute too! We are always together with him, and that makes us BOTH happy. Although we don't have our traditional romantic dates like shopping, movie night. We get a bed scene and get to take him back home with us.

There are many types of romance. Platonic and romantic. You the reader/player is allowed to view it however you want. The game does not punish you for the lack of interactions with the casts. You just end up missing out on certain scenes/moments with them is all. However, for the sake of this post I will be making attempts to talk about the romantic aspect (but platonic romance can also be put into place).

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Silvair

lt's apparent that Mr. Silvair keeps us as research material and confines us in his lair. He is interested in our body, and also interested in returning our mind/intellect back to its original state. It is this interest in us that makes him "love" us. Does confinement and research count as love? Well...maybe not in terms of human definition but in the Mr. Silvair way, it's the closest thing you can get to romantic (or platonic). Afterall, the concept of love has become lost in this world.

I believe he still has some attachment to us, because in the ending A Head's Life, he still keeps you as a companion along with Mr. Chopped. He claims that you are no longer useful/capable but that it is okay, as long as danger is no longer here. When you choose to ask him why he did what he did and ask if he likes you, he tells you it was for research and that love is something he cannot understand. He also doesn't understand why you get so angry when he helped you return your intellect back. He still though has some sort of concept of empathy, because in his route when you choose to kill him and hide yourself away. He comes follow you and expresses that he's sorry and tells you a little about himself. He allows you free will, at this point, allowing you to leave him or stay with him.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Gap

Mr. Gap always wants a piece of us, literally. Why does he? Because it's just for fun. The most interaction we get with him is through the multiple crevices within this world and the short route he gets in chapter 4. He takes but sometimes may give. However, he doesn't fail to be thoughtful. It's hilarious how in chapter 4 when he offers us a crowbar in exchange for your heart, you can just smack him for it with no consequences. He also likes to brag about himself to you which honestly is a little cute. With his ending Return, we only have him left in the 'other world'. Our comfort lies with him, although he may be a little annoying, he is the only one we have left. We maybe have become a little codependent on him, but maybe he likes that?

God his annoyed/disgusted face is so hilarious, do it again Mr. Gap! He seems to stick around with us mainly just for funsies and being nosy, and honestly, he is so real for that. But it seems he likes to stay around with us at least. In the return end he is with us, and continues to stay lurking, perhaps watching over us until he is needed. Quite handy am I right? Haha.

He is depicted as quite the gentleman, but also just as fun and teasing. There are times where he does help you with no charge, such as barging into his hole (the face he makes in that scene is hilarious). Again, when presented with beating him for your crowbar, he gets a little upset but, honestly still helps you out. He probably thinks violence is funny which is why he constantly still teases you by asking to take away your body parts. It's just too fun!

Someone had brought up to my attention that Mr.Gap tends to ask for parts that can be easy to part with as we progress. Asking for our feet, legs, and fingers instead, when he seems to still clearly prefer the heart over the other parts. He adjusts his request when he realizes we won’t give our heart.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Chopped

Mr. Chopped is just a head; how can he possibly be or have anything romantic? Well, not necessarily to the level of Mr. Crawling but, we get to have a few small moments with him and spend some time with him. Since he is just a head, he can't help but need to rely on others. Of course, he has to be selectively about it because falling in the wrong hands devastates him.

Mr. Chopped when he gets forced into playing with the deer child, he seems happy to see a familiar face and calls us out to help him. Our poor baby was in trouble!

His ending head hunt is tragically sad but also bittersweet. MC cares so much about Mr. Chopped that she spends an eternity as an entity searching for a lost head, searching for Mr. Chopped who she failed to rescue.

During his own special route Mr. Chopped does his best to help us, but there is only so much a head can do. To make up for his lack of body though, he seems to be more expressive with his mouth and emotions. We get to take him to get a haircut and wash his hair. This seems pretty date like to me. Although our time was abrupt and short with Mr. Chopped. It makes me happy that we get this small, cute scene with him, which makes him much more lovable.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Hood

Mr. Hood protects you from harm, and also heeds your commands. He also carries you around. He means no harm and is there to guide. He cares for your safety and seems to dislike anything dangerous or threatening towards him and others that he protects.

At the end of his route, he states how often you get in danger and takes you with him, telling you that he must protect you since you asked him to (referring to an earlier scenario when you asked him to stay with you, when you reunited with Mr. Crawling and the others, but he leaves). So I would assume he would always be by your side now eternally staying together and protecting you from danger when needed. How cute! Some people are into that. But personally, for me Mr. Hood felt more like a father/brother to me. Maybe it was because he was always willing to guide us? But some people are into the brotherly/fatherly type of men, and hey I don't judge.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Machete

At first, I did not see the appeal to Mr. Machete, he seemed like a ghost that killed for boredom and most of the time we just followed him around aimlessly...WELL, after playing his route and letting it soak in my brain. That is entirely the whole point of his character. He is a ghost that had become bored because he had too much time on his hands and continues to search for his home. He is our tsundere dummy macho ghost, and honestly, I love that about him. He could've killed us again like how he tried earlier, but after that first attempt, he reluctantly allows us to follow him. It's funny how much he runs away if the odds are against him, and when he mocks us it's even more hilarious. Mr. Machete likes us if we are strong opponent for him, he even expresses that he thinks we are fun and likes us when we defeat Mr. Hugeface on our own.

Not going to lie, I fell for Mr. Machete right here. We were low on blood, and he just slices his hand, FEEDING us HIS BLOOD. Like OMG that was so hot, he opens our mouth forceful, and we drink his blood. He somewhat cares about us, to be doing all of that for us. After that we get a timed choice to stall or follow him. When you choose to stall he pauses with you and asks if you're okay and to catch up with him. For someone who had been reluctant and annoyed at us for following him, took a moment of his time to wait for you. He WANTED you to tag along with him. We then venture on with him aimlessly searching for his and our home. Torturing each other with our presences. But maybe, just maybe, they can slowly become that home together that they were searching for.

·:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:··:¨༺ ♱✮♱ ༻¨:·

Mr. Scarletella

I LOVE HIM SO MUCH. At first, he appears to be just any ghost that wants to attack us. It took me a while to warm up to him because of so little we knew about him. I thought he wanted to take our name for fun/or collection, but then it's revealed that he knows us. That he harbors some sort of love and obsession for us and believes that we love him because of all the blood and bodies we "offered" him. In a twisted way, this situation is a cute and romantic misunderstanding. Mr. Scarletella fell in love with us for providing him many blood and bodies. He wants us to spend an eternity with him. He WANTS to spend an eternity with us. He invites us to this other world because perhaps he wants us to become a ghostly being just like him, or maybe he wants to have easier access to us (since his myth that he only appears on rainy days) to meet us. Although we didn't get to have as many interactions with him, that is what makes this love toxic. It is a parasocial love, he fell in love with us from afar. When you piece everything together with your dictionary the words he proposes to you sound like wedding vows when you give your name to him. Which make it all so more lovely, even if he takes our soul away.

(My translation/interpretation of the scene, where he asks for your name)

Chapter 2, Scene 24

Scarletella: "You found your name...?"

Scarletella: "Teach me your name." (ARF ARF WRARF)

Scarletella: "I want you." (YES PLEASE)

Scarletella: "Will you give your name?" (OF COURSE)

Scarletella: "Your name?" (👁️👄👁️)

*You give him your name here*

Scarletella: "I have your name."

Scarletella: "I have obtained you." (YES YOU DID, COME TAKE ME)

Scarletella: "Let's leave together." (ARF ARF WRARFFFFFFFF)

Scarletella: "I love you"

Scarletella: "And you love me."

Scarletella: "You gave it to me...Thank you" (I'LL GIVE YOU IT ALL)

Scarletella: "Forever/eternally together..." (YES SIR)

Scarletella: "Together." (ARF ARF WRARRF ARFA)

He is quite the romancer hehe. It seems like Mr. Scarletella has some form of concept when it comes to love, which is to be together forever, even if you end up as a blood pool. Together is together.

I find it interesting how his two endings: Scarletella and Scarlet Rain parallels each other so well. In the Scarletella ending, we (mc unknowingly) give our consent to being together forever with Mr. Scarletella, but we are still alive. When MC wakes up, she sees a clear umbrella on the floor and picks it up. I believe that we have now embodied or spirited the umbrella, spending eternity with Mr. Scarletella. He owns us now.

However, in the Scarlet Rain end he becomes ours, the umbrella stays red, and we still, eternally are together forever.

[door-insurance]

Ahm, hello Life is Strange fandom- I got an announcement

I have been working on my own LiS fan visual novel

This is VortexVN,

You play as Victoria waking up from a hangover with no memory of the week prior, you are tasked with piecing together what happened between her and one of the 4 love interests.

And of course the love interests are:

-Chloe (Chaseprice)

-Max (Chasefield)

-Kate (Chasemarsh)

-Rachel (Amberchase)

The game starts with a quiz; you unlock a route by picking answers related to the character you wanna romance (they are very obvious)

It takes place in an AU where the events of LiS1 and BtS didn't really happen and there are no special powers, Victoria's still a bi tch- I guess that's her special powers.

Think of this game as a spiritual successor to Love is Strange by Team Rumblebee rather than Life is Strange 1

Gameplay so far is your typical point and click visual novel affair, you will be given options to explore rooms, examine objects and talk to other characters- the interactions will play a crucial part in how the game ends,

You can win the girl or get rejected or worse... It will depend on how Victoria carried herself throughout the game,

Mistreating certain characters may prove to be a dealbreaker for the love interest,

Each girl has two close friends in the dorm that you should not upset (I'll reveal who in the guide pdf)

This game is also perfect for Victoria haters as you can ruin her life

The game has its own journal system that will be different depending on who you're romancing, it also comes with a read button (I blurred most of the text so you can get curious and play the game)

Read button will display the journal content in Open Dyslexic font

In the demo you'll only get to explore Victoria's room and the dorm hallways and you'll get two encounters from Juliet (Showers) and Alyssa (Hallway)

VortexVN is still in development, I have finished part.1 of the project and will start polishing it soon- the initial build of part.1 will be available to play as a demo!

The cutscenes lack color and proper shading at the moment and you will find placeholders as well, the art style is all over the place- this will change after the polishing phase

Download links:

Mac and Windows

Web browser ver (I don't recommend that you play it on mobile, also the web version lacks animation and takes forever to load graphics)

programs used:

-Renpy (visual novel engine)

-Photoshop CS5 (Drawing/rendering/animating/designing)

-Clips studio (Texturing)

-tablet: XP-Pen Artist 13

Note: I'm not monetizing this project nor do I claim ownership of the Life is Strange ip, all materials and assets presented in this visual novel were either created by me or are royalty free- I did not lift anything from the games via data mining or by leaks

This game is not a response to or a gotcha at Life is Strange Double Exposure or Deck Nine, I didn't really dislike the game

Besides, I've had the idea of a Victoria centric fan game since the first LiS back in 2015

I'm open for feedbacks! You can DM me or reblog this with a review or something- maybe write a comment.

[venusinmyrrh]

You said you love a good fashion doc- do you have any more to recommend?

Designers and tastemakers

Very Ralph (2019). The preeminent American designer of our time, one of the very few who can stand toe to toe with the titans of Paris and Milan. To call Ralph Lauren's work "sportswear" is to call the Sistine Chapel "kind of a big painting".

Halston (2019). Speaking of going head to head with Paris, Halston did it first. Skip Ultrasuede-- this is a much better doc about the king of American 70s disco glam.

McQueen (2018). When people talk about fashion as an art form, chances are they're thinking of Alexander McQueen. Worth watching for the pulse-pounding runway shows alone.

Westwood: Punk, Icon, Activist (2018). Obviously you already know about this one, but it's gotta go on any comprehensive list. Without Vivienne Westwood, punk would have been nothing but a handful of noisy assholes.

Diana Vreeland: The Eye Has to Travel (2011). My icon, my north star, my personal hero. The empress of taste and high priestess of personal style. Watch this doc whenever you need encouragement to do and wear whatever the hell you want.

The Gospel According to André (2017). Diana Vreeland's protegé and a godfather of style in his own right. If it happened in fashion in the last fifty years, André Leon Talley was there for it.

Lagerfeld Confidential (2007). I have a high tolerance for difficult and unpleasant people as long as I like their work. Your mileage may vary, but Karl Lagerfeld's immaculate, relentless taste cannot be denied.

Institutions and events

The First Monday in May (2016). Witness all the hustle, bustle, savvy, and stress that goes into planning the Met gala!

The September Issue (2009). Same as the above, but for the famous September issue of Vogue. Watch this to learn who Grace Coddington is.

Dior and I (2014). How do haute couture collections get made? In 8 weeks from start to finish, I guess, if you're Raf Simons during his first season at the House of Dior. A documentary and a thriller.

Scatter My Ashes at Bergdorf's (2013). No matter what other retailers might want you to think, Bergdorf Goodman is the last great department store. A portrait, already halfway to a time capsule, of what luxury shopping used to be.

Peripheral, but may be of interest

Nose (2021). The passionate, delicate art of perfume creation for the House of Dior. The French landscapes where they source their materials will make you swoon.

Larger Than Life: The Kevyn Aucoin Story (2017). As the makeup artist to pretty much every single icon of the 80s and 90s, Kevyn Aucoin invented the image of that era as much as any designer.

Fabergé: A Life of Its Own (2014). Come for the dazzling jewels and sumptuous objets d'art; stay to find out how this illustrious name ended up on hair care products in the 70s.

Crazy About Tiffany's (2016). Another luxury jeweler whose name alone is the stuff dreams are made on.

Bill Cunningham New York (2010). The original street style photographer, since before "street style" was even a thing. A love letter to curiosity, and a testament to the power of taking an interest in the world around us.

Still on my watchlist

Salvatore: Shoemaker of Dreams (2020). Directed by Luca Guadagnino, which is enough to put this Ferragamo doc at the top of my list.

Advanced Style (2014). Portraits of seven women aged 62-95 with truly fab personal style. Top Letterboxd review is seething about how out of touch they are with the real world, which means I am probably gonna love it.

Suited (2016). A study of gender through clothing in modern culture.

Dries (2017). A year-- and four collections-- in the life of Dries Van Noten, who, interestingly, doesn't see the point of clothes that people can't buy to wear, and so does not do couture.

Yellow is Forbidden (2018). This doc about Guo Pei appears to use her career as a framework to understand the gatekeeping of global culture by the West. Dope as hell, if it can pull it off.

American Style (2019). The political, social, and economic history of America through its fashion. Another one that could be really awesome if done with insight and panache.

Quant (2021). She may share the credit for inventing the miniskirt with two other people, but it cannot be argued that Mary Quant invented 1960s Swinging London. And for that we say thank you Dame Mary.

[comicaurora]

You mentioned in a previous ask about Arcane that wanting to do something better can be a great motivator, but recently I've seen a lot of discussion about fanworks created out of "spite" like Spiderman Lotus or that Transformers fan film. Do you think these come from different feelings, leading to their end result, or that the motivation just needs to be handled carefully?

Ah, I see the confusion. When you have ideas for what a story could do, and then the story goes in a different direction and bypasses what you thought it would do, that can be an incredibly useful motivator for using that unused inspiration for telling your own story. Taking someone else's completed artwork and saying "move over, idiot, I'll show you how it's done" is a recipe for hubristic self-immolation.

Setting out to "fix" someone's work has to be approached very carefully. Artistic criticism is a complicated skill, but it isn't treated that way. Especially in the age of the internet, several wildly different things have been conflated under "criticism", and I think that's why spite-motivated "fixes" almost always end up tripping on their shoelaces and falling flat.

Art critique - "fixing" someone's work - is about figuring out how to make the art the most effective version of itself. Determine what it's going for, and make suggestions for how the artist could improve the execution of that goal. Clarify a confusing moment, change the score a little to be more emotionally impactful, break up the pacing with moments to breathe, tighten up the pacing to maintain the frantic vibes.

However, the broad perception of what art critique is has been bundled together with several other forms of criticism, including snarky reviews (a judgment of quality rendered after a work is completed and aimed at prospective audiences so they don't end up wasting their money), general knee-jerk mockery (it is easy and fun to score points off of other people's sincerity via a little casual bullying), critical analysis (taking apart how a story works to learn from it, a useful approach for other artists trying to improve their own skills) and, of course, fanfiction.

Ahh, fanfiction! If you don't like a story, you can just take the characters, setting, premise, worlbuilding, and the general shape of the plot - ignoring the fact that at this point you've borrowed about 80% of the work that went into building the original story already - and then you can just make the characters do what you wanted instead. If you think Spider-Man would be better if everyone was miserable and grieving a dead buddy the whole time, you can do that! Two hours of misery for everyone!

This approach is ostensibly trying to accomplish what art critique does - to make a better version of the story. But in practice, it's almost never interested in interrogating what the story was actually going for. In fact, it's actively scornful of what the story was going for. It doesn't take it apart to see what did work, it just says "I didn't like that and I could do better" and produces something trying not to be like the original it disliked.

I kind of think of it like this. If you ate a meal and you were like "there's not enough salt in this," you would not produce a better meal by focusing exclusively on loading it down with all the salt you could find, even if you were starting with all the same ingredients. Do you understand how they were put together to begin with? How the meat was brined, how the vegetables were cooked, what seasonings went where? Do you think all it needed to make it work was salt?

So you get fanworks that do indeed focus on the part that the fanartist thought was missing. You get Spider-Man Is A Sad Jerk For Two Hours. It accomplished what the fanartist wanted, but it fails in its true goal of being Like The Original But Better, because it never actually made the effort to understand what made the original tick. Why do people like Spider-Man in his other movies? Well, there's lots of reasons that work for different audiences - he's funny, he's good-hearted, he's graceful and well-choreographed, his fight scenes are fluid and exciting, his dynamic with the people of New York is lively and comedic, he's hapless and hurting but he always tries his best, he gets knocked down but he always gets back up-- there are many reasons to like these stories. But if all you can focus on is what you wanted them to add, you'll have a lot of trouble parsing out what functional elements you'll need to carry over into your fanfiction to not lose the core of what made it actually mostly work.

If all you focus on is accentuating the bits you wanted them to do without recognizing the parts that were working fine, you end up with a heaping plate of salt.

✨ as the ask states, this post is very specifically about spite-motivated "I can do it better than the writers" fanworks and not fanfiction in general ✨

[needfantasticstories]

“Many places I have been

Many sorrows I have seen

But I don't regret

Nor will I forget

All who took that road with me”

-The Last Goodbye by Billy Boyd

This is an Adjuration by @not-freyja, after 86 chapters, 300k words, and 10 months of joy, laughter, tears, heartbreak and love, has finally reached its end. 

Adjuration is a tragedy that is nothing short of an act of love. That much is clear in the passion and dedication put towards the story, the characters, and the message Freyja is trying to convey. This fic will teach you about love. About death. About the inevitability of existence and why despite knowing it will all come to an end, there is still meaning in trying and hoping and loving each other. In loving yourself. You will laugh, you will cry, you will hope and you will despair as you read this story, but you will not be able to put it down.

It’s hard to say goodbye to something that has been so important to and loved by so many people. So we won’t. Instead, we will say thank you for this incredible journey and the community this fic has built. For the friendships that have been made and the endless inspiration you have given us. Thank you for wanting to tell a story, and for letting us join you around the campfire to listen.

Thank you.

(If you like Linked Universe and haven’t yet read Adjuration, see below for spoiler free reviews of this fic and artist credits.)

This is an Adjuration is the kind of story you fall in love with, the kind of story you think keep thinking about long after you put it down. The kind you keep finding hidden details in after you think you’ve got it figured out. 

The characters are distinct and people with their own voices, motivations, relationships and histories. You’ll have your favourites but love them all. They influence how you’ll see the characters in everything else. 

It’s full of moments where everything clicks and everything before is recontextualised in a way that’s so satisfying and make the whole story very re-readable. A time travel story where all loops are already closed, where you can know but not yet understand what will happen. It’s long, complex, and beautifully, meticulously planned and detailed. It’s clever and considered, funny and heartbreaking. 

A story that whispers ‘it matters’ over and over. It is worth it to love, it is worth it if it doesn’t last forever, it is worth it to give someone a little more time, it is worth it to fight. It’s about loving others and your world and finding grace for yourself. 

It’s loss and tragedy and the cruelness of fate. It is the sacrifice and the breaking. 

Full of heart to both fill yours and break it in the best possible way. 

It’s about love. Always.

By @toyouhellohowareyou

Sometimes, it’s hard to explain to others why art moves us.

I could tell you This is an Adjuration will make you cry, laugh, and sit at the edge of your seat in anticipation. And it’s probably true - I did all of that as I read, often with a coffee in one hand, early in the morning as I got ready for the day. 

But that’s not the reason why I’m writing this.

The real reason is how it followed me during the rest of the day.

You see, at a certain point I realized this isn’t a story about Links going on adventures. Well, it does feature Links, and they do go on adventures, so let’s talk about that for a minute.

The first thing that caught my attention about this book was the characters. Each individual is unique, interesting, and exciting to follow. Not only are the Links individually compelling, but one thing that stands out in Adjuration is how the relationship between each Hero and their own worlds matter, and these connections shift, evolve, break and grow as the plot progresses.

Freyja does an incredible job of bringing together impactful storytelling with humor and heart. This is an Adjuration starts with an interesting premise, and then twists and turns in directions you wouldn’t expect. It’s rich in thought-provoking moments, soft joy and intense action, blended in with carefully crafted time travel and magic.

Adjuration sucked me into the world it builds, combining believable characters with fascinating stories, an unnervingly devious antagonist, plot twists, and lovingly crafted details that slip unnoticed until you’re surrounded on all sides. It made me cheer for characters I feel as if I’ve known intimately for years, made me worry for their safety as I would for that of a loved one, kept me hunting for hints and hidden references, pulling on a thread to try to find the end only for it to twist and loop into itself and show me a completely new side to the story.

Yes, This is an Adjuration is a fanfiction piece that explores the winding river flow of the Legend of Zelda timeline and how the stories of each Hero merge into each other. It also stands out for its heavy emotional content, and it doesn’t shy away from angst and hurt.

But to me, Adjuration is an epic journey that taught me how the choices we make, make us in turn. It’s a tragedy that deals with pain and healing, and it bares naked the non-linear nature of grief. It’s a celebration of the things that make us unique, of our flaws, an essay of the impact of little acts of love. Indeed, it’s a story about love.

I can tell you now, This is an Adjuration moved me. It still does. It has a special way to surface in my mind in unexpected ways at seemingly random times, from something as simple as tossing an apple core, to watching a lightning storm in the distance, or finding a picture of an old friend.

And every time, without fail, it makes me think about love.

By @sunny-porridge

This is an Adjuration is a wonderfully and beautifully crafted story about love, loss, and choice as the various incarnations of Link come together and travel through time. Freyja seamlessly weaves a tapestry of setup and payoff across different timelines and loops, in the best-constructed time travel plot I’ve ever seen on page or screen. Even at its surface, Adjuration is an emotional rollercoaster involving tragedy and the soft moments that make that tragedy worth it. But the deeper you look, the more meaning you can pull from every chapter of this amazing work. This work has made me cry, squeal with delight, and think more deeply about its themes all while having an absolute blast reading it. So in summary: READ IT. READ IT. READ IT NOW. YOU WILL NOT REGRET IT.

By @life-in-winter

While I love that every chapter is emotionally enthralling, with carefully woven, visceral tension you crave in any good story, yet Adjuration is more than that, and you feel it in the careful weave of each character and plot point. Nothing is lost or unanswered. It's the kind of story that, by the end, makes you stop and take a hard look at your own life. Are you appreciating the now? Are you savoring joy? Are you so wrapped up in fear that you can hardly take care of yourself? Do you know who you are?

This story is more like an external experience. It's riding atop a tsunami. How do you handle that ride, Link?

There aren't enough words to describe how amazing this fic is.

@needfantasticstories

Artist credit

Legend: @gia-d

Hyrule: @bittirsweeteer

Time: @toonblade

Sky: @noorahqar

Warriors: @whitewinterstar

Wild: @weavingstarlight

Twilight: @bluury2

Wind: @thewitchdoctor39

Four: @lunaopus

Red: @peepthatbish

Blue: @glowingmin

Green: @winterfen

Vio: @waterfallstream

Shadow: @deleetrix

Wolfie: @linkiscool333

Fierce Deity: @awildsilver

Ravio: @lele5429

Malon: @tooner-tastic

Dink: @passerinesoncaffeine

[amateurvoltaire]

For the past six years or so, this graph has been making its rounds on social media, always reappearing at conveniently timed moments…

The insinuation is loud and clear: parallels abound between 18th-century France and 21st-century USA. Cue the alarm bells—revolution is imminent! The 10% should panic, and ordinary folk should stock up on non-perishables and, of course, toilet paper, because it wouldn’t be a proper crisis without that particular frenzy. You know the drill.

Well, unfortunately, I have zero interest in commenting on the political implications or the parallels this graph is trying to make with today’s world. I have precisely zero interest in discussing modern-day politics here. And I also have zero interest in addressing the bottom graph.

This is not going to be one of those "the [insert random group of people] à la lanterne” (1) kind of posts.  If you’re here for that, I’m afraid you’ll be disappointed.

What I am interested in is something much less click-worthy but far more useful: how historical data gets used and abused and why the illusion of historical parallels can be so seductive—and so misleading. It’s not glamorous, I’ll admit, but digging into this stuff teaches us a lot more than mindless rage.

So, let’s get into it. Step by step, we’ll examine the top graph, unpick its assumptions, and see whether its alarmist undertones hold any historical weight.

Step 1: Actually Look at the Picture and Use Your Brain

When I saw this graph, my first thought was, “That’s odd.” Not because it’s hard to believe the top 10% in 18th-century France controlled 60% of the wealth—that could very well be true. But because, in 15 years of studying the French Revolution, I’ve never encountered reliable data on wealth distribution from that period.

Why? Because to the best of my knowledge, no one was systematically tracking income or wealth across the population in the 18th century. There were no comprehensive records, no centralised statistics, and certainly no detailed breakdowns of who owned what across different classes. Graphs like this imply data, and data means either someone tracked it or someone made assumptions to reconstruct it. That’s not inherently bad,  but it did get my spider senses tingling.

Then there’s the timeframe: 1760–1790. Thirty years is a long time— especially when discussing a period that included wars, failed financial policies, growing debt, and shifting social dynamics. Wealth distribution wouldn’t have stayed static during that time. Nobles who were at the top in 1760 could be destitute by 1790, while merchants starting out in 1760 could be climbing into the upper tiers by the end of the period. Economic mobility wasn’t common, but over three decades, it wasn’t unheard of either.

All of this raises questions about how this graph was created. Where’s the data coming from? How was it measured? And can we really trust it to represent such a complex period?

Step 2: Check the Fine Print

Since the graph seemed questionable, the obvious next step was to ask: Where does this thing come from? Luckily, the source is clearly cited at the bottom: “The Income Inequality of France in Historical Perspective” by Christian Morrisson and Wayne Snyder, published in the European Review of Economic History, Vol. 4, No. 1 (2000).

Great! A proper academic source. But, before diving into the article, there’s a crucial detail tucked into the fine print:

“Data for the bottom 40% in France is extrapolated given a single data point.”

What does that mean?

Extrapolation is a statistical method used to estimate unknown values by extending patterns or trends from a small sample of data. In this case, the graph’s creator used one single piece of data—one solitary data point��about the wealth of the bottom 40% of the French population. They then scaled or applied that one value to represent the entire group across the 30-year period (1760–1790).

Put simply, this means someone found one record—maybe a tax ledger, an income statement, or some financial data—pertaining to one specific year, region, or subset of the bottom 40%, and decided it was representative of the entire demographic for three decades.

Let’s be honest: you don’t need a degree in statistics to know that’s problematic. Using a single data point to make sweeping generalisations about a large, diverse population (let alone across an era of wars, famines, and economic shifts) is a massive leap. In fact, it’s about as reliable as guessing how the internet feels about a topic from a single tweet.

This immediately tells me that whatever numbers they claim for the bottom 40% of the population are, at best, speculative. At worst? Utterly meaningless.

It also raises another question: What kind of serious journal would let something like this slide? So, time to pull up the actual article and see what’s going on.

Step 3: Check the Sources

As I mentioned earlier, the source for this graph is conveniently listed at the bottom of the image. Three clicks later, I had downloaded the actual article: “The Income Inequality of France in Historical Perspective” by Morrisson and Snyder.

The first thing I noticed while skimming through the article? The graph itself is nowhere to be found in the publication.

This is important. It means the person who created the graph didn’t just lift it straight from the article—they derived it from the data in the publication. Now, that’s not necessarily a problem; secondary analysis of published data is common. But here’s the kicker: there’s no explanation in the screenshot of the graph about which dataset or calculations were used to make it. We’re left to guess.

So, to figure this out, I guess I’ll have to dive into the article itself, trying to identify where they might have pulled the numbers from. Translation: I signed myself up to read 20+ pages of economic history. Thrilling stuff.

But hey, someone has to do it. The things I endure to fight disinformation...

Step 4: Actually Assess the Sources Critically

It doesn’t take long, once you start reading the article, to realise that regardless of what the graph is based on, it’s bound to be somewhat unreliable. Right from the first paragraph, the authors of the paper point out the core issue with calculating income for 18th-century French households: THERE IS NO DATA.

The article is refreshingly honest about this. It states multiple times that there were no reliable income distribution estimates in France before World War II. To fill this gap, Morrisson and Snyder used a variety of proxy sources like the Capitation Tax Records (2), historical socio-professional tables, and Isnard’s income distribution estimates (3).

After reading the whole paper, I can say their methodology is intriguing and very reasonable. They’ve pieced together what they could by using available evidence, and their process is quite well thought-out. I won’t rehash their entire argument here, but if you’re curious, I’d genuinely recommend giving it a read.

Most importantly, the authors are painfully aware of the limitations of their approach. They make it very clear that their estimates are a form of educated guesswork—evidence-based, yes, but still guesswork.   At no point do they overstate their findings or present their conclusions as definitive

As such,  instead of concluding with a single, definitive version of the income distribution, they offer multiple possible scenarios.

It’s not as flashy as a bold, tidy graph, is it? But it’s far more honest—and far more reflective of the complexities involved in reconstructing historical economic data.

Step 5: Run the numbers

Now that we’ve established the authors of the paper don’t actually propose a definitive income distribution, the question remains: where did the creators of the graph get their data? More specifically, which of the proposed distributions did they use?

Unfortunately, I haven’t been able to locate the original article or post containing the graph. Admittedly, I haven’t tried very hard, but the first few pages of Google results just link back to Twitter, Reddit, Facebook, and Tumblr posts. In short, all I have to go on is this screenshot.

I’ll give the graph creators the benefit of the doubt and assume that, in the full article, they explain where they sourced their data. I really hope they do—because they absolutely should.

That being said, based on the information in Morrisson and Snyder’s paper, I’d make an educated guess that the data came from Table 6 or Table 10, as these are the sections where the authors attempt to provide income distribution estimates.

Now, which dataset does the graph use? Spoiler: None of them.

How can we tell? Since I don’t have access to the raw data or the article where this graph might have been originally posted, I resorted to a rather unscientific method: I used a graphical design program to divide each bar of the chart into 2.5% increments and measure the approximate percentage for each income group.

Here’s what I found:

Now, take a moment to spot the issue. Do you see it?

The problem is glaring: NONE of the datasets from the paper fit the graph. Granted, my measurements are just estimates, so there might be some rounding errors. But the discrepancies are impossible to ignore, particularly for the bottom 40% and the top 10%.

In Morrisson and Snyder’s paper, the lowest estimate for the bottom 40% (1st and 2nd quintiles) is 10%. Even if we use the most conservative proxy, the Capitation Tax estimate, it’s 9%. But the graph claims the bottom 40% held only 6%.

For the top 10% (10th decile), the highest estimate in the paper is 53%. Yet the graph inflates this to 60%.

Step 6: For fun, I made my own bar charts

Because I enjoy this sort of thing (yes, this is what I consider fun—I’m a very fun person), I decided to use the data from the paper to create my own bar charts. Here’s what came out:

What do you notice?

While the results don’t exactly scream “healthy economy,” they look much less dramatic than the graph we started with. The creators of the graph have clearly exaggerated the disparities, making inequality seem worse.

Step 7: Understand the context before drawing conclusions

Numbers, by themselves, mean nothing. Absolutely nothing.

I could tell you right now that 47% of people admit to arguing with inanimate objects when they don’t work, with printers being the most common offender, and you’d probably believe it. Why? Because it sounds plausible—printers are frustrating, I’ve used a percentage, and I’ve phrased it in a way that sounds “academic.”

You likely wouldn’t even pause to consider that I’m claiming 3.8 billion people argue with inanimate objects. And let’s be real: 3.8 billion is such an incomprehensibly large number that our brains tend to gloss over it.

If, instead, I said, “Half of your friends probably argue with their printers,” you might stop and think, “Wait, that seems a bit unlikely.” (For the record, I completely made that up—I have no clue how many people yell at their stoves or complain to their toasters.)

The point? Numbers mean nothing unless we put them into context.

The original paper does this well by contextualising its estimates, primarily through the calculation of the Gini coefficient (4).

The authors estimate France’s Gini coefficient in the late 18th century to be 0.59, indicating significant income inequality. However, they compare this figure to other regions and periods to provide a clearer picture:

Amsterdam (1742): Much higher inequality, with a Gini of 0.69.

Britain (1759): Lower inequality, with a Gini of 0.52, which rose to 0.59 by 1801.

Prussia (mid-19th century): Far less inequality, with a Gini of 0.34–0.36.

This comparison shows that income inequality wasn’t unique to France. Other regions experienced similar or even higher levels of inequality without spontaneously erupting into revolution.

Accounting for Variations

The authors also recalculated the Gini coefficient to account for potential variations. They assumed that the income of the top quintile (the wealthiest 20%) could vary by ±10%. Here’s what they found:

If the top quintile earned 10% more, the Gini coefficient rose to 0.66, placing France significantly above other European countries of the time.

If the top quintile earned 10% less, the Gini dropped to 0.55, bringing France closer to Britain’s level.

Ultimately, the authors admit there’s uncertainty about the exact level of inequality in France. Their best guess is that it was comparable to other countries or somewhat worse.

Step 8: Drawing Some Conclusions

Saying that most people in the 18th century were poor and miserable—perhaps the French more so than others—isn’t exactly a compelling statement if your goal is to gather clicks or make a dramatic political point.

It’s incredibly tempting to look at the past and find exactly what we want to see in it. History often acts as a mirror, reflecting our own expectations unless we challenge ourselves to think critically. Whether you call it wishful thinking or confirmation bias, it’s easy to project the future onto the past.

Looking at the initial graph, I understand why someone might fall into this trap. Simple, tidy narratives are appealing to everyone. But if you’ve studied history, you’ll know that such narratives are a myth. Human nature may not have changed in thousands of years, but the contexts we inhabit are so vastly different that direct parallels are meaningless.

So, is revolution imminent? Well, that’s up to you—not some random graph on the internet.

Notes

(1) A la lanterne was a  revolutionary cry during the French Revolution, symbolising mob justice where individuals were sometimes hanged from lampposts as a form of public execution

(2) The capitation tax was a fixed head tax implemented in France during the Ancien Régime. It was levied on individuals, with the amount owed determined by their social and professional status. Unlike a proportional income tax, it was based on pre-assigned categories rather than actual earnings, meaning nobles, clergy, and commoners paid different rates regardless of their actual wealth or income.

(3) Jean-Baptiste Isnard was an 18th-century economist. These estimates attempted to describe the theoretical distribution of income among different social classes in pre-revolutionary France. Isnard’s work aimed to categorise income across groups like nobles, clergy, and commoners, providing a broad picture of economic disparity during the period.

(4) The Gini coefficient (or Gini index) is a widely used statistical measure of inequality within a population, specifically in terms of income or wealth distribution. It ranges from 0 to 1, where 0 indicates perfect equality (everyone has the same income or wealth), and 1 represents maximum inequality (one person or household holds all the wealth).

[lovelyyandereaddictionpoint]

A Changed Future (2) | Yandere Isekai

Part 1

It’s so irritating for Haruko 

He remembers how he used to try and make noise in the beginning, when the same thing happened to him

But even without your struggling, he’s got more obstacles than he thought

“Tch all these guys getting in our way, maybe I should just kill them.”

“Haru no!”

“Why not, I'm sure you did it when I was trapped.”

“That…that doesn’t make it right!”

“So? Who cares about right when we’re in love? I think it was you who said that.”

Either way with or without your approval he’s figuring out a way to take down his newfound rivals

He kind of hopes they are as ambitious as the friends who recently abandoned him

Too bad they aren’t

In the original story, the crazy thing about the protagonist was that despite their obsessive love for Haruko and general disregard for those who got in the way of that was otherwise really inspiring

Breaking away from their elitist family for their violent morals ironic right

Joining the workforce, easily rising because of their work ethic and intelligence

And all that while beautifully evading a less-than-clean detective trying to pin the blame of random crimes on them

Which of course got them their own male leads attempting to pursue their affections

Always doomed to fall short because of circumstance or the protagonist suavely crushing their hopes to gush about their love

It was a uniquely terrible tragedy for their characters to be written this way

That’s what the random reviewers would say

Which is why you did feel inclined to maybe entertain them a bit more than the original protagonist would have ever done

“Since you are quitting….I hope you’ll let me treat you to dinner. For all your hard work of course.”

“Uh sure but I have to be home by sunset.”

“That’s a shame then we’ll have to—Wait. Did you say you would?”

“Yeah, are you okay?”

“YES! Ahem I mean yes I’m fine! I look forward to a nice evening together!”

Unknowingly furthering the obsession the protagonist was barely keeping at bay

“So mind telling me what you ordered that day at the restaurant?”

“I think it was my favorite dish there called the berry delight but I’m not sure. I think they changed the menu since I was there.”

“Why not confirm it later today? That way you can tell me if you did see the missing classmate of yours.”

“But I don’t remember exactly where I sat–”

“Then we’ll just have to sit in every spot until it rings a bell.”

“I don’t know if that’s–”

“Don’t fret. I’ll be paying but there's no way we’ll get to try every table. We’ll have to come back multiple times.”

“Okay…”

“No worries I’m sure you’ll get tired of eating there so we’ll go to some other places to give you a rest. Anywhere you wanted to try?”

You’d be foolish to think you could escape them by agreeing to Haruko’s entrapping of you 

It only takes a day of you not responding to messages that they both eagerly awaiting you at your door

And after the first few times, Haruko shooing them away they begin to get resourceful

“Yeah bud nice try their still out.”

“Hm well say that to my lovely warrant right here.”

“Wait! H-h-hold on! Geez I-i’ll go get them now but they are not going to be happy with you!”

It really doesn’t get better as the guard against the protagonist’s secrets begins to be let down as interested parties slowly make their way in

You don’t have the same ruthlessness or ability to deceive as the protagonist you took over for 

On top of that you never actually read the webtoon so you’ll be left trying to piece together whatever few weak points the protag has

Where if you hadn’t already started to make your pursuers interested all those faults are fuel for their agenda

“It’s so unfortunate that the company can sign off on your absence during this suspicious crime but I don’t mind editing records if you wouldn’t mind spending time with me. That way I can vet your personality myself. Over wine of course!”

It’s overwhelming constantly being pulled in 3 directions 

What’s worse you’re completely oblivious when the latest obstacle in the protag’s perfect life finally makes themselves known

“Hello darling, it took us years to find you but we did it!”

“Don’t look like that come give your Mama a hug!”

Part 3: Coming Soon

[writingwithfolklore]

How to Nail your School Essays

                Not to brag, but I’m kind of a big deal when it comes to essays at my school. Since I started highschool I haven’t received a grade less than 90% on an essay—so I’m here to share my secret. This works for the classic essay, but you can also use the same advice and fit it to formal reports or other academic writing.

1. Your essay is about 2 things, demonstrated 3 or more times

This is how I’ve always thought about essays. They’re about two ideas, demonstrated as many times as you need to fill the wordcount. Shakespeare + Feminism, Media + Truth versus Misconception, etc. etc. If you’re lucky, your teacher or prof will give you one of your elements. You’ll get assignments like, “write an essay about Hamlet” or “write an essay about the American dream” lucky you, that’s your first thing—now you need to connect it with another.

This connecting idea is my favourite part because you just get to choose a concept or idea you’re interested in. Here’s a tip, if your first/given topic is something concrete, choose an abstract connecting idea. If your given topic is something abstract, choose a concrete.

So, Hamlet (concrete) could be paired with any abstract concept: Loyalty, Truth, Feminism, etc.

However, if your prof gives you something like, “truth” or “race theory”, you’ll find it much easier to connect that with a more concrete thing, like a book, movie, or other piece of media, or even a specific person.

If you are luckiest, your prof will give you both things, “write about the American Dream in The Great Gatsby” in this case, you’re onto the next stage.

2. Stick to the formula

Tried, tested, true. Nothing wrong with a formula, especially not when it gives you A+ grades. Typical essay structure is:

Intro with thesis

2. 1st Body

2a. Evidence that proves it 1

2i. Justify its relevance

2b. Evidence that proves it 2

2ii. Justify its relevance

Etc.

3. 2nd Body

3a. Evidence that proves it

3i.Justification

Etc.

4. 3rd Body

4a. Rise and repeat, you know where this is going.

5. Some may argue…

6. Conclusion

Let’s break it down.

Thesis:

                Thesis completely outlines all your points, or the three+ places you’re demonstrating your connection, and why it matters.

                Here is an intro + thesis I wrote a couple years ago:

“This literature review will explore the impacts influencer marketing has on the children that regularly consume social media content. Specifically, this review will focus on how influencers can impact children’s brand preferences, dietary choices, and lastly, the influx of children taking advantage of this system and becoming influencers themselves.”

Or

“Burned discusses the human aspect of sex work and reverses reader’s expectations on sex workers, while Not in My Neighbourhood discusses prostitutes as victims of a system created against them. Both challenge readers’ perceptions of sex workers, effectively drawing attention to the ethics of displacing sex workers from their cities.”

                So you have your connection (children and social media)/(Burned and Not in My Neighbourhood and sex work), and the different ways you plan on exploring or proving that idea (children’s brand preferences, dietary choices, children becoming influencers.) etc.

                You may also have a more specific stance in your thesis. Such as, “In Macbeth, ambition is shown to be Macbeth’s ultimate downfall in these three ways.”

The Body Paragraphs

                You start out every body paragraph with the point of the paragraph, or what it’s aiming to prove. Such as, “Influencers often include advertisements within their content, which can encourage children to feel more amiably to certain brands their favourite content creators endorse frequently more than others.”

                After this claim, you spend the rest of the paragraph further proving it through examples. This will look like citing a specific source (a book, academic journal, quote, etc.) such as, “The authors claim likeable influencers can associate their likeability with the products they use, influencing children’s perception of brands, referred to as ‘meaning transfer’ (De Veirman et al. 2019)” (super important to always cite these sources!)

                The last part is after each example/proof--you need to justify why this proves your point/is important. So, “This proves children are more influenced towards certain products depending on how close of a relationship they perceive to have with the influencer.”

                Typically, your evidence will all lead into each other so you can transition to the next piece of proof, then the justification, rinse and repeat until you’re finished your paragraph. You can have as many pieces of evidence as you want per paragraph, and the longer your word requirement, the more you’ll want to fit into each point (or the more bodies you want to have.)

                Piece of evidence + why it matters, rinse and repeat.

Some May Argue:

                This is a small paragraph just before your conclusion where you anticipate an argument your readers may have, and disprove it. So, for example, you’d start with, “Some may argue that with parent supervision, the impacts of influencers on children could be lessened or moot. However…” and then explain why they’re wrong. This strengthens your argument, and proves that you’ve really thought out your stance.

Conclusion:

                Lastly, you want to sum up all the conclusions you came to in a few sentences. Your last line is one of the most important (in my opinion). I call it the mic drop moment. Leaving a lasting impact on your reader can bring your essay from an A to an A+, so you really want to nail this final sentence.

                My final sentence was, “Ultimately, it is hard to know in advance how technology and social media will impact the development of children who have always grown up with some form of screen, but until they grow up, parents and caregivers need to take care in the content their children consume, and their very possible exploitation online.”

This sentence is backed by the entirety of the essay that came before it, and usually leaves a little something to chew on for the readers.

Any other tips I missed?

[hwaslayer]

wildfire (cs) | 10.5

—spotify playlist | series masterlist

—summary: assistant professor in bioengineering, incredibly attractive, lonely and divorced; that’s how most people describe san. but despite the events that have happened in his life, san has a lot going for himself. he’s a successful, sought out professor due to his brilliant contributions to science at just an early age of 32. he worked hard to get where he was now; head deep into his research, his publications, building his lab and creating a name for himself. everything was good and smooth sailing— until it wasn’t. because when he meets you, a bioengineering grad student interested in rotating in his lab, he finds himself ready to risk all the blood, sweat and tears he put in throughout the years just to keep you close— his need for you spiraling out of control like a wildfire.

—pairing: asst. professor!choi san x grad student!f. reader

—genre: (18+ - minors dni) strangers to lovers, grad school au | fluff, angst, smut

—word count: 2k

—chapter content/warnings: cussing, mature language/sexually implied content, infidelity, flirting, kissing/making out, there is trouble everywhere quite frankly…. gonna dip once i post bcos i know this is bad but there’s def another future 0.5 chapter that might be worse

⇢ POSTDOC | YR 2.5

"Babe." Iseul whines a bit, making San mimic her pout before tapping her nose.

"Love. How about I take you out this weekend to make up for it? We can go somewhere, just us two."

"Okay, but it'd be better if you could do that and come hang out tonight, too." 

"I'll try."

"San." 

"I'll try." He chuckles. "I should really finish up behavior tonight and that review for the paper we're working on. I'm already behind."

"Who said? You still have time."

"I have to get this done by next week." He gives her a sympathetic smile before placing a kiss on her forehead. 

"Next week."

"I'll try and get it done so I can hang out with you two, k?" He cups her cheeks. She can't help but continue to pout and cross her arms, even when he kisses her on the tip of her nose and on the lips. Part of her continues to have a soft spot for her man, the love of her life. 

Part of her wants to continue being supportive because she loves seeing San excel in his craft, she loves being by his side throughout all his achievements and vice versa. She feels like together, they can conquer the world together— be unstoppable, reach the top.

The other half, maybe more than half at this point, is sad. Empty. She longs for the man she fell in love with, she longs for his company. His time. His effort. 

His kisses, his cuddles. Everything.

Iseul never thought the lines would blur.

"Okay?" San repeats, causing Iseul to return her full attention on him. She gives him a small smile and nod, San's thumbs caressing her cheeks. "Better." He subtly bites his lip before caressing her chin. "C'mere." He leans forward to peck her lips again, and again.

And again.

Before they're both standing near her car, kissing under the late afternoon sun. Iseul tugs on San's shirt, deepening the kiss as she pulls him closer. He softly groans against her lips, Iseul's hand slowly traveling down to his belt. 

"Baby." He pulls back and chuckles. 

"We can be quick." She chases after his lips and presses small, repeated kisses against them before he's gently prying her off and shaking his head.

"I'm sorry, baby. I gotta go." She whines again before he's kissing her one last time on the lips and forehead. "You can have me all you want later tonight. And tomorrow. And the weekend."

"Ugh. I hope you know how much I'm sacrificing so you can hurry and finish." He laughs.

"I love you."

"Love you, too." She sighs, watching as San waves before doing a light jog back to the building. She slips into her car and connects a call to the bluetooth just as she pulls out of the parking spot.

"Yo!" Yunho answers the call almost immediately.

"Hey. What can I bring to your place for tonight?"

"Hm. Soju? I think I'm almost out." Yunho hums. "Chips and any other snacks."

"Okay, so everything? What do you even have at home?"

"Me, myself and I." Iseul laughs. 

"Uh. So much for inviting us over when you don't even have anything ready."

"I'll whip something up, don't worry! Why the doubting?"

"Alright, boss. Counting on you then."

"You know what else I need?"

"What, Yunho?" He chuckles.

"You." It’s meant to be a lighthearted joke; nothing more, nothing less. But, it does something to Iseul and Yunho knows it well enough by this point.

"You're so sappy. Quit it." She blushes to herself, biting her bottom lip even though she playfully scolds him.

"Nah. It's kinda fun seeing you all flustered."

"Hate you."

"Sad. I don't." She shakes her head and smiles. "Sliding through soon?"

"Yeah, I'm just gonna freshen up and change at the house first after grabbing groceries."

"San is coming?"

"He said he'll try and wrap up quick so he can join."

"Ah, okay." Yunho sighs a bit. It's been awhile since he's been able to hang out with his bestfriend, but he understands how important his work is right now. He tries to be, at least. He knows how it all goes. 

He just wishes San would give himself more time to relax. Enjoy life a little bit, just like he used to.

"I'll see you in a bit then."

"Mhm. I'll text you when I'm on the way."

"How exciting."

"Shut up." She ends the call. Suddenly, those dark, sad feelings she felt earlier are gone. Suddenly, she's happy. She feels a bit giddy. Excited.

Iseul isn't really sure when the line started to blur. 

But somehow, they're here and Yunho isn't sure how they'll go back and undo whatever they've created between each other. He knows this shouldn’t even be a thing. He should feel like some sort of last resort, a rebound— like he's the cushion that keeps Iseul company solely because San isn't around. Yunho knows there shouldn't be much to it.

So, why is there more to it?

It must have been all the kick-its with friends, all the lunches and casual dinners. It must have been the exchanged texts with stupid [but silly] memes or tweets the other would appreciate. It must have been the calls just to check in with each other. It must have been the subtle, lingering looks. 

Accidentally brushing hands.

Teasing and poking fun at each other.

Flirty undertones.

Saying shit to make the other smile or laugh.

San would have just assumed they were being normal around each other. They had always been close anyway, but he says that because he doesn't catch the small acts in between. 

The very small, but clear and intentional acts.

For a minute, Iseul thought it was a phase because Yunho was there like he had always been. But then, the feelings and the thoughts stayed for longer than a phase; piled up over weeks and weeks.

Until she realized what it meant.

So, she tried to distract herself and force herself to understand that it was truly just a phase. When San was around, she'd affectionately hug him. Kiss him. Cuddle him. Pull him to bed and make him cum over and over again to feel satisfied, to feel like she was still wanted by her man.

His moans and the loud calls of her name the only thing granting that satisfaction. Even though, could she say the affection behind it was genuine?

Clear, intentional?

Who's to say?

Especially when she's happily skipping down the aisles in the grocery store, grabbing the soju that both she and Yunho like; the one that San doesn't really like as much but he'll deal and make do. Especially when she's throwing on a form-fitting zip-up and leggings, trying to come off as comfy, but alluring. Especially when she sprays her perfume and dabs on a bit of lip gloss for a lazy kick-it that’s staying behind doors and enclosed walls.

Especially when she walks through the door to greet Yunho with a big hug— one that has him swinging her around before they plop onto the living room floor and get started on the drunk, scary indie movie and short film marathon the three agreed to do as a way of de-stressing.

Especially when Iseul gets the dreaded but expected text from San, and she can't help but welcome back the same feelings of emptiness and disappointment from earlier.

san: running behind. i don't think i'll make it, love. i'm sorry. tell yunho i’m sorry, too.

san: i'll be home tonight - i'll make it up to you. this weekend, too. 😘 i'm all yours.

"He's not coming." Iseul says, taking another huge swig from their third soju bottle of the night, making Yunho nod silently.

"I'm sorry—"

"It's fine, don't be such a debbie downer." She laughs, playfully punching him on the bicep. Yunho catches her hand in his when she attempts to pinch him the second time around, making her pout in return. "Ouch!"

"Says you who was just about to punch me on the bicep, meanie." She giggles when he lets go of her hand. "I'll let it go. At least you're laughing and smiling."

"Yeah." She looks up at him. "You surely do make me laugh and smile."

"Good or bad way?"

"Good. How could that be a bad thing?"

"I don't know, you could just think I'm stupid." She snorts.

"Never."

"Well, good." Yunho smiles. "I like it when you laugh and smile."

"I like it when you make me laugh and smile, Yunho."

"Yeah?" He drunkly rests his cheek on the palm of his hand, elbow on the surface of the table. "What else do you like, Iseul?"

"A lot of things."

"Mhm." He hums in a sing-song tone before leaning closer to tease her a bit. "What are a lot of things? Name a few."

"Yogurt soju, melon bread, being in bed after a long day and letting the sheets engulf me. Reading in a hot bath with candles lit up. To name a few." She leans forward to match him. "I don't think I can say anything else."

"Why not?"

"Because other things could be bad for me."

"In what way specifically?"

"Just cause." Her voice is barely above a whisper, lips only inches away from Yunho's.

"Just cause? How bad could it be?" She subtly shrugs before her eyes are dipping down to his lips, back up to his eyes. 

"Dunno. You tell me." She distractedly says. 

"What if.. maybe.. it isn't a necessarily a bad thing at all?" There's a thick silence in the air, but no one wants to address the tension, the elephant in the room. So, after a few minutes of said silence, Iseul leans forward and just kisses him— somehow thinking it could address the tension or whatever elephant is hiding in the room.

And at first, it shocks Yunho.

He freezes because he knows this shouldn't have happened. It fucking shouldn't have happened and he should’ve put a stop to it ASAP. Because Iseul was San's and vice versa, they made vows and devoted their lives to each other in front of him, and they were good together.

Yunho isn't really sure when the line started to blur. 

But then, he finds himself chasing after her lips to kiss her again, and again— until things can't be stopped and San's texts are going unanswered while Iseul's phone sits on the coffee table and vibrates away.

Her and Yunho are no longer sitting around watching the short film that's on. It eventually plays a random video next because no one is paying attention to what’s happening in the background. Empty soju bottles are spread across the surface of the table, along with open bags of chips and empty bowls. TV serving its purpose as background noise, almost fighting with the loud kisses and subtle moans leaving their lips while Iseul continues to make a place for herself on Yunho’s lap.

Meanwhile, San tucks his phone into his pocket, shrugging off the entire thing after he had sent her a few more follow up texts with all his ideas on how to make up for tonight. And tomorrow. And the weekend. He felt bad, but he was genuinely excited to do things with Iseul. To take her out on dates, travel near and far with her just to be alone. Rekindle the flame. Bring back that love, passion, that had been slowly dying because of his own fault. 

It wasn't entirely uncommon for Iseul to let texts go unanswered, but he was only worried because he knew that initial 'sorry can't make it' text upset her. She was probably trying to distract herself and lean on Yunho. Which, San can't help but think that Yunho does a way better job of being there for her than he actually does as her husband. It kinda aches him to think about it, and he's not sure how to navigate his own feelings when he keeps replaying that bar scene in his head.

For San, there’s no use in figuring this out because he knows they're good friends. They get along well, and he should be glad that they do. There isn’t anything to worry about despite his mixed feelings and confusing thoughts.

But for Iseul and Yunho, there’s no use in figuring out when this all happened, why this all happened— because everything has become perfectly clear and defined. 

The small acts gone unnoticed no longer small and unable to be hidden.

Clear, intentional.

Now, the lines are no longer blurred.

—taglist: @asjkdk @interweab @woojirang @svintsandghosts @cheolliehugs @persphonesorchid @mxnsxngie @jycas @cowboydk @vcutparis @chngbnwf @struggling101 @sanhwalvr @angelqueendom @barbielibra @brown88 @choisansplushie @yunhoswrldddd @hyukssunflower @vickykazuya @lucid-galaxys-world @jaytheatiny @pommelex @thechaotictheoryy @vixensss @santineez @nopension @domfikeluva @in-somnias-world @my-atiny-kookie-rkive @mountiiny @naoristerling @onmymymyway @thecutiepieme

[fanmistery]

HEADCANONS ARCANE X GN READER!TINNITUS.

៚HEADCANONS of how you would meet and move into a relationship with Vi and Viktor. The reader is gender-neutral.

TINNITUS: A whistling or ringing sound in one or both ears that may be constant or come and go, often associated with hearing loss.

Characters included: Viktor and Vi/Violet. Part Two Jinx and Caitlyn here.

Part one!

Note: Hello everyone! I just wanted to write something about these characters, this idea was in my head all day. It should be clarified that I do not intend to offend anyone with this, I myself have Tinnitus so everything I put here is based on my experience. Just that, enjoy reading!

៚VIKTOR.

៚ Viktor in his youth, more specifically when he was studying and before he became Heimerdinger's assistant. He is completely absorbed in his investigations at Piltover. His world revolves around science and his efforts to overcome the physical limitations that have always accompanied him and, above all, to surpass others and be the best student. So it will take a long time for him to realize your existence.

៚He will only realize your existence when he hears you asking the colleague next to you that he could offer you his seat since you did not want to sit at the back, which led to a heated argument due to your insistence, even he got upset (more than nothing because he couldn't concentrate on reviewing the topics from the previous class), there were other benches available, I didn't understand why you were making a fuss for wanting to sit in front. You ended up sitting all the way back anyway, and you just became the talk of spoiled brats, and, normally he wouldn't care but he got to hear through the rumors that you were someone from Zaun. Which surprised him quite a bit, since as far as he knew, the only one from Zaun was him.

៚ And for a while he was not the center of criticism and ridicule, but you were. Most of the class complained because you were always asking obvious questions to them or to the teacher, even asking them to pass you the notes of what a teacher was dictating. It got to a point where you could no longer ask for guidance from them and you ended up asking him for help. Of course he helped you but not before he asked you directly “what the hell was wrong with you?”.

៚When he finds out about your situation, that you have tinnitus, his reaction is very Viktor: scientific but empathetic. "Is it a subjective perception of sound, without external stimulus? Fascinating." Although he may seem cold, he has no intention of minimizing your experience; rather, he is genuinely interested.

៚For Viktor, attraction begins in the mind. If you prove to be an insightful, curious person who is able to understand (or at least try to understand) his way of reasoning. One night, while you're both working on a particularly complicated project, Viktor might blurt out something unexpected without looking you straight in the eye. "I never thought I would find someone who would understand so well the... persistent nature of my mind so well. It's exhausting, but you don't seem to freak out."

You pause what you were doing and turn your back on him to go get a cup of coffee to take your mind off your sleep, while doing so you say nonchalantly : "And why should I? We all deal with something."

Although Viktor doesn't respond, his slight smile and the way his eyes soften say it all.

៚The relationship begins to deepen when Viktor talks openly about his own physical limitations (his cane, his deteriorating health) and how these have made him feel isolated at times. This creates common ground: they both feel that their relationship with the world is limited by their physical conditions. Viktor comments something like, “It's funny how our minds can be so clear, but our bodies constantly remind us how fragile we are.”

៚So Viktor begins to see you as someone who not only understands his struggle, but also that you face your own daily battle. This inspires you to be more considerate and open with your emotions, although your reserved nature moves you forward slowly.

៚At some point in their lives you end up working in their lab, in fact, you have an exclusive little space just for you.... So you are always together day and night, you doing your thing and he doing his.

៚Viktor's small gestures begin to show his concern in subtle ways, such as adjusting the volume of his experiments when you are nearby or avoiding shrill sounds. Little by little, this shows that he is not only a brilliant man, but also attentive to details that might affect you.

៚In his conversations, Viktor tends to speak in a higher, more leisurely tone. The idea of creating a device to help you hear is born after seeing you frustrated when you don't understand what he is saying when they are a few meters apart, so Viktor spends entire nights studying tinnitus, from its physiological origin to the experimental solutions available.

Jayce might walk into the lab and find Viktor surrounded by diagrams and medical texts.

Jayce, curious, asks, "Are you working on anything related to acoustics? It's not typical for you."

"It's a personal project. It's not for me." Viktor replies without even bothering to look at him

Although Jayce insists on knowing more, Viktor prefers not to reveal too much. “It's not relevant to our joint goals.”

He uses Hextech to explore how frequencies can interact with the auditory system, and although he encounters obstacles, he is more determined than ever.

When you're about to be introduced to the device, he doesn't hesitate to speak up: "I've been thinking...about your hearing."

“Uh, what about it? ”you ask, a little surprised that he has initiated so randomly about your condition.

Viktor averts his gaze, to avoid embarrassing himself, about his feelings to you. "It shouldn't be something that limits your experiences. I think I can do something about it."

Although you might at first feel unsure-perhaps even doubtful that anything can really help-Viktor assures you with a mixture of humility and confidence, "I don't promise miracles, but it would be interesting to see if I can...level the field for you."

៚Viktor spent weeks fine-tuning his prototype: a small device with Hextech technology that not only amplifies sound, but filters out the harmful frequencies associated with tinnitus. When it's finally ready, he hands it to you with his trademark serious but intent tone. "It's a prototype. It may need tweaking, but I'd like you to try it out."

You put it on, and after a few seconds of adjustment, you experience something you didn't expect: the sound of the world, clear and crisp. Perhaps the light brush of Viktor's fingers on the table, or the conversations of students in the hallways. You can't help but let a sense of relief and full of happiness flood through you, you allow yourself the luxury of crying, of breaking Viktor's personal space and hugging him a little tightly, feeling so lucky to have him by your side. "Viktor...I.. I...I can hear... I can hear things I haven't heard in years."

Viktor is surprised by the sudden physical contact but it doesn't bother him, he even loves your sudden outburst of trust, even though you've been friends for a long time you're not hugging, just occasional touches here and there. He smiles sideways, satisfied with the result and reciprocating your embrace without hesitation, he just hopes you don't notice his heart beating fast for you and your warm closeness. "It's just the first step. If something doesn't work, we'll make it better. But I'm glad it's working."

He says, and if the hug lasted a long time neither of them minded.

៚But it doesn't stop there, Viktor customizes the device after you've been using it for a while. He adds a feature that can amplify specific sounds, such as the pitch of his own voice, so you can hear him even in noisy environments.

When you notice this, you ask him, "Did you do this just so I could hear you better?"

Viktor looking at you warmly, at this point no longer caring about hiding his affections from you. "Maybe. I'd rather you didn't miss anything important...especially when I'm the one talking."

៚Instead of using flowery words, Viktor explains his feelings in a very logical way.

"You are like a perfectly calibrated system. You find a way to fit even in my messiest moments...and that's not something I can easily explain. But I think the reason I want you around is more personal than scientific. "

You, so touched by her sincerity, smile and respond, "You know? That's probably the most romantic statement anyone has ever made to me."

៚Viktor's formal statement. Although Viktor has already made his intentions clear, you want to make sure everything is perfectly understood. A few days after the conversation, while they are in the lab, he interrupts the silence with an unexpected proposal. "I've been thinking about our conversation... and I'd like to ask you something. Would you consider staying by my side, not just as a colleague, but as something more?"

You, already so used to his direct but genuine manner, agree with a gentle nod, and Viktor responds with a slight smile that lights up his normally stoic expression.

៚For Viktor, expressing love is not something he does lightly. Probably, the first “I love you” happens accidentally.

While working on an experiment, you make a small mistake, but Viktor intervenes before the damage is irreparable. You are frustrated, the fatigue seems to get to you. You know it, but you can't help but feel guilty. “I'm sorry, I didn't mean to ruin it...”

Viktor without thinking admits, "It doesn't matter. You wouldn't ruin anything... I love you too much to worry about that."

They both fall silent.

Viktor realizes what he just said, but instead of taking it back, he calmly adds, “I guess it's about time I said it.”

៚VI/VIOLET.

៚ Vi will meet you in her Emo days, This meeting takes place at a complicated time for Vi. It's been weeks since she broke up with Caitlyn. Although she is no longer hurt by the breakup, she carries enormous pent-up frustration. The situation with Jinx (Powder) is out of control, Zaun is still in chaos, and Vi feels like she's fighting a never-ending battle. This mix of anger, emotional exhaustion and discontent with the world makes her more impulsive and sarcastic than usual. It is very late in Zaun, the atmosphere is full of noise: shouting, laughter and the constant hum of industrial machinery. Vi is in her usual place, a subway bar called “The Rusty Forge”, known for its underground fights and noisy clientele. She is drinking something cheap, with her fists clenched and her gaze lost in her glass, trying not to think about everything that torments her.

Suddenly, a small commotion develops in a corner of the bar. Someone is trying to talk to you which you don't seem to respond to. Vi, from her seat, watches curiously as the other person begins to lose patience.

The stranger seems very, very impatient with you, "Hey, I'm talking to you, I told you it's ten coins, not five! Are you listening or what? " The stranger's arrogant tone and attitude makes Vi raise an eyebrow. While you look a little uncomfortable but try to stay calm and try to explain.

"I'm sorry, I didn't hear you right. Could you... repeat that?" The stranger snorts, visibly annoyed, and raises his voice in an exaggerated manner. "What's in your ears, you Zaun filth! Do you or don't you want this! I don't have all day."

That's enough for Vi to intervene. She rises from her seat in her typical defiant manner, dropping a few coins on the table and walking towards them with a smirk. "Hey, genius, why don't you try talking like a person instead of a jerk? Maybe then they'll understand you."

The stranger turns to Vi, clearly irritated. "What's it to you? This has nothing to do with you."

Vi crosses her arms, leaning slightly toward the stranger. "Oh, I care because I can't enjoy my drink if there's some idiot screaming like he's missing something in his head. So why don't you beat it before we have to settle this...my way?"

The stranger grunts something unintelligible, but decides to retreat under Vi's intense gaze. Once he leaves, Vi turns to you , her tone relaxing a bit. "Are you okay? That guy looked like a complete idiot."

Although you feel the embarrassment in you, you don't hesitate to thank her and say, "Yes, thank you. Everything is fine now. It's not easy to understand people with so much noise."

៚Vi tilts her head, interested. Noticing that you seem sincere but a bit tired. She decides to stay a moment longer, it wouldn't hurt to meet new people. It's worth noting that she notices something is different about you, but doesn't mention it right away. Instead of asking questions, she prefers to let time reveal it. To her, differences are not something strange in Zaun; everyone has their quirks.

៚ So, of course Vi decides to stay a while longer to make sure they don't bother you again. In the meantime, the two of you start talking. She says, noticing how your head leans closer to listen to her, "So, what are you doing down here? This doesn't seem like the kind of place for someone..... I don't know, like you."

You chuckle softly. "What kind of place is it, just for guys with tattoos and people who yell a lot? "

Vi gives you a small smile and continues, "Kind of. And you don't yell a lot, do you? "

you reply shaking your head but amused. "No, but it sounds like you do. It's not a bad thing though. Thanks to you, I heard you running at that guy."

Vi laughs, surprised by your response. This piques her interest even more, as she didn't expect to find someone so... quiet with a sense of humor amidst the chaos of Zaun. But before you take your leave, Vi notices that you seem a little unsure of yourself in the bustling environment of the bar. On impulse, she pulls out a pair of gloves she had hanging from her belt, worn but functional, and tosses them on the table in front of you.

"Take it as advice: if someone else bothers you, give them a good whack. If you need someone to show you how to do it .... well, you know where to find me."

You're surprised but take the gloves with a grateful smile. "Thanks, but I don't think I can hit as hard as you."

Vi laughs "No one can. But you don't need to be me to defend yourself. Although, if you want to learn, give me a couple of days. I'm bored of training alone."

៚After that night, Vi decides to look for more reasons to return to “The Rusty Forge.” Not for the fights, not for the cheap booze, but for the chance to cross paths again with someone who unknowingly gave her some peace in the midst of the chaos.

៚Vi, despite being extroverted, has an empathetic side that leads her to take an interest in others. At first, she communicates with you casually, although she quickly realizes that she has to adjust her tone or repeat things so that you can understand her better. Far from becoming impatient, this awakens her protective and patient side. "Didn't you hear me? Hey, it's okay, I'll say it again. 'You, what are you doing around here at this hour? Zaun is no place to walk alone, you know.' "

Seeing that you're somewhat embarrassed by your hearing difficulty, Vi adds with a teasing but friendly smile, "Don't worry. I didn't hear when Claggor was talking to me while I was eating either . Maybe you just have high standards of attention."

This breaks the ice and makes you feel comfortable next to her.

៚Vi's first gesture, is more of actions, not words. So, Vi is not the type to try to "fix" people or ask invasive questions. Instead, she shows her interest by helping without asking. For example, if she notices that you don't hear someone shout your name, she becomes your personal interpreter, shouting back or reaching out to relay the message.

Vi says, "Look, the next time someone tries to talk to you from across Zaun, tell me. My voice can cover this whole damn town.". This starts to become a recurring joke between the two of them.

៚Vi is someone who thinks fast and acts even faster, which can sometimes be a challenge for you what sometimes you need clarity in instructions. However, this leads to the two of you developing a sort of "language of your own". Vi might come up with simple gestures for things like "watch out", "follow me", or even "knock first, ask me later". Says Vi "See this? Two fingers in the air means we have to get the hell out of here fast. Three means 'hit 'em with everything.' Easy, right?" This makes them an effective team in Zaun's dangerous situations.

៚Vi is quick to note that, although you are hard of hearing, you also have skills that impress her. Perhaps it's the way you pay attention to small details, your ability to stay calm under pressure, your critical thinking even. "You know, not many people make it down here, let alone with everything stacked against them. But you... you're something special. Either that, or you're as stubborn as I am."

៚Vi has a protective nature, and when she sees someone treating you impatiently because of your hearing difficulty, she can't help but intervene. "What part of 'speak louder' didn't you understand? Do you want me to write it down for you? No, wait, you'd better get it tattooed on your forehead." Although you could try to calm her down, Vi isn't the type to let these things go easily.

៚Vi is fiercely loyal, and that translates into total devotion to you . No matter what happens, she's willing to stand up to anyone to protect you. "If anyone dares to mess with you, you let me know. Or better yet, don't even bother; I'll already be there before they can try."

៚Vi is not someone who plans things carefully. Everything in his life happens impulsively and passionately, and asking you to be his partner would be no exception. While she may try to disguise her nerves with humor or sarcasm, her intentions are clear: she wants to take the next step because she knows how much you mean to her.

The night is less chaotic than usual. You and Vi are in one of her favorite places in Zaun: perhaps a rooftop where you can watch the twinkling lights of the city, or a quiet corner near an abandoned factory where the noise isn't so overwhelming. It's one of those rare moments when Vi lets her guard down, and you can see her as she is, without masks or barriers. Vi has been thinking about this for days. Though she's never been good with words, she knows she can't stay quiet much longer. She runs a hand through her hair, clearly nervous, as she tries to find the right way to say what she feels.

Vi breaks the silence in a manner typical of her: with a seemingly casual comment, "You know, I've been thinking...and that's dangerous, I know. But listen, because this is important."

Curiosity overcomes you and you turn to her with a smile. Vi takes a deep breath and decides to cut to the chase. "You're the only person in this damn place that makes me want to be better. And I'm not saying I want to change who I am, because, well, I'm perfect just the way I am..." He pauses for a moment, clearly joking to ease the tension. "But with you... I don't know, everything's different. Less complicated. And I think I like that too much to ignore." Vi starts to lose a little control of her usual confidence. She knows what she wants to say, but the words don't come out the way she planned in her head. "What I mean is.... well, you know. I like you. No, that's an understatement. I like you a lot. Like, a lot-a lot. And I wanted to know if... uh..."

As for you, you wait patiently, clearly enjoying watching Vi get flustered for once. Vi, frustrated with herself, folds her arms and lets out a nervous laugh. "For the love of Zaun, are you going to make me say all this by myself or what? What I want is for you to be my partner, okay? There it is. I said it. Happy? "

៚and of course you reply positively, Vi lets out a sigh of relief, and her expression immediately softens. She regains some of her usual confidence, though you can still tell how much this moment means to her. "I knew you'd say yes. Who could resist this?" she smiles with that mixture of arrogance and warmth that characterizes her. Then she leans toward you, looking at you directively.

"You know? This means we're going to be the toughest team in Zaun now. I can't wait to brag about you. Sure, don't tell anyone, but you're probably the best decision I've made in years."

៚So after that, she won't hesitate to throw herself at you, thirsty for physical contact. She won't be shy, if she wants to kiss you or touch you. She will.

៚Vi is not the type to express her love with sweet words all the time, but she has very clear ways to show you how much she cares about you, like casual touches: she always finds an excuse to touch you in a casual way, whether it's putting a hand on your shoulder or placing her arm behind your waist, or she just places her hands on your waist.

"I don't know if you know this, but I like to keep you close. So don't move too far away."

៚Vi uses humor as a way to keep the relationship light and fun.

" You know what? If one day you want to ignore me, just pretend you didn't hear me. But I warn you: I'm stubborn. I won't shut up so easily."

៚If you forget something she said because you didn't hear it, Vi always turns it into a joke to diffuse the situation. "Don't worry. Most of the things I say don't make sense anyway. But this time, listen to me carefully: I love you."

[muwapsturniolo]

✯𝐏𝐞𝐚𝐜𝐞 𝐎𝐟 𝐌𝐢𝐧𝐝✯

chris x black earthy/boho!reader

IN WHICH…Y/n finds a peace of mind with her lover, and his two brothers.

WARNINGS: nothing besides smoking.

5 a.m.

It was 5 a.m on a Sunday and Y/n couldn't sleep, her mind racing intangible thoughts. With a sigh she carefully sits up, attempting to not wake up her sleeping boyfriend. She successfully does so and begins moving around the room, gathering the items she would need.

She exits the room once she gathers everything, and walks down the hallway, peaking into the guest room to check on Nick and Matt. They decided to come over with Chris and ended up spending the night. She didn't have a problem with it, always hating being alone.

She found their company relieving.

Seeing that the two are still sound asleep, she continues her trek through the big house. She arrives in the kitchen where she grabs a bottle of kombucha out of the fridge, making her way outside barefoot.

She shudders as the crisp california air nips at her skin, not use to the cold that comes in the early morning, and leaves before it even hits 12 p.m. She takes a seat on her poolside couch and sets up her camera, pressing record before rolling up.

"It's currently 5 a.m. and I couldn't sleep, so I decided to come outside and journal while the sun rises." She speaks to the camera softly, her eyes trained on the grinded-up plant in front of her. "The boys spent the night and are currently still sleeping. It was nice having them over, not having to be alone." She lights the joint and inhales the smoke, holding it in for a few seconds before exhaling.

"I'm not sure why I hate being alone so much, I think it's because I came from a big family and I'm not used to quiet...Granted it's never quiet considering my thoughts are always loud but I digress." She stops talking and flips open to an empty page, starting to write all of her thoughts and feelings down. She leaves the camera rolling, figuring she would just make it a time-lapse with some copyright-free neo-soul music playing over it.

She wasn't a typical YouTuber, never doing big fancy things and showing off. She was a more peaceful and serene one, her videos consisting of her lifestyle and talking about her feelings.

Her videos that have done well so far are her lifestyle vlogs, the main points being her smoking, painting, cooking, and shopping for crystals. It seems as if the viewers also love her monthly vinyl reviews, finding the way she expressed her love for music interesting.

That's how Chris found her.

He was looking for a YouTube video to watch before bed and he saw a thumbnail of hers. She was smoking in the thumbnail, a wall of vinyl's behind her as the title read, "fav vinyls this month".

He won't lie, he clicked on it because she was pretty, but he stayed for her personality and the raw emotions she expressed as she talked about the Fugees.

To say the least he went down a rabbit hole and watched all her videos that night, adding some of her favorite songs to a playlist.

Speaking of the boy...

She turned around hearing the patio door open, a soft smile gracing her face seeing her half-asleep boyfriend making his way towards her. "Why the hell are you up so early? And why did you leave me?" He questions plopping down next to her. "Couldn't sleep and I didn't want to bother you with my tossing and turning...Why are you up so early?"

"You know I can't sleep without you." He fixes her legs so he can lay in between them, sighing out as his head meets her soft and plush thighs. She smiles softly and runs her nails along his scalp, caressing his face at the same time. "What were you thinking about?" He mumbles when he notices the journal and pen.

She shrugs, "I'm not sure... My mind was just loud." He opens his eyes and looks up at her in worry. She notices and shakes her head, "Nothing bad, don't worry baby." He nods and relaxes back against her body.

The two lay on the couch in comfortable silence as they experience the twilight, listening to the birds chirp as they awaken from their peaceful slumber. The pool rumbles softly as it begins to clean itself, the water rippling due to the vibrations.

"This is nice," she looks down hearing Chris's groggy voice. "Hm?''

"I said this is nice... Laying here and watching the sunrise with you, not having to worry about what the day brings." She hums in agreement and watches as the skies turn from dark blue to hues of pink, purple, and orange.

The sunrise reflects off of the rippling water of the pool, casting a warm glow on the two bodies. Y/n tilts her head back as she basks in the warm rays. It seems as if her thoughts finally quieted down, giving her a chance to be calm.

Chris stares at his girlfriend, his heart swelling in admiration seeing her in her natural habitat. He truly believed she wasn't meant to be in LA. She was meant to be somewhere that had a bunch of greenery, somewhere that had a waterfall right under the sun so she could bask in it like a cat. Somewhere where she could be free and at peace.

"I can feel you staring at me," she looks down at Chris whose face has a hue of red. "Just admiring you. I can't admire my girlfriend now?" She giggles and motions for him to sit up. She pulls him into a soft kiss, enjoying the warmth of his lips.

"It's six thirty and you two are already being gross." The couple pulls away and looks at a half-awake Nick, and a sluggish Matt. The two make their way over and sit on the ground in front of the couch. "Shut up, I was enjoying time alone with my girlfriend since you two decided to crash last night." Y/n watches as Chris and Nick go back and forth, their banter not making sense since they are both still tired.

"Can both of you shut the hell up? It's early and you two are bitching for no reason." Matt grunts. Chris huffs before settling back down against Y/n, burying his face in her stomach. He kisses the brown skin before fiddling with her waist beads.

The quad dives into a conversation, not talking about anything important per say but just talking. They soon fall into silence, enjoying the peace before they have to go back to their busy lives. Not long after, Y/n's brown cat Janelle, joins them causing Matt to gasp in excitement.

As he plays with her, Y/n rolls another blunt. "I wish I could do this every day. Your house just makes me feel at home." Nick breathes out.

"That's funny considering I only find it to be homey when you guys are here." She grabs her lighter and sparks the pink wrap, inhaling it before handing it to Chris. She watches as the smoke cascades in the sun, creating shapes of different sizes.

"Wouldn't it be crazy if we all just lived with each other?" Matt voices, his tone light as he plays with the cat.

"I wouldn't be opposed to it...We are always with each other anyway." Nick adds.

"I would like that honestly," Chris eyes Y/n as she speaks, his heart racing at her words. He knows it's too soon, the two of them have only been with each other for 7 months. However he knows she's the one, his family loves her, his friends love her, he loves her. She came into his life and watered him like a plant, helping him bloom into something more.

"Fuck it, let's do it!" Everyone turns to Chris in surprise.

"Huh?"

Chris sits up and turns his body towards Y/n, "Let's move in with each other...I mean you hate living alone and we are always over anyway. Let's move in with each other."

"Are you sure Chris?" Y/n wants to scream and dance in excitement at the thought of her best friends and boyfriend living with her, but the sensible part of her isn't sure. Granted they have been friends for a year but she and Chris have only been dating for 7 months. "Yeah, I don't have a problem living with you, I think it would be great... I want this relationship to go somewhere...I think you're the one for me."

Y/n feels her eyes burning as the salty tears form, slowly descending down her face. Chris chuckles and pulls the girl into him, holding her tightly.

They all sit in silence, letting Y/n get her emotions out.

After a few minutes, Y/n sniffles and pulls away from Chris.

"Yeah."

"Yeah?"

"I'm in... I want you guys to move in with m-" Before she can finish her last word, she's dogpiled by the three boys, all of them laughing and shouting in excitment.

"Yes! This is so exciting! I'm going to love having a fully decorated house!"

"I get to see Janelle every day!"

"And I get to love on you every day!" Chris pulls her into a deep kiss, ignoring the groans of Nick and Matt.

The two brothers stand up and walk back into the house, leaving the couple alone once again.

They pull away from the kiss, their foreheads touching as they look each other in the eyes, both of their bodies full of love and tranquility.

"I love you," Chris whispers, his voice holding nothing but affection.

"I love you too"

The two lean in once again, their lips touching softly and tenderly.

The sun shines directly in front of them, the camera only able to see the silhouettes of the lovers.

i was in a fluffly mood so i hope yall like it💕

TAGLIST 🍑

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@st7rnioioss @carolinalikesthings @mattslolita @suyqa @xxloveralways14 @pepsiimaxx @judespoision

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[thewertsearch]

@elkian asked: PS - I think Sally can watch [S] Duodecim Rex Angelus at this point(?), but obvs I don't want to interrupt if she's on a roll lol @marinerofthestars asked: Since you’ve now finished Act 5, I think you can now watch (and react to when you have some time?) Rex Duodecim Angelus without risk of spoilers. It’s a 7-minute long fanmade Flash depicting the trolls’ battle against the Black King at the end of their session, hope you enjoy: https://youtu.be/-19Up0dLzNw @captorations asked: you've probably got a bunch of messages about this but. there's a fanfic out there that is the full text of strider-ified detective pony, and it is, unironically, one of the greatest fanworks ever created. i do not grant that title lightly, and i cannot recommend it enough. also! maybe i've forgotten and you did cover it, but. at this point i believe you're very much able to watch rex duodecim angelus, the fanmade flash of the trolls fighting their black king, without spoilers of any kind. some parts of act 6 can be a bit slow, so. if you need a break for action, it's there @joyfulldreams asked: By the way, since you've finished Act 5, you can absolutely watch Rex Duodecim Angelus now! (If you haven't already.) @transguyhawkeye asked: Not sure if anyones mentioned it yet but now that you've read the ancestor section you should be able to watch [s] Rex Duodecim Angelus spoiler-free! Anonymous asked: It looks like maybe no one's pointed out that you can now watch Rex Duodecim Angelus (which you were recommended in 2022 and 2023 but it was too early to watch then). You should definitely do that. Hussie declared it canonical, and Cat even suggested liveblogging it. Anonymous asked: OKAY YAY. There's a fan animation that I hear Hussie canonized called [S] Rex Duodecim Angelus and most people recommend that the earliest possible spot in a reading to view it is right after the completion of act 5. You don't have to liveblog it but I would LOVE it if you did. Anonymous asked: Augh I forgot to add that Rex Duodecim Angelus is of the troll session's fight against the black king. That would be worth mentioning. Especially so that you could dig up some of the references to the battle made in the comic ;>_> @morganwick asked: [...] this is a reminder that you used to go through the newsposts/blog posts/Formspring answers preserved in the Homestuck Collection, but you haven't done that in a while (cancelling it at the end of Act 4 in your haste to get to Act 5); were you thinking of catching up at the end of Act 5? I think you're close to the point where the Formspring stopped already. @likelyvampirical asked: [S] Rex Duodecim Angelus is now spoiler-free. On a related note, we've not had an episode of Tunes with Sally since November 2022. Maybe we could do some album reviews before coming back with Act 6?

Yup, it's finally time. After hearing about this legendary video for over a year and a half, today I'm going to check out one of Homestuck's most iconic fanworks, [S] Rex Duodecim Angelus!

I've heard from several people now that Hussie declared it canon, but no one's been able to track down a source for that just yet. Either way, it's clearly intended to be canon-compliant, so I'm interested in seeing how they handle the more ambiguous aspects of this fight, such as Gamzee's Rage attack.

On another note, I've deliberately placed Tunes with Sally on hiatus until later in the comic - mostly because the albums often contain songs from flashes we haven't seen yet, and I want to experience Homestuck's OST from within the comic first.

Finally, I promise I'll get to the Formspring eventually, as well as Hussie's news and blog posts. They're just not a giant priority, at the moment - but if anyone's got any specific Hussie quotes they'd like me to check out, feel free to send 'em in.

Anyways, I'll be watching Rex Duodecim Angelus after I've had dinner. Talk to y'all then!

[anomaly-076]

Celebrating Halloween w/ Tkdb boys

♦ What a fun way to debut this blog :D Hello everyone! ^^ ♦

(Also, so far I'm starting the Obscuary chapter and haven't even met Edward, so sorry if it gets ooc from that point on)

  ⋆｡˚ ☁︎ ˚｡⋆｡˚☽˚｡⋆

Nothing changes for Jin. His plan is to just stay inside his room and ignore everyone. But if you somehow manage to talk him into going out, he'll go all out on his costume.

Tohma doesn't dress up. He feels it's highly unprofessional to look like some ridiculous monster while discussing some important matters and running errands. You can look forward to a nice movie and snacks once he's done in the evening.

Group costumes! Kaito originally wanted to just have a matching costume with you, but didn't want to seem that desperate, so he invites Lucas to find something to match the two of you as well.

Lucas doesn't really care about what he's wearing. What he's more focused on is keeping you and Kaito out of trouble while being dragged to all the festivities Darkwick put on.

  ⋆˚✿˖°

Alan doesn't go to any celebration nor does he dress up. There's so much people and he's worried he'd accidentally hurt someone in the crowds. That still doesn't mean you won't manage to see him during the celebrations at all. There's a pretty big possibility he'll get lost and find himself in a crowd of half-drunk dancing students.

This is a really busy few days for Leo. Costume reviews of all the students, coming up with his own costume, reviews of school events,... And now are his fans asking for a special stream where he plays horror games or something like that? Ugh, give him a break...

Sho doesn't get a moment of peace with how busy his food truck is. It's in a prime location where most students pass through to get to another stand or activity so they're more likely than not to stop by and order something.

  ⋆˚✿˖°

Another busy ghoul is our poor Haru, who decided that organizing a horror-themed night tour of the park would be a fun idea to get more people in and get some more money.

Towa's job is to keep all the anomalies calm and orderly while some visitors scream at the top of their lungs. That wouldn't be problem, but he's mostly distracted by the pretty stars in the sky.

Horrror movie marathon? Horror movie marathon! Ren has no interest in running around in the pitch black outside just so Haku can do that tour of his. What if Ren trips and breaks something, huh, what then, Haru?

  ⋆˚✿˖°

Trick or treat? Yeah, no, screw that... Taiga is going around tricking everyone without giving them the choice. Is he gonna fire a gun at random in your direction or will he pretend to try and take a bite of your neck? Roll the dice to find out!

Romeo doesn't care much about the holidays as much as he cares for the profits from the few events the casino's putting on. And no, he will not wear a costume. He's an adult and a mob boss for Christ's sake!

Besides the usual paperwork regarding yet another complaint about Taiga, Ritsu has to now deal with a trick that Taiga left for him specifically. Or more specifically, left him in, since for some reason the doors in his part of the ship dormitory don't seem to lead where they used to.

  ⋆˚✿˖°

Subaru tries to enjoy the festivities as much as possible, but his anxious nature leads him to mostly hang around Sho's truck or going to booths with you and Haku.

Hands down, the best time you'll have is with Haku. Whatever you want to do, he'll do it with you and somehow, together you manage to win first place in most competitive things. Shenanigans also include winning a huge plushie for you

Zenji finds the celebration as a fun way to showcase his poetry. He even finds an empty spot where he starts reciting. The thinner veil between the human and supernatural world really works out for him because now even more people are able to see or at least sense him. So at some point there even is a group of (mostly Hotarubi) students appreciating his art.

  ⋆˚✿˖°

Edward is out to play for once. Undoubtedly the school has to have a few students who wouldn't mind having a handsome vampire bite down on their neck. Let's just hope Taiga didn't encounter them before Edward does.

It's too busy and noisy for Lyca, but if you're going with him, he'll tag along. Just keep him away from bigger crowds. He's surprisingly good at some of the games and nobody's able to beat his score by far.

Similar to Sho's truck, Rui's bar is booming with business especially after hours when most of the students don't want to retreat back to their rooms yet.

  ⋆˚✿˖°

Yuri prides himself on having a booth with puzzles so hard, he himself is unable to solve them without the use of his stigma. Still, you'd be able to spot some people hanging around, but it's purely because he also provides there a first aid to those who require it.

When he's not standing behind the booth, Jiro's about, handing out candy from a basket with a paper taped to it, inviting anyone to try and solve Dr. Yuri Islami's hardest puzzles ever.

[lostintransist]

This Bunny Bites | Part 6

Part 1 | AO3

Stubble man knocked at the door at a mere ten AM. You squint at him past the bright light that shines into your eyes from beyond his head.

“Da fuck do you want?” You don’t even pretend to be happy to see him.

“Well I have your contract for review,” he waves a stack of papers in one hand.

“And I bet you want to take a seat on my couch while I review it right?”

He pulls a face of ‘Well that’s not a bad idea’. This man knew how to talk himself into someone’s bed, this had the feel of a tactical maneuver. You knew wearing your ugliest jammies to bed last night had been the right move. They covered everything from wrist to ankle.

You roll your eyes, you did not have nearly enough sleep for this nonsense.

“Touch anything and I’ll superglue your fingers together,” you step back and point him to the couch.

Once he clears the doorway you shut the door and engage the deadbolt. You had gotten to sleep about two AM but ten still felt too early to be upright. You make yourself a double espresso with creamer.

“No offer of a drink to your guest?” Stubble jibes from the couch where he has spread out.

“Guests receive manners, invaders will be lucky to escape with their lives,” you slurp at your drink.

You clock the eye twitch at the sound, so many people hated it. You move to one edge of the couch, flicking your fingers to indicate he should move further down. He does, turning to face you on the couch. One leg tucked across the seat he stretches out his arm along the back of the couch. You settle in, legs tucked under you. You place your coffee on the table and pull the contract into your lap.

The document is thick, legal jargon mucking up every sentence. You parse through it, pausing occasionally to finish off your drink before it becomes too bitter to stomach.

You come across a line you will not abide by and glance around for a pen. The man on the other end of your couch notices.

“You needin’ something?”

“A pen.”

He pulls one from a pocket in his pants. You look him up and down, deciding if a pen would obligate you to a conversation.

You take it by the proffered end, careful to not brush him.

“So, do you like what you do for work?” his voice is light as if this question isn’t a trap.

You sigh, “Three questions, that’s what I will give you but only if you keep silent until I am done with this document.”

He shrugs, “Fair enough” Leaning forward he offers a hand for shaking. “I’m Gaz by the way.”

“What an interesting name,” you shake his hand with a cold fish grip. Every choice you make around men is to make them underestimate you, to ignore you, or to manipulate them exactly where you need them to push them off a cliff.

“And your name?” he probes.

“Since it’s on this contract I am going to assume you know it,” you begin to strike through portions of the contract and initial them as you go.

“Your brother calls you bunny.”

“My half-brother lost the right to call me that a long time ago,” you snarl at the paper.

“Half? He didn’t mention.”

“I wonder why not,” you snap, “bet it would make him look better if he mentioned it.”

You take a deep breath, feeling the rage slip through your veins like syrup.

“What happened between you two?”

You glance at him from your peripherals, “You using that as one of your questions? Because I won’t be answering it if so.”

“Nope, just talking out loud,” he smiles at you, a practiced ‘look at how cute I am’ smile.

You humph, turning all of your attention back to the papers. It takes you another ten minutes to get through the last of the document. You set the pen down on the stack and stretch out your neck, finger rubbing into your muscles.

“I could do that for you?”

The glare you toss at him is acerbic.

“You’d have better luck with a man you closeted bisexual.”

His jaw drops open, true shock on his face.

You scoop up the contract and drop it in his lap. “Now if there is nothing else I would like to get back to my day.”

Standing you snag your cup from the table, walk into your small kitchen, and wash the single mug. You place it in the small drying rack. Rubbing your hands over a towel you find Gaz still seated on your couch.

“Don’t you have someone else to bother today?” You toss the towel across one shoulder. If he leaves soon you should have time to vacuum before getting over to Mrs. Johnson’s house.

Once a week you helped Mrs. Johnson clean her bathroom. She had fallen a few months back and could no longer safely clean the toilet or shower. You worked with a nonprofit that connected able-bodied adults with aging people in the community. Mrs. Johnson had been a pinup girl in her heyday and didn’t judge you for how you made your money.

Gaz looks up at you, distressed. “How did you know?”

“Know what?”

“That I like men?”

“Ah,” he must not have told anyone yet. “Call it an educated guess.”

His brows creased together, lips puckering.

“I hate that answer.”

You shrug, not much you can do about his feelings.

“Tell your boss to call me after he reviews the changes. I need to know what the hell is expected of me so I can get ready for it.” You move to the front door, done giving subtle hints.

You unlock and open the front door, waiting for him to get the hint.

He finally does as the sunlight filters into the room. He stands and stops just before you.

“Really, an educated guess?” he sounds as if he still doesn’t believe you.

“Yep,” you pop the p in your word. “Now shoo, I have things to do.”

He leaves, steps barely making a sound as he bounds down the three flights of stairs to the parking lot. What is it with men and not believing you?

Gaz wondered about you clocking him so fast, he had only just confronted the fact himself that he was attracted to men. He thought on it the entire drive back to the house Price had set up for them to use while out here. Parking and entering the house were background functions to the fact someone knew his deepest secret.

He dropped the contract on the table next to the chess game going between Ghost and Price.

“Everything go alright?” Price questioned without looking up. He rubbed at his beard, something he only did while deep in thought.

“Well enough, she made adjustments and requested a call,” Gaz reports. He reviews the board, they were evenly matched at this point.

Ghost tended to win their matches. He had more time in his head to run games since he went out on so many missions while Price tended to get trapped behind a desk and filling out paperwork.

Gaz left them to their game, pulling out his own. Slipping on headphones and taking a seat on the couch he settles into his farming game, a mental break to all the destruction he usually wrought.

Your words rattle the boxes in his mind ‘You closeted bisexual.’ What a way to start a long job.

Part 5 | Part 7

Masterlist | Bunny Masterlist