"UWU op defends Israel UWU"-
Have I not made it clear enough what I think of the Israeli government? Have I not made it clear enough that what infuriates me the MOST about all of this shit going on is that neither government gives a damn and civilians will CONTINUE to die because Hamas and Netanyahu are cranking that war machine for their own benefit? Have I not made it clear that I think what the Israeli government is doing is fucking horrific, a war crime, murder, a violation of human rights?
Why do I even need to MAKE that clear? Why is it that you can talk about LITERALLY anything else, any other country, and people don't rush to fucking accuse you of personally supporting the government when you discuss the wrongs committed against a people, but the SECOND you're a Jew you have to justify your stance about Israel?
Why is it that I cannot even be angry about the slaughter of MY FUCKING PEOPLE. Innocents. Civilians. Fucking CHILDREN. The slaughter of the Palestinian people. Innocents. Civilians. FUCKING CHILDREN.
Without one of you absolute fucking monsters deciding to slap some shit on an unrelated post about how "uwu op defends an apartheid state just ignore that"? Do you have to make it part of EVERYTHING I do? Do you consider everything I put out there tainted somehow because I don't support your joy, your cheering, your unrestrained GLEE at the murder of Jews? Do I need to publish a fucking thesis on my stance on Israel, Palestine, and their respective governments like a fucking disclaimer any time I want to talk about myself, my oppression, my experience as a Jew, or a disabled person, or a queer person, because you fuckers cannot for five seconds be NORMAL about Jews?
To decide to slap something about Israel and Palestine on a post I made about MY oppression, about how people will oppress you no matter who you actually are- it all depends who they think you are. It's a bit ironic, isn't it? Doesn't QUITE fit, but it's funny that someone would read that post, agree with it, and then think "Ah yes, THIS is the place to put some tags about how OP, a Jew who has been reeling for the last couple of weeks about the violence, who has been checking on their Israeli friends every day to make sure they aren't fucking dead, who is dealing with vicious antisemitism from people who they thought were friends, who watched as the people claiming to be progressive supporters of human rights on this hellsite and others OVERWHELMINGLY reply to the murder of their people with good they deserved it fuck you, is CLEARLY a defender of an apartheid state and that makes them a bad person because something something I don't know what nuance tastes like and I am a bigoted ass."
I am TIRED.
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Am I writing this largely because I enjoy the idea of Sansa and Stannis constantly hissing at each other like two belligerent cats? Listen,
x
By the first week of the siege, Sansa was forced to admit — if only to herself —that warfare was far less exciting than she'd imagined. When she had been told of Robb's victories in the Riverlands she had always pictured him triumphant upon a fearsome destrier, sword held high as he cut down his enemies before him. Then he'd been killed and she had lived through the Battle of the Blackwater, waiting either rescue or slaughter by the very man who was now her ally. That had not been exciting, precisely, but it had not been this dull and plodding affair. A far cry from the valiant knights and noble battles she'd read when she was a girl; but she'd had precious little turn out the way she'd been taught.
She slept at the camps near the front lines, in the same soldier's tent she and Brienne and Podrick had shared for the past four months. Stannis had made all sorts of ridiculous protests about "ladies" and "danger" until she'd had to remind him, once again, that her eight thousand men gave her the freedom to dictate her own movements.
"All very well while we're waiting out here, my lady," he'd growled in response, after his requisite glare at her flawless logic, "But when battle joins, you'll be nothing more than a nuisance."
"In which case, I'll be quickly killed and you can have Rickon installed as Lord of Winterfell instead," she'd replied, "as you were hoping to do in the first place." That had shut him up, at least, and he'd gone back to scowling at Winterfell's walls.
Every night when she returned to the camp, she stopped at Stannis's tent and joined the conference with their commanders and lieutenants. It was then that she learned about the waging of war: how men were best deployed, how training was maintained even in the midst of a siege, how sickness was kept at bay so that it did not kill more soldiers than did the battles. Stannis disliked her presence there, too, but she was rapidly coming to understand that he would only be truly happy when she was out of his life for good. Possibly not even then. He did not seem a man much given to smiles.
The men did not share Stannis's view, at least; as she walked through the lines each morning and night they stood to bow to her, and press the back of her hand to their foreheads as she remembered they had done to Mother so long ago.
"They say that the old gods have brought you back to us," Lord Reed told her one day, as he accompanied her on her daily walk to the winter town. "That they were angered when the Starks were driven from Winterfell, and that they're drawing you all back here one by one. They say that Robb Stark may come back from the dead, such is the rage of the gods, and avenge all who wronged your house."
Joffrey had been diligent in recounting every detail of what had happened to Robb's body after Roose Bolton had killed him. She repressed a shudder to think of it and held more tightly to Reed's arm, grateful for the warmth of him at her side. "I hope they are not disappointed if all they get is me and Rickon."
Reed chuckled. "They're well-satisfied, my lady," he said. They walked into the winter town just as the sun broke over the mountains. "You're a sight prettier than the Young Wolf ever was, that's certain."
The winter town was where her real work was done each day. It was the custom every winter for the smallfolk of the North to leave their hides holdfasts and journey here, bringing what they could cart or carry. The winter town would eventually house nearly one in three of every soul living in the North, seeking shelter together to endure the cold.
The Boltons had not bothered to do their duty, laying in no provisions and building no new housing. Up until now it had mattered little; even as the winds had begun to blow, few smallfolk had dared to come take shelter under the banners of the flayed man. The town itself had been all but abandoned, until word of the Starks' return had begun to spread throughout the North.
Now the winter town seemed to double in size with each passing day despite the ongoing siege of the Keep. Sansa had her hands full in directing builders, organizing kitchens, allocating what resources they had to feed and shelter everyone. In this she was aided by any number of friends and allies: those servants and household members who had first escaped during Winterfell's seizure by the Ironborn, or who had endured that but had fled the Boltons' brutal takeover; the households of her lords who had come to support the siege; even Lady Umber and her formidable staff lent a hand before she returned to Last Hearth. Her most steadfast assistants were Rickon and Shireen, who at first had joined her out of boredom but were now her little lieutenants, breathlessly updating her on all events of the previous night as she joined them for breakfast each morning. She received aid also from her men in the armies, assigning their builders to fortify the town in much the same way they were fortifying the siege camp.
Her lords approved of this; Stannis, of course, did not.
"You seek another threescore soldiers?" he demanded one evening.
The siege had now dragged on near a month. Bolton's men showed signs of distress, Lord Flint reported with no small satisfaction; they would not last much longer. But this had brought a fresh concern, and Sansa had broached it during their evening conference.
"We need to build up the palisades along the eastern side of the winter town," Sansa insisted, pointing at the map spread out along the table, with the various pieces representing the various companies all arrayed neatly atop. Stannis's wooden flaming hearts were outnumbered by Sansa's wolf heads two to one, though many of hers appeared hastily-carved from whatever spare wood was at hand. She reached for a flaming heart on the far side of the Keep, well away from the siege. "It need only be for—"
"Give me that," Stannis snapped, snatching it back. "Those men are covering the huntsman's gate, should any of Bolton's forces be cowardly enough to attempt escape rather than stand and fight."
"And you anticipate that happening in the next day?" she demanded, resisting the urge to lunge for the piece the way she used to with Robb when he had teasingly stolen her embroidery, holding it just out of reach. "There must be fifty or sixty men out of twelve thousand that can be spared."
"Why are the palisades in need of building up in the first place?" Stannis demanded, as Lord Glover opened and then shut his mouth to reply to her. "This winter town of yours is folly — you cannot grant entry to every farmer and tinker who pleads for shelter."
Sansa gaped at him in outrage, though even as she did so she was heartened to hear the murmur of her lords at such a comment. "That is precisely what is done, and has been for every winter since before Bran the Builder set stones to build Winterfell!" She glared at him. "This is a refuge, Your Grace."
"This is a siege, my lady," he retorted, looming over her. She thought longingly of the beautiful heeled shoes Margaery wore; she needed only a few inches to match Stannis's height, and see what good his looming did him then. "The smallfolk congregate here at their own risk!"
"My people congregate here because they believe I will keep them safe, and I will do so. With or without Your Grace's help!"
"Without, if it pleases my lady!"
Half-ready to club him over the head with the nearest chair, Sansa grabbed the flaming heart out of his hands and waved it in his face. "What are these men supposed to do, if Bolton and his soldiers escape out this way?"
Stannis looked too near a fit of apoplexy to reply, so it was Lord Cerwyn who cleared his throat and answered, "They are charged to report back, my lady, with some following at a safe distance to see where they go."
"It's perfectly obvious where they'll go," Sansa snapped. "Lord Bolton will make for the Dreadfort."
"Of course he will," said Stannis, finding his voice at last, though he did not try for the wolf's-head piece again. "That doesn't mean—"
"I know three dozen local boys who could hide along the route from the huntsman's gate to the eastern road and bring back reports, without clomping about the forests in full armor," Sansa said, slamming the piece down at the winter town. "And they might be able to bring back some food, while they're at it. Unlike your soldiers, they know how to hunt in the Wolfswood without frightening off half the game."
A few days later, she had her men.
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One of the more peculiar things about my current academic existence is that it's like—
me (to my best friend): It feels kind of strange that I've always had so many ties to people who are much more literary than me. There are all these people I know who keep ending up at "I discovered True Art and now I'm too good for Star Wars" and I'm just thinking, "damn, couldn't be me."
best friend: ...you have a PhD in literature.
me: True, but not their kind of literature!
best friend: It's still a PhD in literature. Do these people have that?
me: Well, hmm, maybe not, technically. But I've never been all that interested in major experiments with form and style—doing that stuff myself or reading the kind of literature that focuses on pushing those boundaries. I've always cared more about popular literature that prioritizes immersion and world building and just getting people to care a lot about characters and plot and such, not the really prestigious stuff.
best friend: You literally teach Shakespeare.
me: Well, I decided not to study the things I love most so they didn't get tainted by academia. And anyway, I still focused on popular literature from my eras. The seventeenth-century stuff I was writing about made a lot of the late Victorians very angry because they thought it was crude and cravenly appealing to unrefined common tastes instead of True Art. The novel in Austen's lifetime was even more of a low-prestige popular form at the time, especially the female-dominated genres, which were most of them, and she took care to identify herself as a woman.
best friend: I know you did get into academia through Tolkien and then didn't study anything close to that.
me: I couldn't let them ruin him for me! And besides, I know that Shakespeare and Austen are about as prestigious as it gets now, but for me they've still got that pop culture media energy, you know? Though sometimes when people make sweeping pronouncements about artistry and literature that don't make sense for anything in English published before 1700, I have to fight the temptation to be ... that person.
best friend, laughing: You mean pulling a well akshually? At least you have the credentials. You could even do it like "well actually, *obnoxious cough* as someone with a PhD in this subject..." now. You spent years earning this! Tell a few people Well Actually as a treat and then go watch Star Wars.
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The 6 chapter epilogue moves to 'end' the Tododrama this chapter leaving a divided fandom...
For me I think that given the story the Todorokis have had up to this point it both makes sense and is the best we could have hoped for. I'm not one hundred percent happy with it, but I defiantly don't view as negatively as a lot of people seem to.
First off Touya dying makes sense and this is perhaps harsh but I hope he does. People theorizing that the mysterious Tenko like figure is Shigaraki and he will heal him and the rest of the LoV with his restored Overhaul powers is insane to me. With only four chapters left idk how that would even be covered or concluded, since even if they were healed they would all still be put in prison--it wouldn't erase the fact Touya killed 30 innocent people by his own omission. So, how Hori would cover that kind of plot in a cohesive way in four chapters is beyond me. It's pretty much people wanting a worse story because they want their favorite character to live.
Also, I'm a bit frustrated that yet again people are acting like Enji should die instead and making wild accusations based on nothing. Namely that Touya dying supposedly soonish negates Enji saying he'll watch him and his death will let him off the hook so to speak.
Enji has shown that he really loves Touya and feels immense guilt and rightful responsibility for how he treated him and his the rest of the family. Touya dying doesn't suddenly heal his permanently crippled body or give him back his Hero job. It will only make him feel worse. Also it's not as if once Touya is gone he'll ignore the rest of his family either. He still owes them as well, and will probably try to help them in whatever way he possibly can.
People acting as if Touya's death will free him or that afterwards he'll go on with his life completely happy and forgetting about him is just not in any way accurate to what we've seen of his character.
The other thing I've seen floating around is the idea that if Enji had been killed off during the first PLF War, Shoto would have saved Touya and the family would have been happy in the end. I don't think that's true. I will admit I'm bias because I like Enji and I'm not a fan of Touya, but given how Hori seems to have delt with the LoV and villains in general (unless he pulls a 180 and heals them last min) I think Touya was always meant to end up dying slowly in a hospital or get some other bittersweet ending.
BNHA is not grimdark by any means but it is not the idealistic manga of the past like Naruto. Hori punishes characters that make bad choices no matter how understandable or even shitty the choices they had were. Aoyama, despite helping defeat Afo, being a child and under the threat of death to him and his family, still drops out of UA because he feels he still has to earn his place there. Bakugou dies and his heart and hand will never be the same, while also having to deal with the guilt of Izuku loosing his Quirk (if that sticks). Enji, even though trying to change and atone for most of the Manga's run is still left permanently crippled, the job that meant everything to him, lost, his legacy gone.
For Touya who killed so many people without care, only to get back and his father. Who plotted to kill his little brother despite knowing he was abused. Not caring if his plans got his other innocent family members killed. After everything we've seen with other characters who did far less wrong and tried hard to amend those mistakes getting harsh consequences, I doubt it was ever the plan to have Touya sitting at the table with his family eating his favorite food with a smile, regardless of Enji being alive or not. To suggest that Hori only had Shoto fail because Hori needed Enji to be involved just isn't true. If Hori wanted to give Touya a happy ending he would have--many fans have already come up with how that could have happened even with Enji still alive.
The only criticism I agree with is Rei's ending. You can defiantly read how she wheels Enji around and answers his phone as them being back together or in the very least her becoming his caretaker. Now, That might not be the case--she could just doing those things because they were both going to see Touya and she's just helping him out that day, while they actually live separately, with Enji having a paid home assistant that couldn't or wouldn't go with him to see Touya (because of the stigma or visiting regulations). The issue is that we just don't know for sure and Rei has been shafted pretty badly.
That said, I wasn't expecting much from/for her anyway. I think getting a little blurb about what she was doing like Natsuo and Fuyumi did would have helped, but I sort of doubt Hori had any idea what to do with her character outside being Enji's abused wife and Shoto's mom. With him rushing to get these last chapters out I'm not shocked he just stuck her in the background, especially when Enji and Shoto as secondary characters needed the screen time.
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