#and overall fandom has been so much a place for people like me and so important and validating for me specifically

[anghraine]

One of the more peculiar things about my current academic existence is that it's like—

me (to my best friend): It feels kind of strange that I've always had so many ties to people who are much more literary than me. There are all these people I know who keep ending up at "I discovered True Art and now I'm too good for Star Wars" and I'm just thinking, "damn, couldn't be me."

best friend: ...you have a PhD in literature.

me: True, but not their kind of literature!

best friend: It's still a PhD in literature. Do these people have that?

me: Well, hmm, maybe not, technically. But I've never been all that interested in major experiments with form and style—doing that stuff myself or reading the kind of literature that focuses on pushing those boundaries. I've always cared more about popular literature that prioritizes immersion and world building and just getting people to care a lot about characters and plot and such, not the really prestigious stuff.

best friend: You literally teach Shakespeare.

me: Well, I decided not to study the things I love most so they didn't get tainted by academia. And anyway, I still focused on popular literature from my eras. The seventeenth-century stuff I was writing about made a lot of the late Victorians very angry because they thought it was crude and cravenly appealing to unrefined common tastes instead of True Art. The novel in Austen's lifetime was even more of a low-prestige popular form at the time, especially the female-dominated genres, which were most of them, and she took care to identify herself as a woman.

best friend: I know you did get into academia through Tolkien and then didn't study anything close to that.

me: I couldn't let them ruin him for me! And besides, I know that Shakespeare and Austen are about as prestigious as it gets now, but for me they've still got that pop culture media energy, you know? Though sometimes when people make sweeping pronouncements about artistry and literature that don't make sense for anything in English published before 1700, I have to fight the temptation to be ... that person.

best friend, laughing: You mean pulling a well akshually? At least you have the credentials. You could even do it like "well actually, *obnoxious cough* as someone with a PhD in this subject..." now. You spent years earning this! Tell a few people Well Actually as a treat and then go watch Star Wars.

[sunnie-writes]

cupid's chokehold.

pairing: jax x cupid!gn!reader

tags & tropes: fluff, shameless flirting, fell first/fell harder

summary: you were absolutely confused because of two things: one, you got transported to a random dimension and became a totally different person, gaining the title of a cupid, and two, you had fallen in love at first sight with the most sarcastic purple rabbit man ever. well, at least you didn't felt like complaining on the second part.

tell me, sunnie!!: AAAAAAAAAAAAAA... anyways, hiiiii:3 i got a new fandom added to my brain, injected it into my veins and now i am addicted. so, this funky little guy didn't actually catch my attention at first but then i watched some edits and was like "HMMMMMM i mean yeah sure" and then i decided to check tumblr, stumbled on a fic of him and went "OH. OH." yk?? anyways, i hope you guys enjoy this bc i wrote it instead of sleeping and i have to wake up early tomorrow el oh el!!1!1!1!1

warnings?: kissing, suggestive(?) i mean it's just neck biting but idk........

first of all, you don't know how the hell you are... here, nor why you've been stuck in this place for two weeks already.

it's a colorful world, saturated to the maximum amount possible. you know, the type to burn your eyes if you stare at a specific spot for too long. it also looked like some kind of fever dream, with all the toys scattered and the way different people? characters? looked like.

not like you can say much, you have heart shaped pupils and you're wearing something that looks like an ancient greece tunic. also, sandals. you have these big feathered white wings that are a pinkish hue at the tip of every single feather. you tried pulling one out to see if it was actually real, resulting in a yelp from your mouth. it kinda hurts.

and that reaction caused a chuckle to come from someone who has your eyes dedicated to just admiring them.

frankly speaking, if you went back and told your past self that by putting those weird vr headset glasses on you would be signing up to falling for a tall and lanky purple rabbit with a yellow smile, you would probably just chuckle and still do it, but with even more determination than before. eh, what can you say? you've always been attracted to the weirdest characters anyways.

but this... this was real, he was real and he was talking to other real weird animated people. ragatha rambled next to you about... honestly, you didn't even know, too busy watching from afar a certain rabbit. this was the start to possibly one of your most frustrating crushes ever.

"[name]? are you okay? you seem more distracted today?" she worriedly asked, putting her hand on your shoulder, "you shouldn't think too much about trying to find an exit if that's what you're thinking about, you might get abs-"

"huh? no, i wasn't thinking about that!" you quickly hurried to give an explanation, trying to dismiss that idea from her, but your eyes darted again to the overall wearing guy and she followed your gaze.

she slowly moved her head back at you after seeing what you were so... distracted about. a smirk broke in her face.

"oooh, little [nickname] has a cruuush?" ragatha teased you.

"wha- no- that's not-" before you could continue, your flushed cheeks got even more red as you saw him approaching. you immediately shut your mouth and just looked at the floor, trying to quickly hide your face

"sup', what are you two gossiping about today?" jax spoke in a mocking, sultry tone that had melting down a drain... not literally though.

"oh, nothing. you know, just the usual!" ragatha quickly tried to hide that topic from him, trying to distract or something. play it cool!

"uh-huh, and why is little cupid over here heating up like a preheated oven?" you almost choked on spit before looking at him with furrowed eyebrows and slightly flushed cheeks.

"none of your business, jax, don't bring your teasing and mocking over to [name]!"

"aww, why not?" jax dropped his hand on your shoulder, "say, little cupid, i heard doll face over here mentioning a crush, who do ya' have the hots for?"

your mind instantly went to answer "you" internally z meanwhile, your lips just answered in an almost quiet sound.

"i'm not telling you."

"huh, and why is that?" he leaned in close, and suddenly you felt absurdly claustrophobic.

he looks so... absurdly attractive with that smirk. you wish you could wipe it off of his face.

"because..." it doesn't take too long to come up with an excuse, you're an overthinker who is always prepared for this kind of situation, "you would mock me for it, and i don't feel like getting bullied by a purple beanpole."

"gasp, you wound me with your hateful words!" he dramatically posed, meanwhile ragatha chuckled in the background. "how can a cupid, made of pure love, be this mean?"

you just lightly punched him in the arm at that.

---

night time seemed like a blur to you in this world. sleep? never heard of that.

it's been a month already and your crush hasn't faltered. instead, it got bigger each day, but to be fair, it was impossible for it to not grow. jax decided that, for some reason, he liked teasing you a bit too much since he found out you might have a crush on someone.

playful flirting seemed to be his favorite to use on you, since you just tried your best to not show how it actually affected you. honestly, you felt like some kind of cliche teenager movie where you're about to write his name on a notebook with hearts all around it.

and that felt too cheesy, even for a cupid.

---

oh my stars, he wishes it's him.

you know, at first when you arrived at the digital circus, jax paid no mind to you. i mean, yeah, you were probably the cutest person in this digital purgatory, but he didn't think that he could fall for anyone in here, this isn't some weird sitcom episode. but it was starting to get difficult to not let him lose himself in a romantic trance when you were around.

he wonders if you used anything on him that could've possibly made him slowly fall for you, hard.

in the second week, he began noticing things about you. for example, you laughed at his jokes and sarcastic personality, got irritated for his pranks but never screamed at him, just shrugging it off like normally, you didn't even care when he stole something from your room.

it was mind breaking to just try and see what could get a reaction out of you towards him. until it was revealed that you had a crush on someone in that place.

jax isn't dumb, he already caught you looking at him from afar just to fastly change your gaze and get flustered, how your hands trembled when you were near him, heart eyes expanding when he talked to you. so, just to test if his theory was real, he decided to leave a subtle flirt for you. and that was checkmate.

he thought at first that it was weird, that maybe he could just play with you a little bit and entertain your little crush on him. but then, the spell turned against him. you flirted back once, and that made him feel awfully fuzzy minded. now, he was the one staring at you from afar sometimes.

that wasn't in his plans, falling for you even harder than you fell for him wasn't supposed to happen. yet, it did anyway.

and now the realization dawned on him that, at some point, he's going to have to either confess or simply hide that for forever, since that's the time they're gonna be stuck in the same dimension together. how fun, isn't it?

---

your feet took you outside of the tent, as everybody was now sleeping comfortably in their own rooms. well, at least you thought they were. stepping onto the grass and breathing in some fresh air, you looked up, waved at the sun and the moon, who smiled back at you contently. then you finally sat down and layed on the saturated green ground, looking up at the fake stars.

you sighed heavily, trying to distract your worried mind that screamed about wanting to get out and at the same time never wanting to leave. it was downright confusing, and left you with pent up energy that made your brain go 100/mph.

you heard footsteps behind you, looking up just to meet with a yellow smile and cartoonish eyes. you immediately gulped as his smirk grew.

"heyyy little cupid, what are you doing here so late?" he questioned you with a lower tone of voice before sitting down by your side. you immediately sat up too.

"just... thinking about some stuff." not losing any chance, you tried to start a conversation. "what about you?"

"meh, just bored and couldn't sleep." jax then looked at you in the eyes. "what could you possibly be thinking about?"

"ah, you know... just the usual!" you tried to quickly change topics, you didn't feel like traumadumping on anyone today nor did you feel like telling him that he's the reason you didn't abstract yet.

"and, does the usual involve your secret little crush?"

your breathe hitches, "why are you so curious about who i like?"

"i just am, it's interesting to see your reactions when i mention them." he leaned down, holding his head with his hand as he still stared at you. "why don't you tell me who it is? i'm starting to get the wrong idea that it's me since you refuse to speak about the mystery person to me."

you think you just felt your heart stop. your eyes go wide and you can feel the heat coursing through your body, blood rushing and flushing your cheeks. you know what? okay then, since there is no escape from this situation, might as well finish the night with a bang before you leave to sleep.

"that's... not the wrong idea at all." you confessed, watching as his eyes went wide in a millisecond.

"what." he spoke before sitting up and grabbing your shoulders. "you're not fucking with me, are ya?"

you shook your head while embarrassingly looking to the floor, feeling frustration pooling in your head.

"no, i'm not. i like you jax, i like your stupid pranks, your stupid jokes, your mischievous smile, your ey-" you were cut off by lips meeting with yours.

as your current situation settled in your mind, you got yourself comfortable and closes your eyes, lacing your arms around his neck and pulling him even closer before you two fell back again, you under him. your stomach was doing backflips, breaking down at the feeling of being reciprocated.

when you finally broke apart, your heart eyes were absurdly big, staring at him while you panted for air. he chuckled at your face, giving a big smile while himself was actually melting at finally having you in his arms. jax laid his head on between your neck and your shoulder. you petted his head, until you felt something.

he was biting your neck, leaving love bites and hickeys behind.

first of all, you didn't even knew if he could open his mouth, but apparently he could (?). you couldn't think much of it, too busy holding back an embarrassing whimper. you held his head and tried not to close your legs around his waist as he continued to bite.

he pulled back, looking at you with a smirk and raised eyebrows.

"well, look what a mess i've done, darlin'. how do ya' feel?"

you couldn't even answer, feeling absolutely overwhelmed by his hand on your waist, the knee resting between your legs and your mind slowly losing it's control. instead of an answer, you just pulled him down for another kiss.

yeah, you probably were enjoying that, but jax? ha! in his mind, he was melting down a drain, patting himself in the back for the idea of deciding to take a night walk and accidentally seeing you. he grinned into the french kiss, feeling absurdly high at the moment.

he wasn't sure how everyone would react to you finally being his, not that he cared about their opinion, but he thinks if would be funny to see their faces. he can't wait for it to happen, but now it's not time to think about that.

it's time for him to think on how to calm his rapidly beating heart that might give you the hint that he loves you way more than you love him.

tell me, sunnie!!: AAAAA i finished writing this only the next day, sorry if it's too short btw!! i know it missed a lot and should have more things but it was rlly rushed bc i want to write more of him <\33 but yeah, thank you for reading sunshine!!

[ofstarsandvibranium]

Precious Truths: Part 14

Fandom: Bridgerton

Pairing: Benedict Bridgerton x F!Reader

Summary: After your father finds out you’ve been writing under a male pseudonym, he threatens to marry you off to an atrocious man unless you find yourself a husband within a month’s time.

A/N: yall i still can't believe sophie is asian. im so frickin happy dude. yerin is gonna be amazing. i just know it. anyway, enjoy!

Series Masterlist

You hide behind your hand as you snort with laughter. Benedict is beaming beside you. Hearing your laughter again makes his heart soar.

After your mother-in-law granted permission for his visitation, he immediately prepared himself for the trip to France. He was excited to see you, but he was also nervous. Therefore, he dragged Eloise with him. His younger sister wasn't in the mood to witness another pair of lovesick fools, however, she had never been to France. So she took up the opportunity to regardless. At the moment, a part of her regrets accompanying her brother.

"Hang on, how did you not know she was married?" Eloise asks Benedict.

"I never saw her wear a ring and her home didn't seem like a man lived in it!"

You chuckle, shaking your head, "How is it you always find yourselves in such situations, Ben?"

"Because he is an idiot, Y/N," Eloise responds and you laugh. Your laughter even brings a smile on Eloise's face, "Sorry to change the subject, but I hope you have been well, Y/N."

You softly smile at the young woman you always saw as a sister, "I'm getting better, Eloise. It definitely helps that you and Ben are here," you rest a hand on Benedict's and Eloise's, "Your company was very much needed."

"Always here to help," Benedict says softly.

"You didn't say long you'll be staying here for."

"Madame Montclair has allowed us a week, unless you grow tired of us."

You scoff, "I will never grow tired of you, Ben," realizing what you said you add, "And you, Eloise! Don't tell your siblings, but you two are probably my favorite Bridgertons."

Eloise hums, "Oh, please, Y/N. We already knew that," she bumps your shoulder with a cheeky grin and you two giggle.

Benedict watches as you and Eloise discuss your current works. Every once in a while, you'd turn to him and ask him a question. And every time your eyes fall upon him, the world goes quiet and he feels at ease.

________________________

Benedict gets along well with your mother and father-in-law. They, too, are fond of the arts and are in deep conversation with Benedict and his time at the academy here in France.

You can't help but feel a sense of pride fill you as Monsieur and Madame Montclair laugh at Benedict's jokes, praise him for his successes, and, overall, displays an openness to him. However, James had told you that is just how your mama and papa have always been. Good people.

Their relationship often makes you think if that's how your parents would have turned out if your mama hadn't passed early on. Would your father still love and care for you? Would he be happy and proud of your success as a writer?

The thought of him made you lose your appetite. You place your fork and knife down with a frown, immediately bringing you to the attention of papa.

"Are you alright, ma fille?"

"I apologize, I've suddenly lost my appetite. Is it alright if I step outside for a moment?"

Mama nods, "Yes, of course. Shall one of us go with you?"

"I will be alright. It'll just be for a moment, excuse me." You look to Ben with a nod and then to Eloise. Everyone watches as you exit the dining room.

Benedict clears his throat, "Forgive me if this seems inappropriate, but how has Y/N been doing from your perspective?" he asks the older couple, "She's only told me that she has her good days and bad days, but nothing truly more than that."

Madame Montclair sighs, dabbing at her lips with her napkin, "It is true. Much like my husband and I, Y/N feels as though she has accepted her life without James. Other days, it's hard to even go about her day without being stricken with grief. But as the months have come and gone, I think she is slowly healing. Her desire to go back out into the world becoming stronger and stronger. She will be going back to London after your visit."

Benedict and Eloise look at each other in surprise, "She hadn't told us that yet."

"Ah. Well, I apologize for that. I'm sure she was going to tell you. But I do think it's good that you two are here. I can already see she's happier."

Benedict softly smiles and nods, "Yes, well, my sister and I care a great deal about Y/N."

"That much is very clear, Mister Bridgerton," Monsieur Montclair says, "And I hope when she returns to London, you continue to care for her. We, too care a great deal about her." The older man gives a stern look to Benedict, one like a father scolding a son.

Benedict nervously clears his throat, "Yes, of course, sir."

_______________________

You're sitting on a bench outside, letting the air cool you. You're not sure how long you've been out there, but Benedict comes out with concern etched all over your face. He sits beside on the bench, hand grabbing yours to warm them, "Are you alright?" he asks, using his breath to warm your now cold fingers.

You sigh, "Yes. I'm sorry to leave dinner like that."

"It's fine. I just want to know what happened."

"Just watching James' parents made me think of my own. They made me wonder if, had mama not died, would they end up like that? Happy and proud of me? Would papa still love me and admire my work rather than scold me and cast me aside?"

Benedict squeezes your hand, "I understand. I, too, often think about how life would be if my father didn't pass. But I think it's best not to dwell on those things. If you get too caught up in it, you miss out on the wonderful things that are happening now right in front of you."

You hum, looking down at your fingers intertwined with Benedict's, "My aunt once told me after my mama passed, that in death, there is life. New beginnings. I suppose she is right. After mama's death, started my desire to publish my writings. With James' death, he brought you back into my life." You stare into Benedict's eyes, seeing how soft they are as they look back at you.

You find yourself leaning closer and Benedict is too, "Ben-"

"Everything alright?" you hear Eloise as she approaches and you two immediately create some distance between each other.

You clear your throat and look over your shoulder, "Yes! We were just about to head back inside."

"Very well. Make haste, it's cold out!"

___________________________

Your almost kiss with Benedict kept you up that night. You've been mentally scolding yourself for your weak resolve. He had only been staying with you for a few days and you are already throwing yourself at him. Your heart has always been weak when it came to Benedict. Even after falling in love with James, your love for him never compared to the love you had for Benedict. You always knew this.

However, it hasn't been a year since James had passed and you're already moving on with another man. You can't in good conscience do such a thing to James like that, even if he already knew how your heart had always belonged to Benedict.

Still. You need to control yourself around Benedict no matter how much your heart yearns for him.

[mad-scientist-enthusiast]

Yor Forger- Character Analysis

I think Yor is such a fascinating character. For one, she has a very unique relationship with femininity. Growing up, Yor had to be "the strong one" and look after her brother in the absence of their parents, and this led her to becoming an assassin so she could provide for him. But even without the Garden, Yor has always been physically strong, blunt, and brutal. Her upbringing didn't allow for the same societal socialization as most girls her age had, which also plays a role here. Despite this, Yor makes a great effort to present as formal and as feminine as possible. And to her credit, she does hit all the hallmarks there. She dresses the right way, has a formal manner of speaking, works in a stereotypically feminine occupation as her day job, and goes out with her coworkers when invited; yet her coworkers, and presumably others still seem to know there is something inherently different about her.

In any other setting, this might be okay—an odd coworker is nothing to worry about—but SPY x FAMILY takes place during the Cold War. People are willing to turn even neighbors in to the Secret Police on just mere suspicion, and that's not even including those who make false reports just because they don't like someone. Yor's survival (or at least freedom) relies on her ability to perform femininity according to the standard, but even when she does everything right, she's still alienated from her peers. A lot of this has to do with language, as she tends to only be aware of syntactic and basic semantic context of words and phrases, instead of the pragmatic context used in Ostania. This was likely also a result of her upbringing. She's not only living a double life as an assassin, but also having to perform this femininity to such an extent is another mask she has to wear. Throwing the pretend marriage into the equation, you get an unrealistic amount of masks to juggle all at once.

Although I'd like to think she's able to take a few of them off when it's just her, Loid, and Anya. Outside of Yuri, Yor has felt that her strength and brutality are things to hide and be ashamed of, so it's a pleasant surprise when her new family immediately accepts and praises her for these things. Loid doesn't think there's anything untoward about her, and typically finds Yor's strength to be quite useful (and hot). And Anya looks up to Yor, wanting to be strong like her one day. This is one of many reasons why their family works so well. So much of her life is spent feeling inadequate for things she can't control while living in fear that someone might report her to the Secret Police, and yet now, with her new family, she is treated normally and with respect. She is able to live a fantasy she never thought she would be able to have with her social difficulties. 

I mention her communication struggles as part of her separation from accepted standards of femininity because the way that women talk and their ability to be socially savvy is inherently tied to their femininity. To me this reminds me of the gender disconnect many autistic people (like myself) feel when they are unable to perform their gender roles conventionally. Even strongly masking, it can feel like theres something so deeply wrong with you that everyone else seems to pick up, but you can't for the life of you identify what. Yor wants to perform femininity, as seen by her uniform with the Garden. She very easily could've gone for something more practical or comfortable, but instead chose an outfit that is seductive and feminine. But the issue comes into play when she's presented with different social contexts. She didn't connect that wearing a seductive dress would probably be inappropriate for getting drinks with her coworkers, because she doesn't realize what is and is not appropriate in the first place. 

Overall, I think this view of her character adds so much depth to her and is way more interesting than the "female himbo dommy mommy" box that the fandom tends to stick her in, to me. (No hate btw, to each their own).

[absolutelynotsanebaby]

Okay, so I've seen a lot of posts on the "should Morro have stayed dead or should he have been given a redemption arc" and all that and I just kind of wanted to share my thoughts on the topic. I don't think his canon ending is bad, in fact there's a lot I like about it. It's a tragedy and a very good one at that. The way it ends with him and Wu, and with the whole "you can only save those who wish to be saved" quote? That's poignant, that has narrative weight. I think to say that it's bad is to ignore a lot of what makes Morro a good character. He's a reflection of Wu as a teacher, his teachings, and he's a foil to Kai specifically. He shows us why Wu works better now, and why he teaches the way he does. A large component of what makes his story have depth isn't just that he died young and was traumatized it's that he continued a cycle of trauma on with Lloyd (and Cole, if you considered that he dies indirectly due to Morro's actions but that's another topic). He's a bad person, he did really bad things, that's part of who he is. But, I think it's a misstep to call him irredeemable. I think that misses the point of his character entirely actually, like severely. Morro isn't irredeemable, he shows that he's capable of growth in the very scene he dies in! That's part of the tragedy too! It's not a 'hot-take' to miss the point of a character because it's the cool fandom opinion of the month actually. I know people are frustrated at the fandom misogyny in how people talk about Morro vs. Harumi and I agree, it is frustrating, but y'all are just spreading around just plain bad takes and that's getting frustrating.

On the topic of missteps, as much as I do like it, I also think it was a misstep in how DOTD handled Morro. In general DOTD has some interesting ideas and concepts but is overall flat and under-cooked. Morro's part in it isn't excluded from that. DOTD brings him back, it shows that he is extremely capable of change and growth, and understanding (which is something you guys like to ignore too, actually). Then, it has him just leave again, die and I understand why but I think it's very genuinely sad in a way I don't think was intended, or well done. I think it backtracks on the narrative weight his conclusion in Possessed had. Possessions' ending for him is sad but it has depth and weight. DOTD just brings him back for fan service, and again, just has him die, and it's because he wants to. I understand they were going for a "at peace" kind of approach with him but it just falls flat in my opinion. If they were going to bring him back, and I know this is kind of a debated topic, I think they should've just kept him. And everyone who says that he wouldn't be capable of change for that is dead-wrong, the show proves it, and just because you don't like it doesn't make it bad. In terms of how it's handled in fanon, I think it's a mixed bag. Some people do it really well, faithful to his character but other times I think he just gets hit with the fanonization beam really hard. Sometimes you see his woobification of him based on the trauma and death he went through, and that erases what makes him and any sort of possible redemption or relationships with him interesting. I think people tend to miss the idea that a redemption is both not something a character has to 'deserve' (because redemption doesn't equal forgiveness) and also something a character has to work towards. The idea a redemption has to be deserved (as a moral concept not a narrative concept), instead of something worked towards by the character presents in people downplaying his actions and effects, but also in people acting like redemption is inherently reductive to his character because he's bad guys, he's a bad guy guys. Bad guys don't deserve redemption guys (/sarcastic). To be entirely real, I do think redemption can and does have a place in his writing. You can't look at how he acted at the end of possession and DOTD and tell me otherwise. Redemption in fiction at the end of the day is a narrative device and trope, and how a character is written informs their development. Additionally, I think some of you guys take his "you can only save those who want to be saved" way way too literally. That, too, is tragic and it's not because it's right. When characters speak, nine times out of ten, you're not supposed to baselessly accept and internalize what they say as correct and true. Was it true when Cole said he wasn't a ninja after dying in the same season? Was it true when Kai said he deserves to be the green ninja, just because he said it? Come on. Also, just, I think sometimes this fandom needs to accept different people find different things appealing and cathartic. It's okay to prefer a tragedy, but it's also okay to prefer the idea of him redeeming himself (because it takes work) and healing. There's this whole argument about whether or not saying he should've gotten a redemption arc (kind of a stupid question to begin with, in my opinion) but at the end of the day, it's already done. Also, both ends of the spectrum can have the most frustrating takes on him, and yeah I'm going to be annoyed and salty about it if you couldn't already tell. Anyways, there's no proper point to this because it's really just be ranting about several things I find really frustrating about how people handle this topic, so take it as you will. You can disagree, but I'm not saying his ending is bad nor that his tragedy is bad. In fact if you disagree I encourage that this fandom is way too prone to just parroting each others (mostly bigger blogs) opinions and not their own personal ones, so yeah.

[erinwantstowrite]

Let me just quickly say, cross-overs can sometimes get REALLY difficult to map out and write in a cohesive way but you have absolutely NAILED IT!! I absolutely ADORE LoF!!! I usually don’t even bother reading fics with the ‘Richard Grayson is Richard Parker’ premise cause I felt like they were super confusing and overcomplicated but this fic?? SUPERB. ABSOLUTELY INCREDIBLE. OH MY GOD I ADORE IT. Everyone’s characterizations are so nice and wonderful aaaaaaah!!!! <33333

Ok ok I did actually have a question as well: would you be willing to share what your writing process looks like in terms of a chapter you’ve already posted? I was just wondering since I’m also currently working on my own fic (it’s been a few years but I managed to get fixated on an idea and it grew legs lol) and I’m currently fighting the organization of it haha.

How do you keep track of the plot points and/or foreshadowing you want to get a ‘lightbulb!’ moment for later? Do you have any tips?

Thank you so much! I absolutely adore your writing AND your art is so gorgeous omg it adds so much to the incredible story :DDD I hope you have a good day!!

I have a secret: I actually didn't like "Richard Grayson is Richard Parker' tag for a while for the same reason. Sometimes they felt like they missed the mark or it's just. A thing that's there? I almost didn't include it for LoF, but I'm glad I did because it changed the direction in such a big way.

Another secret: this made me incredibly happy because I have read so many wikis and scoured the internet to make sure that I had enough info on both fandoms so LoF could make sense to anyone who's reading it, whether they know Spider-Man, Batfam, or neither at all. Sometimes I worry a lot before I post that I'll miss a mark and will confuse people.

As for the question: I definitely am willing to share what my writing process looks like!

Be prepared for under the cut, I love to yap. It's in my blood to yap. And that's why it took a minute to get to this ask haha

(Spoilers for Leap of Faith!! Everything mentioned has already been published ((Chapters 1-11))

I had to go and find out which chapter I wanted to use as an example and I think we're gonna go with Chapter 5 for the most part :)

My writing process is, as described by alighterwood:

I think the description fits because while I'm all over the place, I have to be very detail oriented and I store everything in one spot.

Starting with the overall process, what I find is most helpful for me, when organizing, is having a notebook rather than doing it all digitally. I've been using a 70 sheet notebook that I had lying around waiting to be used, and as of yesterday, I officially filled the entire thing front to back. It's been an incredible help, for a lot of reasons, but mostly because it's a lot easier to remember something I physically wrote down than it is to remember something I typed. I'm now on to my second notebook for LoF, and I might even have to get a third.

In another ask, startupkat asked me this:

And I shared a little about my outline process there, but I'll try to go into a little more depth here. Emphasis on little because this is so long.

I write a truly insane amount of outlines in this notebook.

This is just what I can show you, but a good chunk of the notebook is just outlines. Over and over and over again. That's because they're always changing/adapting based on so many different factors. Sometimes I get to a chapter I thought I had fully planned out and then realize it just doesn't work anymore. Other times, I get to the chapter and realize I don't want to write that anymore/isn't as interesting as I thought it would be. A few times I got halfway through a POV of a scene I was struggling on and decided to switch POV's, which will change up the outline for a chapter every now and then.

Which is why I don't write incredibly detailed outlines and try to keep it vague until I actually get to that chapter. It's a lot less daunting to rewrite a chapter outline than it is to rewrite the entire outline.

Fic outlines and Chapter outlines look a lot alike.

This is what I said in the other ask, but I didn't elaborate on it all the way.

I make a list just like that, and then I try to put it in chronological order/in an order that makes sense. I keep the Fic outline vague by writing down "Goals" for a chapter rather than scenes. But I also keep notes to myself if I really think something is important. The more important I think a scene needs to be, the more details I write down to make sure my future self recalls what I had in mind when I thought it up.

Really simple example:

Chap 1 Goal: Peter gets to Gotham and meets Babs while running around. Meet Nightwing too? Get shelter.

Chapter 2 Goal: Bats are like "???" about Peter. Batfam dynamic important... Peter stalking Batfam back? Peter meet Batman >:)

When I get to a chapter, that's when I make a far more detailed list of wants/needs/goals. It's the Step 2 from the Step 1. Here are some examples from Chapter 5:

Needed to have:

More POV's from universe 1299 (Peter's home universe)

Tony's POV more specifically, how he's doing/feeling, what he's figured out

What they've figured out on 1299 side vs what's going on in 1300 (Gotham)

Explaining more about Peter's trauma/his past

Dick learning more about Peter, and vise versa

Wanted to have:

Ned being a more central character

Natasha :)

Loki being a little shit

Tony and Cap bickering

Peter talking to Nightwing again

The last name Grayson

Gymnastics!!

(This is the shortened list, because the chapters are so long)

When I looked at this list before writing my outline, I had to figure out how I could incorporate everything. If I needed more 1299 POV's, and I wanted Ned, Natasha, and Loki, there's one scene accounted for. I had to get their side of things and wanted that trio together. I needed a Tony POV, and I wanted Tony and Cap bickering, so those went together, plus I got 1299's POV of Ohnn and his plans explained.

I needed to have Peter explaining more about his trauma, and Dick and Peter to talk/get closer. I wanted a Nightwing POV, to have Peter say his last name, and them doing gymnastics. I knew Peter wouldn't willingly talk about that, so I had him have a nightmare. Not only did it give readers perspective but it made Peter more susceptible to talking to Nightwing because he was more emotionally vulnerable/lonely, and that's how that scene came together.

That's when I would write down the chronological order of these events by writing out "Scene Blocks." (This is what I wrote down but my handwriting was so bad I can't subject y'all to it):

scene 1- Ned talking to Loki. Natasha should be nearby and observing Loki's behavior. They are not on friendly terms. Ned is more worried about Peter than he is as to what Loki could be up to, so Natasha takes on that role.

scene 2- Tony is freaking out about Peter being in an alt dimension. He should attack Ohnn when he's not prepared for it. Beat his ass? Beat his ass. Cap there too.

scene 3- Peter's nightmare. "Ben, where do you go when you die?" "Where do you think?" "With you. Where you went."

scene 4- Nightwing and Peter.

Of course, things come to attention when writing. Like originally, Tony and Cap were arguing in the Tower. But it was a little too much like his and Natasha's argument, and I kept in mind that Tony is smart. Sometimes I forget that the characters are smarter than I am, so I have to account for what they would figure out. So Tony would have picked up the puzzle pieces and come to more conclusions than I originally thought about, and I figured he'd be way more proactive about it than just. Being in the Tower and waiting.

Which means that that scene ended up being as listed above: having a squabble with Cap, learning more about Peter's dynamic with the Avengers in this universe, and seeing how Tony is reacting to it by throwing himself head first into trying to capture Ohnn.

I'll realize I need something else to be mentioned or put in and I'll have to shimmy things around, but that's basically how it goes.

As for other forms of organization:

Keeping a timeline is so important because it tells you a lot about the environment your characters are in. It's also important to remember what a character has on them, what money they've spent, who they've met/who you have mentioned, every alias that is being used, to read your work and write down edits you want to make before you make them, to write down ideas beforehand of situations you can use, and, most importantly: MAKE A MAP!! This has saved me so many times. Sometimes your brain WILL trick you or make it harder on you to envision a scene. Make a map of where your characters are physically!! It will save you too!!

As for foreshadowing and plot points, I'll let you in on yet another secret:

Your subconscious is doing a lot more than you think it is.

Sometimes when I foreshadow something, I didn't even know I was until I got to it. I very often go back to read chapters that came before this to see what I've mentioned and what I haven't, and when I do, I'll see something and go "I have to bring this back" or "I almost forgot about that!"

Other times, I am very aware of what I'm foreshadowing, and that's because I follow a mystery plot formula. You have to keep in mind everyone's intentions, all the time. How are they feeling? What are their motivations? And: what are they doing right now, while this character is doing this?

Like Beck and Ohnn. From the very beginning, I knew I had to make sure that it was obvious Ohnn wasn't working alone. From there, I had to weave through the story and slowly build him up as someone who's working behind the scenes. Even from Ned's first POV, I made sure to mention that this person knows Tony and is tech savvy.

My biggest tip is to make sure you reread your work or at least skip through it, because sometimes you don't even know that you placed something there.

And sometimes, it's very purposeful. :)

I hope this helped! I really tried to keep it short but I am insane and the process is sooooo long. It sounds complicated but it really is simple when you're actually doing it I swear

[torchstelechos]

sometimes i think about the scene where Siffrin has a momentary breakdown over the Universe watching and clapping and not doing anything to help, to lead, and i wonder about an interpretation where the Universe is helping, is leading, is telling them what to do. where the Universe is favoring one of the two people from the Country like the King calls out. its us, the Player, the ones that 'create' their universe in a sense by installing and playing the game and leading Siffrin around through it

i wonder if it'd make it better or worse for him in that moment if they could look through that glass window to the stars above and see a glimpse of how helpless we, the Universe, were in that moment too, trying to guide him and failing just as much as everyone else

do you get me. does this make any sense.

Okay Bell, you do not fucking get how much this means to me. I have been on the theory of “the universe is actually the players” since I started wandering about this fandom. I do think ALL the players are part of the universe, but are not the universe as a whole. Like, one player is one star and yes, they are part of the overall universe, but there are more stars to see in the same universe so they aren't the universe specifically. My reasoning for this is actually part of how I see Loop’s wish, and thus I get to discuss how I think wishcraft works alongside Loop’s wish and how it affected the timeline. >:3c 

First, I will be using a general assumption of 1.) The looping only affected Vaugarde like The King’s “curse” 2.) There is only one Timeline and 3.) The theory Path of Least resistance (will be explained in conjunction with wishcraft).

As I have mentioned in a previous post I do think that Siffrin’s wish piggybacked off the King’s wish and used it as a blueprint for how far the Timecraft went, which meant that it only turned back the time of Vaugarde. The King says, when asked about wishcraft: 

He says that the country is skipping, stopping, rewinding, restarting, and how that must look from the outside. Which! I would like to point out that the king is NOT a reliable source of information because the King will lie to get you to lower your guard, however! It’s corroborated by the change god, even if they don't implicitly state it, during the Who’s on the Phone event they say: 

“Dormont, repeating! Dormont, Unchanging! Stagnating!” + “In this bubble, where everything stays the exact same…” The Change god also acknowledges that the extent of Timecraft is smaller than the whole world and specifies Dormont, which is the last place affected by the Time Curse (and thus the last place to change in all of Vaugarde). I would take this to mean that the whole world is still going on while Vaugarde is, well, glitching like a DVD with scratches. 

Next, which I think a lot of people tend to skip over, is that there is only one timeline! This is confirmed by Insertdisc5 (Adrienne), on Tumblr on their ISAT spoiler Q&A: 

Which has such interesting implications, but it does help explain something that I want to connect with the third assumption!

Now! The path of least resistance theory! Craft is an energy based magic, which uses the users energy unless powered by an outside force (however it appears to still take energy to direct the craft). This means that it has rules and if I had to guess, is very similar to electricity. Electricity doesn’t actually only go down one path when we apply this theory, instead it has an inverse in output depending on the resistance of the path. So if one path has less resistance then it will have more energy go down that path with more output, if the other has more resistance than that path will have less output/energy. We can apply this to wishcraft and how it affected the outcome of the two wishes that directly went against each other, the Kings and Siffrin’s wishes. Since Siffrin had a lot of energy behind his wish and the king less, Siffrin’s wish went above the King’s own in regards to who ended up with their wish “granted.” (the output was greater due to the fact it was less resistant to the whole of Vaugarde’s wish + Loop’s wish)

So, with all this written out, how do we the Players come into this? :3c well… We are a self contained paradox wish! Siffrin’s initial wish was to (insert one of the initial options) and “You want to stay with them!” which is the wish that caused the Timecraft ability for Timelooping (if I wanted to be pedantic I would actually say Siffrin can Travel time and isn't looping but that's a whole ass other post). This wish DID NOT bring us to the loops nor did it give Siffrin a guide, it was just a wish made to stay with people already in this timeline/universe. This made it impossible for outside help as it was VERY specific to only this universe, “stay with them.” But when Siffrin gave up, they made a secondary wish, 

(Loop: For someone… Anyone, to help me!!!)

This wish let us, The Players, directly able to interact with ISAT and SAAP. As they reached out into the universe and called for help, the Universe answered by letting outside help interact with timeline by guiding the new Siffrin. We are only able to help out by Loop making this wish! But, now, how does that make us a self contained paradox wish? Well… Thats because in order for the wish to happen, we needed to help Loop make the wish in the first place! By playing the SAAP, we helped Loop get to a position in which they made the wish which allowed us to help them which allowed them to make the wish etc etc. 

Thus we the players are now able to continue helping out when the timeline goes forward into ISAT, alongside Loop who’s wish allowed for a second try (a Start again if you will). 

The reason I also added the other information is because I think its important to remember that craft takes energy, and what Loop says about their wish is that they “destroyed” themself rather than “destroy the world” which… I think it means that Loop basically blew up like the Big Bang rather than become a Black Hole like Siffrin did. This “restarted” the timeline as a whole rather than just Vaugarde as we can see differences in Loop’s timeline and Siffrin’s, and if they’re the same timeline why are there such big differences? Well, yeah,,, Loop remade the entirety of the timeline rather than just Vaugarde… Oops! Big Bang, yaknow? Its still a singular Timeline, it’s just that it restarted the timeline’s progress pretty far back as a whole rather than specific segments. Also, Loop doesnt appear to help until after the initial ISAT wish, so we can just assume that the Universe plucked them from their wish making directly into this timeline section. 

As for why I added the whole Path of Least Resistance Theory for wishcraft… that’s cause Siffrin having Loop’s wish actually helped guide Vaugarde’s wishes into an easier path which allowed them beat the King easier <3. Without Loop’s wish, it would have been impossible for Siffrin to actually progress and get out of the loops alive. Lol. ANYWAY, this is all to say, I do think the Universe is a separate entity to the Players BUT by virtue of how the Players interact with Siffrin I would say we are part of the universe via proxy measures. :3c

This really got away from me,,, hope this is all good and understandable I had to use a google doc to write this all out,,,,

[thegayloragenda]

Okay I want to put all of my current predictions out here (these are subject to change, of course):

• I think this show is going to get a little more colorful or a little bit more gay with each show because I think she’s running out the clock.

• I am CLOWNING for an eventual pronoun change during surprise songs.

• I think Karlie will probably show up again. And if she shows up for the rep announcement I will die dead.

• I’m also clowning for a rainbow variation of every outfit or perhaps a debutation variation if she plans to drop them together. Maybe a karma outfit. Idk. I don’t really know what is coming next in regard to music or if there will be anything (what if she just went black out for a year and then dropped rep next December 😂).

• I’m split because I think she’s either going to continue this Travis stunt until the Super Bowl or she’ll break up with him while on tour (if it’s real that’s totally fine but the way this relationship has been crammed down our throats gives me the ick so bad). I have no idea how that breakup will go down especially since they’ve made an entire Christmas movie about this relationship.

• I’m still assuming we’ll get a proposal / breakup.

Overall, I don’t think Taylor Swift would pander to this side of the fandom the way she has if she didn’t have a plan to blow everything up. I assume she’s a good person. I assume she’s supportive of the fans who see her. I’ve been in this fandom long enough to know what it looks like when she’s in the closet and when she isn’t. The closet isn’t even glass anymore. The closet is just invisible at this point so if she’s just a straight girl who loves rainbows, she’s absolutely diabolical in the very worst ways.

And before anyone comes for me, yes she can be bi or pan or whatever she wants to be. I don’t care about muses or labels. I notice patterns and I can’t help but connect the dots. I see bi and lesbian dresses and her calling attention to them so that’s where my focus is. I care about freedom for her (whatever that looks like) and I also think some clarity about who she actually is will help a lot of us decide if we want to keep supporting her and giving her our money. I’m placing my bet on her being who I think she is so I’m here to support her until the end of this roller coaster ride.

I will make a post on the final day of this tour but I just want to say this: I have had the TIME OF MY LIFE in this labyrinth. I have made lifelong friends because of this side of the fandom. Thank you to ALL of my friends on here who have followed me and commented on my posts and said such kind things. Thank you to everyone who has messaged me their insights and theories. And finally, thank you to my fans who have messaged me your homophobic, brain-rotted hate comments. Good luck in the aftermath!

And to Taylor (if you ever see this), thank you for keeping my mind so stimulated. I will probably never get dementia because of you. You have been so good for my brain health. Thank you for teaching me about my own history as a queer girlie. Thank you for helping me heal my relationship with my neurodivergent self. Thank you for being the “mother” who saw me when my own mother just talks about how gross and wrong gay people are. Thank you for being kind and strong and brave in the face of shame and fear and danger. Thank you for leading a revolution of New Romantics! No one does it like you, girl. I love you so much. I hope you got a giggle over the chaos and the wrong predictions. I hope this tour brought you joy and hope and peace and healing. I know I haven’t always seen eye to eye with some of your choices, but I do respect you and I do hope the rest of your life is sunshine and rainbows and you get to hug your mom forever and take really long naps with your person after all of this is over. Long live 💜

Update: I do think the election plays a big role in how loud she can be. @casuallycruel131313 pointed this out, too. We’ll get way more once Kamala has been elected! I think Canada shows will be wildddd.

[gece-misin-nesin]

I hope it’s ok if I rant a little about MHA because your post about Endeavor walking free reminded me of how detrimental some of the messages MHA can be. (I’ll try not to write much, feel free to delete this tho!)

It is so frustrating how the story doesn’t linger enough on the weight killing people that have yet to commit a crime, people that are a threat to the status quo, holds.

Sometimes I legit feel insane because people will be saying things like, “He could be a threat, so of course they should kill him.” And then talk about Deku and class 1A “changing the world for the better,” when the series doesn’t care to unpack its systematic issues past individual issues + the series essentially maintained the system that failed so many—resorting to reforms and expanding programs doesn’t actually solve the problem imo.

And it’s so hard nowadays to even try to have a conversation that entails criticism of the story, when so many fans fall for the condescending righteousness the story feeds as a response just because it came from heroes. Even though the story itself presents reasons why we shouldn’t blindly trust heroes (Endeavor literally right there) 🤦

Like, the story presents characters being oppressed and the ultimate response to their plight is constantly, “Just be a better victim.” The whole situation with Touya and Endeavor + what Deku says to Touya, is absolutely insane to me.

It made me sick to see people saying, “This is what Touya always wanted.” This is what people are taking away from the story, when many people who grew up being abused and didn’t fit the “perfect victim” criteria will tell you how fucked up that ending was.

Anyway, sorry for ranting. It’s so hard to find people who understands criticism in the MHA fandom 😭 The story has a lot of good points and potential, Hori just couldn’t handle it properly.

I am ALWAYS happy to listen to bnha rants!! I devour the bnha critical tag like a wild beast lmaoo

As for your thoughts, 100% agree. I feel like a big part of the problem is that the story spends so much time setting up systematic issues and then just..drops them? Acts like they don't exist? And instead it redirects all blame and reason to indovidual problems, like Endeavor for example. Touya became a villain because of Endeavor..but the conditions under which he became a villain could have been massively prevented if the ranking system didn't exist and if so much value hadn't been placed on it. Or if the wealth and privilege that being a hero had brought to Endeavor hadn't let people turn a blind eye to his bullshit. Because are you really telling NO ONE had even an inclination that something was wrong in that household? Really?

This also applies to Tomura. In the beginning The Walk where he spent some amount of time on the streets without anyone helping him seemed very important to his backstory. He didn't become a villain just because his father was a pos, he becane a villain because the state of heroism led to a society that glorified heroes to such an extent that people didn't help a bloody kid on the street because a 'hero would'. But instead most of his memories Deku interferes w are about the Shimura household instead of the very important bystander syndrome. And THEN to top it all off, we learn the stupid 'AFO orchestrated Tomura's whole life' thing. I cannot find the right words to express just how much I loathe that.

Anyway, Touya and Tenko are just two examples. Overall, the story chooses to resolve individual problems (and how well even those are resolved is certainly debatable) and frame them as the leading causes of villainy when its mostly systemic issues that cause it and then act like there were no systemic issues in the first place. I mean, literally no one has a problem with the HPSC casually having private assassins to commit extrajudicial murder, so. Guess Nagant should have just been "optimistic" and waited for someone to, idk, topple the literal government.

[mama-qwerty]

I debated making this post for a long time. Something's been eating at me for a while, and I couldn't figure out what until very recently.

So I haven't felt inspired to really work on my writing for weeks. The hate and anger being spewed toward the SCU in general, and the Knuckles series in particular, has really affected me more than I thought it did.

I came into the Sonic fandom by way of the movies. I love that universe, I love the characters, Knuckles being my favorite. My writing is primarily for the movieverse. That's what I'm comfortable with, and what interests me to really dig into.

Yes, I love game Knux. I've written some stuff for him, and that's great. He's fun to play with, too. But the SCU is where I 'live'.

I know the series is extremely polarizing. You either like it or hate it, and I get that it won't be everyone's cup of tea. I get that they did some things in it that were odd and didn't make much sense. I would have handled some things differently, too. It wasn't without its flaws.

But overall I found it a fun ride, and took it for what it was intended as - bonus content that likely won't have that much sway over anything upcoming in the movies. Not everyone will be able to see the show, after all, so they can't drop any major lore or additional stuff that's need to know for the rest of the verse.

I've seen more than one person claim that they hated the show so much they now hate the SCU in general. That Knuckles' portrayal was so different from what they were expecting, they're hurt and sad and angry about it. Totally get that. They feel betrayed. Understandable.

But what I'm feeling now is also a form of betrayal, because I felt accepted and welcomed into the Sonic fandom, and now that the SCU is viewed with such disgust and anger, moreso than before, I feel judged for enjoying it. I feel hurt and sad and angry that people are being so down on and dismissive of SCU Knux, a Knuckles I absolutely adore, simply because he's not being portrayed like he is in the games or other media.

Like someone came into a secret place I felt most safe and comfortable, took a look at something that made me happy, and sneered with a "You like that?"

I don't know where I'm going with this. I'm in no way policing what people can talk about, or saying they can't hate something I enjoy. I'm not saying they're not entitled to voice their opinion on something. They're as free to talk about it as I am.

But I'd be lying if I said this didn't bother me. More than I thought it would.

Maybe I'm being too thin-skinned, or over sensitive. Maybe I'm just sick of all the hate thrown around in general. Maybe I'm hoping that giving 'voice' to how I'm feeling will help me work through it and feel better.

All I know is that I'm feeling uncomfortable really engaging with a lot of the fandom right now, and it's making me really sad.

[wihellib]

I wanted to talk a bit about the Comiket Popularity Vote. The full list can be found here.

Levi was voted as #1 with almost 1500 votes above the 2nd place Beel. He wouldn’t have been my pick, but this result doesn’t really surprise me. His character archetype is very popular in Japan.

Satan being third is interesting simply because he is usually so dominant whenever the polls are conducted here on tumblr. But it just goes to show you that different fandom spaces can have very different opinions on characters.

I am surprised that Belphie is behind Michael, seeing as he is a King and I really thought all the Kings would have top ranks, but Michael managed to sneak himself in there. Well, he is very pretty. Good for him.

Then, Zagan was 8th and had the top spot of all the lower ranks. This came of nowhere for me. I am very neutral on Zagan. I can see his appeal but not so much that it’s above literally every other lower rank as well as L characters like Gabriel and Raphael. I am very curious about what makes him so attractive to the fans at Comiket.

The results seem to mostly follow the pattern of: more screen time = a higher spot. Not totally though, there are some outliers. Astaroth being so high up is odd, since we haven’t seen him in the main story and only minimally in events.

Belial and Stolas’ positions are also odd for the inverse reason. We’ve seen them quite a lot, Belial is even in the main story and has an H scene, but they are in the bottom 3. I am curious about the reason for their dislike.

Now, the fact that you could vote multiple times for the same guy skewed the results a bunch I’m sure. I would have liked to see the breakdown of single votes only and how that would have changed the placements.

I really hope they’ll do more more polls like this, but open it up to everyone who plays the game. Other gacha games have an announcement in game that they’re having a survey, and you can click a link that takes you to a website where you can give your opinions to specific questions. There’s no reason WHB can’t do this.

Everyone who is a fan of the game should get a voice in which lower rank demon will get an L card, not just a specific group of people.

The most fair (and comprehensive) way to do this would be a ranked choice poll. You choose your top three S and/or A+ rank demons, where 1st gets 3 points, 2nd gets 2 Points, and 3rd gets 1 point. Adding up all the points, whoever has the most will be people’s overall most wanted.

[suffersinfandom]

I don't care when people have takes that don't agree with mine or love characters that I don't. What does get under my skin is when people are smug and self-congratulatory about a take that's just wrong.

"The story of the show in season one was that it was a bunch of people with conflicting personalities shoved onto a boat together."

The story has always centered Stede, Ed, and their relationship. The initial idea of it came from the fruitiness of historical Stede Bonnet and Blackbeard's whole situation, and David Jenkins always meant for it to be a romance about those two guys. (He talks about it in this interview. The romance wasn't added partway through filming, it was changed because of the way Rhys and Taika played it.)

"Season two of OFMD was an ensemble show and season two wasn't."

OFMD was never an ensemble show. Stede and Ed are the primary characters and everyone else, however much we love them, is secondary. Even Jim, the only other character who gets a flashback and a through-line in season one, is a supporting character. And their story is fantastic! It's about finding a place where you can be who you are, learning who you are beyond assigned roles, and finding belonging and family -- and that's also what our A-plot is about. Jim's story supports the main story.

The crew does have considerably more screen time in season one, and that's because season one has more time. I truly, sincerely wish that season two had the space to feature the crew the way season one did because I love almost all of them and wanted more of them. I think that the crew's relative absence in season two is, overall, to the show's detriment.

But let's think, just for a second, about why there was less time devoted to the crew in a season that was much shorter. If the crew's storyline was the main one and if all characters were equally important, why did David choose to spend the time he had focusing on Ed, Stede, and their relationship? Is it because he lost the plot of his own show?

No.

Season two is shorter. Cuts had to be made, so David cut back on the crew's stories and kept the main story -- the Gentlebeard story -- intact. A writer does not sacrifice their primary story for subplots. When you show me that season two has more Gentlebeard per episode, you're not proving that the nature or focus of the show changed. You're underscoring the importance of the story that has always been the show's center.

If you liked the show better when it had more time to commit to the supporting cast, that's okay. I sincerely don't mind that some people liked season two less because it was heavier on the Gentlebeard. I just don't understand why it's so important to downplay the importance of Ed and Stede in the first season. OFMD has always been their show, and insisting that that's not true is bonkers to me.

Literally no one is saying that Ed and Stede should be the only characters onscreen. No one who loves Gentlebeard hates the crew; I'm deep into Gentlebeardie tumblr and there's tons of love for every single character (with maybe one exception). No one is saying that Ed did nothing wrong or Izzy is the devil incarnate or time given to characters who aren't Stede and Ed is time wasted.

There is a right answer when we're talking about what OFMD is about and who the main characters are.

Also: anyone who's still struggling to understand Anne and Mary's importance should read this. Atticus wrote a lovely and concise essay that ought to clear everything up.

Also also: anyone who harasses people, anonymously or not, is the worst kind of fan. There are no fandom opinions that warrant racism, transphobia, homophobia, doxxing, etc.

[oreo-oro-orero]

Ekko and Mel are really stuck between a rock in a hard place when it comes to how they're perceived by the fandom.

The grievances that black Arcane Fans have with how Ekko and Mel are and were treated by the fandom will either never fully be understood or outright ignored by non black sections of the fandom. I think a reason for this is because Arcane as a setting is very much a broad look at class disparities, it's something everybody regardless of race or ethnicity can relate too and that's great in its own right because it does allow for more general discussions about the show but I think that because it's so broad that when POC fans start to point out things they may not like or problems they have with this depiction they often get ignored because of the general setting.

Ekko and Mel already have a hurdle to cross just by being black characters in general but I think because of the setting and because of their roles within the story that this is sorta amplified. Bad faith interpretations, cruel headcannons, like the fact that people unironically think that Ekko is "getting in the way" of Zaun's independence I think shows how far the plot has been lost (this is prevalent on reddit mostly tbf).

Ekko and Mel also committed the cardinal sin when it comes to being a black character which is getting in the way of a ship between two white characters. Mel is just either outright ignored or demonized to the fullest degree. I mean the way she talked about you would think she is the main villain of the show. Ekko on the other hand while not forgotten is still met with a level of disdain and look I get it, if you had a ship you really liked and another ship comes along and not only starts to get popular but also have the slim chance of becoming canon I get how you can get defensive over your personal ship but commenting on Timebomb ship art and post with counter ships or how it "will never happen" is just rude and uncalled for and it's not even like Timebomb is a new thing, it's been a thing since Ekko's release and maybe it's just me but the fact that Jinx has like five other ships but the one where she happens to be shipped with a black character is also the one that seems to get the brunt of the ire does make me side eye a bit.

Overall this was just a little rant I had in my head for a while now and I know at the end of the day all of this probably isn't as serious as I'm making it out to be but look I just really like Ekko and Mel okay😭

[utilitycaster]

Do you get the impression CR has been subtly trying to tamp down speculation C3 is the last campaign lately?

No, I do not.

I'm guessing this was prompted by the WE'RE JUST GETTING STARTED video but that just tells us that they have ongoing production plans going into 2025, which, we knew, because if nothing else the Mighty Nein animated series is still in production. They will still exist as a production company that puts out new stuff long after they stop running longform campaigns.

I want to stress that what I'm about to say is not directed specifically at you but at the fandom at large based on some patterns I've seen - this ask felt like a good opportunity to do so because it touches on some of those patterns but please understand I'm not holding you accountable for all of this; I just use anon asks as this sort of jumping off point sometimes.

I think the cast overall cares WAYYYYYYY less about what the fandom is doing and saying than much of the fandom thinks they do. I think most of them are barely aware of what the fandom is doing and saying. When they do know and care, they are not shy about saying when they think the fandom did something they think is obnoxious (Bowlgate freakouts, sharing Braius's original backstory, thinking Orym or Ashton should have stopped Laudna; or on a more serious level, Liam and Marisha both did a lot of damage control after Molly's death when people were being hostile towards Matt and Ashly Burch and told those people to cut it out and be nice to their guests.)

I've gotten a few questions about whether I think C3 is the last campaign, and my genuine answer is I feel less certain it is than I was before, but as I have zero insight into the CR cast's discussions or priorities or production plans, this means literally nothing, because I was guessing wildly then and I'm guessing wildly now. (I'm pretty solid on making narratively-based guesses but that goes out the window when it comes to production decisions). But also I saw a poll yesterday on whether this is the last campaign, and like. Look. Someone asked me towards the end of Campaign 2 if this was the end of Campaign 2 and I was like "Surely not! We still have Molaesmyr!" and then Campaign 2 ended like 3 episodes later. It's normal and understandable to try to say "but we'll get more, right? RIGHT?" and I've done so myself, but that poll could get a 100% response rate of "OF COURSE THERE'S A CAMPAIGN 4!" and then 5 months from now we could get an announcement that C3 was the last longform campaign, because no one answering that poll knows the answer. It's very normal to want an answer and to hope for more campaigns - I would be thrilled with a Campaign 4 - but literally we don't know. It's entirely possible the cast is still deciding; and if they have, this is probably information that only the company and like, their immediate circle of friends know, if that.

It's literally impossible to shut down speculation, and even subtle attempts to do so are likely to backfire. Without going on a rant about one of my most deeply felt subjects, while fandom is a great place in which I've met many wonderful people, it is also fertile breeding grounds for conspiracy theories, a thing I loathe with every fiber of my being. Again, I think that the cast could run a QA panel in which every single cast member said in unison "The canon ships in TLOVM are Vax and Keyleth; Vex and Percy; and Pike and Scanlan" and someone would be like "well, I saw Taliesin in the bathroom two hours later and he took precisely 47 seconds to wash his hands and from this I can conclude PERCY AND VAX REAL." And from what I understand regarding anime fandom it's about a million times worse, which is to say, I think the cast knows that and knows to just not bring up a Campaign 4 until they're good and ready and to let the fandom do what they will.

tl;dr the cast cares way less about what any of us think than many of us think; you will almost certainly not find out if there's a campaign 4 and what system it is in until the cast announces it; and the thing about wild speculation is that there exist people who will straight up ignore direct unambiguous statements in order to persist in their own personal alternate reality.

[ficks-of-fancy2]

MHA is a nightmare and my personal punching bag

A lot of people like to say that MHA is bad. But a large sum of the fandom has largely ignored the actually problems with the story and characters as a whole. The problems that have been applauded despite the gaping flaws. So let's discus.

Where do I start? My Hero Academia is the single most horrible show I have watched for some time. It's good points are far and few between the shit show of it's story and characters. So it's small problems first. It's over sexualizaton of it the teens in it's cast is just abhorrent and I hold similar sentiments for the fandom in some cases. The villains frankly get too much attention, with one crazy man's ideology pulling all the weight of their missguided motive. Or everything being a direct result of one delusional man's puppeteering. Not to mention the overall demonization of mental illness and inherently flawed take of forgiving your abusers.

Midoriya and All Might is a toxic relationship. Sorry about the whiplash, allow me to explain. From the start we get to see Midoriya as a victim of Bakugo's almost constant abuse, but also his love of All Might. The idyllic and 'perfect' hero he aspires to be and is convenient to. Izuku Midoriya is All Might's convenient child because Midoriya is too blinded by his idol worship to see that All Might is using him to continue his battles, slowly grooming Midoriya into the next him. All Might is the last oasis in the desert of his life and Midoriya has none of the tools necessary to leave, All Might wont let him leave. And he goes unchallenged by the story for lifting up Midoriya's suicidal tendencies by preying on his need for validation through action. All Might is using Midoriya to desperately cling to his golden years and that is actively detrimental to Midoriya's growth as a character.

If I may compare Izuku to another similar character, and I shall. Mahiru Shirota is one of the protagonists of Servamp, a character driven manga about servant vampires or Servamps and their masters or Eves. Mahiru is the eve of sloth, his Servamp, Kuro or Sleepy Ash. Mahiru at the start of the story is almost identical to Midoriya through out mha, Mahiru is a convenient child for everyone in the story. He doesn't voice his objection or opinions beyond what you would expect from a kid like him. He aims to please and is almost suicidal in his pursuit of validation. But were Midoriya stagnates, Mahiru blooms, he grows to be more selfish and loving thanks to the logical end point of that stagnant arc, Kuro. Kuro was killed by sloth, his willingness to take the blame for a crime he didn't commit for the sake of his village. His selflessness and the inherent selfish need of external validation was no different than suicide. But were Kuro and Mahiru grow, Midoriya just doesn't, he rots on the vine and fails to become anything. His lack of growth makes him come off as winey and pathetic or just boring because he doesn't change for the better. His stint of vigilantism is just every adult in his life telling him that sacrificing himself is how he will atone for his inherited burden. For the sin of All Might's sloth for what Yagi and the other holders allowed to fester in the dark.

Bakugo Katsuki is... a good premise with bad execution. Bakugo's entire arc is learning to not be a fucking asshole, simple in premise and absolute horse shit in execution. From the word go, Bakugo is shown to be an abuser. Midoriya's abuser to be precise. Going so far as to actively tell Midoriya to kill himself. Now, Bakugo's abuse is born from a place of projection, Bakugo is a narcissist, not in the traditional sense, but more in a way that makes him unable to empathize with positive emotion in relation to himself and others. He is the center of the world, but at the same time he thinks of himself as worthless without his strength, unable to exist with the knowledge that he isn't the best of the best. Bakugo's arc ends far too late. Bakugo's arc should had started after the sports festival at his interaction with Best Jeanist leading to an apology tour and ended during the culture festival, his payoff during the fight against AFO Shigaraki and the vigilante Deku arc. Bonus points if Midoriya doesn't forgive him at first, leading to Bakugo working to regain that trust in more tangible ways. Have Bakugo seek towards empathy.

Ochako Uraraka isn't a character, not a well made one at least. To be fair this is something most of the cast suffers from. If it isn't the main protagonists or antagonists, the writer doesn't care. Uraraka is just the love interest without any depth of character beyond that. People like to pretend there is more going on, but I just don't see it. All of her 'growth' is motivated by her obsessive and honestly one sided love for Midoriya, a love that is only returned when Midoriya and she are looking for something to fill the void. It's toxic and terribly familiar to his and All Might's relationship. Midoriya is constantly put into the role of savior to all of these characters that don't in turn assist in his growth.

Speaking of Midoriya's role of savior, we have finally arrived at the L.O.V. The League of Villains is a good premise for an exploration of the inner politics of a world where 20% of the world lacks a unique superpower (that's still a lot BTW). Or to dive into the segregation of those with detrimental, uncontrollable, or 'villainous' quirks. The bigotry towards mutagenic quirks. Or an actual exploration of the inherent flaws of a society that has put a price tag on altruism, something more than senseless slaughter spearheaded by manchilds and mass murderers. The L.O.V deserved to be something more than the flawed argument of some fanatical lack of worthiness and some vague notion that rebellion against a already broken system is a problem. It's stupid, The League of Villains had potential to be actually interesting, but it was made into anarchy for the sake of it never even attempting to offer a solution to a system broken for those already in power.

Yet somehow we have missed the biggest point of what a hero is. A hero is a person who does what they can to save people who are hurt, broken, or lost. Even when they are the 'villains' or more plainly the mentally ill and those rejected by society. Somehow we have forgotten or ignored all of the Wake the Deads, the For the Man Who Has Everythings, the Flash And Substances, and the Epilogues. All the stories that told us that sometimes the best thing to do is be there for people. Being a hero isn't about fighting. It's just about being there. For the people, all of the people. But also understanding that some people can't be helped. People like Baby Doll and Shigaraki, Dabi and All For One, people too far gone or too hurt to help. Toga and Twice just needed help they weren't given. It is what was born of the legacy of All Might, peace and complacency, a smile hiding everyone else's tears. Every single crime committed by Shigaraki and the L.O.V is the direct fault of All Might. Because he refused to see the people he was fighting as what they were. Evil is often relative because to an ant a boot is evil. Rarely in the world does true evil exist and often it is taught or held in those who believe themselves without betters or equals.

[kukekakuningaskris]

SSOL, Bojan, and wishful thinking

aka thoughts on Sunny Side of London and a different view than what the band paints it as - a long ramble that resembles an analysis.

So SSOL has been described by the band as a song that captures and describes their concerts, and that the Sunny Side of London is not a real, physical space and rather something that represents their fandom as well as their concerts. Thus it is seen as a fun upbeat song, meant to raise your mood and feel included in something - to feel as if you are part of something fun. I, however, have a different interpretation of the lyrics.

Since London is known for its bad weather and rain, the title Sunny Side of London feels like it is referencing something that doesn't exist. Something you dream of and wish for, but don't actually have. In this regard, the lyrics are wishful. The lyrics wish for a place in which everyone can be as free as a dove, in which your money, sexuality, gender, skin colour or religion don't matter. Wishing for equality and for a place in which all that matters is your happiness and love for others. Looking at this from the perspective of a wishful dream, the lyrics turn sombre, as if painfully aware that this is not real and the place they yearn for does not exist. The lyrics wish for a sunny London and a beautiful day. But only wish, because it is not real, and is impossible to achieve. Or, like a sunny day in London, could be achieved for just small moments before it's all gone again, and what's left is a depressing and unaccepting place,in which you are not free. A representation of reality.

Additionally, the lyrics are often read and understood as being about the audience the band has - the fans that come to their shows. However, I think that the lyrics are about Bojan himself, much like Barve Oceana is written about himself. In 2021, Bojan said that during their concerts he is free as a bird because he is surrounded by friends who know him well, so he doesn't have to be ashamed of anything. This correlates to the lyrics of SSOL that are about hugging your best friend, being as free as a dove, and nothing except happiness and love mattering. In the same interview he said that when he is on stage he never feels like he doesn't belong or that he doesn't know what he is doing there. That is to say, the stage was a safe place for him - his own sunny side of London.

When looking at the recently shared image of the early version of SSOL lyrics, it seems like Bojan himself is even more present in the song than in the final lyrics. Overall, these lyrics are more personal to the band. The earlier version uses a lot of 'we' and 'us', while the published lyrics only use 'you'. This shows that while the finished song is aimed toward the listener, the first versions also included the band itself in the people who were at the sunny side of London. With lines like "It's a place for people like me and you / So if you feel like joining us too" it is clear that this is Bojan himself speaking, and he is also looking for the sunny side of London.

This takes a more depressing turn when considering when the lyrics were written. The song was written in August of 2023, less than a month after the concert during which Bojan suffered a panic attack. He has later said that since the incident the stage hasn't felt as comfortable to him, and that he has lost his safe space. Paired with the idea of the sunny side of London being something unreachable and wishful thinking, it seems as if the lyrics are mourning the loss of the safe space Bojan had. The lyrics are hopeful, aggressively so, as if trying to find a place of freedom while knowing that it is just a dream, and that the reality is much harsher. It seems like Bojan was trying to dream up a place in which he would feel safe and accepted, since in reality he had lost that.

In conclusion, reading the lyrics of the song as if the sunny side of London was something that didn't exist, the lyrics seem depressing, as if knowing such a good and accepting place could never exist. It also reveals Bojan's struggle with trying to feel comfortable on a stage again, since the lyrics seem to be for (if not about) himself.