#there are times when I just feel so lonely

[yieldtotemptation]

PAROXYSM ft. Mina

mina x male reader smut

part two of strange currencies

16k words

Go ahead, try and pretend like you’re not obsessed.

Like you’re not bothered that it’s been weeks since you had Mina—felt the heat of her body, the silk of her skin, the sweetness of her breath on your neck.

Since you've seen that ass. Had it in your hands, spread her cheeks with your fingers, stretched her wide with your cock and left Mina in tears, crying out—

"God, I can never go back from this."

And it’s not like you haven’t been searching for opportunities; a party you’d both be invited to, another gala, some event with enough plausible deniability for when you inevitably, ‘accidentally’ bump into her again.

But for some reason, nothing seems to align.

You’ll get word that she’s in Korea, basking in a rare stretch of free time, while you’re in Hong Kong, signing deals and making promises of dubious sincerity.

You’ll be rushing to return, already planning out how you’ll steal another taste of her, another touch; only to find out she’s been whisked away again—to Japan, or Brazil, or any one of the countless countries desperate to host her.

Glimpses is all you ever truly get—paparazzi shots, magazine covers, the odd video that passes through the digital ether.

So, yeah.

You let it rest, go through the motions, try to recreate it in the aggregate. There are plenty of pretty faces, eager bodies in your orbit.

But they're all just that: bodies.

Empty shells of what you had. They don’t laugh like her, they don’t keep you on your toes like she can, they don’t look at you with the same hunger.

(They don’t say your name like Mina did.)

—

“So,” is the first word you hear from Mina. Too much time has passed, and you’ve officially given up on any pretences of nonchalance. Decided to get straight to the point with the right people and just get her number. “I guess I’m not the only one who can’t stop thinking about that night.”

“Uncharted territory and all,” you’re repeating, and there’s a beat of silence on the other line.

A deep breath, and you swear you can hear her smile. “Definitely unique.”

It’s well past midnight and you’re tired and you’re feeling unusually vulnerable, so you're admitting things you'd usually keep under lock and key. “It’s been—you’ve been stuck in my head, Mina.”

“I know the feeling,” she sighs. Just the timbre of her voice and there’s shivers down your spine. “The memory alone is still—”

You finish for her, “Vivid.”

“I was going to say really fucking hot, but yes,” she laughs. “It’s helped me through some lonely nights. Remembering how you felt inside me, everything we did together it’s—God, you have no idea.”

“I’d argue I have the entire idea. For one—the stairs,” you’re supplying, grinning to yourself, leaning back in your chair, remembering the way she clung to you. How tight she was around you, how fucking new she felt as you filled her. “You were so fucking gorgeous. Never felt anything like it.”

“And the shower,” she counters, “you had me pinned against the tiles. Couldn’t move without you fucking me deeper. Just stuck with nowhere to go but further down your cock. No one’s ever done that to me.”

“Don’t forget the kitchen,” you add, “We got pretty creative with the utensils.”

Mina giggles. You didn't know she was capable of sounding so girlish. “I’ll never look at a spatula the same.”

It’s getting dangerous, each memory rekindling the flame of a night that you’d tried to convince yourself couldn’t have been as epic as you remembered. Couldn’t have mattered so much.

And yet here you are now, letting Mina stir up thoughts of her cunt gushing down her thighs, her nipples stiffening between your teeth, her ass choking your cock, the look on her face when she came all over you—and you know she’s wading through the very same set of flashbacks.

“Every time I close my eyes, I’m back in that garden. Your hands are all over me, your mouth everywhere—”

“Your cunt on my tongue—”

“Your fingers in my ass—”

“Your fucking moans, Mina—”

“Wait, I need to—”

Mina stops you, and you find yourself releasing a breath you didn't even know you were holding. You think you can hear her; hear the shutting of a door, a lock turning, frantic pacing, the squeak of a bed.

Your eyes close and you're picturing it now—Mina, laid back on pure white sheets, sprawled out like a Goddess. It's all there, crystal clear. Fingers dancing over her collarbones, tracing the delicate line of her neck down to the swell of her breasts.

Teasing herself, running her thumbs over her areola, the skin there a shade darker, a touch more sensitive. Pinching and pulling, peaks hardening into tight buds, missing the roughness of your tongue.

And then going lower, down over her ridged abs and between her toned thighs. Spreading her legs out in an invitation, toes curling into the mattress. Finding herself slick with need, so, so soaked. Dipping down to trace over her folds before sliding right into the wet heat.

Mina gasps. It's not your imagination. She moans into the phone.

You can almost taste her again.

She finds her voice. "Please, keep talking."

—

The first photo comes through the very next day.

You can intuit from the architecture in the background—the steep roofs, the brick exteriors, the gothic towers—she’s somewhere in Paris.

And there’s Mina, flat on her stomach, sheets tangled around her like the aftermath of a hurricane that’s swept through. Smiling at you straight down the barrel of the camera, cutting through the digital space between you. It’s sly and knowing and a little bit wicked, because she knows that it’s not the view of the city behind her that you’re looking at, nor is it even her face, usually so stunningly unavoidable and instantly captivating.

It's her ass.

Plump and round, poking over her shoulder, filling a whole corner of the frame. And you're spotting the indentations where your fingers have sunk in, the stretch of alabaster that your grip turned a shade of pink. A map of memories etched across the curve of her cheeks.

It’s a thousand words in a single photo, a message loud and clear, carefully composed to make you ache. So, you do. You ache.

You save the picture—not because you think you’re going to forget, but because you need to have a piece of her with you at all times.

Something to pull out when the days are too long, too dull. Something to look at when your memories of her aren’t enough anymore.

The photo, you notice, comes with a caption: ‘The only thing missing here is you.’

—

“Stability,” Mina’s telling you nights later, after you’ve spent close to an hour describing to her all the ways you’d like to have her again, like to break her down until she’s just a trembling mess of limbs and cum.

It’s a habit the two of you have picked up; these clandestine calls that come in the dead of night, during those rare occasions you’re in a reasonable enough time zone to talk. You’re actually in the same country this time. The States, but on different coasts, so, close enough.

She’s sending these breathy whispers down the phone; still coming down from her high, from the way her thighs clenched around her own hand, from the way she painted your name onto her skin with her own juices.

Still coming down from you, from the meticulously detailed step-by-step explanations of exactly what you’d do to her if you weren’t thousands of kilometres apart.

“Stability,” you repeat the answer she’s given to the question that’s been burning in your mind for weeks now. It’s certainly a faux pas to ask right after she’s made you cum across your own chest; but it’s late, and tonight’s suite is far too big and much too quiet—the kind of quiet that lets you think too much.

And so you had to ask her. Why was she still with him?

“That’s it?”

“That’s it,” Mina confirms. “I like stability, I like routine, I like knowing what to expect. Means I can never be disappointed.”

“Never be surprised, either,” you point out. She laughs, the sound warm and rich through the speaker.

“That’s never really been a problem.” She pauses. “Until you.”

There’s an alarm bell sounding somewhere, triggered by the way that last syllable curls around the corners of her lips, bounces across fifty different states to land in your ear.

You.

It rattles around your brain, punches you right in the gut. You try to play it off with a chuckle. But you both know what this really is. The desperation, the need. What you do to each other. How much of a fucking mess you’d make together if you had half the chance.

You make an attempt at being casual: “Apologies, then.”

“You kinda fuck everything up for me, you know?” She admits. “I was fine with it all. Leaving all of this as just a fantasy. Living with the boredom.”

“Everything’s boring.”

“Except this.”

You should really be above all this. The pining, the yearning. Having a crush.

It’s unbecoming.

Leave her alone. Leave her to the dream life she’s built up for herself. The career, the boyfriend, the whole shiny package that everyone’s decided she should want. It’d be the rational thing to do.

And yet— “So, what are we going to do about it?”

“I suppose,” Mina says, and once again, you're swearing you can hear her smile through the phone, because this is far from the end of things, “We’ll just have to find some way to scratch this itch.”

—

(It’s an outrageous abuse of power.

But so what? You’re an asshole billionaire, that’s what everyone expects of you anyway.

Besides, compared to your peers, it falls far short of bankrupting entire economies or causing irreparable damage to the Earth’s oceans and atmosphere.

So why not go full tilt and really indulge?

That’s basically the gist of your justification for forcing fate’s hand and manifesting your own ‘accidental’ meeting with Mina.

Still. It’s only a meeting.)

—

“Quite a situation you’ve engineered here,” is Mina’s first quip, as she steps right out of your daydreams and into your office.

Oh, you’ve been thinking of her.

Spent time replaying that night in your mind, revisiting the sight of her bouncing on that staircase, the feel of her soft skin slapping against yours, the sound of her sighs in your ears.

Obsessed over the messages, the photos, the videos she’s sent—how she moves, that coy smile on her face when she knows she’s got your full attention in her grip. All these mesmerising moments captured in high-definition.

And it’s coming back to you now—the waterfall of hair cascading down her shoulders, the red of her lips, the beauty spot on her nose, above her cupid’s bow—a constellation across her face.

(She makes your office feel small.)

“Don’t know what you’re talking about,” you say, aiming for flippant, but missing the mark by a wide margin.

“Mhm,” is all you’re going to get, because you both know better.

She makes herself at home here, taking the long way to your desk. Hips swaying as she runs her fingers over the décor, the lights and the statues, the books and the furniture. Again, fitting right in with the expensive, the luxurious, the exclusive.

You’re not hiding that you’re staring, and she’s not hiding that she knows either.

Mina walks right past you, turns away so you can see the full sweep of her back, the high-waisted skirt that hugs her curves before flaring out at the waist. Eventually, she stops at the floor-to-ceiling window that overlooks the city, the urban sprawl below a far cry from the palatial gardens that backdropped your first encounter.

The sun’s setting overhead. It casts a warm glow over her. Outlines her figure in gold.

You break the silence, "Heard the photoshoot went well."

“Well, you get what you pay for,” is Mina’s second quip of the afternoon. She turns back to face you, leaning against the window frame, a perfect silhouette.

You can almost hear the glass tremble.

Mina asks, offhandedly, “You’ll have to enlighten me—is it standard practice for visitor passes to have access to every floor in the tower?”

“Security must be lacking.”

“Right,” Mina says. “And is it normal in your line of work, for the CEO to handpick the brand ambassadors?”

You shrug. “I like to get my hands dirty.”

“If that’s what they’re calling it,” she responds, smiling now. Pushing herself off the glass and taking a dangerous step forward.

“We were looking to appeal to our Japanese market,” you say, repeating the same lines you fed to your team, to her management, to anyone who bothered to raise an eyebrow. It’s a good lie. “Needed someone refined, someone that depicted class. Aspirational.”

Mina takes another step forward. Heels that make her legs look endless hitting the polished flooring with a click. "So that's how you see me, then."

"Amongst other, less appropriate things," you admit, already completely, hopelessly captivated.

"Let me guess: Stunning?"

"That's one."

“Fuckable.”

“Absolutely.”

“Submissive?”

“Are you asking, or telling me?”

Mina’s eyes dazzle as she closes the distance, rounding your desk and stopping just short of your chair. She waits for you to swivel and face her.

And then she leans forward, so close. Nose brushing yours, breath warm and sweet and familiar. Her hands land on your thighs, pushing your legs apart.

She drops to her knees.

“Telling.”

You can’t help yourself, you press your thumb to her lips, stamping it crimson.

It’s a wicked thing, how Mina’s bottom lip dips, how her tongue snakes out to lick the pad of your thumb clean. You push in deeper, watching as she takes you into her mouth, seals her lips around you and sucks.

How she’s looking at you now—building up this image of Mina; kneeling, the skirt riding up, her panties soaked with anticipation. Dressed like this is just another business meeting—masked in a high neckline and a smile so perfect against your skin.

That's today's game. Dress up.

Professionalism went out the window the moment she walked in—it barely crosses your mind to wonder whether or not she locked the door. You don’t even care.

Mina stops her little show, thumb pops out of her mouth with a wet sound, leaving a smear of red behind. There’s something about Mina, something that can’t be intuited unless she’s right in front of you, inhaling your exhales, smiling up at you like you're the only person in the entire world that matters.

It's like magic—makes everything and everyone else feel like a figment of your imagination.

“You forgot to mention a few other things,” Mina breathes on you, low and warm, priming you for a punchline that you know will send you reeling.

“Like what?”

“Oh, you know,” and she starts unbuttoning her blouse, reaching for the top button then— “How utterly,”

Then the next button.

“Desperately,”

More still.

“Needy,”

All of them.

“I am for your wonderful, perfect cock.”

The blouse opens up, falls away, drifts off her shoulders until it’s blood-red lace and vanilla-white skin.

Fuck.

(Mina’s not from this world, no fucking way. Definitely not human; jury’s out on if she’s some kind of Goddess. Probably something in between, come down from some place where the air is thinner and the lights are brighter.)

Your mouth is dry. “I could never forget.”

Mina’s eyes crinkle at the corners. Lips spread wide. She’s kissing your cock through your pants.

It’s electric. A long, teasing press of her lips that winds you so tight that just the slightest touch, just a single word could set you off.

Her teeth graze the fabric. You throb through the cotton.

“Mina,” you manage, hand dropping to the side of her face. There’s a tremor in your voice that you’re not used to, that you can’t even pretend to hide. Mina’s got you in the palm of her hand—or rather, on the edge of her lips—even though she’s the one on her knees.

“Relax,” she coos, holding her lips against you, deft fingers unlatching your belt, finding your zipper. “Let me take care of you. Let me take care of this cock,” honeyed words slipping out with the same ease that tugs you free, “Get my tongue all over it, take it deep down my throat, be such a good little whore for you—until you can’t think of anything but how much you want me to swallow every drop you’ve got for me, baby.”

You swallow, caress her cheek, “Darling—”

“Shh," Mina hushes, taking your cock into her hand, holding it against her cheek. So damn happy to have it so close to her mouth once again. “Everything you said over the phone. All that stuff about fucking my face, leaving a mess, filling up my throat—I want it all. You’re going to give it to me now, please.”

She doesn’t even look up at you, just so focused on your cock. Kissing around the shaft, and then drawing her tongue in one, slow, dragging lick all the way from your base, right to the tip. It’s gentle, careful, exploratory.

Introducing her lips to every inch of skin along your cock, over your balls, taking her time to stain all of you with the sheen of her kisses. Careful, so careful. Meticulous too, deep in concentration that you can almost feel her thoughts, intuit from the pressure of her lips how much this means to her. How much she needs it.

And it’s as her breath warms the head of your cock that you realise you’ve got a stranglehold on the armrest of your chair, holding it so tightly you could snap it in two. Not like there’s any helping it, nothing to do but brace yourself as she opens her mouth, pink tongue peeking out, and licks you again—longer, slower.

Holding still now, cock balanced on her tongue, fixing you with this stare.

A dare.

(Don’t move. Don’t interrupt. Let her do her work.)

That’s when her boyfriend calls.

Sorry, her partner.

A jarring noise, a slap in the face that breaks the spell. Vibrating atop your oak desk, a violent buzzing through the room—once, twice, thrice.

Mina’s eyes flick to yours. A split second, a single thought shared. There’s laughter on her lips because of course, because why the fuck not, because this is definitely your kind of chaos. You nod. You’re both in on the joke.

The phone’s still ringing, ringing, ringing.

And Mina’s mouth is still on you, tongue tickling underneath, lips wrapping around, before taking you in deep. Right as she accepts the call.

“Hmf?”

—

(A good idea to mention this theory you’ve been brewing for a while, the other reason why Mina still hasn’t broken up with boyfriend.

Because of you.

Because of how much fucking hotter it makes her. The thrill, the rush, putting a blemish on an otherwise spotless record.

And maybe you’re just as guilty—because you want to hear her lie to him too.)

—

“Still working,” is Mina’s deadpan over the phone, somehow keeping a straight face despite how full her hands are with you. She even rolls her eyes. “You know how it is—unreasonable CEOs jumping down my throat for no good reason at all.”

This woman.

Churning lies with such ease that you almost feel sorry for the poor, oblivious soul on the other end of the phone. Almost.

But Mina's too good at all of this. Too good at hiding it all. Too good at everything, really—whether it's singing, dancing, kneeling before you, making your cock disappear down her throat.

Just a slight adjustment in posture, and she’s taking you in deeper. A gentle suck, a swirl of her tongue around the ridge—and oh, the way she’s looking at you, eyes up and so damn full of mischief.

She’s fucking loving this. Loving the way you’re watching her, the way your hand finds her hair as she takes you in, the way you’re fighting to keep your composure. Fighting to keep your breath even and calm and to stop yourself from groaning so loud that it won’t just be her boyfriend, but the whole fucking tower that’s going to hear how much of a slut she is for you.

You can still hear his voice coming through—muted, indistinct—like a ghost, haunting the edges of this pornographic scene you’ve painted together. 

Fuck this guy likes to talk.

“Mhm,” is all Mina has to say to keep him convinced, to let him believe that she’s actually invested in whatever the fuck he’s on about. Keeping him none the wiser that her full attention is on you, her mouth moving up and down, her eyes glued to yours, watching every twitch, every drop of pleasure that flits across your face.

She reaches up with her free hand, wrapping it around the base of your cock. Gliding along your shaft in this twisting movement that sets your nerves alight.

Everything’s just so tight—her grip, her throat, your own breath in your chest.

“Mhm,” again, longer, sounding closer and closer to a moan than a casual agreement, but still, she’s playing the part. Barely listening to what he’s saying, because she’s doing this thing with her tongue—right at the tip, flicking it around your slit—that’s making you test the strength of your chair.

There’s temptation here—her mouth so warm, so wet—it would be so easy to grab a fistful of her hair and fuck her mouth like you know she wants. But you keep your cool, keep your hand gentle and steady atop her head, let her dictate the rhythm.

And when you hear the voice over the phone rise, maybe a bit of frustration or concern, maybe the start of something suspicious, Mina shamelessly pops your cock out of your mouth and answers, “Just having a snack. Late lunch break.”

She hits the mute button.

Bows her head deep, savouring each inch as she takes you deeper, making this fucking sound when your cock hits the back of the throat. Wet, gagging, sloppy noises that build this tension right at the base of your spine that leaves you aching, absolutely desperate to just give her more.

She holds herself there, choking so nicely, so sweetly, on your cock. Her eyes start water, it’s an effort to keep them open, but she’s still smiling through it all, just so delighted to finally taste what she’s been dying to have for weeks.

You’re struggling, “Fucking hell, Mina.”

Mina giggles into your cock, vibrating along your shaft. Pulls her head back; just a rope of spit that connects the two of you, glinting under the fluorescent lights. A poke of her tongue has her scooping it all up and slurping it all down, smacking her lips with a satisfied ‘ah’.

She unmutes.

“Sorry, it just tastes really good. Like nothing I’ve had before.”

There’s a confused murmur coming out of the speaker, a perturbed, “Really?”

“Like you wouldn’t believe,” and Mina has the gall to wink at you, the audacity to keep her hand on your cock, stroking it like it’s the most normal thing in the world. All the while she just chats to her boyfriend—partner, again—like you’re not about to cover her face with your entire load.

“Mina,” you let slip when she squeezes too hard, cranes her head to feel the weight of your balls on her tongue. Lapping away, licking and tonguing and teasing, until you’re gritting your teeth, holding back the moan that wants to break free.

The voice at the end of the line crackles, “Who’s that?”

Mina doesn’t miss a beat, “Boss for the day,” presses a wet kiss onto the head of your cock in a futile attempt to still you, “Really pushing me hard, making me work for it, you know?”

The voice relaxes, but not enough. “What’s going on over there? Something doesn’t sound right.”

“Everything’s perfect.” Mina’s just so pleased with herself, tongue dancing up and down, over and around, making the chair creak from the reflexive jerk she forces out of you. “I’m exactly where I need to be.”

“I told you that you shouldn’t do these types of jobs, you should listen to me and—”

“Get on my hands and knees and beg them to let me break the contract?” Mina smirks up at you, lips all smeared and messy with your arousal. “I can handle it” she continues on, dragging her lips to your base so she can slur into your waist, “I’m a professional. This is what I’m built for.”

God, he really doesn't deserve her.

He drops the subject so easily, moving on to talk more about him, about his schedules, his work, his boring fucking existence outside of her. And now you’re both rolling your eyes, sharing this secret, this ridiculousness that’s got you both on the edge of laughter and utter bliss.

Mina ups the ante, mutes her side of the call, and places the phone back on top of the desk.

You cock an eyebrow. “Seriously, him?”

She shakes her head. “No, just you.”

And she shows you, proves her point, because Mina’s not one for half-measures. Holds your cock tightly, strokes it again and again, one after another like it’s counting down to something explosive. Bomb’s ticking: the pressure’s building, the heat is coiling in your balls, but she keeps it steady, keeps it slow, keeps it right on that edge where it’s just enough to keep you there, but not enough to push you over.

“I’m just yours,” Mina hums, licking her swollen lips. “I’m yours to do with as you please, but,” she pauses, so she can jerk you just right, stroking with such finesse that you can't believe she's ever been with someone who didn't appreciate it, "I'm really hoping you let me swallow your cock now."

“You’re too fucking greedy.” 

Mina nods so earnestly.

So you give her what she wants, because what’s the point of playing this game if she isn’t going to win? 

You stroke the back of her head, guide her as she takes you all the way—nose to stomach, swallowing you up like you’re her favourite snack, her favourite secret. Her favourite lie to tell herself.

Fucking ridiculous. Too fucking much.

You lift your hips, leaving her to yank down your pants over your knees and to the ground. The clank of your belt buckle against marble echoes through the room, a starting gun to your undoing.

The phone’s still there, he’s still talking, a vaguely muffled annoyance. Mina doesn't even spare it a glance, just looks up at you, mouth full, eyes declaring:

‘Ignore everything else, just enjoy me.��

Fuck.

Mina’s cheeks hollow, her throat pulses, and gone is the usual effortless grace that she carries through everything she does.

No, she’s all raw, all passion. Sloppy now, greedy, showing you just how much she’s willing to do for you. It’s in the way she’s using her hand to squeeze the base of your shaft, the way she’s bobbing her head faster and faster.

Filling the room with the sounds of her slurps and smacking of her lips; her eyes watering with every deepthroat. Making her mouth this perfect, wet, hot little cave that’s swallowing you whole.

And you’re watching, watching every single move she makes. Unable to do anything else, really. Unable to think, to speak, to do anything but stare at her mouth, her eyes, her hand moving up and down, up and down—stare at Mina giving herself over to you.

“Jesus—fuck—” and there’s your voice back again, so much louder than you intended.

But Mina’s smiling around your cock, eyes still on you, urging you on, putting you under her spell. She’s playing with your balls now, her thumb brushing over the sensitive skin, her nails lightly scraping, and it’s like she’s got every button mapped out, knows exactly how to make you go off the deep end.

"Mina, you're just so," you try, rummaging through your addled mind for the right words to pin on this storm before you, "so fucking good at this," you finally settle on.

Mina's eyes light up, triumphant. Deep pools of brown swirling with all sorts of things—few that can be said out loud and even fewer that should ever be thought—and none of which she gives a flying fuck about.

Your cock slides off her lips long enough for her to slur, "Flattery gets you everywhere, sir."

“Mina.”

She's just so happy with it all—it's a little unsettling. Mina, all elegance and poise, so fucking giddy at the opportunity to debase herself at your feet.

She takes a breath, a real one, not the shallow, desperate ones she’s been taking for the past few minutes, and then she’s diving back down. You can see the determination in the set of her jaw, the way she’s holding herself in place with one hand on your thigh so she can devour you whole. And she’s doing a phenomenal job, really, because your cock’s so hard it’s almost painful, and your thighs are trembling with the effort of keeping still.

But she’s not done yet, Mina’s never done. She reaches behind her, unclips her bra with a flick of her thumb, slipping it off her shoulders—a silent, unnoticed escape.

Perfect little tits, perfect little dusky nipples, peaked and ready for your attention. 

She takes one in her hand, rolls the nub between her fingers, playing with it, plucking it like a guitar string, making it sing. Making sure you’re still looking, while she's still sucking you off with her mouth, still fucking grinning around your cock.

A true masterclass in multitasking.

Her other hand stays on you, working in tandem with her mouth. A stroke for every bob, a squeeze for every moan, and she’s whining into your skin, a muffled—mmph, mmph, mmph—so loving that you know it’s not just for show.

Her hand drops down, slipping between her legs, disappearing into the fabric of her skirt. You can’t quite see it, but you know by her sigh as she leans into your thigh, by the way her other hand pinches her nipple harder, that she’s pressing up and into herself.

The fabric’s too thick to see much, but you can imagine her—fuck, you don’t have to imagine—you can almost feel her, her fingers sliding into her wetness, her palm cupping her mound, her middle finger circling her clit like it’s the head of a tiny drum, matching the same rhythm that’s been driving this whole spectacle.

“Your fucking mouth, Mina.”

The words leave you on a groan, a tightening of your grip on her head as she just plays and plays. Every suck pure heaven, warm, wet, utterly divine; pulling your hips closer and closer off the edge of your seat, until you’re nearly falling down her throat.

But even Mina, for all her skill and polish, can’t hold out forever. The fingers at her cunt, the kneading of her own tits, the gagging around your cock, the oblivious boyfriend still blissfully unaware of the depraved scene unfolding on the other end of the line.

It’s a heady cocktail, and she’s had too much too quickly. Her throat’s tightening around you, rogue tears are sliding down her cheeks, and it’s about time that you both give up on pretence and hurtle straight to the crux of this entire escapade.

You stand, rising to your feet before Mina has you tumbling off your chair, sliding your cock out of her chasing lips.

“Mina,” you breathe, voice full of gravel, heavy.

Mina’s frozen, just staring at your cock dangling above her nose, her mouth open and wet, her big, brown eyes begging for its return to her lips.

“Mina,” you repeat.

“Mmm?”

“I want to fuck your face now.”  

Mina licks her lips. “Want to?”

“I will.”

“Please,” she says, a single word like a hot knife slicing through whatever restraint you have let. And you’re just about to lose it, really fucking lose it because she’s so fucking eager, so fucking hot for it, so absolutely fucking yours.

In your office, at your desk, kneeling at your feet, skirt rucked up around her waist, panties drenched.

She ties up her hair into a messy bun.

“Please, use me.”

A twist of your hips has your cock slapping against her cheek, the sound bouncing off the walls, leaving a trail of gloss across her flushed skin.

Mina laughs.

You lean down, grab her hair, thread your fingers through the strands, and guide her lips to where they were made to be.

“Christ,” is ripped from your throat as your cock is back down hers, plunging into her mouth like its home.

You push, push until her nose is squished against your pelvis, holding her there; her throat tight against your cock, her hand working her clit in double time. Whimpers escape past her lips, muffled whines that threaten to break you if you’ll let it.

But you don’t, not yet. You pull out, just long enough to let her gasp for air, only, she doesn't need the respite. She just blinks, and begs—

“Again.”

And again. And again.

Until she’s a writhing mess, until she’s shaking with the effort of holding herself together, until you’re plunging into her mouth so fast that you’re truly fucking her throat.

Deep, harsh strokes that make her cheek bulge, that fuck tears from her eyes. And Mina fucking loves it. Loves every second of it, loves having her head thrown back, her throat working for you like it’s your divine right, like her sole purpose in life has been to take your cock.

You’re fucking her face like you said you would, like she’s been begging you to do for weeks, whispering sweet nothings and filthy somethings into your ear during those late-night phone calls. Giving exactly what she’s been craving, exactly what she’s been dreaming about when she fucked herself so nicely for you to hear.

And she’s just taking it, letting you use her mouth like it’s nothing, because to her, it’s everything.

She’s lost in it, her hand a blur between her legs, her eyes glazed over. She’s so close, so fucking close, and she’s taking you with her; dragging you down into this pit of depravity that she’s been keeping warm for you.

“Mina?”

And there’s the phone again. Louder now, insistent, demanding. Finally noticing somethings not quite right.

"Mina?"

There’s panic in Mina’s eyes—but you’re quick to realise it’s not worry for him. It’s desperation for you. For you to keep going, for you to not notice, for you to keep the fantasy alive.

But you do notice. And it just makes you harder.

You're too far gone now—you're thrusting into her mouth with a fervour that’s almost violent. Mina’s eyes widen, but she doesn’t pull away. Instead, she takes it all, letting you fuck her face with a reckless abandon that’s only heightened by the voice on the phone getting louder, more concerned.

You’re the only voice she’ll listen to now. “Hold still for me, Mina.”

Her eyes go wide, and she nods, her mouth stretched wide around you. Cradling her cheeks, just firm enough to feel the heat of her blush.

“Mina, why are you muted?”

She’s barely even on this planet anymore—just bringing herself closer to the edge, loosening these ragged, wet moans around your pistoning cock.

“Mina, are you ignoring me again, seriously?”

“Mmph—fuh—mmph—” is her attempt at an answer, but she’s too busy letting you use your mouth, too busy fucking herself on her fingers, too busy being the perfect little slut she’s told you she wanted to be.

It fills the room—the sounds of wet, sloppy sucking, careless fucking, your own grunts of pleasure. And somewhere in the background, that voice getting more and more insistent.

“Mina, say something, answer me!”

And she does. Just not to him. She says it to you, mouth full, eyes on yours.

Garbled, stuttered, fucked-up little pleas— “there—there—please—please—oh my god—"

Her hand moves faster, her throat seizes, her eyes roll back in her head. Her body jerks, her hand still working her clit, her mouth still full of you.

Mina cums at your feet, a terrible, beautiful orchestra of noises—moaning, gurgling, gagging around your cock. Swallowing, desperate for a breath of air, trying not to choke, eyes watering so badly it’s a surprise she can see you at all.

You pull out, so abruptly that she gasps and stumbles a little. And yet, despite it all, despite how brutally hard and fast her orgasm hits her, she’s still smiling up at you, as graceful and gorgeous as ever.

So fucking proud of herself.

And she’s not done yet. She’s never done, not really.

Her hand comes up to catch you, holding your cock like an anchor, keeping you ready as she takes a moment to recover. The other reaches for the phone, a shaky hand bringing it to her lips, level with your own tip.

She takes a breath. She’s going to answer.

She unmutes again.

“Sorry. Can’t talk. Gotta finish something big.”

“Mina—what the fuck are you—”

Mina gives you that look—that nod.

Sucks you in one last time, gives you a final choke. A desperate gag, a deep impossible swallow down her throat. And then she releases you from her lips.

The phone clatters to the floor, forgotten.

“Cum for me, please, baby.”

At her instruction, you're erupting.

Mina captures the head of your cock with her lips, keeps it balanced on the edge. Uses both hands to twist and wind around your shaft. Overwhelming you, seizing you into her mouth because this is exactly what she’s been starved for.

Breaking a fucking dam inside you, flooding her mouth with your cum, completing her with your taste. It hits the back of her throat, thick and hot and she swallows and swallows and swallows.

So fucking grateful for every drop, for every pulse that shoots into her mouth, coating her tongue, sliding down her throat. She’s drinking you down like water, like air, like she can’t get enough of you, leaving you breathless until all you can do is just repeat her name over and over again—an endless chant of “Mina.”

And when you’re finally done, when every nerve-ending in your legs isn’t burning down and threatening to take you with it, you pull out of her mouth, gasping for air.

Mina just sits there.

Looking up at you, naked chest heaving, nipples stinging red. Cum slipping out the corners of her mouth, staining her chin. Skirt ruined, panties a sodden mess around her ankles. Hand still on your cock, coaxing you to peace.

And fuck, it’s the hottest thing you’ve ever seen.

With a smile that could melt the coldest of hearts, Mina reaches down to the floor and picks up the phone. She wipes her mouth with the back of her hand, not even bothering to be delicate about it.

"Hey," she says, voice miraculously calm and collected. "Sorry—got distracted."

You watch, utterly stunned, as she plays the part of the girlfriend so flawlessly, puts on an Oscar-worthy performance. You can hear the boyfriend's voice, frantic and worried—and completely fooled.

But then she looks at you, clears her throat, and her smile goes wide, and you can see the woman beneath the façade. The woman who's had enough of being bored. Who's decided that she's owed the impossible fantasy.

Kneeling on the floor, yet more powerful than ever.

So, so fucking perfect.

Spreading her thighs, fingers back at her cunt, carefully toying with her clit. Building herself back up to that peak she’s just thrown herself from, because apparently, that’s what you’ve taught her to do.

To never settle, never stop, never be satisfied with just one taste.

You’re cock throbs.

“Mina, you need to tell me what the fuck is going on.”

Her hand moves faster, her thumb circling and pressing, her middle finger slipping inside herself. You can see the gleam under the artificial lights, how her cunt’s making everything sticky and messy.

Making herself nice and ready.

“There's a big mess here,” she says into the phone, all sugary sweet, a perfect story that drips from her tongue like molasses. “Lot of clean up. It’s ruined me—ruined the whole job. It’s gonna keep me here all fucking night.”

—

(It’s just an arrangement.

That’s what you’re calling it when the moon’s rising over your office, and Mina’s kissing these promises over your heart, drawing up the terms of this unwritten contract that neither of you can really commit to—even though you're both well aware of how much you want to.

Sex, as an agreement. Sex, as a release. Sex, because you’re both fucking incredible at it.

It just might be everything you both need.

You're both just too afraid to be the first to say it out loud.) 

—

Weeks later, and you get really fucking good at making time for her.

Whether it’s fifteen minutes at a party, a couple hours at an airport, or a few nights spent in a hotel room with the curtains drawn and a do not disturb sign nailed to the door—everything starts to fall into place.

There's always an empty room to be pulled in to, a shadow to be claimed, a corner of the world that belongs to you.

It’s Mina, straddling you in the backseat of a limo, her cunt tight around you as the city lights slide by. Your hand on her throat, not choking but guiding, a conversation based on pressure and pleasure alone. Her tits bounce in your face, begging for your teeth, and you give it to them, biting down until she’s gasping your name into the leather upholstery. The chauffeur pretends not to notice. You don’t pretend anything.

It's you, bending her over the bathroom counter of some stranger’s house, her rather business-like slacks down at her feet to expose the bare, wonderful convex of her ass. You spank her until she’s crying, until she’s bright red and demanding that you make good on your promise to fill her up so she can’t leave this party without globs of you leaking down her legs.

It’s hotel beds that have seen too much, office desks forced to bear your weight, dressing rooms with the door locked tight.

It’s the way she looks at you when she thinks no one’s watching, the way she says your name. How she laughs, how she teases you, how she lets you in—just a little, just enough to keep you hooked. And you do the same.

It’s sex, but it’s not just sex, no matter what you tell yourself.

And it’s Mina again, fixing her hair while you zip her into something far more appropriate, already mentioning, “I'm going to be in New York next week, if you're in the area—"

And it's you, answering in the same way that you always do, "I’ll find a way."

—

Serendipity finds the two of you in Shanghai, amidst all its concrete jungle and neon lights, kept at bay by the soundproof windows and the drawn curtains of this hotel room turned temporary sanctuary.

Mina's stretched out on the bed, wearing one of your shirts that swallows her up to her knees, her hair a mess of curls and knots that she hasn't bothered to tame. Nose buried in a book—something thick and weighty Nayeon recommended her.

Paying no mind to you, as you’re busy brewing tea in the kitchenette (piping hot, oolong, how she likes it).

You sneak a glance as you wait for the kettle to boil, at the perfect picture she's composing—her bare legs peeking out from the shirt, the soft curve of her waist, the way the light from the bedside lamp casts shadows across her skin.

It's seeing her like this, far more exposed and naked than minutes ago when she was pinned beneath you wearing nothing at all, draining your cum into her cunt and thanking you for the privilege.

The drawbridge is coming down, guards leaving their posts—just the two of you in your stolen moments.

It's nice.

She catches you staring.

Tilts her chin down, peering at you over her glasses.

You ask, "Am I distracting you?"

"Always," she says, and it's loaded with the sum of whispered secrets and inside jokes, the weight of a dozen different glances stolen across crowded rooms. She closes the book, setting it aside, and pats the you-shaped imprint on the spread next to her. "Come here."

You bring a steaming cup over, handing it to her, adding a little more warmth to her side of the bed. An unneeded murmur of thanks, a smile that's brighter than any of the skyscrapers gleaming outside, and a careful sip.

You wait for her review.

A cool, clear, "Ah."

And as for your reward, she sets the mug down on her lap, closing her eyes and pursing her lips. Waiting, patiently.

It's built in you like a habit now—lean in, get the light peck you're owed. Gentle press against her lips, nose bumping up against her glasses, sweetness that makes her cheeks flush a lovely shade of pink.

Just so fucking cute and domestic that it almost feels wrong.

The normalcy, you're realising—doing something that millions of other people do every single day—kisses that aren’t about fucking, power plays and games. Kisses that are just...kisses.

Mina's on the same wavelength, that's her thing now. Looking at you with a slanted smile. A little disbelieving, a little amused.

You're sure you're mirroring it back.

“This is... weird, right?” You finally say, breaking the silence. Feeling the weight of the question, the implication of what you’re really asking. Is this okay? Is it allowed? Can we put a name on this without the whole world imploding?

Mina's smile doesn't falter. "Kinda," she says, and her hand's slipping into yours, her thumb tracing little circles against your palm. “Very. But also, good.”

You nod, not quite believing it. You've had relationships (is that what you're calling this now?)—but none of them felt like this. Like, sure, she makes you hard, but fuck if she doesn't make you weak.

Pulling you into this loop of familiarity, learning things about her that you would've dismissed if it was anyone else. Not just the carnal things—the ones that make her thighs run with need, that make her chant your name like it’s the only word she knows.

Normal people things. Snack addictions, sleeping habits, temperature controls.

The mug goes to the bedside table, and Mina twists her body into yours, landing her head on your lap and curling her legs up so they stay on the bed.

"You know," she says, still holding your hand, fingers tracing up your forearm now, nails drawing in a light tattoo. "I thought that this wouldn't work out."

You mention the obvious. "Because you still, technically, have a boyfriend?"

Mina stretches herself out against your waist, incidental movements that just so happen to make you stir. "No, darling," she's saying, turning to look at you, making your heart stutter. "It's because you're you. Relationships just don’t seem to be in your nature."

You feign injury.  

Even though, truth be told, she has a point there. You’ve never been one for the quiet moments, for the mundane comforts, mornings next to someone you spent the night with.

Maybe it's your own guardrails you've put up, maybe it's some sappy Trojan Horse she's pushed through the gates of your stoic heart—but here you are, stroking her hair while she holds your hand, your fingers playing with the soft strands like you're trying to learn Braille.

"You know," she says, reaching it out to run her thumb down the line of your jaw, "guys like you are all the same."

You arch a brow. "I think I’ve heard this one before.”

"Let me finish," she says, "Obsessed with the thrill of the chase, with the idea of something you can't have. And when you finally get it, you just...disappear."

She grants you the headspace to ruminate over that one. 

"Are you saying I already have you?"

"Haven’t figured it out yet?" she whispers, shifting her weight on the bed. Another Mina special, the incidental movements, shirt pulling taut against her, and with benevolent grace, it slides down an inch. The swell of her breast revealed, an already pebbled nipple peeking out. A shy secret. As if.

And she knows. Mina knows what it takes to turn you on because, deep down, she’s the same. Different animals, same beasts, the roles could easily be flipped: her the billionaire, you the idol, and it would still end up the same.

You’re both chasers of thrills, craving the high of the untouchable, the unattainable.

Doing whatever it takes to feel alive—that's what it boils down to, isn't it?

"I meant it, you know," you're saying, exposing yourself, all gooey and raw. "Never once dreamt of owning you."

It's obvious where Mina's headed with this. So used to people just laying claim of her without even asking—like it's their fucking right. Believing that just because she’s in their vicinity, smiling all pretty and dressed up, she's fair game. Thinking the fame has done to her what it's done to so many others, turned them into commodities.

And maybe she's let them believe the fantasy, it's her job after all, to fuel the delusion and make it feel real. But never once did she truly belong to anyone but herself.

And yet, and yet, and yet.

Mina lifts herself off your lap, body bowing, leaving the shirt to ghost down her arms and leave her chest bare.

Closer still, until she's straddling your hips, thighs pressing down on either side of your legs, and oh, mystery solved, there was nothing under the shirt but her.

And again, Mina, on the subject of your title over her: "Not even if I wanted you to?"

—

(It takes the length of a phone call for Mina to be officially yours.

Brutal in her efficiency, cutting the guy down and pushing him off the cliff of the inevitable.

You're just as cruel, laughing between her thighs as she slurs vague platitudes, barely encroaching on an apology, uncaring bullets flying across borders.

And then the 'I can't' when prompted for a chance to negotiate, an 'I'm busy' when the pleas come, and a final 'just fucking give up already' when the desperation gets too much and he's becoming less and less important the further your tongue gets into her cunt.

Poor bastard doesn't even know he's not the only one getting fucked.)

—

You feel like you’ve earned the right to be a tad more reckless.

So, dates.

Conventional, yes, but fuck you could do with some of that now. You had the money, the power, and now you had the girl. So, secret dates, grand gestures, the whole nine yards.

And yet, each one was its own little disaster.

An example: the restaurant.

Michelin stars, gourmet courses, over-the-top bullshit that you unashamedly love. Booking out the entire joint for the night, only for it to all go haywire when Mina showed up in that dress; tight, tiny, black.

"Eyes up here, darling," is what she said, before, "Or, you know, don't. I like the attention."

Just fucking you all the way up, having you pushing her into a backroom before the wine was even poured. Ruining said dress, rucking it up to her waist, making it some poor drycleaner’s problem.

“I was never big on grand gestures,” she assures you, as you pepper her neck with kisses, hands curving around to her breasts on sheer instinct.

"Wish you'd told me that in advance."

"And miss out on this?" Mina groans something fierce when your fingers find purchase. “Never.”

It's just Mina and you, doing what you've done a dozen times over by now, having long blown past any insecurities that this might just be too good, too perfect, that one of you might be the first to bolt for the door and run.

“I swear to god,” Mina’s managing, as you’re shoving her panties to the side, because you’re both well aware that this has to happen right here, right now. “This cock is going to be the death of me.”

You chuckle against her throat. “Wouldn’t be a bad way to go though, right?”

“You’re insatiable.”

“Says you.”

“Please, just—”

Your hips snap into her. She flinches. Screams your name so fucking loud.

Each and every one of the kitchen staff receives a very, very sizeable tip.

—

It becomes a problem.

Oddly enough, neither of you are at fault.

Leaked photos light up every website, tabloid, and social media platform in mere minutes—Mina and her ex, wrapped up in each other’s arms, the unmistakable blur of a bedroom in the background. Nothing too lurid, nothing too explicit—but just enough to get the world to gasp in collective shock.

The fucking coward did it. You never knew he had it in him.

Sure there's dating on the pictures. Years, probably, back to when their happiness couldn't be called into question, but it does its job.

The statements pointing this out do little to shift the public's attention though, they've already latched on to the chance to rip apart her spotless record. You’ve seen it before, a hundred times with a hundred different celebrities. The cycle of love turned to dust in the blink of a camera flash.

And yet despite all of this, despite the shitstorm that’s swirling around her, despite the radio silence you're expecting, not an hour passes before Mina's calling you again.

“I need you.”

“Then come over.”

—

Mina belongs here, it’s so obvious.

Walking through the rooms of your home like she’s always been there, like she’s what’s been missing.

None of the art on the walls, the books on the shelves, none of the sculptures worth more money than any person should ever see in their life—none of it make as much sense as she does here, in your space.

Ours, you’re already thinking.

While you’re staring at her, she’s taking it all in—every detail of your domain, eyes brushing over the aged furniture and modern finishes, each aspect of your home that you’ve curated as meticulously as you’ve cultivated your own reputation.

She doesn’t say a word about whatever conclusion she’s drawing—because she’s not the type to judge—she’s just curious. She’s always been curious.

And then she’s in your arms.

Hands looping around your neck as you hold her tight, like it’s been years instead of the mere days since you’ve seen her. Since you’ve felt her heat, heard her whimpers, felt her nails dig into your skin like she’s trying to slip in underneath.

“It was inevitable, right?” She whispers against your collarbone. “Something was bound to fuck this all up eventually. My life, yours. It was all too perfect.”

You hold her tight. Letting her sink into your embrace, disappear into your chest. She’s so small in your arms—not that she’s ever not been, but right now, it’s stark. Like she’s shrunk, folded herself into something more manageable, something easier to hide. Something that won’t be torn apart by the teeth of the media and the rabid fans.

Kiss the top of her head to make her relax a fraction, opening a pressure valve that releases a shaky exhale.

You point out, “It still is.”

Mina blinks up at you, and you pretend you don’t see the dampening in the corners of her eyes. “I need to do the whole apology tour now. Keep my head down, hide my face. That’s what they’re saying anyway. What they expect.”

You shrug. “Could hide out here.”

That makes Mina smile, laugh even, colouring her features with something far more impactful than any of the decor. “And, I'm guessing, fucking each other’s brains out from sunrise to sunset?"

"There'll be a couple of meals in between. You may be surprised to learn I make a mean bowl of ramen."

Mina laughs again, and it’s the sweetest sound in the world—like the chiming of a bell that’s only meant for you. She looks at you, really looks, and you can see the wheels turning in her mind, the genuine consideration she's giving your proposal.

“What do you say?”

“I—”

Before she can finish, you add, “I can handle our little problem. Just leave it to me.”

Mina blinks. There’s the curiosity again. “Handle?”

“Yeah,” you reply, vaguely amused. Something darker in the back of your throat. “I know some people. Nothing out of the ordinary.”

Mina stares at you aghast, the smile slipping from her lips. Wondering if she might have missed something in the reality of the billionaire with a silver tongue and a penchant for ruining dresses.

It’s your turn to laugh. “I’m kidding, Mina. Jesus, the look on your face. I’m not going to have the guy killed.”

Mina rolls her eyes. Slaps your chest with a little more force than intended.

You add, with a Disney Villain-worthy ominous tone, “For now.”

“You ass,” she says, but she’s smiling again, the tension all but dissipated.

“Not even I’m capable of having that sort of thing arranged. Well, maybe I am, just never tried, so—” you begin, only to stop immediately at the curving of Mina’s lips. “I was just planning on doing a bit of spin. Tap some of our PR Wizards, maybe offer the wolves something juicier. Whitewash the whole thing—shut him down.”

And a cherry on top of your whole plan—

"Make him wish I'd kill him instead."

Mina’s expression shifts, taking pause to study your face, your words. It’s the pragmatism that gets her, you think—but it’s baked into who you are. You don’t get to a billion dollars by making friends.

As a point of clarification, she asks, "What are you going to offer the press? I mean, you’re not going to leak dirt on someone else, are you?"

You shrug, an easy smile playing on your lips, "I was thinking we could just go public with us. Offer our whole thing."

"You're serious, aren't you?"

"My jokes usually make you laugh."

Mina takes her time to ponder this, to consider what you’re actually saying. To process the idea of turning all this—the sneaking around, the private moments, the stolen kisses—into something so exposed. Something translated and made palatable for public consumption, to be picked apart by the vultures skirting the edges of the media.

And there’s fear there too. That the thrill could wear off for her again, the exhilaration could evaporate, and the boredom would settle in.

Or it could be a whole brand-new opportunity. Replacing one thrill with another, the rush that comes with being seen together, the excitement of the chase being replaced with the passion of the capture.

She asks, slowly, carefully choosing each word, doing her best to avoid setting off a bomb that could send this whole thing into a downward spiral. "Is this what you want to do?"

You pull her closer, fit her body flush against yours, and bring your lips down onto hers. You let them linger, let her sigh, let her melt and keen and smile against your mouth.

"Darling," you murmur against her lips, "I've been ready to tell the whole world since the moment I sat down next to you."

—

Sometimes, the conventional ways are the best.

Stumbling through your house—kissing her hard in the hallway, losing her skirt in the kitchen, tearing off her shirt at the top of the staircase. Carrying her past the threshold of your bedroom and leaving her panties at the door; truly letting her into your world in every way, shape, and form.

Holding her close, one hand at her waist, the other looping around her chest. Kissing into her neck as you lay her down onto your mattress, getting up close and personal until it’s all Mina, all the sweetness and heat of her, the richness of her perfume that’s become her signature.

The red of her blush, her lips, the marks you’re leaving on her skin. The white of her throat, her collarbone, the bra that’s half on, half of.

Pinning her wrists over her head, keeping her still, watching her pupils dilate.

Fucking flawless. Every inch, every glorious detail. Underneath you, at your mercy, already staining your sheets with her need.

And then, a beg:

“Please.”

“Greedy.”

“It’s how you made me.”

Your other hand ventures lower, drifting down her stomach, holding against her abs, leaving your fingertips to ghost over her mound.

She shudders at your touch.

You let her know, “I wasn’t complaining.”

And your tongue is on hers, soft to start, relaxing into familiar patterns, swipes of reintroductions, until Mina’s arching her back, urging you on. But you’re greedy in your own way; wanting to take your time, wanting to extract all these sighs and moans straight from the source.

Only, Mina’s having none of it.

“You’re really going to torture me after the day I’ve had?”

You quirk an eyebrow, push your thumb down against her clit. Applying enough pressure to make her hips buck.

"Torture is a strong word, darling."

Mina's huffs as you hold her there, keeping her locked in place and at your mercy. Wriggling under your grasp, but not making any real effort to escape. After all, where would the fun be in that?

"Fine," she's relenting, eyes slipping shut, unable to hide the smile that’s making its way onto her face. "Call it what you want. Just—more."

"Then let's just call it a pleasant distraction."

Your lips are together once more, your kiss quickly turning from something sweet to something a lot more demanding. Throwing Mina a bone, pressing into her a declaration of intent that has her wild for you.

You take your fingers, slide it down, swiping through her folds. Dancing around her entrance, seeing how nice and slick she already is for you, feeding that gnat in the back of your head that urges you to just fill her whole. Right before pressing up into her cunt.

“Yes,” Mina whispers into your mouth, hips rising to meet your hand, helpless little shivers around your first, then second digit—pushing until you’re knuckle deep inside her heat, making her squirm and cry, “Just stretch this fucking pussy, please.”

“Oh, you’re so wet for me,” you say, like it's a surprise, like she's ever not, like she doesn't part her legs and beg for you to take the invitation to her cunt every single time.

And Mina’s reaffirming, “Of course I am, I’m always—” but she never gets to finish her sentence, because you’re sliding a third finger in, and she’s trying so hard to keep it all together despite how determined you are to pull it all apart.

You’re too attentive—watching her face, every micro expression. Watching for every twitch, every whine, every cry that gets stuck in her throat when she tries to swallow it down.

There’s beauty in all of it, every single time, you could never get enough of it. Been burned into you now—what it takes to make Mina come undone. The right ways to touch her, the spots that make her preen. Where to be gentle, when to be rough, how to keep her guessing.

It’s all here, now, distilled to its basest elements, and it doesn’t even take much. You’re too good at this, know her far too well to need anything other than the sound of her breath to dictate your pace.

Your thumb plays at her swollen clit, doing nothing but pressing down as your fingers saw in and out of her slippery cunt, making her clench around you like she always does. Faster and faster, until she’s crying for it, shivering and trembling underneath you, struggling against your hold on her wrists because she's dying for something to hold onto.

“You—you’re too much,” Mina pants, because that’s all she can do now as you push into her with purpose. So, so fucking wet, creaming around your fingers, pooling in the palm of your hand. “Too—too—too fucking—”

Losing control over her own limbs, cumming with a sharp cry, levitating off the bed as your hand works magic between her legs, needing a hard kiss to ease her back down to Earth.

The aftershocks still roll through her body, leaving her with these tiny, frantic whimpers. You keep her pinned, soothe her with your thumb at her clit, padding around in gentle circles, feeling her spasm and pulse around your fingers.

Your kiss ends on that high note, parting lips to give Mina a chance at a complete inhale. Her chest is heaving, nipples poking out of the top of her bra, skin already sticky with sweat. Eyes opening, hazed over with need and the beginnings of tears.

“I—I need more.”

Hands let go of her wrists, fingers slide out of her cunt, and you lean back to watch her try to compose herself. It’s a battle she’s not winning.

Mina’s blinking up at you, trying to catch her breath, trying to remember how to do anything other than be fucked into oblivion by you. You help her—leaning over, thumbs hooking under her bra straps. Pulling it down with a gentle tug that makes her arch into the motion, makes her chest spill out and your mouth water.

You take the chance to admire her. To drink her in, appreciate her the way she deserves to be appreciated—a masterpiece spread out on your bed, naked and needy.

There’s the intoxication, knowing you’re the one that did that to her, knowing that you’re the one that’s going to do it again. Over and over again.

“If I have to wait another second, I’m going to scream,” Mina says, the demand losing its edge in a whine.

You chuckle, press an open-mouthed kiss onto her breast, sucking a nipple between your teeth.

Sometimes, you just can’t resist.

“Let’s not pretend that isn’t exactly what I want.”

“Make it happen, then.”

Mina holds position as you pull back, keeping her hands over her head, keeping as still as a statue as you come to your knees over her. Eyes on you as your shirt, your belt, your pants go. Eyes on your cock as your briefs fall away, leaving it standing tall and thick and ready for her.

There’s power dynamics at play here—how Mina’s so vulnerable to you, how she’s laid herself out, unwilling to move until you tell her to. She understands it, implicitly. Knows she’s playing right into your hands, forced to wait while you let the anticipation build.

You hold your cock above her, stroke it carefully. Watch her eyes track it. See her gulp.

And she begs, again, “Please,” softer now, the unmistakable tremble in her voice. "I just—I need it so fucking bad."

Whether on purpose or by instinct, her legs splay, presenting her pussy, glistening with want. There’s the pulse in her clit, the need dripping over her folds—you feed the agony just a little more, hovering over the entrance, letting the tip of your cock graze over it. Teasing, taunting.

"Beg for it."

Mina opens her mouth, but she fails to summon the words. Just leaves her lips hanging open, leaving you an opening for your fingers to push in and try to help her find the right plea.

Her tongue flicks out, licks at your digits, the taste of her arousal still thick on them. The wetness of her tongue as she sucks, the suction of her lips as she envelopes each finger, one by one. Savouring her own flavour with deep, longing slurps, with grateful hums resonating around your fingers.

Leaking down the tip of your cock, cunt getting wetter and wetter the longer she’s denied. Making you throb against her, making your hips jerk and bump dangerously close to where she needs you to be.

But you still don’t enter her. You just wait until she’s done, until your fingers are clean and wet, and she’s left a trail of kisses up to your wrist.

It’s then that you drag your fingers out from her lips and demand of her once more:

“Beg.”

And this time, Mina’s able to say it clearly, confidently, right from her chest—

“I need you inside me. Need to feel you so deep inside me that I can’t tell where I end and you begin. I want to make you cum so hard you’ll never want to leave, want to leave your mark so deep inside me that even if you do, I’ll still feel you.”

Each word, a fucking gift.

And her reward—

A hard, quick plunge straight into her cunt. Inside her, instantly buried, immediately unbearable. Just too good.

Mina can’t do anything, just dig her nails into the sheets and try not to scream at the suddenness of it, at the way you complete her without any warning at all.

It all just ripples through her, a second orgasm already possessing her and forcing her into seizure. Can’t even hold it together—can’t keep the moans contained, can’t keep herself steady—can only just lock eyes with you and hope that you’re seeing it all, hope that you’re feeling it too.

Mina’s got no control around you anymore, none at all.

“Your cock,” she’s saying, repeating it over and over. Like it’s brand new to her, like it hasn’t ever left her wrecked a hundred times over.  “Your fucking cock.”

Words punctuated by the slaps of your hips, the wet sounds of your bodies colliding, of Mina welcoming every stroke of your cock inside her. So fucking tight, gloved around you like it was forged specifically for your cock; not for anything else but you, only you.

“So hard, my God.” Mina’s hands clasp behind your neck, needing a firm hold on something solid and real. “So fucking hard for me, so—so—fuck—”

Her lips are everywhere, a flurry of butterfly kisses across your cheekbones, the bridge of your nose, the edges of your jawline. Crazed, unbridled assault of affection. Disarming, incredibly hot. Mina doing her best to mark you up before she’s torn away again.

It’s far too early in the processions—habit would usually have her playing it cool, trying to keep up the façade of control, hold onto shreds of dignity, until she’s unravelling completely and begging you to fuck her harder, deeper.

But now, she’s just letting you have her.

No games, no pretences.

Just you, and her, and this wild, hopeless need to feel good, to be consumed by this.

“Yours,” Mina’s whispering, voice cracking around the edges, “All yours.”

And you know it. Have known it. Had it signed and sealed in ink since the very first time she told you. When you made her knees buckle and eyes water as you took her in every way possible. Since she called out for you, said your name into the quiet of the night like it was a secret she never wanted to keep.

Yet it’s hearing it now, the sum of all these moments stacked on top of each other; the haunts that you’d frequent, the private corners that you’d made yours, the endless phone calls and messages and photos that could fill entire warehouses with their filth.

Finally here—both of you, panting, sweating, sex thick in the air. The world outside forgotten.

Fucking Mina so hard, so deep, euphoria shooting straight through you each time your cock bottoms out inside her. The softness of her cunt, its heat, its creaminess, its fucking divinity. Leaking out all around you and squeezing you so good that it’s a miracle that you’re still coherent enough to speak.

But you do, with a gruff, “Already knew that, darling.”

Mina’s laughing, because that’s the type of high you’re giving her. Even with the way you’re stretching her open, even with her eyes barely open and her toes curling into the bed—she’s laughing because it’s the only thing she can do. Because it’s all so absurdly perfect that she can’t find the energy to do anything else.

“All this, all of you,” you’re leaning in, at the base of her throat, licking a stripe up to her earlobe. Drumming the words into her skin, until she shivers. “Every part of you. All mine.”

Simple words that hold so much sway over her, that could pull her apart or build her right back up. Words that make Mina clench around you, make her cunt grasp you so tightly as if she’s trying to make them real.

“Always,” she’s heaving, “Always yours.”

And there’s this look on her face, like she’s lost in a dream—eyes glassy and all fogged up, breath hot against your shoulder. Glowing under the dimmed lights, making the sweat pooling at the base of her throat shimmer.

Keeping your hand there, at her neck, like it’s the only thing keeping her from floating away. Ruining her. Because really, it’s all for her. All of this is all for her pleasure, her satisfaction.

You’re just along for the ride, so fucking lucky to have her like this. So impossibly beautiful, just knowing she exists would drive you insane if you didn’t get to be with her. Didn’t get a chance at this pussy, so perfect, dripping so much, made so hot for you and only you. Your own personal slutty cunt.

It’s the way her legs wrap around your hips—the smoothness of her skin, the power in those thighs, holding you like she’s afraid you’ll pull away. Like she’s terrified you’ll leave her like this, frantic and wretched and so, so fucking wet.

The newest picture you’re painting, your magnum opus in her name—her tits bouncing with each thrust, nipples stiff and flicking in the air. The yielding of her back, bending just so she can accommodate that extra length of you inside her. And her stomach—fuck, those abs. Tightening and loosening, shaking with every hit of your hips, with every sharp gasp of air.

Demanding of you. Cum for me. Please. Now.

“I need this. Exactly this from now on,” Mina’s declaring, stuttering it like you’re fucking every syllable out of her tightness. “Just you fucking me. Whenever we’re together, every second we get alone—fuck—"

And you’re nodding because you’re always right there with her, always on the same wavelength, thinking the exact same fucking thing.

“Keep filing me up until I can’t take it anymore. Until I’m screaming so loud, I can’t even hear myself think—”

Breathless words that flood your ears, that Mina needs to get out, needs to make sure you hear. Absorbed straight into your bloodstream, pumping into your cock, fed right back into her cunt. So fucking tight. So downright incredible that you’re speeding up, driving in deep, as deep as you could possibly go.

“Until I’m so full of you that I forget my own name—forget any other name but yours—until I—until I—”

A nasty hit makes her body curve and rise, makes her pussy clamp around you, in warning of the orgasm to come, the one you’re both hurtling towards with a kind of reckless abandon that’s become second nature.

“Until I—please—just always make me feel this way—”

“You will,” you promise, meaning it, fucking it into her like your life depends on it. Like you need it to survive, because maybe you do. Maybe you’ve never truly lived until you’ve felt Mina’s cunt quiver around your cock like this, until you’ve heard her beg for you like you’re the only thing she needs to breathe. And again, for good measure, “you will."

And oh, that’s all it takes. That’s enough to have Mina spilling.

“Cumming,” is her proclamation. Repeated, ad infinitum, just, “Cumming, cumming, cumming.”

All over your cock, all around your cock. Cunt strangling you with the force of it.

And this is where you decide Mina’s most beautiful.

When she’s consumed by climax, when she’s held prisoner by it, when she’s just nothing but a canvas for you to leave your marks all over.

“Feel so good—so fucking good—”

It’s the best kind of challenge, pushing her through it.

Worshipping her in all the ways that count, treating Mina in ways woman like her should never be treated. Tearing an angel down from the heavens just to hammer her cunt into submission, and being thanked for it afterwards.

“God,” Mina’s trying, voice rasping and broken, “I—fuck—I can’t—”

You take her, hand wrapping around her tits, pinching, rolling, teasing nipples until they’re as tight as her cunt around you. Leaning in and capturing her lips, drinking down her whimpers with a kiss so deep you can taste your name on her tongue.

Fucking her, ruining that tight, little pussy, through every wave that crashes down over her, that burns her up from the inside and makes her so Goddamn hot.

Leaving her in disbelief that it could ever feel this good again, that there's a light at the end of this tunnel, that there's a life after being fucked so thoroughly by your cock.

Holding her through it, preventing her from crumbling into a million overstimulated pieces. Slowing down the pace of your hips with steady, deliberate thrusts until you’re just inside her. Cock throbbing, bathing in her heat, waiting.

Mina stirs, eyes flutter open, meeting yours. “Cum inside me. Wherever you’d like.”

There’s only one real choice. Mina knows this as well as you do.

Your cock leaves her cunt, slick with her juices, her cum. Proof of your dominion over her body, gleaming along your shaft.

Nothing but bliss on Mina’s face, so well-fucked and satisfied and just plain happy that it’s almost a surprise she hasn’t melted away into a puddle. She’s smiling, looking up at you through her lashes, sweet and soft and perfect.

Turning herself over, bowing down on her knees, pointing her ass up at you like it’s the universe itself handing you a present and saying, ‘Here, this is yours.’

You can’t resist that kind of temptation.

“I’ve been waiting for this,” Mina tells you, rolling her hips higher still, flaring out her hips, treating you to the perfectly round globes of her ass. “Waiting for you to take me. However you want. Make it hurt so good. Make me remember how you feel.”

Her hands reach back, delicate fingers spreading plump cheeks apart. The tight, pink ring of her ass winking at you. A sight that never gets old, a vision that’s forever carved into the back of your eyeballs.

One last request. “Please.”

Your cock pushes in.

“Thank you.”

Right away, it’s too fucking much. Your cock breaching through her asshole, pushing in inch by inch. Slow and torturous, the kind of thing that makes you want to yell.

Then the first thrust—that first hit, like a narcotic, straight through your veins, every single time. Feeling it, sensations so intense, so sharp, that you forget to even breathe.

And Mina’s crying. Crying out, muffled by the pillow she’s biting into. Yet still, pushing back against you, urging you deeper, even though she’s coming apart, even though she’s shaking from the sheer effort of having you fill her.

“Darling,” you call to her, “you’re doing so good,” because she is. Good, good, so fucking good for letting you split her in two like this. For letting you ruin her in all the best ways.

The second thrust is easier, smoother. Body giving in to your demands, stretching around your cock like it always does, like it’s made to do. To bend and flex to your whims and desires.

With every push, every retreat, every agonisingly, achingly slow grind into her ass, you’re nearing that rapturous end.

“So fucking good for me, Mina. Your ass is so tight around me. Such a good girl.” You’re grunting now, trying to ease her into it, to build up to the point where you can pound her, push her like you really want to.

Mina’s nodding, eyes screwed shut, sunken in the way you’re stretching her out. It’s a familiar feeling, having her ass opening up for you. A dance you’ve performed so often it’s almost muscle memory—each step painstakingly learned; each move carefully choreographed.

You’re easing into her, slow, so fucking slow that it’s a wonder that either of you doesn’t implode with want. But Mina’s good, so good, letting out these tiny, shuddering breaths that you feel down to the marrow of your bones.

And then, as your is fully seated in her ass—

“Don’t hold back,” Mina says, quietly, barely audible, but the need is crystal clear. “All of it, please.”

Hand in her hair, hand at her waist. Gripping into her, guiding her and then fucking her, really, truly flooding her ass with your cock, disappearing into her tightness until your hips are slapping into hers.

So pretty, even like this, even when her moans are getting louder, borderline screams that are cut off by the cotton of the pillow, her knuckles turning white in the effort. Her back tenses, muscles rippling underneath your palms.

She dips a hand underneath her, between her legs. Fingers at her cunt, whirling around her clit, doing all she can to keep up with you.

“Feels fucking amazing. Your ass, Mina,” you’re trying to say, but it’s coming out all gravelly and thick. “So fucking tight for me.”

It’s the one through-line that’s kept steady over these months. Mina’s transcendental beauty, Mina’s razor-sharp intelligence, Mina’s pussy that’s always, perpetually yours. All these things; but it’s Mina’s ass—that perfect, juicy, heart-shaped, fucking flawless ass that keeps you up at night.

Every time you’re buried inside, it’s like coming home to something sacred. Tightness gripping you, ass swallowing your cock in waves, the kind of feeling that makes you believe in a higher power—because nothing so divine could possibly be man-made.

“Fuck, I just—” Mina’s breathing out, quick huffs because that’s all she can manage, “just love this so fucking much. Love how you feel in my fucking ass.”

Her hand’s working overtime now, circling her clit with a fervour that’s almost religious. Pussy starting to leak again, juices running down her thighs, mixing with the sweat, pooling at her knees. Fuck, the way she’s touching herself while taking you in, so willingly, so wantonly, so utterly destroyed for you—she’s going to cum again, you can feel it. And you’re not far behind.

“I think I’m going to—fuck, I only just—but I’m going to—again—you’re going to make me—again—” She’s squealing, half-mumbling, full-crying, and your heart nearly bursts out of your chest because it’s all for you.  

You’re not even managing anything other than desperate thrusts, just fucking her with everything you have—like you’re trying to claim her inside and out, trying to leave your fingerprints on every part of her so everyone will know she’s been yours all along.

“Please, please, please,” again and again, stuttering out, “Just—just—just—”

Just keep going, keep pushing into her until she’s shaking, until she’s pleading for you to stop, to let her breathe, because she’s about to fucking break.

Or, really:

Keep going and never, ever stop.

The hand in her hair tightens, pulling her back, making her arch. That perfect spine, the curve that’s painted by God himself. Kisses into her shoulder, into the crook of her neck, making her whimper.

“Keep fucking me. Like this—like this—God—I’m going to—again—”

Pulling her closer to you, so you can feel the tremors starting from her core, spreading out like wildfire. Pushing her hand away, taking over between her legs—rubbing, teasing, circling her cunt and pushing her closer and closer to the brink. Fucking her so deeply that you can feel the first quivers of her orgasm from the inside out, daring to take over her body again.

“Keep fucking—touching me, fill me up—just don’t—please, I need it—”

A final plea, her last rites, before she’s lost.

“Cumming—cumming again—please, oh, please—oh—”

Mina’s body goes lax, a ragdoll in your arms. But you keep fucking her through it. Through the quakes and shivers, through the cries—through the crying out. Pleading. Pleading for you to follow her into oblivion.

And fuck. If you’re not right there with her.

You’re close, chasing her, feeling her orgasm, feeling it coil around your cock and pump through her veins and into yours. Feel her—her body, her muscles, her cunt—tightening, tightening, tightening around you until it’s unbearable.

“Cum for me—with me—” she’s repeating, her newest mantra, “cum inside me. Give it to me—please, I need it—please—so badly—”

Begging, dying for it. Willing, wanting to do anything for it.

But she doesn’t need to—you can’t fucking hold on any longer.

“Mina—fuck—"

You slam into her, and finally burst.

Filling her ass with your cum, feeling it spurt into her, thick and hot. Pumping into her, over and over, getting wrung dry by her ass, cumming so hard it feels like your bones might shatter.

Cumming until your vision swims, until the architecture in your knees threaten to give out, until all you can do is hold onto her hips and keep her in place, keep her right there, impaled on your cock, until every single drop of cum has found a home inside her ass.

Until you’re so sensitive it’s almost painful. Until the orgasm has passed over the two of you and left you feeling like you might dissolve into nothing but pure sensation.

“Christ,” you manage to get out, the word tearing out of you like it’s being ripped from your chest. Holding Mina close—embracing her, seeing just how much she’s loving it. How thankful she is. Taking it all, soaking it all in, moans turning into whimpers that you’d swear are prayers of gratitude.

Body limp and strung out, fucked so hard she can’t even hold herself up anymore—Mina collapses into the bed, pulling you with her, your cock still buried deep inside her.

Like the first time, like every time, it’s a complete fucking disaster.

Tangled up in sheets, in each other. Sticky with sweat, stickier with cum. And Mina turns her head to look at you, just so pleased, and so gleefully satisfied.

You lean in and kiss her, slow and deep, resisting the urge to stir, to roll her onto her back and start this whole thing over again. Claim her once, twice, a dozen times more.

But you don’t. You just lay there, breathing into her neck, letting all of this, your orgasms, your bliss, your absolute contentment roll through you.

There’ll be time to keep going, to keep fucking her. Give her the same tour of your house that she gave you that first night.

Eat her out in the kitchen. Fuck her into the sofa. And yeah, introduce her to the balconies on the higher floors.

For now though, there’s Mina, lips parting with yours, looking at you with a smile that’s this original blend of lust and love and admiration. “You really know how to ruin a girl, you know that?”

You chuckle, picking a stray strand of hair out of her eyes. “Just trying to scratch an itch.”

—

Everybody loves a love story.

And yours is packaged up so nicely, polished and made shiny and perfect for the public to see.

It's the type of story the media dies for—a tale of modern romance, woven through the glitz and glamour of celebrity life. The cold-blooded billionaire who had his heart stolen by one of the nation’s daughters, and then chased her across continents in order to get it back.

You and Mina, becoming the ultimate power couple—the kind that makes the paparazzi's cameras click in unison and tabloids sell by the millions.

Together at every high-profile event, her hand nestled in the crook of your arm, your thumb tracing lazy circles on her wrist—a secret promise of the bruises she’ll wear under her designer dresses. A whispered reminder of the things you’ll do to her when the lights go out and the world isn’t watching.

But nobody sees that. The public sees the smiles, the kisses, the sweet little glances that pass between you—and they eat it all up.

They'll never see the way she begs for your cock, the way you fuck her until she can't walk straight, the way she rides you until all you know is her name. They don’t know that it wasn’t love at first sight—it was lust, paroxysms of it, pure and raw and unbridled.

But here you are.

Mina, in your bathroom, smiling at you through the mirror. Dressed to the nines, looking like a fucking dream. Making it so obvious now that you wonder how you missed it at the start. The way she looked at you that first night, the way she looked. It was all there, laid out in big bold letters, all caps, telling you that this is what you’ve been searching for—what you needed all along.

That dress she’s wearing—some dazzling shade of green. Olive? Celadon?

“Emerald,” she smiles, catching you staring. “It’s emerald, darling.”

You grin back. “Then it should match.”

Mina’s eyes flick to the box in your hand, curiosity piqued.

“Got you something.”

You hand her the box—a simple, muted green velvet, lacking any markers or logos to give away the contents. Ergo, it’s really fucking expensive.

She takes it out of your hands. Opens it, and her breath catches.

“It’s—” Mina whispers, lifting a necklace from the box. A simple, stunning piece. A thin diamond band with a solitary jade teardrop hanging from the center.

"Yours."

Mina holds it up against the light, seeing how it dances through the stone like it’s alive. When her eyes come back to yours, she’s beaming—a smile so wide it makes you wish you had your phone ready to snap a photo.

“Help a girl out, would you?” she says, turning her back to you, sweeping her hair over her bare shoulder.

You step forward, kissing the skin there, feeling the softness of her neck, the pulse of her vein. Your hands come up to fasten the necklace around her, the coldness of the diamonds brushing against your knuckles.

“You know, there’s one thing I was wondering about,” you murmur, letting the jade rest atop her throat.

Mina giggles, tilts her head slightly to the side. The jewels sparkle. “Oh?”

“That first night. The gala. You came alone.”

“I did.”

“Why?”

“Why?” Mina repeats, amused. Happy to have her own little secret, the one thing you've yet to pry out of her between the sheets. She regards you through the reflection, a twinkle in her eye that says she’s been wondering what took you so long to ask.

“Yeah, I’ve never quite figured it out. I mean I know why you were alone. But why did you come at all? What were you doing there, just sitting all pretty and by yourself. It felt so wrong to me at the time.”

That makes Mina laugh, making you feel somewhat silly to even ask. She spins on her heels, facing you; the necklace sitting perfectly against her skin. She runs her fingers over the chain, ending at the pendant. Tapping it. Once. Twice.

And she doesn’t even need to ask you if it looks good on her or if it suits her because she knows. She can tell by the look on your face.

She wears it like a fucking collar.

“Why?” Mina says again, stretching the syllable out long and wide, until you’re staring at her lips, knowing you’re about to kiss her again, knowing that you may very well not make it out of the house tonight, likely not even make it out of the bathroom.

You’ll be ruining that dress, fucking her against the sink, pushing her up into the mirror, kissing into the top of her spine and repeating over and over again—mine, mine, mine.

“Because you invited me.”

[toxicanonymity]

I am humbly crawling to your page to confess my latest obsession: serial breeder!Joel.

no outbreak!universe Joel without Sarah, an old creep who lives in a lone house where every woman goes to get bred.

basement breeder

joel miller x f!reader, 1k words

Ty for this delicious thot. Almost sounds like you know who 🍃 in another life where he has them coming and going at all hours as gossip says. Standalone. WARNINGS: 18+ PWP imagine, break-in, manhandling, breeding piv, degradation, praise, mating press, carries you, pet names.

Imagine going there to get bred while you're consciously on birth control, and he gets obsessed with impregnating you specifically. You show him a positive fertility test, and he gets more aggressive. God damn, he's gonna make this work. Meanwhile, you don't seek him out the next time you (would) ovulate, and he notices, wonders if you're giving up or letting some other guy take a shot. That ain't gonna fly. . .

He quietly breaks into your dim basement while you're folding laundry on your dryer, wearing earbuds. From behind, a hand clamps over the lower half of your face. You scream into his massive palm while his other arm wraps around you, biceps bulging, stretching his white tee. He pins you against the dryer, and the warm, hard shape you feel through his pj pants sends a rush of need to your core.

With you pinned there by his clothed arousal, the arm around you falls away. His free hand brushes the shell of your ear then nudges your earbud out. He reaches to repeat this on the other side, then wraps his arm around you again and gives your breast a squeeze. He brings his mouth close to your ear, and his voice is deep and low. "Stayin' home like it ain't the most important day'a the month."

Oooh, is he mad? God, he's hot like this.

When you struggle, he adds, "Or *did ya* stay home? ... You some kinda cumslut now?"

You subtly shake your head 'no', with your nostrils brushing against the edge of his hand.

"Nah," his hips push forward, "you want this cum," he grinds.

You go quiet and relax your body. He thrusts against you at a slow rhythm, and you're getting wet. A little "Mm?" slips from your lips into his palm.

"Yeahh, that's right," he continues, "Want it bad, don't ya, pumpkin?"

"Mm," you just barely nod.

"Good girl," he says and takes his hand away from your mouth.

You clear your throat. "I was just tired."

"Tired," he laughs. "That's a good one."

He's normally good about foreplay--with you, at least - your body and your scent turns him on so bad. His hands are incredible, and he touches you just how you like it. He's even been known to bury his face between your legs. But this time, he's fully on a mission.

He hikes up your skirt and pulls your panties aside, then spits on his hand and pats the saliva between your legs.

"Ooh," he reacts to your warm, wet cunt against his lingering hand. "Didn't needa do all that, did i? Shit, you're always ready for me." He tugs down his pj pants, then his warm, smooth cockhead prods at your cunt, smearing precum into his saliva and your desire. You bend forward and rest your forearms on the clean laundry abandoned in front of you, then scoot your feet back to give him a better angle.

"Good girl," he whispers.

He buries his length in you with a groan, and your insides spread around his girth. "I'll knock ya'up, baby." He holds your waist, and with a punch of his cock he bottoms out, "Ahh." When he withdraws a few inches, you spread your feet, tilt your hips, and push back on him. "Hell yeah." He bottoms out again, then grabs your hips with both hands and pounds you.

He's on a mission - he's not trying to make it last. And he's been aching hard ever since he got it in his mind to do this. He was palming himself over his pants for relief as he walked up to your basement door.

He's giving it to you hard and stiff, weeping precum into your poor stretched hole with every powerful thrust. "Yeah, take it, baby," he breathes, and promises, "put a baby in ya," making you twitch and throb, close to bliss. When he picks up the pace, pummeling you near jackhammer speed, his words are broken by his rhythm, "ahhh, yeahhh--- cum on this cock." When you whine he says, "yeahhh, you want this cum," and you see stars.

You unravel and moan his name, feeling your face heat up after it slips out.

"Fuck yeah," he breathes, pounding you through it.

He abruptly pulls out, and you whimper at the loss. You start to protest, but he takes your panties all the way down, leaving your twitching pussy bare. He forces you around to face him, then bends his knees and you put your arms around him as he lifts you. You wrap your legs around him, and he sinks you onto his stiff cock, letting out a grunt as he bottoms out. After adjusting your weight, he walks you to your nearby bed. With each step, your clit rubs against him.

He lays you down and folds you into a mating press. His thrusts are hard and deep. "ungh," he grunts, "yeah," another thrust, "ohh fuck, " he bottoms out and throbs, warmth gushing into your depths. "God damn, baby." With another hot burst, he deepens the mating press, determined for his seed to take. Your thighs feel a deep stretch. He hovers over your face, and a drop of sweat hits your cheek.

Breathing heavily, he inches back then thrusts forward again, repeating this action a few times as his balls empty. The last thrust ends with a sigh. With his work done–for now–he stays inside and keeps you in the mating press. He wets his lips, admiring your face. “God damn, you look hot like this.”

"yeah?" You reply.

Nodding slowly, he dips his head and scans your body with hungry eyes. He can't help but pull his hips back an inch to admire the sight of your cunt spread around his fat cock. And God damn, what a sight. Not planning on pulling out any time soon, he fully sheathes himself with a low, soft grunt.

"shit, I oughta clear my schedule," he muses, glancing up from where your bodies are joined. He subtly nods and shifts his eyes around as though thinking it over, rocking his hips absent-mindedly. "Yeah," he concludes, "if this don't take ... take ya to my place 'til it does."

--

--

--

Basement Breeder Adjacent

Night walks Joel has breeder energy but only with reader.

For breaking into your basement, Sleeping Beauty - CNC home invasion / somnophilia with another night walks doppelganger.

For serial breeding, a post-outbreak one shot, the old fashioned way, a different Joel and he's a real professional, not a creep.

TYSM for reading, friends. And truly, thank you for your engagement and support. You're a light in my life when it's in shambles lol. Love y'all 🫶🏼

[cassdrawsthings]

God, that was my whole fucking childhood in a nutshell.

You know what I love about it?

I've made a list.

Won't you take a moment to read about all of the things I love?

I think you'll enjoy it

I'm excited to share things with you :D

Love being gaslit into thinking that every single problem is a problem with me.

Love being constantly abused by society every single step of the way.

Love being psychologically tortured non-stop for literal years by peers who treated it as a sport.

I wish I could make friends

Love being psychologically tortured non-stop for years by adults out of spite that I went to for help.

Love having my joy and sense of wonderment beaten out of me during a time of nurturing.

What did I do wrong?

Love living as an adult in a child's body.

Was it something I said?

I love every attempt at human connection and every attempt to share my interests being aggressively rejected and being punished for even trying.

I love how it was seen as especially noble that I would spend time with the nonverbal autistic kids trying to find new ways to communicate with them when they were among the very few who seemed to understand me.

I'm sorry I didn't mean to bother you

I love seeing nonverbal autistic kids being seen as obnoxious lumps of flesh incapable of thought or agency by people who make no real attempt to adapt to their needs.

I love being told I have no sense of empathy by people who act like unfeeling psychopaths towards me when I dare to simply exist around them.

I love being called a retard by my classmates for struggling to use spoken language under stress.

I love being pushed to the point of abject desperation, being backed into a corner and drowning in abuse and neglect and isolation and feeling completely and utterly hopeless.

Please just leave me alone

I love having my desperate struggle for basic survival labeled as "anger issues."

I love having nobody to turn to for company but my pet cat.

I love crying myself to sleep every night.

I love spending every day yearning to return to the before times, hoping that everything is just a horrible nightmare and that I would wake up one day in a kind world.

I love being disappointed every time.

I love waking up into different variations of the same horrible, traumatic day instead.

Over.

And over.

And over.

And over.

And over.

And over.

Please, I'm trying my best

And over.

And over.

And over.

And over.

And over.

And over.

And over.

And over.

I love losing hope.

I love wondering why I had any to begin with.

I love trying to run away and making it a block before breaking down and sobbing alone in the cold winter rain.

And over.

And over.

And over. What do you want from me

And over.

And over.

And over.

And over.

And over.

And over.

And over.

And over.

And over.

And over.

And over.

And over.

I loAnd over.

Ov

Er.

I love forgetting how it feels to have the gentle wAnd over.armth of sunlight on your skin.

And over.

And over.

And over.

And over.

And ovI love accepting that this horrible, cold, lonely tunnel is my new life.er.

And over.

And over. Please I just want an honest friend

And over. I just want to be loved

I love accepting that there is no light at the end of this tunnel.

And over.

And over.

And over And over

And over I love you Lula, you're such a good kitty

And over I love that you spend time with me

And over thank you for being a warm, gentle thing

And over for me to hold close to my heart

And over. Such a sweetie

And over.

And over.

And over. Such a kind soul

And over.

And over.

And over.

And over.

I love holding my stuffed animals close and sobbing as I apologize over and over and over and over and over and over and over and over and over and over and over and over and over and without even knowing what I'm apologizing for. and over and over and over and over and over and over and over and over and over and

And over.

And over.

And over.

And over.

And over. I have poured so much love into my stuffed

And over. animals

And over.

And over. Maybe someday I will have that love

And over. returned to me

And over.

And over. and I won't be so sad

And over.

And over.

I love having the school's principal, the only adult in my life that would extend kindness and understanding to me, being out sick for days without explanation.

And over.

And over. Lula's fur is so silky soft

And over.

I love the pain turning to a dull, crushing ache.

And over.

And over. It's a good soft texture in a world of

And over. bad textures and bad people

I love days turning to weeks.

And over.

And over.

A

I love becoming desensitized

And over please get better soon it's gotten so bad

And oer please come back I'm begging you

A d ov r

I love weeks turning to months.

I love becoming depersonalized.

And over.

And over.

And over.

I love the temporary substitute.

And over.

And over.

I love how I'm a problem to solve.

And over.

I love being told he's getting better.

I love being lied to.

I love being gaslit up until the day of his death.

I love begging God for just five minutes to say my goodbyes and thank him for everything he did for me.

I love getting no reply.

I love dreaming of monsters pretending to be him.

I love waking up to monsters pretending to be him.

And overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAm I in hell?And overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd over

I love giving up.

I love having nothing left to live for.

I'm so sorry

I tried my best

It wasn't good enough

Maybe it's my fault after all

Maybe I didn't deserve life in the first place

I love walking home with my sister and the dipshit neighbor boy.

I love that not even the walk home from school will grant me peace.

I love how he's a total asshole all the time to me for no fucking reason at all.

I love when I finally snap.

I love deciding that I'm done with all of it.

Maybe this is my freedom

I love trying to jump into traffic.

I loveAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAHell would be better than this.And overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd over

And being pulled out of traffic by my sister

I lovenot to stop me from killing myself

I love ovbut because it seemed like I was just being a complete impulsive spaz like always with no self control

erIloveyoululakittyIloveyoululakittyIloveyoululakittyIloveyoululakittyIloveyoululakittyIloveyoululakittyIloveyoululakittyIloveyoululakittyIloveyoululakittyIloveyoululakittyI

I love you Lula kitty more than anyone else in the whole wide world, thank you for letting me talk and listening to me and not being mean to me

I love being stuck here

I love being trapped

I love being denied even the kindness of death

I lo

Ilo

I love breaking my arm and getting a silver sharpie in the hopes that someone will sign it.

I love that nobody ever did.

I

No

ilha

Over and over and over and over and No.

I love I've fucking had it

Į løvè being crushingly alone

I love I've absolutely fucking had it I'm done with this

I love You know what I have bent over backwards and

I love done everything I can to destroy everything

I love about myself that brings me joy just so that

I love feeling the warm light return.

I love you would allow me to exist and survive

I love getting lost in imaginary worlds on the computer that let me pretend I live in something other than this godawful fucking torture chamber where every sound stabs into me like knives and every texture rips at my skin like knives and everything is trying to cut me to pieces like I tried to kill myself when it became clear that I could not so much as breathe wi autistic retard stupid useless piece of shit crybaby anger issues retard retard retard stupid idiot retard can't spell words out loud stop being such a fucking crybaby all the time retard freak retard retard retard degenerate piece of garbage annoying piece of shit thout being torn down and beaten into submission

I love it turning into a harsh, dry, burning feeling.

I love when people leave me alone and let me draw in What do you want from me peace.

WHAT DO YOU WANT FROM ME

WHAT DO YOU FUCKING WANT FROM ME

I TRIED TO GIVE UP MY LIFE FOR YOU AND YOU WOULD NOT TAKE EVEN THAT

DO YOU THINK MY ENTIRE FUCKING EXISTENCE IS JUST TO BE YOUR AMUSING LITTLE PUNCHING BAG

YOU KNOW WHAT, YOU CAN'T TELL ME TO SIT DOWN AND BE QUIET ANYMORE WHEN YOU WILL NOT FUCKING LET ME

I'VE FUCKING HAD IT

NO, THIS IS NOT MY FUCKING PROBLEM

IT IS NOT MY FUCKING PROBLEM THAT MY ABILITY TO LIVE MY FUCKING LIFE IS SUCH A MASSIVE ISSUE FOR YOU

I'M FUCKING SICK OF ALL OF YOU AND I'M NOT GOING TO TAKE THIS ANYMORE

YOU CANNOT TELL ME WHAT TO DO, YOU CANNOT MAKE ME SIT STILL AND BE QUIET

YOU CAN TORMENT ME, BEAT ME, HARASS ME, CALL ME STUPID STUPID RETARD FUCKUP STUPID ANNOYING HAHA YOU SPILLED YOUR MILK AT LUNCH AND GOT UPSET AND EVERYONE SAW AND IT WAS EMBARRASSING AND ALL YOU WANTED WAS FOR PEOPLE TO STOP LOOKING AT YOU AND

I love IT'S SOOOO FUNNY THAT WE CAN SET YOU OFF JUST BY SAYING MILK NOW HAHAHAHA HAAHAAHAHAHAHAHAHA AHAHAA HAHAHA

BUT YOU CANNOT FUCKING CONTROL ME ANYMORE

I love my lula-boo, my sweet little kitty understands me.

I love how even an animal is capable of more kindness and empathy than you people.

I love that I'm fucking allowed to rock if I want to.

I love deciding that I am not the fucking problem and if people want to have a problem it is theirs to fucking deal with.

I love trying to hit someone that was trying to hurt to me and being punched in the stomach as hard as he could manage.

I love crumpling onto the cold metal grating in agonizing pain and struggling to breathe while the teacher yells at me for being late to line up.

I love deciding that I can just make myself throw up and go home for the day because I'm sick.

I love that You can't fucking stop me. What are you going to do. What could you possibly do to me that's worse than the last five years of And overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd. Do you think I care anymore? Do you think I have anything left to lose?

I love that What, I can't even share the time of day with you people without someone hitting me or telling me to shut up and nobody cares about your stupid fucking Mario games. And you expect me to fall in line and write kind words for my classmates just because they're honored student of the month?

I love that Maybe I'll have some kind words for them when they stop tormenting me and fucking apologize.

I love that Fine. Send me to the fucking principal's office. See what I care about being removed from this situation.

I love that Maybe I'll have some kind words for them when they realize what they've done to me and understand how I feel.

I love that Maybe I'll have some kind words for them when they're the ones trying to kill themselves for once to escape their burden of guilt.

What happens at the end of eternity?

I love that I'm so desensitized to suicidal thoughts that it's not even a taboo subject to me anymore. It's just the fond childhood memories to me at this point.

I love being followed for years.

I love glancing over my shoulder and seeing it close behind every time.

I love having my experiences denied for years.

I love people shrugging it off.

I love being told that they did everything they could but their hands were tied.

I love being a scarred, mutilated corpse of a person for the rest of my life.

I love that I can't share about my special interests without constant flashes of anxiety that I'm going to get yelled at.

I love that I constantly have to worry that maybe this is all just a lie and that they're just putting up with me and that it's the same as always.

I love being told things will get better by people who do nothing to make it so.

I love being told that they can't do much for me now but I'll do great in college.

I love that I have no recourse for what happened.

I love being an unfortunate case that shouldn't have happened but they can't do anything about it.

I love being told that people in the school administration were made aware of my case and that they're going to try to make adjustments to stop it from happening again.

I love not being asked for my thoughts.

I love that nonverbal autistic children are still in the same Special Ed class they've always been in.

I love that they're still treated as obnoxious lumps of meat without agency or worth.

I love being told things are better.

I love how the scars remain.

I love the flashbaWHAT DO YOU WANT FROM ME LET ME OUT LET ME OUTcks.

I love being told that "low-functioning autistics" have other issues and not everybody is ready for the same kind of dignity and fair treatment and respect.

I love that I'm too autistic to be treated with dignity and too good at masking to be given accomodations.

I love having the nightmares.

I love dreaming of monsters pretending to be him.

I love having to relive those five yearsAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAHell would be better than this.And overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd overAnd over in my dreams.

I love how nothing is wrong now.

I love how the majority of my life has been spent emotionally-dead and completely isolated out of fear.

I love living in the same room that I spent so many years weeping in.

I love being haunted by the ghost of a sobbing, lonely child.

I love worrying about if I'm allowed to flap and rock around.

I love worrying if people think I'm weird for touching the cloth and clothing in the store to feel its texture when it looks nice.

I love worrying if it's okay to mention that a sound is hurting my ears.

I love worrying if I'm allowed to share my interests with people.

I love worrying about whether people will start to do it again.

I love being an adult in a child's body.

I love being a child in an adult's body.

I love being gaslit.

I love hearing the piercing fluorescent whine.

I love seeing the disorienting fluorescent flicker.

I love the cold, gross light cast upon everything I can see.

I love the resigned expressions on people's faces when I tell them about it.

I love the fond childhood memories it stirs up.

I love the lamp.

I cannot stop thinking about the lamp.

I know nothing of the lamp but it consumes me nonetheless.

I love living in a prison of my own flesh.

I love being a child in an adult's body.

I miss you, Lula.

growing up autistic / growing up gaslit

I.

this is the first lesson you learn: you are always wrong.

there is no electric hum buzzing through the air. there is no stinging bite to the sweetness of the mango. there is no bitter metallic tang to the water.

there is no cruelty in their laughter, no ambiguity in the instructions, no reason to be upset. there is no bitter aftertaste to your sweet tea, nothing scratchy about your blanket.

the lamps glow steadily. they do not falter.

II.

this is the second lesson you learn: you are never right.

you are childish, gullible, overly prone to tears. you are pedantic, combative, deliberately obtuse. you are lazy, unreliable, never on time.

you’re always making up excuses, rudely interrupting, stepping on people’s shoes. you’re always trying to get attention, never thinking about anyone else, selfish through and through.

it’s you that’s the problem. the lamps are fine.

III.

this is the third lesson you learn: you must always give in.

mother knows best. father knows best. doctor knows best. teacher knows best. this is the proper path. do not go astray.

listen to your elders, respect your betters, accept what’s given to you as your due. bow to the wisdom of experience, the education of the professional, the clarity of an external point of view.

what do you know about lamps, anyway?

[stclaretarot]

PAC ⭒ YOUR NEXT MAJOR BLESSING

reminder that this is a general reading and messages found here may not apply to everyone. take what resonates, leave what doesn't, and don't force anything if it does not fit.

BOOK A READING WITH ME · LINKTREE · 18+ PATREON · TIPS ♡ tips, bookings, and feedback are highly appreciated!

GROUP ONE

cards pulled · page of swords (reversed), five of wands, king of pentacles (reversed), ace of swords, eight of wands (reversed), temperance. 

channelled songs · dream merchant by the new birth. new axis by nct u. worth my while by manny norté. 

my dear group one ♡ what’s coming up may not feel like much of a blessing as, truth be told, it is a blessing of tough times and times of challenge. 

as this unfolds in your life, remember this one truth: “no rain, no sunshine.”

without difficulties and challenges, will we ever truly appreciate when things are easy? when things are going well? when things are falling into place? 

without these difficulties and challenges, will we even know what it’s like to be happy and at peace and content? whose to say, but i say no. i say we need the darkness and the misery and the pain to truly know light and happiness. to truly marvel in the blessings being showered upon us. 

so, as you go through this, dear, remember that this, too, is a blessing. that you are being blessed with hard times as much as you will be blessed with good ones. that you are being blessed with patience, and perseverance and an inner-strength. 

remember, too, that “blessings” are a manmade ideal. god bestows, and humans decide if this is a blessing or a curse. it is all about perspective. 

GROUP TWO

cards pulled · queen of wands (reversed), three of pentacles (reversed), eight of swords, six of cups, eight of cups, death (reversed). 

channelled songs · get out by pinkfantasy. wake me up before you go-go by wham! i’m every woman by whitney houston. 

my dear group two ♡ your next major blessing sees you settling into yourself -- likely out of no other option but to settle into yourself. out of no other option but to become comfortable with yourself, in your entirety. 

you are being forced into this role of the “outside” -- in your community, school, or workplace. you are different from those around you. your views are different from those around you. and that is your strength. that is your blessing. 

you are not meant to be the same as everybody else. to share everybody else’s perspectives. to live everybody’s life. and sometimes we have to truly become isolated and feel not just alone but lonely in order to embrace who we truly are. 

are that is what this is doing, how this is blessing you. you are going to blessed with this experience that pushes you to be completely unique and original. to honour your uniqueness and original ways of thinking. to forge your own path and create a life for yourself that is truly your own. 

GROUP THREE

cards pulled · eight of swords, page of swords, knight of pentacles, seven of pentacles, knight of cups, three of pentacles. 

channelled songs · i am the best by 2ne1. middle of the night by monsta x. infinity by superm. 

my dear group three ♡ your next major blessing is a blessing of clarity. clarity of the mind. 

the fog is being lifted from in front of your eyes and any confusion you may have felt (or held in your mind) is now gone for good and for the better!

up until now, you have been wandering aimlessly. putting one foot in front of the other because while you do not know where you are going, you know that you cannot afford to stay in one place for too long and rot. rot. rot away. 

but no more! you are going to receive this blessing of knowing exactly what you want to do, exactly what you want to out of life, and exactly who you want to be. 

honestly, dear, this is such a major blessing, because after so long of trying and trying and trying, things are finally coming together in your life. 

GROUP FOUR

cards pulled · two of swords, judgement, nine of wands (reversed), seven of swords, the world (reversed), the star. 

channelled songs · run this town by jay-z & rihanna. stop by lous and the yakuza. put my hands on you by dean & anderson. paak. 

my dear group four ♡ this major blessing is another one of those “blessings in disguise.” though, to be fair, aren’t most blessings? 

but, now, for you, this is a blessing of fake friends and fake supporters being revealed and promptly removed from your life. all these snakes in the grass, lurking, spying on you and waiting for the vital moment to strike and hurt you. these people who are faking friendliness to your face, but are waiting to stab you in the back. these people will be made known to you soon. in a drastic way. 

what you do with this is up to you, however. will you take this blessing for what it is and cut them out, thus making space for true friends and supporters? for people who actually do have your best interest at heart? or will you forgive and forget, allowing naivety to take the reins? which, may be hard as these may be friends you’ve known for a long time. or a family member. or a lover. 

a blessing is a blessing is a blessing, but what’s most important is what we do when we are presented with one. what are you going to do? 

[archangeldyke-all]

I’m BEGGING for angst to fluff to casual by Chappell with Sevika

I’m PLEADING for “working opening shifts/weekday shifts when Sevika doesn’t come in at the last drop” to Punisher by Phoebe Bridgers and reader falls in love with Sevika once they finally meet. (I will physically pay you for this one xx)

ohhhh my gosh the phoebe one..... holy shit...

listen to punisher here

men and minors dni

i love a good place to hide in plain sight...

you're one of the most popular nameless faces in zaun.

you know the name of every of the last drop's regular customers. you overhear gossip and plans and drama about some of the biggest people in the city. the liquor you slide across the bar for a living makes everybody's lips loose, and you know more secrets than any one person should know.

but nobody knows your name.

customers call theiram 'chuck.'

they call you 'doll.'

you don't mind it. knowing how to go unnoticed, how to keep your head down-- that's what's kept you alive this long in zaun.

but it gets lonely.

when there's a birthday at the bar, you're the one to pass out party hats and pull out the sparklers. last year, you ate a cupcake alone on your front porch to celebrate your own.

when you bump into strangers on the street on your walks home, you apologize with a duck of your head. it's either your familiar face and the fact that you pour their drinks; or the meek way you shrink in on yourself-- but they let you go each time.

when you clock out, if you're lucky, you'll time your leaving to overlap with sevika's arrival. and, for just a moment, you can pretend that she knows you as well as you know her.

what if i told you i feel like i know you?

you've known sevika your whole life.

you're certain she doesn't recall, but when you were children, sevika caught you shivering and cold-- the cardboard box you were living in soaked through with rain. she lent you a jacket and all the pocket change she had. she even smiled at you.

you were a barback when she was running with vander. you were there when she turned her back on the man-- when she chose her city over her friend.

you were there to watch her deteriorate under silco's employ. first her arm, then the various beatings she'd be doled each month, then the arrival of the dark bags under her eyes.

on occasion, she'll get belligerently drunk, loitering at the bar far after close, there to greet you when you open again the next day. on these days, you're the one to give her a glass of water and walk her home safely. her home is always a mess. the star patterned blanket you pull over her shoulders is so old it must be from her childhood.

but we never met...

silco dies, and everything goes to shit.

there's a week there where you're too busy avoiding the grey to worry about work.

and then there's the war.

and then...

the last drop is just a pile of rubble. jinx and isha are just as dead as the bar. and sevika is named ambassador.

here everyone knows you're the way to my heart. hear so many stories of you at the bar. most times alone, and some looking your worst. but never not sweet to the trust funds and punishers...

ran and thieram rebuild the bar. they offer you a job. you're right back where you've always been-- standing behind a bar and eavesdropping on people with real lives.

from time to time, you'll hear about sevika.

sevika, who's lost everything. sevika, who lives in piltover now. the thought makes you snort-- you can only imagine the glare permanently imprinted on her face now.

sevika starts welfare programs for zaun, slowly but surely. schools open, widows and orphans are paid, and more bridges start being built across the river.

sevika doesn't smoke. sevika doesn't drink. she quit for a girl who's dead now. but occasionally you'll hear that she's been sulking around piltoverian bars, nursing a fizzy juice and looking haunted.

you'll hear that she doesn't scowl at people who approach her anymore, instead, she signs pictures of herself with a resigned smile that doesn't quite reach her eyes.

you'll hear rumors that ambassador sevika can sometimes be heard quietly crying from her office.

sometimes, you'll walk by her old apartment. you wonder who lives there now. you wonder if she remembers those walks, if she remembers you.

you know she doesn't.

still, it doesn't stop you from crying for her.

i can't open my mouth and forget how to talk, 'cause even if i could i wouldn't know where to start, wouldn't know when to stop.

sevika's all alone in piltover and you're all alone in zaun. you wish you'd said something to her but you don't know when you could've.

maybe when you were kids, though you didn't know you were in love with her then.

maybe when you were strangers, though she would've simply laughed at your words.

maybe before she left zaun, though it happened so fucking fast.

you trail down the winding streets of the city she built, sipping on a bottle of her favorite whiskey, crying for her. for how lonely she must be. for how much she lost. you find yourself in front of her old home, like your feet have a mind of their own.

for a moment, you let yourself close your eyes and pretend that you're walking her home again. the woman you've loved your whole life-- the woman who doesn't know your name. you imagine the drunken slur of her voice, the stumble of her mis-matched boots, the warmth of her arm around your shoulders.

"dollface?" someone asks. your eyes fly open, and you blink at the woman in front of you. "what're you doin' here?"

sevika's wearing pajamas, her hair's a mess. she's got sand in her eyes that she's rubbing gently as she examines you from her front stoop.

you blink then stumble forward, reaching a shaky hand out to grab sevika's shoulder. she's real, solid and warm under your grasp. you gasp.

"have you been crying?" sevika whispers, her voice soft, her touch even softer as she reaches up to cup your cheeks.

there are a million things you want to say. i love you. i miss you. i am so sorry for you. for what happened to you. what are you doing here, don't you live in piltover? you look so tired. let me hold you, just for a day? let me tell you every single thing i love about you, i've got a list that's thirty years in the making. do you know who i am? do you know my real name? do you remember the nights you'd walk home with me under your arm? do you know those were the best nights of my life? do you remember when we were kids and you lent me your jacket? do you know i still sleep with it under my pillow?

but sevika's time with the pilties must've really softened her up, because instead of telling you to scram or spit it out, sevika reaches forward and pulls you in for a hug. "it's good to see you." she whispers against your shoulder.

you sob as you cling to her.

you don't think you'll ever stop crying.

you don't think you'll ever let go.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@kissyslut @chuucanchuucan @badbye666 @femme-historian @lia-winther

@lavenderbabu @emiliabby @sevikasbeloved @hellorai @my-taintedheart

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen @annesunshiner

@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke

@strawberrykidneystone @sevikasfan @fict1onallyobsessed @dvrkhcld @sweetybuzz25

@sluttysierraaa @snake-in-a-flower-crown @ruiwonderz @littlemisszaunite @biblicalcrybaby

@blackgaladriel @nightlyconfusion @dancingqu33n17 @losernb

[sevikasbooyahh]

𝐍𝐎𝐓𝐇𝐈𝐍𝐆 𝐄𝐕𝐄𝐍 𝐌𝐀𝐓𝐓𝐄𝐑𝐒

Pairing: Caitlyn Kiramman x Reader

Summary: It’s been a few days since the war ended, Caitlyn is recovering from her injuries. Despite that, she still has the responsibilities of a Kiramman that weigh upon her. Luckily, she has you to ground her.

A/N: Love my wife DOWN—this is a bit long cause I just love writing from her perspective (in a way). This is her late birthday present :3

She looked through the scope of the sniper with her remaining eye, focused on the target; the bright red spot in the middle of the silhouette head.

Bang!

The golden bullet soared through the air, the Kiramman crest implanted on it shining through the air. A quick swish interrupting the silent atmosphere.

It missed the bullseye, by a few inches.

Dammit.

She growled under her breath, looking down at her sniper. The sound of it slamming onto the ground echoed through the empty room.

She’s been in here for quite a while, hours. She didn’t get a single shot but was determined to stay until she got one. Talk about stubborn.

She’s known for her excellent shooting skills, one of the best in Piltover. And now…she can’t even hit a single bullseye.

What a disappointment.

What would Grayson think, seeing the girl she trained in shooting, not even able to hit the target?

What would her mother think? Her daughter had done so much damage. Went against her morals and now deeply regretted it, the amount of guilt she felt is a consequence itself.

What a disappointment.

She attempted to take deep breaths, a practice she’s been working on with you. But the feelings kept bubbling up, like an active volcano, on the verge of a damaging explosion. So caught up in her thoughts, the sound of your footsteps didn’t register.

“Cait?,” you tilted your head into the room, watching her stiff form slightly relax at the sound of your voice. She didn’t look back, shame settling in from her outburst.

“Baby, you’ve been in here for hours, it’s starting to get late,” you spoke to her gently, being careful not to aggravate her any further.

“I still have work to do,” the words came out in a cold tone. She turned her head in your direction, didn’t look at you.

A sigh is all she received in return. “Don’t stay up all night,” with that, you walked back down the hall; heading to the bedroom.

The room was incredibly spacious, its tall ceilings and wide walls created a relaxing environment. In the middle was her bed, a queen size, large enough for the both of you.

Her wealth was a privilege, she is privileged. She realized at a very young age, not everyone has what she has. And that always plagued her thoughts, especially when she first saw Zaun’s condition.

Do your part, help those who are oppressed under this system.

It was always felt like her responsibility.

—★—

In her office, Caitlyn stared at the letter in front of her, sent by the council. She hasn’t visited a meeting ever since she declared her position as a decorated officer; firmly explaining her objectives to take down the system in Zaun.

Dear Ms. Kiramman,

We call you to a mandatory meeting, tomorrow at noon. There are many issues to be discussed.

- The Piltovian Council

She bit the inside of her cheek, going over the words several times. Ever since her mother’s passing, the chair was passed onto her. Although, Mel, near a sister to her, advised that she took the time to grieve, so much for that.

The mage was going to leave for Noxus, it saddened her, even if she would visit and send letters; it wouldn’t be the same.

She isn’t completely lonely, she has her father, and you of course. It’s like an itch, it won’t go away.

Maybe it’s because the older woman was the sister she always wanted. Similar to how Jayce was the brother she never had. Now he’s gone…left another hole that she can’t fill.

—★—

It was past midnight, the cold air from the open balcony door provided at least a touch of fresh air. You forced yourself to stay awake, waiting until Caitlyn came back to bed. Even while in and out of sleep, she was the first thing on your mind; knowing she was cooped up in her office, trying to rush through paperwork that wasn’t due until weeks from now. She’s been working herself to the bone. You were afraid that if she kept pushing and pushing, her body would drop from exhaustion.

The door creaked as it slowly opened then shut. She stood there for a moment to test if you were awake; she got her answer when you turned around to look at her. The dark lighting of the room preventing you from seeing her features.

The sheets crinkled under you as you got up from the bed; taking her hand and leading her to her bathroom. “I know you haven’t been properly taking care of yourself. I can smell it,” you scrunched up your nose, attempting to lighten up the mood. The slightest smile traced her lips but faded as fast as it came.

You carefully undressed her, revealing her bare body, nothing you haven’t seen before. Your finger traced the stitches of where she had gotten stabbed; trailing it back to her eyepatch.

“You can take it off, you know?” You looked at the patch that matched her hair. You had to admit, it was adorable.

All she did was give a single nod, slowly removing it—the hidden eye finally seeing the light. Doctors had to perform a tarsorrhaphy, as her eye would not be able to close on its own.

It didn’t bother you because it ‘altered’ her appearance but that she would struggle. Her depth perception was poor, she wasn’t able to navigate how far away objects are. It hurts your heart to see that she’s been getting so frustrated with herself and having occasional outbursts.

You zoned back into reality when she turned on the hot water, steam soon filling the room. She didn’t like her showers just hot but boiling. It concerned you at one point of how her skin didn’t get irritated.

She stepped in and her shoulders slightly dropped, bowing her head down. Stepping in behind her, you grabbed her wash cloth and lathered it in soap.

You rubbed the cloth against her body, cleansing her skin. She moaned quietly out of relief, she really needed this.

—★—

A strangled gasp escaped her mouth; gasping for air as she awakened. The nightmare playing on repeat in her mind.

Jinx. Torture. Gun to her head.

She hardly talked to you about her time with Jinx. How deeply it affected her. Her mother’s death was the tip of the iceberg. What that girl did to her haunted her every night afterwards, she couldn’t even bathe by herself. It was you that got into the shower every night and protected her from the hallucinations that lingered.

You knew what happened as soon as you felt her jolt. Reaching to the nightstand and flicking on the lamp, partially lighting the room. You could see her clearly.

Her chest moving up and down with every breath she took. The sweat dripping against her pale skin. How her eye was wide and scanning the room as if cautiously looking for somebody.

She sighed, lying her head back down on the pillow. “I’m sorry..” she whispered, the words cracking like an object under pressure. “I—I know I’ve been distant as of late. I just…everything’s coming back to me. It’s overwhelming, like I’m suffocating.”

Pressing your body against hers, you held a hand to her cheek, gently stroking your thumb near the eyepatch. She leaned into your touch, her eye closing at the soft sensation of your palm—savoring it.

“You’ve been through so much, we both have, and that’s not stopping me from loving you.” You lift her head to where she’d meet your gaze.

Water swelled up in her eye, though she tried to blink it away, a tear still fell. You didn’t wipe it away, instead letting it linger.

“I’m here,” your soft whisper caused her to finally break. Her eyes squinting as she let out a quiet sob, burying her face into your neck. It’s the one place where she felt safe, secure. Your hand rested on the back of her head, stroking the deep blue hair.

“I…” she sniffled, “I don’t deserve you.” You never wanted to hear those words coming out of her mouth. Sure, maybe she didn’t deserve you, her actions needed to come with consequence. But from what you’ve seen, she’s been beating herself up over this.

And after all that she’s been through, you never gave up on her. Even if her grief led her actions, resulting in chaos.

You were determined, and that’s what she loved most about you.

“Nothing will stray me away, okay? We’ll get through this together.” You looked down at her for confirmation. She lifted her head, giving a small nod.

She slowly wiped her tears away, “I think I need a break,” she admitted with a humorless laugh. “I’ve been so focused on trying to fix everything that I set unrealistic expectations. I can’t do everything but…what am I going to do?” She looked into your eyes, searching for an answer.

“What you need to do is take it slow, progress doesn’t come immediately. Patience is the most valuable thing you can have right now.”

The words seemed to get through to her, thankfully. But all she really wanted—needed right now, is you.

You laid back down on the soft but firm mattress, pulling her down with you. “Try and get some actual rest,” her head rested on your chest, cheek pressed again it. Her long legs tangling around your frame, pulling you closer as to mold herself into you.

“I love you..” her muffled words vibrated across your body. “I love you too,” you smiled as your eyes began to close.

She couldn’t ask for anything better.

A/N: Definitely the longest fic I’ve written in a while, it shows how much I love her!

[revelboo]

I’m here for Soundwave stealing away reader from Starscream. It’s a very likely scenario to occur if Starscream continues to be his own downfall but it’s amusing to consider nonetheless the less because he knows that is an outcome that can happen.

He absolutely would at this point if reader wasn’t fully bonded to Starscream. He’s just trying to keep Star from dragging you with him when he self destructs at this point

Everything Is Alright Pt 106

IDW Starscream x Reader, Soundwave x Reader, Megatron x Reader

• “Megatron.” Turning at Soundwave’s deep voice, he waits for his communications officer to catch up to him. “A word?” Servos flexing because he can still smell you on Soundwave, he inclines his head. Starts walking again with the other mech and waits for Soundwave to begin speaking again. Because this is about you, he knows it is. And you’re a problem. The way his spark heats when you glare at him or snap back an unexpected thrill. Afraid, but willing to stand up to him for your mates, but not yourself. Why does he care when you really shouldn’t matter.

• “This is about the human. Your mate.” Ignoring the thinly veiled growl in Megatron’s voice, Soundwave nods. Carefully. If Megatron realizes he’s being manipulated, he’ll never cooperate. So he waits and walks, feeling when Megatron glances sidelong at him, optics narrowed. “Why a human?” Because of the way you smile when you see him, though those have been fragile things lately because of his own actions. Because he loves the chaos of your emotions within his thoughts, those soft hands, having someone that doesn’t mind if he’s too quiet. If he’s lost in thought. The way you trace little patterns on his plating when you’re drowsy and the way you never shy away when he reaches for you. That soft voice talking to him about anything and everything. All things he can’t say to Megatron.

• “Easy to control,” Soundwave replies and Megatron’s lips twist. Because he’s almost certain that’s a lie. No, definitely a lie. Remembering the affectionate way Soundwave had brushed his cheek against you and feathered kisses against your skin. Murmuring to you as you curled into him, trusting yourself fully to his care. And part of him wonders what that would be like. Someone waiting for him, happy to see him and with no ulterior motives behind their smiles. He’s lonely, but he’s been lonely a very long time. Letting his reputation and temper keep everyone at bay.

• “The truth,” Megatron admonishes, voice soft and Soundwave vents. Tiredly reaching up to press his servos against his chassis over his cassette compartment. Can still sense your emotions despite the distance. That incomplete bond a tie to you. A way to ensure the Seeker can’t just run away with you. And a gamble that you’ll hopefully survive Starscream if he won’t stop clawing for power. If Megatron ends him once and for all because of the Seeker’s own treacherous actions, you don’t deserve to die with him. And he doesn’t know how this will work. If he‘ll be tied to Starscream’s fate alongside you if he fully bonds you or if it might spare you. Spark bonds are a taboo and who knows which or if any of the old stories are real or just legends.

• “Happier since finding them,” Soundwave admits. That isn’t a lie, his communications officer looking at him as if daring him to judge. And he really can’t. Because he understands as much as it makes him uncomfortable. Likes speaking to you despite the fact that you’re beneath him. Insignificant. “Less lonely.” And that strikes home.

• “I don’t know what that means,” you whisper and that hint of miserable fear in your voice pierces Starscream’s own worries. “I don’t know what a protoform even is.” Feels when you start to tremble and wraps his arms around you as he realizes that he’s not the only one completely lost in this. You’re worried and scared, too. “I need someone to talk to me, okay? Please?”

• “I know.” Raspy voice low as he tucks you more firmly against him, chin resting on top of your head. “We’ll do this together.” Feeling his palm sliding up and down your spine, you desperately want to believe that. That he’s not going anywhere. That he won’t panic and run again. But you’re not sure that you can anymore. “Figure it out together.” And you need to believe that so much it hurts, but can you?

Previous

Next

[miedei]

hii, i saw your requests are open, so i was thinking how about spencer and reader have a fwb thing going on, but he always told her not to get attached, so she breaks things off and spencer seems fine with that, until he realizes that she goes on dates with other people so maybe they fight about it and they confess their feelings

YES i love this concept nonnie my love this is amazing

not jealous

wc: 1.2k

ex-fwb!spencer gets jealous, but he doesn't have any feelings for you... right?

cw: a little suggestive i think, i can't be held responsible for the things i think ab spencer reid, wrote this in a fugue state that's the only way i can explain this

(PS: reblogs are the only way to promote fics on tumblr! please reblog if you enjoyed it :) )

mlist

Penelope Garcia is one of Spencer's favourite people in the world, but at this very moment he feels the shameful urge to tell her to shut up.

"Honey, you'd love him! He's a doctor at the hospital a few streets down, so he understands the whole married-to-the-job thing, and he's smart! Just one date, my love, please? You can totally ghost him afterward if you hate him, though I don't think you will," Garcia is perched on your desk, right across from Spencers, so he can't tune this out, despite his repeated attempts to.

You can't help but sigh, staring up at Garcia as she continues to speak. She means well, you know that. You never told her what happened, but she can tell that you've been lonely, and she's doing everything she can to help.

You can't tell her, you know that, but it doesn't stop you from wanting to.

"It's probably best if we stay like this. We can be coworkers, friends. It'd be easier if we stay unattached."

The words Spencer said to you months ago are still fresh in your mind. You'd agreed, drunk on the feeling of being wanted, and you were aware that feelings would make things more complicated. You knew that, and yet-

"Spencer, we need to stop. I can't do this no-strings-attached thing anymore."

"Then we can- we can stop. We'll stay friends, right?"

"Right."

Months of stolen moments, hotel room beds, and tangled limbs had gone to your head, and cutting it off had been the best thing to do. Spencer had made it clear that your arrangement was only viable when both of you didn't have feelings, and you knew that.

Getting over someone is hard enough, but Spencer Reid is worse. He's always there, soft smiles and rambling conversations. He seemingly hasn't been affected by the end of your situation at all.

Snapping back to reality, you look up at Garcia, who's looking at you with a hopeful smile. You can see Spencer out of the corner of your eye, staring at his monitor like he couldn't care less who you date.

It's infuriating.

He's over it! He was probably never as attached as you were, why would he care if you date?

"You know what? Give me his number."

"Yes!" Garcia pumps a fist before swooping down to press a kiss to your cheek. "You won't regret this, I swear!" She grabs a business card out of her pocket and hands it to you, squeezing you one more time before flouncing off.

You fondle the stiff cardboard once, before placing it down on your desk.

Spencer hates him. James Lee. The cursive scripture on the business card stares up at him, mocking him as he tries to work. Your desk is always neat, knickknacks all in their proper spot, so the card is out of place, that's why Spencer can't stop sneaking looks at it.

He's a doctor. So is Spencer. Three times over! If you wanted to date a doctor, why not look for him instead of James Lee, MD.

A PhD's much better than an MD anyway. More effort.

He sighs. He's being petulant, he knows that. You're allowed to date people.

Even if Spencer's the one that knows the way you stretch when you've just woken up. Even if he's the one that's felt your skin under his hands. Even if he's the one that's learned how to elicit those sounds from you.

He can't take it any more, rising abruptly from his desk, stomping over to the kitchenette. The coffee pot is nearly empty, and he pours the dregs into his cup, spooning sugar into it with barely restrained movements.

He can hear Emily humming, Morgan tapping his pen against his desk. He can hear you, typing away at your phone.

He can't take it any more.

Stalking over to his desk, he picks up a random file, and stands by your elbow.

"I need to talk to you about this file. Can you help me find the other report?" He all but melts with relief when you set down your phone, following him to the storage room readily.

Being in close quarters like this causes memories to come rushing back, and you can't help the blush that comes to your face. Shaking your head slightly, you look up at Spencer, resolutely shutting out the images in your mind.

"What report are we looking for?"

He looks sheepish, but his eyes are intense as he looks down at you.

"There's no report. I need to talk to you." You tilt your head in confusion, focusing entirely on him. "Don't go on a date with him."

"What?"

"That guy." He nearly spits out his words. "Garcia's friend. Don't go out with him."

What? He's acting weird, completely still as his eyes blaze into yours.

"Why do you care if I go out with him? Garcia said he's a good guy, I trust her."

He shakes his head. "I'm- I'm sure he's normal. Nice. But you shouldn't go out with him."

He's infuriating, dancing around whatever he means.

"Why, Spencer? I think this would be good for me! I want to have fun."

"With him? You don't know him! Why not go out with someone you-" He cuts himself off, his hand flying to his hair in frustration. "Why this guy? Why not someone you know?" If it weren't Spencer, you'd say he was growling, his eyes dark.

Is he angry at you for going out with this guy?

"What? Are you seriously mad at me? For what?" His eyes flash at your words.

"Why date him? Why not-"

"Who would I date? You? Are you angry at me for dating someone else when we never dated at all? Spencer, you wanted no feelings! I did what you asked, I ended- whatever we were, because you said we shouldn't involve feelings!" Your chest tightens, looking away from him.

"What are you saying? You ended it because... Why didn't you tell me?" He ducks his head, trying to meet your gaze. You've had enough. Enough of his maddening words, making you feel bad for doing what he asked of you.

"Spencer, you're being unfair. What more do you want me to tell you? Do you want me to tell you that I wanted more? I ended it because I caught feelings, and you didn't want that, so I told you we had to stop because I couldn't hide it from you, not when we were always together, and-"

You're stunned into silence when his hands come up to frame your face, impossibly gentle as large fingers trace your jaw.

"You're right, I said that." A hand travels higher, cupping your cheek. "I shouldn't have, though. I should've... should've told you."

You can't help but whisper, the intimacy of the moment blanketing the small room in quiet. "Told me what?"

As if in answer, he ducks his head towards you, and you instinctually crane your head upwards to meet his lips.

It's practised, even if it's been a while. Your hands travel up his sides, bracing your palms on either side of his jaw as his come down to grip your waist.

His lips are soft yet insistent, pressing against you like he's trying to impart a message. Lips part, breath stolen, and it's minutes before either of you pulls back.

Your forehead presses against his, chest heaving. His eyes are light, and a breathless giggle leaves his lips as he looks at you.

"Don't go on that date. Please."

"You're going to have to take that up with Garcia."

[galaxyspeaking]

I’m imagining baby zaunite Jayce with a leg injury angrily doing pull ups and getting ripped

Yes, YES. He breaks his leg when he's fifteen so you're completely correct in your headcanon in that he decides to use his growth spurt and recovery time lifting and working out as a way to deal with feeling so powerless. And then he basically never stops.

The reasoning behind that would be that no one will bully/ push around the biggest guy in the room, and by age 20 Jayce just wants to be left alone. (He spends most of his 20s alone in the shop so I guess he gets what he wants but he's profoundly lonely by the time him and Viktor meet. Positively STARVING for human connection)

[halcyonsmoke]

OOOOHHH, this one isn’t necessarily nothing, but again! Thank you for stopping in again on my list of how Manic and The Great Impersonator are sisters! These 2 are both track 12 on their respective albums (and both in my top 3 from each record) we have “Killing Boys” and “Lonely is the Muse.” KB has the line “so where do you go when I don’t need you anymore?” after Ash is feeling discarded and wants revenge, and ironically enough, LitM is from the other side of that coin where they’re feeling discarded again but this time asking “so where do I go in the process when I’m just an apparatus?” The overall feeling of being used and thrown away and the anger that lingers bone deep after those instances…

Oh, nothing, just thinking of Manic and The Great Impersonator being sister albums and how Manic ends with “soft and slow, watch the minutes go, count out loud so we know you don’t keep ‘em for yourself” and then part of the whole meaning behind TGI is H not knowing how much more time they would have, and still choosing to share all the harsh and fast moments with us…

[lottins-only]

THE STARS ALIGNED, THEY LED ME TO YOU | Jude Bellingham

pairing: jude bellingham x fem!reader

word count: 5.4k

summary: jude starts his 2025 with a quiet morning walk to his favorite cafe. on that new year's day, his horoscope leads him to someone very special. as the year unfolds, the stars continue to chart his path, marking important relationship milestones and memories

warnings: smut

A/N: had this idea for quite a while and it was fun to write! let me know what you guys think :)

I.

january 1, 2025 - cancer, today is all about partnerships and fated meetings. keep an eye out for new connections that could change your life, and all things green. yes, green. 🍀

jude squints at his phone.

he’d downloaded an astrology app as a joke a while back, roped into it by a friend who was one of those people who took astrology really, really seriously. it was all rubbish of course. but for some inexplicable reason, he hasn’t deleted the app yet. maybe it was out of curiosity, or maybe just the fact that he liked having something to chuckle at during breakfast.

this morning, jude doesn’t feel like laughing at all. he groans as he shoves his phone into his pocket, wincing at the dull ache in his head. last night’s champagne had been a mistake. or maybe it was the tequila shots that came after. he wasn’t sure anymore. either way, he was paying for it now. the cold january air didn’t help much either, biting at his skin even through his oversized hoodie and thick sweatpants.

on early mornings during his off days, he liked walking inside the gated community he lived in. sometimes, he even dared to walk beyond the gates, wandering the streets of madrid where he's rarely afforded anonymity. he had a set route, a memorized path that despite technically being habitual by now felt like an escape from the sometimes drab routine of his daily life. occasionally, he'd stop at a small cafe nearby, ordering a small coffee to go. he had an unspoken agreement with the barista on shift during those early morning hours: no acknowledgment of who he was, no whispered recognition in front of the other patrons. or maybe he was overthinking it and the barista had no idea who he was at all. who knows.

he tugs the hood further down over his face, adjusting his headphones and the mask he wore to keep from being recognized. not that he expected to see many people out this early on new year’s day, anyway. there were only the party survivors, disheveled and stumbling back home. no time for them to notice any lone, wandering footballers.

when he eventually reaches and walks inside the cafe, he's not surprised to see that there's less people than usual. just a young couple in party clothes, bleary eyes and sharing a croissant.

he orders his usual, headphones still blasting music, and lingers by the counter as he waits. his eyes do wander though, and he notices a lone figure sitting by the window, her back facing him. his eyes are immediately drawn to the oversized bow in her hair. the bow is bright yellow, a contrast to the muted tones of the cafe.

he finds himself staring, wondering what pressing matter would have someone typing frantically into their laptop on new years day in a near deserted cafe. he watches her, all social awareness seemingly fleeing his mind.

that is, until the girl suddenly turns and gets up. his eyes snap away immediately, and he pretends to be busy with his phone as she walks up to the same counter he's standing by. it strikes him that it would be more awkward if he pretends not to have been looking at her, especially if she'd somehow noticed. so he looks up from his phone and catches her gaze.

the second thing he notices about her, besides the bow, is how strikingly pretty she is. deep brown skin, almond shaped eyes peering through tortoiseshell glasses, and a small smile on her lips as she catches his gaze. annoyingly, he feels his stomach dip. tell tale sign that he's attracted to this girl, which he could've figured out without the physical reaction. jude's a pretty self aware guy, after all.

"don't have a match today?" he voice carries over the music in his ears.

he blinks, momentarily thrown off by her directness. "no, i'm off"

"okay" she says, unfazed. "your coffee is ready"

"huh?" he blinks again.

"your coffee?"

his eyes follow to where her finger is pointing, to find that, sure enough, his coffee is ready and waiting for him. jude curses silently, realizing he was too busy staring at this girl and being lost in his music to notice the barista setting it down on the counter.

he glances up at the barista, who sends him a sly wink, as if to say, caught you.

he murmurs a quiet thank you, pays for his drink, and generously tips. all the while he waits for the girl to strike up conversation with him, or ask for a picture, or yell BELLIGOL!!!!! unprovoked. because that's usually what happens when people recognize him in public.

instead, she asks for a muffin, and when the barista hands it to her on a plate, she simply offers a soft smile to jude before walking back to her seat.

jude's jaw slackens.

"ask to sit with her" the barista, whose name tag reads enzo, encourages from across the counter.

"but-"

"you've got nothing to lose" he reminds him. "if she says no you just walk out and leave and never see her again"

except he does have something to lose. he always does, when it comes to these things. a small, paranoid part of him runs through the scenarios: what if she sneakily took a picture of him while he was standing there? what if she says no, and then runs to one of those stupid gossip accounts on instagram to announce jude bellingham is such a creep, ew!. what if-

the chatter in his mind is silenced when he notices the pin on the barista's shirt, which reads: GREEN PEACE.

jude is immediately reminded of his horoscope this morning. keep an eye out for all things green.

enzo follows his gaze, then grins. "i volunteer there. great cause you know?"

jude doesn't respond. the familiar thought creeps in again: horoscopes are ridiculous, and any person who makes decisions based on them is naive at best and downright cuckoo at worst. but this is harmless isn't it? its not like he's letting astrology convince him to sink his entire net worth into some sketchy crypto currency or something.

so he squares his shoulders and mutters to enzo, "fine, i'll go talk to her"

the barista just gives him an encouraging thumbs up as jude picks up his coffee and heads her way.

she’s still typing as he walks over, her fingers flying over the keyboard with the kind of focus that makes him wonder if she's even aware of her surroundings at all. the oversized bow in her hair bobs slightly as she shifts in her seat. for some reason, he finds that little detail endearing.

when he finally reaches her table, he clears his throat softly.

“hi" he says confidently. "would you mind if i sat here?”

she looks up, tilting her head to study him for a beat. then, with a shrug, she gestures to the empty seat across from her. "go ahead"

she doesn’t look surprised that he’s there. instead, she closes her laptop gently and leans back on her chair as he takes a seat.

“didn’t think you’d actually do it” she says, sounding amused.

“do what?” he asks, also leaning back on his chair.

“come over and sit” she replies, a small smirk playing on her lips. “you were staring for a while”

he rubs the back of his neck sheepishly. “your bow is distracting”

she adjusts it on the back of her head, and a single strand of curls slips out from where she’d tucked it behind her ear. jude has to fight the urge to tuck it back in.

"got it yesterday"

“i like it” he says, fumbling a bit. “it’s very… cottage core?” he immediately regrets his words, because he has no idea what he's talking about. he hopes he's not embarrassing himself. “it gives off that vibe.”

he's relieved when she laughs. "thanks. i'll take it"

"i'm jude by the way" he says hastily. he hopes he's not coming off as arrogant by not introducing himself earlier, even though she recognized him.

"i'm y/n"

he nods towards her laptop. "y/n, what's got you so busy on new years?"

"oh, i'm applying for grad programs. finshing up uni soon, so yeah" she says shyly.

"what do you go to school for?"

she tells him about her major, how she's feeling about graduating soon. he listens intently, genuinely interested, and when it’s his turn to share about his job and life, he finds himself opening up too. it’s easy; surprisingly easy. for someone he met just ten minutes ago, their conversation flows effortlessly. she’s funny, quick witted in a way that keeps him on his toes, and she laughs at his jokes like she genuinely finds him amusing. it makes him feel good about himself.

enzo wanders over a while later.

"you two need anything else?"

jude glances down at his coffee cup, empty for at least the last twenty minutes. this would be the perfect moment to call it a day, to say goodbye and head home like he originally planned. with january being a very busy month for the team, he knows he should take every chance he gets to rest and recharge.

but leaving is the last thing he wants to do. talking to y/n is fun, refreshing.

"yeah, jude says, before he can overthink it. he nods toward y/n’s plate with a small grin. "i’ll have a muffin too"

II.

april 9, 2025 - today the stars are urging you to take charge, cancer. whether it’s expressing your feelings or trying something new, trust that courage will be rewarded 💪

having a crush is top 10 most painful things in the world.

jude used to roll his eyes at people who said that, chalking it up to melodramatics. but now he knows it first hand. because why in the hell is one person taking up so much of his brain space? how is that legal? how is that remotely okay?

that person is y/n, of course. they're friends now. close friends. friends who hang out regularly, who text a lot. friends who have inside jokes, shared playlists that she uses to tease him about his 'old man music taste', and a mutual understanding that they just get each other. its is great. it’s everything jude could ask for. except for the fact that it’s not enough.

for four months now, he feels like he's been sentenced to a life of angst. the kind that feels heavy on his chest whenever she's near, or worse, when she's not. so much so that he finds comfort in his so called 'old man music', sometimes unintentionally sulking to  '70s ballads about longing while staring dramatically out the window like one of those moody main characters in coming of age movies. his mother had caught him once and given him the biggest side eye, as if saying get a grip please!!

and when his woe is me schtick doesn’t work? he distracts himself the only way he knows how: throwing himself at girls who aren’t her.

it’s not something he’s proud of. in fact, it makes him feel like an idiot most of the time. but what else is he supposed to do? she doesn’t seem to want him, not like that, and he’s stuck in this cruel limbo that's seemingly never ending. best bet he has is to try and forget.

on this april evening, jude is walking out of the locker room after a match, his heart still racing from the rush of adrenaline and the high of scoring a brace. y/n waits for him in the underground parking lot of the bernabéu– a rare thing, since she doesn’t care much for football and has only attended his matches once or twice, and always in the company of his other friends. the irony isn’t lost on him: the person who occupies so much of his thoughts doesn’t share his love for the thing that defines his life. it’s baffling, but it doesn't feel wrong, and he’d managed to convince her to come tonight, using the excuse that his mom was out of town and he’d appreciate the company on the drive home.

he finds her leaning against his car, scrolling absentmindedly on her phone.

“hey” she says when she spots him, grinning at him. “you took your time"

"sorry" jude grins back. "there were so many people to take pics with"

then she throws herself at him so suddenly that he stumbles, barely managing to steady them both. she envelopes him into a tight hug, and jude surrenders himself to it gladly, heart pounding insistently against his ribs.

“two goals!” she leans back, her face alight with excitement as her hands grip his shoulders. she shakes him slightly, her energy infectious. “you were fucking unstoppable!”

“thanks” jude giggles, pulling her into another hug. he’ll take any physical closeness he can get.

they stay like that for a moment longer than necessary, and then y/n pulls back, her hands flying to his hair. she tugs gently at one of his coils, frowning slightly.

“your hair is so dry” she says, her tone exasperated but fond. “did you forget to use the leave in gave you? you have to put it on after you shower, jude” she tsked.

out of the corner of his eye, jude notices his driver glancing at them in the side mirror before quickly looking away. he wonders again if this looks like more than what it is. not that he’d mind if it did.

“no, yeah, i did bring it” jude says defensively, but just as he’s about to grab his bag to show her, his hand freezes. his pockets are empty. “shit” he mutters, patting himself down to make sure. “think i forgot my phone back there”

“it’s alright” y/n assures him. “we can go get it” 

the elevator ride back to the locker room is quiet. jude shifts from foot to foot, sneaking glances at y/n, who seems to be pointedly avoiding his gaze for whatever reason.

when the doors open, they step into the hallway where jude had been earlier. he spots his phone right where he thought it’d be, face down on a bench just outside the locker room where he’d been taking pictures with fans.

“there it is” he sighs in relief. 

“imagine someone nicked it” y/n jokes as she picks it up. 

“i’d be fuming” he chuckles, but then he notices her face. she’s frowning down at his screen, evidently bothered by what she sees. a second later, she hands it back to him, a tight, forced smile on her face.

“oh” y/n’s voice is light, almost too casual. “here you go”

jude finds what’s caught her attention. Its a DM notification from a girl, the message preview reading: had fun last week.  when can I see you again?

“its  uh– its someone i met at a party last week” jude stammers. “we–we didn’t, you know, but–”

“you don’t owe me an explanation” she says quickly, her voice light but strained. “it’s fine”

but it’s not fine, and the sudden distance in her tone cuts deep. jude clenches his jaw, sliding his phone into his pocket as they head back to the elevator. fucking idiot, he scolds himself. but a part of him is hopeful. maybe she cares, maybe she wants him the same way he wants her.

the ride down is tense, a heavy silence between them. jude feels like the words are right there, desperate to get out, but he doesn’t know where to start.

“thanks for coming tonight” he finally says, breaking the quiet. “even though football isn’t really your thing”

she glances at him, her lips twitching. “you’re my thing”

the words are like a punch in the gut, but in a good way.  before he can stop himself, before he can overthink, he blurts out: “i like you. more than a friend, i mean. i have for a while now. and i know this probably isn’t the right time or place to say it, but i can’t keep pretending i don’t feel this way about you”

y/n stares at him for a beat, her eyes searching his face. then, without warning, she steps forward, cups his cheek, and kisses him. it’s soft at first, but when he kisses her back, it deepens, all the pent up feelings spilling out.

“i like you too” she murmurs against his lips in between kisses. “a lot”

she doesn’t say anything more, and neither does he. there’s an unspoken understanding that they’ll get to talk later. there’s  time to untangle his messy coping mechanisms, to decide what this is and what it could become. for now, it’s enough to kiss like two people who’ve been suppressing so much for so long. for jude, it feels like a long exhale after holding his breath. its feels like relief, like a much needed respite. 

the elevator dings, and they jump apart just as the doors slide open. a staff member is standing on the other side, clearly trying not to stare. jude is too happy to feel embarrased.

“buenas noches!” jude says brightly, winking at the man before grabbing y/n’s hand and pulling her out of the elevator, their fingers intertwined. 

III.

july 1, 2025 - things are heating up!🔥. the stars are conspiring to bring moments of ecstasy to you, cancer.

the first three months of jude and y/n dating flipped everything he'd pictured for his early 20s on its head: staying single, having fun, engaging in meaningless hookups that served their purpose but left no emotional trail behind. those plans flew out the window thanks to y/n, who makes him laugh until his stomach hurts, who became one of the few people in the world he feels truly himself with, who now goes out of her way to watch football because she knows how much it means to him.

plus he's having the best sex of his life. he really can't complain.

its the middle of summer, a couple days after his birthday and a few before he has to leave on the team's preseason tour. they're in birmingham, taking a quick two day trip before the craziness of their lives pulls them in different directions. jude spends the day showing her around the city—his old stomping grounds, the places that defined his childhood and adolescence. it feels amazing to share this part of himself with her, to show her the nooks and crannies of what makes him him. 

now they’re back in his house, indulging in other activities. 

“young denzel was so fine. i mean, he can still get it. he's aged like fine wine” she’d sighed earlier, her head resting on his chest. they were cuddling on his sofa, the mighty quinn playing on the tv. they were both slightly distracted: her scrolling through her phone, and jude absentmindedly admiring the bracelet she'd gifted him for his birthday. (jobe had caught him doing the same at breakfast and muttered something about people in love being disgusting)

jude had side eyed her, hand resting lazily on her hip. “was he finer than me?”

"yeah" she'd said without skipping a beat. "definitely"

he'd gasped, feigning offense. "you're supposed to say no. i'm your boyfriend!"

"you're not far off from him, i guess" she'd teased.

"you guess?"

"you asked" she shrugged, fighting a smile. then after a slight pause, "you know, i dated a guy that looked a lot like him once. he was sooo-"

"right that's it" he said, grabbing the remote and turning off the tv. "no more movie nights with you"

"oh no" she deadpanned, tone dripping with sarcasm as she removed herself from his arms and faced him. "how am going to survive without your 28th rewatch of training day?"

jude couldn't help the grin spreading across his face. he couldn't never stay mad at her; not even pretend mad. before she could react, he grabbed her and gently flung her onto the couch cushions, eliciting a surprised squeak as he pinned her down and started tickling her. her giggles spilled out loudly, her protests coming out in breathless half sentences as he attacked every ticklish spot he could find.

one thing had led to another — heated kisses, a move to his bedroom, clothes thrown off frantically, hands wandering—and now here they are, her body curving towards him, her face contorted in pleasure as pounds into her.

she’s so slick, taking him all at once, and jude’s body has no choice but to surrender to its most primal instincts. in and out. plunge in then retreat. he’s dizzy with pleasure, but even through it, he can’t help but feel a little salty about her earlier comments.

"bet offbrand denzel couldn't make you feel like this" jude murmurs against her ear, his voice low and rough. the rhythm of his hips snapping forward punctuates his words.

her nails drag down his back, leaving faint trails as she gasped "he wouldn’t even have to try"

he nips at the soft skin of her neck. "guess i’ll just have to prove i’m better won’t i?"

she's so tight and warm and wet, he doesn't ever want this to stop. his movements grew deeper, more deliberate, and he smirks when she cries out his name, her hands gripping his shoulders like her life depended on it. "say it" he demands, voice a mix of amusement and lust. "say i’m better"

"you’re-oh god, you’re such an idiot" she manages between moans, refusing to give in completely, though her body betrays her with how eagerly it responds to his every touch.

"wrong answer" jude mutters, his lips brushing hers before he kissed her deeply, swallowing her protests and replacing them with soft whimpers.

his pace quickens, each thrust dragging a gasp or a broken words from her lips. jude leaned in closer, his breath hot against her ear, his voice dipping lower. "admit it" he murmurs, his tone slightly smug. "i'm the best you've ever had"

she doesn't respond, and jude can't blame her, they're fucking so good he can't think straight now. and then, as if she can sense he's about to lose control, she gasps, "don't come. not yet. don't stop, please, baby"

he grits his teeth and tries to obey. then she brings him impossibly closer, so their sweaty bodies are pressed up against each other, and kisses him. and all he can think is mine. this beautiful, sweet girl is writhing in pleasure under him and she's his. he'll thank his lucky stars forever.

afterward, they lie tangled together on his bed, having only moved to discard the condom and clean up. their hearts drum in tandem, fast and loud. y/n looks drowsy, her eyelids heavy.

"i lied, by the way" she murmurs slowly against his chest.

"about what?"

"about dating someone that looked like young denzel washington" she giggles. "i made that up to get you riled up"

jude bites her shoulder playfully. "i hate you"

what he really wants to say is, i love you.

IV.

september 17, 2025 - communication is key, cancer 🗣️. today, the stars urge you to focus on how you express yourself. be clear and open in your communication—it’s the foundation for building trust and understanding.

jude can’t shake the feeling that something is off, and it’s gnawing at him.

he’d flown out of madrid the night before for a champions league away game, catching up with y/n for a bit after settling into his hotel room before calling it a night. now, its the afternoon of the next day and he’s in the locker room gearing up for their final training before the match, and he's feeling uneasy because he hasn't heard from y/n since.

he’d texted her his usual good morning when he woke up. no reply. after breakfast, he’d sent her a funny tiktok, something he knew would usually get a quick response, but still, nothing.

it wasn’t like her, and the silence was starting to weigh on him.

the concern he felt earlier turns into irritation as afternoon turns into evening. if y/n was upset with him, why wouldn’t she just say so? the silent treatment didn’t solve anything, and it wasn’t like her either. they’d always been the type to talk things out.

after training, he tries to distract himself. he joins the boys for a round of video games, their laughter and trash talk filling the hotel room. but every few minutes, his eyes flick to his phone, waiting for a reply that doesn’t come. each notification he gets, from group chats to random emails to that stupid astrology app just irritates him further.

they’ve never gone a whole day without talking. ever. the thought nags at him, and as stubborn as y/n can be, jude knows himself: he always caves first. always.

by the time the boys leave his room, jude is pacing, phone in hand. he sighs heavily and hits the facetime button, his thumb hovering over the screen for a split second before he presses call.

y/n’s face appears on the screen when the call connects, and jude’s irritation completely disappears the moment he sees her. she looks exhausted. her curls are a mess, dark circles under her eyes, and there’s something guarded in the way she looks at him.

“hi, babe” he says softly, clearing his throat. “you good? you weren’t responding to my messages all day”

“i’m good" she says curtly.

he waits for her to say more, but she stays silent. he feels a pang of hurt and irritation again. no asking how his day was? how he's feeling before the match?

"how was your day?" he tries.

"fine"

"what did you get up to? how were classes?" he tries again.

"okay"

jude exhales loudly, visibly frustrated. "can i get a response that's more than one word?"

he watches as she shifts around in her seat. "well, i couldn't get a word in last night so i thought what's the point?"

"what?" jude furrows his eyebrows, genuinely confused.

"you were going on and on about your match and your photoshoot coming up and i wanted to tell you about how this exam tomorrow is stressing me out-" her voice wobbles over the last few words and she pauses for a bit, lips pursed and eyes glossy. "- but you couldn't pay attention for the life of you"

jude is silent, jaw slack as he watches his girlfriend on the other end wipe a stray tear away because of him. in his head, nothing seemed amiss last night during their call. but she wasn't lying; he was venting a lot about the match and some logistical issues his agents were worried about for his next shoot. and yeah, maybe he hadn’t given her the space to speak, hadn’t noticed the subtle shifts in her tone or the demeanor that might’ve hinted at how overwhelmed she was feeling.

he curses himself under his breath, because now he realizes that he hadn't even checked their shared calendar the past couple of days, so he hadn't even known about the exam. and to think he picked up the phone because he was annoyed at her.

“y/n” he says, voice low and filled with remorse. “i-i’m so, so sorry. i didn’t mean to-” he stops himself, groaning softly as he facepalms. “i messed up. i wasn’t paying attention, and that’s on me. i’m really, really sorry”

she sniffles. "its okay"

"please don't cry"

"i'm not crying because of you, idiot" she snorts. "i'm crying because i'm stressed out"

jude fully lays down on the bed. "okay, how can I help?"

y/n sighs, wiping her cheeks as she looks at him through the screen. "you can't exactly help me pass this exam, jude"

"no, but I can help you feel less stressed" he says earnestly, his voice softer now. "talk to me, babe. tell me everything. what’s been going on?"

she hesitates for a moment, but when she starts talking, it’s as if a dam breaks. the words spill out in a rush, tumbling as she tells him everything; the material is so much harder than she anticipated, no matter how much she studies it feels like nothing sticks, and the crushing pressure to excel is suffocating her. she pours it all out, every frustration, every fear, every doubt.

jude nods, listening intently. “yeah, that sounds rough. and i made it worse. i should’ve checked the calendar, and i should’ve asked how you were feeling. instead i was just rambling about my stuff"

"you didn’t mean to" she says softly, though her tone is still tinged with exhaustion.

"but I did it, and I’m sorry" he replies, sitting up now, his elbows resting on his knees. “look, communication is our thing, yeah? it’s what makes us work. we can’t let that slide. i don’t ever want you to feel like I’m not here for you, especially when you need me the most”

she gives him a small smile. “and i shouldn’t have just shut down on you today. i could’ve told you how i was feeling instead of ghosting”

“so lets agree no more bottling things up” jude says, a faint grin tugging at his lips. “if one of us is stressed or annoyed or just having a bad day, we say it. no silent treatments, no guessing games”

y/n nods, her shoulders relaxing. “deal”

“good” jude says, his voice lighter now.

they spend the rest of the call catching up on the little things. she shows him the nails she’s planning to get soon, scrolling through her pinterest to show him the design. he mentions that he’s getting a trim in the morning, which prompts her to tease him mercilessly, saying he probably spends more time in his barber’s chair than he does on the football pitch. he quips back that its probably less time than she spends obsessively curating her pinterest boards.

they say their i love yous and good nights, and jude heads to bed, already feeling lighter and more relaxed about the game tomorrow. she has that effect on him, y/n. a way of making him feel seen, loved, and just serene.

he wants to keep her forever.

V.

january 1, 2026 - gratitude grounds you, cancer. 🌟 take a moment today to appreciate everything you've accomplished, as it will give you the clarity and confidence to take the next steps with purpose✨

enzo is standing behind the counter when they enter the cafe, a smile spreading across his face when he recognizes them. it feels serendipitous, almost fated, that they're greeted by the same barista who served them on this day last year, the day they first met.

"ah, my favorite lovebirds!" he exclaims. "happy new year! what will it be today?"

they order their drinks and settle into a corner table, the same one they’d sat at a year ago. between sips of coffee, they make plans to stop by the pharmacy on their walk back to pick up ibuprofen for the hangover still lingering over them.

then, as if it’s the most natural part of the conversation, jude pulls out a key from his pocket and slides it across the table. his expression is soft, his voice as confident as the day he’d first asked to sit with her. “move in with me” he clears his throat. "please?"

she blinks, caught off guard for only a moment, before her lips curve into a smile. “ yes. i mean, i would love to”

it was a long time coming. their relationship is going strength to strength, despite their seemingly different worlds. all because, at their core, they're the same. jude feels proud that he's built something great with someone so special- even looking at her now makes his heart splutter, he's never going to be used to how beautiful she is. most of all he's proud that they’ve managed to carve out a space in each other for each other.

every time she stayed over, every morning they woke up tangled in the same sheets (her inevitably hogging the covers to his annoyance) it felt right. so this question has been building for a while, and when he finally asked it, her answer, immediate and without hesitation, feels like the most natural thing in the world.

they walk out of the cafe after a while, arm in arm. he steals glances at y/n walking beside him and he feels an overwhelming sense of gratitude. for that stupid astrology app and enzo's GREEN PEACE pin. but most of all, for the kismet of that day a year ago, for everything they’ve built since, and for everything still ahead.

[lostinlovingrevery]

Just a thought and no offense but I think Logan just wants to be in love and feel loved in return.

(This isnt proofread and came out as rambling so have fun trying to read it and decipher it! 😅)

So WE ALL know that Logan can be flirty, and that he may have had a period where he was a bit of a manwhore (*cough* 70s Logan *cough*)

I feel like that period though, and any other flings, one night stands, etc whatever was less out of lust and more of a desperation to feel SOME kind of human connection bc the mans so lonely and has been treated like a soldier, a weapon for so long that hes desperate for human connection, even if it makes him end up feeling depraved afterwards. Post-nut clarity wakes him up next to some girl he met at a bar, and guilt sinks its teeth into him because he doesnt even know her name, much less actually LIKE her. The man was born in the 1800s, he may have grown with time but you cannot tell me theres not some inkling of being a gentleman- and wanting to find someone you truly love, hidden in there somewhere. I think overtime he may fall into this routine, believing he needed to be a walking sex magnet, gruff, cocky, whatever have you because hes convinced its the only way he can have a connection with someone, even if its for a few passionate moments under bedsheets, and an awkward "that was nice. Bye"

It only fuels his self hatred, convincing him that he really his just an animal, looking to get his sick desires out, eat, fuck, sleep, survive.

When we see him in the X movies, as a cage fighter he is brutal and rough and he doesnt seem to have a caring bone in his body yet he still manages to find himself caring about this young girl who stowawayed in his trailer, and does help her, even if he acts like this version of logan he created. Someone who doesnt care. But he cares. A lot.

Its not until he meets YOU, that he starts to wonder if he got it all wrong. Kind, beautiful, smart YOU.

I fully believe that logan just wants a partner. One night stands, flings, what have you, were just him lying to himself, desperate to feel something other than hate. After he lost his memories, and he began just wandering, the concept of love was lost on him. And lust wasnt there anymore either. He was approached by women, perfectly fine, pretty women, all the time during his time cage fighting, bars, etc. He turned them all away- completely opposite of logan 30-40 years ago (my timing probs not right on xmen lol) who was convinced the only way he was living was if he had ass next to him every night he went to sleep because he was lonely. This version of logan, lost, angry, wanted nothing to do with people. Some of it the repressed feelings coming out from his past that he doesnt even remember. He was convinced then that he had to be alone. Becoming a lone wolf that bared his teeth at anyone who tried to pet it. Secretly though, deep down although he wouldnt admit it, there was that deep desire, that he always felt in his 200 years, that he just wanted to find his mate. He'd call soulmates bullshit if you asked him, but the moment he meets you, hed know that it was real, and that maybe god cursed (gifted) him the ability of healing and practical immortality just so he could find you. And hed do it over and over again, the pain and suffering and loneliness, if it meant you would be the endgoal.

Logan is a pack animal. He needed a family, to protect, and cherish. When he meets and ends up at the x-men, his demeanor and attitude changes quickly to something similar to a dog that snaps at you when you pet it only for it to whine and whimper "im sorry, please dont hate me, i just dont know how to accept love.". Hes still wary, because hed never KNOWN a family before. Put aside his memory loss, the closest things he had to a family was a creep of a brother, and a woman who said she loved him under false pretenses (i still dont like you kayla even if you say it was real). He barely knew his parents, and even then that was a lie because his father wasnt even his biological father. Yeah, Logans life was pretty damn lonely, so its no wonder the man is cautious of anybody and anything.

The moment you come into his life though, that bitterness, anger, and meaningless flirting goes right out the window. Hes serious about you. Hes usually cautious, nervous around people but he meets you and its almost like he threw all those imaginary rules he has for himself out of the window.

Look at how he was with Jean in the movies. He barely knew the woman, they barely shared ANY lines in the movie yet he was almost completely devoted (dont get me started on that storyline). Trust didnt come easy to the wolverine. And Kayla- their relationship just shows how much he wants love and to be loved. I never seen origins but a lot of gifsets and read the synopsis of the plot, but i think he had a feeling with Kayla he couldnt trust (remember how he says hell never go against his gut again?) But he so badly just wanted that connection he ignored all the warning signs and did everything to build a life with this woman who not only tricked him, but put him through unimaginable pain both physically and mentally. (Look I REALLY dont like kayla but i do feel bad for her because stryker did have her sister captive). I know stryker is the evil mastermind here, but god imagine trying to find love with someone, only for it all to be a farce, even if they claimed they did love you the entire time- the intentions from the very beginning was far from love.

Oh but when he is in love with you. From the moment he met you, it wasnt love at first sight exactly, more like a feeling that you were it. Hes all about you. He sticks around, under the pretense that he just needed to make some money first, doing some missions for charles, keep an eye on rogue. He cant admit its because he wants to stay close to you. Hes like a feral cat taking shelter in your shed. Stays away at first, cautious of your spspspsp, but curious nonetheless. Completely ignores the first bowl of food you put down for it- or so you thought because when you came back it was completely devoured. It takes weeks of food and spspsps before it finally warms up to you, but after that first contact with your hand and its head- good luck ever getting rid of it. Not that youd want to 😊

Logan becomes a shadow to you, once you become something akin to friends. (Its really more than that but no ones addressed it). He teases you and flirts with you, and its something you think he does with everyone, until Ororo tells you that he only does it to you. Sometimes he just sits in your company, other times hes curious about what youre working on, not wanting to start the convo, but does things like leering over your shoulder (which he may or may not be doing just to he close to you and get a good whiff of the smell of your hair). He stresses when you go on missions without him. He slowly opens up about his past to you when he begins to get his memories back. Trusting only you (and maybe charles) with the truth ablut the man he used to be, and still is.

When your feelings finally do come out in the open though, however it happens, that first kiss, the first time you make love, etc etc. Logans a different man. I mean, hes still that cocky, grumpy person we all know and love. But he carried himself differently. Hes confident and wiser, hes comfortable, and hes happy. He found a home, his pack. And maybe after countless conversations about his past, the things hes done, and the comforting words and understandings you give him, he starts to learn that he isnt so bad, because if you love him, YOU, the most wonderful person hes ever known in 200 years, love him despite all of his violence and hatred and slight whoreish tendecies back in the 70s...then he must be alright.

He doesnt need to worry about his past anymore, when hes got you, right there with him, promising a loving future together.

[hannieehaee]

LO$ER=LO♡ER (teaser)

18+ / mdi

summary: jihoon's been pushed aside and ostracized from the moment he was born. completely alone, with no family and only a handful of friends, he's been too beaten down to expect anything good with the shitty cards life has dealt him. when he's presented with his new coworker, it's hard to not fantasize about her, but he'll never actually allow himself to believe she could ever look like him with anything but pity — just like everyone else.

content: loser!jihoon, antisocial!jihoon, sociallyawkward!jihoon, insecure!jihoon, sunshine!reader, jihoon is basically just a complete loser with horrible luck who's never felt true happiness (sorry), mentions of bullying, mentions of jihoon's sad past, sunshine!reader, slowburn, lots of worldbuilding but its just so u can feel sorry for jihoon lol, coworkers au, pining, miscommunication, afab reader, smut, sub!jihoon, virgin!jihoon, handjob, body worship, nipple play, dry humping, penetrative sex, etc.

(^ no actual content warnings in the teaser)

wc: 1.9k (teaser); 14k (full fic)

RELEASE DATE: february 10th!

or you can check it out on my patreon today by subscribing!

a/n: i put together every form of loserism and created this jihoon

masterlist

Every week was the same.

Jihoon would get up, fix his overgrown hair the best he could, and take the train over to work.

This was as far as he'd gotten in life; an overly repetitive existence with no sense of joy within it.

He should've been happy. Things were better now. Being 27 with a stable job and no real issues in his life should be something to be grateful for, yet Jihoon found himself being completely displeased with his life.

Surely there must be more to life than this, right? A lonely and loveless life that appeared to be leading him nowhere. But still, things were better than before.

It was hard for Jihoon to speak of his childhood, much less his teenage years (or even his college life). It was all too grim. He'd grown to accept it, to let it all go, but the past had made him who he was, and he knew his current self was to blame for his loneliness. For his lack of love.

And so he continued his daily routine, living day after day with no change in sight. He accepted this with a flat smile, grateful that things were just fine. Not good, not great, not even varied, but just fine.

This week, though, finally had something different. But to Jihoon that was usually bad news.

Were you bad news?

You were the brand new thing in his life.

It was your first week in his office. A brand new face. A very pretty face.

Jihoon never thought about such things. He'd never had any romantic experience in his life. He had a long distance girlfriend once, but even that didn't work out. Too much distance, too many lies, too many complications. Jihoon just wasn't made for love.

So he never thought of such things again.

It was rare for him to even see a pretty girl on his day to day. His morning commute was far too early and filled with people way too old for him to even look in the eye without feeling disrespectful. His workplace, although consisted of a variety of people, was not a place where he felt very welcome initiating friendships or anything of the sort. Cliques had ended in high school, he thought, yet he found himself at the bottom of the food chain among his coworkers. He wasn't liked and was deliberately avoided by everyone around him.

Until you came along.

Finding you beautiful was no surprise to Jihoon. It was the most obvious thing in the world. Putting appearances aside, you were sunshine personified. Smart, confident, hardworking, gentle, nice, beautiful. You were everything anyone could ever want. At times Jihoon even wondered whether he wanted you or if he just wanted to be like you.

You'd caused an immense impression in him within the short time in which he'd known you.

He hadn't really gotten to know you on a personal level yet. But you had extended him an olive branch upon the first meeting, which was a memory that had implanted itself on his mind. It was rare for Jihoon to come by good memories.

This was the first time he'd felt accepted in a very long time. Yet the fears of it turning around and slapping him in the face (like in so many prior instances) was too big for him to really consider you good news in his life.

It was kind of embarrassing looking back at it. Jihoon hadn't been expecting you (how could he have?), but you suddenly showed up at his cubicle accompanied by one of his coworkers, Doyle.

Doyle wasn't someone Jihoon thought too much about — or at least he tried not to. He was the classic high school bully, except in a corporate-world wrapping. Jihoon had dealt with bullies his whole life, he'd become desensitized to it by now. Still, it bothered him to see him standing next to you. He hadn't met you yet, but he was immediately disheartened by the new girl at the office looking buddy-buddy with someone he considered an adversary.

What had been surprising to Jihoon, though, was your complete disinterest in Doyle's obvious advances.

It was pretty often that Doyle would attempt to assert his dominance by putting Jihoon down in front of other coworkers. He'd tease him and patronize him in front of anyone to see in order to show others who was in charge. And it was not Jihoon, that was for damn sure.

Jihoon got up as soon as he sensed a presence at his cubicle, somehow managing to stumble over his feet as he did so. When he looked up, he was not expecting you, yet there you were. Beautiful, smiling down at him with genuine interest in your eyes. You didn't know him, but you had kindness in your eyes. He could tell.

He stumbled over an introduction as Doyle interrupted him, telling you Jihoon's name and position at the company for him. Unwarranted and once again showing that if he so wished, he could speak over Jihoon.

But you'd interrupted him in return, turning to Jihoon to extend your hand with that smile never leaving your lips.

"Hi, it's really nice to meet you," you'd smiled as he felt fire at the mere handshake.

"Hi, I, uhm, I'm Jihoon. Lee Jihoon. I didn't realize we had someone new coming. It's nice to meet you. You- If you need anything, you can always ask me," he slapped himself mentally when he said it. He stuttered his way through it like a fucking loser. His immediate attraction to you was too obvious. Doyle's smirk as he stood beside you told him all he needed to know.

"Oh, that's so nice, thank you! I'm right next door. Well- right next cubicle, so I'll probably take you up on that sooner or later," you laughed at your own attempt of a joke.

Jihoon couldn't help chuckling back, ignoring Doyle as he patted your shoulder, laughing along. Jihoon noticed a short-lived discomfort in your eyes at the action, one which died when your eyes went back to him.

Was he imagining it, or were you showing preference towards Jihoon?

"Well, let's not bother our little Jihoonie here any longer," Doyle interrupted once more, "It's almost lunch time," he leaned in to tell you, looking down at Jihoon, "We all usually go to a burger joint nearby — Jihoonie here likes to stay in, so we try to stay out of his way."

That wasn't entirely true.

Once upon a time, Jihoon did attempt to join the rest of his coworkers in outings, but he was always alienated. After a few too many slights about his hair, his height, his weird choice in clothing, or even just his personality, he decided to stray away from anything that wasn't strictly professional when it came to his coworkers. He was always the butt of the joke, so he made the decision to isolate in the office with a cold sandwich he packed for himself every day.

Sometimes his friends Soonyoung and Mingyu from accounting would join him, but there was usually not enough time to see them during regular working hours. This left him alone most of the time.

Your face seemed to deflate at Doyle's words. Whether it was out of pity for Jihoon or annoyance at Doyle's overzealous confidence around you, he wasn't sure.

"Oh, I actually brought a packed lunch," you told Doyle before turning to face Jihoon again, "Would it be okay if I stay in with you?", you looked at him with expectant eyes.

"You wanna, uhm, have lunch with me?", he asked dumbly and you nodded, "Y-yeah, that'd be nice, yes," he attempted a shy smile, succeeding when you returned it.

Doyle cleared his throat, interrupting the silent smiles you and Jihoon were sharing.

"Well, I could stay in with you if you want, I-"

But you interrupted him again.

"That's fine. I don't wanna get in the way of your plans. Jihoon will make fine company," you said politely, stepping away from Doyle to head over to your desk, popping back next to Jihoon with a brown paper bag.

Doyle looked dumbfounded for a few moments before masking it with a tight smile. Jihoon simply stood there as you pulled up a chair and settled it on Jihoon's desk, paying no mind to Doyle.

"I guess I'll leave you two to it. I'll keep showing you around after lunch. You have my number if you need anything," Doyle made emphasis on that last statement, offering you what looked like a genuine smile before giving Jihoon a look that told him he still felt victorious in the end.

"Thanks, Doyle! Bye!," you smiled back before turning to Jihoon.

Lunch was incredibly awkward for Jihoon. But that wasn't your fault. You'd been incredibly nice, asking him questions and keeping the conversation going despite the mumbly, shy mess Jihoon was. The conversation was entirely carried by you, with you surprisingly taking an interest in him. Every word, every gesture, they all led him to believe you were genuinely nice.

At the same time, he felt entirely delusional.

It wasn't often that people were nice to him, so it was likely he was building it up to be more than it actually was. You likely did not want to stay in with him, but after Doyle brought up that Jihoon was the only one in the office during lunch break, you had no option but to join him since you also planned to stay in. However, you were a good team player, Jihoon believed. Not many people would sacrifice their lunch to stay in with the black sheep of the office just to rid yourself of any possible awkwardness. Jihoon knew damn well many previous coworkers had gone out of their way to avoid him before.

But despite the belief that you simply pitied him, Jihoon missed your time spent together the moment it ended. He felt shy and blushed bright red at every single word uttered from you, but it had been the nicest interaction he'd had in a long time (a long, long time).

That had happened last Wednesday, repeating itself on Thursday, Friday, and then a whole weekend was spent with Jihoon solely thinking about you. Time that he usually spent reading or playing chess online was instead used up to think about you. It was mostly to overthink every tiny interaction and panic over it, but it was was still preoccupied by you.

But he also thought about other things.

How beautiful he found you to be. How nice, funny, hardworking, smart and riveting you were (despite this being an assessment he'd made in less than a week of knowing you). This was Jihoon's first crush in ... he couldn't even remember how long.

And it was terrible.

Every crush he'd ever had had turned out terribly. Harmless elementary school crushes turned into pranks pulled by his classmates in order to embarrass him. Prepubescent middle school crushes became false confessions that led to public embarrassment. Hopeless high school crushes were nothing but a farse that led him into giving up altogether.

Throughout his practically non-existent love life, Jihoon had always been met by nothing but discouragement, sometimes by simple rejection and other times by harassment from people who believed him to be unworthy of being liked. These were memories he did not like to relive, but the resurgence of feelings for someone brought them all back.

And so he was unsure of how to feel. He was unsure of whether to let himself like you or recoil, unwilling to even try.

...

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[vidavalor]

<<I looked up the etymology>>

*blush* You can't say these things to me when we're in public. 😂

<<And so our loops connect again with "Every Day.">>

Very true! The focus on mornings in S2 in the "Everyday" of S2 was also interesting to me. The first few episodes all begin with like "here we are again with Aziraphale trying to deal with his same daily round of these weird, lonely mornings" and The Final 15 is like welcome to the worst Friday morning that has ever existed lol. I guess my point is that the cycle of time is a thing during the week we're watching with things around everyday and the same daily round, etc. and that also shows us Aziraphale's diary.

Dawn is difficult for him because new days are micro-versions of the new dawn he feels stuck in trying to figure out how to start. He faces them alone because part of that new dawn would be figuring out how to make it so he can breakfast with that one, particular demon without them getting killed.

Diary and journal do seem to be quite a bit interconnected with some overlapping roots and connected words tied to daily/the dawn/daybreak, etc.. The PIE root dyeu is it a bit more the sky and heaven than technically God-- I know that, in some minds, those are the same things, but I think there might be a difference in meaning with relation to Good Omens. There's a disconnect between the awesome Voice of God who has been chatting with us and the evilness of the Heaven we've been watching.

There's also plenty of blasphemous wordplay throughout where characters are referring to those they love in different ways using terminology related to God or religious figures. With Crowley and Aziraphale, it's obviously deliciously dirty but, in the more general and innocent and direct paralleling plotline with the kids in S1, it's also just using the most famous palindrome word in the English language:

Dog, backwards, is God. The kid's gonna be alright. 😉

The ties between sky and heaven and the word diary does make Aziraphale choosing that word to call his record of his life on Earth a lot of fun. I've found that the words sky and heaven overlap in their etymologies as well because the sky is basically space but, as we know, space has always been where people thought the angels and the gods and such lived. It's something that makes me smile about Aziraphale writing in Demon's Guide that Baraqiel (Crowley) is the "Angel of The Sky."

It's true on a few levels. It's dry, since Crowley's a fallen angel who, like the other demons, was originally an angel of Heaven. It's also a nod to sky being space-- Crowley as the angel who made the stars. And the sky being an ancient way to refer to heaven... and heaven then becoming human figurative language for paradise? It then also seems to make it something of a C&A version of Gabriel's 'Beezlebub is my Heaven' moment. 😊

So, Aziraphale arrived in Edinburgh with a briefcase we never see him open and a hat that reads, among other things, "PRESS 66" on it, right?

And we might think that these are just Aziraphale's journalist cosplaying accessories but I think there are some hints that there's a bit more going on here than we might think-- all of it very relevant to The Finale.

We think that Aziraphale's arrival in Edinburgh is the first time that we see these things but, in true Good Omens form, the hat and briefcase are both actually glimpsed in a prior scene... rather significantly placed in that earlier scene, even.

Here they are, sitting together, the hat atop the briefcase, both in front of Jimbriel's once Fly-containing box, beside/behind the memory-wiped Muriel, in the scene below:

So, as Muriel is sitting there, not remembering Aziraphale, and as Aziraphale is sitting there, remembering Muriel and thinking all the things about the fact that they don't remember him at all? In the shot between them is the box into which Jim put his memory and brought it to Crowley and Aziraphale for safe keeping. In front of that box? Is Aziraphale's press hat and briefcase, seemingly drawing some connections between the journalist accessories and the memory plots in S2. Hmm...

What this scene also shows is that Aziraphale didn't just magic this stuff up as props when he arrived in Scotland. Even though we didn't see them in the car on the way up, they were there on the passenger seat for him to retrieve upon his arrival. He brought them with him from the shop. He packed them overnight and they were there, all ready to go, prior to Muriel's arrival, which coincided with Crowley coming over and moving the plants out of the car because Aziraphale planned to take it to Scotland. Why does this matter?

Because it might signal that there's more to the briefcase and the hat with its press credentials than we might initially suspect.

I think it would be safe to say that Aziraphale, by this point in the story, would be concerned that his memories were in danger.

He knows he's always been on a collision course with falling and this is all escalating pretty quickly in S2 in the two days prior to Aziraphale packing this press stuff and taking the car. Gabriel was The Supreme Archangel and he couldn't remember who he was and the archangels had shown up to threaten them and say that they're going to be spying on him even more closely, sending another angel to bug them the next day... the memory-wiped Muriel being quite an interesting choice, as that's sending quite a threatening message. Aziraphale also had roped Maggie and Nina into this and he knew he was likely going to have a confrontation with Heaven and Hell coming.

One of the first things he'd be concerned about would be his memories, right? and it's here where we can mention what we later learn about what Heaven can and cannot do regarding those memories... things that are new to us but that Aziraphale likely would have already known and factored into his plan, as we'll see.

Hints are given to this all season via Gabriel but it really becomes overt in this scene here:

This scene proves that Gabriel's memories aren't just in The Fly in S2-- they're also still in his mind. His memories are shown to be in two places at once. Gabriel's memories-- ones even directly related to the trauma he underwent-- actually began to come back before The Fly, in this scene. Gabriel felt safe and like he was talking with someone who could understand in this scene with Crowley so the memories began to come back for him.

The point here is that this scene shows that, when Gabriel "took his memories out" and put them into The Fly, what he was really doing was basically backing them up. He "uploaded" his memories into The Fly for safekeeping so he could retrieve them later, as a way to keep it so that they wouldn't be erased forever, but those same memories are still also on the "hard drive" of his mind. They were just mostly inaccessible to him for almost all of S2 because of trauma.

Before you say well, Gabriel might be a special case because he took his own memories out to avoid Heaven attacking him? Consider that Crowley didn't have a chance to do that-- but he tells Gabriel he knows how Gabriel feels.

Crowley has had the same experiences with his own memories. He's been able to bring some back at different times, without a lot of context, but a lot remains blocked. Crowley saying that he's been able to retrieve some memories means that those memories are still there in his mind, just very painful and difficult to access.

The idea might be that their memory loss is actually trauma-blocking. If Crowley's situation has the same effect as Gabriel's, it suggests that Heaven can't actually take people's memories-- they can only block them.

This would then be suggesting, as a lot in S2 did, that Gabriel didn't develop retrograde amnesia from taking his memories out-- he developed amnesia from the trauma he underwent.

When he felt safe enough to confront some of that trauma, the memories started to come back to him a bit.

What does this have to do with Aziraphale's briefcase, you ask?

It is connected because Gabriel's memory loss being from the trauma of Heaven trying to kill him, not from putting his memories into The Fly, proves that an angel could take his out their memories and not get amnesia from doing so.

Gabriel's story is showing that they could take out their memories whenever they want and still retain those memories also in their minds and be perfectly fine.

It's showing that Aziraphale could have backed up his memories in S2 without experiencing memory loss-- and the press hat and the briefcase are tied to just how he might have done that.

Aziraphale might have taken one look at Gabriel and his memory situation and the archangels circling the shop and thought that it would be a good idea to backup his memories and store them somewhere safe for if this all went pear-shaped.

What's interesting is that then, in a parallel shot to Aziraphale arriving in Edinburgh, we have this later scene when Aziraphale returns to London... note what's missing:

We see him park by the suit shop-- but no suitcase/briefcase this time. No hat. He's also taken off the raincoat. We never see them again for the rest of the season but we see a whole bunch of scenes that hint at where they are and why Aziraphale has left them in that location.

In this moment, we spend a strange amount of time on watching Aziraphale get out of the car and look around, hands-free, pat The Bentley, go for a little walk for a moment...

He talks to Nina, he goes back to the bookshop and greets Crowley and gets an armful of plants. The Bentley is largely the focus of the scene with Nina as well and its moving up in a scene that involves Nina and her bicycle-- another "mad 'American' woman on a bicycle", in parallel to Anathema in S1-- recalls Aziraphale miracling a bike rack onto the boot of The Bentley to transport Anathema's bike back to Jasmine Cottage. The key to getting Anathema and her bike safely home to her cottage was the bike rack Aziraphale made happen; the key to getting him and Crowley safely to the South Downs Cottage might be what Aziraphale stashed in the trunk of the car on his trip.

Here's where we can see that scenes before and around this involving Shax and Crowley show us pretty emphatically where the briefcase and the press hat are not located in the car...

They can't be on the passenger seat as they were on the way to Edinburgh because Shax wouldn't have been able to sit there when she got into the car on the drive back from Edinburgh. They also can't be in the backseat because the scene adjacent to Aziraphale's return to London is he and Crowley loading the plants back into the backseat. Crowley would have handed him his things if they were back there.

So, we have all of these shots of Aziraphale's return that are, among other things, emphasizing that the hat, the raincoat, and the briefcase are all not things he's taking out of The Bentley's trunk upon his return, even if they are his belongings and he brought them with him from the bookshop. He's intentionally leaving them all in the Crowley's car.

Aziraphale definitely did not leave his memories in a briefcase in The Resurrectionist Pub, even though that's the last place we saw the briefcase. How do we know that?

Because let's say that we're right here and Aziraphale did put his memories into the briefcase... either into something else that he then locked into the briefcase or just into the briefcase itself. What's the one problem with this?

He locked them in there for safekeeping, right? So...

He can't just leave the briefcase for Crowley-- he also needs to leave the key to the briefcase, yes? He needs to leave the combination somewhere... but he also has to hide that combination key. The briefcase wouldn't be very safe if just anyone could figure out how to open it, right? It needs to be something only Crowley can understand.

This is why Aziraphale is not a private detective in Edinburgh but a journalist because the key is in the hat.

How does one open the locked briefcase?

Press 66. 😉

The briefcase and the hat go together because the briefcase cannot be opened without the press credentials in the hat which, in very Good Omens and Crowley & Aziraphale form, look like they're one thing but are really another when you consider alternate meanings of words. Aziraphale knows that only Crowley would see Aziraphale's hat atop that briefcase and the 'Press 66' and work out that it's how to open the briefcase.

It would also be very Good Omens to nod to famous film Macguffins and then make them actually important in Good Omens' story. While a "what's in the briefcase?" thing here is very Pulp Fiction, the film that inspired the briefcase in Pulp Fiction is 1955's atomic noir Kiss Me Deadly, which is being referenced all over the place in S2.

The scene where Aziraphale picks Shax up from the side of the road is a homage to Kiss Me Deadly's opening scene, Gabriel's memory issues and his "I am in The Fly" note is similar to part of the central mystery of that film, and Kiss Me Deadly is the origin of the popularization of the word vavoom/va-va-voom.

Like basically every other film referenced in Good Omens, it's also known for innovative use when it comes to language-- particularly, coded cinematic language, in this case. Like North by Northwest, which is referenced in both parts of 1941 so far, Kiss Me Deadly found innovative ways to get around the Hays Code to tell its story. References to The Maltese Falcon in the story are also likely in relation to that story using etymology-based language to queer code aspects of its story, in a similar way to Good Omens, but also that The Maltese Falcon itself is a bit of a MacGuffin. In Good Omens, though, it seems like they're actually winking at those by making Macguffin-alluding things actually important parts of the story.

Anyway, the biggest fan theory about what's in the briefcase in Pulp Fiction is based around the combination to the briefcase being 666 in the film and the idea is that it's Marcellus Wallace's soul, which he sold to the devil. Famously, the audience never sees what's inside the briefcase. We might be saying here that the combination to Aziraphale's briefcase being 66 may be nodding to Pulp Fiction's briefcase a bit and hinting at the Satan in The Final 15 ideas. 66 is also tied to Route 66 and rock 'n roll in America, Buddy Holly, and the paralleling Gabriel & Beez flashback, maybe especially hinting at memory-related things happening with the briefcase.

I won't spoil you on what's in the briefcase in Kiss Me Deadly but let's just say that it goes along with Good Omens pretty well thematically... in a much, much darker way. The film being very bleak noir makes it very different in tone from Good Omens but the fact that the briefcase is actually is relevant to the story in the end of that film might also hint that Aziraphale's disappeared briefcase might wind up being important in The Finale, too.

Adding to this theory is also that another briefcase in The Bentley's trunk/boot was also something shown earlier in S2-- on a very significant night in Crowley & Aziraphale's history:

When Aziraphale is in Edinburgh, we see him intentionally hamming up his newspaper man persona and, in doing so, he takes the briefcase into The Resurrectionist Pub, right? Bit of foreshadowing there as to what will happen to Aziraphale and what will need to happen to bring him back?

Yes, we don't see the briefcase again after this scene but I doubt he left it in the pub because it would be useless to Crowley without the hat, on which Aziraphale has hidden the briefcase combination hidden in plain sight. Aziraphale was seen wearing the hat in one scene set after we last saw the briefcase, proving that both of them and the raincoat are in the trunk of The Bentley:

Aziraphale wore this whole get up to Edinburgh so that, if anyone was watching him, they'd think he was Muriel-like cosplaying a newspaper man. I mean... we know the trench coat is a little Columbo-esque, but why wouldn't he just be a private detective and not a journalist, if the goal was just to play a role to help solve the Gabriel mystery? Because he had to be a old movie-esque journalist so he could have the word press there in the credentials, only for its other meaning for the briefcase combination.

Aziraphale definitely had a whole other list of motivations for being the one to go to Edinburgh. He wanted Crowley to rest in the shop and to talk to Gabriel, he wanted to be the one to go tackle the mystery, and he wanted to work on his 1827 issues by going to the graveyard again... but we might find we can add to that list that he also realized it would be a good opportunity to hide his memories in a briefcase in The Bentley with actions that are right there, in plain sight of anyone who is watching-- including us 😉-- but might not be deemed suspicious.

Parallel-wise, the briefcase and The Bentley are the matchbox and the moving box and PRESS 66 is Aziraphale's equivalent to I AM IN THE FLY... all before Aziraphale and Crowley actually figured out what Gabriel and Beez did to protect Gabriel.

He's pressing on the press hat he's leaving for Mr. Six Shots of Espresso... 😂 The press card is in his hat, like a feather... Crowley's "it'd be a real feather in your cap wing" joke from the foreshadowing "I'll be damned"/"It's not so bad when you get used to it" scene in 1.01...

That demon doesn't know it yet but he's driving around with Aziraphale in the trunk because Aziraphale figured out how to get around the worst case scenario. He knew he was on a collision course with falling and he found a way to potentially dodge the memory loss by stashing his memories for Crowley in The Bentley.

His enthusiasm in Edinburgh is him barely able to contain his amusement at getting one over on anyone watching him who think they know what they're seeing but don't realize what he's actually up to.

No wonder why he was walking on air when he got back to London-- it was mission accomplished. He'd managed to leave Crowley the ability to bring him back, tucked away in the safest spot possible.

The bookseller who, like the others, is a metaphorical book/paper, left their out for Heaven and Hell trying to kill him for Crowley's safekeeping in a briefcase... the thing people use for...

...paperwork. 😂

But wait... there's one other big question, though, yes?

Why didn't Aziraphale tell Crowley this?

There absolutely was enough time and opportunity to tell Crowley he'd backed up his memories and left them in The Bentley's trunk.

The fact that this didn't come up seems wild, right, because they both know that Crowley has been having a steady anxiety attack about Heaven and Hell circling all week. We would think that, if Aziraphale had figured out this plan to circumvent that threat, the first thing he would have done would be to tell Crowley about it, yes?

Except... while I wrote this meta from the perspective of what the end result of Aziraphale's actions with the briefcase might be in The Finale, I don't actually think that was Aziraphale's own motivation for doing what he did.

Aziraphale didn't take out his memories and leave them in the briefcase in The Bentley for Crowley as a backup plan for them to elude a form of death for Aziraphale.

He left them there for Crowley to find and have after Aziraphale was already gone. Why else would Crowley need the combination on the credentials on the hat, right?

If Aziraphale had intended on his memories in the briefcase being a plan to save himself, he would have told Crowley about it so that Crowley would know. Instead, though, it's something of a suicide note. He left them for Crowley to find and have in the future.

I think The Bentley was even warning of this suicide ideation and showing concern upon the return to London for Aziraphale over what he had put in its trunk. The car is worried. [I love Good Omens-- when else am I going to type a sentence like that? 😂]

Aziraphale first parked it in front of Battye [madness] & Palm [to take]. It's a shop reflective of a lot of that depression and suicide ideation happening in Aziraphale's story and leading to his fall that I looked at in The Devil Takes The Hindmost.

The Bentley then drives itself-- and all Aziraphale's Aziraphaleness in the briefcase-- up a few feet. What is The Bentley then aligning Aziraphale with?

Death.

The car parked itself in front of the Give Me Death half of Give Me Coffee or Give Me Death...

... until Aziraphale told it to go back to where he parked it. Then, The Bentley backed up a few feet to Battye & Palm and all the madness that is the rest of the season. The car was foreshadowing the end, parking itself right along where it would be parked the last time we'd see it in S2.

The trunk is aligned with Give Me Death in The Final 15...

...fulfilling the foreshadowing of the end of S1.

[dem0batz]

Apple Spice and Oaths

Caleb x MC // Love and Deepspace

Author's Note: I've been plagued by thoughts of Caleb. My brain has been rotting and frothing since his trailer release. Not as edited as I would have liked but I needed to get this out into the world.

~2400 words || read on AO3

Summary

After years of forbidden moments with Caleb, it all finally comes to a head when he is about to leave for pilot training.

🔞Content Warnings: (adopted) brother/sister kink, virgin MC, yandere Caleb, dubcon, sexual coercion but MC wants it, references to Dawnbreaker Zayne, Dacryphilia, implied oral (—>f), PIV, cum eating, small blood reference

The bed dips behind you, a soft creak echoing through your room. A chill hits your spine, making your bones tremble before warmth presses into your back and the blanket seals the two of you in.

“Caleb…”

“Shhh, you’ll wake Gran.”

Your half-hearted protest dies on your lips when your brother’s arm falls across your waist, pulling you closer to his chest. A strong forearm slides under your neck, searching for a comfortable position for the both of you. His familiar scent of apples and spice hit your nostrils as he snuggles in closer, entwining your limbs together like so many times before.

You really should send him back to his own room. This thing between the two of you has gotten out of hand. It wasn’t normal for siblings to do the things the two of you have and someone needs to put a stop to it before it’s too late. Before you both cross that line neither of you can ever return from. But you can’t bring yourself to tell him to leave when the warmth of his breath hits your ear with a relieved sigh, his body relaxing into yours.

“You know I can’t sleep without you, pipsqueak.”

Caleb buries his nose in your neck, inhaling your scent with a light groan. Warm lips press against the sensitive skin as a large hand slides under your sleep shirt. His fingers are chilly as they dance across your abdomen, teasing around your navel on their path upward. Just as they reach the swell of your breasts, you press down on his hand to keep it from going higher though your nipples were tingling with desperation.

“That’s not sleeping,” you whisper.

“Can’t help it,” Caleb whispers back, his lips continuing to brush your neck even as he speaks. “You smell so good. So pretty. Feel so good in my arms. I need you, pip. Always need you. You plague my every thought ‘til there’s no space for anything else. ’m fucking crazy for you, pretty girl.”

A lump tightens in your throat. Though he doesn’t try to force his way to your chest, you can feel his fingers twitching against your ribs with the need to move. You would be lying to yourself (which you do often) by saying that you didn’t want it to. That you didn’t crave him the way he craves you. After you lost Zayne, Caleb was the only you had left and you had clung to him like a life line. The only reason he felt so comfortable crawling into your bed in the middle of the night is because you didn’t tell him to leave the first night he did it.

Agonizing dreams of an adult Zayne, bitter and lonely, kept infiltrating your peaceful sleep, morphing into nightmares that left you whimpering and trembling with overwhelming grief. It took a week of suffering these dreams before you were brave enough to tell someone. Dismissing it as exam exhaustion was enough to Gran worked well enough and she didn’t question you much after, but Caleb didn’t buy it. His thumbs had swept over the circles under your eyes, a frown on his face telling you without a single word that he didn’t believe you. Though he didn’t say anything in front of Gran, Caleb wasn’t one to let things go.

He crept into your room that night to find you tangled and sweaty in your sheets, crying in your sleep as visions invaded your dreams of sharp black ice piercing through Zayne’s body while you were frozen in place and unable to go to him. Caleb shook you awake and held you while you cried, babbling incoherently until you fell back into a deep, calm sleep in his arms.

So while Caleb claims to be unable to sleep without you, it was the opposite. Any night you had to sleep alone was spent tossing and turning until you gave up all together, the insomnia taking it’s place. You had no idea what you would do once he leaves next week for pilot training, something you were both dreading but didn’t speak of. This is why you had to learn to be without him and why this needed to end.

As much as it pained you to, you begin to pry his arm from your torso.

“Please don’t. Don’t push me away.” His voice cracks on your name, cracking your heart with it.

Caleb was your rock, so strong and sturdy to lean on. It wasn’t often he showed vulnerability, typically only in these quiet moments you shared in the dark. It was enough to make your resolve waver. Sensing your hesitation, he presses up against you, his erection digging into your lower back.

“But you’re leaving me,” your own voice trembles with the sting of tears on your lashes.

His other hand grips your jaw from it’s position, twisting your neck toward him until your breathing mingles, lips grazing one another. It’s hard to see in the dark, but there’s just enough light emitting from a soft night light nearby to see the hardening in his eyes.

“It’s not my choice!” he hisses. Your eyes widen at his outburst, so unlike the calm, loving brother you had come to known. Realizing himself, his eyes soften. “I’m sorry, pipsqueak. I just… can’t have you thinking I’m leaving because I want to. There are things I can’t explain to you right now but I promise, one day it will all make sense. Forgive me?”

With only a moment of hesitation, you nod. You would always forgive him. There was nothing he could do to make you hate him when he looked at you like this. His lips brush over each of your eyes, collecting the tears that had began to build on your lashes. They move down to press against your own, softly at first, then more insistent as his tongue prods at the crease until the salty flavor of your tears bursts on your tongue.

Your grip no longer tight around his wrist, his fingers begin to trail lightly upward once more until his now warm palm grazes your nipple with a light squeeze of your breast. A soft sigh escapes your lips at the sensation and you find yourself moving against his tented sleep pants. Taking that as permission, Caleb moves you to your back without breaking the kiss, locking your ankles together at his lower back as he settles between your thighs.

His kisses turn more aggressive, nipping at your lips and inhaling every little moan and sigh, imprinting them in his memory to use when things inevitably got difficult at the base. It would have to be enough to keep him sane until he was able to come back home to you.

Before long, Caleb’s lips make their way down your body, tugging and pulling at your clothing until you’re naked and writhing beneath his tongue, not for the first time.

“Caleb!” You whisper-hiss. “Caleb, I’m gonna—”

“Come for me, pretty girl,” he whispers against your clit while his fingers work against the soft spot inside that makes you see stars. With his encouragement, you fall apart on his smooth face, body trembling from the effort as you bite the corner of your pillow in an effort to suppress the shaking moans wanting to burst free. Caleb works you through it, licking and nipping until overstimulation has you pushing his head away.

He crawls his way back up your body with eyes dark and hungry, your essence glistening on his chin. Your body quakes with the intensity of the look on his face and when he settles above you once more as his lips devour yours, a combination of his taste and your own mingling on your tongue. Now naked from the waist down, himself, Caleb’s stiff cock presses against your inner thigh, the tip swollen and sticky with pre-cum.

Reaching down between the two of you, he firmly graps himself in his hand to slide between your drenched folds. In a panic, your palm finds his chest, pushing against your brother though his weight doesn’t budge.

“What are you doing?”

“What we should have done a long time ago.”

The tip presses inside, making the both of you groan probably a little too loudly as your slick insides clench around him, inviting him in against your will. He slides in a little further but you press against his chest again.

“Wait, wait. This is going too fast.”

His head falls to your shoulder in frustration, the soft tendrils of his dark hair tickling your sensitive skin.

“Where did you think all these years were leading to, pip?” his muffled voice sounds in your ear.

Though he stopped moving, the first couple inches of his cock rest inside of you still.

“We’re siblings, Caleb,” you say, trying to be the reasonable one though you want nothing more than for him to finish what he started.

“Not by blood. Besides,” he pauses, one hand wedging between your bodies to allow his thumb to start circling your clit, renewing the delicious feeling in your abdomen. “It’s kind of hot, right? Doing something forbidden.”

Your insides quiver and you clench around him with a slick gush at the dirty words.

“Yeah, you like that, don’t you, pipsqueak?” he chuckles darkly in your ear, beginning shallow thrusts. Not enough to be all the way in, but enough for the anticipation to start building again. “Is my little sister gonna let me fuck her, hmm? Has anyone else ever been inside of you before?”

Face growing hot, you shake your head in denial, unable to say the words out loud.

Caleb’s body trembles above you as he presses in a little further. You can feel him right there.

“Good,” he growls in your ear. “I probably would have had to kill anyone else who touched you first and the only blood I want right now is this.”

In one thrust, Caleb pushes past your barrier, swallowing your cries with a possessive kiss as he tears through your hymen. It hurts at first, but not in a way you would have expected. It was more of a quick pinch, and while the first few thrusts were a little uncomfortable as you adjusted to the intrusion, your slick walls begin to welcome him.

“Knew you would feel good, fuck. That’s my cunt, isn’t it, pip?” Caleb moans, holding one of your legs at the knee and keeping you open for him as he grinds roughly into you.

“Caleb…” you whine, arms tightening around him while your nails find purchase on his bare back.

He hisses through the sting your nails cause, hoping like hell that you’re leaving marks behind that will take weeks to disappear. He wanted to feel you on him weeks from now, back sore with every movement during drill training. His thumb never let up from your clit, sending you higher and higher with every thrust. His cock twitches inside with the need to release inside of you, to claim you, but he won’t allow himself to let go until he gets one more from you.

“That’s it, pretty girl. Hold onto me. I’ve got you. Come for me. Come all over your brother’s cock.”

You can’t bring yourself to admit that his dirty words aided in getting you there, but before you can stop it, a tightness pulls in your lower stomach almost painfully before releasing. Spots dance behind your eyes in blinding flash of light. For a moment, you fear your heart might give out and that you’ll have to be rushed to the hospital, left to explain why you a cardiac event while naked with your brother. But the feeling passes as you start to float down, still half-blind with your ears ringing. Caleb ruts into you a few more times with curses on his tongue as you clamp down around him, ropes of hot cum splashing around your inner walls and painting them with him.

He collapses on top of you, his weight heavy and making it difficult to breathe, but you just pull him closer while your heart rates sync to a steady pace. You lay there together for several quiet moments, each of you soaking in what just happened and how this changes everything and nothing at the same time with him leaving soon.

Those thoughts are pushed away as he lifts up his head, dark hair laying on his brow as a boyish smile peeks out from beneath. His lips find yours, more bold now than ever before, like it’s his right to do so, but you don’t push him away, instead meeting him halfway. You feel his length twitch inside and he pulls away, shaking his head and mumbling against your lips.

“Don’t get me going again, pretty girl. You’re going to be sore enough as it is.”

With a final peck, he rises to his knees, pulling out of you slowly as you both watch. His flushed cock is shiny with both of your fluids, the sight making your heart stutter back to life. Caleb looks entirely too smug as he swipes through your folds, gathering some cum tinged pink with the loss of your virginity on his fingers. He brings them to his mouth, sucking them in and humming with satisfaction as the taste of both of you fills his mouth. With another swipe of your pussy, he does it again, this time bringing his fingers to your mouth. When you don’t immediately open for him, he traces his wet fingers across your lips.

“Come on, pipsqueak. Memorialize this moment with me. It will be just like when we were kids. Remember? When your hurt yourself because we were messing around, showing off our Evols.” You nod hesitantly.

“I remember ending up with a wound on my hand from the blast of our Resonance sending us both flying. I cut my hand when I landed on the pavement.”

Caleb nods too, confirming your story.

“Right. Then I cut my hand with a rock and we made an Oath to never tell Gran what we were doing because she would have kicked our asses. This will be like that, except now we’ll swear to never forget one another.”

“I could never forget you, Caleb. I don’t need an Oath to know that.”

Something painful, yet unreadable flickers across his face before the playful smile returns, making you wonder if you imagined it.

“Yeah, well how about you just entertain me for a while longer? What do you say, pretty girl?”

He offers his fingers again and this time you open your mouth to accept them.

Taglist: @comatosebunny09

[archangeldyke-all]

ANGEEEEEEL DO A LITTLE FUCKER AND ISHA FIC AND MY LIFE IS YOURS 🫵🫵🫵

okay okay okay long awaited but let's do it finally ehheehehe

as always with these fics, don't ask me the logistics of how the pregnancy happened. it's yuri magic. have some fun.

men and minors dni

jinx is twenty when she decides to go to college. after a few years of taking care of herself-- through therapy, moving in with you and sevika, isha's good influence, and vi and ekko's support-- jinx finally felt ready to look to her future.

she got into a good school in piltover; full scholarship, because she's a fucking genius.

you don't worry about the workload overwhelming her, though she's decided to enroll in a dual degree program, studying chemistry and engineering at the same time.

you don't worry that her demons will catch up to her; she'll be living with cait and vi, and she'll be within walking distance of her therapist. plus, she's done a lot of good work for herself.

the only thing you worry about is isha.

though the girl is older now, around eight years old and much more used to you and sevika than she was when you first met, isha's favorite person in the entire world is still jinx. and the feeling is mutual. so, while jinx will spend her weeks with cait and vi up top, on weekends she'll come back to zaun to catch up with isha.

it's still a rough adjustment.

isha's just... lonely. you miss the giggles that used to fill your home-- isha entertained endlessly by her older sister's shenanigans. and despite all you and sevika have done to keep her occupied-- buying her new games and pets and books-- you can tell that isha's bored all alone.

"what if we had a baby?" sevika asks one night after you've turned off the lights and cuddled into her arms.

"another cat?" you mumble. sevika laughs.

"i was thinking a human baby, but we could get another cat if you want."

you sit up in bed, reaching out to flick a light on and stare down at your wife. "where the fuck is this coming from!?" you squeal.

sevika shrugs. "isha's lonely! we should give her a little sibling."

"wh-- like our own baby?! like one of us gets pregnant!?"

"well unless isha drags home a stray kid i don't see how else we'll get one." sevika chuckles.

you gawk at her. sevika smiles up at you. "s-sevika, we already have two to five children, depending on the day." you say.

sevika snorts. "ekko, cait and vi are ours only in spirit, love, they won't ever need us in the way jinx and isha do." she says. you pout. sevika snorts. "and jinx is all grown up, now." she reminds you.

tears well up in your eyes. "no she's not." you say, your pout worsening. sevika giggles and swipes your tears away.

"look; i know we said no kids when we started dating. but we said a lot of shit back then. remember when we thought we'd go hiking every saturday? we were crazy." sevika says. you giggle. "shit happened between then and now baby. life happened. deaths and marriage and adoptions and moves-- that kinda shit changes people. you changed me. and... we bought this big ass house for our family. might as well fill it up."

"well fuck, sevika, how many babies are you planning on giving me!?" you ask through a sob of happy tears. sevika laughs.

"as many as you'll let me." she says with a shrug.

you go to the doctor to talk about pregnancy the next week, only to find out that you're already a month into your first trimester.

"wh-- i'm-- but--" you sputter.

"she's already pregnant!?" sevika squeals.

the doctor laughs. "it would seem so. good timing."

sevika bursts into laughter and scoops you out of the doctor's paper covered seat, spinning you around her office and sobbing into your shoulder as you blink in shock.

"what the fuck?" you ask. sevika cackles.

on your drive home, you look over at your wife with a suspicious glare. "did you plan this?"

sevika laughs. "you think i'm that diabolical?"

"no, i just-- you decide you want a baby and boom, i'm magically already pregnant?!"

"i can probably smell it on you or somethin'-- my instincts could sense it. like how i can smell when you're ovulating."

you giggle. "that's probably how you knocked me up in the first place."

sevika grins. "fuck yeah it is. i did the math. i think it was the weekend we sent isha up to spend with the girls."

at the mention of your girls it hits you. you're about to have a baby. another one. your own-- one that you know from the first shit it takes.

you burst into tears, and sevika laughs. "there you go, i was waiting for that to happen."

"we're having a baby." you cry, scrambling to grab the hand she reaches across the console. "oh, janna, sev-- i don't know how to change diapers! all our other kids came to us potty trained!"

"i'll change all the diapers in the world, for you, love." sevika promises, kissing your knuckles. you laugh.

"you're such a liar."

isha's one smart little shit. you and sevika decide not to tell her until the second trimester, when it's less likely that you'll miscarry.

she figures it out within a week of you and sevika getting the news.

it could be the way sevika keeps touching your stomach, or the giddy kisses the pair of you keep exchanging when you think isha's not looking-- but something tips her off.

she sits you and sevika down one evening with a frown and her arms folded in front of her chest.

is there a baby in your belly? she signs. you sputter. sevika gasps. isha's suspicious glare melts into an excited smile. is there!? she asks with a gasp.

you burst into laughter and sevika shrugs. "we thought you might wanna be a big sister." isha grins, tears welling up in her eyes as she launches herself at you and sevika, laughing and crying.

i do. isha signs. i'm gonna be the best big sister ever. don't tell jinx. or violet.

you spend your pregnancy being waited on hand and foot by all your girls. vi, cait, and jinx all come to visit once or twice a week-- all three of them enchanted with your swollen stomach and always bringing baby supplies in tow.

isha makes a count-down to your due-date, bedazzles it and hangs it on the fridge so she can keep perfect track of how much longer she has to wait before meeting the baby.

isha's also started to call the baby her baby.

how many more doctors visits do you have before you have my baby? isha signs to you one afternoon as you wait in your doctor's office. you burst into laughter.

"your baby, huh?"

isha nods. i'm her sister! she signs, before gently reaching out and rubbing your stomach.

"what makes you think it's a girl?"

isha shrugs. most of your other babies are girls.

you cackle.

isha must be psychic, because your little girl comes into the world kicking and screaming in the middle of a family potluck.

it's horrible. violet passes out. surprisingly, ekko is the most helpful, giving everyone instructions and calling an ambulance for you while you wail on the living room floor.

isha's watching with a disgusted fascination the entire time, her lips curled in horror and shock, her eyes big and sparkling as she witnesses the miracle of birth.

powder and cait help keep you propped up-- both of them toweling up all your... fluids... while sevika holds your hand and kisses your head.

one baby, a ruined rug, and an ambulance ride to the hospital later, and your family finally gets to see you in better condition, and they get to meet your little girl under better circumstances.

"aweee." your four grown kids coo as they shove into the hospital room.

"hey, no shoving around the baby!" sevika whisper scolds.

isha pushes her way through all her older siblings, crawling up in sevika's lap to look down at her little sister.

she gasps in wonder. she looks like big mama. isha signs.

cait chuckles. "she does."

"what a little fucker, comin' out lookin' like the parent that did nothin..." vi teases. sevika scoffs and you giggle in agreement.

"she really is a little fucker. ruined our dinner." jinx huffs. "i was looking forward to that potroast, y'know."

isha giggles, pinching her fingers together, then flipping off the baby and pointing at her. little fucker.

you all burst into laughter. little fucker's silver eyes pop open, and she bursts into tears.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@kissyslut @chuucanchuucan @badbye666 @femme-historian @lia-winther

@lavenderbabu @emiliabby @sevikasbeloved @hellorai @my-taintedheart

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@iamastar @sevikitty @mascdom @nhaaauyen @annesunshiner

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@strawberrykidneystone @sevikasfan @fict1onallyobsessed @dvrkhcld @sweetybuzz25

@sluttysierraaa @snake-in-a-flower-crown @ruiwonderz @littlemisszaunite @biblicalcrybaby

@blackgaladriel @nightlyconfusion @dancingqu33n17 @losernb