#there are some potential issues which I need to address at some point
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Not main tagging this rn but it like lowkey kind of fucks me up how many of Jill's scenes with Clive you could give to another character and it would either fit that character better, or it just kind of dawns on you how little it would change the overall story if you removed the connection to Clive and Rosaria from her character and just left her time in the Iron Kingdom forced to fight in the war for the sake of innocent people (and her consequent struggle over killing)
#i just be ramblin#Like on one hand there are just so many scenes I think that were originally supposed to be between Clive and another character that they#reapproprated for Jill because they needed to give them interactions and moments as a main relationship#One notable one for me is in Rosaria‚ when Clive is looking at the moon talking about Joshua and about how it fucks him up that he might#have killed him. Jill tries to relate to him by talking about how she was forced to kill for her life and the life of others‚ which has#caused her to struggle over her own morality (god if only they actually developed that bit of her character well past that🥲)#The heart to heart there ultimately falls flat because Clive has no qualms about killing and hasn't for a while. His issue is with having#killed someone so dear to him. I almost feel that Cid was likely Clive's original companion for the return to Rosaria and Phoenix Gate#mission. And this is because A. Cid was the one who pushed him to go. B. Cid during the first timeskip era is set up to be the first person#he comes to care about the most since Joshua's death‚ especially because of how similarly he treats Cid and Joshua after their respective#deaths. And C. Because Cid was the lord commander for Waloed. He knows what it's like to be used to killing and war. He left people behind#in Waloed he cared very much about because he wanted to change the world for the better. Maybe he hasn't straight up killed the most#important person to him‚ but he can relate to Clive and his issues during that scene much better than Jill could#Another notable scene for me is the flower picking quest before Origin. Cause they reveal this backstory bit out or nowhere that while out#with Elwin Clive just couldn't bear to see Jill making a sad face and so dragged her along to see the flowers she wanted to see#A lot of that past explanation and the stuff Jill says to gas up Clive is just...incorrect. Like so incorrect that you can point out counter#evidence. There is nothing to suggest that younger Clive was so in tune with Jill's emotions and feelings. He was putting his everything#into supporting Joshua back then. His heart to heart scene with Jill in the prologue felt like Jill trying to reach out and get him to#understand that she cared about him and wanted him to be safe (he was facing away from her most of the scene)‚ but the heart to heart scene#with Joshua in that same era has Clive more present in the moment and genuinely trying to address Joshua's feelings and assuage his fears#And then there's Jill talking about how Clive is the Sun and it's always been true that he'll always come back to her. Which feels like...#cope? Because he barely thinks about Jill for 13 years and only doesn't kill her after she happens to be the Bastard's target because he#recognizes her suddenly as someone he knew. And then Barnabus captures her. He initially is told that she's dead and his reaction is to sigh#like “Oh that's unfortunate''. And he only actually tries to go after her after Joshua says she's alive.#I honestly feel like that flower picking backstory bit with how some of her and Clive's lines are‚ Joshua's fondness talking about a moment#that wasn't his memory with Clive‚ and Joshua's prevalence during that quest potentially says that originally a lot of it was a scene about#Joshua and Clive. Anywho I digress. I also just feel bad for Jill. Her and her backstory and issues deserved better#than just to put everything aside to revolve around Clive‚ who has to be urged by others to be a decent boyfriend to her
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caligvlasaqvarivm ¡ 1 year ago
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CLASSES - a comprehensive guide
The first thing that needs to be said is that there is no such thing as a "bad" class. All of them have the potential to be a great detriment OR great boon to the rest of the team, depending on how far along the journey of self-actualization a party member is. Some may have steeper challenges, but this corresponds with greater rewards.
The second thing that needs to be said is that all players are part of a team, and all personal journeys and playstyles are interlinked. No class is truly "solo." Even the smallest viable session is still two people, and even the most suitable classes for solo play are stronger when they're in a party.
The last thing that needs to be said is that the game wants you to succeed. The game, inherently, wants every player to reach godhood, wants every player to self-actualize, wants every player to win. It respects free will and free choice, so it will allow for failures (and, indeed, doomed timelines are vital to the alpha one existing), but Skaia is ultimately optimistic, and tries at every turn to ensure that a golden ending is possible.
Because, after all, SBURB/SGRUB - and Homestuck itself - are about children growing up, maturing, and learning compassion for each other. About fixing their flaws and rejecting the negative aspects of the society they came from. It's about how it is our duty, our responsibility, to become kind, mature people who care about one another, because we will one day be responsible for creating a new society.
And so, without further ado:
ACTIVE (-) Classes and PASSIVE (+) Classes are described with the dichotomy of "powers working for the self" vs. "powers working for others," but I believe this to be an oversimplification of what the active and passive split is. Both active AND passive classes benefit from being in a party; however, an active class will gain fewer party benefits in exchange for being more suited for solo play, while a passive class will be less suited for solo play, but confer much greater benefits to party play.
This is reflected in their personal quests: while active classes and passive classes will both require intervention, empathy, and guidance from their teammates, the struggle of an active class is usually one of grappling with internal flaws, and the struggle of a passive class is one of grappling with interpersonal or societal relations. In other words, the personal quest of an active player will usually involve getting therapized, while the personal quest of a passive player will usually involve addressing a systemic societal issue. Often, both will be required, but whether a class is active or passive will indicate an area of focus.
KNIGHT - / MAID +
PARTY MANAGEMENT
one who wields [aspect] or leads with [aspect] / one who distributes [aspect] or manages with [aspect]
KNIGHTS (-) are a very flexible and versatile class; "wielding" their aspect does not necessarily mean they are skilled at DPS. It actually indicates the way a knight interacts with their aspect, a very straightforward relationship of tradesperson and tool, or soldier and weapon. Similarly, while a knight does not always take up the "leader" position in the party, they will be the "spearhead," a point behind which the other players rally, a beating heart keeping the party together.
This straightforward relationship between a knight and their aspect leads to knights finding little difficulty mastering their aspect once they've begun. Many knights are, in fact, instinctively drawn toward utilizing their aspect, in the same way that they are naturally drawn toward roles of importance or heroism.
Knights often struggle with their perceived place in society, as well as with their innate sense of self and self-worth, seeing themselves as outcasts, resenting the responsibility placed on their shoulders, and fearing vulnerability. Unaddressed, these issues will lead to knights who actively become a detriment to party success. For example, they can dismiss valid concerns, shirk their duties, and in the worst case scenario, actively lead the party down the wrong path, invoking their natural ability to lead for ill.
Therefore, a knight's journey is one of accepting themselves and accepting their duty to better the world. It is about coming to terms with their own insecurities and learning to rely on others. It is about learning to take responsibility, and accepting the banner of a just and glorious cause.
A fully realized knight will be the center of every charge, the guiding star behind which the other players rally. They can provide clarity and guidance to those still on their journeys, and peace and comfort to those who are struggling or in pain. Where the knight goes, the party will follow, as a unified and united front.
MAIDS (+), meanwhile, tend to be on the backlines. If the knight is the forward march, then the maid is the supply line, an incredibly vital role whose absence is disastrous, even if its presence is nearly invisible. Maids have a nearly infinite well of their aspect to distribute, and are uniquely talented at managerial duties - keeping players on task, patching up the holes in a plan, sourcing and supplying resources, so on and so forth.
This is not to say that maids are relegated to support roles - a maid is usually capable of holding their own in combat just fine, especially if they've been endowed with a more combat-suited aspect. Both knights and maids are extremely versatile. That being said, maids truly shine when they're able to take on these backline roles, and many maids are more noticeable by the devastating effects of their absence rather than the invisible touch of their presence.
However, they are the class that most often starts in subservient conditions - low status, strict duties enforced upon them, so on - and their personal journey is a constant struggle against the control of others. Maids whose parties fail to grapple with and undo these shackling forces will find their maids succumbing to the influence or control of malicious entities; in the worst-case scenario, a maid can become an actively hostile enemy or saboteur, invisibly pulling the party's strings and setting them up for failure.
Therefore, a maid's journey is about rejecting societal oppression and throwing off the chains that bind them. A successful maid rises to become the head of the household - nothing occurs within the game that does not first pass the maid's inspection, and their touch ensures that there is a place for everything, and everything is in its place.
A free maid, who belongs to themselves, incomparably increases a party's efficiency. Every communication line is clear, every distribution route is clean, every mystery is solvable, and every plan is airtight. A maid guarantees that nothing can ever go too wrong.
PAGE - / HEIR +
TEAM BONDING
one who must earn [aspect] or inherits the mantle of [aspect] / one who is beloved by [aspect] or awakens to [aspect]
PAGES (-) start the game with the fewest benefits from their aspects, but the greatest potential for growth. Theirs is a constant battle with the self; they are often cowardly and naive. They possess sensitive souls, and while it is incredibly easy to hurt a page, it's much more difficult to build them up. Because of the difficulty of raising this class, it's practically defined by its journey - a constant struggle against the self - rather than its destination, and the powers the class confers.
Pages, like heirs, are classes of inheritance. A page is promoted by trials and tribulations and comes to inherit a greater power than they begin with; in the same way, the class will one day come to embody its aspect, although the road will always be turbulent and long. Moreover, it is a journey without end; pages, being as sensitive as they are, are the most prone to backwards progress, even after reaching their peak.
They prone to staying weak throughout the entire game, never self-actualizing past being the party joke. They attract the obsession and ridicule of stronger-willed players, and their mistreatment can become extremely divisive. A page can easily become a party's albatross, the epicenter of massive interpersonal conflicts, which can tank an entire session.
Therefore, a page's journey is one of the most difficult of all - that of teaching others how to care about other people. Pages rely on great patience, kindness, and understanding. Their sensitive souls must be carefully nurtured and propagated with love and attention. In the same way that a page can tear a team apart, they can bring a team together, all in the name of compassion and empathy. A fully-realized page is the symbol of a party that has linked hands with one another.
Self-actualized pages, as a result of the difficulty inherent to the class, are incredibly powerful and versatile when fully realized. Inheriting the mantle of their aspect, they become pure embodiments of their aspect, capable of achieving impossible feats of raw, unfiltered power, and inspiring all those who gaze upon them.
HEIRS (+) begin the game very strong, but have a difficult time becoming stronger. This is because their usage of their aspect is very instinctual to them, even at times being entirely beyond their control, hence, "beloved by" in the class description. However, because of how naturally their aspect comes to them, it makes taking further command of their powers difficult.
An heir "awakens to" their aspect because their natural, intuitive control often renders them too comfortable to grasp the greater implications of their class. As an inheritance class, heirs can come to embody their aspect, transforming entirely into it. Their challenge lies in breaking out of their comfortable shell and learning how to utilize their powers in more active, intentional ways.
This is reflected in their personal quests. They are often set to inherit great privilege or wealth prior to entering the game, and are thus naive to the realities of the suffering and pain of others. Without a supportive party willing to challenge their views, heirs can perpetuate that pain by submitting to their place in the world, becoming a divisive force within the party, or, in the worst case, losing themselves to their inheritance, and submitting so wholly to their aspect that they become lost to the rest of the team.
Thus, an heir's journey is to question the stratification of the society they belong to, so that they can recognize and address its flaws. They must learn to interrogate their inheritance, separate it from themselves, and reconcile with it. Theirs is an arc of examination and understanding, descending from their position of privilege and peace to learn about the suffering of others, and deciding that they wish to do something about it.
With full command over their aspect, and a clear vision for how it ought to be distributed, the party gains a new and powerful ally - the aspect itself, which will come to embrace the entire party as family. A fully-realized heir connects the privileged and underprivileged, spreading their inheritance to all.
MAGE - / SEER +
GUIDANCE
one who invokes [aspect] or is drawn to [aspect] / one who comprehends [aspect] or is guided by [aspect]
MAGES (-) are a class of prophets, although saying they "see the future" is misleading. Rather, mages "invoke" the future, collapsing causality to align to their desires. Most mages remain unaware that they are doing so until well into their journey. While all players weigh on the scale of causality, affecting both past and future events, and which sequence of events is the "alpha" sequence, mages have the most direct effect.
Because of this ability to invoke future events, mages possess powerful buffing/debuffing abilities. Furthermore, as one of the two knowledge classes, a mage usually has a very deep understanding of their aspect, and an intuitive knowledge of how the flow of time and causality function. They are "drawn to" their aspects in this way, instinctively searching out points where their influence can affect the flow of events.
However, with great power comes great cost; the mage class is usually assigned to those who are stricken by tragedies and prone to negativity and self-loathing. Mages often begin the game as a detriment to the party, "prophesying" future events that leave the party - including themselves - at a disadvantage. In the worst case scenario, a mage can invoke certain doom for their party or themselves.
Therefore, it is vital that a mage address their tragedies and be given a chance to heal and grow. The ones most struck by tragedy, theirs is a journey of reclaiming lost joy and rediscovering lost hope. However, the transformation is powerful once completed - as the one who suffers tragedy and loss most intimately, a mage can also come to be one of the most empathetic and compassionate members of the team.
If a mage is uplifted, and capable of believing in a kinder and gentler world, then their ability to invoke the future - and the aspects of their aspect that they are drawn to - become kinder, as well. Pain and suffering still have their place, but the ending will be a happy one. With a fully empowered mage, the future will always be better than what came before.
SEERS (+) see multiple branching paths. A mage determines where a road will be built, but a seer tells you where a road CAN be built. They are also often gifted with knowledge of the game and its mechanics, and are especially uniquely gifted with understanding of their own abilities. In this way, they "comprehend" their aspect.
Seers themselves are not particularly gifted in combat through their classpect alone; however, in exchange, they often play a vital role in steering the party. They are the game's built-in guides, with an intuitive knowledge of the game's victory conditions, as well as an instinctive desire to lead others along their paths. Seers are, therefore, one of the most important classes in the game, when one is present.
However, the ability to see is a burden as well as a gift. Seers find themselves paralyzed by choice, and often doubt their own abilities to choose "correctly." They are prone to becoming mired in what-ifs, and struggle with political or ethical debates with no clear answers. In the worst-case scenario, a seer may feel so cursed by their sight that they self-destruct, and deliberately choose poor or incomprehensible answers, in an attempt to free themselves of their sight.
Thus, a seer's quest is, ironically, to see the world beyond the purview of their aspect. They must come to have a more comprehensive understanding of the world they live in, and what purpose they are trying to achieve, so that they can feel confident in the choices they make. A seer is often blind - their journey, therefore, is that of regaining their vision, by connecting with the world outside their inner sight.
A seer with a clear vision for the future will always know exactly which path to choose. A party with such a seer in it will never be stuck and never be lost. If there exists a path to self-actualization, the seer will know it. And if there exists a path to a breathless and perfect victory, a fully-realized seer will light the way.
THIEF - / ROGUE +
UTILITY
one who steals [aspect] from others or steals with [aspect] / one who steals [aspect] for others or steals from [aspect]
THIEVES (-) are a very difficult class to play. They start out with almost no passive abilities regarding their aspect, and their ability to actively use their aspect is contingent on their ability to first "steal" it from someone else. Thus, they are always playing a game of resource management, and there is always a chance for them to be left helpless after a heist gone wrong.
However, their gimmicky nature allows them to overtake other classes even in that class's specialty, if they can set up the exact right circumstances and manage their resources well. This makes them incredibly versatile, especially when a thief is working together with a party, and thus able to count their party among their potential resources. It takes great cunning to play the thief class well.
However, this also makes the thief a potentially dangerous element to the rest of the party. Thieves are often egotistical and self-serving, willing to see enemies and allies alike as resources and tools. Unaddressed, their reckless, selfish natures will earn their teammates' distrust and enmity. In the worst case scenario, a thief running rampant can severely harm the party, or earn so much ire that the party turns against them.
Thus, their journey is that of realizing that their selfishness and ego are flaws - the classic parable of "money doesn't bring happiness." Beneath their uncaring surface lurks genuine emotional distress; a thief must come to realize that their greed and selfishness is an active detriment not only to the people around them, but their own selves. Only then can they heal from their injured souls.
A thief that has undertaken this journey is one who has realized that they are stronger when they are working with others. Their versatility, creativity, and cunning are incredible assets once harnessed toward the will of the party. No situation will ever be inescapable, no safe uncrackable, and no problem unsolvable - not if the thief has anything to say about it.
ROGUES (+) are similarly difficult to play. Unlike the thieves, rogues do see passive benefits from their aspects. However, their active abilities are much less straightforward, and rogues often struggle with understanding them. A rogue's role is to redistribute wealth - thus, "stealing for the sake of others."
A rogue, being able to steal directly from their aspect, truly shines when given enough time to prepare. If a thief must fly by the seat of their pants, then a rogue is a heist planner - they have an infinite box of tools to pull from, if only they know what tools they'll need for the job. This makes them incomparably versatile, even if not necessarily in the heat of combat.
Rogues take on the mantle of challenging the status quo. They usually begin the game already in opposition to their society, seeking out better alternatives and considering unorthodox options. However, not every party is ready for a rogue's radical ideology, and not every rogue has considered the full consequences of their belief in change; in the worst case scenario, the rogue can become outcasted and disregarded, or cause an upheaval that proves disastrous, rioting for the sake of rioting.
It often requires the help of others for a rogue to understand how to use their powers. In the same way, it requires the party's honest communication and exchange of ideas to help a rogue grasp exactly what form their rebellion ought to take. A rogue knows instinctively that something must change; their journey is learning how they ought to go about it.
Once they do, a rogue - given enough time to prepare and plan - is the ultimate utility player, having the right tool for every possible situation. Their abilities are only magnified in a party setting, as their teammates become variables that unlock new possibilities. A party with a fully-prepped rogue always has a perfect plan, a way to solve any problem that they might face.
WITCH - / SYLPH +
AREA CONTROL
one who manipulates [aspect] or achieves dominion through [aspect] / one who nurtures [aspect] or creates a land of [aspect]
WITCHES (-) carry with them the winds of change. A witch manipulates, changing properties of their aspect and their aspect's effect on others, creating a "territory" over which they rule. They see few passive benefits of their aspects, in exchange for their active abilities being so all-encompassing and overwhelming.
Once their territory has been established, witches make the rules. Their changes can be permanent, temporary, massive, and miniscule. However, a witch "achieves dominion" with their aspect - this means that they must first struggle to create this domain, and it's difficult for their abilities to manifest until they do, often leaving younger witches weak and vulnerable.
Witches have strong feelings for how things should and should not be, but not necessarily grounded ideas for how to implement them, often due to some "outsider" status in society. Unfocused witches become dangerous for the party, as they are easily manipulated; in the worst-case scenario, they can fall in with malicious forces, who can sway a witch's turbulent heart and utilize them as a force for negative change, rather than good.
Thus, a witch's journey is that of interrogating right and wrong. A witch must struggle with morality and ethics, and come to clarify their own beliefs; only then can they know what sort of domain they wish to establish, and what sort of rules they wish to enforce. Once they know their own hearts, they can shake off the insidious whispers of malicious external influence.
As if a reward for their struggles for autonomy and independence, the witch is the one whose will is most imposed on the world that comes after them. Just as an evil witch putrefies the world around them, a fully-realized witch who has decided to use their influence for good can create a near-utopia.
SYLPHS (+) call to mind the images of fey folk who sprout plants where they walk. That is how a sylph "creates a land" of their aspect - merely by existing, the world around them becomes suffused by it. A sylph's mere presence nurtures, grows, and heals their aspect; unlike witches, who manipulate what is already there, sylphs can create something from nothing.
The establishment of their domain comes naturally to them. Those caught within it are on the receiving end of their aspect, whether they want to be or not. In exchange for such powerful passive abilities, a sylph's active abilities are weaker, and usually unsuited for solo combat, generally being of healing, buffing, or debuffing nature.
A sylph is prone to selfishness - to luxuriating within their own land, their own aspect, their own mind. They often have difficulty connecting with others and understanding why their own personal world may not be to the liking of the world outside of themselves. Often, they are aloof. An unrealized sylph can cause great harm to the world around them, their domain choking out and smothering their party; in the worst case, they can mire their party within it, leaving their party unable to proceed.
Thus, it often requires the outside world to breach their safe haven in order for a sylph to grow. They must be made uncomfortable, and then made to accept that uncomfortable things are also important - maybe even more important than comfort, at times. Growth often requires pruning; a sylph's journey is to come to understand that good intentions may lead to harm, and, vice versa, that harm can often lead to true growth.
Sylphs can provide the greatest compassion and emotional comfort within a party, encouraging - if not enabling - their teammates' growth in their personal journeys. Once a sylph understands when it is appropriate to encourage, and when it is appropriate to pull back, there is no refuge safer for the party than the sylph's domain.
PRINCE - / BARD +
OBSTACLE REMOVAL
one who destroys [aspect] or destroys with [aspect] / one who allows the destruction of [aspect] or allows destruction through [aspect]
PRINCES (-) possess the ability to annihilate, a destructive class not limited to physical or tangible objects. Princes also enjoy auxiliary benefits as befits their royal titles - many princes start the game with great talents, great status and wealth, or both. They are also endowed with royal presence; their very existence provokes strong emotions from those around them, for good or for ill.
One of the more straightforward classes in the game, a prince's ability to destroy most commonly manifests as DPS. However, their abilities encompass a greater scope than mere damage - the prince's ability to annihilate figurative or metaphysical concepts makes them capable of directly removing any obstacles that stand in their way. As if hungry to consume their aspect, they are naturally drawn towards where it congregates.
However, with great power comes great responsibility: princes are often the most psychologically maligned within the party, and their destructive talents can very easily become self-destructive instead. Usually the result of societal pressure, trauma, and suffering, a prince is prone to embodying the lack of their aspect, rather than its presence. In the worst-case scenario, a prince spreads this misfortune to the rest of their party, destroying the presence of their aspect from their session altogether, often taking themselves along with it.
A prince must be shown compassion. Though they are often viscerally unpleasant to engage with, turning a blind eye to foolishness, loneliness, and suffering - which a prince embodies - is one of the worst things that a party can do. Though the effort at times seems undeserved, to heal a prince requires a staunch belief that there is good to be gained if we are kind to each other. This kindness will be returned; once you are counted among a prince's "people," they will do anything to keep harm from befalling you.
A prince, once shown this grace, is incomparably powerful. To destroy their aspect or with their aspect is the ability to destroy nearly anything, including concepts such as despair, death, and doom. As if proclaiming a royal decree, a fully-realized prince can banish misfortune and ill tidings altogether, leaving nothing standing in the party's way.
BARDS (+) are a wildcard of a class, often responsible for a party's improbable victory, abject defeat, or both. Their abilities are not very well-understood, even by the bard themselves, and they often utilize both passive and active abilities intuitively, unaware that they are doing so. The morale of the party is deeply tied to the bard's own, and it's unclear which side is cause and which is effect.
The ability to allow the destruction of their aspect, or invite it through their aspect, is actually something of a debuff rather than DPS - the bard's ability is to break unbreakable shields, tear down unclimbable walls, and nullify unstoppable forces. Rather than dealing damage themselves, they allow for damage to be dealt that would otherwise have no effect - in other words, by nature, they make the impossible possible. This is the true source of their ability to evoke "miraculous" situations.
Bards are inextricably tied to society - after all, their tales only hold as much value as their relevance to the audience. This means those with the bard class are invariably molded by the worst aspects of the society they come from. They serve as living embodiments of the most unpleasant aspects of society, and living reminders that leaving these elements to fester only means they will multiply in severity. If these beliefs are allowed to go unexamined, bards will always steer a party towards ruin.
Therefore, a party must engage with the bard earnestly, compassionately, and openly, and help them see the errors of the past. A bard must be led, with gentle guidance and genuine openness, to discard their harmful beliefs, and sing a new, more beautiful tune.
A bard that has been brought back into the fold is a worker of miracles. When every other possible option has been exhausted - the knight and maid in disarray, the page and heir unable to keep the party together, the mage and seer blinded, the thief and rogue out of action, the witch and sylph with their territory lost, the prince no longer able to function - this is where a bard will step in, transmuting abject defeat into a perfect and breathless victory.
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nqueso-lies ¡ 2 months ago
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People have very rightly pointed out Bobby and Chimney and Buck for being dismissive and aggressive with each other in the past as well. Maybe because it is so recent, but the difference, imo, is that this is certainly not the first time Eddie has minimized and ridiculed Buck in this way. I’m sorry, but this is starting to look like a repeated behavior for Eddie which comes off as manipulative and as gaslighting.
I don’t care who the character is or what the show is, I’m not a fan of when people say they were triggered by something and then others posting “well let’s not say the actions are abusive” — people can bring whatever interpretation they have to a scene. You (general you) might not agree with it but dismissing people’s experiences bc they don’t have “nuance” feels bad to me.
And I think the real issue is with the writing. This repeated behavior from Eddie is not being fully addressed as hurtful to Buck in the show which has presented these two AS BEST FRIENDS. This isn’t a story about a toxic/complicated relationship, this is a story about friends. Eddie is not learning from these situations. He’s not listening to Buck. And yes, that can also be said of other past incidents with Bobby and Chimney and Buck but the fact that it keeps happening with Eddie is an issue that can’t be said about the other incidents.
Anyway sorry for rambling in your inbox! Feel free to ignore! ❤️
I agree. And I hate that when people say this, like you have, others are quick to say we're racist or we're excusing the others.
But, we're not. Those incidents with Chim and Bobby were bad. I hate that they happened.
The difference, as you pointed out Annie, is the PATTERN and the CYCLE of abuse (not technically physical) towards Buck.
This always happens with Buck and Eddie. There's an issue, followed by tension, followed by an outburst, followed by gaslighting.
One scene between Eddie and Buck that I hardly ever see discussed is in season 3 after the lawsuit arc when they make up after Buck returns to the 118.
"Did you ever stop for a minute and think what that would do to us?"
Uhm... Buck was losing his found family.
"Lot of 'I's' in there."
I'm sorry, did you get a firetruck crushing your leg to smithereens while innocenly riding in a firetruck, thus potentially ruining your career?
"I forgive you. That's also what it means to be part of a team."
Thanks for letting him know you're obligated to forgive him.
The really crazy thing imo is that this whole exchange comes AFTER the fucking tsunami arc. Once again, no one is thinking about what Buck went through.
He went toe to toe with a fucking Natural Disaster, saved a handful of people, saved Chris, lost Chris, searched for Chris for HOURS. The entire time he was on blood thinners. And yes, I understand that he had a pulmonary embolism before that and quit his job, but I understand the frustration from Buck. He just did some Superman hero shit and they still won't let him come back to work??
Sorry... went off on a rant there.
Anyway, the Bobby and Chim incidents were isolated to show that either something was very wrong (Bobby) or that the character is cracking (Chim).
These events with Eddie have never been used to show that something is up or about to happen to the GA. In fact, at this point, if you asked the GA about Eddie, don't be shocked if they tell you that he needs therapy or even anger management.
Personally the reason I'm so irked at this continuation of behavior is not only because of fandom reactions but also because I really thought we were passed this with Eddie. The Texas arc made it seem, to me, that Eddie was more relaxed and happy. Something the character 100% deserves... but then something traumatic happens and suddenly we're back to square one.
It's tiresome, boring, and a huge concern if not addressed.
Also, thank you for this:
I don’t care who the character is or what the show is, I’m not a fan of when people say they were triggered by something and then others posting “well let’s not say the actions are abusive” — people can bring whatever interpretation they have to a scene. You (general you) might not agree with it but dismissing people’s experiences bc they don’t have “nuance” feels bad to me.
This this this this thisssss
This is the main problem with this fandom. People are so quick to dismiss other people's, REAL PEOPLE'S, feelings.
Your trauma is valid and you shouldn't have to log on to a platform that once brought you joy only to be told that your experience doesn't matter because xyz.
It's shocking to me that they act this way ESPECIALLY when they are quick to jump into inboxes (mine specifically) and be pissed about a phrase I use because it's allegedly 'racist' and 'if we tell you it's not okay, you should respect that!'
Exactly. Take your own advice, BoBs, and realize that just because you think everything spells closeted love for Eddie Diaz, that may not be the same for others.
I apologize. This went really off the rails lol
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claralance ¡ 2 months ago
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Thinking about...
All the potential problems you might face dating Reo (i will definitely exploit this)
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Warning: Wall of text. This is written poorly, probably repetitive, English is not my native language, not proofread. Just my headcanons and interpretation. Feel free to express your own opinions.
Sure he's smitten and he falls hard, will definitely spoils you and try to become the best boyfriend, also very loyal and a gentleman and all, but I think with his upbringing there are also certain red flags.
Solves problems with money: If you ever get upset or angry and he doesn't exactly know why/what to do, he'll resort to using money, buying you expensive gifts and shits bc that's the only way he knows (money makes people happy in his defense, his parents, for example). Plus, I think splurging money is kind of his comfort zone, like an easy escape for him bc he's dirty rich and his world revolves around materialism.
Involuntarily controlling: Not sure if I phrase this right but in Episode Nagi he admits to have a habit of using people. I think it's because he has a businessman-like mindset (due to his upbringing), he likes and is used to having things go his way, and honestly even if he dislikes his parents he definitely takes after them a lot (greedy and controlling) even though he doesn't want/like to. But all in all, I believe he'll try to keep the relationship under control (subconsciously) and will either spiral or throw a tantrum when things get out of hands.
Doesn't do well with changes: I'm sure this is similar to the previous point and you've probably seen int in the manga as well but he'll definitely get emotional and react strongly when his partner changes, maybe not really change but just do something that's out of his calculations and expectations. He gets emotionally attached and while he'll do anything for you he'll definitely start an argument when his emotions overwhelm his mind (again cue the Nagireo breakup and all of Reo's inner thoughts in epiNagi)
Intelligent but not that emotionally intelligent (not sure how to explain it but iykyk)
Will probably spiral and overthink after every argument: I think that Reo is rather well aware of his flaws, and he also has a standard for himself (probably projected by others), which will backfire when he's emotional. So, if things go wrong/out of his control -> his fault for not being enough. If he realizes that he acted like his father (or someone he hates), or if he said something really harsh, he'll probably shut down and wallow in self-deprecation.
Not the best at showing his problems or communicating: I think that similar to thinking that people only like his money, Reo also thinks that people only like him for the golden boy facade. It is implied that he accommodates people around him and rarely show his anger or boredom because it is what expected of him. Therefore, at the beginning of a relationship, he'll try to keep that facade up, avoiding addressing issues and just do his best to be whatever his partner might like to keep them around unless they show that they love him beyond all that.
In conclusion, I believe that Reo'd still be a great boyfriend (certified loverboy who'll do everything for people he cares about), but being in a relationship with him will have problems that might come off as overwhelming and slightly suffocating for some people, even if they're unintentional. That's also why I think he tend to falls for the wrong people and get hurt (my last post), not bc they're exactly "wrong", but relationships are complicated and I know some people run when they face emotional, attachment-related problems like these.
Long story short, I still love Reo and his character so much bc he's not just a perfect golden boy and I relate to him (or maybe I just like ppl with attachment problems). He just need lots of love and assurance. ♥︎
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thenationofzaun ¡ 8 months ago
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Character writing in Arcane Season 2: Act 1
I have big issues with the quality of dialogue and characterization so far in Act 1. Characters and conversations have almost zero depth. Examples:
Heimerdinger - Does he know about the Council attack? How does he feel about it? Is he relieved he was voted out beforehand? Does he feel responsible for the attack, in that if he had taken action sooner, Zaun would not have been driven to this level of violence? Does he feel guilty for the deaths of his colleagues? Viktor was almost killed by the attack but got saved by the very Hexcore Heimerdinger hated. What's his reaction to that??
Lol who cares? Let's do goofy Disney channel hijinks by sneaking into a lab with Ekko. He meets Jayce there. Does he express his concern or relief that his former student just survived a Hextech explosion unscathed? Nope!!! Wacky humour time!!!
Ekko - Does Ekko know Jinx killed Silco? If yes, how does he feel about that? Is he shocked? Confused? If he doesn't know, what does he think happened to Silco? What do Zaunites like him make of Silco's death if Jinx got rid of his body? How does he feel about the Council attack? Does he support it or does he think Jinx went too far? Is he on the fence?
Lol who cares? We don't need to know any of this. Let Ekko have goofy scenes with Heimerdinger. Speaking of Heimer, what the fuck is Ekko's opinion on Heimerdinger's criminal negligence of the Undercity for the past two fucking centuries? Because he sure warmed up to that hairball quick. This is an issue that started in Season 1 Episode 8, but I had hopes they would address it in Season 2. I guess not.
Jayce - How does Jayce feel about seeing Heimerdinger again, when their last meeting was Jayce betraying him? We know he felt guilty about it in Season 1 so why was there no inkling of it during their meeting in the lab? Why doesn't Jayce tell Heimer that the Hexcore saved Viktor? The Hexcore having the potential to save Viktor's life was a huge point of contention for them in Season 1 and was partially the reason for Jayce's betrayal, but neither of them mention it. Lol. Viktor wakes up and tells him that Sky was killed by the Hexcore in their lab. Jayce: "Oh no! Anyway..." ?????? No questions as to how and when this happened? No questions as to where Sky's body is? You just learned your employee was fucking killed in your lab a few days ago and this is your reaction?
Vi - How does Vi feel about the fact that the tyrants who killed her parents are dead by Jinx's hand? She herself wanted to take revenge on the Council in the past, so how does she feel now that her little sister's the one who did it? When Caitlyn yaps about avenging her mother's death by killing Jinx, does Vi realize that Jinx's attack was in itself vengeance for their parents' deaths on the bridge? Which were sanctioned by the Council? Will she ever bring this up to Caitlyn? Probably not. What exactly is Vi's opinion on a Zaunite uprising against topside? Does she no longer think it's the right way to go about things?
What does she think happened to Ekko? The last time she saw him, he was fighting Jinx to the death. He could be dead for all she knows. And she doesn't even think about or mention him once. Seems like she doesn't give a shit about Little Man lol. Did the writers forget they are childhood friends?
What eventually drives her to join the enforcers? Could it be concern for her sister, that she somehow thinks the badge would allow her more say in advocating for lesser sentencing? Could it be ideology, that she genuinely believes stricter policing of the Undercity is the way to prevent more Silcos? Lol nope! She's convinced by some rando giving her an ego boost about how Kewl and Badazz she was attacking the factory of child labourers. (A+ manipulation by Caitlyn by the way. What a wholesome and healthy romance Caitvi is turning out to be!)
What causes the rift between Vi and Caitlyn? Could it be Vi's love for Jinx, because as much she tries to convince herself her sister is dead and that Jinx is a different person, deep down she knows that Jinx is still her sister and for all Vi's bluster and rage, she can't bear to see Jinx actually die when push comes to shove? Lol nope!!! She's actually totally okay with a fucking enforcer killing her fucking sister, the exact thing that orphaned them both. Vi only draws the line when a random kid intervenes, after which Caitlyn proceeds to domestically abuse Vi and leave her crying on the floor without looking back.
There is so much detail and nuance missing. This is why almost every scene and conversation feels so empty. Every conversation is comically rushed and not allowed to breathe. The characters' superficial personality traits are there for the most part, but their underlying motivations, feelings, opinions, and desires are completely neglected to fulfill whatever the plot demands them to do.
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ennn ¡ 8 months ago
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Hello :) I really enjoy reading your analysis on AAA!
What conversations do you think Agatha and Rio had between “because the truth is too awful “ and “what Billy wants is a violation”?
The shift between topics was so abrupt. What would they talk about to make Agatha want to make a deal to never see Rio again?
Hello Anon! Thank you for reading 💚 Okay so I think there's 2 parts to your question here, which is (a) why the change in topics between the conversation and (b) how it leads up to Agatha's deal.
Let's take a step back a bit. If we look at the first conversation, it already starts out about the Problem of Billy right?
And the whole Billy issue only exists in the context of what happened with Nicky. If Nicky had never been a thing, Agatha and Rio and their dynamic would be entirely different. Nicky was the breaking point of their relationship – a relationship with love and lust but also wrapped up in their opposing natures.
The conversation quickly escalates, shifting from Billy to their history and relationship. Rio, direct as ever, airs what must be a long-long-simmering grievance:
Rio: No one in history has had special treatment like you. Agatha: You call what you did "special treatment"? You gave me nothing. You took. Rio: And that's usually your move right.
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Now the anger and frustration is starting to boil and Agatha tries to push past and get away from Rio – but Rio stops her and tries to deescalate this argument.
In other words – and to address your ask – the topic shifts because Rio is trying to have a conversation and not fight. Rio knows that Nicky is Agatha's deepest scar, and Agatha is a runner when she doesn't have control.
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You can see Rio taking a second, watching Agatha, her tone softening as she asks the question:
Why do you let them believe those things about you, hm? About Nicky?
I think Rio tries to deescalate because she does need Agatha's help with the Billy situation: she can't kill him or reap his soul on her own. It's not a thing Rio is happy about or wants but she's got a job to do.
BUT in this show things are usually complicated: more than one thing can be true at the same time: I think Rio also cares about Agatha and wants to understand why.
After all it was Rio who told the group in episode 5 that Agatha killed her original coven because they tried killing her first. Agatha doesn't bother defending herself, if anything she plays up being this villain.
I mean, Rio loves this serial killer right. It's not the murder part of Agatha's reputation Rio cares about. Rio also has the unique insight of knowing exactly what happened to Nicky. This rumour that Agatha doesn't do anything to discourage seems to not only be an insult to Agatha but the memory of Nicky.
And then in a rare moment of vulnerability, Agatha decides to reveal her truth to Rio.
Because the truth is too awful
I read this moment as Rio trying to reach out and Agatha deciding to give an honest answer. Which again, is a precious rare thing coming from her.
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I don’t think any transitional dialogue from this to the other conversation is really important, not as much as the emotional place this first conversation ends with, which allows for the second one about a potential collaboration to happen.
Also like, what do you say to something like that? Because wow there is a lot to unpack there.
Agatha’s implying that what Rio gave her and Nicky is worse than her sacrificing Nicky for power. That she isn’t trying to be cruel, she truly can’t see the gift of time Rio gave them. That she sees herself somehow responsible for what happened to Nicky. That she doesn’t just blame Rio, she blames herself.
If I had to plot out some kind of transition between these two conversations, I would do something like:
Let the silence after the admission drag on a bit. Rio looks concerned but doesn't say anything in the moment.
Agatha takes the opportunity to walk away. Rio doesn't stop her but follows. Agatha lets her.
After a moment of quiet walking, Agatha asks about when Rio knew about the Road hex and they compare notes for a bit (Rio probably throwing shade at the weird nature here). This time lets Agatha build up her walls again.
They sit down and talk about the point of the hex, which then nicely leads into their second conversation, starting with what Billy wants.
In their second conversation, what's interesting here how very reluctant Rio is about asking for Agatha's help. She knows Agatha and hates being in this position so much she doesn't even want to say it, letting Agatha piece together what she needs.
It must truly be a rare instance that Agatha has this kind of leverage over Rio, over Death.
Because Agatha reacts like a shark scenting blood in the water. She barely hides it.
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This goes back to your question: Why does Agatha make such an deal that hurts Rio so badly?
My read is that Agatha basically reacts to this rush of power over Rio the same way she badly – almost instinctively – reacted to Alice presenting her with her magic:
She takes and takes and takes.
Because Rio's always been unstoppable but now Agatha can stop her. This is what's she's been hungering for.
That sense of helplessness she felt moments ago when she thought she had to let Billy go – like she let Nicky go – now turns to something with teeth.
You can see Agatha literally take a second to calculate the most cruel thing she can say to Rio to hurt her, to deny and reject her love.
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Now that's the emotional side of things. On a more logical level, Agatha goes into scheming mode. This is like muscle memory for her at this point, she won't deny an opportunity to get ahead.
So she doesn't deny Rio's ask. She makes the price of her handing over Billy so awful to Rio it has maybe a chance of stopping her from her mission, or buying more time at least. For so much of her life Agatha has justified murder and lies and the worst behaviour with the need to survive and protect what's hers.
Once again: Calculated move, bad at math.
Because Rio accepts the deal. She's so wounded she doesn't even push back even a little. She reacts so badly to Agatha's rejection, to her taking advantage of this opportunity, that she gives into being the villain Agatha sees her as.
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captainjonnitkessler ¡ 8 days ago
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literally. as a poc this is why so much leftism feels so alienating. there is this clear effort to remove race from the conversation in a way that is not at all reflective of peoples' priorities in reality. there is a large number of white people in the us who will vote against their personal, economical, and social interests, just because they don't want black people to also benefit. i have never seen white leftists provide effective responses to that point, they just handwave it away and pretend everyone is a secret socialist brainwashed by propaganda. and tbh, i'd argue it's mostly because talking about race requires them to confront their own potential biases, their capacity for harm as white people, and they would rather imagine a country we have never lived in than contend with the reality that they are not inherently Good And Superior.
(not to say poc don't do this or poc are immune to being racist or right wing, we saw in november that's clearly not the case, this is just an observation and frustration i have with so much leftist rhetoric)
Yeah I don't blame you. "It's time for a labor party that actually cares about workers instead of all this culture war bullshit!" is a common refrain on union subreddits and it's like, okay - so does this labor party address the plight of black workers, or trans workers, or female workers, or immigrant workers? Because what you're calling "culture war bullshit" is actually real people's lives and rights and the only people turning it into a war is Republicans.
The idea that The People are some homogenous group that are going to rise up and demand justice is a nonsense fiction. Republicans have been offered the choice again and again and again between "workers rights" and "being racist and transphobic" and guess what: it's not even a hard choice for 90% of them. If your political ideology isn't accounting for that then it's absolutely useless.
It also accounts for the other thing I think should net you an electric shock for typing, which is "Bernie would have won" or "dems just need to run on this wildly popular issue and they would win, are they stupid?"
Bernie polled well against Trump when he was a relative unknown who wasn't seriously considered a contender. If he'd won the primary, Fox News would have started 24/7 coverage about how communist Bernie was going to take your tax dollars and use it to give sex changes to illegal immigrants and all those Republicans who "totally would have voted for Bernie" would have fallen right into line. I'm not saying he couldn't have won - but he wasn't gonna do it by swaying Republicans like people like to pretend.
The same will hold true for any broadly popular issue - as soon as Democrats start championing it, Republicans will start opposing it. For example: the ACA starting as a Republican plan and ending as "Obama's death panels". By and large people do not choose a politician based on their views, they chose their views based on their politician.
So yeah. I think the Democrat party has repeatedly made a huge mistake in trying to move right to court Republicans who would never vote for them, but I think a lot of leftists are laboring under the same delusion that Republicans can be appealed to if only we find the right way of framing things. They can't. They value racism and transphobia over everything else.
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shineonyoucrazyyandere ¡ 1 year ago
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Imagine GER just finding darling and bringging them to Giorno out of nowhere (as a first meeting, Giorno not knowing darling beforehand)
My stand brought in a stranger and I end up obsessed with them?! That’s a wild thought for Giorno honestly.
Also don’t ask me how this devolved into a weird mix of headcanon/scenario either
I’m seeing somehow, some way, GER anticipated Giorno’s potentially developing feelings for you. He’d be so bewildered his own stand brought him a person, it’s so unexpected that the two of you end being confused not quite sure what to do at first. Since Giorno is the head of the mafia now, he has all sort of potential issues that could arise in it, thus leading you into danger.
There’s really no time in being upset at his stand, there really isn’t a point either. The blond decides to profusely apologize firstly, and he’s not quite sure how you got here. He puts on the gentlest smile he can muster deciding to guide you through this confusing situation. Ironically all of this worrying about you, probably leads to an obsession.
He of course has Mista help him through this, and to no surprise his jaw is wide open when Giorno straight tells him his stand brought you there.
You are eventually taken home, with seeing little of the estate Giorno was staying on. He distracts you as much as possible with casual conversation, he even rides home with you, knowing that’s still a compromising position on both his and your end. He’s certain you’ve accepted what happened and will likely keep it to yourself. The blond could likely leave it be, if he drops it now everything would be fine…
He doesn’t end up dropping it however, it starts off slow, with him keeping an eye out for any increase in crime in your area. Small little excuses that Giorno tells himself needs to be addressed. He ends up figuring out where you work, maybe stages a few people around other local businesses. Unbeknownst to you, you were now under the protection of the mafia.
Any criminal issues, or even abusive behavior is abruptly addressed and taken care of, it’s almost frightening how quick it happens. You’re rather unnerved at how some people look the other way when you walk by. Especially those you might have had a hard time with. There’s a few times you feel like you’re followed, but nothing comes of it. But hey that little garden you had bloomed to life so much, it looked like something out of a fantasy.
You had a feeling who was responsible for all of this, aside from the garden. (You had no clue Giorno was behind helping that flourish). What were you supposed to say? You couldn’t exactly call the police? And you knew people would just tell you to keep your head down. Did you do something wrong?
Ah your heart was starting to palpitate from panicking, one of your coworkers asked if you were alright. You tell them you think you need to go lie down, luckily they were understanding and happy to cover the rest of your shift. Leaving you to walk home shortly after lunch, your eyes casted down on the ground.
Nothing would happen…it would be okay. Yeah, just breathe….
Getting home your hands tremble while putting your key into the keyhole. A click and turn later you rushed inside, until you spot something in your kitchen. It wasn’t there this morning, at least not in the state and type of flowers that were there.
A vase that you usually put cut flowers in, which before you were left for work were in a sad, wilting state, and needed to be composted or thrown out, were replaced by a gorgeous bouquet. There was even a butterfly on one of the petals, slowly opening and closing its wings. You couldn’t really keep your eyes off it either…
It was beautiful, but it sent a sense of dread through you rather than comfort they usually would. Who ended up placing those there? They seemed to know what they had been doing with how they were cut.
Poor butterfly, did it accidentally get trapped in here too? You could at least relate to the feeling of being trapped. Free to roam but enclosed in a strange space at the same time? Was that really freedom?
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galene-gothic ¡ 2 years ago
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𝖧𝗈𝗐 𝗍𝗈 𝖻𝖾𝖼𝗈𝗆𝖾 𝗒𝗈𝗎𝗋 𝖻𝖾𝗌𝗍 𝗌𝖾𝗅𝖿?
୧ ‧₊˚ ⋅* ‧₊ I hope this reading found you in good health, every reblog is appreciated and thank you for everything :) ˖♡ ˎˊ˗ ꒰ 🐇 ꒱
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˗ˏˋ༻ʚ♡︎ɞ༺ˎˊ˗             PAID SERVICES
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⸼ ۫ ︎��⊹ ! 🪡︎ Pile 1 ꒱
Let's look at what your best self looks like first, your best self is selectively honest. They don't tell others what they want next. They evaluate themself and are self critical to a certain extent. They are sort of self absorbed. They understand that ignorance is bliss and know how to ignore things or people when need be. They are especially really good at ignoring people that they can't have or people from the past. They are still quite fearless though. They understand that it's better to be attacked than ignored. They meditate often and know how to relax. They need and prioritise peace, and their actions align with that. They never bite more than they can chew, they know how to step away from situations that they cannot handle. They try to stay away from conflict and choose themself first no matter what. They know how to become the bigger person. They take care of themself, self reflect and know how to heal properly. They know how to not make rash decisions. They're wise and detached. They've surrendered, they know that if they cannot control it, there's no use worrying and if they can control it, it's better to do so rather than worry. They've released old beliefs and patterns. They have a faith that things will work out, be it faith in themself, faith in god, faith in life or faith in the universe. They're mindful, intentional and know how to let go. They know how to grow, they're also successful. They believe that the pain of discipline is better than the pain of regret. They're quite passive and know how to let life happen for them, they're still someone who takes necessary action though. So, how do you become them? You need a rest, not gonna lie.
Some of you might be drained out to the point where you cannot focus in school or on work. You need to address your self esteem issues. Supposing, you are really self conscious when it comes to performing, you always feel like your body won't look good if you put too much energy so you end up putting less energy in but when you do so, you feel disappointed at yourself for not doing well. In that case, you should try to improve your dance skills. You're someone who has an understanding that being pretty doesn't do enough for you, it's the same with being rich, and the way you are as a person and the way you present yourself are all very important to you. I think it's important for you to build certain skills to a point where you can be really proud, it'll significantly boost your self esteem which will in turn help you for the better. It requires consistency though, don't be lazy !! You need to release negative thoughts, feelings, habits and patterns. You might have gotten really comfortable with your pain, it's important to heal. Your deepest traumas are either already surfacing/resurfacing or will soon, that's when it'll be the easiest to change. You need to stop stressing like just know that "what happens, happens." You need to face life and have a total break down first. You should withdraw from stuff. You'll go through something very humbling, you'll be left feeling really put down. You'll not even have it in yourself to look strong anymore, you'll be exposing weakness because you'll just not have the strength to conceal it. You'll have to accept defeat first and things will get better soon. You'll have to have a lot of anger, pain, shame, guilt and regrets in order to completely change your life, all the best, it'll probably come in soon.
⸼ ۫ ︎︎⊹ ! 🪡︎ Pile 2 ꒱
Let's look at what your best self looks like, your best self has unlimited potential and sees it. Your best self has freedom in some sense, be it financial or something else. Your best self is someone who had to let go of who they were in order to become who they're meant to be. Your best self has a carefree attitude. I just heard 'be yourself'. When I say this, some of you might think that you're doing it already but if you think about it properly you'll notice that you tend to either act childlike even though you're very mature, dumb even though you're very smart, don't express your values as articulately as you think about them, etc. Some of you could be really good at written expression of your thoughts, ideas and feelings but when it comes to talking, you're not the best. Your best self is not scared of being unique. Your best self takes risks because they understand that most of the times not taking a risk is the biggest risk. Your best self has a thirst for life and is passionate. You might be really passionate as a person (most of you seem to have that side of you diminished though). Your best self has fun regardless of what others say. One quality that you already have is your ability to analyse yourself, you are not the type to avoid accountability and blaming external factors for every little thing. You have some sort of an inner guidance, your mindset gives you the capacity to be completely alone if necessary. I feel like a deep part of you desires or used to desire solitude, peace and spiritual enlightenment. Most of you have started your spiritual journey already, some of you haven't though. It doesn't have to be something too deep like 'light candles every full moon, meditate every morning, light sage and incenses often' but instead that you feel like everything that happened was for a reason or even if it feels like it wasn't.
You learn and make something out of it, you know how to live life and try to grow as a person, and have faith (be it in the universe or in yourself). You might be quite philosophical too. You have a lot of wisdom, people who are slightly older than you and see you for who you are might say things like "you're so mature for your age". Ofcourse, there are some things that you'll have to get rid of in order to become your best self, I feel like most of you have mostly/only had short term unstable relationship/s which have caused you to have a lot of baggage. You could have poor health (I heard a poor immune system, bad sleep schedule and poor gut health). You might also be financially dependent on someone else or just not be financially stable, it's causing you to not be able to gain certain skills or knowledge, etc. Even if you do not notice it, you have a tendency of getting stuck in your head often. You lack spontaneity and need mental stimulation/challenges/someone who seems to be equally as intelligent as you so you could have been stuck in toxic friendships/relationships with people who think that and act like they know everything. You're a very fair person, so being with people who don't share the same values or reasoning as you will be frustrating, I'd advise you to not interact with such people to the point of forming am emotional attachment. You'll have to find a source of motivation or something that just reignites the passion in you. Stop being lazy, simply just planning isn't going to get you anywhere. You need to find a new purpose basically. Focus on a purpose, money, drive and having fun. It's important to learn how to be true to yourself and not get easily influenced. You should go out and have some fun too. All the best, I'm rooting for you but you need to be rooting for yourself ten times harder.
⸼ ۫ ︎︎⊹ ! 🪡︎ Pile 3 ꒱
Your best self holds pure intentions towards others and has a good nature. Your best self is also very attractive and follows their heart. They're driven and have a great imagination. They romanticise life and are in love with love. They listen to their intuition and take action towards their goals with a hope in their heart. They have a creative hobby that they might have suppressed that they choose to enhance. They're charming and friendly with people. One thing that I'm getting is that they're someone who everyone has a crush on to a certain extent. They receive a lot of jealousy and envy from others. They don't let anger get the best of them. They think calmly and orderly. They accept different beliefs and paths. They could be someone who's tired though, like really tired physically (they could do a lot). They're accepting of other people's differences. They find solutions to issues instead of going around blaming others. They prioritise peace and don't lose sight of the path. You need to face yourself instead of quick fixing issues that lead to long term detriment. If you're having fights, etc. the moment you forgive them (whether it is at their face or by yourself, without letting them know, that's up to you) and resolve conflicts (including your inner conflicts), you'll start developing into your best self. You have convinced yourself that you have certain beliefs that don't align with you and you need to get rid of them. You're not seeing the brighter side of life and that's hindering you from becoming your best self too.
I feel like what's led to this mild-extreme pessimism is your over optimism in the past. A happy and exciting event seems to have turned wrong. It's going to take you a lot of work to become your best self. You'll have to take up a lot of responsibilities and be really loaded with things to do if you want to become your best self. You'll have to be serious about life and will be stressed quite often. I just heard 'too busy to even eat'. There are excessive requirements and conditions for you to become the best version of yourself. You'll have to put yourself through intense pressure. You'll have to take up a lot of responsibilities too though, try to improve your own character alongside working on building something for yourself. It'll be really easy to burn out though because of how much you'll be doing. You need to mean how to not commit easily to others. You need to challenge others instead of just letting them into your life. Your best self follows their heart but is not easy to get. You need to become hard to get and easy to lose. You need to learn how to make quick decisions and take quick actions. It's important for you to be on a dedicated mission to succeed. Discipline yourself and build confidence. Build so much confidence that when someone you love does you wrong, you know that you can just let go, and find better people and treatment. Become self assured. It's important for you to just go for the things that you want. If you try, you'll get there little by little, all the best.
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daniel-oneiroi ¡ 8 months ago
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Millions of votes are uncounted. YOU can do something about it!
Take less than 10 minutes to register your protest.
Tell the White House to investigate election fraud. There is a sample statement in this post.
Bitching on Facebook, Tumblr, and Twitter will not help. If you are an American who is old enough to vote, please take the 10 minutes to do this. Post it on your Facebook, Twitter, whatever you have.
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Bomb threats called into 32 polling places
Ballot boxes burned in Vancouver WA and Portland OR; hundreds of ballots damaged, casters unable to be contacted. The city had issued a request for anyone who dropped off their ballots after the previous collection time to come forward.
Ballots declined for spurious, questionable reasons, like physical signatures not matching the shitty electronic pad ones.
These 4000+ were in Pennsylvania alone.
An unprecedented number of mail-in ballots were denied, in fact.
Major disasters along the SE means entire CITIES displaced, and someone can only vote at their polling places. With documents. So what happened to thousands of people who don't have ANYTHING? And what happened with polling places that do not exist? Entire TOWNS that don't exist? "Record numbers" DID vote in NC, but there are *other places?* What happens to people who don't have transportation? Many states do NOT have protected days off for voting. Many places do not HAVE transportation to polling places.
y'all, there was a dude not far from me who went after people at a polling place with a fucking machete. cops did something right and took his ass to jail. motherfucker went after a 70 year old?? wow u r so brave
Voter intimidation has been rampant. People here in Tampa FL were wearing piles of Trump merch while voting, which btw is illegal, but of course they weren't turned away in a red county. And some of the cops here are KNOWN white rights members so who tf you going to call.
KNOWN Russian propaganda, such as the vote fraud video "in Georgia" was rampant and convincing people to not vote or that voting polls were rigged
Don't have energy to come up with your own writing? Think like a high school essay. Include some specific bullet points.
You MUST put your REAL NAME and ADDRESS (or temporary/registered address, whatever you have.) This shows that you are a REAL PERSON and not some fucking bot. Yes, you need to do this EVERY TIME you contact a government official, or you will not be counted.
Include both investigation reasons AND recount reasons. Weird shit like bomb threats and Russian propaganda should trigger an investigation.
I shouldn't have to tell you this but keep the fucking anger out of it. Do NOT make ANY veiled, passive aggressive, or even potential threat to ANYONE. jfc.
"I urge you to investigate the 2024 election on grounds of (reason, like Russian propaganda influence) and (reason, like bomb threats preventing us from exercising civil rights.) Domestic terrorists have burned ballot boxes, attacked voters at polls, and intimidated voters. An unprecented number of ballots have been thrown out or called into question for reasons such as signature mismatch, which is not something a ballot counter should know anyways. Those ballots must be cured, the caster not simply notified of an issue through e-mail. I am greatly concerned that foreign influence has especially changed the nature of our elections. This is a matter of national security. It determines who owns weapons and who can use our nuclear codes, while calling into question the integrity of the American people. I urge the United States Government to demand an investigation into these issues and to ensure that everyone has been counted. Thank you."
I'm not saying "wahhh, wahhhhh, my guy didn't win!!1" I'm not demanding election investigation because I didn't Like the Results. I'm demanding an investigation because people's lives were threatened, our civil rights were widely disenfranchised, and we cannot have a clear idea of who REALLY won (regardless of who) until we remedy this national issue.
This is a matter of national security. Now act like it.
original post @sunnys-aesthetic ; tumblr won't allow Blazing.
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lynxgriffin ¡ 2 months ago
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While I personally believe Kris is the knight. You did bring up a good point on how Kris lacks courage, something Kris as the roaring knight would definitely struggle to accomplish. Thats definitely a plot hole in the theory. unless Kris is being possessed by another entity, which is incredibly unlikely. I guess it’s back to the drawing board for the Roaring knight with me. : /
Oh yeah, this is indeed what I'm talking about when I say that Kris Knight doesn't feel in line with Kris's character for me! Not in the sense of "oh uwu my precious bean Kris would NEVER do a BAD thing!!!" Very obviously they're both willing and capable of doing something potentially dangerous to both themself and others, and have got some secrets they're keeping.
However, with our three main Lightner characters (and other side characters for that matter,) they've all got these big personal struggles that they are trying resolve over the course of the plot, and that the dark worlds specifically are helping to address. For Kris, those struggles are 1) a lack of autonomy, 2) a lack of courage, and 3) a sense of self-hatred. (And I'd say all three of these are linked as well, in ways we might not fully see yet!)
At least to me, having Kris be the Knight reduces or eliminates quite a few of those struggles. If they're capable of masterminding all these elements to set up dark worlds ahead of time, then how is their lack of autonomy an issue? How would we as the player be any real setback to them? If Kris's will has already dictated how each dark world's antagonists are going to act, then why would they lack courage? Why would Ralsei feel the need to encourage them towards leadership and decision-making? Wouldn't these problems already be solved? I at least find it much more interesting if Kris is still in the process of overcoming these struggles, whatever their motives are!
And yeah, I have never been big on the whole 'third entity' idea. That would just remove any scrap of agency Kris did have in this scenario, and turn them into just the rope for some game of tug-of-war between us and...someone else we don't know. It's a lot more interesting if it's Kris's own actions and decisions that we have to grapple with as the player.
But hey, in the end, we are all just speculating because we're still lacking so much information! Hopefully the next two chapters in just a couple weeks will fill in the gaps way more for this particular part of the plot!
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mariacallous ¡ 8 months ago
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Hi mariacallous! Some of my friends have started spouting the 'abortion is a class issue because rich women always have access to abortion' BS, and I was wondering if you had any resources/articles etc that might be helpful in convincing them. Sorry to barge into your inbox!
The notion that rich women will be fine, regardless of what the law says, is probably comforting to some. But it is simply not true.
Yes, abortion bans will disproportionately affect poor women and women of color in a country that already has appallingly high maternal mortality rates, no federal paid family leave and little support for parents who struggle to provide for their children financially. As Rebecca Traister pointed out in New York magazine, this is nothing new: The Hyde Amendment and state restrictions have already made abortion effectively inaccessible to many women without means or mobility.
But we should not lose sight of the reality that the Supreme Court decision has created a crisis for all American women. Even the richest Americans — the one-percenters and the upper middle class — will not escape the effects.
Attenuating the rights of half of the population will have systemic effects akin to climate change. Just as no amount of investment in Mars-bound space colonization, air-conditioned bunkers and private firefighting services will save the rich from terrible outcomes if the planet becomes uninhabitable, the rich cannot avoid the effects of the overturning of Roe. Residents of blue states won’t be exempt. And men who think the ban won’t affect them are mistaken; it will affect women they know and love, and it will change the political economy in which they live and operate.
The persistent myth that the wealthy will be unaffected is predicated on the vague notion that they’ll be able to find and purchase abortion pills by mail, travel to places where abortion is legal or get abortions from local providers willing to break the law.
And sure, it’s easy to imagine a scenario in which a red state one-percenter has his daughter or wife airlifted to another state for an abortion — or, potentially, for in vitro fertilization, if it becomes illegal to terminate embryos. We are accustomed to different rules and privileges for the wealthy, and witness these injustices daily. People with more money and privilege conferred by race and class — people who have access to better lawyers — experience our justice system differently. They also get better health care and pay less in taxes as a share of income. We hold the rich to a lower, not higher, standard and tacitly accept that they will get away with cheating various systems.
But the wealthiest are in for some unpleasant surprises when it comes to abortion. The scenarios in which a woman needs an abortion include medical emergencies in which any delay in treatment can have severe, even fatal, consequences — and in those circumstances abortion pills obtained by mail won’t help.
One in 50 pregnancies in the United States is ectopic, for example, in which a fertilized egg implants outside the uterus. The embryo must be removed, and delaying that treatment can result in sepsis, internal bleeding and death. Placental abruptions must be addressed immediately to avoid extensive bleeding, renal failure and even, in some instances, death.
Any woman who finds herself in either of these scenarios is not going to be able to pack her bags and go for a long drive. Even for someone with the means, an airlift to a medical facility in another state may not be quick enough to save her. She will need to be treated locally and immediately. Some of the bans going into effect around the country include medical exceptions for these situations, but if there’s any ambiguity about what the law allows, the time it takes a medical professional to consult a lawyer may be the difference between life and death.
Some states are expected to try to ban interstate travel for abortions. Bans in Texas and Oklahoma leave room for that possibility. Planned Parenthood’s Montana branch has reportedly decided that it will no longer provide medication abortions for patients from certain states where bans are in effect or in the works, citing the “rapidly changing” legal landscape. It’s also clear that many Republicans view the Roe reversal as an inroad to a total federal ban. If they gain electoral victories in 2024, this is a very likely outcome, and in that case there will be no blue state abortion clinics to travel to. Even now, the lines and waiting times at abortion clinics in safe haven states are likely to get very long.
Many people also assume the wealthy can always find a local doctor willing to perform an abortion, even in a state where it has become illegal. This seems unlikely. While some providers did flout the law and provide women with abortions before Roe in 1973, the ubiquity of digital surveillance and other mechanisms for violating the privacy of women seeking abortions have made it far more difficult for them to do so privately and safely. Trigger laws are already forcing medical professionals to consult lawyers before they provide care, and laws that criminalize abortion leave health care workers with little incentive to violate them. When faced with the prospect of prosecution or losing a medical license, how many doctors will take this risk, even when money is offered? Meanwhile, anti-choice conservatives are already working to make it harder to obtain abortion pills.
Some believe abortion bans won’t affect them because they’ll never find themselves in need of an abortion. Conservatives might imagine the typical woman who needs one fits an archetype: poor, single, liberal, promiscuous, anti-family and irresponsible. But most women who get abortions are already mothers (60 percent). Nearly half of abortion seekers live below the poverty line, but a significant portion are not poor. (Women with higher incomes have more access to contraception, but that dynamic might change if the Supreme Court follows through on Justice Clarence Thomas’s suggestion to revisit earlier rulings, including the right to contraception.) Conservative families also include teenagers and young women whose privacy, autonomy and ability to seek medical care, regardless of whether their parents approve, will be severely compromised by abortion bans.
The reality is that women from every demographic need abortions. Well-off conservative women are not immune to contraception failures, gynecological emergencies, miscarriages, incest or rape. Many women find that despite their beliefs, carrying a pregnancy to term is just not something they can go through with, for a range of reasons. Pregnancy itself can be life-threatening for women with certain existing medical conditions, and even for women who don’t have those risks, it is life-altering. The kind of person who might need or want an abortion is, put simply, any person capable of getting pregnant.
Women will die because of this — disproportionately poor and middle-class women but not just poor and middle-class women. Rich women could just as easily suffer and die, too, even those who think that they would never need an abortion or that they would never be denied essential medical care in the United States of America in 2022.
There will be other effects: Roe is a privacy law, and there are implications for the ruling outside of the issue of abortion. Forced birth will take women out of the work force in an already tight labor market. Women could be treated like criminals for having miscarriages, which are incredibly common. And women who are pregnant when their partners don’t want them to be will be more at risk for domestic violence and homicide. Individual wealth won’t prevent these outcomes, either.
It is, of course, true that the wealthy are the least vulnerable in the new post-Roe world, and this is not a requiem for them on a tiny violin. But it is important for all parties to understand that all people are going to participate in this nightmare, whether they realize it now or not. The wealthy unfortunately have an outsize influence on politics, so how much the bans harm them, inconvenience them or enrage them will most likely affect the will of politicians to vote for and maintain abortion bans.
The overturning of Roe will affect all of us. And if you are lucky enough to be wealthy, your money probably won’t shield you.
The Persistent Myth That Restricting Abortion Rights Won’t Affect the Rich
the problem is that it's a class issue, but not only in the way they think, and the point is that all women are impacted by it, but obviously some way more than others
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cerastes ¡ 1 year ago
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Okay, Hades 2!
Supergiantgames does it again. It’s still Early Access, but it has more polish and content than a lot of fully released games on its price point and higher. Of course, all this content would not matter if it wasn’t good. It’s good. From gameplay to voice acting to sound design to music to graphics and visual elements, Hades 2 is airtight. There’s one exception we’ll discuss, but otherwise, it’s incredibly well crafted.
So far, there’s only one instance in the game I can say needs some important improvements: The second phase of the Tartarus boss, Chronos, who is an end boss. Not in terms of difficulty, mind you, it’s in terms of visual clarity: There’s so many lights and particle effects that making out what’s up can be frustrating, especially when Chronos hits you anywhere from 20~ to 35 damage, or, you know, his 1000 damage practical instakill. The instakill is HEAVILY telegraphed and easy to deal with, almost trivial, but in the concerto of lights and fireworks, it’s possible to miss one or two seconds of Going To The Don’t Die space and getting mulched. That’s not a big problem, it’s just a user experience issue that you just internalize after a few tries and some short term frustration. What IS an issue is Chronos using the Liu Kang flying kick from midst an incomprehensible mishmash of light graphics and taking out 25 HP plus forcing you to reposition in a fight that’s quite lengthy and in a game that’s stingy with its HP.
They don’t need to meddle with his difficulty! They just need to make the second phase easier to parse. It’s a great fight otherwise.
On the Melinoë end of things, some boons and weapons feel like they could use a touch-up: The Torches let you keep shooting while you dodge and move (movement speed reduced), for example, and you NEED to keep shooting to activate Omega Attack which is what actually does damage. But it’s a big commitment because now your defense option is also doubly important as your main movement tool AND your i-frames. This is all really cool! Except the damage does not at all make up for it in a game where the Torches’ linear nature hurt it more than help it, as enemies don’t line up and instead go around each other or otherwise have specialized movement and attack options. The Axe, with its wide sweeps, does pretty much all the Torches want to do, with a lot more damage and less risk. The Aspects of the Torches would try to help: Moros can be nifty, but the ghosts the Moros Torches shoot are physical objects to each other, so they pile up and soon your shots just collide with each other and don’t reach the enemy. It’s a constant tug o’ war with detonating them with Special, which, again, fun, but you have to set up real Hellzone Grenades before they are truly damaging. Basically, a ton of effort for damage I can easily get more safely and easily with other Arms. Which I hope they address, because I like the Torches.
Hestia’s boon is a bit underwhelming, but that’s expected from the DoT build, those are always the hardest to balance. Dionysius in Hades 1 was really strong. Hestia here has potential but ultimately falls off hard because no matter how much you build, it always ticks at 40 per second. That’s very low DPS for Boons that otherwise add no Attack%. With Sister Blades, I can rack up 600 Scorch and it’s still better if I grab Aphrodite instead and do that much damage in a few attacks instead.
And you know what you are seeing here in these paragraphs? Very easily tweaked things in a game in Early Access by a developer known to deliver. I am not worried at all. This game kicks ass.
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miraculouslbcnreactions ¡ 6 months ago
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If you gave Chloe a redemption how would Zoe fit? Not Vespera just Zoe...
I discussed this in more detail here, here, and here, but canon Zoe has all the hallmarks of a Mary Sue. She shows up out of nowhere in the middle of the show and immediately becomes close to the main cast. She has no real flaws. Everyone loves her. She gets a romance arc with the main character. She's the only person other than Adrien to wield the black cat miraculous. You get the picture. She's the kind of character I expect to see as an OC in a fanfic, not an actual character in canon.
While I will defend the rights of Mary Sue's in a general sense, a Mary Sue has no place in Miraculous canon. It's the wrong type of story for an idealized self-insert that the audience can project themselves onto for many reasons, chief of them being that those types of characters only work as main characters. This makes it impossible for me to use Zoe as-is. I'd have to completely redesign her character so that she had depth and flaws and I have no interest in doing that.
It's not that I hate Zoe, it's that she has no reason to exist outside of being Chloe's perfect replacement. Take away that role and what is she even doing here? What purpose does she serve that you can't give to one of the twenty other teenage characters that canon already introduced!!! And that's not even counting the specials which introduced another three for some reason. Writers, what are you doing? Stop adding characters!!! You need depth, not breadth!!!
In theory, Zoe could be used as part of Chloe's redemption, but that would require them to have an actual bond. As best I can tell, in canon, Chloe and Zoe didn't meet until the start of season four. They're sisters in the biological sense, but that's about it. This once again makes it hard to see Zoe as value added.
If the Kwamis didn't exist and Zoe was Chloe's cool older sister, then she'd have some potential as Chloe's mentor, basically taking on the role I see Pollen in. She'd also have potential as a significantly younger sister who adores Chloe, making Chloe act nice because she wants to keep that adoration. But Zoe is none of those things. She's basically the same age as Chloe, Chloe doesn't care about her, and Adrien already fills the role of Chloe's same-age sibling who grew up in a different home, so why would she need another one?
Another theoretical path for Zoe would be to let Chloe redeem Zoe. We know that Zoe was a massive liar in the past. If she was introduced while still in that phase, then redeemed Chloe could show off her new skills by helping her sister. It would even give you a nice way to address how messed up their mother is.
As nice as that may sound, I still wouldn't go there unless Chloe was my main character. Zoe's redemption just eats up way too much screen time as you have to establish who she is, give her a relationship with Chloe, and so on. Not a quick little addition to the script and not worth the time when her only purpose is fleshing out Chloe. There's also the Sabrina issue. If Chloe is going to redeem someone, it feels silly to add a whole new character when you have an established character right there, ready and waiting. Writing wise, Sabrina feels way more like Chloe's sister than Zoe ever did so why add Zoe?
No matter what way you look at it, canon Zoe just isn't needed. There are no missing roles that she's ideally suited to fill. You'd have to totally redesign her to make her work and, at that point, you're not using Zoe, you're using an OC with the same name.
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gwenyn28 ¡ 2 months ago
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Just a few thoughts. I don‘t want to excuse any development or sound condescending. I don’t want to excuse the writing because I still stand by it being shitty and it could have been better in so many ways for a lot of storylines and characters. But I just had a few thoughts that I wanted to share. So… here they are. About season 7 and season 8. And probably the Buddie of it all.
If you are still too emotional and mad about the whole development? That is absolutely valid and I would never try to invalidate it. Be disappointed. Crash out. Curse everyone and their mom. Be angry and mad and sad and frustrated.
If you are open to read about a different approach, a different opinion and some thoughts and the last two seasons and some Buddie stuff… be my guest to read the following.
Just please be respectful if you disagree with things.
Imagine the following scenario:
Fox had the show for six season but then noticed that they can‘t do it anymore. Because it is too expensive. They also shut down Buddie permanently because… omg, no way. It was visible especially in season 6 when Buddie had barely any scenes together (though there were still some great Buddie moments with the „Do more!“/lightning and the poker date). Then, all of a sudden, abc appears, wanting to buy the show. Because they have the money and they see potential there. Especially with Buddie.
And so they try to set their plan in motion, to use the potential they saw, with starting the Buddie route after the opening disaster in 7x04. And it works in their favor. The response for bi!Buck as the first one of them coming out (excluding the few homophobic idiots) is mainly positive and euphoric. For them it is confirmed that the plan is a good one and will work out for them, bringing in fans, viewers and mainly money.
But then something unexpected happens. We remember some of the interviews from back in season 7 after the opening disaster. Especially Peter. He is talking about him being „too old“ for this kind of work. That is is tiring. That it is demanding. To carry around that heavy gear, the long hours (that led to a tragic death in real life), the stress… all of that.
Suddenly they have a „problem“ here. Peter is an executive producer and one of the main faces of the show. They can‘t ignore his complaints. (Maybe there was also a fallout with some higher ups about this or other things concerning the show like work schedules in general and/or character development but since this is just speculation I will keep it out of this text. I just wanted to mention it once that there could be other reasons for this whole „problem“ as well.)
Therefore they need to find a way to help, to solve that problem. And by doing so, they put all their focus on him and his character‘s development/storyline while unfortunately forgetting about the others and sidelining them.
This is a huge problem and there is nothing in this world to sugarcoat it. Tim has a whole team of writers working on this show. If he is not able to take care of the others and their characters he could have given this task to someone else to solely focus on Peter/Bobby. So everyone would have gotten the story they deserved.
Instead of handling it that way, we get 7x09 though that was a Bobby episode (with not even a mention of anyone else). That episode calls back to the house fire with how his story began. And the suicidal tendencies which come into play in the finale of season 7. The viewer is reminded that Bobby has had these thoughts in the past. That him dying is not a foreign concept to him and his character. That it has been an issue in the past. With bringing that up again they try to plant the idea into the viewer’s mind that they could see it and understand this being an optional and logical next step. Because they might see it not as a surprise then when he dies in the season‘s finale.
But the reactions were negative. Killing him off like that? Addressing his suicidal tendencies? With one main point for that planned death being his old guilt that has actually been resolved, kind of, since season 2? They notice their mistake that this is not the right way. The right solution. Therefore, they bring him back to life even though he should have stayed dead after being gone for 14 minutes. (Because who would and could survive that?)
So, that is their first try to solve that problem. Unfortunately, it doesn‘t work out. The problem‘s still there. And not only this. With focusing on that story, they have a whole other new problem - they neglected the other characters for that. They gave them shitty storylines that led to nothing much and didn’t get resolved because they felt like Tim had an idea but got sidetracked with other stuff. It was not cohesive at all.
Therefore, the season ends with two problems instead of just one - Bobby is still alive and the rest has crappy or barely existing storylines.
Then, season 8 is on its way. They get back on track and focus on „how to make it easier for Peter“? Again. The stupid thing is though… That is their sole focus. They forget about the others. Again. There is no development for any character in season 8. They get something small here and there but that‘s it. Nothing big, nothing connected, nothing cohesive and consistent. They bring in outsiders to create conflict instead of working with what they have and what has been the essence of 911 - their family as the core story. But yeah, it tracks. Because their main story is Bobby right now. The others are just an afterthought. Their stories fall flat and are stagnant. That sucks. But they either ignore it or they just don‘t notice. Fair? No. But that is the current situation.
And if we really think about it… a lot of people were noticing that and complaining about „why does Bobby get so much attention this season?“ That is the reason why. He has been the focus because there was an issue to solve. People might have not been able to see that back then, coming up with other explanations about „he is the male lead and it‘s Peter!“. While it might not have been about him being high on the callsheet though. It might have been just because they needed to find a solution.
In then end, they are still on the „Bobby/Peter problem“ for season 8a. That is when the idea comes up with the Hotshots plot. That is their test run for the idea of „what if we make Bobby retire? What if he is not part of the 118 anymore but still on the show?“ So, they use that story to test the waters here. How the people would react to them having (and finding) a new captain, to have a new dynamic at the 118, to still be connected to Bobby though but pulling him out of the focus. That follows Peter‘s wishes and complaints about not wanting to do all the stunts and hard work anymore that is demanding for his body and health but would keep the character. Could have killed two birds with one stone, right?
So, Hotshots was never meant to be a 911 meta, to poke fun at the show or to give us callbacks. It was simply there to test changing the position and role for Bobby. Theoretically a good idea. But it didn’t work out.
People are not okay with it. They don‘t like it and want Bobby back. The result? They know now that having Bobby retire, to write him off and/or out of the 118 (while still being on the show though) won‘t work out. People would not like it and they would want him back, no matter what.
So, season 8a ends. And the problem is still there. How to make it work for Peter? A lot of conversations have to be held and things are discussed. While they still have to continue with the show because it is still on and a work in progress. They are under pressure somehow.
And then the decision is made. There is only one solution. Retirement doesn‘t work. „Demoting“ him to guest or recurring? Not working either. The people want to see Bobby.
That is the moment they just have one solution - Kill him permanently.
Is it a good decision? Debatable.
Is it a good execution? Definitely not.
Could it have been done differently? Probably.
But the point stands. Their only way out at that point is the permanent death. Everything else hasn‘t or wouldn‘t work out.
Also, somehow Ryan, Aisha and Kenny cancelling the plans for the „Saving Lives“ convention could be seen in a different light now. The original story, if the retirement idea would have worked out? They would have been done by then and could have attended. But since they had to rearrange everything and write a new story? They were needed on set. Therefore, cancelling the convention.
Don‘t get me wrong. I don‘t want to excuse that decision or say that it was amazing or great or well-done. Because it wasn‘t. It was rushed and badly executed and they lacked a lot in the writing department here to make it a cohesive story to have people get the plot. There was so much missing which tracks back to my earlier statement of Tim getting sidetracked so many times and losing the bigger picture.
If it had been done differently I think a lot of people would have accepted killing off Bobby a bit more. Easier. But we already were unsatisfied and mad at all the shitty storylines and plots happening before to all the characters so… the foundation was just not there. To have a good and solid story and then deciding to kill off a character. That would have worked. Not what we got though.
For most fans the MCD was just another shitty thing that happened in a row of shitty things. Therefore there was no acceptance. If they had handled it differently, maybe it would have been a better result. But we will never know because the damage is done.
But back to the main point. The decision is made. Kill Bobby. But now they have to do that, to commit, one way or another. I assume this decision happened around February or so.
The Texas stuff was already filmed in January, 8x11 was planned and had started. Hen‘s bus storyline was on its way as well. So, they have to rearrange the whole schedule and everything from budget to permits to departments involved - the Contagion arc is born.
A lot of us felt and still feel that this was so off and random, it made no sense in the overall story. It felt weird and forced into the main story. And it actually was. We were confused about the stuff we found out through bts about them pushing around episodes (15 being 13 all of a sudden) and other things not adding up. But the root of this chaos was the „we need to put an end to the Bobby problem asap“, not a „I have no clue at all what I am doing“.
It was said in one interview that Bobby‘s death was derailing everyone‘s personal storylines and putting them on hold. And that was actually a bad thing in that moment because they had to stop everything they were doing. So, that couldn‘t be more true. Because exactly this happened. They had a plan (not that it was a good one, don‘t get me wrong) how to get through the season. But since they had to get through with killing Bobby as well they had to change the plan and shake everything up.
You might ask „why kill him then and why not doing it differently and doing it in 8x15?“. Like I said before. The problem still stands. Peter is maybe not able to do all the heavy stuff anymore (not that I would blame him, but it might be just a fact due to his age). So, they are ripping off the band-aid and are like „Okay, let‘s get through with it and accept the shitstorm for now. We have no other way out.“
And that is exactly what happened. The backlash was and still is huge. And they got and get a lot of negative feedback. They just take it. Because they knew that this would happen. But they saw no other or better way out of this situation.
Again, I don‘t want to excuse it or defend anything. It was still poorly executed and could have been better. Because let‘s be honest, Tim got even sidetracked there again with his „action“ and „I want a four minute long helicopter chase“. Two episodes could have been enough to give Peter/Bobby a proper goodbye and death to his character if done differently. But they did it in a bad way and have to live with it now, accepting the reactions while trying to see the positive side here as well with „okay, that death shakes up things for every character and we can finally develop them further. Our problem is solved.“
Let‘s have a look at the Buddie of it all then because that is the thing that probably interests us the most. They are our babies.
Like I said in the beginning, abc saw the potential and greenlit Buddie.
They take the first step in 7x04. Then the Bobby problem appears and they loose focus, being not the main plot anymore. The Buddie development gets sidelined for now, maybe with the thought of „One thing after another, let‘s solve Bobby first, then get back to Buddie“. Unfortunately, that doesn‘t work out and the problems is still there.
They admit defeat then and are okay with with sidelining Buddie for season 7 even though both Oliver and Ryan are on board (and if anyone says they, especially Ryan, are against it… this is not a safe space for you!). Let‘s push it to season 8.
And then season 8 happens and the Bobby problem is still unsolved. Because killing him in season 7? Not happening and Buddie is still sidelined in 8a. Because there are more important matters to take care of. But again, this doesn‘t work out. Hotshots as a test run for retiring Bobby is a failure. And 8a ends with still two problems at hand - Bobby alive and characters (in this case Buddie) being sidelined.
For 8b they decide to change their approach. To finally shift the focus. The Bobby problem can’t be solved quickly. They learnt that after 7b and 8a. So, the plan is to concentrate on Buddie for now. The potential is still there and that has been their original idea anyway. Maybe they can work that out first and then take care of the Bobby problem?
That is why the beginning of 8a feels like a Buddie dream coming true. The whole fight about Eddie moving, him leaving Buck behind who can barely handle this situation, 8x11 and the two Texas episodes. Great. That is exactly what they wanted. The Buddie train is back on track and thriving. The fans are ecstatic and the GA picks up on that plan.
But then… shit. Bobby. Almost forgot about him. He is still alive and the Captain of the 118. Peter still has to work and do the heavy stuff and… damn. Ignoring the problem or pushing it back didn‘t solve it. So, the focus had to be shifted again. Abandon Buddie, put it on the back burner.
I am sure that the decision to „rip off the MCD band-aid“ wasn‘t made easily. And that they had a lot of conversations and debates about it. But once the decision was made they had to stop the Buddie train again. They were not okay with it and they probably hated it, especially Oliver and Ryan who were happy that there was finally the development that both (!) anticipated. But everyone accepted it for now. Bobby was the more pressing matter at hand in that moment.
So, the Contagion arc happened. And finally they solved the Bobby problem but had to accept the backlash on that AND the sudden Buddie stagnating.
The final three episodes after this arc were used to close this storyline and I am convinced that Bobby‘s death won‘t be a topic anymore in season 9. They let them grieve (even though poorly, still acknowledging the bad writing in some parts on my end here), trying to pull the characters out of being sidelined, getting back on track with giving them development.
Season 9 can be now used again to get to tell the stories they either wanted to tell in season 8 or had no time to even think about for this season.
But what about the press tour before the finale? Let‘s say it was… bad timing? Disney‘s upfront is a fixed date and the finale aired after it. Unfortunately. The press we saw that heavily featured Buddie… was not press for the finale. It was press for season 9. If the finale had aired before that all the Buddie hype would have been seen for its actual intention. To „hype“ season 9. To promote it. To sell their show. To finally go through with what they wanted to do for two seasons now but couldn’t do because they had to take care of something else (Bobby) first.
Was it calculating and kinda rude what the outlets did, to air and publish the stuff before the finale? Yes. Because it was misleading and a lot of people thought it was about the finale. Imagine that stuff being said next week or the week after? Completely different outcome. But them airing it before the finale gave people a wrong impression.
The problem is that a lot of people, me sometimes included I give you that, have an idea and theory because we see something or get hyped by other‘s theories… and then we focus so much on that and expect something to happen. While it just doesn‘t because it has never been the plan. And that is why people get disappointed and angry so often.
I don‘t want to blame anyone for doing that. It is just an explanation for why this happens, you know? And why people react to it the way they do.
If you put the hype aside and think about it being for season 9 and not the finale? It can be seen in a different light, especially with what I explained earlier. Buddie got sidelined and partially forgotten because of the Bobby issue. But now that they are free, they can get their focus back on that. And everything in the interviews and articles and videos is pointing towards it.
Abc still sees the potential and is still on board with it. Otherwise they would have shut it down for real, the interviews and everything that happened during that press would have been different for sure. They would have given more professional answers, more open worded. They would not have been that happy and giddy about the whole think. So, we can assume that it is still the plan for the upcoming season(s). We also know that they plan to keep 911 as long as possible, like the new Grey‘s Anatomy with a shit ton of seasons to come. Abc hasn’t given up on the show.
They just had to solve a problem first. And even if they did it in the worst way possible concerning the writing, the sidelining of other characters etc.? The problem is solved. The detour they had to take? Done. They can go through with their original plan. And that is Buddie.
Also one or maybe two important things. With Bobby gone it actually plays into the Buddie canon of it all. Why? One of the main faces of the show is gone. The male lead so to speak. That is why Oliver got so much promo work this week. Because they want to build him to be the new „male lead“ (I know it is an ensemble show but I have no better way to explain it.) He will take Peter‘s place. Not as the captain (that will be Chimney). But as the male face of the show. And Buddie? Even though it sounds weird but… Buddie is planned as the new Bathena. I don‘t want to make Bathena fans mad with this but…
Let’s be realistic for a second. Bathena was a main pull for the show. People tuning in for them. But now? Bobby is gone. And Athena? She has no house anymore so where does she live? I can see Angela stepping back as well. Not leaving the show completely but being more of a guest. To be their police connection until… she can raise the next one. A rookie. This is how these long term shows work. If an actor has to or wants to leave you find a replacement, have them interact and get them some build up. Then you can slowly pull back the old character and replace them with a new one.
The same can happen for the 118. There is an open position now. So… Ravi anyone? Anirudh could become a permanent member of the team and they would have an open position for a recurring firefighter/probie. The next generation for the 118. This could also lead to new relationships because the mains are all coupled up - HenRen, Madney, Buddie. So Ravi and the new rookie and firefighter? Next generation also for personal storylines. Win-win for the show.
Also, 911: Nashville plays a role in this. Because people, mostly GA, were complaining about OG being too woke (and with Bobby dead they killed the only straight white cis male of the show). They are unhappy but like the franchise as such, the emergencies and some of the personal stories (that is their main reason to watch the show). They can simply switch to Nashville. A mostly white cast (for now), nothing „woke“ we know of yet. They can latch onto a new straight white cis male as captain with his wife and team. And OG? That will draw in more queer viewers because it is „woke enough“ with queer rep, PoCs and mainly women on their show.
In the end abc won‘t loose that many viewers. The ones that leave OG becaues of „woke“ will move on to Nashville and OG draws in more of the queers. Win-win. Again. In the ends, the numbers and the money is what counts.
Buddie brings in more queers for OG and Nashville is for the straights. To simplify it.
To come to an end (and thanks if you read until here!):
Bobby‘s death was not a creative decision, it was a problem they had to solve to cater to Peter‘s wishes and needs. They took their time and sidelined characters for it. They tried a different approach with Hotshots but it didn‘t work out. So they took the MCD out and accepted their fate. After that is done now they can go back to their original plan with Buddie and start in season 9 with a clean story. Buddie will be their flagship relationship they focus on in 9a. Buddie was always meant to happen but got pushed back because of the more urgent matter. Bobby/Peter. Now they have the time to do it.
And one last thing before you are finally getting rid of me…
I said it more than once. I don‘t want to excuse anything. I am still on board with the „they wrote shitty storylines and executed a lot of things badly“. Characters were sidelined because of too many ideas with poor decisions being made. They could have done things better. And we know they can because we got better writing in the past. So, I will still criticize the show and how they did things. I am not blindly following and praising everything they do. I still have trust issues with them really being able to handle storylines for the characters accordingly to how they deserve to be handled in the future. I am hopeful but not delusional.
How they ended things with Bobby was… underwhelming and feels undeserved after so many years. He should have gotten something better and if Tim had not been focused on the action he could have given a two-episode goodbye that would have honored Peter‘s role and character.
I simply tried to approach both seasons with taking a step back and looking at the bigger picture after they are both over now. I am not giving Tim too much credit with saying that yes, I think he had a plan. I mean he has 30+ years under his belt. He is no newbie who has no clue what he is doing. But, and that is a big but, he got lost in all his side quests that he lost sight of his main quest. He lost the red string that should have been there throughout the season, connecting episodes and characters, because there were so many other shiny objects he wanted to explore.
I am not on the „trust the process“ train because like I said. I have trust issues. I just tried to understand why the stuff that happened happened the way it did. And to me that makes sense (not only me because a lot of that stuff was discussed in a little group of wonderful people who always try to stay sane and rational). But just because it makes sense doesn‘t automatically mean that I like it. I don‘t.
I can see their plan being pushed back because of some unfortunate and unforeseen problem and I can just hope that they will get back on track with their plan concerning Buddie since that problem is solved now. That after two season they can finally do what they wanted from the beginning after they changed to abc.
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abearinthewoods ¡ 6 months ago
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On cis men, trans men, and oppression.
Lately I've seen a lot of posts about what words to use to talk about trans men's specific issues and oppression. I'm not gonna address that debate in this post. (Apparently transandrophobia and anti-transmasculinism are the problematic/misogynistic ones now and transmisogny and transemasculation are the new politically correct ways to talk about men/trans men's oppression)
What I do want to talk about how ever is the trend in far too many of such posts to include some quip affirming that `of course, I would never claim cis men are oppressed` or trying to rewrite the term misandry to say it explicitly doesn't include systemic "oppression" which is something they imply only happens to non-cismens. I used to ignore such quips, I understand where they are coming from, but after the election I've decided there is no more room for such divisive language that can only serve to alienate potential allies.
Every trans man following my blog knows what its like to see people post bullshit arguments online about how not oppressed trans men are. They understand the feelings of invalidation that can come from seeing argument built out of misrepresenting or ignoring trans men's experiences gain traction. So why are some of you so fucking eager to cast that same hurt upon cis men?
I once saw somebody on tumblr helpfully point out that in order for a group to be considered a marginalized group, they need to meet only one criteria: that the group's unique concerns or issues are treated as insignificant or unimportant.
Men qualify 100% on this metric. Men's unique issues are commonly derided as a mockery to even bother considering. To that point that trans men can't even talk about their own oppression without being expected to separate their language from cis men first to avoid accidentally advocating for cis men too.
So yes, men are marginalized, men are oppressed, and all of the trans men in my mutuals and byond should spend less time trying to build unity with these detractors who will always hate the mere concept of advocacy for men's issues, and more time building unity with cis men, who can empathize with trans men on quite a few parts of misandry and androphobia both trans and cis men face but won't want to be allys with trans men if they see trans men throwing them under the bus by adding a quip in their please-let-me-talk-about-my-oppression-using-language-i-choose post about how of course cis men aren't oppressed" in some lame attempt to appeal to bad faith actors who were always going to have an issue with any form of advocacy for men.
No amount of equivocation or self flagellation will work. You can't appease them because there is no logic. They will always have a new bone to pick. All you can do by catering to it is allow them to exert undue control over how you talk about your own fucking oppression which they will without fail use to frustrate and subtly suppress such conversations.
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