#there are so many things to obsess over

[retrowebz]

I cannot stop thinking about it please help

[egophiliac]

since Eng is getting 7.5 soon(?), I felt motivated to go back to my Meleanor rig and make her a couple of lesson animations! ...except for alchemy, because the cauldron bubbles proved too hard to photoshop around, whoops.

maybe she just got lost on her way to the classroom...?

(credit: backgrounds are from the game, I just put her on top of 'em)

(aside from the backgrounds, this is not an edit, I drew her from scratch! please do not tag or treat as an edit!)

[unproduciblesmackdown]

Lackadaisy Enrichment

[poorly-drawn-mdzs]

Round and round, In circles we go.

[First] Prev <–-> Next

[fumifooms]

do you happen to have that page that talks about the beauty standards of each race?

Yeah sure. While scavenging pics for this I found this neat reddit compilation & chart & theory talk too. I had um, way more to say than I anticipated (I know you only wanted the one page. I have nothing to say for myself. Like most topics in Dunmeshi things snowball because they’re so interconnected. Mercy…) so, many races and observations are only mentioned near the bottom.

Beauty standards and race in Dungeon Meshi

Not pictured there’s also how elven society is harsh on visibly disabled people, and how the demon took away Mithrun’s silver eyes and ears to take away his pride. There’s also how Senshi might have fit in with the orcs more easily because of the dwarven wide body shape, and how they tend to have more body hair too I suppose. In the extra on orcs we see Senshi living with the orcs and he gets judged because of the hierarchy rather than his looks.

What is fashionable also differs from culture to culture, and there’s how tattoos only seem common with elves, though dwarves and others do also sometimes have some. They seem to not raise much brows, which makes sense since for many essentially they’re for professional (magical) purposes especially with elves. Gender roles also differ in type and importance, but generally they are similar to irl ones for the races we see. Elven society seems to be the least gendered, which would be an unsurprising logical outcome of having lesser sexual dimorphism aka they look more androgynous. Comparing fashions and gender roles and how they affect beauty standards would be a whole other compilation and conversation. Kui has great worldbuilding partially because she’s got such a good grasp on sociopolitics and geopolitics. History affects cultures and beauty standards greatly. Kui’s oneshot Distant Utopia was very eye opening on her way to worldbuild and the consideration she gives these things, I do really recommend reading it.

Out of the big 5, we know the least about gnomes, but their sheet does say both culture and region are similar to dwarves’ and they end up being confused together often, so we can imagine the beauty standards are similar to dwarves’ as well.

I wanted to touch on this in a post eventually, but how one daydream hour page said half-foots tended to be curvaceous like in the artwork below puzzled me for a long time, all the half-foot characters we see during canon are rather slender and lanky after all, Chil’s succubi also being more curvy than plump. Economics are for sure a factor in that I imagine, the half-foots characters we see are all implied to be some flavor of poor or malnourished, as are half-foots depicted as empoverished oppressed minorities in general. Even comparing the artwork with the half-foot sheet’s depicted average half-foot, the ones on the left seem bigger. Wouldn’t it make sense though, if unlike dwarves half-foots don’t have similar naturally wide bodies, yet due to idolizing dwarves they work towards having a similar body shape/type to emulate them?

It’s said half-foots tend to stick to pretty ethnically homogeneous regions (aka half-foots-only communities) unless they move to the big city with ambition to try and make it big (like Chilchuck and his wife & kids did), and that’s interesting imo because then that would mean that in a ton of half-foot communities, they rarely see or interact with dwarves whom they try to emulate. Of course, one thing about beauty standards is that when they get adopted, at one point it stops being "this is how dwarves look and so this is how half-foots should look" and just becomes "this is how half-foots should look", most people feel as though beauty standards aren’t learned but innate, so I figure the half-foots wouldn’t have any problem still seeking dwarvish traits when there are no dwarves around.

There’s also stuff you can glean here and there if you want to extrapolate more. Like how in the race swap artworks, Mickbell is only smiling in the dwarf portrait, and Rin’s elven portrait looks very close to her elven one- Rin who is stated to be beautiful in her profile blurb. Benichidori’s extra does teach us tallmen can definitely have harsh beauty standards, but also since the text portrays her as very dysmorphic that’s likely reflected in her thoughts to a much more intense degree than is common, not an accurate strict baseline to go off. Ah, Kabru’s blue eyes are also why he and his mother lived a rough life in Kabru’s hometown, but that seems to be regional. Good post here on the topic of Kabru’s blue eyes and ties to irl history. There’s a lot to be said about Kabru being a man that in many ways is close to elven beauty standards, and how that might have affected or been affected by his upbringing with elves + his persona as someone that can effortlessly charm most people. Marcille’s section here in this essay also goes into Marcille’s struggles to fit in with the ideal image of an elf.

Looking human

Also notable are beastkins and demihumans: Demihumans are all dehumanized which makes people treat them worse. So if you differ from the visual idea of "human" (an in-world subjective categorizatiom just as much as demihuman is) most people do judge you negatively. Elves and dwarves get to fight about which type of human is considered the prettiest, but demihumans are below tallmen and half-foots, they are considered as simply below the beauty contest, incompatible with it.

Onis are perhaps the demihuman people we know of with the least cultural influence on the dunmeshi world, and with less intensely different appearances than other demihumans, but even them are treated as lesser than human, treated as beasts to slain for reputation points or useful strength to have around and command. It’s said their "magnificient horns" and fangs are often shaven off when the oni lives in tallman towns, so you could easily make the argument that onis are denied the right to have their own beauty standards, having to conform to other people’s and going through mutilation to take away features they might otherwise have taken pride in. Inutade was bought by the Nakamotos from a dangerous sumo fighting ring that got one of Inutade’s tooth broken on her first and only fight. Remember when I said different fashions existed in dunmeshi and how those could also affect beauty standatds? Like the elves, if you look at the portraits pages that include a lot of characters that aren’t in the story you can see distinct cultures within the same races, for example one young elf is bald which is in sharp contrast with usual elven long luscious hairstyles, and that’s especially true for onis I think. Maybe not only from different regions but different eras as well… They have a bit of population in the very north of the western continent, so I like to think some of the ogres live in very cold, maybe even subarctic conditions. The point I’m getting at here is that within a race, culture/ethnicity like with Kabru as well will also influence them, different communities will have differing beauty standards. The oni history blurb and third row first collumn portrait remind me of Mongolia (which historically was a lot of different nomadic communities with different cultural identities as well. Something something, the oni empire experienced a decline and then tallmen overpowered them, and now they’re governed and split apart by stronger social classes & slavers and the richness of culture was hurt for it), but obviously many of them are dressed and look rather japanese, makes sense considering living in/close to Wa, and first row second collumn portrait reminds me of ainus which again would be logical considering geographical placement, though I’m far from an expert. Interestingly, ainus are indigenous people both in Japan and Russia- Perhaps the northern western continent ogres are meant to be closer to Russia than Canada like I imagined? Ok tangent over.

The kobold sheet says they’re especially sought after as slaves because they’re "adorable", but locally in the western continent they’re repeatedly said to be seen more as ferocious and dangerous. The dehumanization is most apparent in the first comic below. The language barrier and conflicts no doubt worsen this by a lot, but I think it’d be hard to deny that their canine appearance makes the dehumanization worse. "They’re ferocious beasts, they’re demihumans, they can’t be communicated with". Most characters in Dungeon Meshi’s world are desensitized to slavery and most characters are prejudiced one way or another. Point being, kobolds are fully removed from human beauty standards, but no doubt for kobolds, other kobolds are more beautiful than humans are. They’re assumed to be an uncivilized bunch, but just like any other people they like to aforn themselves with nice clothes and jewelry and keep themselves clean and groomed; they too take care of their appearance and take pride in it.

And the orcs! This one we have the most contact with in canon, with not only there being foreigner characters from the ethnicity or hearsay of their homelands and culture but full on contact with a community. We get to see up close what they’re like and what they think, and of course in turn they’re our introduction to how demihumans are harshly looked down upon and seen as inferior, less human and thus less worth valuing and less dignified. It’s text that orcs are ugly to most humans and humans are ugly to most orcs. Since I judged they didn’t need accompanying explanation the pictures showing this are in the pictures dump at the top.

God forbid you sell vegetables to orcs my god- but then again they do basically mandate adventurers to kill any orcs they come across so yeah the world isn’t above that even a bit.

So yes, my main point here is simply that orcs are yet another evidence of the physical ideal of "human" being an important beauty standard for human societies globally.

Izutsumi is our glimpse at how beastkins are treated in the world, and in Wa at least that’s ending up being caged and mistreated as part of a freak show. Izutsumi hates her appearance and wishes she could leave the feline part of herself behind to only be human. Interestingly, not that we have a lot of info on them so this is very much a take with a grain of salt situation, but there seems to be less stigma around artificial beastmen, those who can shapeshift at will. The main difference is of course appearance, that most of the time they simply look like average tattooed humans. Artificially creating humans is an illegal practice, and no doubt it’s not well regarded, but being able to hide that makes them less likely to be discriminated at any moment, or even just discriminated less intensely. Again, looking human is important, not only for belonging but for safety’s sake. Beauty standards rule the world with harsh hands.

Mermaids and fishmen

Ok we’re done now right? Right-! But wait… Wait…! Mermaids and fishmen are said to be demihumans too, special separate cases to the main three demihuman species however, which is also represented by how mermaids and fishmen both are in the Adventurer’s Bible chapter Monsters meanwhile ogres, kobolds and orcs are in the chapter World. They’re an interesting topic because they directly tackle this topic, not only in a meta way for the readers but also making characters themselves struggle to quantify their humanity with the goal of knowing wether they should be eaten or not, especially Chilchuck. Chilchuck’s "is it really just a matter of feelings?" mini arc.

The party asking themselves "Should we eat this?" is very common, and often they end up playing a little loose on morality, like eating the red dragon’s meat despite it having digested Falin. Not unsimilarly Marcille freaks out a little over the vegetables they harvested having been grown with fertilizer, aka largely human poo. Half of the motivation of "should we eat this perhaps sentient creature" is out of consideration and compassion, but more strongly and more often, the characters struggle with a sense of taboo at eating something too closely related to humans. Even, feel uncomfortable because of the deepseated impression that eating it would dirty them in some way. Cannibalism is an interesting and relevant topic in many ways, but what I want to mention is how there’s the more or less universal belief that committing cannibalism inherently taints you as a person and turns you more monstrous, morally but also literally depending on some myths such as w*ndigos and onis in some cases, like in Touge Oni. Marcille and Izutsumi both express a fear of eating monsters turning them monstrous. Maybe this is part of what Laios was hoping for, honestly. There are two fears here, if eating a demihuman monster constitutes as cannibalism or not, and so, will eating it taint you because it’s a human, or will eating it taint you because it’s a monster? You are what you eat, until it’s a little too literal. You morally are the means by which you get your food, and you physically are the result of your nutrition. Dungeon meshi manages to mix an exploration of humanity with the theme of food because our relationship to food is very deep and complex, psychological as much as physiological.

In the end, the characters sort of shrug and accept that they’ll never quite understand the world of mermaids and fishmen and how they operate, and what that means about them. Laios is the one always challenging these notions other characters take for granted, it’s not obvious to Laios why people are softer on mammals than other animals and plants, it’s not obvious to Laios why people would be afraid of eating a monster just because it’s a monster, it’s not obvious to Laios why some food is gross to Marcille but not fish testicles, it’s not obvious to Laios why you should immediately regard orcs and kobolds badly.

"Cows are probably closer to humans [aka closer to being human] than fishmen, though they’re clearly intelligent", dehumanization to lessen empathy towards them to be able to eat them. Meanwhile, mermaids seemingly have a less noticeable "civilization" or intelligence, they hunt in groups like fishmen, but they don’t use tools and such, they feel more primal and similarly instinct driven, and yet… Do they attract sympathy more? Mammals, humans, is it because of their nature or because of their appearance?

Both the nature and appearance of fish are ones people don’t typically sympathize with. "Fish don’t feel pain", "goldfish only have 5 seconds of memory", "it’s okay to keep fish in completely empty bowls too small for them until they die from it", so many lies and misconceptions exist that make people less considerate of them. The average lifespan of a goldfish is 10-15 years, the record is 43, but they’re not seen as lives that really matter, so a lot of goldfish die in a few weeks of bad aquarium conditions. There’s a lot of research on animals evolving to look cute and appealing to make some predators want to kill them less and parents want to care for them more, including humans. First good google research result gave me this credible short article on the topic. In Chilchuck’s weighing wether a fishman is far enough from being human or not to eat, "face is 100% fish" is his biggest argument for it being more acceptable. The face, the most important thing for empathy and recognition. The face, the decapitated fishman one that falls into his hands next chapter.

To quote @room-surprise: "Chilchuck can't explain why it's wrong to eat the merpeople, even though it's NOT complicated. But the problem is Chilchuck would have to accept and acknowledge that the merpeople might be people? And that's outside of the worldview he passively believes, so he can't just say that, because he doesn't think that's true. But that IS why he "feels" it's wrong. And it's all you'd need to say for Laios to understand! But it would require acknowledging that maybe the way they're treating and talking about the merpeople is wrong."

The idea of Chil not being able to grapple with how maybe some monsters are more humans than they seem, him who had been an advocate of half-foots rights, half-foots who get undermined and treated as inconsequential sacrifices… Grappling with how he could relate to the merpeople’s situation almost, and pulling away because it’s so existentially horrifying. I do not want to see myself into an hostile fish-faced warrior I can’t communicate with. In a way this also relates to Chilchuck being the only party member who doesn’t see Izutsumi as a cat in the relationship chart, the only one to treat her with full human dignity. He knows the struggle to be taken seriously, he knows being infantilized and he knows what it’s like to be treated as less than human.

Below, you will see Chilchuck draws the line of where they become not okay to eat as when "they already look like mermaids". Above, there’s speculation that the algae hair is partly to mimic "the mermaids’ beautiful female form". Is it because mermaids are their enemies and the ambiguity might give them extra seconds to attack or flee? Is it to trick adventurers instead? It’s striking to me that this is what works, with the adventurers. Sure the fishmen are intelligent, but explicitly here, what makes them no longer acceptable prey to Chilchuck is that they look close enough to a mermaid, close enough to human. Mermaids who of course themselves have this form to entice and seduce and charm the adventurers they prey on. Chilchuck considers the intelligence due to the tridents, but most of his internal debate centers around their appearance, and the image of a fishman skewered sickens him. The power of mimicry… Mimic being a beautiful human woman. Mimic being cute, babies being wired to make us feel protective and softened. Half-foots, sometimes pretending to be children for scams or help or avoiding trouble.

The mermaids are only concerned by their differences and not their similarities, and have no trouble treating the fishmen as food rather than peers. To an outside perspective like us, the audience, all these categorization of "more human" and "less human" between onis and orcs and elves and tallmen etc seem stupid and unfounded, but to the people living in Dungeon Meshi’s world, elves may as well be mermaids while onis are fishmen, not alike at all, unworthy of empathy and thus fine to eat.

Ultimately, Dungeon Meshi promotes unity. It’s about seeking to understand the unknown and the misunderstood, the dehumanized and the inhuman. It shows the good that comes from seeking to understand what you do not, even when that’s one another.

[sweetsouldhavernas]

Tony DiNozzo and Ziva David ↳ UNDER COVERS

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[ricky-mortis]

Have some Ted doodles- as a treat.

[ricksanchezbignaturals]

this part of rick's character design

reblog. you agree.

stills yoinked from @rickandmortyscreenshots

[dootznbootz]

I need "Ithaca's waiting~, my kingdom is waiting~

PENELOPE'S WAITING~ For me!"

Injected into my goddamn veins. I don't even have a lover but as soon as you hear that lyric, you just fucking MISS HER.

Penelope is just a name at this point. We've heard it said before (still with extreme longing but that's a different ramble) but we as the audience of this musical have not met her yet. But you feel that excitement and utter joy at the thought of seeing her once more. Joy for this woman we don't know. Just how he says it tells you that this man would do anything ("horrendous horrifying actions" type of anything) to see her again and keep her safe/happy. You just sit there loving her just as much. Love that he would kill you for even having

With the first two lines, it's his men echoing his sentiment: Excitement to go home. But at Penelope, it's ALL those voices together with no echo. Penelope isn't waiting for them like their homeland is, they don't feel that way for her. But Odysseus' adoration is so profound that it needs multiple voices to even release it. Even the fact that the chorus is silent at "for me" is telling you that the fact that she's waiting is what's most important. PENELOPE IS HIS HOME. He's "just a man, She's everything" type of adoration!!!!!! He truly would trade the world to see his son and wife!!!

Even with how he says "Full Speed Ahead" after that kind of drifts off like he's already daydreaming about it and I'm just a fucking MESS. He daydreams in the Odyssey already and I love it so much.

I LISTEN TO THESE PARTS OVER AND OVER! IT IS WHAT REVIVES ME!

[jadecantcreate]

in the whitchlite carinval. straight up “caking it.” and by “it”, haha, well. lets justr say. My chad

(some gideon exploration & little doodles)

[poniko-w]

needed proper sprites of these two for a little project and ended up having to make them myself, figured i might aswell post them lol

recreating axez's style hurt me badly.. i hate pillow shading but i had to do it because it fit better than my normal style.

heres a treat.. a redraw from like 2 weeks ago of one of my oldest pieces of mo4 fanart. i refuse to post the original version it was UGLY!

ive also been making blockbench models of my numa hcs, i might post those later.. gotta finish the mdcr members first though

[fyoht]

season 2 + nods to 'crowley was raphael' truthers

[pop-punklouis]

-

[crybaby-bkg]

cw: pregnancy, kids (you guys have a daughter together), fwb’s, angst with a bit of a hopeful ending, refers to you as ‘girl’ once

Friends with benefits Bakugou who never really got over his ego to fully commit to you. You’re a little ashamed to admit it, but when you fell pregnant, you thought that things would change. That the whole “no feelings” aspect would’ve been dropped, that he would’ve embraced you fully.

But he just…didn’t? If anything, he distanced himself away from you, became so formal like you were another coworker he would address. It was heartbreaking, going through your first pregnancy feeling so, so alone, but having to grin and bear it the whole way through.

He supported you though in every way that he could. He never missed an appointment, would trek to your house during late nights whenever you craved something. He even moved you in to his own apartment during your last trimester, but a couple months after your baby was born, you went back home. You never felt unwelcome, but you couldn’t pretend to be a happy family when he slept in the guest room every night.

So now, you coparent quite easily. At least, it seems easy to Bakugou, but really, it’s all a facade.

In all honesty? He thinks he’s a fuck up. An idiot. The stupidest, shittiest person who’s ever existed.

He thought what he was doing was enough, that the words he didn’t say carried across oceans, formulated into titles that he never verbalized. So when you told him you would be happy to coparent, his world felt upended suddenly, as he holds his tiny little baby girl in his arms.

Coparent? How could a couple coparent? Where did he go wrong? (He only slept in the guest room to give you and baby space, only moved you in late because you lived so far away and you were getting so big. He never said I love you because he was too embarrassed to say it out loud. He didn’t know he had to say it out loud to solidify it. He thought you just knew.)

So it’s why his heart breaks when he catches a glimpse of curly blond hair and red eyes in the grocery store. He tries to duck behind an aisle, but his baby would recognize him anywhere. (It’s true; you’ve sent many videos of her recognizing him on billboards and tv commercials and magazines.)

“Bakugou?” You call, ducking around the corner to catch a glimpse of him. He tries to act nonchalant like he’s looking at cans of soup, tries not to cringe at your formal name. He turns when you come into view, eyes drinking in your attire. His heart breaks a little when he recognizes the shirt you took in your second trimester, still has the pic you sent him of you grinning as you show off what you stole.

“Hey.” Bakugou greets gruffly, mouth pulled tight, but it cracks into a grin when his daughter starts squealing. She’s in the front part of the shopping cart, twisting her little chunky body to get out and get to him. She damn near screams when he sets his basket down to pick her up, rubbing his nose to hers.

“How ya doing, squirt?” He asks quietly, pecking at her chubby cheeks as she instantly starts babbling to him. He holds her close to his chest, eyes full of pure love for his baby girl, and it makes your heart squeeze so tight you think it might burst.

“This isn’t your neck of the woods.” You mutter, head tilting to the side as you take in your daughters excited face to see her father. Bakugou’s eyes snap to your own, letting his daughter play with his fingers in the meanwhile. He looks embarrassed, cheeks a dusty pink as he grumbles and looks away.

“I was just picking up some stuff to drop off for her. Was gonna text you and see if you were home,” he replies, and something tells you that it’s a lie. But you don’t pester him about it, just nod a few times, taking in the sight.

He looks so good like that, in his compression shirt and sweats, his hair mussed from your daughters incessant pulling. He’s grinning at her, but looks so bashful when he turns to you, like he’s thinking about things he knows he shouldn’t, like he has a boatload to say but can’t cough up.

And if you were a mind reader, you’d be so fucking right. He can’t help but reminisce on before you got pregnant, the nights spent with you. The day you told him you were having a girl, the tears you cried when you delivered her. He thinks, filled with so much guilt the entire time, that he wants another one. With you.

“‘S it okay if I walk my favorite girls home?” He asks you gruffly, nibbling on your daughters cheeks to hear her giggle again, uncaring of the drool she leaves on his hand. You feel your eyes widen at his term for you, face suddenly flushing. Favorite? You, his favorite?

Something tells you that you shouldn’t fall down the rabbit hole that is Bakugou Katsuki and his suppressed emotions and shitty ego. But there’s another something that tells you to trust it this time, to let things happen organically and without expectation. So you do.

“I’m sure she would love to show her daddy the new toy her grandma just brought her.” You tell him, giggling when he rolls his eyes at the mention of his mother. But he walks with you the entire time you finish up your grocery order, holding your daughter the whole time and pays for your groceries despite repeatedly telling him that he doesn’t have to.

He pushes her in the stroller stored underneath the shopping cart on the way home, making small conversation. And when you’re halfway home, does he reach for your hand. Only to cross the cross walk though, he tells himself, only for your protection. But he doesn’t let go until you’re in your own place, and even then, he’s close by the entire time. He helps you put away groceries, remembers where everything is like he lives here.

And for some reason, the familiarity makes your heart ache a little more than you would like it to.

[moonkhao]

hi.