#there are other reasons of course

[foxghost]

i know this is a weird time to say this, but

please grab a project

something that takes months, if not years to do

say to yourself: no one can finish this, not the way I can, if I'm gone

also, if your partner is pro-life, please leave them

[xx-all-purpose-nerd-xx]

Okay, so I know that I’ve been talking and everyone has been talking about Dick Grayson appearing in the next Battinson film, BUT.

I think it would be funnier if we fast forward to Jason because I want to see Bruce get hit in the stomach with a tire iron.

[nitw]

i miss the bad guys. like they really took the only good thing about zootopia (furries) and made it infinitely better by Not being copaganda

[technically-human]

Hey, don't cry. Ghost yuri, okay?

(Now that you know the girls, they need to meet the boys!)

[glambots]

@ Steel Wool Studios (Official Twitter/X)

[itspileofgoodthings]

one of the things that continues to strike me on reread is how much the character of Darcy, and Austen through him, finds Mr. Bennet dead. And how much Elizabeth, in growing and changing and discarding her past blindness, has to move past her way of seeing her father and thus of seeing reality, because the two are connected! Darcy’s letter exposes her father’s flaws to Elizabeth in a way she’d never been able to see before. Most especially the way his laziness and neglect of his own gifts have hurt his family and that ultimately he doesn’t. care. Not enough to change. It literally says that she comes home from Hunsford and tries to laugh at her sisters’ and mother’s folly (the way she used to; the way her father has taught her to by example for her whole life) and she can’t anymore! It sticks in her throat. She is grieved by the failures that she sees in him, all the more so because she IS his favorite and she loves him! And the thing about Mr. Bennet is he never changes. The Lydia/wickham situation exposes to him sharply his own conduct and the consequences and he feels it! Because he is neither stupid nor unfeeling. But he, like everyone, has free will. And he chooses not to change when the opportunity presents itself. He even jokes about how quickly his feeling bad will pass and how soon everything will go back to normal, to his laziness and his selfishness. He is set in his ways and he serves as a contrast to Elizabeth’s personal journey because he embodies a version of a person she could have become and was in danger of becoming if her only goal at all times was to laugh at and judge people from the sidelines.

[thoughtfulfelony]

ok I'm just gonna elaborate on my opinion that the remake of "Cloudy…with a chance of murder" is The Most Evil And Fucked Up Thing Psych Creators Could Ever Do Because Of The Bike Scene Removal y'all remember the "I've been thinking about getting a car" speech right. But let's take a step back and talk about the bike.

The bike symbolizes Shawn's freedom, independence, and in the "Cloudy…" it is implicitly taken by his own father ( which I'm letting go. for now), and in the end a bunch of people prepared to get it back for Shawn, but who gets there first? Lassiter. And it would be SO easy to play it off by having Lassie say something like "I got you your bike back so you could drive the fuck away from my police station", or "you helped me out before so I feel obligated to repay you, now we're even", but no. Lassie's reaction is genuine embarrassment when people found out he got the bike, because it was purely a nice gesture. A nice gesture for Shawn, whom he "hates". So what I'm saying is. metaphorically. Lassiter gives Shawn back all the independence and freedom, because despite all Shawn's antics, he sees him and accepts him for who he is, with all his bullshit, doesn't fall for his lies and literally embraces the deception and rolls with it for eight more seasons, with occasional Gotta Call Him On His Bullshit To Keep Him In Shape. This scene encapsulates the progress of the dynamic between Lassie and Shawn and it's the foundation for their future relationship, where they know they can trust and rely on each other, despite everything. So again, removing it in the remake was a literal crime against humanity and me specifically because it basically erases part of Lassie's character

[digitalmyyth]

Bashes them all with a comically large hammer

[demaparbat-hp]

Oh, Lala...

[lgbtlunaverse]

So I've said multipe times now (here and here) that thinking nmj is just so blinded by privilege he doesn't undertand that acting out of line gets people killed is, in my opinion, a misunderstanding of his character that ignores the part where he's, you know, actively dying the whole time and thinks that's a good thing. But that doesn't mean I don't think privilege plays no role at all in how he views the world.

Specifically, his view that death (at least premature or violent death) means something.

Death isn't always a tragedy to NMJ, but it is always meaningful. If you kill an evil dangerous person for your righteous cause, that death had meaning. There was evil in the world and now there is less of it. Similarly, if you die in the pursuit of your righteous cause, that death has meaning, because the sheer dedication you gave to it that you were willing to die for it will further that cause, and your bretheren will be invigorated by your sacrifice to fight even harder.

If a death isn't meaningful, that's an injustice and it is up to the living to give it meaning. That's what cuts so deep about his father's murder. There were no consequences, no changes, no meaning. Wen Ruohan was just going to get away with it! He fights and wins an entire war to make it mean something, to make it so that the unjust murder of Nie Mingjue's father is part of Wen Ruohan's downfall.

But this is a view he can only hold because he's the kind of person who's death will be meaningful. Most ordinary people's deaths are meaningless. Not ontologically, not inherently, but they are made meaningless because no one cares. For death to be meaningful you either have to be so powerful that anything you risk your life for will be impacted in some way. (Like, say, if you sacrifice a long life for immense martial power in a faustian bargain with a blade) Or if people with that kind of power care enough about you to do so for you. For most people, this isn't true. A starving street kid has no power to change the unfair world that put them there, even if they risk their life trying, and no one will do it for them once they die.

Nie Mingjue knows this in abstract, and of course rightfully believes it's wrong. But all that does is make it yet another righteous cause people should be willing to die for. Everyone's deaths should mean something, we'll make it so or die trying!

This is what the conflict between nieyao is about at its core. Because Jin Guangyao, fundamentally, cannot conceive of his own death as meaningful. Nie Mingjue grew up around powerful men who could change the world but refuse to do so because god forbid they risk a single hair on their perfect heads. Meng Yao, on the other hand, grew up in an environment where no one of importance would blink twice if you died. He was surrounded by meaningless death. Indeed his entire early life is defined by that lack of care.

Meng Shi dies and no one cares. Meng Yao gets thrown off a flight off stairs and no one cares. He has to be the one to do the caring, and once he's gone no one else will do it for him.

So he has to live.

Jin Guangyao eventually gets far enough that he actually does aquire the power to change some things... as long as he's alive. If he changes too much, holds on too tightly to his ideals, he'll die and it'll all be for nothing. He can't sacrifice himself for his goals because doing so would immediately render those goals unobtainable. No one will care about what he tried to do. He won't be a heroic sacrifice, he'll just be trash that finally cleaned itself up.

And well... Nie Mingjue dies, and someone makes it mean something. Makes it mean so much that the entire story of mdzs would not exist without it. Jin Guangyao dies and it doesn't mean anything. Most people are glad to be rid of him, and the few that are not don't do anything to change that.

[sergle]

man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin

[bellesdiaries]

dongfang qingcang - episode 26

[backpackingspace]

Odysseus with his head in his wife's lap, happily not paying attention to anything, humming one of athenas song and carving something

Some random guy: your majesty----

Odysseus: not bothering to sit up: whatever my wife decided is fine.

[mylittleredgirl]

when i hear "found family" in relation to an ensemble of fictional characters in media there's two different things that could be happening here.

often it's what i think of as forced family, which is like "i found myself in a situation with these people" but a key part of the trope is that, like most families of origin, they're stuck with each other and can't leave without taking extreme action. voyager's "found family" is a forced family. i'm watching m*a*s*h now and it seems that way too. in both cases there's an outside constraint where you literally cannot escape these people and so grow to love them as a result, often in a codependent or unhealthy way but you are closer to them than you will ever be to anyone who did not share this experience. you would sell some of them to satan for one corn chip but god help any outsider who tries to break you up or even understand the situation. sometimes you get lucky and there's a person or two in there that you would choose to spend every day with regardless of circumstance (but would you really? can you even tell for sure??). but also it's "i will never ever speak to you again as long as i live but i'm really bored so can you give me a ride to the 7-11 first."

meanwhile chosen family is more like star trek the next generation where they are placed in this group at random but there's no hostage element to it. any one of them could request a transfer at any time, but they never will because this community and group of people have become an inseparable part of their identity. in both cases they'd saddle up and risk their lives to save each other forever at any personal cost ("not to me, not if it's you") but forced family also contains the element of "i'll fucking do it but christ alive." not every ensemble fits into one or the other but i think it's fun to distinguish as a concept.

[drarw]

mouthwashing has really gotten aholda me

[le-poofe]

This is a stick up!

Drop your ocs that are/are based on slugs, snails, or other similar gastropods 🐌