#there WERE good parts though
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afrognamedsparrow · 29 days ago
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Artblock got hands so I doodled some seawing beasts to fight it 🦅🦅🦅
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hrrrmmmmm.. I know it isn't halloween BUUT
more vampire/werewolf fiddlestan?? :}
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Took me FORever to answer these, you guys don't even want to know the amount of asks I have that I really want to answer with full comics 😭🙏
Anywayy, sorry to keep you, @elishevart waiting for responses to your asks, when you've sent so many, so long ago!!
Comic time 🤞😋
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I call this one: Second hand embarrassment and surprise guest: Continuity Error!! ❤️
Previous!!
First!!
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just-null · 2 months ago
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i am literally on my KNEEEEEESSSSS. please please make more yandere hantengu clone art.. i don’t care if you don’t color it in or if it’s just a simple sketch PLEASE 😞
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is the threat directed at you??? at others??? at something else??? do you even want to find out??? You'll probably be okay if you get back home before dark and make it up to him.
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za1ka · 6 hours ago
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Good Omens x The Great Mouse Detective redraws part... 2! featuring Adam and Dog 🐭🔍🐶 (part 1 here)
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galactaknightyaoi · 5 months ago
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🏳️‍⚧️ DOUBLE HEADCANON ATTACK!!! 🏳️‍⚧️
Family HCs are already fun on their own but with transness added on they're even better. It's actual comedy gold. Also I've always wanted to draw some kind of Meta Knight VS Galacta Knight type thing, but I can't take anything seriously like that. So you get This.
What This is, is a way too high effort shitpost. It took a combined 2 and a half? Days, though most of it was just sketching. I'm proud of it! Anything for the bit.
Textless version + unfinished doodle under the cut
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egophiliac · 3 months ago
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I have a question about the jp server pickups, since I really want knight Sebek, but I’m trying to save gems for bloom malleus + the 3rd tsum event that’s gonna show up sooner or later. Iirc, after knight Sebek, the next story update’s pickup had all of the previous story cards (ie cerberus Ortho, general Lilia, and knight Sebek). Is this true, and if it is, did it include a token system like the dorm pickups where you can just do 100 pulls and then buy the specific card you want directly? Because if that is how it works, then I can wait until then and be sure I won’t have to go to 200 for him.
we did indeed get a second chance at those three when 7-7 came out! I'm pretty sure there was not a token system -- though admittedly I don't 100% remember, sorry! 🙇 I took a quick search through some past posts/videos from people who tend to include the gacha and news stuff, but I didn't see any mention of it, so I'm inclined to think there really wasn't one. :( they were all separate pickups with their own pull counts rather than a combined one, if that info helps at all.
speaking as a strict f2p who hoards keys/gems like the lovechild of a dragon and a magpie, given the choice between saving for a story card and a birthday card, I'd go for story -- it does require a lot of patience, but there are way more opportunities to get past birthday cards, both from the anniversary events and the rerun pickups! tsums is a bit harder to say anything on because Eng doesn't follow the same event schedule, but it's a longish event and those pickups let you have a free 10-roll, so I think they're also a bit easier to save up for.
(ALSO speaking of free rolls, starting with the fifth round of birthdays -- the kutsurogi my room ones -- the birthday boy/union jacket/bloom cards have had a separate pickup that you can get two free 10-pulls at by doing missions! I got a bloom Jade from it a couple weeks ago. :D meanwhile general Lilia is the only story card I've ever managed to pull, so...I'm probably kinda biased. whoops.)
#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 6 spoilers#twisted wonderland book 7 part 6 spoilers#joseimuke games are serious business#just speculating for a moment here#i could be completely wrong about all of this it's just me spitballin'#i suspect we WILL get a rerun pickup for the 7-7 and up story cards at some point#but probably not a third round of the diasomnia story boys :(#we never got a proper dorm rerun for them so i think we'll get that instead#but also that makes me wonder if we're going to maybe not get a story silver card after all...#because like#i realized earlier that since we've been getting main story drops pretty consistently every two months#(we had july + august in a row but september + october were for halloween so it averages out)#if we continue this way that means heartslabyul in january and return to diasomnia in march#which would be timed PERFECTLY for the fifth anniversary#it absolutely could just be a coincidence but. idk. i could see it being a fun place to end 7 on.#(i still think we're getting an episode 8 with grim. just. y'know. the TIMING)#but if that turns out to be true then there might not be time for a silver story card AND dorm reruns...#i mean i'm 100% talking out my butt here so i could be entirely wrong about all of it#(stay tuned for six months straight of training camp events and master chef reruns instead)#i just really want a silver story card okay#we've gotten so much silver angst and yet i demand MORE#unsuspecting anon: hey ego do you remember if there were tokens for the --#me: UUUURGH DELICIOUS SILVER TEARS#(sorry anon) (good luck with whoever you choose to pull for though! your taste in cards is excellent and i understand the dilemma 😭)
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bonefall · 5 months ago
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the worst parent poll made me realize just how many ppl in the fandom are willing to jump straight into abuse apologia. bc on one hand you have ppl dumbing down crow's abuse to "him just being mean" and on the other end you have ppl saying that curlfeather didnt abuse frostpaw because she sacrificed herself and frost + her siblings love her so she couldnt possibly be an abuser. truly mindboggling stuff take these serious topics away from the fandom asap.
Part of me feels like it's because many in this fandom have a feeling that if a character's actions are abusive, it means you're "not allowed" to like them. Like there's an impulse where if you liked a character, it MUST mean they weren't THAT bad, because you'd personally never like "an abuser."
As if it reflects poorly on your own morality, as a person, that you connected with An Abuser. Understood them, even. Even if it was just a character.
If it's immoral to Like Abusive Characters, of course your reaction is going to end up being abuse apologia. To enjoy something isn't logical, it's emotional, so you will get defensive about it when questioned. When you do, it's not going to be based on logic because you didn't reason yourself into that position in the first place. It's an attack on you as a person.
I feel like that's often the root of abuse apologia in this fandom, and sometimes the world at large; "If I admit that this character/person IS abusive, it means I was doing something bad by liking them, so I have to prove to everyone else that they weren't or it means I'm bad too."
And to that I say... That's a BAD impulse! Grow up and admit you resonated with a character that did a bad thing! If that's an uncomfortable thought, sit with it!
Sometimes abusers are likeable! They usually DO think they're justified in their actions, or doing it for "a good reason," or were just too preoccupied to care. MOST of the time, people who commit abusive actions are also hurt or traumatized in some way. You might even empathize with them. None of this means their actions have to be excused or downplayed.
"Abusers" aren't a type of goddamn yokai, they're people just like you and me. You don't help victims of abuse by putting the people who hurt us in an "untouchable" category.
In fact, all it does is make you less likely to recognize your own controlling behavior. You're capable of abuse. People you love are capable of it, too. People who love YOU can still hurt you.
In spite of how often people regurgitate "It's Ok To Like A Character As Long As You're Critical Of Their Actions," every day it is proven to me further and further that no one who says it actually understands what that means.
All that said; I think it's no contest which one's a worse parent, imo.
They both mistreated their children, but Curlfeather did it through manipulation without verbal or physical abuse. She politically groomed her into a position of power so that she could use her as a pawn. It can be argued if this counts as child abuse-- but it's firmly still under the broad category childhood maltreatment, which is damaging.
(though anon I'm with you 100% at seeing RED when "but she sacrificed herself" is used as an excuse. Curlfeather's death does NOT CHANGE what she did to Frostpaw in life. I think it's a valid point to bring up when comparing her to another terrible parent for judgement purposes, such as in the context of this poll, but I really hate the implication that redemption deaths "make up" for maltreatment.)
Crowfeather, meanwhile, is textually responsible for putting Breezepaw through verbal AND physical abuse, as well as child neglect. His motivations include embarrassment from a hurt ego, revenge on his ex, and being sad because of a dead girlfriend. This abuse drives Breezepelt towards radicalization in the Dark Forest.
You could argue Curlfeather is a worse person for Reedwhisker's murder, but as a parent? It's not even a question to me. Crowfeather's one of the worst dads in WC.
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thegamingcatmom · 28 days ago
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Just saying-
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Instead of having Bella compete against Emmett in the cringiest arm-wrestling scene in history (not saying the idea was bad, but the execution was), they could've had her play baseball to showcase her new strength. Like, imagine not even fast-af boy Eddy being fast enough to catch that ball.
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Would've been a nice parallel/throwback to the 1st movie, too. Y'know, remembering how everyone started out vs seeing where they are now.
...Just saying. 🤷‍♀️
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ladyloveandjustice · 7 months ago
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I mostly love season 3 of ATLA, but I wish we'd gotten like, one or two more episodes of seeing Zuko as a new member of the gaang. He got some individual time with everyone (except Toph so sad. But even then their relationship was pretty established), but it would have been fun to see the completed Gaang fight some random threat so we could see how Zuko would work with all of them.
Like bring back one of the season one villains- I vote the pirates (though I guess they wouldn't be a credible threat on their own, so team them up with idk the rough rhinos or some new one-off threat). since that would lead to the most fun callbacks.
-Toph would be really mad that they fought pirates and never told her. Then she would be bitterly disappointed that the pirates weren't as cool as she thought they would be. She'd also be floored to hear Katara stole from the pirates and be like "how could you not tell me you did something that cool! Why did you think you needed to pull a scam when you could have just told me that and impressed me!"
-Katara would insist that Zuko be tied to the tree and used as bait for the bad guys at one point and Zuko would comply out of guilt.
-Zuko would have to explain that Zhao hired the pirates to kill him and they nearly succeeded when they blew up his ship.
and Aang would be like "Oh THAT'S why you were all beat up. I always assumed Katara did that."
Sokka: Yeah, I was sure Katara just punched you in the face a bunch and slashed you with some icicles.
Katara: awwww you guys!
Zuko: Why are you so flattered by that?
-Hawky could return solely to fight the parrot while Momo looks on approvingly. And maybe bond with Zuko a bit in a callback to the pilot.
-Katara could steal something else from the pirates. Just for kicks. With Toph's enthusiastic support. Suki too. Girls supporting girls committing larceny.
-Zuko and Katara accidentally cancel out each other's attacks at one point during the melee and get into an immature argument Aang has to break up
-The pirates ask where Iroh is or mention him and Zuko gets all misty like
"you were right, Uncle...I couldn't see that my own ship had set sail...I even threw his pai sho tile away...just another sin on my list..."
"Zuko please focus"
Maybe it would have disrupted the tension, but I would have loved to see those shenanigans happen.
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expelliarmus · 1 year ago
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Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.
Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.
I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.
However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.
You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.
Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!
That's always the conclusion, right? One good, one bad.
This is incredibly limiting and it drives me nuts.
They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.
One is not good and the other bad, they're different, and I think that's worth exploring.
Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.
Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.
However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.
Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.
Marlon and Minerva are also reflective of Clementine's worst outcomes.
Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.
After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."
When she chooses Louis, he does for her what he never did for Marlon: he steps up.
Clementine proves she won't become Marlon just as she proves she won't become Minerva.
After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.
When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.
They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.
Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.
What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.
Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?
So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.
Actually, let's talk about that a little more.
In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.
An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.
On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.
These are interesting to me because I get where they're coming from... but they ultimately miss the point.
The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 
Louis is about challenging Clementine's perception of survival, and Violet is about validating it.
Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”
Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  
This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.
Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 
Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 
But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.
Except it’s really not.
Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.
Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 
Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 
He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 
That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 
By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.
They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 
People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 
We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.
Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 
While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."
That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 
There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”
In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 
The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 
It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 
All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 
I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 
There are several more examples of how this all fits together, buuuuut–
Ya’ll wanna compare some allegories?
Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 
You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 
I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…
And that makes me fucking feral. 
But I'm also so normal about it.
As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 
Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 
Now, look… you might think I’m going somewhere not great with this but hear me out. 
I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 
I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 
Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.
It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.
Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 
This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 
If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 
Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 
But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 
And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 
Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.
Okay just let me talk about their reactions to Tenn's death and then I'll shut up.
This makes me want to gnaw my own foot off, I can barely handle it.
AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.
When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"
AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."
If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"
If Clementine says nothing, Louis says, "Tenn was just a little boy!"
The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!
When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"
AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"
If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"
And there it is.
Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.
This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.
Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"
Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."
As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."
"So you're mad, but sad."
"Can I be that for a while?"
And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.
Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.
Let me put it to you in simple terms... they react the same.
After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.
The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.
It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."
Do I need to say it again? I'm gonna say it again.
One is not good and the other bad. They're different.
There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!
That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."
Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.
There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.
I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!
I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.
I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"
So yeah, that's my ramble for the night.
I'm gonna go replay TFS for further research.
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sunb0ts · 3 months ago
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something that always gets me about klavier is that he is so clearly just like. friendly. he cares so much and he cares too much. he's one to tease simultaneously but he so clearly just like. loves and loves and loves, even when it puts him in harm's way, he likes people and he likes being around people enough to be desperate for it and for friendship like. ough
#💥.txt#klavier gavin#kristoph gavin#aa4#this is also partially why I am such a truther of nuance in klavier+kris's relationship#I think it mixes well with prev just in like. how much he cares is both part of his core and a byproduct of#being desperate for all the connection he lost + that was plenty dysfunctional on top of that (but all he had)#I think it actively hits harder if he's conflicted for missing someone who was terrible because it was still his brother and like.#I think kris having been good to klavier sometimes (adding to the dysfunction of the bad) is something that I've always liked#because like#I think klavier having a 'is it wrong to want him dead' and 'am I terrible for missing him badly' thing happenin at the same time is!!#so good and also very sad and I love you gavin brother things that capcom didn't give us. love you klavier gavin#I like the idea of him having that confliction alongside his grief :( ow#I literally don't have the right words to properly express all my thought cereal on this. other people have done it though so it is ok haha#I love when fictional grief has the confliction of 'being reminded the monster was also human and that makes everything worse' it's so good#like I hate you. I miss you. the way you were nice to me was so very you and it makes me soft and sad and tired. I miss you.#you were awful in unspeakable ways. I miss you.#sometimes I wonder what my life would have been like without you and it comforts me as much as it terrifies me. I miss you
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neunhofferart · 2 months ago
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Howdy, Heidi! You said that some fans picked up things that were done on accident… Were there more scenes like that? Also, were there scenes that you guys made on purpose but fans didn’t pick up / were aware of them? In shipping terms (hihi) and in general terms. Thanks!
I think in every type of media you will inevitably see versions of 'authorial' intent vs audience interpretation that overlap and differ from each other in many ways. (Authorial intent in quotes because in collaborative mediums like film and animation every single person on the pipeline who touches the work probably has a slightly different personal interpretation they're contributing to the final work, even under someone like a showrunner or a director).
Humans are smart and it's in our nature to look for connections and find explainations to questions, so most of the time if someone is putting something down, someone is going to pick it up, so to speak, and a lot of things ARE on purpose.
But this same phenomenon can also lead to us seeing connections in places that even the 'authors' might not have originally thought of while creating the work, and I think that can be pretty neat actually! I don't necessarily think reading alternate interpretations of works is wrong-- it can be very healthy to explore multiple reads of a narrative or a character/character dynamic. On Chaos Theory there were definitely times when we were like 'fans are probably gonna ship this even if it's not the text' haha. Sometimes fans latch onto headcanons you really have no control over. Sometimes things were animated slightly differently from how they were conceived (which is also a natural part of things).
But yes, sometimes I have seen a few other things that were interpreted in slightly different ways from how they were directed or written verbally, but I'm personally of the opinion that it's more fun to leave some things visual and open to a little interpretation rather than beating the words over the audience's head and having the characters constantly announcing 'I'm feeling this because of this!' And going 'this is the only way to interpret the show and the characters and if you don't you're wrong!'
It's usually not a huge deal. I think even as we were working sometimes I'd make connections to myself that weren't necessarily spelled out to us and go 'oh, this is a throughline for this character actually!'
Like for example- if I remember correctly, the original direction behind how Kenji reacted to Ben's apparent death was that it was supposed to the first time he'd ever seen someone he really KNEW seemingly die right front of him, and being unable to do anything about it deeply affected him. Ben is a very important turning point in his character development regardless of which way you read it.
And I think this is actually something that just continued to stack onto his character throughout both shows whenever any of his friends lives are seriously in danger. In Camp when he's still unable to do anything but comfort Sammy while she's poisoned, to deciding it's too dangerous not to trade Wu's laptop for Brooklynn, to eventually throwing himself between the spinosaurus his dad is about to kill Darius with and choosing his friends over his own father and being willing to die with/for them... and then in Chaos Theory it kind of reboots all over again with Brooklynn dying and then his dad dying right in front of him, and his complex of not wanting to be useless and trying to do whatever he can at the expense of even himself to keep the loved ones he has left safe is kicked into overdrive.
I think there are a lot of things like that where the intent is not always verbally spelled out, but the more important thing is that it's still (hopefully) making you feel something.
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lunarharp · 5 months ago
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played dragon age 2...just simple scribbles
#dragon age tag#i doubt that will see much use again..but who knows. vvv rambling below#weird game..the characters dialogue stuff and ending were good tho :')#i've played some of the first game but it kept crashing. i knew already despite knowing nothing that this guy was going to be my type#it doesnt feel right making video game art any more bc games like this end up feeling really personal - an experience that happened to me#if i design the main character a bit and fall in love then..that happened to me..i can't make Fan Art of that..only ive been through that..#like i cant make fanart of my dear companions in bg3 despite it having been a huge part of my heart in the last year#almost 1000 hours of playtime in something i can barely talk about bc it means too much.... lol#tons of ideas and conversations and extra thoughts and scenes and emotions about all the incredible times i've been through in bg3#and the maelstrom just rotates around intensely in my own heart forever...but that's ok too...that is so precious to me#but fortunately i already knew people that have played this game and talked/drew abt it recently so it was saved from that for me#sharing scribbly fanart on my Blog is a way to capture the feeling just after experiencing something so it has good points#witch hat atelier escapes that by not being a GAME. games are so immersive. but my wha art & feelings are incredibly immersive too#which makes it difficult sometimes now. i live a complicated and emotional life <3 i am not suited to fandom <3#my character ended up looking so much like oru without me realising that's what i was doing. Kind bearded fireball throwing gay mage. Hmm.#falling for a sad white hair memory trauma fellow that keeps you at a tragic distance. Hmmmmmm.#i see also how very much bg3 is inspired by stuff like dragon age now lol so i'm glad i experienced it. I WANT MY KIRKWALL LIFE BACK...#so dated though as well and unpleasant at times (the city and the dismal atmosphere was depressing.) i hate violence/horror..#bg3 is SOOOO very dismal but it feels like I am killing people and going through horrors because i have to survive i have to be free#Well anyway. ahh it's so refreshing to fall in love. my gay journey continues...
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svtskneecaps · 11 months ago
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i'm still stuck on the purgatories so here's a list of purgatory 2 moments simply off the top of my head that deserve to be remembered:
aimsey ducking all of axolotl team alone in a cave with literally half a heart
goose gang fucking descending on the raccoon base and absolutely wrecking shop
ethan crankgameplays clutching up for team panda during the capture the flag game by being the only one hanging out in the center and periodically checking the chests, earning them a shitton of flags and clutching multiple rounds
crow team's egg taking 0 damage
pac doxxing goose gang's egg in the last second
shelby shubble as the last member of her team online writing a letter to aimsey and sharing the world's most devastating ten minutes before her team was eliminated with one of the eye creatures (coco? i forgot lol)
badboyhalo absolutely fucking DEMOLISHING the battleship event on like 2 hours of sleep and a dream
wuant(?) stealing a tv from the battleship event and then playing portuguese ice age on it for the crows lmfao
tubbo djing for his team while waiting for the time for a goose gambit
theguill CRASHING THROUGH THE FUCKING CEILING of the raccoon team's hidey hole like the fucking kool aid man in a last effort to save his team and 4v1 or 5v1 ing team raccoon; he lost but that was such an epic fucking moment
theguill and etoiles pvping and each hyping the other's skills the entire time
seapeekay escaping cellbit and baghera and then stealing their boats and rocketing past to tease them about it; that shit was iconic
kenny going mad with power collecting sand on literally day 1
the english speaking squirrels taking actual physical notes on portuguese phrases (i think)
lgbtiba
i may add more this is an off the top of my head list but like got DAMN i like these events :D i like them a lot
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serpentface · 4 months ago
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reading all about the white calf, love your work, can i just say. gonna put some hibrides appreciation out there because damn. nobody in this story is lucky but she in particular seems to be having a Bad Time
Yeah a lot of things suck pretty bad for her. Unwittingly in a lavender marriage, mutual dislike between her and her dogshit husband, extremely strained relationship to her former best friend/gay quasi-boyfriend/father of her children who alternates between avoiding her and desperate attempts to make her love him again, having to constantly maintain multiple levels of facade to socially protect their throuple and therefore herself, shy and socially isolated, dealing with trauma that she doesn't even begin to recognize as such because 'nothing bad actually happened', pretty sure something is deeply wrong with her, living under a damocles sword of catastrophic social consequences should her children be exposed as bastards, has discovered an unexpected and mostly unwanted pregnancy while on a months long cross-country trek, etc.
She's also someone who prides herself in being rational, put together, stoic against adversity, and not overly emotional and weak, which basically means all of this is getting suppressed and compartmentalized away like crazy.
She HAS managed to fall into a rhythm with it all and her life IS NOT constant misery and agony. But the situation she's in for the duration of the story completely tears her out of this rhythm and makes all these factors very acute (though also opens her up to new opportunities, new and more positive/differently complex relationships, and much bigger things to worry about than her domestic life).
Unrelated drawing of her struggling not to lose her shit in public (in this case trying not to laugh)
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