#there ARE ways to make it interesting and keep it relevant

[thepaperwizard]

This will be a bit niche advice maybe but i cannot reccomend getting into soap enough. Whenever people ask me what i do (disabled, jobless, boring answer that gets weird sympathy and awkward conversation) i can tell them im really into making soap, and if i like them i can ask if i can give them a piece. Often when they see me next theyll either tell me it was 1) nice or 2) they havent used it yet but its in their bathroom and it smells nice. Either way: positive interaction! Relevant little gift to remind them of me a bunch! I always have something at least mildly novel to trade information/services for. ("thanks for the soup when i was sick, soap." "thanks for lending me this book! soap" "neighbours bday, soap!")

If i want to become Good Aquintances I can offer to make soap Together some time. Instant hit. Theyll keep it in mind and if they do want to its an hour or maybe two of Structured socialising, and a month later i will see them again to exchange the end product. Its such an easy characteristic for people to remember me by. Im a little intense about things which is fine bc with soapmaking ppl tend to take it as Passionate and Knowledgeble (like a cartoon scientist) rather than Weird and Obsessive (like when I talk about neopets).

It's novel enough to be interesting for people and the best part is that you get to be really into soapmaking which is one of the most rewarding hobbies ever.

Networking/Knowing A Guy: A Guide

This is the autism website. Now, as an extension of the power of love and friendship, there are few things more useful than Knowing A Guy. Knowing A Guy means you have a support network. Knowing a plumber, or a tax accountant, or just that one dude that's really fucking good at finding the information you need when you're really overwhelmed, can be the difference between being able to pay rent and having a fun party with friends to fix your shit.

How does one end up Knowing A Guy? It's a skill you can develop called Networking and it is one of the foundations of society. Unfortunately making those connections with people is fucking hard and nobody makes a tutorial for it. So, here you go:

The golden rule is you scratch my back and I scratch yours

It is necessary for survival to seek out useful people

Great news! Everyone is useful in some form or fashion - including you! When given the opportunity to learn about someone, do it! Extroversion does not come naturally to some people and that's okay. Just take whatever falls in your lap.

Types of usefulness: trade skills, connections of their own, personality you jive with, pleasant to talk to, niche interest in shared hobby, security - the list is pretty much endless. I know a guy that lives in the metro area - no job, no major hobbies, inoffensively annoying to me personally, kinda ignorant, not attractive to me, but you know what? He knows how the fuck to get around the city by foot. My rural-raised ass APPRECIATES the guide.

Remember important information: general personality, background, skillset, likes and dislikes. You can find this information by making smalltalk about their life. There is no such thing as pointless conversation. (Yes, even the annoying smalltalk)

The more people you know, the higher the likelihood that one of them will be useful in a given situation - or will know someone who is.

It is overwhelming. In a given clique/community/workspace/whatever, there is A Guy Who Knows The Other Guys. This Guy is a shortcut. Find them. They're often elderly, extroverted, a little bit annoying, a secretary or in some otherwise forward-facing position. Look for people that are gossipy/talk about other people a lot but not in negative ways. If they constantly talk shit, they'll talk shit about you too. They're still useful but be careful with the information you share

You do not have to like someone for them to be useful.

You do not have to like someone for them to be useful.*

If you have low self esteem, you're going to feel like you're using people. You're not. That's the devil talking. People like feeling valued and the connections you are making are the threads holding community together. Recognize people for their talents. It's only a problem when you're taking advantage of people

So: don't feel scummy about it. You're an animal. You have to claw out your right to survive and people will respect you more for it.

Luckily mutualism is the name of the game in the animal kingdom. Offer something back. The foundation of a Know A Guy relationship is Mutual Benefit

Sometimes that Mutual Benefit is just spreading news of the The Guy far and wide. My plumber friend is my actual friend and I love her to death, but I'm maintaining our backscratch relationship by pimping out her plumbing business to anyone that'll listen

Food is a good Mutual Benefit. People across cultures for all of human history have bonded over food. I have good success asking people for a favor and then offering to buy them lunch in return **

General compensation is also good. Offer a service in return and always do your best to offer financial compensation as appropriate. Having your plumber friend take a look at your drain: doable with a case of beer. Having your plumber friend redo the pipes in your entire house? You need to pay for that.

Being transactional is not necessarily a bad thing. I would advise against keeping an itemized list of things owed, but fish don't seek out cleaner shrimp just because they enjoy their company. Everyone gets something

Unfortunately being extroverted and generally personable is a huge benefit here, but that's the value of the Guy That Knows A Guy. There's someone out there that has consolidated All The Guys so you don't have to be the local expert. Always remember nobody can do everything and you don't need to master every skill

* This is the foundation of a functioning community. I have many acquaintances that I find incredibly annoying. They include doctors, welders, artists, social workers, lawyers, construction crew and random fuckers at the grocery store. I do not hang out with them. I do not have to in order to maintain a civil Know A Guy relationship. I can drop them useful tidbits and fuck right off so I don't have to spend any more time than necessary with them

** People may assume romantic intent. Be prepared for that. I generally denote that it's a friendly/work lunch by calling them bro at some point if they're my age. Otherwise my general demeanor is sufficient to show that I do this with everyone

Source: personal experience, mother's teachings of crime, booth vending and poverty

[artist-issues]

Okay I get that they gotta rekindle the interest in How to Train Your Dragon because of the new theme park—as if that's necessary, like streaming doesn't keep things relevant for kids born after the time of its release—but WHY A LAZY UGLY LIVE-ACTION ADAPTATION?

I think Universal should've just made a new movie in the HTTYD universe.

They should've made it small, simple, with an enormous heart, earnest scene-blocking, winsome characterizations, and subtly gripping animation that blends the cartoon-appeal with just enough realism to be pretty-or-scary-or-exhilarating when needed—just like the original How to Train Your Dragon.

It should be set shortly after the time of How to Train Your Dragon, the first movie. That way we get the small-and-simple-with-epic-heart scale, and we don't introduce all the craziness of Hidden Dragon Ecosystems and Mad Warlord War Machines yet.

Here Let Me Just:

It should be about a kid who lives in Berk and is terrified of dragons.

This made The Kid an outcast a week ago, when Vikings were at war with dragons, already—because what Viking gives in to fear instead of punching their fear in the face?—but now everything is different...and The Kid is still an outcast. Because The Kid is just as afraid of rideable pet dragons as he or she was of enemy-dragons.

The Kid can't bring his or herself to believe that dragons are safe to be around at all. Maybe The Kid has good reason—The Kid's parents were taken by dragons or something. Anyway, The Kid doesn't want to do any of this Brave New World, Learn to Love Dragons stuff. The Kid wants to keep hiding at their no-action job (maybe he-or-she genuinely is training to be a bread-making Viking) where he or she has no friends, and wishes the dragons would just go away.

Anyway, maybe in these early days of Hiccup's New Peace a dragon suddenly appears to be kidnapping people out of the village. Sheep are going missing, too. Houses are burning completely down in the night. So Berk is starting to doubt all over again whether dragons can be trusted. Hiccup and Toothless leave to chase a lead, and our Kid Character is forced out of his or her comfort zone when someone they love is taken by whatever dragon is causing the unrest.

So then The Kid character tries to solve the mystery, and it turns out there's a dragon (NOT a Night Fury, a different flavor of "cool dragon" with a totally different KIND of appeal) who's not causing the kidnappings or burning's but is somehow involved, and is the key to finding whoever is framing the dragons and luring Hiccup and Toothless away from the island to do it. (It should just be a Berk Viking, who's bitter, to foil our Kid Character—not a supervillain.)

Obviously there are challenges, like "how do I make any dragon interesting to spend a movie's length of time with when a Night Fury exists." But the focus and theme would be tighter on "act in spite of fear" rather than Hiccup's story's "understanding trumps fear" type-thing. A sister-message.

And with the plot localized to Berk, you're getting a lot of that classic Island-of-How-To-Train-Your-Dragon imagery, so that going to the new theme park feels relevant because you just watched a movie where that's mostly the setting.

And Hiccup and Toothless can be a bigger part of the story if we want. Whatever. But that's what they should've done. Small, charming, with a you-didn't-see-that-coming classic impact.

something LIKE that

not a new-but-worse take on something that was already perfect

[anthurak]

So with Ghostfuckers providing a fair bit of detail on how our four main characters came together and the formation of I.M.P. proper, I thought it would be fun to dive into the potential timeline of Helluva Boss again. Because at this point, I think we can actually glean quite a bit of information from what the show has stated or hinted at.

First off, the confirmed ‘hard dates and times’ we can look at to establish a broad, overall timeframe for the show:

We have Spring Broken taking place (shockingly) during Spring Break, putting it in March.

We have The Harvest Moon Festival coinciding with the actual Harvest Moon (not some Hellish equivalent, but the proper Earth moon), putting the episode on/around September 17th.

Then we have Unhappy Campers which actually notes a specific date with a poster showing that Millie’s big show takes place on July 17.

Finally we have Apology Tour taking place specifically on Halloween, aka October 31.

And now Ghostfuckers has Millie mentioning that it’s been ‘over a month’ since Blitzo and Stolas broke up, meaning either The Full Moon or Apology Tour, which puts us pretty squarely in early December as the current time of the show.

This means we are looking at a total of one year and nine-ish months between Spring Broken and Ghostfuckers.

Which in turn, given the indeterminate amount of time between the first three episodes, I’d say likely puts us at just shy of two years since the start of the show proper with Murder Family, and DEFINITELY a little over two years since Blitzo’s first night with Stolas, getting the Grimoire and the start of I.M.P.

Something that is actually further corroborated by Blitzo’s comment in The Full Moon about Stolas letting them keep the book for ‘another year’, implying that episode likely took place near around the ‘anniversary’ of Blitzo getting the Grimoire from Stolas. And I think we can all appreciate the dramatic irony/angst of Stolitz imploding almost two years to the day as their first night together.

So with a proper timeframe for the show as a whole established, what other interesting things can we glean?

Well for one, I think a couple of seemingly innocuous lines in Western Energy can actually tell us a fair bit about LOONA. Which funny enough, kind of confirms the official creator statement that she is 22, but also makes it a bit more… nuanced.

You see, Blitzo mentions in Western Energy that it’s taken him five years to get an appointment for Loona’s hellbies shot. Now obviously, we can assume that Blitzo started trying to get this appointment not too long after adopting Loona.

Combined with what we know about Loona being less than a month from turning 18 when Blitzo adopted her, this not only confirms that it’s been about five years since Loona was adopted, but also means that Western Energy actually takes place not too long before or after Loona’s birthday. Given that the next episode is Unhappy Campers, probably in the April/May/June range. And also that Loona is actually 23 at this point.

And what’s really funny about this in regards to the official statement of Loona being 22 is that, if anyone else remembers, we actually GOT that statement sometime between the releases of Ozzie’s and The Circus. Which WOULD be a point in the show when Loona IS 22.

Even though Loona would definitely be 21 at the actual start of the series, then turned 22 likely sometime between Spring Broken and C.H.E.R.U.B.S. then turned 23 sometime around Western Energy.

Admittedly I’m not sure how any of this might be actually relevant or otherwise significant aside from simply having a good idea when Loona’s birthday is, but I think it’s a fun detail nonetheless.

Now speaking of characters with confirmed ages that the fandom has become way too fixated on, let’s talk about Octavia.

Obviously, given that we are way over a year since Loo Loo Land, Octavia is DEFINITELY NOT 17 anymore. Heck, given that we’re clearly close to two years since that episode, Octavia could easily be 19 at this point. Remember that unlike Loona, Octaiva being 17 was mentioned officially before she even appeared in the show, meaning that we really HAVE to assume that she is 17 in Loo Loo Land. Other than that, the only mention we have of Octavia being 17 is in The Circus, which really only means that the present-day portion of that episode (along with Ozzie’s and Queen Bee, given that they specifically take place the night before) takes place less than a year after Loo Loo Land. Like if those episodes take place in early-mid October and Octavia’s birthday is in November, then she would be 19 at this point.*

And while we’re on the topic of Ozzie’s, Queen Bee and The Circus, ANOTHER notable detail that might be easy to forget is that Ozzie’s happens to take place on Moxxie’s and Millie’s one-year wedding anniversary. Which gets particularly interesting given what we now know from Ghostfuckers.

We know, or at least can infer, from Millie’s narration (“that year I spent getting to know your ragtag team”) that Millie joined up with Blitzo, Moxxie and Loona about a year before they formed I.M.P. Which in turn also coincided with Blitzo’s and Stolas’s reunion, given that Blitzo is shown to have the Grimoire in the flashback of the four moving into their new offices.

What makes this interesting is the fact that Moxxie and Millie seem to have been ALREADY married when Blitzo got the Grimoire and set up I.M.P. Which given, again, that Ozzie’s specifically takes place on the M&M’s one-year wedding anniversary, I think REALLY narrows down the timing of a number of events.

Like given that Ozzie’s takes place AFTER both The Harvest Moon Festival and Truthseekers, we have to assume that Moxxie’s and Millie’s wedding likewise probably happened after September.

And we know from The Full Moon taking place shortly before Halloween and the previously-discussed lines from Blitzo implying that it’s not too far off from the ‘anniversary’ of him getting the Grimoire from Stolas, that Blitzo’s and Stolas’s first night together probably happened in-or-around October.

So… putting all of these together, I think we can in fact narrow down Moxxie’s and Millie’s wedding, Bitzo’s and Stolas’s first night together AND the start of I.M.P. all to October.

Millie’s and Moxxie’s wedding, and by extension the events of Ozzie’s, Queen Bee and the present-day sections of The Circus, probably happens at the start of/early October.

Then just a few weeks, or even days, later, Blitzo tries to swipe the Grimoire and has his first night with Stolas. Heck, you want a fun theory/headcanon? What if Moxxie and Millie getting married actually spurred Blitzo into accelerating his ideas/plans for a human-assassination business and going after the Grimoire? Because he wanted to have a better business/life for Moxxie and Millie?

Which then puts the ‘moving in’ flashback from Ghostfuckers and the proper start of I.M.P. in late/end of October. I mean, given that Murder Family and a number of other episodes have released on Halloween, and given the apparent in-universe significance of the date for demons we learned about in Apology Tour, it would be rather appropriate for the Immediate Murder Professionals to have opened for business on Halloween.

And one other notable detail about Millie joining Blitzo's crew specifically a year before the proper start of I.M.P., meaning three years before the current time of the show, is that this gives us about a two year window (really more like a year and a half given Western Energy) wherein Blitzo recruited Moxxie.

Now, will any of this be actually relevant or important to the story going forward? I mean, probably not much. I imagine it's mostly just the hard-dates I mentioned at the start which establish an overall timeframe for the show that are really worth keeping in mind.

I will say that Octavia being old enough to inherit her father’s position and power does feel like a chekhov’s gun that could become important in whatever ‘Goetia Trial’ it’s looking like we’ll see in the next episode or two.

But mostly, this is just some fun analysis and ramblings.

--

*Which of course perfectly lines up with how much Octavia has been emphasized by characters and narrative alike to not be a CHILD anymore. Like as of Western Energy, she’s apparently considered fully capable, at least by law, of inheriting all of Stolas’s position, power and holdings should he die, which was the entire reason Andrealphus wanted Stella to call off her hit. Which would line up perfectly with Octavia having turned 18 sometime between then and The Circus.

[radellama]

Picky but.. when watching a docco/docco style video, while it can be interesting to hear about how you ended up in contact with certain relevant people, or how there were plans to contact people that fell through, or that you couldn't get in contact with them... I hate when the filmmaker harps on and on about their 'investigative' process and try to dramatise it.

Sorry but. I don't really want a 15-20+ min detour of you lamenting over trying to get in contact with certain people when all that's happened is you sent an email and didn't get a reply.

[deus-and-the-machina]

ngl I might get crucified for this but I think the dunmeshi yuri/yaoi discourse was stupid and misrepresenting the ao3 factoids. as of today the most written for mlm ship is labru with 69 (nice) and the next most popular has less then half that at 31. meanwhile farcille has 125 out of the 154 F/F ships in the tag. it is by FAR the most popular ship, with the next two most written about sapphic ships being marcille/izutsumi (9) and kiki/namari (4) and also a couple of x readers? so farcille dominates by far

it seems to me that what's going on is that several mlm ships are in rotation in terms of popularity whereas farcille dominates as the singularly popular wlw ship.

and this doesnt mean that the issues people were bringing up about the general lack of sapphic content and the way fandom treats female characters aren't valid, but idk man when farcille fanart is cropping up daily and getting thousands of notes and has about twice more the amount of fics that the most popular mlm ship on ao3 has its like. I dont think this is really a fandom that proves that point.

I would like to see some more variation in smaller wlw pairs to make up the difference though! I dont think I see any tade/izutsumi fics and we need to change that they could be so cute.

[billdenbrough]

fundamentally disinterested in the recurring discourse about kevin's drinking that aims to a) make it his Specific Problem To Focus On And Overcome when it is a crutch and coping mechanism to get him through a Much Bigger Problem (emotional fallout he can't square with by himself, culture shock, trauma, loss of his extremely wildly co-dependent relationship w riko, losing the structure of the nest, mourning a future he was meant to have, processing a grave injustice, anger and fear and desperate grief, all of which is his Actual Specific Fox Problem) while he builds himself back up, and b) thinks that even if it is a problem (more on that later), it's the foxes' problem to deal with.

like. it's just not.

yeah, he doesn't drink until he meets them. they gave him that habit, and in traditional terms, they're (the monsters specifically) a 'bad influence'. but these are the foxes. this is kevin day, son of exy, whose meteor is crashing spectacularly through no fault of his own. there are no traditional terms to be found here. the framework for it literally doesn't exist. neil comes into the foxes with more conventional expectations—appalled at the athletes' substance use, his horror at matt's trip to columbia, his steadfast and early repeated stance that none of the foxes should let andrew treat them the way he does, and certainly not nicky—and tends to engage with them less as the series goes on and he folds himself into the foxes. the thing about the foxes is that they've all been in pits deeper than they are tall. and some of them got a helping hand on the way—erik, andrew's extreme intervention methods, stephanie walker—and wymack was always waiting for them on the other side, ready to throw down a rope, but all the foxes dragged themselves out of their own holes. often not alone, often not without assistance, but at the end of the day, they have to do it.

there's that line neil has about aaron in that scene that got deleted when the timeline shifted around, when he thinks about how aaron got this far in life on his own, surviving on willpower and sheer desperation. that applies to aaron in a way that's a little more acute than some of the rest of them—boy who doesn't let the foxes in bc of andrew, boy who doesn't let nicky in bc he doesn't know how, boy made of flinching and seeking an escape and grieving the one who hurt him—but is broadly true for the foxes en masse.

this isn't to say the foxes can't help each other, but it's not their job. it just isn't. they'll keep kevin alive, keep him safe, keep him flanked and contained within their ranks. they'll fight tooth and nail in this battle with him, fight to get him to that championship game, fight to get that trophy in his hands. but that's all they've agreed to. that's all they're responsible for, in this covenant they've made with him. he says they can make this happen, and they're going to get him to that final game, but it's up to him what state he's in when he gets there.

like. they're foxes. they've been triaging their whole lives. they hate each other and they hate everyone else more. they're the kids with their backs up against the wall. half of them are addicts. i don't think kevin is comparable, personally; he's getting through a horrific situation with a coping mechanism. that's not the same thing as battling yourself to stop using. but that's not really the point of this. what i'm getting at here is that to the foxes, it's easy math: kevin who can lean on vodka and andrew and wymack and the foxes to stay upright when he's not ready to stand on his own two feet is still a kevin who is standing. a kevin with one less piece of scaffolding to lean on is a kevin who falls over, a kevin at risk of complete collapse, a kevin one phone call away from running back to the master, a kevin one crucial loss away from not ever making it back to himself at all. they're triaging. this is low on the totem pole of things they have the room to care about. they very much have bigger problems, both individually and even just kevin-related. if alcohol makes seeing the boy he knew best in the world and moved in tandem with his whole life and who destroyed their entire legacy and his entire life in one move — if alcohol makes facing that boy easier to stomach, then, fuck, why would they take that away? they're foxes. they've all got their demons. this is what kevin needs this year and a half to let him face his, that's all. they can understand that. it doesn't have to be pretty, as long as it keeps him in the fight. that's the priority.

i think there's absolutely space to explore this in fic and art and fandom in a way that maybe does explore it as a Problem, both that it's an active problem for kevin & that it's something to explore other foxes helping him with (there's a t&n fic that i've been gnawing at the bit to read for months that seems poised to explore this premise, and that's super up my alley)! i just think we're in different territory when we're talking about the series—and its characters and dynamics—in a conversational rather than transformational way, and end up talking about this like the foxes are responsible for kevin's choices. i love kevin day. i read these back at the start of 2015 & he's so dear to me that loving him was the blueprint for how i feel abt kageyama. but it's been pretty weird to see how the conversation has been translating Loving Kevin Day into... thinking the foxes are doing wrong by him with respect to this in actual canon. like that's just not how it operates there

[whatudottu]

Regarding your cerebrocrustacean headcanons mentioned in the previous ask: they very well could be somewhat canon given how, when asked if Albedo and Dr. Psychobos would be willing to work together, Derrick J. Wyatt responded with "Psychobos seems like a total team up slut, he'll team up with any villain any time" (his words, not mine).

Which he likely meant in the sense of "Psychobos is so power-hungry he'll team up with anyone in order to get ahead", but with your headcanons and the fact he never talks much about his personal life in mind, you could alternatively interpret it as "Psychobos is so desperately lonely he'll accept anyone he has even the slightest similarity with into his clique, even members of a species he's violently xenophobic towards" (probably to cope with/serve as a rebound for his mancrush Azmuth friendzoning him /lh /hj).

Now all of this is making me realize that it was a massive missed opportunity in Omniverse to not have Psychobos' demeanor do a complete 180 around the people he works with compared to everyone else (whether sincere or a thinly-veiled manipulation tactic) if not solely for a few jokes. Especially him acting like an affectionate father figure towards Malware (whether he likes it or not) solely so he can rub it in Azmuth's face that "I'm a FAR more attentive and caring parental figure towards your creation than YOU ever were, and I use the term loosely".

WHAT DO YOU MEAN DJW SAID 'TEAM UP SLUT' HAHAH WHAT!? dear god it's true it's on the wiki what the fuck what the fuck assdfjhghsdlfkgfkl-!

I mean, look at his already canon group; Khyber, allegedly the greatest huntsman in the galaxy, teaming up with Dr Psychobos to make a little watch that can sample (specifically predatory) animals; and Malware, a technology absorbing mutant mechamorph, working with the cybernetically enhanced (also listed as a mutant???) cerebrocrustacean in order to make said watch- if liking the concept of animals and incorporating machines as part of oneself is enough to get into Dr Psychobos' clique well, he's certainly stretched what that means far enough to at least snag two others into his initial team up. Same can't be said for Attea and the incurseans which seems to be more of a sponsor type relationship, and Maltruant commissioned him to repair his body but violated the trade agreement so whether or not Psychobos would do business with the incurseans again, he's already squarely sequestered Maltruant in the outest of out-groups :P

Hah, the 'Dr Psychobos adopting Malware specifically to stick it to Azmuth' bit reminded me of a signing-the-adoption-papers version of the 'I throw my used car batteries in the ocean' thing- something along the lines of; [psychobos voice] "You are the most calamitous individual I have had the pleasure of meeting, and I use the term loosely." [malware voice, threateningly] "I have devoured and absorbed the specs of the Omnitrix." [psychobos signing adoption papers] [malware, experiencing the affects of cerebrocrustacean in-grouping and having no frame of reference on how to deal with it] "What the fuck is happening-"

[musical-chick-13]

Regarding the whole "Fandom Is An Escape, so why should I have to care this much about misogyny/racism/ableism/transphobia/etc." thing. Idk about the rest of you, but it gets kind of hard for me to "escape" when I keep seeing people say the same vile things about characters who share aspects of my identity that I hear all the time in real life.

[lowwgold]

I really wish that the final boss of twewy neo was Kubo himself, not the bird noise. The bird was cool, but I feel like there is definitely an issue with power balancing here. If they had just had Kubo be the final boss, we would have an idea of what a more average angels (albeit downtuned) power level is. Plus it would show that you can actually defeat an angel, even if it is a team effort (with some of the strongest players around). How is someone supposed to kill a composer if you can't even defeat an angel of a lower rank? Did Joshua (if he was even born human) catch the previous composer by surprise or kill them in a game similar to what Neku went through? I do wanna see it happen in a future game, if/when that happens.

I'm just tired of seeing angels having such a huge power gap from reapers and players. Especially when they have enough power to just fix the whole plot of the game whenever they want, but choose not to do so (looking at you, Joshua).

[mossiestpiglet]

once again stressed as hell because i have the opportunity to apply for a job and i feel like i HAVE to take it despite the fact that i really dont want it and also feel like it wouldnt necessarily even be the best move in terms of career… but like. Fatal American Desire To Seize Every Financial Opportunity At The Expense Of My Own Well-being.

[chiropteracupola]

the amount of time I spend on tumblr dot com has given me quite the set of standards when it comes to artworks on the theme of 'Trans Angel', and actual museums are failing to meet those standards quite spectacularly.

[waywardsalt]

was going through my blog trying to track down an old post i made talking abt my feelings on jolene and it was. much longer than i remembered it being. and haha yeah i still agree with it. i need to fucking. sort out my feelings on that character and that subplot

[thebaffledcaptain]

I’m going to sound like a filthy british bastard by saying this but one of the things I think turns me away from this heavily fandomized tumblrification of the american revolution is genuinely the lack of british perspectives. I obviously don’t fault tumblr for this being the case (it goes without saying that it is a far deeper issue than just that… cough cough american nationalism and exceptionalism and the effect that has on the media) but in spaces like this there really just isn’t… any nuance at all to this conflict which was so undeniably nuanced in so many ways. it’s all about gay founding fathers and cool spies which. I understand the appeal but at a certain point I’m genuinely not sure how much of it we can call history

[textualviolence]

okokokok you know what. the lesbian label fits me best specifically because i hate romance & falling in love i think all that shit's stupid. The only thing thats worth it in life is having a tension filled two-little-girls-on-the-playground-pretending-to-be-horses level intensity friendship where basically no words or outside concepts exist beside the deep fascination and kinship you have with another human being & its a friendship to the outside world but on the inside its an unspeakable understanding of self & other with no limits or boundaries as to the aspects that are concealed and revealed and the kind of intimacy that is possible & the only rule is having fun and keeping up the synchronicity thats vibrating between your two spirits. Sorry if that makes me sound like a cringe hippe but genuinely people who are like i wanna fall in looooove im like your desires are lame & small and i pity you. Romance-love is inferior to playground bff friendship-love in every way but we live in a society that does everything to hide this fact from people....why.....

[wereh0gz]

Issue 69 (nice) is very good and very fun :]

[aroacettorney]

when will aup sidestories return from war and stop leaving me bitter about how the main story ended