#its not entirely like a visceral discomfort but its a sort of like. its unpleasant to think abt this for too long
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was going through my blog trying to track down an old post i made talking abt my feelings on jolene and it was. much longer than i remembered it being. and haha yeah i still agree with it. i need to fucking. sort out my feelings on that character and that subplot
#like. its just been A Thing where once i thought abt it too hard it was just Wow i hate this actually#its not entirely like a visceral discomfort but its a sort of like. its unpleasant to think abt this for too long#like??? the easiest way for me to explain it is that normally its fine like ok a pursuer antagonist character to add lil backstory#but the moment you toss in the implication that she still has romantic feelings for him it jumps up to WOW THIS IS UNCOMFORTABLE#for me. for me. like just all of it? and some fan stuff that influenced it like. bad jokes and uncomfy phrasing that leans to linebeck bein#like an unwilling participant or âgiving inâ like fan stuff also REALLY hasnt helped so i just. yknow avoid it#salty talks#might delete later but i didnt delete the og so whatever#like she is absolutely just. badly written. shes a joke and poorly written and its just. there and there are implications#it does just come down to. shes badly written and the way linebeck reacts to all of it doesnt help#like when i worry abt like. coming off as sexist. its like nah shes just fucking badly written#casca is a similar kind of character as someone aggressive to her love interest and lashing out at him despite having feelings#but shes like. well written. and guts reciprocates. and you like. see them communicate and grow closer#here youre just given a disastrous fucking aftermath where communication is completely broken down#and while the aggressive party still has feelings the other party actively wants to just not engage with it and actively doesnt care#cuz like. he literally does not bring her up or allude to her outside of her being immediately relevant i cannt see him being interested#GOD. i just need to write all this out i keep justifying myself with it i need to. get it out#im narrowing down. something. for how i think their backstory together goes with it being a lot of miscommunication and it just being like#a bad situation anyways with their last actual encounter being a violent one and its like yeah no that was a trainwreck#i know its a fucking like. comedic(????) subplot in a lighthearted childrens game#but it has Vibes to me and that game does have some darker vibes to it we all know that#and it just. i dont like her. i dont. i remember i used to be like. alright with her. and then i thought on it too much#casca addendum ig. shes objectively not like. well well written. but all things considered. shes pretty good#like im p sure she was made to suffer to make guts feel bad but. she does happen to be a kickass character in the midst of that
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Ten Sides (Part 33)
I donât exactly know how to tag this but a warning on this chapter as I feel like some of the language can be unsettling for mental abuse survivors and, though the chapter doesnât contain sexual harassment, some of the language might be similar? Maybe the best way to but it would be to say that thereâs a CW for objectification.Â
Normally tears donât come easily to her, not when she has to induce them herself. It only takes thinking back to the not so distant past to coax them forward. She hates the feeling of his hand on hers as he leads her down the hall. She worries that she is appearing too lucid so she lets herself stumble. The man sighs deeply as though she is an inconvenience. As though that isnât exactly what he wants. âThis way he mumbles.â
She knows the way, he has forced her to walk it so many times now. She knows the way though she hasnât been down this hall in ages. She didnât expect to have such a visceral reaction to trekking it once again. It comes like nausea. Her stomach drops and her throat runs dry. This time when she shakes it isnât drug induced.
He chuckles, âkeep walking, it isnât that hard, weâre almost there.â
Which is all the more reason to come to a standstill but she lets him drag her into the room regardless. He leads her to the surgical table, she can smell the vines, their musky, freshwater odor. It leaves her stomach heaving. Agni, she hates the smell of sea plants...
âGet yourself comfortable.â
He knows well that the chill of the tableâs metals offer no comfort at all.
âSince youâve been a good girl, we wonât use the straps today.â
She waits for him to turn before letting out her sigh of relief. She lays herself back upon the table, staring at the ceiling. The same ceiling sheâd been forced to stare at before. She shudders, feeling entirely queasy. For a moment she wonders why she is doing this to herself. For a moment she forgets that this is the only thing that will drive the nightmares from her mind once and for all.
Control. She will let old scenarios play themselves out. They will end the way that she wants them too.
They will if she can stave off the panic that comes with such familiar discomforts. A tear slips from her eye. She hadnât meant for it to do so.
âYouâre pretty when you cry.â He purrs as he fixes the first vine to her forehead. âDo you know that?â
And he will be pretty when he is a smear of blood on the floor.
âYouâre better off this way. Trust me, you are. Youâre more likable when youâre mindless.â He drums his fingers upon the side of her head. âWhen Iâm done with you Iâll let you go back to your friends. Iâm sure that theyâll appreciate my work; theyâll find you much more agreeable.â
It shouldnât, but somehow it still stings. She realizes then, that she has made a mistake. She has made progress, sure. She has begun to rebuild old friendships and make new ones. But, Agni, she is still riddled with her own innate insecurities and the man has seen enough of her mind to exploit those.
If only she could reassure herself that he is wrong beyond a simple awareness that, even if he isnât, that sheâd rather be resented for her stubborn and unlovable personality than to have it wiped clean to make room for an uncannily sugary one. At least if she is unlikable, she knows that she is still Azula through and through.
âDonât look so forlorn.â Sangyul chuckles. âYou arenât complete yet. But donât worry, you will be. Iâll fix you.â Â
Her breath hitches in her throat. She needs someone to fix her but, spirits, not him. She needs to fix herself. She will fix herself.
âNow Iâve watched the Avatar do this many times and I think that Iâve found a way to use electricity to activate the vines without the Avatarâs help.â He declares. âWeâre going to test that on you. I anticipate this hurting.â
She goes tense.
âIf you donât squirm too much, we wonât need the restraints.â He pushes her back onto the table.
She wonders if she should put a stop to this now. But no. No, that wouldnât be good enough to drive off the nightmares⌠She canât keep her breathing level not when lightning sizzles on his fingertips. She hadnât realized that he was a lightning bender. She hadnât realized that he could bend at all. Thank Agni, he doesnât know that she can also bend again.
The lightning surges through the vines, it tickles her head in the most bitingly unpleasant way. She gives an involuntary whimper and his lips curl into a wicked grin. She closes her eyes and works the current away from her head. She hasnât exactly mastered redirection yet--it still stings terribly. And the vines on her head glow. He sends a few more bolts before withdrawing a long thin metal stick with a clay handle.
âSee, this is going to help me guide the electricity. In theory, the lightning will do for me what the Avatar could do with spirit energyâŚâ He mumbles.  He presses the stick to her forehead and drags the current along. The sensation is tingling, agonizingly so. She can feel tiny fingers of lightning touching the strings of her mind.
She closes her eyes. Eyes that water reflexively. The charge dancing in her mind is much more chaotic than Aangâs touch. When he had entered her mind he had entered with clarity, purpose, the ability to gauge how the colors of her aura were reacting to him. The electrical charge has no such ability. It is erratic, touching the fearful muted blue strands of her aura and dying them an even duller grey a sad grey--the result is anxiety inducing. It bounces back and strikes a different strand green. Guilt and self loathing trickles in.
She squeezes her eyes tighter. Her breathing becoming increasingly erratic. She needs control. She needs to take it back. The electricity has none of the guilt and compassion that Aang had, had. Aang...he no longer needs to touch the threads to dye them shades of red and pink. She takes several deep breaths. It is hard to relax with currents running through her mind, harder still with an enemy in such close proximity and damn near impossible with her mind left so vulnerable. But her mind is still hers. She lets herself burrow back in her mind, retreat into a familiar place. She can hear the rush of water as it slaps against the side of the boat, can feel the wind tugging at her hair. Mostly she can feel the flame of her chakra lapping at her belly, hear it crackling in her ears⌠It is hers, her chakra, her fire, her mind...
The lightning dances around in her head, but it doesnât reach any further. It no longer corrupts. It canât corrupt. Sangyul withdraws the metal rod and steps back. Her body jerks and convulses. Only twice--maybe it has been jerking this whole time. She isnât sure.
âNow sit up.â He demands.
Dizzy, pained, she obeys. She tries to shake the daze from her head. Spirits, it hurts so terribly. Sangyul brushes a curtain of her hair out of her face. âGood girl.â He comments again. Her ears are ringing. âNow stand.â
She isnât ready to stand, she thinks that her legs will buckle if she tries.
âStand.â He growls.
She forces herself to her feet. It takes everything she has to remain upright. âNow,â Sangyul smiles. âYour hair has gotten quite long againâŚâ
She swallows, her stomach lurches. Her tears are very real now and it only seems to delight him more. She knows what he is going to ask of her next. He presses a blade into her palm, it nips her skin and several dots of blood blossom upon it. But this time when she raises the blade, it wonât be to her own face where her scar is tingling with more fury than ever.
.oOo.
He finds her in the corner of the room, legs drawn up to her chest, cheeks stained with tears. Aang stoops down and touches her cheek, she doesnât move an inch. Her eyes are hollow, dim. He takes her hand, her bloody hand and squeezes it. He runs his free hand over her locks. Locks that are clumped together with drying blood. It is smeared upon her face, her chest. It soaked through her shirt.
âAzula?â
She looks up, wordlessly. Her lips part.
He knew that this whole thing was a bad idea.
She souches forward and he expects her to begin crying into his shoulder. But she doesnât, despite the soft tremors of her body, she remains quiet. He rubs her back as he takes the blade from her hand.
âAang, whatâs going on?â Â Zuko asks.
âItâs over.â Aang replies as he hoists Azula upright. She holds her own weight but still leans very heavily into him. âSangyul isâŚâ He gestures to the body. Its throat is carved into a smirk as wide as the one that never had a chance to leave his arrogant face.
âIs Azula okay?â
âAzula is fine.â She grumbles.
Zuko clears his throat, âI guess I should have asked you directly, huh?â
Aang squeezes her tighter. âAre you sure that youâre okay you just...you knowâŚâ
âKilled a man.â She elaborates. âHe needed to die, Avatar. I justâŚâ She pulls back and seems to study his face.
He is fairly certain that he knows what she is looking for and he wonât let her find it; he is afraid but he fights to keep it out of his eyes. He knows what else she is looking for, âI love you, Azula.â His lips brush against her ear.
She swallows and finally she returns his hug. Holding her feels like holding a dragon; dangerous, unpredictable. Unstable. He wishes that he wasnât afraid.
She wonât hurt him. He knows that she wonât and so he scoops her into his arms. âAre you ready to go home?â
âI can walk on my own, Avatar.â
He wants to remind her that she just went through some sort of hell. Wants to tell her that it isnât a good idea. But he canât, not here. Not in this room. âIs that what you want to do?â
She nods.
It is instinctual to ask her if she is sure. But he remembers what she had requested quite a while ago and he resists. Instead he offers, âif you get tired of walking, let me know.â
She nods again. He has a pretty decent feeling that she will end up letting him carry her at least part of the way to the airships.
âIâll send the imperial firebenders to make the rest of the arrests and Iâll meet you on the airships.â He glances at Azula. âTake care of her, please.â
âShe can take care of herself.â Aang replies. He just hopes that sheâll let him help for a change. Her hand tightening around his is itâs own reassurance.
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Portraits of Silhouettes
<p>Low-angle sunlight arrived tap dancing along trails of reflected shimmer, describing the chaotic topography of a seasonal creek. My alarmingly orange vest smelled vaguely of urine: this I knew to be true. However this objective certainty (derived from having witnessed Mach the doggy piss all over it a day prior) produced only the peripheral discomfort a funeral goer may experience at the fleeting awareness that they stand, mourning, at approximately their own height above many anonymous corpses, each its own putrid rainbow of decay: I smelled nothing. Responsibility for a recent arbor-theft* was boastfully taken, and received with no more than entirely non-disingenuous (by at least two of our three, as it were) chuckles and grins: Adam would only grin deviously when asked <i>How?!</i> and then mirthfully when asked <i>Why?!</i>, so Paul and I had learned not to ask. Dark planes hovered beneath beneath fluffy anvils of cumulus, conspiring placidly before a deep eastern horizon. Crows cawed, somewhere. All seemed in order.<br></p><p>*(Paulâs general condition is based upon a particular sort of wildly unsubstantiated self-assuredness thatâs equal-parts amusingly absurd and troublingly sincere, and he really just rides out human interaction from someplace very distant from the others involved, whereas Adam resides in a place murky and dim with congruously unsubstantiated self-doubt; yet, somewhat incongruously, he is the brother who steals trees.)<br></p>âYou think <i>Native</i>âs caught on yet?â I said.<br>After a pause, âNot impossibleâŚâ began Adam, his spine arched convexly and elbows locked tense between shoulder and pocket: his postureâs profile impersonating either a sail operating on heavy tailwinds or a sideways grin; ââŚdefinitely plausible, considering.â We chuckled and grinned.           <p>Paul pointed emphatically at a patch of moss on a rock whoâs shape heâd found to resemble that of said rock and was enthused: âDude we could totally write a song about that dude. Adam could play drums so I could play âkeys. We canât find Adamâs bass amp so weâve just been jamminâ Stevie tunes on drums and âkeys. We got mad good at it so far, you know if thereâs an open mic tonight?â <br>âNah I doubt it man. What happened to the amp though?â<br>Paulâs answer was unironic: âWhat amp?â                            But his face really sold it, so I too fell perplexed and said nothing. <br>âCaw,â announced a crow.                       <br>âNah yo, letâs at least run through the set with The Gends a couple times. At least you know⌠get like, the hits and shit⌠together. Work out the various like, particulars, before we play out.â I accepted Adamâs deflection regarding the unknown whereabouts of his borrowed equipment, as it aligned with my own position w/r/t an open mic.</p><p>I reminisce upon these times and feel many things, complex melancholy their sum. Impetus to reconcile and return emerges and recedes like an ominous toothache; a floaterâs ghostly presence within the eye itself.</p><p>The bedrock was fairly close to ground level on Mount Signitt, so snowmelt endeavored downward toward both The Glen and <i>Native Garden Solutions</i> in puny radial trickles not long after a thaw began, and the thin smear of pebbly soil gave way to saturation. Paul grinning madly beside me, Iâd cocked my head like a dog, looking lazy or intrigued, perhaps, being severely impaired-âdare I say <i>transfixed</i>â-at least in part by the chatter of several of these frantically dispersing creeks. The season prior, our own anecdotal observations of The Glenâs streamâs northwest bank had established that thereâd been fewer tributary-trickles than there were radial-trickles, meaning the many seasonal creeks must have either converged at some collection of hillside points, or that some of the streamsâ warbling flows had been inexplicably halted en routeâ-<i>or</i>â-as Iâd later opine both aloud and to only myself in downward transit from the Signittsâ (âMount Signittâ) on more than one occasionâthat about their own paths of least resistance, the least fortunate of The Mountâs descendants had fallen stagnant, caught up by forces beyondâthough not excludingâgravity and the their own momentum, in one of those shallow ruts that run alongside County Roads and unpaved driveways.</p><p>A small thing scuttled somewhere, surely oblivious to the scuttleâs ramifications.<br>âYo <i>yo</i>, yo, Paul, keep that down a sec.â<br>âDude weâre <i>good</i>, me and Adam blaze here all the time.â<br>âI definitely just heard footsteps just now. And did you hear that low like rumbling before? I think I heard a car, dude.â<br>âDude, trust me aright, nobody but us would come down here, man. And yo, besides, if they do they totally must burn dude, or at least are chill, otherwise who else would even come here?â<br>âYou hear it Adam?â<br>âProbly nothinâ.â<br>âYeah youâre probably right. Weâd have heard something else by now, probably.â<br>Adam stared stonily at the ambient space to my left, nodded slightly in a silent gesture of agreement, then stood still and considered the ground before him with great intent. There are at least two things to consider in the event that one categorically finds the voice of reason to be the voice they hear the least, I thought.</p><p>A sudden fog.<br>âA spruce this time, was it?â<br>âStill is, last I checked.â</p><p>The doob (âcannonâ) hissed and shimmered beneath the cheekbones of Paul, whoâs entire upper-spinal region would periodically find itself canted forward, in the manner of a wilting houseplant, by the weight of I guess his head. Dark nights and crackling white cones accentuated his faceâs bony contours with a dull orange glow; todayâs immaculate Fall-turning-Winter sunlight does the face no such favors. Another sudden fog; an exhalationâs whisper from the north-northeast. Paul Signitt, as observed by Aaron D. Gendler, ~2:30 PM EST, 12/03/2012, appeared to resemble a street-fair caricature of himself in terms of both physique and conversational demeanor: you couldâve almost pictured his head line-drawn on taut canvas, its shape so exaggerated as to resemble that of a stretched eggshell and its bucktoothed smile ghoulishly distended, portraying a manner of enthusiasm equidistant from that of Newmanâs Ownâs Paul Newman, Kool-Aidâs (The) Kool-Aid Man, and your any-given spree-killer: an extravagant face drawn in eccentric curves of opaque ink, two-dimensional and inanimate.<br>âYo Gends so Iâve been learning mad Petty songs lately and dude, he is a fuckinâ genius at lyrics man, like, his music just isnât fake like all the stuff thatâs out there now thatâs just bullshit dudeâŚâ I briefly considered how a momentâs image of my own faceâs fraudulent good-cheer could have resembled the climax of a viscerally compelling advertisement for High-Strength aspirin, whilst it nodded reflexively with the spastic vigor of a paddle-ball on a very short string like an aggressive parody of common politeness. Paulâs left hand met Adamâs right, then both hands receded, and I nodded. Paul continued, ââŚbut yo, theyâll never be able to really know that again because he wonât even be there to tell them <i>how</i>, dude, like, <i>no</i>body will ever be as good as Tom Petty again, man, they <i>canâ</i>t be.â<br>Seemed Iâd missed something: âYeah dude, I hear thaââ<br>Paul continued: âLike, yo, I mean weâll never really <i>know</i> what happened with the<i> Egy</i>ptians,ââ<br>âExtraterrestrial Assistance, perhaps,â Adam interjected, looming at a cedarâs attention behind his own dissipating cloud.<br>Paul said âEx<i>act</i>ly dude its im<i>pos</i>sible! And I mean like Taylor Swift and Fergie and all them, theyâll never even <i>know</i> what real music is, cause weâll never know who made the <i>Py</i>ramids.â</p><p>An interval occurred. Its onset was abrupt and unpleasant, and seemed to span itâs duration entirely. Not unlike that bounded by a fall and itâs landing, the interval between Paulâs speechâs halt and its echoesâ total evacuation from the given airspace. The exchangeâs backdrop of vacuous silence bloomed blackly as a sudden sinkhole, and certain norms demanded it be plugged by somebody or other. Who this was, however, was always unclear: Paul, in conversation, offered none of the linguistic or even subconscious body-language-type cues one looks for to distinguish a true invitation to reply from a brief rhetorical pause, thus I was guided less by intuitive reasoning than a sort of Fight-or-Flight-or-Donât instinct in determining if and how I should fashion my response toward (âin the direction ofâ) him. A hairâs-width of time passed, and no crows cawed. Gears began to whir. Adam inhaledâ-thatâs Two: another factor to consider: In no more than fifteen seconds⌠the Doob, itâs milky veilâ-crackling light damn it, for this dark ground urgently approaching⌠each all my own; and Twice, no less.<br>âHhhhahhuhaahhâŚâ breathed Adam, no more than nine seconds later, then: âYo, Gends⌠âs yours.â</p><p>Branches nodded and leaves quivered, sparse and autumnally brown; roots held their ground, as roots do; trunksâ curvatures varied complexly from tree to tree at the windâs behest as my eager right hand began the southeastward ascent toward its rendezvous with Adamâs hovering left-. â-or-Donât it is, I guessâŚâ I shrugged internally, wearing the same clever smirk I wouldâve had I said the words aloud. Nobody appears to smell the day-old piss, or at least no one comments. I produced an âO.K.â signal with my right thumb and -forefinger, raised my head to a cannonâs angle, and kissed my fingertips; my eyeâs own middle-distance angled toward the cloudsâ wafted edge, but concerned only with the space between, and the distance vanishing upon its ends.
>
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