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laureviewer · 4 years

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Persona 5 Royal: A Review

It’s finally time to review one of my all-time favourite games.

I first played Persona 5 around 3 years ago, and I’ve really grown since then in a few ways. A few thoughts before I begin: a) since my first playthrough, JRPGs have cemented themselves as one of my favourite types of games; b) I don’t hate all turn-based RPGs except Pokémon anymore!; c) after my first playthrough I went to Japan, and as Persona 5 is set in Tokyo, playing Royal was a lot of fun as I knew a lot of the locations, which meant I could dive into the setting deeper than the first time; and d) my 250 hours of playtime in total across both playthroughs can most likely be attributed to the incredible writing and masterful character development.

Warning: HEAVY story spoilers

I’m not trying to sell you a game. I want to give you an in-depth analysis of the story, characters, gameplay and all other aspects of this brilliant game, spoilers and all. I want a discussion. So, dive in and see what I really thought, no holds barred.

The Silence is Deafening

‘…’ – a direct quote from our protagonist, there. Our silent hero, codename Joker, is a victim of circumstance. Wrongfully accused of assault by a mysterious man who is angered that a kid prevented him from forcing a woman into his car et al., he must move away from his hometown to wait out his probation period and live a normal student life. Why must he live above a failing café under the guardianship of the cranky owner? Not to mention: why is he banished to Tokyo of all places, somewhere very likely much more exciting than wherever his hometown is?

Either way, Joker isn’t going to tell you. He’s quiet and lets the other many, many other characters do the talking for him—a usual trope of JRPGs, but it is still an issue as he is also put on a pedestal as an incredibly special, talented, empathetic and all-round great guy. He’s the only one capable of saving the world, as he has abilities no-one else has, for some reason.

But this isn’t as bad as I’m making it out to be. Sure, it doesn’t really make sense why you have such a huge following when you don’t have much of a personality, but that’s the beauty of the silent protagonist. You, the player, are the protagonist. The fact that you can even put your own name in as his name is telling. You make the decisions, you make the friends, and you carve out your own destiny from the choices you make. It’s always these kinds of games that, when I talk to my friends, I say ‘I messed up with Sojiro’ or ‘I went to the arcade today’—and it is me. Because even though I’m not a woefully silent Japanese male teenager with glasses, for the time I’m playing Persona 5, I am.

So, you are the protagonist. You learn that there are mental shutdowns all over Tokyo, making people go crazy and kill lots of people, such as a conductor crashing his train, or simply killing people on the spot. It’s weird, but what can you do? You’re just a student with his own problems: not only do many of the students avoid you because you are a delinquent, but the volleyball coach, Kamoshida, seems to be harassing students, from the ones on his team who seem terrified of him, to girls that are being hit on. When a strange app appears on your phone, you accidentally find yourself in the metaverse, along with Ryuji, who also has a good reason to get revenge on Kamoshida.

I Am Thou, Thou Art I

What teenager doesn’t have a rebellious self hidden deep within their subconscious? Well, these teens can utilise that hidden self past its usual constraints to overcome the crappy adults that suppress them and make detrimental decisions for them. Once Joker and Ryuji, and later many other young adults, realise this potential and recognise that these adults need to be stopped, they are awakened to their Personas. A Persona is a manifestation of a persona user’s personality, which the individual can use to face hardship and overcome injustice, even if just in the Metaverse, the collective unconscious world.

But, really, there’s no ‘just’ about it. Here in this world, which take the form of Palaces, the Phantom Thieves (you and your friends) can defeat the ruler of the Palace (the adult with a distorted desire) to convince them to change their heart. In this way, the ‘real’ them in the real world will atone for their actions and justice can be served. So, really, your actions are vital to solving crimes, dealing justice and, eventually, saving the world.

These Personas are like Pokémon for adults. You are special, as you can catch and wield multiple Personas, allowing you to have a whole array of powers, but your friends have one that they train and evolve throughout the course of the story. Catching them is a skill: you have to learn their weakness, and use a skill that takes advantage of it to ‘down’ the Persona. This gives you a chance to either: perform an ‘all out’ attack which sees all your allies fight them at once for increased damage; ask them for money or an item; or negotiate with them to convince them to become a part of you (and thus catch them for use later). This gets harder when there are multiple different Personas to battle at once, all with different weaknesses and strengths that means you must time your combat precisely to ‘down’ them at the same time.

Personas are one of the best parts of the game, as you can see.

Not happy with a persona’s moves, or you want to create stronger ones? Go to the Velvet Room, where Igor and the Twin Wardens Justine and Caroline will fuse two or more Personas together to create new ones.

This is where the Pokémon element is better and worse. You can get completely new and stronger Personas immediately, which is cool, but if you are particularly drawn to one it doesn’t make sense to keep using them as they will level up far quicker if you fuse them than if you keep them. I struggled with this at first, as Arsene is your first ‘official’ Persona, and I couldn’t quite believe you are only meant to have him for the first few hours. It’s like Ash giving up Pikachu after defeating Brock!

Also, have you seen how you have to fuse them? It’s so dark and unnecessarily vivid! You have to guillotine, electric chair or hang them in order to create these new Personas, which is so different to Persona 4 where the Personas are cards, making it less gruesome to get rid of your companions. It definitely made me feel bad for fusing them, but that didn’t stop me!

Essentially, the Persona franchise wouldn’t be the same without all the incredible Personas you fight and capture along the way. It really encapsulates what the games are like: stylized and deeply considered, exuding character and imagination throughout.

Take Over, It’s Time to Put You Down

Using these Personas are a lot of fun, too. The moves are elemental as well as physical, they can inflict ailments such as ‘sleep’ and ‘fear’, and evolve as you and your Personas level up. Personas all have strengths and weaknesses, and by fusing them, you can create Personas with stronger moves and resistances that, as you get towards the end of the game, means that you can fuse some incredibly powerful Personas that can fight any and all enemies, if you’re smart with the moves you inherit.

This all sounds very similar to Pokémon, right? Well, there are other more showy, fantastically fun elements that integrate beautifully with the stunning graphics to make every battle (which have the potential to become very repetitive) exciting and challenging. When a character manages to ‘down’ an enemy by using a move that is strong against it, they can either do another attack or choose to Baton Pass to an ally, chaining super-effective attacks to down multiple enemies in one round, which is useful if there are a lot of different enemies with different affinities and weaknesses. Then, once all enemies are downed, all allies can come together for an All Out Attack for an extra boost of damage.

As much as this is useful for the player, if the enemy downs one of your allies, they can also do a secondary attack, which means that they have the potential to wipe out your team very quickly. Plus, some moves are one hit kills, which may have low accuracy but is still extremely frustrating sometimes, particularly in regular 5 where I found the combat more challenging. The worst boss fight was Haru’s dad, where I actually had to change difficulty for the only time throughout the game—who decided it was a good idea to revive the robot shadows if you didn’t kill them in three moves?!

The Showtime moves, new for Royal, bring a fresh new element to the game. As you progress through the story, your allies start forming bonds, which will then be reflected in combat. At seemingly random times, they can join up with fantastic new animations (such as Yusuke cooking Ryuji some yummy food at a bar, who get interrupted by a shadow coming in the door, and they both take it out) and inflict massive damage. I was sad that Joker doesn’t get one, until the Royal section where baes Akechi and Sumire both team up with you respectively for new Showtimes. It made me wonder whether Joker just wasn’t as close to the rest of the team as he becomes to Akechi and Sumire, which actually also made me glad that I focused on both of them heavily in my playthrough!

Every song that plays throughout the game, including combat, is a banger, so even though my husband got annoyed hearing it coming out of my TV for 120 hours, this soundtrack will remain one of my favourites to date. Overall, the combat is great, and thankfully not too repetitive after so many hours of gameplay.

Adulting is Hard

The story of Persona 5 is deeply gripping, and keeps you invested and interested the whole way through. It didn’t absolutely destroy me like other JRPGs have done (see: Final Fantasy XV), but fun, emotive and has huge repercussions if you don’t succeed in your mission, including people dying and the world ending. No pressure, then.

Your actions, then, are crucial to making the world a better place: and the villains that you encounter are integral to succeeding. In true revolution fashion, it’s the kids that need to stand up to the adults to rid them of their distorted desires—but it’s not all random. The adults are truly abhorrent (the first one, Kamoshida, sexually assaults female students and physically abuses members of his volleyball team) and they continue a running thread from first to last—that is, the ones who you think aren’t connected at all seem to be connected to the final villain by the end. It’s very clever, and kept me gripped the whole way through—something that’s needed with 80+ hours of gameplay.

The writing is absolutely fantastic. All characters have their own distinct mannerisms, personalities and stories, which you get to explore with the Confidant mechanic (see below). The voice acting is great, and as I progressed through the Confidants, I really started to feel like they were becoming my friends, and that every time I turned on my PS4 I was hanging out with my pals again. It’s the way games should make you feel—like you actually care about what will happen to them.

This does make the game quite stressful (in a good way), as what you do has actual repercussions. It’s a bit frustrating sometimes that some of your dialogue doesn’t affect the game at large, as well as your romance choices. None of the characters acknowledge you have a girlfriend, and if you date Ann, for example, she won’t act any differently than if you decide to not even become her friend. While that’s disappointing, other dialogue choices can completely affect your game so that you always have to be very careful with your decisions. Will you get the ‘bad’ ending, where you fail to stop the final villain; the ‘good bad’ ending, where you accept his distorted view of the world; or the ‘true’ canon ending, where you revert the world to normal? A lot of choices throughout this lengthy game affect what ultimately happens, so you do feel like you’re affecting the story a lot more than, say, Pokémon. In fact, in Royal, you can even miss out on a whole section of the game…

Ascending to Royalty

As long as you max your Confidant links with Akechi (the renegade teen detective), Kasumi (the new gymnast freshman at your school) and Maruki (the school counsellor), you get to experience the 30+ hours that Royal adds to Persona 5. And—major spoilers here—once you’ve defeated the God of Control and exposed Akechi for the unhinged betrayer that he is, you should go to juvenile detention and your ability to use Personas should be gone for good, as Momentos has been destroyed.

However, in Royal, Maruki has figured out how to use cognitive psience—and you’re the reason why. His sessions with you has helped with his research, and so now he can make the world a better place by granting everyone’s desires in the collective unconsciousness.

As you can see by his actions, he’s not your typical antagonist. His heart is completely in the right place: he wants to make everyone happy by granting their desires for them, such as bringing back Futaba’s dead mother and helping Ryuji recover so he can get back on the track team. I resonated with that, and actually wondered whether it would be worse for certain characters, particularly Futaba and Haru who get to spend time with their respective dead parents, to reject the “blissful ignorance” reality that Maruki had created for them in favour of the truth.

By this point, I had grown rather fond of the deranged but entertaining firework that Akechi has revealed himself to be, and once I learned that Akechi would die (as he did in regular 5) if Maruki’s reality were to be revoked, I almost chose to accept it. But Akechi being adamant that he was going to stop Maruki no matter what as he didn’t want to live under anyone else’s rule helped make that choice for me. It was difficult, though. Akechi’s is a motive that is simultaneously selfish and noble: selfish as he doesn’t want anyone else to control him, even if that means other people are happy, but noble because he values the truth above all else. Plus, the fact that he was one of the main villains throughout the story up until this point made me question whether we should continue to trust him, even though he had decided to help us, even if it were primarily for his own gain. I think my fondness for him (perhaps because he is a fully-fledged Confidant in this game, unlike regular 5) and the wildcard elements he brought to the game made me feel a certain brand of loyalty towards him, and so I chose to honour his “dying wish”. And, of course, this path led to the ‘true’ ending!

This indecision is shown most clearly in Maruki’s palace, where you have to deduce what decisions in certain situations Maruki would think is the ‘right’ one. It really helps you understand where he’s coming from. For example, his question ‘if your friend is being attacked, and you don’t have much time before they get seriously hurt, would you a) run to get help but you might not make it back in time, or b) join the fight to help but you might get hurt yourself?’ Neither answer is necessarily wrong, but b) is correct as Maruki simply wants you to look out for yourself over others. The crux of his viewpoint is that you should endeavour to make yourself happy or safe, even if that means others may not be. It’s a very interesting conundrum, and one I enjoyed debating philosophically whilst playing.

The concept of right and wrong and mental health was also tackled in this game through Kasumi/Sumire. Ultimately, even though Maruki wanted to help her by allowing Sumire to pretend to be her dead sister, as she blames herself for her death, he ultimately did her more harm than good. With the support of Joker and the others Sumire was able to overcome her delusions and grow into a strong, confident young woman. This cemented for me how backwards Maruki was and that reality is the most important thing, even if it’s not always what we want, because that’s life. In this way, I feel that Royal added something to 5. Even though going into someone’s mind palace was about mental health, I never really considered it until Royal dealt with an innocent traumatised girl and a misguided man attempting to heal her. I applaud Atlas for tackling something so difficult pretty well.

Confident in my Confidants

It’s a good thing the player can really get into the story, because it’s heavily dependent on personal decisions and making friends.

In order to get stronger within the Metaverse, Igor, the man inside the Velvet Room, tells Joker that he needs to strengthen the relationship with his friends first. This is absolutely true—not just with your teammates, but with other individuals who live in Tokyo too, in the form of the Confidant mechanic. For example, while your teammates all get skills such as curing afflictions and taking fatal hits for Joker, others give just as much if not more valuable perks, such as Kawakami giving you more free time or Mishima allowing all teammates to gain experience even if they don’t contribute to the battle once you max them out.

The way you level them up is through socialising. This passes time, but is also incredibly interesting, as each Confidant has a gripping story (except Ohya!). You can’t downgrade a Confidant, but picking the right dialogue choices can make leveling them up much quicker in a game where time is everything. It’s also necessary to level up your stats, such as knowledge, kindness and charm, to allow you to progress with some Confidants and be empathetic or charming enough to deal with the situations thrown at you. I loved the dual play style of dungeon battles and social simulation—in a lengthy game, it broke up gameplay and kept it fresh.

As this was my second playthrough, I already knew that maxing certain Confidants would yield the best results, such as Kawakami and Yoshida who eventually allows you to negotiate with and catch shadows of a higher level than you. But in Royal, the new additions of Counselor, Faith & Justice—Maruki, Kasumi & Akechi—freshened things up. Technically, Justice isn’t new, but you can now hang out with him instead of his progress being facilitated purely by story.

Time to rate my friends from worst to best!

21: Ichiko Ohya Devil Arcana

I found this alcoholic journalist very annoying. Her story isn’t that interesting, she isn’t very nice, and the skills that she gives you to allow you to sneak around Palaces easier aren’t worth it either. I only maxed out her story near the end as I had time, but honestly, she shouldn’t be a priority.

20: Iwai Munehisa Hanged Man Arcana

Didn’t think anything of him until Royal, where I had more time to learn about his time in the Yakusa and his son. Useful for guns (which aren’t even an integral part of combat, really), but other than that I barely used his shop—plus you have to have high Guts in order to progress. Definitely better Confidants out there.

19: Tae Takemi Death Arcana

The fact that this doctor is a sexy goth is probably the best thing about her. You can level her up quite early on, so she is quite exciting at the beginning as she’s one of the only adults you can turn into a Confidant at that point, but after a while she stopped being interesting to me. In my Royal playthrough I found I didn’t need many healing items—SP was far more important!—and in the end I didn’t max her out. A fun outfit, but can leave her.

18: Shinya Oda Tower Arcana

Definitely annoying (but what little brother isn’t?) but there’s a sad reason for that—his mum is emotionally abusive, even if she doesn’t mean to be. In the end I wanted to max him out to save him from that life, but I never quite got that far. At least I managed to change his mum’s heart before I finished the game.

He’s also quite useful in buffing gun attacks and bonuses for downing and negotiating, so definitely useful for combat. I just ended up feeling bad for him, but he was also a bit of a shit, being a bully to his classmates; his big bro Joker helped with that!

17: Hifumi Togo Star Arcana

I never got to know her in my first playthrough, and I didn’t realise how useful she is for battles. She eventually allows you to swap players in combat, hastens escapes, improves money hauls, and allows back-up members to do follow up attacks. I’d definitely give her a shot for just those bonuses, even if you don’t want to romance her—but she is sweet, if very detached from the rest of the story.

16: Chihaya Mifune Fortune Arcana

I maxed her out pretty quickly so I could get the fortune readings; affinity was especially useful, as you can level up Confidants a tiny bit quicker, for a price. And, after she takes 100,000 from you near the beginning (!) and eventually gives it back, she’s lovely. Nothing special, and definitely not one to romance, but nice.

15: Twin Wardens Justine & Caroline Strength Arcana

Their Confidant path was slightly different: you have to show them Personas with specific moves, and they will level up. This was very interesting, and also put a natural brake on their relationship, as some Personas can’t be made until you are a certain level. They are also very useful as you eventually unlock group Persona fusions and can fuse Personas of a higher level than you, for a price. Always fun to get the ridiculous Personas a bit earlier on! Also, their story was super interesting, due to the mystery that surrounds their identities…

Also also, Royal gives a new element to your relationship with them. You can now take them out of the Velvet Room to show them ‘human things’, like aquariums and cinemas. I didn’t utilise this much as you only get skill cards, and no actual level progress, but I wish I had more time, as the dialogue in these sequences is hilarious as they try to understand why humans would do certain things. The fact that I’ve ranked them so low is telling—there are so many fun and useful Confidants that mean they rank this low.

14: Yuuki Mishima Moon Arcana

I actually think you’re a bit mean to him—he’s definitely your friend, but every time you are asked to clarify this the dialogue choices make you seem like a dickhead when you say he’s only ‘sort of’ your friend! He’s helped you so much, stop being such a dick, player. Plus he helps increase EXP, as well as allows EXP to be given to back-up members so it’s definitely a good thing to max him earlier. Plus, he’s sweet, and gives you Momentos requests. Justice for Mishima!

13: Takuto Maruki Councillor Arcana

Lovely. What a gent. Shame he turned out to be distorted by deciding to change people’s realities by interpreting their vague wants instead of actually asking people if they’d WANT their realities changed or not. Sounds a bit like Thanos to me, but with a better reason to be evil.

The bonuses of Maruki though are: he’s interesting; he’s lovely; and his bonuses are mainly SP based, which is always hard to recover in Persona, especially in the early stages of the games. He raises your SP, gives you a chance to instantly recover ailments, gives you a chance to become focused and therefore raises your attack, and gives you a chance to recover your SP when low. Very useful, and you can’t play the Royal storyline without maxing him out before November 18th anyway.

12: Haru Okumura Empress Arcana

Again, I wasn’t too much of a fan of Haru on my first playthrough (perhaps because she’s quite a late addition to the team), but this time round, I had more time to get to know her. I really wanted to save her from her awful fiancé, and hoped I’d be able to say ‘don’t marry him, marry me!’ if I chose to romance her, but alas. I was also quite surprised with how business-orientated she is, which was a surprise. However, she was just too prim and proper for me, and even after her story showed her to be evolving into a confident woman, she didn’t evolve quite enough for me to be interested.

She’s useful, though, as all the Confidants are who are your team members, so leveling her up is a must, for help in combat and to evolve her Persona.

11: Morgana Magician Arcana

Morgana was the most useful as the support hero—I always wanted him in my party, particularly in hard battles, just to keep me and my allies alive. Plus, who doesn’t love a talking cat? Though, at one point, he does get moody and very annoying. While Morgana as a character was never that exciting past being the initial reason they can become Phantom Thieves and the mystery surrounding where he comes from, Royal switched that up by turning him into a dreamboat with piercing blue eyes when Maruki made his dream of being a human come true. They kept saying throughout this sequence how beautiful he was, which was amusing. A nice twist on the original game.

10: Toranosuke Yoshida Sun Arcana

I learnt to level this fallen-from-grace politician up quickly from my first playthrough as, once you max him out, you can negotiate easier with shadows of your own level, and negotiate with higher level shadows and add them to the compendium—absolutely necessary. Also, he’s basically a massive socialist leftie, so he rocks.

9: Yusuke Kitagawa Emperor Arcana

I didn’t like him much in my first playthrough, but now I appreciate him far more—he’s flamboyant, artistic and, best of all, happy to be in his own mind and be himself, no matter what people think of him. He’s a bit stuck up sometimes, but all in all he’s an outsider who fits in better than he really should. And he provides funny dialogue, particularly when interacting with Futaba. I also love his Showtime moves with Ryuji and Ann.

8: Ann Takamaki Lovers Arcana

I’m quite surprised she’s this low down for me, but even though she’s the first girl you befriend and she’s hopelessly beautiful to everyone who meets her, she doesn’t quite push past the ‘ditzy girl’ trope. The story does try to make her more nuanced, and to an extent it works—she’s also fun, thoughtful and empathetic—but there’s just too many misogynistic and ditsy jokes that even only a few years later don’t land anymore. Saying that, she literally uses her sexuality to break free of the misogyny that surrounds her body and the sexual abuse and prejudice she experiences, at the most from the volleyball teacher, and at the least from everyone around her. It’s a steep hill to climb, but she’s doing it.

I drew the picture below!

7: Sadayo Kawakami Temperance Arcana

Kawakami’s your teacher—what could possibly go wrong? Well, she’s also a sexy maid who comes over to clean up, though she won’t go any further as you’re her high school student. Yet. It’s a bit dodgy, especially as she acts like your mum, but even so, the forbidden fruit angle is fun. Her story is also compelling. Not only is she an interesting Confidant, but one of the most useful ones for the amount of extra time she gives you when you level her up. Why on both my playthroughs did I not level her up immediately?

6: Sojiro Sakura Hierophant Arcana

He’s your guardian who takes you in when you have to move from your hometown after your alleged assault to live out your probation. He starts out cranky, but has an absolute heart of gold. He ended up being one of my favourite Confidants—plus, he’s one of the most useful, as he is one of the only ways to get SP in the early game by making coffee and curry. You need to understand the pride I got from making coffee that met his expectations!

5: Futaba Sakura Hermit Arcana

Sojiro’s adopted daughter is so much fun that I romanced her in the first game. While some may think she’s more like a little sister, she’s just a bit more immature because of her hermit lifestyle and Arcana. She’s funny, loves games, and has great references; she is one of the only instances of a game that has a young girl who doesn’t sound like 40-year-olds trying to sound like teenagers. She has a heartbreaking story, but her personality keeps it light. She says it how it is, no matter what anyone else thinks. She’s great.

4: Kasumi/Sumire Yoshizawa Faith Arcana

I chose to romance the gymnast honour student in Royal, because how can you not romance the new girl? Though I wasn’t sure at first, as I found her quite twee at the beginning. However, she became a lot more nuance when she became Sumire, which is to be expected. Plus, she is really well integrated into the story and really makes you feel she cares about you. She has an amazing costume when she is Codename: Violet, and gives you some truly useful abilities, such as ambushing from a distance and avoiding being surrounded by shadows. She’s a great addition to an already great game.

3: Makoto Niijima Priestess Confidant

She’s bestgirl in terms of smarts, badassery, and simple relatability. She is Student Council President, an honour student, and has been manipulated by evil adults for their own distorted desires. Her parents have died, which instils her with deep guilt for being a burden on her sister. She’s also the only one whose Confidant story doesn’t actively revolve around herself: she changes, but it’s through helping her friend who may be a victim of trafficking rather than her own self-interests. She’s sharp, poised and even more badass when she awakens to her Persona, Johanna—it’s a freaking motorcycle!

2: Ryuji Sakamoto Chariot Confidant

Your best buddy. I’m always drawn towards these ones, who are treated a bit dumb but are loyal to the end. He’s also hilarious, like when he complains the Phantom Thieves are in the shadows and not getting any credit, and I chose the option ‘I like the shade’, he says ‘what are you, moss?!’ I really do wish I could romance him, because I can see a lovely storyline where he’s unsure at first but the fact that they’re soulmates transcends gender.

1: Goro Akechi Justice Confidant

I’m almost hesitant to admit I find him the most fascinating and fun. Not only is he dangerous, exciting and unhinged, he's at the centre of an incredible twist. He’s one of the most interesting characters, and you never know what he’s going to do next. I would definitely date him if Japanese games let gay relationships happen; he has all the best attributes for a crazy romantic relationship. Not IRL, but in a game, why not?

I love that he didn’t die and teams up with you in Royal, and that . He’s also the first character that Joker gets a Showtime move with, which made it quite special. When it is revealed just how evil and crazy he is, his whole character changes, including his Persona, his Phantom Thieves outfit, and his demeanor—it’s scary how excited he is by killing, but at the same time, he is absolutely certain of his viewpoints and won’t compromise for anyone. Many of these points would be a reason why he shouldn’t be my number one, but I can’t help it.

Honourable Mentions: Igor (Fool Arcana), Sae Niijima (Judgement Arcana) & Jose

Igor is the ruler of the Velvet Room, and the person who facilitates your rehabilitation in changing peoples’ hearts. However, ‘person’ isn’t quite right for Igor: he’s the God of Control, born from the desires of the collective masses who want to be controlled and be told what to do rather than make difficult decisions. It was a cool twist to realise that the God of Control had been impersonating the real Igor; I don’t know if Igor was lovely in the previous games, but he certainly is once you restore him at the end of 5. Despite him being interesting, I never felt like I had a connection with him, as you level up his Arcana automatically throughout the story, and he never tried to have a personal relationship with Joker.

Sae has her own palace and Arcana, but she’s not quite the same as the others. Like Igor, you level up automatically throughout the game when you confess to her the whole Phantom Thieves story, and while she does have a Palace, she doesn’t through any huge transformation other than realising that learning the truth is better than trying to win at any cost. She’s cool, and her outfit in her Palace is sexy, but you can’t romance her and can’t change much of what you say to her. I wish in Royal she could have been a fully fledged Confidant instead.

Jose counts even less. A new addition to Royal, he helps you change the cognition of Momentos by collecting stamps as you go further down, and he gives you items in exchange for flowers, so he definitely makes Momentos better. However, his addition is nothing world-shaking, and he only shows up randomly, which makes him quite annoying. I could have done without him, but at least he made Momentos more interesting than in the base game, which, compared to Palaces, was quite boring.

All in all, my main issue with the Confidant system as that you still can’t date boys. We’ve been saying for years ‘that’s just the Japanese way’, but considering the crazy hentai they bring out (still with only very little amounts of yaoi/gay hentai) it may be time to stop excusing them for not being with the times. Catherine: Full Body aimed to dispel that somewhat—perhaps Persona should too.

A Momentous Game

Overall, this is one of my favourite games of all time. The gameplay keeps me entertained for 100+ hours (though, to be fair, I do love long games) and the characters and writing makes me emotionally connect with the story they are telling. I’d suggest playing for at least 8 hours, as it’s a slow burn, but once that hurdle is jumped the real obsession begins.

Time to go and play Persona 4 Golden, as I’m not quite ready for the fun to be over yet.

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some-creep · 4 years

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CREEP RANKS EVERY SONG IN NIER... AUTOMATA (mostly) BY TITLE

Because, like, no one played Gestalt. Also this game has more songs.

Significance Like. I guess. It’s a title you can use. What is significant? We don’t know. The characters don’t know. They are struggling to find out. We all are. What is meaning? What really matters? I don’t know but we’re all crying. 8/10

City Ruins – Rays of Light / Shade Plays in the ruins of the city. Exactly as advertised. Sounds sad like you might imagine. 9/10

Peaceful Sleep This is the Resistance camp right? Peaceful things don’t tend to happen there honestly. At least not as we keep going. Sounds like a sleepy JRPG town though. Ok title for the mood it gives. I like this song a lot so I’m cheating and giving it more points than I know it deserves as just, like, a title. 8/10

Memories of Dust Sand is dusty. What memories? We’re making them. Cool title. Sounds like a YA novel though. 9/10

Birth of a Wish Genuinely often get confused with the Silent Hill 2 bonus story Born from a Wish whenever I try to remember what this song is called. This Cannot Continue / 10

The Color of Depression This is like… a really cool title. Thanks. That Scanner boy is not gonna live the happy family life you all for some reason keep suggesting he is. Bad things are gonna happen to him. He dies anyway. 11/10

Amusement Park Yeah. I guess. We certainly are in the amusement park level. Creep why does this one rank so much lower than City Ruins which was also just “name of location”. Amusement park is not a cool title. City Ruins is a cool title. 7/10

A Beautiful Song Would you say Simone has girlpower? Would you say Simone successfully used her girlpower to kill and consume countless androids and also turn them into near lifeless weapons and body jewelry? 9/10

Voice of No Return Sad title. Sad song. Exactly as advertised once again. I feel sad listening to the Automata OST most of the time. Is this quest complete in the camp? I think so. Anyway it’s really sad. I love to cry. 11/10

Grandma – Destruction Um so this is like. Genuinely a horrible title. It reminds me of the title of a darkweb video which I will say no more on. This song is REALLY good its a shame this title is so… uh. Bad. It’s just bad. 1/10

Faltering Prayer – Dawn Breeze / Starry Sky This is another really cool title. This game is about like… life after god. I’m not here to get thematic. I say in a list entirely about if the song fits the theme. Anyway this is a cool title. The song again… sounds sad. One of them is a music box which I love. Cheating again. 10/10

Emil’s Shop EVERY DAY’S A SALE. EVERY SALE’S A WIN. 12/10!!

Treasured Times The fact this plays after Emil’s shop on the OST is the biggest tonal whiplash in the world. This song makes me feel an emotion I cannot describe. It’s something like sadness but not quite. This isn’t a review of the songs, just the title. But reading the title makes me feel that emotion too but stronger when I think about it. I don’t know. 9/10

Vague Hope – Cold Rain / Spring Rain Good title… Thematically very appropriate. Not COOL like some of the others but it feels right feels canon. I like it. It’s just the city ruins quest complete song but it also plays in one of the fucking… DLC fights. That makes me extra sad. 10/10

End of the Unknown Which unknown was ended. Genuinely think when this plays I had more unknowns than knowns. This song sounds like every song from the Gestalt DLC. 6/10.

Pascal At least Automata has far fewer “named after a character” songs. They just have named after a place songs. I love Pascal so if I give this a low score he might be upset. 8/10

Forest Kingdom It really… the forest huh. Random but one of the songs in Code Vein does a vocal thing that always reminds me of this song for some reason. That has nothing to do with this game or this songs title at all I just wanted to tell you. Long Live The Forest King / 10

Dark Colossus – Kaiju This song is also in Gestalt. It’s cooler here. More stakes. Song title suggests less stakes though? That’s kinda weird. Because of this it loses points. I’m sorry. 7/10

Copied City Dude I left this one off the list when I first typed it out lol. Someone not to @ anyone told me this was based on Nier’s village. Lie to me again. I don’t know what City is being Copied. One of them. It reminds me more of the Cathedral City from DoD3. Which is a bad horrible game that I completed 100%. 8/10

Wretched Weaponry Not to be confused with Wretched Automatons. Is this like, a remix? My ears don’t work so I don’t know. Don’t inform me because I love being stupid. Anyway, in the narrative it makes sense. It’s a good, cool title. Song is softer than the title would suggest. 9/10

Possessed by Disease COOL SONG TITLE. Thank you. This plays… somewhere. Uh. Hm. I’ve 100% completed this game like three times. 9/10

Broken Heart You think you’re gonna hear a sad song? SURPRISE. Sinister as hellllll. Subverted expectations baby. MCU take notes. I’ve never seen a movie in the MCU. Loving the dark tones in this. Broken heart but the emotion isn’t just sad. GOOD STUFF. 10/10

Mourning Again. You think it’s gonna be sad? But BOOM. It isn’t. I mean it still is, but in a dark way. These aren’t song reviews. These are title reviews. But if a title suggests one thing and delivers another that’s still a valid point right? I don’t know. Hey wait isn’t this just Shadowlord’s Castle? Yonah / 10

Dependent Weakling Well, it’s no Song of the Ancients – Fate, but it’ll do. In all seriousness, this is like, a great song title for Eve’s boss battle. Y’know, because he relied so heavily on Adam and all’a that. Maybe a little on the nose. Maybe a little rude. Eve sucks / 10

Rebirth & Hope Sounds hopeful. Plays during ending A where we see a Rebirth cos 9S super doesn’t die. This song is literally 30 seconds long why am I even bothering. Oh, right, because it’s on the OST at all. 30 second songs / 10

War & War Gentlemen, you can’t fight in here, this is the war room. It… sounds like a war room song. A preparing for a big battle song. Once again, exactly as advertised. Plays before a big battle. It really thematic naming! Peace was never an option. 8/10

Crumbling Lies Words cannot express how much I adore this song. First of all, title is on point. It’s the song that plays when you get to Route C. Literally the moment I fell in love with the game. The Bunker is destroyed, which, again… maybe it’s a bit on the nose. I don’t care. This is the perfect song title to the perfect song. I will die on this hill. 12/10

Widespread Illness Red Eye except it’s robots now. Very thematically appropriate. Everyone is dying. There’s nothing you can do to cure it except kill them. They’re incredibly infectious. Zombie Virus but with Robots. Can you tell I don’t remember what it’s called? I’m writing this at 1am and I’ve decided it’s funnier if I don’t look anything up. Sounds very somber… I like it. 9/10

Fortress of Lies Not to be dramatic but when I read this English title I was like MMMMMMMNNN because like. I get it. It plays in the Bunker. Which… is built on lies. Again. Incredibly on the nose but when I learned what the song was called I just fucking DIED the first time. I’m stupid. I don’t care. 11/10

Song of the Ancients – Atonement Another song I died when I learned the title of. Devola and Popola in that game have nothing to atone for. They are atoning for sing they did not commit. Punished for the crimes of another set of Androids, possibly thousands of miles away. It’s not fair. They have nothing to atone for. They’ve done nothing wrong. 12/10 crying creeps.

Blissful Death FUCK. This one plays in the Devola and Popola like. Text Adventure part. Which is just. I love it so much. No one dies in that though. Well… maybe someone does. It’s not impossible that Popola hurt someone. It’s suggested that, maaaaybe she did. No one stops. No one Stops.

Emil – Despair Emil’s life has quite literally only been despair. Please don’t bully him with your song titles like this… 9/10

Alien Manifestation Vintage meme of that guy from the history channel with the impact font that just says Aliens. This game has aliens, I will give you that. They’re all dead though. I guess the machines are aliens but. Eh. Wait doesn’t this play in the castle? There aren’t even aliens there what the fuck. 5/10

The Tower There’s a tower. This plays there. Thank you. Also the name of a tarot card I think? That could be cool if I knew a single goddamn thing about tarot cards. I don’t. 6/10

Bipolar Nightmare Cool flying section. Has anyone found Grun skip yet? Because the bounty for that was like. A lot of money. Vaguely a cool song title. I kinda like it. Although for some reason it reminds me of The Evil Within’s Japanese title, Psychobreak. So I think I like it less because of that. Not the worst title, but maybe the lowest of the COOL EDGY song titles. Fucking love the piano part in this one though. 7/10

The Sound of the End Really super cool and sexy song title. 2B is going to die but she can’t let anyone else get hurt because of it. She’s already done so much damage. This song is really dramatic sounding. The title is dramatic. Love this one a lot. The actual playable segment is kind of a struggle. But I think that’s the point… 10/10

Weight of the World / End of YoRHa I once got into an internet fight because I said this song is about every character except 9S because of the line “I’m only one girl”. I was corrected that the Japanese version is basically EXCLUSIVELY about 9S. None of this is relevant at all I just wanted to remember it. I still do not like 9S. Thematically a brilliant title. Everyone feels like they must do so much… but you cannot bear the weight of the world alone. Ending E legitimately makes me cry. Whenever I think about the messages from other players supporting me? It’s a lot. What the fuck. 12/10

#nier #nier automata #long post #creep ranks

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capitainecorbeau · 4 years

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K you know what I tried to write a steam review but it turned out way too long so here you go ! (the random italics/bold are here for readability, it’s LONG and I know wall of texts can be hard to digest)

I want to like this game, I really do. There was obviously a lot of love poured into it, and there ARE some stuff in it that are pretty cool and made me happy... but overall it just... not very good.

Buckle in, it's gonna be a long one. Also light spoiler warnings, I'll try to stay vague, but I am going to discuss some plot points. Also tw for mentions of mental illness and harmful tropes relating to it.

GAMEPLAY : this is, IMO, the worst part of the game. They tried to spruce up the ol' jRPG/tactical RPG formula, but the result dosn't work.

Reason 1 : The combat is extremly unsatisfying. Like, in every single rpg I've played, even the more lackluster ones, there was always a couple a ways to deal significantly more damage to the enemy. It could be a weakness/resistance system, critical hits, buffs, a gauge that when filled lets you unleash more powerful attacks, grouped attack, etc etc. Inkenfell doesn't really has that.

Ok so, when you time your attacks, there are three results : oops, when you mess up, nice and great. Except that great, the best you can get, feels like what bog-standard attacks do in other rpgs. There is no significant difference between nice and great. I ended up very quickly setting the timing on auto (every signle attack is "great") because it felt like they just added an extra tedious step to the usual menu-based combat. Also despite that, and skipping all fights save for the bosses, it STILL felt long and grueling.

There are attempts at more powerful damage but they all fall flat. Most buffs are single target, which I don't bother with because I could spend that turn attacking rather than applying a buff that most often a)makes little difference or b)wears off too quickly.

There are a couple attacks that deal effective damage against certain enemies but a)the difference is negligible b)one of those is against a type of enemies you barely ever fight against. There's also a "powerful" attack you can only do when your hp is below half ! It's less powerful than the single target spell you get at the very beginning of the game. All in all, it makes every thing long, grindy, and not very exciting.

Reason 2 : The utter lack of variety. Almost every single boss fight is exactly the same. Couple of phases, the boss attacks you and summons minions. SOMETIMES they also have status effects/debuffs. And that's it.The first couple bosses have this trick where their minions explose on death and deal bigger damage. But that quickly disappears. I can't really speak for the other battles because I skipped them but for what little I played it also felt very same-y. As for your characters, you have characters focusing on raw damage and other focusing on utility (healing, buffs, etc).

I basically benched every utility character because the general damage output is already low enough and the utility isn't really useful. Healing is fine, buffs would be fine if it didn't buff enemies caught in the range as well (I usually use them once at the start of the battle and then stop bothering). You can set traps if you want, and then tear your hair out as you watch the enemy repeatedly side-step them (though there are two character who can set traps, maybe you couyld make a strategy out of that). Most likely the trap will expire or you will kill the enemy before they step on it. You can steal items, but you find so many everywhere in game that if you don't use those skills you won't miss them. You can poison your enemies, for an amazing ONE DAMAGE A TURN. Or delay their turn, if you feel like eating two attacks in a row later. Nothing really feels worth it you know ?

It results in this long, drawn-out same-y battles where you just use the same couple of spells against the enemy, over and over until they die. Which, in terms of bosses, can take a very long time. My reaction to new phases was generally "are you kidding meeee ANOTHER one ?" which is not a good sign.

Reason 3 : The lack of juiciness and quality of life. Example : you can freely see enemy hp ! if you specifically go to the menu and hover over the enemy. Otherwise, it's hidden. Why ? Either make their hp easily and quickly visible, or keep it hidden ! When you factor in the fact that every attack has its own, sometimes awkward range, that you cannot walk on occupied tiles (apparently your allies will not deign step aside to let you through), the short walking range of the characters, AND the facts that many enemies love to pepper the battlefield with traps (high damage+lost turn), actually getting in a good position to hit the enemies can be rather tedious. Hitting the enemies doesn't feel satisfying. There aren't little things like shaking their sprites, shaking the screen, cool fx, satisfying sound effects, etc. Just the damage and a little "oops/nice/great". It's a little things, but it makes battles feel even more flat.

TL;DR : the fights are repetitive and unsatisfying, and none of the alternatives to "deal damage to enemy" feel interesting enough to explore.

STORY : The story is... eh ? Well let's just say there are good things, bad things, and utterly confusing things.

Good : The characters are pretty endearing, for the most part. I'm not gonna be thinking about them for long after finishing the game, but they're nice, there were lots of funny quips and cute moments. That's mostly what kept me around despite the bad gameplay (and other issues I'll get to), I wanted to know what would happen to these people ! Also I loved that there are so many nonbinary characters !! With different presentations and pronouns !! AND who are all humans :D That made me really happy.

Bad : The pacing is bad. My god it's bad. Most of the first half of the game boils down to : we have to do x, but for that we have to go to y, but we can't so we have to ask w in z, and just when you think you can, finally, do x, another obstacle pops up and you have to go on the other side of the map to do something else. It really feels like you're making little to no progress, and it ended up being quite frustrating at times. The second half of the game is better, but sometimes, after an emotiolly intense moment, you would snap right back to "oh we have to go to q but there's a giant rock in the way !". Jarring. Also some scenes left me asking "wait that's it ? You're not gonna discuss things further ?" or "Why aren't the characters reacting to this ?". The story in itself was ok, but the pacing... yikes.

Also, this is more a personal gripe that anything, but... (spoilers warning) I really didn't like how the game handled trauma and ptsd. It fell into the ol' trope of "ptsd/delusions makes people dangerous and violent", and that's not really something I expected from a game that tries to be progressive about this stuff (The inclusion of content warnings is a very good thing !! more games should do that). And I'm not talking like "lashing out at people", no, we're talking kidnapping, assault, murder, potentially triggering the apocalypse. And like, the game deliberately puts these characters through some of the worst things that could happen to them, which made them very violent and dangerous as a result... I don't know, it feels pretty thoughtless and cruel. Not to mention that they then go down the "oh but it's not your fault it's the traumaaaaaa" which, ew, no. No, mental illness, ptsd, trauma etc don't make people inherently violent and dangerous. But when you harm people, it's serious, and you should make amends, regardless of what mental ilness(es) you may or may not have. I dunno, maybe it's just me but that whole thing left a sour taste in my mouth.

Confusing : There's a character who is handled very weirdly ??? Like, at the beginning of the game they're pretty present, they get an arc, join you and then... barely do anything ???? They almost never interact with the others, or react to what's going on ? There are scene where they went to the trouble to show their sprite (characters who don't contribute to the conversations usually don't appear), but they don't say or do anything ??? At most they make a quip about fighting and stuff but that's it ??? There was a scene when the group argues and a few characters go off on their own, and other follow them and comfort them. I thought, well, since they have a huge crush on the protagonist, they're gonna go and talk to her, right ? They're the only one who hasn't left yet. But nope ! They don't even react ! And yet they're one of the few characters who gets a song ???? I feels like they were added as an afterthought what It's a shame, they're pretty fun.

TL;DR The characters are endearing but one is handled weirdly, the pacing is bad and some plot points felt unsavory.

And finally, some random stuff. In general, the world feel very bare and empty. I'm not just talking about the very low number of npc, there's a plot reason for that, but there is almost no flavor text ?? At first I tried to check out everything, to learn more about this setting and the people in it, but the only things you can interact with are plot important. Makes the whole world rather flat, and that's a shame ! I would've liked to learn more !

One good thing though, is the inclusion of accessibility features like different options for the timing gameplay, displaying content warnings and stuff (though I've seen someone say the game wasn't friendly to photosensitive people , there is an option to reduce flashing lights but I dunno how good it is). That's very nice, and I hope more games will include those features !

So here's my giant wall of text on Ikenfell. I'm sad I didn't end up liking it more, but the game has quite a few issues (ESPECIALLy gameplay-wise). I hope the developers will take that as an opportunity to leanr, because I'm sure they can make good games ! There's some good stuff in there, some good ideas that would've just needed to be imlplemented better !

#babbles #game babbles #long post #very long post #apparently I spent an hour writing this lol #adhd #some repeats with my previous posts but more fleshed out

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zephyrthejester · 5 years

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Three Years Blog Anniversary!

Well, would you look at that. In the blink of an eye, an entire year has gone by! It has now been a grand total of three years since I started up this liveblog, and ever since, it's been a whirlwind of an adventure that has introduced me to amazing shows, amazing games, and above all, amazing people! As has become tradition, it's time for us to gather 'round by the fire, bundle up in blankets, sip some hot cocoa, and reminisce about the shenanigans we got up to in the year 2019.

You know the drill! Click "Keep Reading" to see the rest! Let's go!

January kicked off with the closing episodes to Steven Universe's fifth season, and what a finale it was! In true SU nature, it managed to be wholesome, funny, terrifying, and sad all at once! Not to mention the finale episode specifically, which was rife with both fan service and a breath-taking final confrontation. It even prompted me to type up three whole Addendum posts just so I could get all my thoughts out there. Intermingling with these episodes were some rather poignant and touching episodes of RWBY's 6th Volume, which saw some great plot advancements for some of my favorite characters. And of course, there was one liveblog session early on dedicated to Fate/Stay Night, a series I began back in 2018. And that would end up being the last I'd liveblog about it. Following the technical difficulties of the Visual Novel crashing at an important moment, I lost much of my motivation to keep going at it, putting Fate/Stay Night on the bench... For now. But more on Fate/Stay Night later.

Then came February! Where I proceeded to do absolutely nothing at all. For 42 days, I fell into a pretty bad funk that I called depression, at the time. Well! I must be in a better mental space right now, because until it came time to make this post, I forgot all about it! Moving past the shame I felt for wordlessly abandoning my blog and discord community for over a month, come March I pressed right into a brand new liveblog: Kill la Kill! A frenetic, frantic, freaky series that serves as the spiritual sequel to what was, once upon a time, my favorite anime ever: Gurren Lagann. I was immediately charmed by it's absurdist humor and over-the-top everything. However, it wasn't long before I succumbed to my greatest flaw. I'm exceptionally picky about what I liveblog, and sadly, Kill la Kill didn't tick the boxes that needed to be ticked for me to stick with it. I eventually dropped the series after only three episodes.

Needless to say, I was getting desperate to reinvigorate my lost momentum. It was then and there, at the tail end of March, that I introduced the most significant change to my brand ever: Liveblogging itself was being benched in favor of a fanciful second attempt at running my video game focused Youtube Channel! While I would certainly continue to liveblog new episodes of shows I had previously caught up with, my efforts would be redoubled and focused upon something I hoped would shake things up for me. I put in the effort of buying a new, fancy, high-tech microphone, and set about to new projects!

First up was a tense and troublesome self-imposed-challenge: A playthrough of Resident Evil 2 Remake on its hardest difficulty, with the added stipulation that I can never access the item storage box! My knowledge and skills of that game were put to the test as I skirted by the dangerous zombies and mutants while carrying only the bare essentials on my person. That series lasted 7 videos, plus a Highlight Reel, over about a week. My new microphone really brought out my screams of terror. Yes.

Immediately following the conclusion of the REmake 2 challenge run in early April, a new series debuted: A blind let's play of Subnautica! A simply incredible sci-fi survival game set on a planet that's nearly entirely an ocean... But much to my surprise, it was secretly a horror game all along. Spanning 18 episodes + a highlight reel between April 5th and May 23rd, we descended ever deeper into the abyss, deciphered alien riddles, fled from toothy leviathan-class predators, established a lovely home base, and had a great ol' time overall. A truly remarkable game with a surprisingly good story, for its genre, and it left me eagerly looking forward to making a Let's Play of its sequel: Below Zero.

Simultaneously, beginning on April 10th, I embarked upon yet another adventure that was of such a large scope, I made my channel's primary time slot dedicated to it. The Phoenix Wright Trilogy! A collection of the first three Visual Novels in a wonderful, wonderful series about the titular attorney at law. It wasn't long before I fell in love with this series, big time. It had everything! Immensely satisfying mysteries for me to solve, memorable and lovable characters, great pacing, and it knew how to keep things fresh and interesting. Although I started out the Let's Play by saying I wouldn't read everything aloud, that proved to be a lie. As of now, the series is a whopping 78 videos long (I do expect it to reach 100 before all is said and done), and I have given voice to roughly 50 unique characters so far. The series really helped awaken my Let's Play chops by improving my speech, vocal clarity, and focus. Swapping between my first video ever (for Legend of Grimrock II) and the most recent Phoenix Wright video is a real night-and-day difference! Overall, it's very safe to say that the series has stolen my heart. Unmatched hype, dizzying plot twists, and delightful shenanigans burst from the seams, truly. The Let's Play is currently ongoing, though the end is within sight...

As the Let's Plays of Subnautica and Phoenix Wright Trilogy progressed, so too did the production quality of my videos. I got a better grip on editing, improving the design of my video thumbnails and taking more care to edit out needless and dull moments of gameplay. I even introduced a brief and stylish video intro, which was my avatar appearing over a dark background before it faded off into gameplay. That would be the image up above! However, as we move into 2020, I’ve begun to feel that it could do with a slight improvement... Wink wink!

Following the end of Subnautica came a new Let's Play involving yet another sci-fi horror game: Prey! Spanning 25 videos + a highlight reel between June 3rd and November 19th, it immediately gripped me with its stunning attention to detail, marvelously crafted environments, and boundlessly creative gameplay. It was a pleasure to explore the varied regions of the Talos One space station, blasting aliens, uncovering secrets, untangling the connections between the employees there, and making some seriously difficult moral choices. A truly impressive video game that's just begging for a second playthrough on my own time at some point.

July 20th saw the beginning of new activity on my blog. In a spur-of-the-moment decision that I didn't think out too well, I brazenly announced out of nowhere that I would be doing a re-watch of Steven Universe! I proceeded to liveblog the first 11 episodes of Steven Universe over a week, lovingly looking back at the series' origins, calling out moments of foreshadowing, and analyzing everything with the lens of all my knowledge about the show. And then... Nothing! Just as soon as it began, the project was dropped. I had hoped it would rekindle my interest in Liveblogging (outside of new episodes of SU and RWBY), but I had no such luck. You know I'm burnt out when even Steven Universe, my favorite thing ever, can't help...

By September 3rd, the Steven Universe Movie had finally released! Over a hype-as-hell two days, I liveblogged the entire film. It truly was Steven Universe at its absolute best! Touching, sincere, unexpected, and rife with some stellar songs that are STILL stuck in my head. It proved that the Crewniverse hadn't lost its spark since the conclusion of the original series.

November 5th was my 25th birthday! My family celebrated by all going out for an amazing sushi dinner. Good times! Sometimes, it's really hard for me to grasp that I'm actually 25... I'm a kid at heart, really! Or maybe it's that I'm a social recluse who enjoys watching anime a little too much. Regardless, I feel no shame!

November 10th saw the debut of RWBY Volume 7, and so far it has been an exceptionally strong season. I've long maintained the opinion that the show gets better and better every season, and Volume 7 has given me no reason to doubt that. One episode in particular became my second favorite in the series, right behind a certain one from Volume 6! I'm really enjoying how the characters, new and old, are playing off each other this go around, and the fights and art direction have been no slouch either. This season's a looker! I'm really looking forward to seeing how it ends.

Hot on the heels of the ending Let's Play of Prey, I immediately started up a new series on November 20th... Chrono Trigger! A legendary and widely loved JRPG from the SNES era of gaming that I had somehow gone all my life without playing. Better late than never to fix a mistake like that! I eagerly dived in and nearly immediately understood why it's heralded as an all-time great. The series is currently 13 episodes long, and each one is an endless stream of me being hyped and giddy. I’m already excited to record more!

December 8th saw the debut of Steven Universe Future, a very special epilogue series that's sure to tie a nice bow on the franchise as a whole. As of this post, I have liveblogged the first 8 episodes, and it's fair to say that while it's not holding back in giving the audience exactly what it wants, it's also doing something very unexpected and very, very interesting with Steven himself. Only time will tell how it all ends and whether every remaining mystery will be answered, but so far I have been more than satisfied with it.

And that brings us to the present! Wow, it felt like a lot less happened this year than you would think, huh? No, it's been jam packed with new adventures! I think I am very content with how the year has gone, and I hope you are as well. We'll be striding into the year 2020 with more Steven Universe, more RWBY, more Phoenix Wright, and more Chrono Trigger! Plus, it may very well be that we'll see the return of Made in Abyss and Madoka Magica, both of which (I believe) are getting continuation movies in 2020. I may or may not be entirely wrong about this. Forgive me if I am...

In the near future, the Phoenix Wright Trilogy will be followed up by a Let's Play of Fate/Stay Night! Indeed, the canceled Liveblog will be reborn in youtube video form! And following Chrono Trigger, well... It's mostly up in the air, though I do have a few good ideas. In particular, I recently got a Virtual Reality system set up... Wink wink!

So that's really all there is to it! Cheers, lads! Cheers to a good year, and cheers to the next year being even better! To our good health, our unbreakable friendships, and all the stupid bullshit we’ll get into together! 2020 has arrived!

#Zephyr the Jester #Blog Anniversary

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au-tumn-al · 4 years

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So after 110 hours, I finally beat Persona 5 Royal. Before going into complete FFVII mode, I wanna lay out all my thoughts.

Blah, blah, blah, spoilers for everything under the cut.

To start off, I loved Royal. The gameplay was so much fun and it felt like such a natural evolution from vanilla P5. Probably my favorite change was what wad done with Baton Pass. Trying to pass to your entire party was very fun and very satisfying, especially if Joker got the ×4 or even ×3 and got to abuse a possibly charged Hassou Tobi lategame. It was pretty broken, but I don't mind things being broken once you go to the effort of figuring things out. Speaking of broken things—

Showtime attacks are super cool. I didn't know what to think of them at first because of how stupidly strong they are, but after I got to some harder boss fights where doing about 1k damage per attack would only get rid of about a small fraction of the shadow's health, I wasn't complaining.

(Also, I never actually got to see Joker and Violet's showtime. Oops.)

The fact that the damage scaled like that was really good, especially once you get into the third semester where party members have severe and colossal damage moves and even healer Morgana can do 150 damage per basic attack without buffs on an enemy without debuffs. The enemies' damage output remained kind of sad though, but uh....you can't win 'em all ;;

To finish showtime talk, Joker and Crow's showtime was heccin' great. I never skipped it. It was Batman in my animu JRPG so it was 10/10. It also did way more damage than most of my party members' showtime attacks so ey. It finished off that Yoshitsune request boss too with around 2.4k damage so I'm obligated to like it. On that note, how is showtime damage calculated? Do certain showtimes do more damage, or does it just depend on the offensive stats of the party members using it?

Technical damage was beefed up too, and I probably should have tried to take advantage of it more than I did but I never figured out how to make technical damage reliably knock an enemy down. I know that there was a way to do it but I never figured it out. Yes, yes, I know it was because I skipped tutorials but everything else was so busted, I never felt the need to go back and read said tutorials. I did read that book about technical damage though in-game, but it just added more technical combinations.

Onto other changes though, it could have been because I was playing on hard, but status ailments became about 10 times more useful. ...Actually, no, it was definitely because I was playing on hard, but even so, I felt like more bosses were weak to them when compared to P5. They went back to being mostly immune to them, especially in the new semester, but during and before October or so, status ailments became invaluable. It could have been because I sucked that much, but my party members, and even sometimes Joker, would get left with double or even single digit HP by near everything, even if I debuffed and buffed. Queen got regulated to a forget bot, but man it carried me through some boss fights. ... i.e., Kaneshiro's fight. Well, that and Mona's confuse.

I liked the Will Seeds too. They were a fun way to kind of change up the palaces and for me to hunt down. Even though yeah, they are pretty broken (especially with the accessory you get from the 2nd palace being able to get rid of elemental weaknesses for whoever has it equipped, not to mention the ability to give charge or concentrate to another party member), I still can't say I used them over my SP adhesives most of the time. I used the one that got rid of elemental weaknesses on Crow, but that was just because I could only use him and Joker at the time and did not want enemies to get another move on him to get another chance to hit either of them.

The changes to Mementos were amazing. Like the rest of them, they were pretty busted, but still. Amazing. I feel like I'm in the minority with this, but I didn't mind Mementos. In fact, I kind of liked going through the grind of going through it. Although...tbf, I kind of liked Tartarus too. Its 264 floors were a bit much, but I liked being able to turn off my brain, put on a podcast or YouTube video in the background for me to listen to then go through Tartarus in one or two in-game nights.

Back to Mementos, collecting stamps and flowers for Jose was fun, and being able to change the cognition for Mementos was busted. Since you can get EXP from auto-killing, you get over-leveled very fast. It doesn't help that you have to backtrack floors for stamps since they randomly generate, so you get even more money, experience, and items. On the bright side though, no, I didn't need to wander around singing "I've Been Working on the Railroad" with Mona and Skull for an hour and a half trying to find the materials for the Eternal Lockpick (which was renamed in Royal to Permapick ... I guess???)

Because of the changes you can make to boost item, money, and EXP gains, Mementos became the prime grinding area. Even more than the card shuffle thing in P3. Since you got so much EXP from ramming shadows even without leveling up EXP gain. I put all my stamps into getting more items and money until I couldn't anymore and I had near max every single crafting item, and never had to worry about the cost of anything ever. Combined with the money gains from killing shadows, you can also pick up sellable treasure from the item cubes in Mementos and it can end up selling for well over a million yen. So getting to max didn't even require Joker abusing the confuse status ailment or abusing the shadows with "You can do better than that."

I didn't mind the Mementos music, even when I was playing the game without something else playing for me to listen to, but now that Mementos does have new music, yeah, I realize now how much better it is. I wouldn't listen to it alone like I would Rivers in the Desert or anything, but it was a nice change. I listened to one of the songs before the game had its western release and didn't like it all that much, but actually playing the game while hearing it made me actually like it.

I got to level 99 though before the game was over. It made it so Joker and Crow were able to tag-team the Reaper then kill it in 3 turns. I had thought that trophy would have been a lot harder to get lol. It was pretty weird seeing the Reaper in such clear lighting though due to the new Mementos area though, I have to say.

Onto the bosses though...

I loved the changes to the bosses (except the 5th one but that's just because I hate everything about the 5th palace, even if Royal did make it about a million times more bearable).

Kameshida having cognitive Shiho and Mishima as helpers for the boss fight was such a good change, and made him about that much more hateable.

Madarame's boss fight in vanilla P5 was the hardest boss in the game for me, even on normal mode, but it was made so much easier in P5R. Madarame didn't bring back his painting form, but instead brought back elemental versions of himself specifically so the player can abuse Baton Pass. Baton Pass combos are extremely satisfying to pull off, so I enjoyed it immensely. Honestly, having that as the second boss in the game was so much of a better decision than what was in P5. That, or I'm still salty about all the deaths I had from fighting him the first time.

Kaneshiro was definitely harder, and I was a little stuck when he called his cronies out to guard him. Mona and Queen using confuse and forget while Skull and Joker attacked Kaneshiro made it a lot more bearable though. I also kept using spotlights on Joker so the enemies would attack him. He had Shiki Ouji equipped and they only ever did physical moves when my status effects missed, so I was never at risk for losing the fight. ... And then of course Skull and Queen finished it off with a showtime attack after Mona got yeeted.

Sphinx mom was a lot easier. I didn't know that the right dialogue choices made it so Oracle would guard you until someone told me, so I was sitting there surprised at how much easier it was lol. I did get stuck at the end though because it didn't look like I was damaging it. I thought Oracle needed to bring back the crossbow so I just kept buffing and healing. It took about 10 minutes for me to get bored and start attacking it again and it turned out I could attack it, but it was just that sphinx mom's HP wasn't visually moving before eventually going down. Joker still used Shiki Ouji which had learned an immunity to wind so. Easy victory (ignoring the part where I'm a dumbass).

I switched to easy mode for Okumura. I just did not care at all. I hate his palace, I hate the music, and the enemies could range from being easier to kill than the enemies in the first palace to being a pain in the ass, so I wanted to have it be over. If I didn't have an unreasonable hatred for the 5th palace though, I probably would have liked the change. It was challenging without being complete BS, at least much more challenging than how it was originally in P5. Having the enemies run off though did get pretty annoying when I was trying to beat it legit but I was just so done at that point, it was more on me than the game lol.

Part of the reason why I was so eager to get through Okumura's palace though was to get to Sae's palace. Because I love Sae's palace, and just in general, the entire month of November. It has amazing story bits, still the height of P5's story if you ask me, a great palace, and Whims of Fate is one of my favorite tracks from P5's OST. Sae's boss was even changed to when she spins the wheel, whatever element it goes to, she uses that element and her resistances would change. I loved that, and it was extremely fun to take what you more or less should have learned about enemies' attacks and their correlating weaknesses and use them for a boss fight. So much better than the original where you don't need strategy at all other than "hit her hard lol."

Shido's boss fight was changed to be super climactic. They made it easier for the sake of Joker being able to confront the dude that got him a criminal record and directly ruining his life, and I can't complain. It felt amazing to 1v1 him. The game fixed the possibility of being screwed by it by having him attack in a certain order like the twins do in their special fight, so that was nice at least.

Yaldabaoth's boss fight was the same. Still easy enough, as long as you're careful. Or...not careful but extremely lucky. I wasn't able to finish it off while it was charging up its almighty attack, but my entire party ended up dodging it so it didn't even matter lmao. Now that I think about it, it very easily could have been because of that one Will Seed accessory that makes you dodge attacks but... I don't care. I was still super lucky I didn't get wiped and be forced to start the fight over starting from the Holy Grail.

The new boss... Uhm... It was taking way too long so I ended up cheesing it with Haru's third persona's new move that basically makes you invincible for a turn halfway through the fight. ^^; Noir was a Vault Guardian bot, Queen just healed and took advantage of one of the tentscles' nuclear weaknesses to Baton Pass to Crow when she could, and then Joker and Crow did all the work. Crow's third tier persona's almighty move kicked ass and you know what else kicked ass? Hassou Tobi abuse. The other 2 phases weren't even really fights, so at least that kept it from dragging too much, despite all the phases it had.

When Joker and the boss had that punch-out fight though, I lost my shit. I was laughing so hard I started to cry and my back was hurting. I don't even remember why I thought it was so funny, but I was laughing my ass off. I couldn't even press X to get Joker to punch because I was laughing so hard. Right before it happened, I joked to my sister that a tutorial would pop up and suddenly the gameplay will have the controls from that P4 fighting game and you have to learn that in order to have one last showdown. And then I got the prompt to punch. Then Joker punched. And I started laughing.

11/10 would punch Adam Kadmon man again

On the topic of the new stuff though...

Kasumi/Sumire/Violet was pretty fun to use but badly, badly overshadowed by both Joker and Crow, at least during boss fights. She offered to join the party before Shido's palace and she really should have joined then. Maybe she would just be absent for the Mementos dungeon & Yaldabaoth/Holy Grail boss fights, but she should have been there for Shido's palace. I liked her wanted gimmick of being the crit'er, but when you get her, Mona's third tier persona learns an AOE Lucky Punch, Joker already has high crit, and I would always baton pass to Crow because of his severe almighty AOE ×3. Plus, the way I built my Joker with practically exclusively two personas, Yoshitsune and Kuguya Picaro, he was already the phys and light attacker except with the addition of being able to have an auto-concentrate at the start of every fight (I have no idea why—it's something with Yoshitsune but idk what it is), the charge skill, Yoshitsune's nature of tripling the effect of charge, and the additional electric damage. She should have been a party member before the new semester. Obviously this isn't the case for everyone, but for me personally, I didn't often find use for her, especially since she can't do colossal or even severe magic damage. She is a very good physical party member, but again, Joker already covers that better than any other party member can, including Skull.

Crow was a great party member though. I used him in every request and boss fight after I got him. I was a little salty he couldn't switch back and forth from Loki and Robin Hood but I suppose if he did, he'd make Violet even more obsolete lol. I liked Loki while playing P3, so I'm glad I was able to use that persona again. He had Debilitate which was amazing. Queen learns Checkmate when getting to the third tier persona, which is an AOE version of it, but honestly, whenever I was fighting a boss that I thought needed it at that point in the game, I didn't need it to be multi-hitting. Plus, it costed about 90 SP and no way I was using that over her healing, defense buffs, and nuclear damage.

But anyway, back to Crow, I loved using him. He basically turned into my almighty damage dealer, even with his somewhat weaker magic, at least compared to his strength stat, but considering the final boss fight, it was extremely helpful. It did take up a lot of SP, but I had 5 Somas, a ton of SP restoratives, and had basically asked Kawakami to make me either curry or coffee every single night I was able to, so I pretty much had an infinite supply of it.

It helped that P5R made Akechi a much more likable character too. I liked him all right in P5, but didn't find him all that sympathetic, and thought that the characters treating him so sympathetically was extremely jarring considering all the horrible shit he did (which includes making orphans of both Haru and Futaba). That still kind of holds true, but since you can actually build a social link with him outside of the story, you can see more of his character and it improved him in leaps and bounds. Not to mention that his 8th confidant rank was....something else ^^; having a section of the new story too with just Joker and Akechi, (and kind of Sumire too, but mostly just those two) was awesome. I loved seeing them team up to punch Adam Kadmon man in the face. Plus, having more time with him in the Phantom Thieves without pretense had him going "I am surrounded by idiots" basically the whole time he was there. Like—I even felt disappointed that Akechi was actually dead and he didn't survive. That's a huge improvement over from me wishing one of the dialogue options was "fuck you lmao" during his death scene at the end of Shido's palace when he asked the Phantom Thieves to promise him to change Shido's heart.

For Sumire though, she had a good character arc. Like her gameplay though, she was badly overshadowed by both Akechi and Maruki. Even still, I liked her character arc and everything, and her social link. Even if I ended up liking Kasumi more in the end anyway rip

That's kind of all I have to say about her, oof. She was good, but other elements took attention away from her pretty badly.

Maruki though... Maruki was amazing. He was a fantastic antagonist because I got to punch him in the face, his palace was amazing, I loved the music, the different sections were cool, and I even liked the color maze bridge puzzle thing. I definitely wouldn't like it so much if I ever replayed it, especially if I try to get that final Will Seed, which wasn't hard, but did take kind of a while, but I don't think I will be so it's not a problem.

He had such good motivations, and the fact that he didn't ever actually hurt anyone other than when he punched Joker in the face made him really sympathetic and redeemable to me. At the end of the day, all he actually wanted to do was make people happy and not have to suffer, and was willing to destroy himself in order to achieve it. But just like with every belief, it went too far and he took away people's free will and ability to pick for themselves. The kind of moral question about the entire thing was very interesting, and I kind of wish it was more further addressed. There should have been Sojiro or some other character that was perfectly happy in Maruki's alternate reality so they could challenge the Phantom Thieves in a way Maruki wasn't able to. Still, what was done was really good and I liked it a lot.

...

Even all that said, I have no idea why the hell Joker could not use Satanael. There was such a perfect opportunity to use it once Maruki evolved his persona to Adam Kadmon, a giant persona. Hell, it was still small when compared to Satanael. It's after beating Yaldabaoth so Joker should have access to it. It would have been epic to be able to use a giant Satanael in a normal-ish boss fight. I'm sure there are some explanations as to why, but the game never mentions it or even acknowledges Satanael so it doesn't count and I'm still bitter. The writers forgot that Joker has a persona literally as big as a cognitive god and that kind of broke some immersion for me. Immersion completely went out the window once Joker and Maruki started punching each other but STILL. Satanael's not that great a persona, but having it show up in the story again would have been so awesome to use a persona about as big as Shibuya more than once.

Hardly comparable to my beef about Satanael, but I wish that while the party members were acting as Phantom Thieves, or at least while they're in the metaverse, the names on their text boxes would change to their Phantom Thief names. There's no reason why they didn't, especially since the characters exclusively use their Phantom Thief names to call each other anyway. It's not a huge deal or anything, but I would have liked it.

I loved Royal, and totally think it's better than P5 vanilla. Its new semester kind of takes away from the superb ending of the vanilla game, but the new stuff still makes up for it. Don't get me wrong, you can still get the original ending from the vanilla game in Royal, at least I'm pretty sure you can, but it involves you missing out on all the new content, including Violet as a party member and getting Crow back, plus Joker's showtimes so it's not worth it imo

I wasn't actually looking forward to the game when it was announced, or even planning on getting it, but I had the Phantom Thieves' edition pre-ordered for me as a Christmas present so I wasn't going to...not play it lol. I'm extremely glad I got it though, even if I otherwise wouldn't have, and now that I have finished it, I'm very happy with the game. The gameplay's improved by leaps and bounds, and the new content was all amazing.

... And I got to punch Maruki in the face.

I did end up getting the platinum trophy for Royal too, so despite the Phantom Thieves den thing, I don't see myself going back to it, at least any time soon. It was an amazing experience, but I can set my sights back to FFVII now lol.

...Although, I did hear you can fight the twins and Lavenza so uhhh maybe i won't be shelfing it so soon—

#persona 5 royal #persona #p5r spoilers #personal #long post

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avoutput · 4 years

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Final Fantasy VII Legacy || Remake Review

This is the 2nd out of 3 articles. Find the first here.

Enough with the flowery language. No more ancient memories of times passed. No more wasted passages on the origin of Final Fantasy VII. I am not some little kid sitting crossed-legged in front of a 13-inch tube TV, but a man sitting in a lightly used office chair he found by the apartment dumpster several years ago. I have grown. The gaming world has grown. And Final Fantasy has grown. But is it the kind of growth you imagined? Does this game shed the dead weight of its numbered younger siblings? Does it recreate an experience from your childhood? Is it an innovative gaming experience that redefines the RPG like its genesis? Is breathing life into one of the most provocative modern gaming death’s worth the exhumation? These are the questions swimming in my head while I waited for the release of Final Fantasy 7 Remake, a deeply marked touchstone in my life. And after having completed my run through the game, I had some thoughts I needed to organize and share. I need to decide: Is this a proper run, a proper update, a proper remake? Or is it just a repurposed chair found by the dumpster?

Let me clarify a few things. First, this is going to be a straight review of the game with little-to-no spoilers. Second, this is the 2nd in a series of 3 articles I decided to write, with the final article being a no-holds-barred, spoiler frenzy discussing the outcomes of this game and many other Final Fantasy’s. In this article, we are going to be looking at what the game did well, what it was mediocre at, and lastly, what was downright disappointing. Each section will bleed into each other a bit because the games components bleed into each other a bit, which feels a little odd for a JRPG, but this isn’t ye-old JRPG. Let’s get right to it.

RE-KWARK!-ABLE! I MEAN REMARKABLE.

Before we tear this game down, let’s spend some time building it up. The standout component of this game was very clearly the battle system. The transition is seamless and the frenzy begins almost immediately. What surprised me right off the bat is how easy it was to not only switch between characters, but how simply it was to tell them what to do. I thought slowing down the battle to issue commands was going to be a nuisance, but it really helped balance out the pace of the battle. You can assign 4 hotkeys that let you keep the battle going without slowing down to strike at an enemies weakness. I did find that it felt a little useless to assign anything other than your weapon skills, because spells take a little time to cast and most of the time you are going to want to pick a specific spell based on the enemies weakness, but that is totally up to your playstyle.

In the vein of the battle system, boss fights were engrossing and detailed. It felt like they spent a lot of time thinking about which moments in the Midgar timeline would make the best boss battles and how exactly they would design the bosses moveset and structure based not only on what the boss was, but where the boss was. In one chapter, you fight a boss that is nearby some train tracks. At a certain point in the battle, it will electrify the track, and if you are standing on it, you get major damage. Enemy types also had a pretty consistent set of weaknesses, so you didn’t have to go into the bestiary menu to determine what spell would most likely take it down. But on the other hand, the Assess ability is crucial in understanding some of the more minute methods to hitting the enemy weakness. It was actually a delight to try and fight both with and without it. Like everything else in the battle, the menu comes up with a single button press and no load time. It gives you time to read and strategize your attacks.

In some other reviews I had been reading, people had complained about a feature I loved. Using spells and abilities requires you to have your ATB gauge filled, which will fill with time, but fills much faster if you are attacking. The complaint was that the AI isn’t particularly good at attacking when you aren’t using them, and not only that, they don’t receive the ATB fill bonus from attacking, it simply takes them time. However, because transition between characters is instantaneous, I believe that the designers did this as an incentive to use each character as often as possible. This isn’t the only incentive for this either. Every weapon for each character has a single skill that can be learned from it. To learn it, you have to use a skill. Again, to use the skill the ATB gauge has to be filled. Most battles in the game go by quickly, especially once you know the enemies weakness, so you need to build ATB fast and activate the skill. Without telling you, the game basically created an environment where it's not only necessary to switch between characters and learn their playstyles, but almost necessary. What’s more, every character is somewhat unique, especially Barret and Aerith, and certain types of enemies (flying or distance based, ect) are much easier to handle with the right character. All around, the battle system is an absolute standout and easily the best part of the game.

Without giving anything away, another strong part of the game is the scenario design. I was driven to hear more, see more, and do more in this game. The characters a crisp and vibrant, even when they lack depth. They are undeniably “cool” or “cute” or whatever their main adjective should be for the given scenario. The voice acting in both the Japanese and English versions are great, though the Japanese version from time to time has a different take on some of the characters than the English, it's still a blast. Every moment that leads into a battle with a signature villain is thoroughly enjoyable. I don’t think you absolutely need to have played the original to enjoy these moments, but more on that later. What it really comes down to is this game has some pretty great pacing because even when it fumbles, it doesn’t stop you from wanting to play more. The battle system element just propels you forward and hearing what crazy thing is going to happen next is more than enough to make up for follies.

This is sad to say, but there really is only one more exceptional item to mention. The return of Nobuo Uematsu. The soundtrack of this game was already pretty well designed in the original. Coming back to it was more than just a nostalgic walk down memory lane. It was like coming home and realizing your parent’s upgraded your house to a mansion with room service, a full staff, and a kitchen that's open 24 hours a day stocked with everything you desire. And it isn’t just that the music was remastered, it flows in and out of the game with masterful timing. Multiple versions of each song were recorded so that movements in the song crescendo at the exact moment your Cloud lands a hit or Reno and Rude jump from a helicopter. It made every moment of the game feel like so much more than just an average confrontation. There are a few moments that even made me laugh. There is a hip-hop inspired Chocobo theme that made me smile both for how odd it was and how awful it should have been received, but somehow it just slaps. If you pay attention you might notice some of the music is more reminiscent of other entries in the series with two standouts in particular, one sounding like Final Fantasy XII and another like Final Fantasy XIII, two very different scores. But it felt right at home in this modernized version of Final Fantasy VII. There is also a music collection sidequest that is mostly made up of jazzy remakes of classic Final Fantasy VII songs. These are less remarkable, but still good for the most part. Part of the issue with these songs is it is played through some kind of fuzzy record player speaker overlay, which I found annoying and distorting.

MISSED THE KWARK! I MEAN MARK.

I would say that almost everything else in this game missed the mark in some way or another. Some are just shy of a home run, others are baseline grounders, and some are just straight fouls. Either way, they could have used more attention or a different direction in my opinion. And I want to start with something I almost never complain about in video games: the graphics. Talking about graphics is usually pointless. People who are after ridiculous levels of fidelity always seem to believe this either makes or breaks the game. In Remake, that might actually be true for once. I am not a graphics designer, but one thing I noticed and couldn’t stop noticing is that there were so many different levels of graphical fidelity all smashed into one place. In some scenes, there were gorgeous details, like the entirety of Aerith’s house area, but then you get to the flowers, it's like 1997 again. In other moments, like when looking down at the Midgar Slums from the upper plate, it is clearly a very flat and stretched image meant to look three-dimensional like the other things around you, but the image was just off. Doors on buildings would look like garbage compared to the floor or walls in the room. It was just very clear that a once over on all the different assets would have helped out quite a bit. The problem wasn’t that the graphics were good or bad, but that they were inconsistent. It was like looking at photo-realistic drawing with some Picasso in the middle. The character models were so well done, when the interacted with this space, it was just jarring. Again, not awful, just missed the mark.

With such a well maintained battle system, you would think the menu system would be equally flawless, but it wasn’t. The main UI where you would outfit your party was a bit of a mess. For one, there was no way to go from upgrading your weapon to equipping it or vice-versa. They had completely separate menus for both that didn’t lead to each other. Then there is the upgrade menu itself, wherein you select upgrades in a similar way to FFXIII crystal upgrade menu. When you choose the weapon, it takes you to a completely different screen and makes this loud noise and transition effect. It's annoying to read and to navigate. You can bypass this by having the computer choose your upgrades for you, but that really felt like I was missing out. It would have been a huge improvement just to list the abilities and have me choose from the same menu I chose everything else. It was unnecessarily fancy and kind of an eyesore. Equipping materia got a small upgrade from the original game, wherein you can press a button to see and switch out materia with everyone, but this should have just been THE menu, not an extra button press. They also should have categorized the materia, letting you choose which type you wanted to look at instead of having to scroll through line after line. The menu also doesn’t give you simple information in places where you could use it, like what chapter you are in. To know, you have to go to the save menu. It could have simply been listed next to the playtime in the bottom corner.

There are even certain materia that are hard to understand, specifically the Enemy Skill materia. In the old game it would list which skills you had obtained. This one didn’t give you any idea what you had obtained and what exactly was obtainable. After a while I figured out that in the bestiary, although it would tell you which monster had a skill you could get, it wouldn’t exactly say if you had it. Turns out that if the skill was highlighted green on the enemy skills screen (another button press away), you didn’t have it, if it was blue, you did. Then, to see which skills you had in total, you had to go to the party screen and it would be listed under your abilities if they were wearing the materia. Not only that, the skill would have a different name than the skill the enemy used, the naming convention wasn’t 1-to-1. Add to this, materia sometimes have very obscure instructions or descriptions. The battles can go by so fast, it's hard to even notice the effect of them if something isn’t exploding or outwardly obvious. In fact, many of the instructions are weird in the game. If you die in a series of fights where they are linked, it will ask if you want to go back to the first fight or the last fight. Choosing the first actually sends you back to before you started the series and you can adjust your equipment, which is fine, but in a normal fight, if you die, you can only go back to the fight and it doesn’t let you modify your equipment. It's a simple inconsistency but the text and cursor placement also make it hard to understand exactly what is going to happen.

Finally, all the smaller issues. There are too many places where the game has you “walk” for no particular reason. You just slow down. I thought it might be due to loading, but it happens in places where no story or anything appears to be happening next. Summon materia is already maxed and it doesn’t feel like it helps all that much, even when the enemy is weak to them. The game design is set up so that whichever character you are currently playing as the only thing enemies are interested in attacking, especially if someone isn’t using provoke. So, your summon simply attacks, and to do it's better attacks, you have to sacrifice ATB. Mostly this is fine, it creates balance, but i’d prefer they came and left like in the original. In fact, I have hated all summon mechanics since FFX. They need to come, do damage, and be gone. But I have to admit, this is the best marriage of the two versions. Next, the choices you make that alter certain outcomes in the game are so far away from the thing you are altering, and at times not clear. This could have been more fun had they given you a bit more of control or some kind of gauge to show you what was going on, but in a way, it was true to its roots, which isn’t necessarily a good thing. Lastly, having to aim the camera to interact with items that are just outside of its view is just annoying. That coupled with the random moments you have to hold “triangle” for a series of switches always rubbed me the wrong way.

DOWNRIGHT DISAPPOINTING… uh.. kwark.

Final Fantasy VII Remake obviously has a great foundation and pretty great framework. The music is great, it's a blast to play, and the characters really resonate. But there are still some aspects of this game that make it feel a little less than game of the year. These complaints might be less of an issue than I am making it. The game is what it is, and I am easily going to clock in at about 90 hours for both regular and hard modes. Still. STILL. There are just a few things that were completely disappointing, and not just from an old fan, but as a current gen gamer.

My biggest complaint is married together and baked into the design of the game, namely Midgar and Chapters. Final Fantasy has always felt like it was about exploring not just a story, but the world it exists in. In the first 9 entries to the series, this was done by giving the player a chance to get lost on its world map, looking for towns, roaming through forests. You had to use your imagination to fill the gaps, but that wasn’t a bad thing. As the entries iterated, the worlds got bigger, and so did their stories. They had lore and depth. With the release of 10, this all changed. In the 10th game, the story was suddenly on rails, the only direction you could move in was forward. It took all of the exploration away in favor of level design and pacing. I remember thinking that this was the beginning of the end for a series I loved. With the release of 12, it felt a little better, but mostly it was just an offline version of the massively popular MMORPG formula. It felt more rote and less like exploration. With the 13th entry, it was back to the rails. It began to feel like the creators sought only to make an experience where the characters and story where the vehicle, and the world was just the background. In 15, this would change somewhat, but it was also an experiment for them that ended in failure. They tried to give us an open world governed by a chapter system. But, despite their best efforts, they couldn’t breathe life into the world of 15. They tried to spread the world and its characters across too many dimensions. There was an anime series, a full length movie prequel, missing chapters introduced as DLC, and even a mobile game. A broken chimera. I think the success of 10 and their failure to create a modern, open world game is what ended up making 7 Remake what it is. A game on rails.

Before the games release, the game designers touted that Midgar was now a place that could be fully experienced. For me, this couldn’t have been further from the truth. It was just a series of narrow hallways masquerading as a city. The people in the background make noise and act like they live there, but they don’t move, goto work on a schedule, ride the trains, or even run stores. You can’t interact with them. They are just mouthpieces. Because the game runs by chapters, you have almost no ability to explore anything that doesn’t have to do with the immediate story. The characters will chide you for going the “wrong direction” and the game will outright stop you from wandering too far. “No no, you fool, the GAME is over HERE”. In the original game, Midgar is partially just an introduction to the world, characters, and battle system. But really, it was the beating heart of the entire game world and story just as much as the characters that live in it and run Shinra. The remake seems to have forsaken that in favor of story beats. Outside of a few distinct places, most of Midgar just feels like window dressing. Wall Market is obviously a delight, but the entirety of Midgar should have been like Wall Market. You should be able to get lost in the back streets or take the wrong train. Shinra headquarters gives you little glimpse into the way people on the upper plates live and work, but yet again they are just mannequins.

Games today give you vibrant open worlds to explore. You can jump on rooftops and glide over large swaths of land. The way in which Midgar was designed leaves little to the imaginationa as compared to the original. The graphics are crisp and every pipe and air conditioner feels like they might actually do something, but you can’t follow that pipe anywhere or walk down alleyways and talk to vagrants. Old games got a pass on size and depth because their limitations were obvious, often baked into whatever the genre was. If it was a brawler, you walk down streets beating people up. In racer, you play the track. But RPG’s were one of the few where you would be expected to explore the edges of its world. With new generation games, the choice to stop exploration in a RPG feel less like a limitation of raw power and more like a design decision. I would have preferred a game in which Midgar was a place to see and explore and interact with. Where I could haggle with one vendor over something found in another. Where I could watch the day cycle send people back and forth work. But Midgar wasn’t their focus. Telling you a story was. And as fun as that was, it was so disappointing to find that the original game gave you more by letting your mind wander past its graphical limitations than the remake did do by making the decision to limit your ability to physically explore visible areas. Instead of letting a visible wall stop you from going somewhere, an invisible force just puts a stop to your antics and tells you to get back to work. Maybe it's just psychological, but it is maddening. The physical world of 7 was just as important as its story and characters, but the story got to lead the show, and to me this feels off balance and off brand.

THE TAKEAWAY

This is a good game. A well made game for the most part. It's rough in places, but not so rough that it really hurts the end result. Final Fantasy 7 Remake is actually a showcase of talent that comes out of Square-Enix and despite the fact that I feel like they either bite off more than they can chew or completely misunderstand their core fanbase, they are still great artists. I often question whether game designers at big companies are customer service machines that should give us the product we demand or artists that deserve to create in a space that we support. Remake reminds me why I am both supportive but vocal. They may never hear me, but I want to know I said something. Still, it ends up being more than the sum of its parts. The game hums along like a well made machine. It takes time to remind fans of key moments, interjects tons of surprises that don’t entirely offend its base, and ultimately is never boring. What more could you ask from a game? Well, as it turns out, a lot. And I have so much more to say about the actual story content of this game and of Final Fantasy as a whole. If I didn’t mention some aspect here, it's probably because I want to discuss it in a way that may ruin the story, so look for the 3rd and final entry next week.

#Articles #Final Fantasy 7 #Final Fantasy VII #Final Fantasy 7 Remake #Final Fantasy #Nobuo Uematsu #FF7 #Review #JRPG #Voice Acting #Tifa #Cloud #Aerith #Barret #Jessie

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ckret2 · 5 years

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Out of all the human music, what do you think Ghidorahs heads would enjoy most?

It took over three thousand words to answer this question and I enjoyed every second of it.

So!

Did you know that dogs can communicate with each other through their pee?

I swear this is relevant to the question.

Dogs pee to mark their territory. And they have an incredibly sensitive sense of smell compared to humans. From a few drops of pee, they can tell another dog’s sex, whether the dog’s in heat if it’s female, whether the dog’s been spayed/neutered, which direction it was traveling, how long ago it was in the area, whether the dog’s stressed or sick…

So if you ask a dog what their favorite pee scent is, what are they gonna say? Probably something relevant to the data they’ve evolved to put into and get out of dog pee. They’re probably gonna say something like “mine, because it’s familiar and means that I’m home somewhere safe,” or “the smell of a lady that’s dtf” or “the smell of stress because I’m an evil dog sadist that relishes other dogs’ suffering” or “the smell of neutered dogs because it means there’s gonna be less fights in this neighborhood between horny dogs” or “i don’t care as long as there’s LOTS of dogs because play pals!!!” Something like that, probably. I’m making this up as I go.

If you ask a human what their favorite dog pee scent is, the answers you get are probably going to be “They have different scents???” or “idk, whichever pee smells the least" or “my puppy’s pee smells different when she’s sick, so, uh, whichever scent is Not That One.”

Ask a human what their favorite kind of music is, or assign a favorite kind of music to a human character, and it tells you something about them. If they say that they like 90s anime themes & JRPG soundtracks, then that’s going to tell you something about them. It’s going to tell you that either they’re from Japan and grew up with that on TV, or they’re a weeb. “Counterpoint: maybe it just tells you that they like that kind of music?” Yeah but where were they gonna stumble on that music if they aren’t either from Japan or a weeb? If they only like the music because of its sound, then they would also be interested in Hasidic Jewish music, right? After all, anime/JRPG music and Hasidic music sound a lot alike:

https://ckret2.tumblr.com/post/187677604232/krakenpocalypse-jewishmagpie-tlbodine

But you never see people say “I like JRPG soundtracks and Hasidic music,” because people don’t like music because of the way it sounds. They like it because of the way it sounds AND because they were exposed to it (you can’t enjoy music you don’t know about) AND because they were exposed to it frequently* AND because they feel at home in a community that values that kind of music AND because that kind of music is accessible to them AND because that kind of music has positive associations for them AND because either they heard a bit of that music and sought out more just like it or because they’re in a place where they were passively exposed to a whole lot of that music… etc etc etc.

(*Fun psychology fact! Understanding certain sounds as “music” is learned, not just innate—if you hear a new song and it immediately sounds pleasantly musical to you, it’s because you’ve heard enough songs similar to it that your brain auto-interprets it as music. Which is one of the reasons why music in genres that you don’t listen to as often might “kind of sound all the same” or “blend together” or fail to hit any emotional chords in you the way that songs in genres you listen to all the time do. It’s not because you found the One True Emotionally Gripping Musical Genre and everyone else is listening to genres that don’t have that emotional punch for some reason; it’s because your brain is tuned, just like an instrument’s strings, to resonate with those kinds of songs, and other people’s brains are tuned to resonate with other kinds.)

I swear all of this is still relevant to Ghidorah headcanons.

So anyway, if somebody tells you that they’re into anime themes and JRPG soundtracks? It tells you either they grew up in Japan or they’re a weeb. If they tell you they’re into anime themes and Hasidic music? Then they grew up in Japan or they’re a weeb, and also they’re Jewish or close with Jewish folks which is why they were exposed to Hasidic music; OR, they’re a tumblr user who was into one of the genres, saw that same hundred-thousand-note post I linked above, and looked up the other genre. If a millennial says their favorite band is Backstreet Boys, that implies something very different about their overall musical tastes—and possibly their social circle, their fashion taste, their TV and movie preferences—than if they say their favorite band is Evanescence. That’s not to say you can’t be a goth-as-fuck dressed-in-all-black purple-dyed-hair vampire-lit-devouring Grown-Up Emo Kid if your favorite band was Backstreet Boys—but it doesn’t correlate as highly as Evanescence does, does it? Someone whose favorite band sings about the light of Jesus filling their soul probably has very different religious beliefs from someone whose favorite band sings about blowing Satan in a cemetery.

And all of those associations are massively intensified if we’re talking about fictional characters instead of real people. Me, grown up goth that I am, driving to work singing along with Evanescence songs and songs about blowing Satan—when I was a kid I had a phase where Backstreet Boys was my favorite band, and what’s that say about me, my personality, and my overall identity? Ultimately, not a lot, except that they were everywhere when I was a kid, I could name four of their songs (more than most artists!), and I thought three of them were pretty good. People’s tastes are varied, weird, pick up strange chunks, and drift around, and it doesn’t always tell you something deep about their character.

But, if you create a goth character but say when they were a child Backstreet Boys was their favorite band, why did you, the writer, assign them a favorite band that goes against their type so hard? What are you trying to say about them? Did something happen in childhood that changed them from the kind of kid who’s into pop (generally perceived in fiction and sometimes reality to mean a person is normal, well-adjusted, optimistic, mainstream, average, boring—or “has good taste” to other people who like pop) into the kind of kid who’s into goth music (generally perceived in fiction and sometimes reality to indicate a person is sad/angry/anxious, pessimistic, counterculture, overtly rejects the mainstream, weird, mysterious—or “has good taste” to other people who like goth music)?

Is it because something sad happened in their childhood and changing their style/music was how they coped? Is it because they met someone important to them who opened their eyes to The Beauty Of The Dark And Macabre? Is it because they were only allowed to listen to parent-approved pop as a kid and chose to dive into the most out-there genre they could find as an act of rebellion? Is it because they became a vampire and that’s apparently just what vampires do? Is it because they realized they were unconsciously faking being attracted to guys because they thought that was normal and picked an appropriate boy band to latch onto, but when puberty was kicking in at age 13 they saw a cute girl with black nails and clothes at the mall and went “hecc im love girls” and grabbed the first album they could find with a female vocalist in similar makeup on the cover?

What’s this character’s backstory? What’s the significance of that decision? Why did you give this character that favorite band? Why did you choose to have this music in this character’s life? Why pop, punk, jazz, rock, metal, rap, country? Why American, Japanese, Indian, Spanish, Arabic, South African? Why that mainstream, or why that obscure? Just the decision to make their favorite artist “Benjamin who plays his guitar at the local coffee shop” versus “Veniamin who plays his guitar in a coffee shop in Greece and puts the videos on YouTube” tells you something about whether they find their Obscure Favorite Artist in the local community or in Internet deep dives (unless they actually live in Greece). All those decisions tell, suggest, or imply something about that character’s position within their surrounding human culture.

That’s the key here: within their surrounding human culture. What music a character listens to suggests a whole lot about the millions of intricate connections they have with their surrounding culture when that character too is a human.

Assign a favorite kind of music to a non-human character, and you say something about them, too. What you say about them, before you say anything else, is “the way that this character’s brain is wired to interpret sound waves into pitch and rhythm is nearly identical to the way that human brains are wired to interpret sound waves; and furthermore, they’re familiar enough with human culture that they know and recognize different ‘categories’ of music and pick categories that they do like based on their assigned similarities versus categories they don’t like based on their assigned similarities.”

And that ain’t something that can be said about Ghidorah.

See I told you all that would be relevant.

To say “Ghidorah likes rock,” you first have to give Ghidorah the capacity to differentiate rock from rap, from country, from Bollywood, from 8-bit chiptunes, from whatever the fuck Tchaikovsky was up to—and even humans aren’t born with the innate ability to sort songs into categories like that. Hell, even humans who are familiar with music have a hard time telling apart different kinds of music the deeper and deeper you get into specific genres. Like, do you know the difference between Electroclash and Filthy Electrohouse? Probably not? Would saying that Filthy Electrohouse is Electroclash with a house kick help? No? What about saying that Filthy Electrohouse is basically the same as normal Electrohouse except that Electrohouse evolved out of House whereas Filthy Electrohouse evolved out of Electroclash? No? Sound like gibberish to you? You probably know the difference between rock and metal, though, even if only vaguely. Try explaining it to an alien who’s never heard either genre before. To the alien whatever you say is going to sound like explaining Filthy Electrohouse because they haven’t got any of the background understanding of the genres to sort them apart.

(And if you want to know more about what the hell is this Filthy Electro French Clash House thing, may I recommend https://music.ishkur.com/# as an absolutely terrifying but very interesting guide to the complete history of electronic music and its subgenres? I like to click on random things and listen to them. The above genres can be found way at the bottom under Eurotrash.)

So the tl;dr is: I can’t give Ghidorah favorite music. Not in a normal “oh, they prefer to listen to death metal/Italian opera/Tibetan throat singing/golden oldies/traditional children’s lullabies” way because all of that, any of that, implies a knowledge of and connection to human culture that not only do they lack, but just imagining asserting a preferred genre/artist like that mentally strains my internal willing suspension of disbelief.

And I had to say all of the above to say that tl;dr because, like, listen. Listen. “I can’t give Ghidorah favorite music” is a boring, uninteresting answer. It’s a lack of information. “I can’t give Ghidorah favorite music because the vast cultural background knowledge necessary to understand music on humanity’s terms is as alien to Ghidorah as the nuances of dog pee smell are alien to humans.” That, that actually says a lot about Ghidorah, and I think that it says something interest.

So with all that said! Lemme tell you what kind of music they do like.

Because they do like music. A whole lot. Lots of music from lots of alien species.

It’s just human music that’s unfamiliar to them. They will gain familiarity with human music—as soon as they gain access to a means to hear human music (and I do have that in the works!)—but the way they interpret and categorize it won’t necessarily have any correlation with how humans do.

Ghidorah’s wired for singing. Loooves singing. I haven’t decided yet whether that’s a natural dorat thing and over time they added in music from other species as they learned it, or if it’s specifically a trick that they picked up after being fused together and needing a way to weaponize their empath abilities. In either case, their singing is tied directly into their empath capabilities. Half of the “songs” they know aren’t “songs” in any conventional sense, but “the sounds that they figured out would interact directly with the way a target species’ brain functions in order to cause whatever emotion they want their target to feel.” I’ve talked about this before in my Ghidorah-as-siren post. https://ckret2.tumblr.com/post/185784244462/ghidorah-as-siren

(Things like that—specific sounds that directly cause emotions in a species due to an instinctive response rather than a learned reaction—are precedented in real life! There’s a certain sound frequency that causes humans to feel fear/panic/dread/paranoia and sometimes hallucinate ghosts, and it’s theorized that this sound might be found at a lot of “haunted” locations: https://www.theguardian.com/science/2003/oct/16/science.farout )

So, when Ghidorah does this?

https://www.youtube.com/watch?v=xA-QJUyBdJU

That’s literally a song, from their perspective. It’s a short song, but it’s a song. It’s a “become afraid and rampage against anything threatening (which means everything)” song. At the end of The Glorious Resurrection of Bouvet Island (here https://ckret2.tumblr.com/post/187594976987/the-glorious-resurrection-of-bouvet-island ) when Rodan is “ whistling a high soothing note” and then they do this:

“It took him a while to notice that the middle head had started copying his whistle, letting out a single endless note at the exact same pitch. Then the other two joined in, turning it into a high, trilling, reverberating sound, an “ii-lii-lii-lii-lii.” The sound got into his head, made him feel like he was floating. Made him feel like he was in the safest place in the universe.”

They heard Rodan making a sound (something like a single long high-pitched bird whistle) which Rodan instinctively knows as a “soothe somebody” sound; they learned the sound, and from it learned something about how Rodan understands and processes sound; and they immediately turned it around and used it to soothe him. When Rodan immediately feels Super Safe, that’s not just because they’re being all nice to him—that’s full-on song-based dorat empath mind control he’s under the effects of.

So a loud trumpeting roar that induces “be afraid and smash things!” feelings is a song. A single high-pitched continuous note that induces “you’re extremely hella safe!” feelings is a song. So far, those are the only two Earth songs they know, because those are the only two songs they’ve got that work on Earthlings. One they composed themselves, and one they remixed from a song Rodan accidentally taught them.

Based on this, the human definition of “music” and Ghidorah definition of “music” are very different. Our music can be included somewhere inside his definition; but his definition is far broader than ours and includes things we’d never hear as musical.

Ghidorah can sing, like, non-mind-controlling songs too. He does do that. Just sing for fun rather than for megalomaniacal world-destroying reasons. Songs composed for normal reasons! All the ones he knows at this point are alien but he could sing them. There’s a mention in the one-shot from Gigan’s perspective that he likes Ghidorah’s singing and wants to expose him to more.

However, he doesn’t have to separate “normal songs that sound like actual music” from songs that can evoke emotions. Especially if the song itself is somehow intended to evoke an emotion, it’s pretty easy for Ghidorah to learn the emotion that it’s supposed to cause and actually weave that into the song itself. Because, generally, if a species goes “ah yes this song should inspire This Emotion,” then they’re likely to include sounds that physiologically/psychologically help induce that feeling in the brain. Humans do it! So if he’s singing a sad-sounding song with sad lyrics, the odds are good that if a member of the species that produced the song hears it, they won’t just think it sounds sad, they’ll be telepathically forced to feel sad.

The songs they most enjoy singing are ones that can make use of all their musical abilities. Of course, they’ve got their voices—and when they’re singing, they tend to go for higher pitch ranges. You ever hear this?

https://www.youtube.com/watch?v=1eogtlyDg4Y

Dude can pull off soprano if he wants. If they do hear enough human songs to be familiar with them, yes, they’re going to sing along with the music—and yes, they’re going to do it even if they don’t know the words, which they won’t, because they’ve probably never heard a human voice except when it’s screaming loud enough that they can faintly pick it up from five hundred feet above. They’re going to sing anyway. Don’t pretend you’ve never tried to sing along with a song in a language you don’t know and ended up going “AAA LALALA DA DADA GSDKLFJGLKJ” as you sing.

But like it’s not gonna be limited to human voices because they’ve been all over the galaxy, what separates a “voice” from an “instrument”? Nothing! They can sing violin & viola parts. They can sing brass instruments. They can sing piano.

You know that their tails rattle? Like rattlesnakes? They’ve got maracas on their tails. They can keep rhythm to music with their tails. Or their feet, if they’re on a hard enough surface that they can tap their claws.

You know this scene? With the wing thing?

https://www.youtube.com/watch?v=mhDdXXr9dfQ

Ever heard a tesla coil sing?

https://www.youtube.com/watch?v=-f6GijQXaBI

https://www.youtube.com/watch?v=Ee5evlN8Bbs

Yeah they can do that. Probably with greater actual range than a tesla coil. I imagine it works best on synthesizer music and some electric guitar. Probably other things too that I haven’t thought of, but uh I listen to synthesizer & electric guitar so that’s what I think about when I imagine singing space dragons lmao.

Their preferred music, therefore, is going to be stuff that 1) give all three heads parts to sing, 2) also lets them use their tails and wings, and 3) ideally, gives them some interesting emotions to steal/replicate/inflict on others. Which is very broad! Covers a lot of things, no doubt!

Eventually, yeah, they’re going to probably develop more specific human musical preferences—but the preferences are going to be based on their own alien criteria, and it’s also going to be based on what human music they have access to. At least initially? That means that their musical taste is going to be limited to whatever music they can pick up on AM radio in the Gulf of Mexico just off the northeast tip of Mexico. Which, depending on the exact stations available where the Rio Grande dumps into the ocean will probably mean “the current chart toppers in Mexico & the US” and “extremely local Mexican music.“

It took over three thousand words to reach that answer. I hope you found the journey rewarding.

#reference #writing #music #king ghidorah #ghidorah #godzilla #headcanons #(this is as much about Music Itself and about The Act Of Writing as it is about Ghidorah)#(if u wanna scroll for a while the ghidorah stuff is in there tho)#(like uh... a little over halfway down)#sableghoste #ask #(i didn't edit this because it's bedtime)#(enjoy typos)

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anime-grimmy · 5 years

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Favourite Gaming Soundtracks of the 2010s

It’s the end of another decade and what a decade it’s been. So much has changed in “just” 10 years, so many cool things have happened, so many amazing games have been released. Since it’s the end of the year I thought I could talk about some things that are dear to my heart. I love music and with so many dope games came just as amazing soundtracks. So, I just wanna let out my thoughts for my favourites. This is not really ranked, but I’ll tell you which my favs are from my favs.

But first, some “honorable mentions” for soundtracks I really enjoy, even though I’ve never played these games.

- Dark Souls / Bloodborne Mystic and gritty, but strangely calming from time to time

- Hollow Knight It came coming on with YT Autoplay and to be honest, I can’t complain. All in all a great soundtrack

- Persona 5 Dude, talk about style. It’s not quite my type of game, but holy fuck, the music is my JAM

- God of War (2018) I DID play this game and I loved it, but the soundtrack didn’t really stick out to me THAT much. Some tracks are downright bone-chilling and epic, but it didn’t have such a big impact on me all in all.

Anyways, on with my list.

Pokemon Sword and Shield

I’m gonna start with a recent one since it’s still fresh in my mind.

I always liked the Pokemon Soundtracks. Though most of the time simplistic, some tracks just have such iconic melodies. However, from Sinnoh onwards, I started liking single tracks more than the soundtrack as a whole. For example. even though most people say Cynthia has the best Champion theme, I can agree an the melody being amazing, but for me, the theme is so loaded, I don’t like it (best Champion theme is still Lance). Alola, for me, started having an upcurve on the soundtrack. I liked it as a whole, though I can’t really remember what exactly stood out to me.

Now Sword and Shield. Dudes, keep going on that route, your OST is amazing. I’ll be honest, the BEST thing of this game is the soundtrack. All have this kinda sporty/cheery sound and even though, let’s say, the normal battle theme isn’t that of a banger, the number of amazing single themes is just so high. Bede’s theme is basically the only thing I like about him, Marnie’s has such a cool tune (and all the metal covers on YT, BRO) and even if many people don’t like Hop’s theme, I really dig it. Some parts remind me of Mirror B.s theme, I dunno why.

And then you have my fav tracks, Rose’s Final Fantasy theme, Toby’s amazing Battle Tower theme AND THE GYM BATTLE MUSIC. I really didn’t like the gym leader theme at first but while playing the game, after each gym leader, it got me more and more stoked when the battle began.

All in all, Pokemon Sword and Shield has an overall enjoyable soundtrack. Filled with bangers, for me it made the game itself so much better.

Animal Crossing

Though I haven’t played the game in a long time, I still listen to the music.

Animal Crossing is just laid out to be this chill and calming ensemble of melodies. And it works. When I’m stressed or have to work on stuff I don’t want to, I usually just put on Animal Crossing music. It calms me and just gives me this warm and fuzzy feeling. It also helps when I have problems sleeping.

A soundtrack to just lie back, close your eyes and just enjoy life.

Legend of Zelda – Breath of the Wild

Continuing with calm music, let’s talk about my favourite Switch title.

This game often gets flag for “having no music” or too little of it. I know where you’re coming from, but I just think the limited use of the soundtrack makes you appreciate it even more. The moments when the music is used is carefully chosen and that makes it special. Be it the few piano notes that play while the day goes on, the little notification that you’ve entered a new area, the unexpected high energy when you’re fighting (most of all bosses) or the indescribable fear you feel when a Guardian spots you.

There are a few favourite moments I have of the game.

First is the start, when you first leave the cave, run out and this vast landscape opens before you. Just those few piano notes made me all excited for this new adventure. Like dawn is breaking.

The first time I rode on a horse over this wide field and suddenly, the music starts swelling. It was almost magical, the music rising just like my excitement.

The last thing I love is the difference between being in villages and outside. When I noticed that you always have some kind of melody playing when you’re in a settlement it dawned on me how quiet it was outside of them. I love this contrast between being alone in the wilderness with all the quiet and the sudden swell in music when you’re with other people.

This OST amazes me with how much emotion it can convey with often just the smallest amount of notes. An amazing soundtrack for just as an amazing game.

Super Mario Odyssey

So, last Nintendo game on this list, I swear.

This one is a small surprise, but at the same time, it really isn’t. I’ve never really been a fan of the main Mario games, they just aren’t really my thing. (the spin-offs are my jam). However, I’ve always enjoyed Mario’s music. The upbeat tunes really get stuck in your head and the melodies are always so recognizable. Heck, my favourite OST was from Super Mario Sunshine back in the day!

With Odyssey, I really enjoyed both the game and the soundtrack aspect. The worlds are colourful and the gameplay is super fun. Combine that with the stellar soundtrack and the game was such a fun experience, it’s definitely in my top 10. But what I really enjoyed is the diversity of the track. When you listen to the soundtrack on Youtube and you just click on two different parts of the video, I can guarantee that they’ll probably sound completely different but at the same time somehow coherent. The best tracks, in my opinion, are the upbeat ones for sure. The feeling of excitement and adventure just swells so much it’s amazing.

Then you’ve got “Jump up Superstar”. I fucking love this song. It’s so much fun, has such a great tune which gets stuck in your head and the lyrics are so easy to sing along. All things I love in a song. I actually listened to the song on repeat before I even got the game and I couldn’t wait to get to New Donk City to LIVE the song. And I wasn’t disappointed, it was one if not the best moments in the game.

Great game, great soundtrack, 100% fun.

Bravely Default / Bravely Second

(technically on a Nintendo Console, but whatev) I’m just gonna lump this two together, since BS’s the sequel.

Now, JRPGs aren’t really my thing. They often take too long for my tastes, I can’t for the life of me concentrate on the story and characters and after some time they just get stale for me. But now and then, I pick up a series I actually finish and that was Bravely Default and Second. I think I just have such a huge soft spot for the series cause of the art style/atmosphere and the fact that I played 8 hours straight of BD on a flight from Canada home.

I haven’t played the games in forever but when I think about what I like about them, there are 3 things I always think about: characters, art style and soundtrack. The songs might sound generic to most, but to me, with my little knowledge of JRPGs, find them quiet unique. It does at some points remind me of Final Fantasy but I think something just makes the tracks just sound like Bravely, though I can’t put my finger on it.

I don’t know the names of the themes, but even now there are just certain tracks which I link to a certain reaction. Like “oh no, not them again” or “Now shit is getting down”. Or every time the main theme plays, I get absolutely pumped.

Haven’t played the games in forever, but the soundtrack’s still in my mind.

Kingdom Hearts

From one RPG to the next, here’s a very special soundtrack. Kingdom Hearts is a franchise near and dear to my heart. It’s one of the first, if not THE first, RPG I ever played. I just get so nostalgic with this game. I can just remember watching my brother playing KH2, seeing two characters from my favourite franchise run around with this spiky haired boy with this stupidly big key. So much stuff happened I didn’t even understand back then, but just seeing these animated characters laugh and cry and go on this grand adventure, little me was mesmerized.

I’ll be honest, I wasn’t too happy with KH3. I’ve waited so long for it, just like hundreds of other people, but the end product just, I dunno, lacked the heart it used to. One thing however didn’t, the soundtrack. As sad I was to not enjoy the game as a whole as much as I wanted to, the soundtrack became one of my instant favourites. It sounds grandiose and has so much emotion. Each track sounds amazing but the OST really shines in its more calm and beautiful themes and its epic ones.

My favourite songs are the serene ones, however. “Sincerely Beloved” and the other Utada songs are some of my favourite songs ever and I can’t tell you how close I came to crying with the Sea Salt Icecream Trios themes. Heck, I played Xion’s theme back in the day on the piano and I still can play it now.

As much as KH has gone down in heart, the soundtrack stands up there as one of the best, much thanks to Utada Hikaru as well. It will always be important to me and just reminds me of my childhood. Some very fond memories.

Undertale

Well, let’s get outta the nostalgia feel and turn it up a bit!

Ah, Toby Fox, you madlad. Creating such a great game and subverting so many expectations. Undertale really had a big impact on the gaming scene but for me, the soundtrack really lasted. Don’t get me wrong, I still love the characters and story very much, but I still listen to the soundtrack regularly.

Undertale’s OST is comprised of sad, melancholic, upbeat and downright hype tunes. It has a wide spectrum but Toby Fox really does know how to push Leitmotif. All themes kind of flow great into each other but still manage to stand out and are recognizable. Each character theme fits the character perfectly and I love how their themes usually have some melodies/instruments from the area they’re in. And speaking of areas, as much as I love the character themes I just might prefer the atmosphere tracks even more. I mean, “Snowdin” just sounds like this super laid back, cute little town, “Home” is such a calming song and “It’s raining somewhere else” has such mystique. And, of course, the fact that the tracks have character/plot relevance is just amazing.

Not to mention, Toby Fox created one of the best Meme songs in existence.

Love the game, love the soundtrack even more and I’ll listen to “Death by Glamour” til I die.

Horizon Zero Dawn

I’m so happy I picked up this game. I never bought it cos A, I feel overwhelmed by open world games, and B, it COSTS SO MUCH. But I found it for half the prise and I bought it right before exam week. I know, smart move.

But anyways, the soundtrack. There aren’t any tracks that really stand out to me but I just like it as a whole. It’s such an atmospheric OST and when listening to it as BG music you just HEAR where you are, which tribe you’re in, what you probably did in the game when it played.

And that’s actually a big factor. All in all, I don’t think it’s such a special OST. It sounds great, most tracks are solid, but what really makes it shine is how much it enhances the experience of the game. The gameplay and story are great, but the OST just makes everything so much better, with setting the tone and atmosphere and all that.

I could go on and on about this game, but the soundtrack can be shaved down to a few words. Solid, great and atmospheric.

Monster Hunter World / Iceborne

So, I’ll drop this to second to last because I already made a super long analysis of the soundtrack. I’ll link it here.

https://anime-grimmy.tumblr.com/post/188601659768/some-monster-hunter-ramblings-possible-spoilers

But to put it simply, this is probably my favourite soundtrack at the moment. I just haven’t experienced so many emotions while listening to an OST since a certain game that’s next on the list. I still can’t listen to “Succession of Light” without almost crying (who am I kidding, I cry every time). I dunno why, but so many tracks make me feel such a barrage of emotions, be it excitement for adventure, hype for the hunt or just simply a childlike wonder.

Simply a great soundtrack that will be on top for a long time.

Okami

Technically a game from 2006, but the PS4 version came out like 2017 and I REALLY WANNA TALK ABOUT THIS GAME.

This is my absolute favourite game of all time. Since I played it first when I was about 9 years old, I just really loved this game. I replayed it more times than I can count and dude, I speedrun this game in record time.

For people who don’t know this game, you play as the Sun God Amaterasu, who has been summoned in the body of a white wolf. You job is to banish the evil from Nippon. To say this game awakened my fondness of Japanese culture is, well, spot on. I’ve played this game before I even knew what anime was. The atmosphere, style, themes and mostly the music mesmerized me. It was all so, well, foreign. Even nowadays it stands out from anything else I’ve played.

But on to the OST. Next to it being just amazing in general, it just is so Japanese and that’s what has always stuck out to me. I grew up with very traditional and classical music, back then I didn’t even listen to English/American music. So to hear these melodies and instruments that just sound so unfamiliar was very intriguing. And that just topped of the already amazing tracks. Okami does a great job of having super epic, exciting but also sombre and atmospheric music. It’s also very animated and comedic with it’s use of music. So, the mix of foreign sounds and great timing of amazing tracks just makes the experience all so much more memorable.

Even after 10+ years, Okami never gets boring and no matter how much I play it, the moment I face a boss and the epic music swells, or the moment a calm scene passes and the melody slows, my heart fills with emotion and I’m so glad I played it again.

Well, that’s that! I know it probably often sounds kind of sappy, but music is very special and important to me. If music doesn’t evoke emotions in me, I don’t care about it, even if it sounds great. For me it’s important that, when I listen to a soundtrack, I can remember the game or the scene it played in and the emotions I felt in that moment.

Soundtracks are supposed to make a emotional connection between you and the game and that’s why they are essential. At least that’s how I see it.

Anyways, if you made it this far, I bow my head to you. Thanks for reading and I hope you could somehow share my perspective of these games’ soundtrack. Feel free to tell me about your fav tracks!

It’s been a nice decade, enjoy the rest of 2019!

#favourite gaming soundtracks #2010s #pokemon #pokemon sword and shield #animal crossing #legend of zelda #mario oddesy #bravely default #undertale #kingdom hearts #monster hunter world #monster hunter iceborne #okami #horizon zero dawn #rambling

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applegelstore · 6 years

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My sis and I are through with the actual main plot of KH3, so I can officially go back to scheduled ToZ fangirling now. …Well, I promised Cray a bit of fix-it-fanart, so after that, I guess.

Hit the cut for a resume. It got super long and has endgame story spoilers, so you might not want to stumble upon it by accident.

Another extra big shoutout (again!) to @crazayrock for bearing my liveblogging on Discord, screaming without context and occasional spoilers. And linking me fluffy Soriku doujinshi. Here, have my favourite, spoiler-heavy excerpt of our conversation:

Okay anyway, let’s get started: GAMEPLAY

Kingdom Hearts 3 is BEAUTIFUL. The gameplay is so smooth and intuitive that you can immediately get to playing like you’d never done anything else; in fact so smooth that I doubt I will ever be able to pick up the first game ever again. It’s always been fun, but the looooooong years’ gap actually did wonders to the gameplay.

The keyblade form changes are fun and keep things fresh, you can do flashy triangle button shit every other minute, and shotlock is still insanely useful without being a game-breaker.

It seems easier than the first two main games, though?

The gummi ship is still a pain in the ass to steer, but I do enjoy the open world-like travel options (even if there’s not… much to discover except heartless lasering the shit out of you). I’m also eternally grateful that they kept the gummi ship thing from KH2 where you can just use a new gummi ship once you got the blueprint and don’t buy actual fucking legos as in the first game.

Thank you, Square. Not thanking you for the dumb cherry flan game, though.

The Caribbean being basically an open world stage was delightful! Apparently what our resident island kid needs is a big ship and tropical islands to plunder.

VISUALS AND STUFF

PRETTY LIGHTS EVERYWHERE

The long gap between the games also did wonders to the visuals.

There’s finally, FINALLY a few towns with actual NPCs you can talk to. Why it took the team so many years and the Gods know how many games is beyond me. The magic effects are beautiful, the animations smooth (honestly you can hardly tell apart cutscenes and fully rendered CGI scenes in this day and age of the PS4. I’m probably the only person still amazed by this because the only games I played on PS4 before were a few hours of Child of Light and of course Tales of Zestiria and Berseria. No, I still haven’t played FFXV but that’s a topic for another day). How far videogames have come.Even space finally looks like space, lol. Not really high-end what the PS4 can do I assume but god, it’s such an amazing and much needed upgrade from the terrible textureless colourful tubes you flew through before.

No excuse for the terrible battleship thingy before the Keyblade Graveyard, though. I got lost and beaten up so many times and crashed against more walls than I can count.

Nothing beats the World that Never Was, but the Keyblade Graveyard also has creepy cool potential, as does the beautiful but ghosted City in the Sky.

Still not getting what’s with JRPGs and very Definitely Final Dungeons (TM) that are basically space. …………or heaven. Or nothing. I’m getting the bad kind of original NGE TV series ending vibes. But. Okay.

The soundtrack is splendid

.……I miss Traverse Town and Radiant Garden, however.

Which brings us to:

THE WORLDS

I guess I can live with no more Final Fantasy characters being there (although I always loved that), and the meta jokes in Toy Story world really got me. Seeing Disney characters calling the KH villains call out on their shit was delightful. …the KH characters lampshading their own games’ sloppy dialogue writing was delightful.Still, those Disney worlds are always so much more in my head than what I actually get to play. This has been bugging me ever since the first game and it still does. I do not expect or want to replay the entire movies, but would it hurt to give the cutscenes some goddamn background music? Whenever there’s cutscenes, either the world’s usual BGM keeps playing or the music stops altogether. Together with the shortened dialogues and generally drastically shortened plots with odd cuts, that leads to scenes that are awkward at best. They never even remotely have the impact the movies had. You just sit there and think “oh wow that is so silly and awkward”.

Dancing scene in Corona? My favorite scene in Tangled. Zero impact on me without the lovely BGM (at least they made it a minigame so the moment isn’t over after 3 secs). Just for example. You can ask me like, world by world, but I can think of only exception off the top of my head and it’s not helping:

Let it Go of course. Listen guys, I actually love the song. But it’s so overused (and Frozen is an overrated movie at best that doesn’t deserve its hype in the slightest) that I can’t even really enjoy it being there. Like.

 IF THAT’S OKAY WITH YOU,WHY DIDN’T YOU INCLUDE LITERALLY ANY OTHER ORIGINAL SONG FROM THE ORIGINAL MOVIES. Instead of BGM just not being there entirely, or in odd, cringey re-renderings that nobody wants to listen to (*cough* Atlantica *cough*).

Why torture me and not give me the one good scene from At World’s End (the up is down scene) when you had the chance?Kingdom Hearts is also prone to super lazy level design and wasting chances at wonderful scenery for no apparent reason other than I suppose empty cliffsides are quick to render. All games before did that, and KH3 is, sadly, no exception. We get to see a bit of Corona and Athens and they finally have NPCs, too, but you cannot even get near Arendelle. You cannot enter Elsa’s palace. You spend the entire time there climbing around in the snowy mountains of Norway, and unfortunately it looks less interesting than one would expect from the lovely concept art that the film unfortunately never used.You cannot enter Rapunzel’s tower although Sora can apparently parkour his way up even without her help.

………In short, the places you can go are, again, very limited, and a lot of interesting places and scenes you never get to see.

And to follow the plot you still only need the stuff that does NOT happen in those Disney worlds because they’re all beach filler episodes. It’s always been like that, but I keep wondering whether I’m the only one bothered by that. I’m also still salty they didn’t introduce a single new world from a 2D animated movie.

Also, as I said, I miss Traverse Town, it felt so warm and welcoming and beautiful.

And I get behind The World that Never Was missing although I loved it there, but why not give us back Radiant Garden? Destiny Islands since they’ve been restored? Disney Castle?

As much as I love the series, it never fucking lives up to its own potential. Idk whether it’s made more difficult by copyright issues or whatever, I just know that it bugs me.The first two games also had like twice as many worlds.

PLOT

I mean it’s never been deep; however, it’s complicated. No analysis or whatever from me because plot analysis and meta writing bore me like seven hells, just my emotional reaction: AHHHHHHHHHHHHHHHH  Okay, bad news. I got into it expecting nothing, and still got disappointed. I don’t actually enjoy the prospect of writing essays about it, but here’s my tea with it; in not particular order:

1) the pacing is terrible. Nothing happens for like 30 hours and then suddenly like 20 characters’ arcs are (naturally poorly) resolved within the last few hours of cutscenes. Build up anyone? At least they actually did pick up Maleficent and the box thing again. …In the epilogue.

2) Speaking of build ups, Sora’s breakdown could have been developed nicely and steadily over the game to feel natural, and instead it’s hinted at in the beginning by everyone picking on him, but then it’s never further developed and comes out of fucking nowhere. Like. For real? It felt terribly OOC.

3) Why on earth have they shown 90% of the plot in the trailers already, and why are those scenes so massively disappointing in context

4) Kairi. Oh god, Kairi. What are we gonna do with you. I want to love her, I really do, but she’s a prime example of shittily written female leads. Mostly because she’s not leading. It’s not her fault. She’s just a fictional character. But honest to God, Nomura, why. Her screen time is almost nonexistent, and she’s entirely use- and helpless whenever she’s on screen (which isn’t often). Her ONLY point in the plot is being rescued because she is fucking useless. Why. Just why. Why waste her character like that. All we know is that she’s shoehorned into being the token love interest, but she has zero plot relevance and there is even less build up of her relationship with Sora. It’s all tell and NEVER show; and not even much telling, either. She has literally zero direct interaction with in the entire game before they share their paopu. The question remains: why are straights like this

5) On a related note: look, I don’t even ask for (or expect, or even hope) my ship to be canon. Squeenix doesn’t exactly have a rich history in queer representation. I’m totally fine with Sora and Riku being best friends. BUT. Building up Sora as the most important person in Riku’s life (and arguably, vice versa) over the course of several games, just to then hardly have them interact in the finale and then SUDDENLY bring back Kairi into the equation, who hasn’t interacted with him since the ending of KH2 (except for one unsent(?) letter) is just piss poor writing, period.I actually love Cray’s suggestion she gave me over Discord: let Sora, Kairi and Riku all share a paopu together (and let them group hug, too, you cowards). It would have been the perfect message to send (Sora as truly all-loving hero, and loving all your friends equally; romantic love isn’t more important than platonic love and doesn’t need to be singled out). Really sad that this isn’t what happens. Apparently that wouldn’t have been no homo enough.

LET THE DESTINY TRIO GROUP HUG YOU COWARDS 

Do Riku and Kairi even interact once in the whole game?

 HOW IS THIS A TRIO, IT’S JUST A SHITTILY WRITTEN LOVE TRIANGLE

6) Time travelling is a bitch, Christ. It doesn’t solve plotholes or can be played for drama, it just adds MORE plotholes. It just got WORSE. The cloning blues and people not aging doesn’t help, either.

7) Just so you know, I care absolutely zero for wild fan theories. You’re not Nomura. I want a statement from the man who wrote this shit himself why on bloody earth Sora dies when he apparently successfully found and brought back Kairi (and since nobody aged a day, apparently it didn’t even take that long lol). DUDES, THIS IS KINDA PART OF THE PLOT, AND YOU DON’T BOTHER TO EXPLAIN IT INGAME???? And how was Ienzo/Zexion able to revive Naminé while Kairi was still missing/dead/whatever…?

Okay so in short the writing is worse than ever and that’s saying something.

However, let’s try to find something good in this trainwreck; it wasn’t all bad. There’s some really nice scenes which sadly are better enjoyed without any context at all.

So, guess my favourite scenes.You had time enough, here’s the solution:

1) Purifying uhm er rescuing Aqua. Poor girl. She deserves the rest. Poor, poor Aqua. The only properly wirrten female in the whole damn franchise. Also the only person other than Riku who fucking gets shit done.

2) The Gayblade (TM)

3) Happy Axel in the reunion with his kids. Oh god, the poor chap deserves it so much. Thank you, Nomura. I don’t care that it makes pretty much no sense. Make him happy. Give him his friends back. Just give Axel all his friends and let him happily set things on fire. Hi I love Axel

4) The party at the beach cutscene before the credits roll. Axel and Xion get clothes. Half the organization is on our side now. I almost teared up at the Wayfinder trio saying goodbye to Eraqus’ forceghost. Hey come on he’s the voice of Luke Skywalker

5) Sully yeeting Vanitas

6) Woody calling out Xehanort that nobody loves him

7) Jack Sparrow bad breathing Luxord

I wish we had gotten:

1) justice for Kairi

2) a happy Zexion, the poor emo kid. Well maybe now he will be, with all the orga members who changed sides now, lol.

3) I will never trust mobile games ever again so I don’t want to play KHUX but I would have loved to learn about the Keyblade Wars :;)))) 

WHAT WAS THE KEYBLADE WAR ABOUT CAN WE SPEND MORE TIME IN THAT COOL CITY IN THE SKY WHAT’S THE DEAL WITH MIKLEO I MEAN THAT EPHEMER KIDDO

 WHAT’S WITH THE MASKED DUDES AND DUDETTES FROM THE MOVIE 

WTF WHAT HAPPENED TO THEM AFTER THE MOVIE???? WHERE THOSE KEYBLADE USER NAMES ACTUAL MOBILE GAME PLAYER NAMES??? Next game? PLEASE?

I really, REALLY hope the epilogue means we will get Xiggy/Luxu as our new big bad and we learn more about the five dudes and dudettes from the movie. Please. PLEASE. I’m so up for it. Them finally pickung up the bit with Maleficent and the mysterious box again? Hell yeah.

The secret movie was really unexciting in comparison, although I laughed very hard at the “Verum Rex” scene in Toy Story world. Maybe that’s why it was much cheaper to unlock than in KH1 and KH2.

4) give Ven a drink

DLC ideas I would actually pay for because I’m a sad human being: 1) more Disney worlds 2) Japanese audio 3) at least one of the following as permanently playable characters: Riku, Kairi, Axel, Ven, Aqua. At least as a guest member as in KH2. THIS SUCH A BIG STEP BACKWARDS I’M FUMING

FINAL THOUGHTS

Kingdom Hearts 3 is a hella lot of fun, beautiful, and also moving when it sets its mind to it. Unfortunately it doesn’t always do so. I don’t feel like it wasn’t worth the wait; it was. However, I’m very salty how rotten the writing is. I do not mind logical fallacies, I do not mind the cheesiness and cringeyness; however, I do mind how so many interesting characters do not get the screentime they deserve, and Kairi is a very bad joke.

I’ll probably find more to nitpick about (Gods. Just. Don’t come up with dub excuses why Sora is lv 1 in each game. JUST LEAVE IT BE. You don’t explain why Donald and Goofy are lv 1 again, either. JUST. LEAVE. IT. BE. The sacrifice was dumb and not even moving, I’m just still furious that Kairi’s ONLY point in the plot is being so useless that it’s literally getting herself KILLED and she needs constant rescuing to the point that Sora has to sacrifice himself for her, effectively. Kairi deserves better, Sora deserves better, I deserve better than to think about this absurdity.…I’m just… gonna cherry-pick the good bits from the lore and try to pretend the finale didn’t exist, I guess. GODS.

#long post #random rambling tag

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toonkirby92-blog · 6 years

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I am Setsuna

"Melancholy". That's the term that comes to mind when I think about I am Setsuna. To be brief, I am Setsuna is a JRPG developed by Tokyo RPG Factory and published by Square Enix. I purchased the Nintendo Switch version, not really knowing what to expect--I took a risk. I did my research about this game before buying it and, for the most part, heard good things. Not to mention the fact that the gameplay mechanics were a nostalgic nod to JRPG classic, Chrono Trigger. In any case, I was excited to experience this journey and dive into the game's narrative. Now, I wouldn't call myself an RPG/JRPG enthusiast, as I have only played a small number of quality RPG's outside of the Super Mario universe------>>>

------>😅

Even so, I kinda have an idea of what makes a great RPG/JRPG: Awesome musical score, deep narative, interesting characters, and creative/enjoyable gameplay/battle sequences. And I feel that I am Setsuna covered all of the above.

The music in the game only featured piano arrangments (may have heard another percussion instrument in one of the songs 🤔), but that played perfectly into its tone and environments. I loved the snow!! I found it bold to have the game only feature one type of instrument and weather condition throughout, but it didn't really bother me as I went through the game. The game's narrative gave off a sad tone, but in a good way, if that makes any sense lol. The story kinda foreshadows the ending, so I expected it to end in a bittersweet way. I also enjoyed the characters, each with their own design and quirks that made them stand out from one another; I was very fond of Setsuna and Kir's design. Like mentioned earlier, the battles play very similar, if not, the same as Chrono Trigger, but since I never played that game (just watched my brother play it a million times🤭), it was still a fresh experience. Like most JRPG's, battle mechancis may seem complex at first, but before you know it, you'll be pulling off some awesome combos!!

Overall, I really enjoyed I am Setsuna and would highly recommend it to any RPG fan and gamer alike.

Standouts

*MUSICAl SCORE 😭🎹🎼

*CHARACTER DESIGNS/ART STYLE

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gamesnerd · 6 years

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YS VIII LACRIMOSA OF DANA

Let’s talk about the Ys series, specifically Ys VIII, Lacrimosa of Dana.

On a whim, and after watching a game review on Youtube from Beatemups, I went across town and bought Ys VIII, Lacrimosa of Dana. It was probably the best decision I have ever made in my entire life.

The game opens up with Adol, our fiery-haired protagonist and his lifelong friend Dogi washing up on a mysterious and uncharted island called Seiren. The main objective of the game is to find other castaways, protect your village, and to eventually get off of the island. Through your play though you will find that it is extremely easy to fall in love with not just the main group of people but all of the side characters, each of them having their own style and personality. As you get deeper into the game, you learn about the island’s mysterious past through another main playable character, Dana.

Essentially, you’re playing two different games as one and the game so effortlessly ties in a bigger, deeper story all at the same time. It’s not confusing or convoluted, it’s actually the opposite, it’s SO easy to get sucked into whatever it is you’re doing.

Speaking of getting sucked in, let’s talk about raids, quests, and building up and fortifying your village. Normally whenever I play JRPGs of any kind, quests and menial tasks are my least favorite part. They're always so boring and I feel like they have nothing to do with the story sometimes. Ys VIII is different. I felt myself wanting to do quests because in doing so I got to learn more about the castaways, I got to gift them presents that specifically catered to their personality and like I mentioned before, each and every one of them is a treat to engage with. The raids can get a little tough a hard to keep up with at times but that only made me want to grind more so that I could eventually work towards the game’s true ending.

Ys plays as an action RPG but at the same time it plays different than any action RPG I have played before. It is extremely fast paced and so smoooooooth! I tend to stay away from turn based RPGs mainly because the slow battle systems bore me and Ys VIII is definitely not that! Because the game is so fast paced it keeps you on your toes all the time, and let me tell you, the music matches whatever it is you’re doing. The entire album for this game is JUST SO GOOD. Every single song is amazing (you can listen to it on Apple Music).

After buying this game on a whim, I can confidently say that it is probably the best RPG I have played to date. I fell in love with this series and I fell hard (I went out and bought literally almost all of the games in the series). Please do yourself a favor and check out this game if you're looking for something to do. The Ys series has been going on since the 80s, it’s older than I am. There’s a reason why it’s been going on for so long. The story in Ys VIII was engaging, the dialogue between the characters are lovable and funny, the music is to die for, it looks damn good, I genuinely felt sad when I finished it. I did not want to leave, instead I wanted to keep adventuring with Adol and his friends. I cannot wait for the next installment.

Ys VIII is available on the PS4, Nintendo Switch, and the PS Vita.

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uniquemekylieb · 6 years

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You 👏 know 👏what👏 you 👏gotta 👏do 👏for Kylia (or Kaija, take your pick. Or both!)

Hmmm, I think I’ll do Kylia first and do Kaija (my poor girl, I still love you 😭) in another post~ Another few hours, annnnnd go!

SUPER DETAILED QUESTIONS ABOUT YOUR OC

1. What’s their full name? Why was that chosen? Does it mean anything?

- Her full name is Kylia Lucis Caelum. Her name was chosen from her father liking one name (Kylis) and her mother liking another (Ilia), and instead of choosing between the two, they decided to mash them together. Luckily, it turned out well.

2. Do they have any titles? How did they get them?

- She does; Her Royal Highness, Princess of Lucis. She acquired it by being born to royalty.

3. Did they have a good childhood? What are fond memories they have of it? What’s a bad memory of it?

- Her childhood was rather tumultuous. It was good overall, but her being a princess didn’t help it any. Fond memories include numerous times her mother would brush her hair, any times she and her brother played together, being able to be with her parents at all. A bad memory would be her mother’s passing.

4. What is their relationship with their parents? What’s a good and bad memory with them? Did they know both parents?

- Her relationship with her parents was a little strained, but otherwise really good. One of her good memories of them together are any of the times they would be able to put her to bed or otherwise spend time with her before bedtime when she was young. She has a particularly bad memory of when she was young; she was five and really wanted to spend time with her parents, playing, reading, dress up, tea parties, anything. However her parents, being the King and Queen of Lucis, were incredibly busy and burdened with their duties. They had told her they couldn’t at that moment, as they had many times before, and she just snapped at them, yelling how they were always too busy for her and she would never important enough. They ultimately postponed any other duties for the rest of the day and spent with her and her brother.

5. Do they have any siblings? What’s their names? What is their relationship with them? Has their relationship changed since they were kids to adults?

- She has one older brother; Noctis Lucis Caelum. Her relationship with him in the present is not where she would like it to be, and she tries her hardest to make it better. When they were kids they were extremely close (they are roughly 11 months apart in age), but as they grew up and their responsibilities grew and changed with them, they haven’t been as close as they once were, which Kylia wishes weren’t the case.

6. What were they like at school? Did they enjoy it? Did they finish? What level of higher education did they reach? What subjects did they enjoy? Which did they hate?

- She was an excellent student in her tutoring sessions and ultimately at the Royal Academy. She thoroughly enjoyed her studies, and she graduated with a Bachelor’s degree in only a year and half after her high school education at 19 due to the college classes she took during high school. She enjoyed most of her classes, some favorites being the fine arts classes, history, and english. She was okay with math and most sciences, but she absolutely despised chemistry.

7. Did they have lots of friends as a child? Did they keep any of their childhood friends into adulthood?

- Being the princess, she wasn’t given the opportunity to have too many friends a child. However, in her small circle of friends, she has kept all of them into adulthood; Lunafreya nox Fleuret, Ravus nix Fleuret, Trinity Lasitene, her brother, and Gladiolus Amicitia.

8. Did they have pets as a child? Do they have pets as an adult? Do they like animals?

- Unfortunately, she was able to have pets as a child as she wasn’t responsible enough to care for one on her own; as an adult she is now unable to own one due to her duties and responsibilities. However, she loves animals, and she love to own a dog someday.

9. Do animals like them? Do they get on well with animals?

- Animals like her rather well, however, for some reason cats do not tend to be fond of her.

10. Do they like children? Do children like them? Do they have or want any children? What would they be like as a parent? Or as a godparent/babysitter/etc?

- She likes children well enough. She isn’t fawning over them all the time, but she will be kind and gentle with them and try to be a good role model for them. She doesn’t have any children, but she would want them if she was married and deeply in love with her spouse. She worries sometimes that she wouldn’t be a good mother, but in reality she would be much like her own mother, gentle and patient and always loving. If she were anything other than a parent, however, she wouldn’t be as confident in her nurturing abilities.

11. Do they have any special diet requirements? Are they a vegetarian? Vegan? Have any allergies?

- She isn’t a vegan or vegetarian, but she tries her best to eat as healthy as she can. But sweets are a thing, so she has some trouble with being consistent. She doesn’t have any allergies.

12. What is their favourite food?

- She loves many kinds of food, so it’s hard for her to choose. However, some of her tops are noodles of any kind, spicy foods, many Galahdian dishes, and cakes.

13. What is their least favourite foods?

- She tends to dislike certain ingredients; cherries, sour cream, whipped cream, pudding, mushrooms.

14. Do they have any specific memories of food/ a restaurant/meal?

- Yes; during her secret relationship with Nyx, he introduced her to the packaged noodles that were from Galahd and she absolutely fell in love with them. After that he would bring her freshly made noodles when he could and they would picnic in her room together.

15. Are they good at cooking? Do they enjoy it? What do others think of their cooking?

- She isn’t the worst at cooking, considering she’s only cooked a handful of times, but she’s enjoyed it when she has. Only Trinity has tried her cooking, and she gave her a few tips to improve for the next time.

16. Do they collect anything? What do they do with it? Where do they keep it?

- She doesn’t actively collect anything; the things that would come closest to being collected would be clothes and video games. She loves playing and wearing them. Video games are in her media center and clothes are in her massive walk-in closet.

17. Do they like to take photos? What do they like to take photos of? Selfies? What do they do with their photos?

- Kylia hadn’t been interested in it too much until she met Prompto. As they became friends she became more interested in it. When she does take photos, she takes photos of what seems like everything, including selfies sometimes. However, she loves taking aesthetic photos the most. She doesn’t really do anything with them currently, but she’ll show Trinity and the guys.

18. What’s their favourite genre of: books, music, TV shows, films, video games and anything else?

- Books: YA, Romance, Poetry Music: All kinds except rap TV shows: Comedies, Dramas, Reality shows, Anime Films: Rom-coms, Dramas, Sci-fi Video Games: First person shooters, JRPG style, 3D platformers, Action, Thrillers

19. What’s their least favourite genre?

- Books: Most nonfiction Music: Rap TV shows: She isn’t sure yet. Films: Horror Video Games: Horror, bit games, side scrollers

20. Do they like musicals? Music in general? What do they do when they’re favourite song comes on?

- Kylia absolutely loves musicals (she wishes she could be in one), and she loves music. If her favorite song comes on, she either dances or sings like she’s performing it.

21. Do they have a temper? Are they patient? What are they like when they do lose their temper?

- She doesn’t really have to much of a temper, because she can be pretty patient. If she ever does lose her temper, her become sharp and can cut like a knife. A quiet rage kind of temper because she knows she can go on a tangent if she speaks.

22. What are their favourite insults to use? What do they insult people for? Or do they prefer to bitch behind someone’s back?

- She doesn’t have a particular favorite; sometimes they don’t even make sense. If she insults someone, it’ll be about their character. She will be harsh and sarcastic to their face, but prefers to actually insult them and bitxh behind their back.

23. Do they have a good memory? Short term or long term? Are they good with names? Or faces?

- She has a great long term memory, not so much with her short term memory. She is, however, really good with names and faces.

24. What is their sleeping pattern like? Do they snore? What do they like to sleep on? A soft or hard mattress?

- Her sleeping pattern is overall pretty good, but it can get pretty awful if any circumstances come into play. She doesn’t tend to snore, but if she does it’s really quiet. She likes to sleep on her stomach, one of her legs bent out to the side, the other straight out, and cuddling her pillow. She prefers a decently hard mattress with a little softness in it.

25. What do they find funny? Do they have a good sense of humour? Are they funny themselves?

- Kylia finds many things funny; videos, photos, people, situations. She has a good sense of humor most of the time. She tries to be funny, but it doesn’t always work. However, when she isn’t trying, she tends to be much funnier than when she is.

26. How do they act when they’re happy? Do they sing? Dance? Hum? Or do they hide their emotions?

- She can hide her emotions rather well, but around those she trusts, she will just tend to be in a really good mood and act accordingly. Occasionally, she’ll sing.

27. What makes them sad? Do they cry regularly? Do they cry openly or hide it? What are they like when they’re sad?

- Before the Fall, not much made her sad, just not being able to see her father and brother too often and the weight of her title and what came with it, with an occasional sad video or picture. After the Fall, the entire situation of what Lucis now is. She absolutely does not cry regularly. When she cries, she will try her best to hide it or hold it so she doesn’t bother others with it. When she’s sad, she will be much quieter and mope more.

28. What is their biggest fear? What in general scares them? How do they act when they’re scared?

- She has a lot of fears; death, falling from heights, rats to name a few. After the Fall, she seems to be afraid of more things than usual. When she’s scared, she’ll tend to freeze or tense up, her breath will quicken, and she’ll try to get away from what’s causing her fear. She’ll also talk a lot and very fast, and depending on its proximity to her, she may squeal or shout.

29. What do they do when they find out someone else’s fear? Do they tease them? Or get very over protective?

- If she finds out someone else’s fear, she will do her best to keep it away from them or not cause it. She will be over protective of them if someone tries to use it against them or tease them about it.

30. Do they exercise? Regularly? Or only when forced? What do they act like pre-workout and post-workout?

- Before the Fall, her exercise was regular with her weapons training. After the Fall, her exercise has turned into a lot of cardio from running and strength from fighting. Gladio will help her with her exercise sometimes. Pre-workout tends to be her regular self; post-workout, though, she will be tired and not nearly the same as usual.

31. Do they drink? What are they like drunk? What are they like hungover? How do they act when other people are drunk or hungover? Kind or teasing?

- She does drink, more than she did before the Fall, which was only on special occasions. When she’s drunk is much more outgoing and fun, talking easily and without trouble but definitely concentrating when she tries to walk. She hasn’t ever had a hangover, amazingly. If people she doesn’t know are drunk around her, she’ll be extremely uncomfortable, but if it’s those she trusts, she’ll be a mix of kind and teasing.if they’re hung over, she’ll be much kinder.

32. What do they dress like? What sort of shops do they buy clothes from? Do they wear the fashion that they like? What do they wear to sleep? Do they wear makeup? What’s their hair like?

- Kylia dresses in all sorts of things, from ballgowns to sweats. If she buys any clothes, she’ll get them from all sorts of stores from low to high-end. She’s always worn whatever fashion she wanted, considering it’s appropriate for where she’s going and the occasion. When she sleeps she will wear shorts and a camisole in the summer, and in the winter she will wear fleecy pajama pants and some sort of thermal shirt with fuzzy socks. Before the Fall, she would wear more makeup than she does after the fall, which is now just mascara, tinted moisturizer, minimal eyebrows, the slightest bit of blush, and a tinted lip balm. Her hair before the Fall was always exquisitely done in some sort of hairstyle, but now it’ll either be just brushed and down, or in a low maintenance ponytail or braid.

33. What underwear do they wear? Boxers or briefs? Lacey? Comfy granny panties?

- Kylia has sorts of underwear (none of the male kind). On a regular basis, she’ll wear cotton cheeky or hipster panties with a bit of lace on the edges, and if she’s trying to impress someone (😏) they’ll be lacy all over and possibly a thong. However, if she’s on her menstrual cycle, it’s granny panties all they way.

34. What is their body type? How tall are they? Do they like their body?

- Kylia is 5'7" with thin build. She really doesn’t have any kind of opinion on her body, but at times when her mental health takes a dive she won’t be the most comfortable with it.

35. What’s their guilty pleasure? What is their totally unguilty pleasure?

- Guilty pleasures: Self pleasure 😏👀 (she tries not to indulge too much), certain songs, daydreaming of the past and what could have been Unguilty pleasures: Too many to list.

36. What are they good at? What hobbies do they like? Can they sing?

- Kylia has many hobbies she enjoys when she can do them, which includes, dancing, singing, drawing, playing video games (with or without Noctis), and sewing. She can sing very well, and anyone who has heard her hasn’t been disappointed. During their relationship, Nyx would have her sing quietly to him sometimes during their rendezvous’.

37. Do they like to read? Are they a fast or slow reader? Do they like poetry? Fictional or nonfiction?

- She does like to read, and she’s a rather fast reader. She does like poetry and fictional novels, with an occasional nonfiction here and there.

38. What do they admire in others? What talents do they wish they had?

- She wishes she could do a lot of different things, most notably garden and drive. She admires others ability to motivate themselves in a snap; she needs to work up to that motivation a little.

39. Do they like letters? Or prefer emails/messaging?

- She does like letters; she thinks it’s much more personal being able to see the senders handwriting. While she likes messaging, she hates emails.

40. Do they like energy drinks? Coffee? Sugary foods? Or can they naturally stay awake and alert?

- Kylia doesn’t really like energy drinks, but she does like sugary foods and has been gradually been warming up to coffee (thanks to a certain advisor). However she can stay awake and alert most of the time without those things.

41. What’s their sexuality? What do they find attractive? Physically and mentally? What do they like/need in a relationship?

- She considers herself to be straight (although the slightest bit curious) and polyamorous. Physically, there’s not too much, but she does like a tall stature, toned muscles, a 👌 voice, and an overall nice face. Mentally, she likes if they are stable, just as (if not a little more) intelligent than she is, well-read, and mature (though still with some childlike attributes). She wants to be able to laugh and have fun with her partner, to be able to lean on and rely on them if she’s struggling, to feel secure and loved by them always, and they have to see eye to eye with her on certain political and other topics.

42. What are their goals? What would they sacrifice anything for? What is their secret ambition?

- Her main goal is to live the happiest life she can, and whatever that entails. She would sacrifice anything for those she loved to be safe and happy. Her not-so-secret ambition is to save and restore Lucis.

43. Are they religious? What do they think of religion? What do they think of religious people? What do they think of non religious people?

- She has an odd relationship with religion. While she does pray to the Astrals, she doesn’t live her life by the “religion”. She doesn’t mind religion, as long as people don’t let it consume their lives and force it on others. She doesn’t have any certain opinions on people who are and aren’t religious.

44. What is their favourite season? Type of weather? Are they good in the cold or the heat? What weather do they complain in the most?

- Kylia loves the fall the most, hands down. She loves every single aspect of it. She loves either cool rainy days or when the sun is out but the air is crisp and cool. She’s much better in the cold than she is in the heat, which is why she is insufferable in the late spring and summer.

45. How do other people see them? Is it similar to how they see themselves?

- Considering she is a public figure, there are people who see her one way or another, but overall the people of Lucis adore her. There is just a select few who actively try to take her out (garbage jesus). In a way, it is both similar and not to the way she sees herself.

46. Do they make a good first impression? Does their first impression reflect them accurately? How do they introduce themselves?

- Kylia does her best to make a good first impression, especially as she is a royal. Her first impression always reflects herself accurately. She will tend to introduce herself with a smile; any other interactions depend on the person.

47. How do they act in a formal occasion? What do they think of black tie wear? Do they enjoy fancy parties and love to chit chat or loathe the whole event?

- Kylia acts with the utmost etiquette of a princess as she has been groomed to throughout her whole life. She doesn’t mind black tie wear at all; she absolutely loves getting dressed to the nines and wearing gorgeous gowns. As for how she enjoys the event, it depends. If her depression or anxiety flare up, she struggles to get through it, but if they don’t, she will be just fine and enjoy the occasion.

48. Do they enjoy any parties? If so, what kind? Do they organize the party or just turn up? How do they act? What if they didn’t want to go but were dragged Long by a friend?

- It’s hard to say, seeing as she’s never been to that kind of party. But hypothetically, she would probably just show up, maybe organize on occasion. She would most likely mingle with her closest friends and occasionally mingle with new faces. If she were dragged along, she would stay with that friend most of the time or leave.

49. What is their most valued object? Are they sentimental? Is there something they have to take everywhere with them?

- Kylia has one thing she treasures the most: a music box with a beautiful glass unicorn inside that has gold accents. It was given to her by her mother, and she loves it more than any other thing. She can be very sentimental with her things. One thing that’s always on her is a beautiful pendant necklace her father gave her for her 16th birthday. Other than that, it would be her phone.

50. If they could only take one bag of stuff somewhere with them, what would they pack? What do they consider their essentials?

- She would take the essentials to live: clothes, shoes, toiletries, hair brush, feminine products, medical supplies. She would take her phone charger, a blanket and small pillow, and a few sentimental things for her to feel a little more at home.

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