#then i had a massive breakdown

[alaskan-wallflower]

alaska how’s that 4/14 on your test feel

[weaver-z]

Danger? Heh. Danger is my deadname. I'm actually really scared,

[s-lay-ing]

GOING SEVENTEEN 2022: Mingyu edition 💎

[extreme-technicality]

rotating Imogen and Ashton in my head like Beyblades

[melit0n]

Part two of my FX Sleep Token post! Again, hope these make sense, and I'm not just spouting nonsense lol.

Part Two includes: Sundowning and This Place Will Become Your Tomb (below the cut, of course)

Part One -> One, Two, Jaws and The Way That You Were

Part Three -> Take Me Back To Eden

+ If I've missed something, feel free to add your own thoughts!

Note- some of these are FX, others are sound mixing and music bits I wanted to mention. Any song you don't see mentioned are songs that I couldn't find anything to pull out of them. Plus, reminder; these are my interpretations, I'm sorry if you can't hear what I hear, or you think something different.

The Night Does Not Belong To God

- At 2:48, an odd, muffled noise emerges. To me, it sounds like an excerpt of a crackled phone call; the type where whoever you're calling is far away, and both of you can barely hear what eachother are saying. It reappears, quietly, at 3:00, 3:12 and 3:55 (loudest and closest to actual words here). A fruitless confession the other will never hear. (I hope that makes sense).

The Offering

- At 3:40, a drum beat starts that sounds like a panicked heartbeat. With the build up of backing vocals, and white noise, it creates a very stressed atmosphere; makes you feel like you want to run. It's primal, almost.

Dark Signs

- Massive use of backing vocals in place of instruments (along with the usual synths and beats) in this one. Lots of general vocalisations and the lyric "I might break and bend to my basic need to be loved and close to somebody" in the background of the chorus. The build up of the backing vocals make the song slighty cluttered, in a good way, and gives off this impression of a bunch of different thoughts overlapping eachother; an uninterpretable inner monologue.

Give

- White noise that raises by two chords at the end of each lyric. It's subtle, but it makes the song feel more full. This is throughout the whole song, minus the chorus.

+ Would just like to mention Vessel's breathing at the end of Gods. Gods itself doesn't have any specific FX notes, but I felt like that alone needed a mention.

Drag Me Under

- Unironically, the opening chords sound like Undertale's Fallen Down

- My favourite thing about this whole song, other than how ethereal and soft it feels, is that the vocals steadily get louder, along with the instruments. Vessel's asking to be dragged under, and, as the listener, it can be interpreted two ways. The person Vessel is looking for is 'under', where you are as the listener, and he is steadily decending towards them until he gets cut off. So close, yet so far, y'know? Or, you are, as the listener, above Vessel. He's asking to descend, but, instead, he's acending towards the listener and away from what he wants. Away from love, and towards Sleep. Hope that makes sense.

+ I just wanted to mention the piano at 1:15 in Blood Sport. I had my friend listen to their albums, and her instant reaction to this part was "Sounds like stars twinkling and atoms colliding. Kind of like the start of Gustav Holst's Jupiter." and I thought that was pretty cool, so I thought I'd mention it.

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Album Notes: My favourite album by far. Sleep Token moves away from the minimal instruments and focuses more on more traditional metal aspects with their songs, allowing for the existence of Gods, The Offering and Higher (while also staying in tune with a 'softer' side, creating Drag Me Under, Take Aim and Shelter). The whole album has a sense of endless, almost unreachable longing to it. Almost feels religious, in some aspects. Again, with the five stages of grief, it's bargaining. Wishing for something you had, but you've lost.

Atlantic

- At 2:37, Vessel starts up with some vocalisations that sound like two whales replying to eachother. And then, of course, there's the actual, digital-sounding whale call sound that's used. Having had a bit of a look around, what they're mimicking is closest to a Sperm Whale's greeting chirp or a Blue Whale's typical mourning call, which, considering both are common in the Atlantic Ocean, fits wonderfully.

Like That

- All of the beginning beats are muffled. Also, if you turn your sound up and put headphones on, there's a continuous door knocking from 0:00-0:15. First lyric? "Trapped under the surface of your words". We listen to Vessel from under the surface Their words.

Descending

- Whole song has a muffled, water effect on it. Can especially he heard in the first 15 seconds. Deeper into the song you go, as the listener, the more the water effect can be heard. You, as the listener, are decending further; drowning.

High Water

- In the final breakdown, from 4:40-the end, there's muffled screaming, shouting and sobbing. It can be heard most in the last 20 seconds.

Fall For Me

- Lyrics from Distraction are mirrored in this one

E.g; "'Cause I'm broken into fractions" -> "Through a fractured existence"

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Album Notes: This whole album has a water like effect to it; so many instruments are muffled as if being played underwater and there are water motifs in general. It puts equal focus on more heavy songs, no trad metal this time though, in High Water, Hyponsis and Alkaline, while also, for the first time, allowing for soft piano and acoustic songs like Telomeres, Missing Limbs and Fall For Me. The album as a whole is tragically beautiful in its own sense, and full of yearning and longing. If we're still sticking with the five stages of grief thing, then we've finally hit depression, and it definitely feels like. I will admit this is the only album that gets tears and sobs outta me.

Thank you for reading through all my thoughts and feelings, whoever you are. Remember, the night belongs to you; worship <3.

[bubbleteasing]

Blood under the bridge chapter 6 is finally here…

[yrlocalghost]

almost burst into tears on the bus on the way to work 🙂🎉

[marc--chilton]

(mgv) lawrence trying to give adam the confidence to go back to school and be the vet he wanted to be only for adam to tell him he's happy as he is. he's got hobbies, slightly better friends, not to mention a hot alpha doctor boyfriend. and lawrence keeps pushing until adam shuts him up by wrapping his arms around him and standing on tiptoes so he can kiss lawrence's scent gland.

"or you could let me stay home and make a big nest we can fill with pups. i think i like that option better, doc. don't you?"

and lawrence tries to argue his point, really, but. adam is really good at deterring him. he's had a lot of practice

[vanmarkham]

the true linkedin experience is

job thats labeled entry level but wants you to have a masters and 4 years of experience

the Military

we try to cap weekly hours at 50/week c: work weekends as needed

the worst company you can think of

[yiyuss]

just got diagnosed with costochondritis. and what the fuck.

[lususnatura]

blamore when he's in love with someone is like the epitome of ' how deep is your love. ' and honestly, in addition to that song being a banger (the bee gee's has made a lot of those in my opinion though NGL LOL), i say this because it really is that lover who silently wants their partner to give them ALL of their love and who is that ride or die whom won't let anyone break them down + will always have a 'it's both of us versus the world' mindset.

because whenever it comes to love... it is all or nothing with blamore. which means he will be completely devoted to whoever this partner at the time may be, and will kind of have an unspoken expectation that they'll also be devoted to him, but in a very sweet way like twin-flames or something. Because, and don't tell it i said this (nahhh, i'm just kidding around with y'all LOL i know he isn't real ofc but you know the vibes), the plant-hybrid is sort of a romantic deep down

[canonically-a-genloser]

also btw can i say i hate capitalism

[pepprs]

being here while HORRIFICALLY depressed has been so hard. im constantly on the verge of tears. every little moment is agonizing and reinforces the ultimate truth that i am alone and always was and always will be. and i hide it from everyone and do such a good job of hiding it that no one knows how bad it is. and even if they did they couldn’t help me because im not family or anything but my family absolutely can’t / isn’t going to help either. i don’t know. im just in so much pain and there is absolutely no end in sight unless i make one and i am not strong enough.

[maxellminidisc]

Sometimes I wish I could like idk beam the experience of agoraphobia into my family's head cause I think they genuinely think it's like anxiety+ when it's like more than that. The anxiety and panic is absolutely a stepping stone but it just becomes it's own nasty cycle.

Idk it's like incredibly hard to live every day feeling like home simultaneously is the only safe place to be and all at once a prison of your own making. Nowhere else is as safe, nowhere else spares you the embarrassment and shame of freaking out, but you miss the world so fucking much and you hate yourself so much because you cant control your fear enough to grasp it. You feel like a fucking failure of a human being.

[gideonisms]

burnout is supposed to end at some point, I have read this. However, how do you know when it has ended and you should gradually force yourself through more activities to get used to living a life again, and when doing that will send you Directly back to an even worse ring of hell. Is there like a guidebook or

[creature-once-removed]

.